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THE CENTURY HANDBOOK SERIES
THE CENTURY HANDBOOK OF WRITING.
By Garland Greever and Easley S. Jones.
THE CENTURY VOCABULARY BUILDER.
By Garland Greever and Joseph M. Bachelor.
THE CENTURY DESK BOOK OF GOOD ENGLISH.
By Garland Greever and Joseph M. Bachelor.
A BUSINESS MAN'S DESK BOOK.
By Garland Greever and Joseph M. Bachelor.
THE FACTS AND BACKGROUNDS OF LITERATURE, English and American.
By George F. Reynolds, University of Colorado, and Garland Greever.
PARLIAMENTARY PRACTICE.
By General Henry M. Robert.
Other Volumes To Be Arranged
THE CENTURY VOCABULARY BUILDER.
By GARLAND GREEVER
and
JOSEPH M. BACHELOR
TO
DANA H. FERRIN
WHOM THIS BOOK OWES MORE THAN A MERE DEDICATION CAN ACKNOWLEDGE
PREFACE
You should know at the outset what this book does not attempt to do. It does not, save to the extent that its own special purpose requires, concern itself with the many and intricate problems of grammar, rhetoric, spelling, punctuation, and the like; or clarify the thousands of individual difficulties regarding correct usage. All these matters are important. Concise treatment of them may be found in THE CENTURY HANDBOOK OF WRITING and THE CENTURY DESK BOOK OF GOOD ENGLISH, both of which manuals are issued by the present publishers. But this volume confines itself to the one task of placing at your disposal the means of adding to your stock of words, of increasing your vocabulary.
It does not assume that you are a scholar, or try to make you one. To be sure, it recognizes the ends of scholarship as worthy. It levies at every turn upon the facts which scholarship has accumulated. But it demands of you no technical equipment, nor leads you into any of those bypaths of knowledge, alluring indeed, of which the benefits are not immediate. For example, in Chapter V it forms into groups words etymologically akin to each other. It does this for an end entirely practical—namely, that the words you know may help you to understand the words you do not know. Did it go farther—did it account for minor differences in these words by showing that they sprang from related rather than identical originals, did it explain how and how variously their forms have been modified in the long process of their descent—it would pass beyond its strict utilitarian bounds. This it refrains from doing. And thus everything it contains it rigorously subjects to the test of serviceability. It helps you to bring more and more words into workaday harness—to gain such mastery over them that you can speak and write them with fluency, flexibility, precision, and power. It enables you, in your use of words, to attain the readiness and efficiency expected of a capable and cultivated man.
There are many ways of building a vocabulary, as there are many ways of attaining and preserving health. Fanatics may insist that one should be cultivated to the exclusion of the others, just as health-cranks may declare that diet should be watched in complete disregard of recreation, sanitation, exercise, the need for medicines, and one's mental attitude to life. But the sum of human experience, rather than fanaticism, must determine our procedure. Moreover experience has shown that the various successful methods of bringing words under man's sway are not mutually antagonistic but may be practiced simultaneously, just as health is promoted, not by attending to diet one year, to exercise the next, and to mental attitude the third, but by bestowing wise and fairly constant attention on all. Yet it would be absurd to state that all methods of increasing one's vocabulary, or of attaining vigor of physique, are equally valuable. This volume offers everything that helps, and it yields space in proportion to helpfulness.
Aside from a brief introductory chapter, a chapter (number X) given over to a list of words, and a brief concluding chapter, the subject matter of the volume falls into three main divisions. Chapters II and III are based on the fact that we must all use words in combination—must fling the words out by the handfuls, even as the accomplished pianist must strike his notes. Chapters IV and V are based on the fact that we must become thoroughly acquainted with individual words—that no one who scorns to study the separate elements of speech can command powerful and discriminating utterance. Chapters VI, VII, VIII, and IX are based on the fact that we need synonyms as our constant lackeys—that we should be able to summon, not a word that will do, but a word that will express the idea with precision. Exercises scattered throughout the book, together with five of the six appendices, provide well-nigh inexhaustible materials for practice.
For be it understood, once for all, that this volume is not a machine which you can set going and then sit idly beside, the while your vocabulary broadens. Mastery over words, like worthy mastery of any kind whatsoever, involves effort for yourself. You can of course contemplate the nature and activities of the mechanism, and learn something thereby; but also you must work—work hard, work intelligently. As you cannot acquire health by watching a gymnast take exercise or a doctor swallow medicine or a dietician select food, so you cannot become an overlord of words without first fighting battles to subjugate them. Hence this volume is for you less a labor-saving machine than a collection and arrangement of materials which you must put together by hand. It assembles everything you need. It tags everything plainly. It tells you just what you must do. In these ways it makes your task far easier. But the task is yours. Industry, persistence, a fair amount of common sense—these three you must have. Without them you will accomplish nothing.
Even with them—let the forewarning be candid—you will not accomplish everything. You cannot learn all there is to be learned about words, any more than about human nature. And what you do achieve will be, not a sudden attainment, but a growth. This is not the dark side of the picture. It is an honest avowal that the picture is not composed altogether of light. But as the result of your efforts an adequate vocabulary will some day be yours. Nor will you have to wait long for an earnest of ultimate success. Just as system will speedily transform a haphazard business into one which seizes opportunities and stops the leakage of profits, so will sincere and well-directed effort bring you promptly and surely into an ever-growing mastery of words.
CONTENTS
CHAPTERS
I. REASONS FOR INCREASING YOUR VOCABULARY.
II. WORDS IN COMBINATION: SOME PITFALLS.
Tameness
Exercise
Sovenliness
Exercises
Wordiness
Exercises
Verbal Discords
Exercise
1. Abstract vs. Concrete Terms; General vs. Specific Terms
Exercise
2. Literal vs. Figurative Terms
Exercise
3. Connotation
Exercise
III. WORDS IN COMBINATION: HOW MASTERED
Preliminaries: General Purposes and Methods
1. A Ready, an Accurate, or a Wide Vocabulary?
2. A Vocabulary for Speech or for Writing?
The Mastery of Words in Combination
1. Mastery through Translation
Exercise
2. Mastery through Paraphrasing
Exercise
3. Mastery through Discourse at First Hand
Exercise
4. Mastery through Adapting Discourse to Audience
Exercise
IV. INDIVIDUAL WORDS: AS VERBAL CELIBATES
What Words to Learn First
The Analysis of Your Own Vocabulary
Exercise
The Definition of Words
Exercise
How to Look up a Word in the Dictionary
Exercise
Prying into a Word's Past
Exercise
V. INDIVIDUAL WORDS: AS MEMBERS OF VERBAL FAMILIES
Words Related in Blood
Exercise
Words Related by Marriage
Exercise
Prying into a Word's Relationships
Exercise
Two Admonitions
General Exercise for the Chapter (with Lists of
Words Containing the Same Key-Syllables)
Second General Exercise (with Additional Lists)
Third General Exercise
Fourth General Exercise
Latin Ancestors of English Words
Latin Prefixes
Greek Ancestors of English Words
Greek Prefixes
VI. WORDS IN PAIRS.
Opposites
Exercise
Words Often Confused
Exercise
Parallels (with Lists)
Exercise
VII. SYNONYMS IN LARGER GROUPS (1)
How to Acquire Synonyms
Exercise (with Lists)
VIII. SYNONYMS IN LARGER GROUPS (2)
Exercise (with Lists)
IX. MANY-SIDED WORDS
Exercise
Literal vs. Figurative Applications
Exercise
Imperfectly Understood Facts and Ideas
Exercise
X. SUPPLEMENTARY LIST OF WORDS
Exercise
XI. RETROSPECT
APPENDICES
1. The Drift of Our Rural Population Cityward (an Editorial) 2. Causes for the American Spirit of Liberty (by Edmund Burke) 3. Parable of the Sower (Gospel of St. Matthew) 4. The Seven Ages of Man (by William Shakespeare) 5. The Castaway (by Daniel Defoe) 6. Reading Lists
INDEX
CENTURY VOCABULARY BUILDER
I
REASONS FOR INCREASING YOUR VOCABULARY
Sometimes a dexterous use of words appears to us to be only a kind of parlor trick. And sometimes it is just that. The command of a wide vocabulary is in truth an accomplishment, and like any other accomplishment it may be used for show. But not necessarily. Just as a man may have money without "flashing" it, or an extensive wardrobe without sporting gaudy neckties or wearing a dress suit in the morning, so may he possess linguistic resources without making a caddish exhibition of them. Indeed the more distant he stands from verbal bankruptcy, the less likely he is to indulge in needless display.
Again, glibness of speech sometimes awakens our distrust. We like actions rather than words; we prefer that character, personality, and kindly feelings should be their own mouthpiece. So be it. But there are thoughts and emotions properly to be shared with other people, yet incapable of being revealed except through language. It is only when language is insincere—when it expresses lofty sentiments or generous sympathies, yet springs from designing selfishness—that it justly arouses misgivings. Power over words, like power of any other sort, is for use, not abuse. That it sometimes is abused must not mislead us into thinking that it should in itself be scorned or neglected.
Our contempt and distrust do not mean that our fundamental ideas about language are unsound. Beneath our wholesome dislike for shallow facility and insincerity of speech, we have a conviction that the mastery of words is a good thing, not a bad. We are therefore unwilling to take the vow of linguistic poverty. If we lack the ability to bend words to our use, it is from laziness, not from scruple. We desire to speak competently, but without affectation. We know that if our diction rises to this dual standard, it silently distinguishes us from the sluggard, the weakling, and the upstart. For such diction is not to be had on sudden notice, like a tailor-made suit. Nor can it, like such a suit, deceive anybody as to our true status. A man's utterance reveals what he is. It is the measure of his inward attainment. The assertion has been made that for a man to express himself freely and well in his native language is the surest proof of his culture. Meditate the saying. Can you think of a proof that is surer?
But a man's speech does more than lend him distinction. It does more than reveal to others what manner of man he is. It is an instrument as well as an index. It is an agent—oftentimes indeed it is the agent—of his influence upon others. How silly are those persons who oppose words to things, as if words were not things at all but air-born unrealities! Words are among the most powerful realities in the world. You vote the Republican ticket. Why? Because you have studied the issues of the campaign and reached a well-reasoned conclusion how the general interests may be served? Possibly. But nine times in ten it will be because of that word Republican. You may believe that in a given instance the Republican cause or candidate is inferior; you may have nothing personally to lose through Republican defeat; yet you squirm and twist and seek excuses for casting a Republican ballot. Such is the power—aye, sometimes the tyranny—of a word. The word Republican has not been selected invidiously. Democrat would have served as well. Or take religious words—Catholic, Methodist, Presbyterian, Episcopalian, Baptist, Lutheran, or what not. A man who belongs, in person or by proxy, to one of the sects designated may be more indifferent to the institution itself than to the word that represents it. Thus you may attack in his presence the tenets of Presbyterianism, for example, but you must be wary about calling the Presbyterian name. Mother, the flag—what sooner than an insult coupled with these terms will rouse a man to fight? But does that man kiss his mother, or salute the flag, or pay much heed to either? Probably not. Words not realities? With what realities must we more carefully reckon? Words are as dangerous as dynamite, as beneficent as brotherhood. An unfortunate word may mean a plea rejected, an enterprise baffled, half the world plunged into war. A fortunate word may open a triple-barred door, avert a disaster, bring thousands of people from jealousy and hatred into coöperation and goodwill.
Nor is it solely on their emotional side that men may be affected by words. Their thinking and their esthetic nature also—their hard sense and their personal likes and dislikes—are subject to the same influence. You interview a potential investor; does he accept your proposition or not? A prospective customer walks into your store; does he buy the goods you show him? You enter the drawing room of one of the elite; are you invited again and again? Your words will largely decide—your words, or your verbal abstinence. For be it remembered that words no more than dollars are to be scattered broadcast for the sole reason that you have them. The right word should be used at the right time—and at that time only. Silence is oftentimes golden. Nevertheless there are occasions for us to speak. Frequent occasions. To be inarticulate then may mean only embarrassment. It may—some day it will—mean suffering and failure. That we may make the most of the important occasions sure to come, we must have our instruments ready. Those instruments are words. He who commands words commands events—commands men.
II
WORDS IN COMBINATION: SOME PITFALLS
You wish, then, to increase your vocabulary. Of course you must become observant of words and inquisitive about them. For words are like people: they have their own particular characteristics, they do their work well or ill, they are in good odor or bad, and they yield best service to him who loves them and tries to understand them. Your curiosity about them must be burning and insatiable. You must study them when they have withdrawn from the throng of their fellows into the quiescence of their natural selves. You must also see them and study them in action, not only as they are employed in good books and by careful speakers, but likewise as they fall from the lips of unconventional speakers who through them secure vivid and telling effects. In brief, you must learn word nature, as you learn human nature, from a variety of sources.
Now in ordinary speech most of us use words, not as individual things, but as parts of a whole—as cogs in the machine of utterance by which we convey our thoughts and feelings. We do not think of them separately at all. And this instinct is sound. In our expression we are like large-scale manufacturing plants rather than one-man establishments. We have at our disposal, not one worker, but a multitude. Hence we are concerned with our employees collectively and with the total production of which they are capable. To be sure, our understanding of them as individuals will increase the worth and magnitude of our output. But clearly we must have large dealings with them in the aggregate.
This chapter and the following, therefore, are given over to the study of words in combination. As in all matters, there is a negative as well as a positive side to be reckoned with. Let us consider the negative side first.
<Tameness>
Correct diction is too often insipid. There is nothing wrong with it, but it does not interest us—it lacks character, lacks color, lacks power. It too closely resembles what we conceive of the angels as having— impeccability without the warmth of camaraderie. Speech, like a man, should be alive. It need not, of course, be boisterous. It may be intense in a quiet, modest way. But if it too sedulously observes all the Thou shalt not's of the rhetoricians, it will refine the vitality out of itself and leave its hearers unmoved.
That is why you should become a disciple of the pithy, everyday conversationalist and of the rough-and-ready master of harangue as well as of the practitioner of precise and scrupulous discourse. Many a speaker or writer has thwarted himself by trying to be "literary." Even Burns when he wrote classic English was somewhat conscious of himself and made, in most instances, no extraordinary impression. But the pieces he impetuously dashed off in his native Scotch dialect can never be forgotten. The man who begins by writing naturally, but as his importance in the publishing world grows, pays more and more attention to felicities—to "style"—and so spoils himself, is known to the editor of every magazine. Any editorial office force can insert missing commas and semicolons, and iron out blunders in the English; but it has not the time, if indeed the ability, to instil life into a lifeless manuscript. A living style is rarer than an inoffensive one, and the road of literary ambition is strewn with failures due to "correctness."
Cultivate readiness, even daring, of utterance. A single turn of expression may be so audacious that it plucks an idea from its shroud or places within us an emotion still quivering and warm. Sustained discourse may unflaggingly clarify or animate. But such triumphs are beyond the reach of those, whether speakers or writers, who are constantly pausing to grope for words. This does not mean that scrutiny of individual words is wasted effort. Such scrutiny becomes the basis indeed of the more venturesome and inspired achievement. We must serve our apprenticeship to language. We must know words as a general knows the men under him—all their ranks, their capabilities, their shortcomings, the details and routine of their daily existence. But the end for which we gain our understanding must be to hurl these words upon the enemy, not as disconnected units, but as battalions, as brigades, as corps, as armies. Dr. Johnson, one of the most effective talkers in all history, resolved early in life that, always, and whatever topic might be broached, he would on the moment express his thoughts and feelings with as much vigor and felicity as if he had unlimited leisure to draw on. And Patrick Henry, one of the few really irresistible orators, was wont to plunge headlong into a sentence and trust to God Almighty to get him out.
EXERCISE - Tameness
1. Study Appendix I (The Drift of Our Rural Population Cityward). Do you regard it as written simply, with force and natural feeling? Or does it show lack of spontaneity?—suffer from an unnatural and self- conscious manner of writing? Is the style one you would like to cultivate for your own use?
2. Express, if you can, in more vigorous language of your own, the thought of the editorial.
3. Think of some one you have known who has the gift of racy colloquial utterance. Make a list of offhand, homely, or picturesque expressions you have heard him employ, and ask yourself what it is in these expressions that has made them linger in your memory. With them in mind, and with your knowledge of the man's methods of imparting his ideas vividly, try to make your version of the editorial more forceful still.
4. Study Appendix 2 (Causes for the American Spirit of Liberty) as an example of stately and elaborate, yet energetic, discourse. The speech from which this extract is taken was delivered in Parliament in a vain effort to stay England from driving her colonies to revolt. Some of Burke's turns of phrase are extremely bold and original, as "The religion most prevalent in our northern colonies is a refinement on the principle of resistance; it is the dissidence of dissent and the Protestantism of the Protestant religion." Moreover, with all his fulness of diction, Burke could cleave to the heart of an idea in a few words, as "Freedom is to them [the southern slave-holders] not only an enjoyment, but a kind of rank and privilege." Find other examples of bold or concise and illuminating utterance.
5. Read Appendix 3 (Parable of the Sower). It has no special audacities of phrase, but escapes tameness in various ways—largely through its simple earnestness.
6. Make a list of the descriptive phrases in Appendix 4 (The Seven Ages of Man) through which Shakespeare gives life and distinctness to his pictures.
7. Study Appendix 5 (The Castaway) as a piece of homely, effective narrative. (Defoe wrote for the man in the street. He was a literary jack-of-all-trades whom dignified authors of his day would not countenance, but who possessed genius.) It relies upon directness and plausibility of substance and style rather than temerity of phrase. Yet it never sags into tameness. Notice how everyday expressions ("My business was to hold my breath," "I took to my heels") add subtly to our belief that what Defoe is telling us is true. Notice also that such expressions ("the least capful of wind," "half dead with the water I took in," "ready to burst with holding my breath") without being pretentious may yet be forceful. Notice finally the naturalness and lift of the sinewy idioms ("I fetched another run," "I had no clothes to shift me," "I had like to have suffered a second shipwreck," "It wanted but a little that all my cargo had slipped off").
8. Once or twice at least, make a mental note of halting or listless expressions in a sermon, a public address, or a conversation. Find more emphatic wording for the ideas thus marred.
9. To train yourself in readiness and daring of utterance, practice impromptu discussion of any of the topics in Activity 1 for EXERCISE - Discourse.
<Slovenliness>
Though we are to recognize the advantage of working in the undress of speech rather than in stiffly-laundered literary linens, though we are not to despise the accessions of strength and of charm which we may obtain from the homely and familiar, we must never be careless. The man whose speech is slovenly is like the man who chews gum—unblushingly commonplace.
We must struggle to maintain our individuality. We must not be a mere copy of everybody else. We must put into our words the cordiality we put into our daily demeanor. If we greeted friend or stranger carelessly, conventionally, we should soon be regarded as persons of no force or distinction. So of our speech and our writing. Nothing, to be sure, is more difficult than to give them freshness without robbing them of naturalness and ease. Yet that is what we must learn to do. We shall not acquire the power in a day. We shall acquire it as a chess or a baseball player acquires his skill—by long effort, hard practice.
One thing to avoid is the use of words in loose, or fast-and-loose, senses. Do not say that owning a watch is a fine proposition if you mean that it is advantageous. Do not say that you trembled on the brink of disaster if you were threatened with no more than inconvenience or comparatively slight injury. Do not say you were literally scared to death if you are yet alive to tell the story.
EXERCISE - Slovenliness I
Give moderate or accurate utterance to the following ideas:
The burning of the hen-coop was a mighty conflagration.
The fact that the point of the pencil was broken profoundly surprised me.
We had a perfectly gorgeous time.
It's a beastly shame that I missed my car.
It is awfully funny that he should die.
The saleslady pulled the washlady's hair.
A cold bath is pretty nice of mornings.
To go a little late is just the article.
Another thing to avoid is the use of words in the wrong parts of speech, as a noun for a verb, or an adjective for an adverb. Sometimes newspapers are guilty of such faults; for journalistic English, though pithy, shows here and there traces of its rapid composition. You must look to more leisurely authorities. The speakers and writers on whom you may rely will not say "to burglarize," "to suspicion," "to enthuse," "plenty rich," "real tired," "considerable discouraged," "a combine," or "humans." An exhaustive list of such errors cannot be inserted here. If you feel yourself uncertain in these details of usage, you should have access to such a volume as The Century Desk Book of Good English.
EXERCISE - Slovenliness II
1. For each quoted expression in the preceding paragraph compose a sentence which shall contain the correct form, or the grammatical equivalent, of the expression.
2. Correct the following sentences:
The tramp suicided.
She was real excited.
He gestured angry.
He was some anxious to get to the eats.
All of us had an invite.
Them boys have sure been teasing the canine.
Another thing to avoid is triteness. The English language teems with phrases once strikingly original but now smooth-worn and vulgarized by incessant repetition. It can scarcely be said that you are to shun these altogether. Now and then you will find one of them coming happily as well as handily into your speech. But you must not use them too often. Above all, you must rid yourself of any dependence upon them. The scope of this book permits only a few illustrations of the kinds of words and phrases meant. But the person who speaks of "lurid flames," or "untiring efforts," or "specimens of humanity"—who "views with alarm," or has a "native heath," or is "to the manner born"—does more than advertise the scantness of his verbal resources. He brands himself mentally indolent; he deprives his thought itself of all sharpness, exactness, and power.
EXERCISE - Slovenliness III
Replace with more original expressions the trite phrases (italicized) in the following sentences:
Last but not least, we have in our midst one who began life poor but honest.
After we had done justice to a dinner and gathered in the drawing room, we listened with bated breath while she favored us with a selection.
A goodly number of the fair sex, perceiving that the psychological moment had come, applauded him to the echo.
We were doomed to disappointment; the grim reaper had already gathered unto himself all that was mortal of our comrade.
No sooner said than done. I soon found myself the proud possessor of that for which I had acknowledged a long-felt want.
After the last sad rites were over and her body was consigned to earth, we began talking along these lines.
With a few well-chosen words he brought order out of chaos.
The way my efforts were nipped in the bud simply beggars description. I am somewhat the worse for wear. Hoping you are the same, I remain Yours sincerely, Ned Burke.
Finally, to the extent that you use slang at all, be its master instead of its slave. You have many times been told that the overuse of slang disfigures one's speech and hampers his standing with cultivated people. You have also been told that slang constantly changes, so that one's accumulations of it today will be a profitless clutter tomorrow. These things are true, but an even more cogent objection remains. Slang is detrimental to the formation of good intellectual habits. From its very nature it cannot be precise, cannot discriminate closely. It is a vehicle for loose-thinking people, it is fraught with unconsidered general meanings, it moves in a region of mental mists. It could not flourish as it does were fewer of us content to express vague thoughts and feelings instead of those which are sharply and specifically ours. Unless, therefore, you wish your intellectual processes to be as hazy and haphazard as those of mental shirkers and loafers, you must eschew, not necessarily all slang, but all heedless, all habitual use of it. Now and then a touch of slang, judiciously chosen, is effective; now and then it fulfils a legitimate purpose of language. But normally you should express yourself as befits one who has at his disposal the rich treasuries of the dictionary instead of a mere stock of greasy counterfeit phrases.
EXERCISE - Slovenliness IV
Replace the following slang with acceptable English:
We pulled a new wrinkle.
He's an easy mark.
Oh, you're nutty.
Beat it.
I have all the inside dope.
You can't bamboozle me.
What a phiz the bloke has!
You're talking through your hat.
We had a long confab with the gink.
He's loony over that chicken.
The prof. told us to vamoose.
Take a squint at the girl with the specs.
Ain't it fierce the way they swipe umbrellas?
Goodnight, how she claws the ivory!
Nix on the rough stuff.
And there I got pinched by a cop for parking my Tin Lizzie.
<Wordiness>
As a precaution against tameness you should cultivate spontaneity and daring. As a precaution against slovenliness you should cultivate freshness and accuracy. But to display spontaneity, daring, freshness, accuracy you must have or acquire a large stock, a wide range, of words. Now this possession, like any other, brings with it temptation. If we have words, we like to use them. Nor do we wait for an indulgence in this luxury until we have consciously set to work to amass a vocabulary.
Verbosity is, in truth, the besetting linguistic sin. Most people are lavish with words, as most people are lavish with money. This is not to say that in the currency of language they are rich. But even if they lack the means—and the desire—to be extravagant, they yet make their purchases heedlessly or fail to count their linguistic change. The degree of our thrift, not the amount of our income or resources, is what marks us as being or not being verbal spendthrifts. The frugal manager buys his ideas at exactly the purchase price. He does not expend a twenty-dollar bill for a box of matches.
Have words by all means, the more of them the better, but use them temperately, sparingly. Do not think that a passage to be admirable must be studded with ostentatious terms. Consider the Gettysburg Address or the Parable of the Prodigal Son. These convey their thought and feeling perfectly, yet both are simple—exquisitely simple. They strike us indeed as being inevitable—as if their phrasing could not have been other than it is. They have, they are, finality. What could glittering phraseology add to them? Nothing; it could only mar them. Yet Lincoln and the Scriptural writers were not afraid to use big words when occasion required. What they sought was to make their speech adequate without carrying a superfluous syllable.
"The sun set" is more natural and effective than "The celestial orb that blesses our terrestrial globe with its warm and luminous rays sank to its nocturnal repose behind the western horizon." Great writers—the true masters—have often held "fine writing" and pretentious speaking up to ridicule. Thus Shakespeare has Kent, who has been rebuked for his bluntness, indulge in a grandiloquent outburst:
"Sir, in good sooth, in sincere verity,
Under the allowance of your grand aspect,
Whose influence, like the wreath of radiant fire
On flickering Phoebus' front,—"
No wonder Kent is interrupted with a "What meanest by this?" Sometimes great writers use ornate utterance for humorous effects. Thus Dickens again and again has Mr. Micawber express a commonplace idea in sounding terms which at length fail him, so that he must interject an "in short" and summarize his meaning in a phrase amusing through its homely contrast. But humor based on ponderous diction is too often wearisome. Better say simply "He died," or colloquially "He kicked the bucket," than "He propelled his pedal extremities with violence against the wooden pail which is customarily employed in the transportation of the aquatic fluid."
EXERCISE - Wordiness I
Express these ideas in simpler language:
The temperature was excessive.
The most youthful of his offspring was not remarkable for personal
pulchritude.
Henry Clay expressed a preference for being on the right side of public
questions to occupying the position of President of the United States of
America.
He who passes at an accelerated pace may nevertheless be capable of
perusing.
A masculine member of the human race was mounted on an equine quadruped.
But the number of the terms we employ, as well as their ostentatiousness, must be considered. Most of us blunder around in the neighborhood of our meaning instead of expressing it briefly and clearly. We throw a handful of words at an idea when one word would suffice; we try to bring the idea down with a shotgun instead of a rifle. Of course one means of correction is that we should acquire accuracy, a quality already discussed. Another is that we should practice condensation.
First, let us learn to omit the words which add nothing to the meaning. Thus in the sentence "An important essential in cashing a check is that you should indorse it on the back," several words or groups of words needlessly repeat ideas which are expressed elsewhere. The sentence is as complete in substance, and far terser in form, when it reads "An essential in cashing a check is that you should indorse it."
Next, let us, when we may, reduce phrases and even clauses to a word. Thus the clause at the beginning and the phrase at the close of the following sentence constitute sheer verbiage: "Men who have let their temper get the better of them are often in a mood to do harm to somebody." The sentence tells us nothing that may not be told in five words: "Angry men are often dangerous."
Finally, let us substitute phrases or clauses for unnecessary sentences. The following series of independent assertions contains avoidable repetitions: "One morning I was riding on the subway to my work. It was always my custom to ride to my work on the subway. This morning I met Harry Blake." The full thought may better be embodied in a single sentence: "One morning, while I was, as usual, riding on the subway to my work, I met Harry Blake."
By applying these instructions to any page at hand—one from your own writing, one from a letter some friend has sent you, one from a book or magazine—you will often be able to strike out many of the words without at all impairing the meaning. Another means of acquiring succinct expression is to practice the composition of telegrams and cable messages. You will of course lessen the cost by eliminating every word that can possibly be spared. On the other hand, you must bear it in mind that your punctuation will not be transmitted, and that the recipient must be absolutely safeguarded against reading together words meant to be separated or separating words meant to be read together. That is, your message must be both concise and unmistakably clear.
EXERCISE - Wordiness II
1. Condense the editorial (Appendix 1) by eliminating unnecessary words and finding briefer equivalents for roundabout expressions.
2. Try to condense similarly the Parable of the Sower (Appendix 3) and the Seven Ages of Man (Appendix 4). (The task will largely or altogether baffle you, but will involve minute study of tersely written passages.)
3. Condense the following:
A man whose success in life was due solely to his own efforts rose in his place and addressed the man who presided over the meeting.
A girl who sat in the seat behind me giggled in an irritating manner.
We heard the wild shriek of the locomotive. Any sound in that savage region seemed more terrible than it would in civilized surroundings. So as we listened to the shriek of the locomotive, it sounded terrible too.
I heard what kind of chauffeur he was. A former employer of his told me. He was a chauffeur who speeded in reckless fashion because he was fond of having all the excitement possible.
4. Condense the following into telegrams of ten words or less:
Arrived here in Toledo yesterday morning talked with the directors found them not hostile to us but friendly.
Detectives report they think evidence now points to innocence of man arrested and to former employee as the burglar.
5. The following telegrams are ambiguous. Clarify them.
Jane escaped illness I feared Charley better.
Buy oil if market falls sell cotton.
6. Base a telegraphic night letter of not more than fifty words upon these circumstances:
(a) You have been sent to buy, if possible and as cheaply as possible, a majority of the stock in a given company. You find that many of the stockholders distrust or dislike the president and are willing to sell. Some of these ask only $50 a share for their holdings; the owners of 100 shares want as much as $92; the average price asked is $76. By buying out all the president's enemies, which you can now do beyond question, you would secure a bare majority of the stock. But $92 a share seems to you excessive; that is, you think that by working quietly among the president's friends you can get 100 shares at $77 or thereabouts and thus save approximately $1500. On the other hand, should your dealings with the friends of the president give him premature warning, he might stop the sales by these friends and himself begin buying from his enemies, and thus make your purchase of a majority of the stock impossible. Is the $1500 you would save worth the risk you would be obliged to take? You call for instructions.
(b) You are telegraphing a metropolitan paper the results of a Congressional election. Philput, the Republican candidate, leads in the cities, from which returns are now complete. Wilkins, the Democratic candidate, leads in the country, from only certain districts of which— those nearest the cities—returns have been heard. If the present proportionate division of the rural vote is maintained for the total, Philput will be elected by a plurality of three hundred votes. Philput asserts that the proportions will hold. Wilkins points out, however, that he is relatively stronger in the more remote districts and predicts that he will have a plurality of seven hundred votes. Smallbridge, an independent candidate, is apparently making a better race in the country than in the city, but he is so weak in both places that the ballots cast for him can scarcely affect the outcome unless the margin of victory is infinitesimal.
7. Compress 6a and 6b each into a telegram of not more than ten words.
8. (Do not read this assignment until you have composed the night letters and telegrams called for in 6 and 7.) Compare your first night letter in 6 and your first telegram in 7 with the versions given below. Decide where you have surpassed these versions, where you have fallen short of them.
Night letter: Two factions in company I can buy from enemies president bare majority stock at average seventy-six but hundred of these shares held at ninety-two I could probably get hundred quietly from friends president about seventy-seven but president might detect move and buy majority stock himself wire instructions. (Fifty words.)
Telegram: Wire whether buy safe or risk control saving fifteen hundred. (Ten words.)
A final device for escaping wordiness you will have discovered for yourself while composing telegrams and telegraphic night letters. It is to pass over details not vital to your purpose. Of course you must have due regard for circumstances; details needed for one purpose may be superfluous for another. But all of us are familiar with the person who loses her ideas in a rigmarole of prosaic and irrelevant facts. Such a person is Shakespeare's scatter-brained Dame Quickly. On one occasion this voluble woman is shrilly reproaching Sir John Falstaff for his indebtedness to her. "What is the gross sum that I owe thee?" he inquires. She might answer simply: "If thou wert an honest man, thyself and the money too. Thou didst promise to marry me. Deny it if thou canst." Instead, she plunges into a prolix recital of the circumstances of the engagement, so that the all-important fact that the engagement exists has no special emphasis in her welter of words. "If thou wert an honest man," she cries, "thyself and the money too. Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal fire, upon Wednesday in Wheeson week, when the prince broke thy head for liking his father to a singing-man of Windsor, thou didst swear to me then, as I was washing thy wound, to marry me and make me my lady thy wife. Canst thou deny it? Did not goodwife Keech, the butcher's wife, come in then and call me gossip Quickly? coming in to borrow a mess of vinegar; telling us she had a good dish of prawns; whereby thou didst desire to eat some, whereby I told thee they were ill for a green wound? And didst thou not, when she was gone down stairs, desire me to be no more so familiarity with such poor people; saying that ere long they should call me madam? And didst thou not kiss me and bid me fetch thee thirty shillings? I put thee now to thy book-oath; deny it if thou canst."
EXERCISE - Wordiness III
1. Study the following paragraph, decide which ideas are important, and strike out the details that merely clog the thought:
As I stepped into the room, I heard the clock ticking and that caused me to look at it. It sits on the mantelpiece with some layers of paper under one corner where the mantel is warped. When the papers slip out or we move the clock a little as we're dusting, the ticking stops right away. Of course the clock's not a new one at all, but it's an old one. It has been in the family for many a long year, yes, from even before my father's time. Let me see, it was bought by my grandfather. No, it couldn't have been grandfather that bought it; it was his brother. Oh, yes, I remember now; my mother told me all about it, and I'd forgotten what she said till this minute. But really my grandfather's brother didn't exactly buy it. He just traded for it. He gave two pigs and a saddle, that's what my mother said. You see, he was afraid his hogs might take cholera and so he wanted to get rid of them; and as for the saddle, he had sold his riding-horse and he didn't have any more use for that. Well, it isn't a valuable clock, like a grandfather clock or anything of that sort, though it is antique. As I was saying, when I glanced at it, it read seven minutes to six. I remember the time very well, for just then the factory whistle blew and I remember saying to myself: "It's seven minutes slow today." You see, it's old and we don't keep it oiled, and so it's always losing time. Hardly a day passes but I set it up—sometimes twice a day, as for the matter of that—and I usually go by the factory whistle too, though now and then I go by Dwight's gold watch. Well, anyhow, that tells me what time it was. I'm certain I can't be wrong.
2. Study, on the other hand, The Castaway (Appendix 5) for its judicious use of details. Defoe in his stories is a supreme master of verisimilitude (likeness to truth). As we read him, we cannot help believing that these things actually happened. More than in anything else the secret of his lifelikeness lies in his constant faithfulness to reality. He puts in the little mishaps that would have befallen a man so situated, the things he would have done, the difficulties he might have avoided had he exercised forethought. Though Defoe had little insight into the complexities of man's inner life, he has not been surpassed in his accumulations of naturalistic outer details. These do not cumber his narrative; they contribute to its purpose and add to its effectiveness. In this selection (Appendix 5) observe how plausible are such homely details as Crusoe's seeing no sign of his comrades "except three of their hats, one cap, and two shoes that were not fellows"; as his difficulty in getting aboard the ship again; and as his having his clothes washed away by the rising of the tide. Find half a dozen other such incidents that You consider especially effective.
<Verbal Discords>
We may pitch our talk or our writing in almost any key we choose. Our mood may be dreamy or eager or hilarious or grim or blustering or somber or bantering or scornful or satirical or whatever we will. But once we have established the tone, we should not—except sometimes for broadly humorous effects—change it needlessly or without clear forewarning. If we do, we create one or the other of two obstacles, or both of them, for whoever is trying to follow what we say. In the first place, we obscure our meaning. For example, we have been speaking ironically and suddenly swerve into serious utterance; or we have been speaking seriously and then incongruously adopt an ironic tone. How are our listeners, our readers to take us? They are puzzled; they do not know. In the second place, we offend—perhaps in insidious, indefinable fashion—the esthetic proprieties; we violate the natural fitness of things. For example, we have been speaking with colloquial freedom, sprinkling our discourse with shouldn't and won't; suddenly we become formal and say should not and will not. Our meaning is as obvious as before, but the verbal harmony has been interrupted; our hearers or readers are uneasily aware of a break in the unity of tone.
A speaker or writer is a host to verbal guests. When he invites them to his assembly, he gives each the tacit assurance that it will not be brought into fellowship with those which in one or another of a dozen subtle ways will be uncongenial company for it. He must never be forgetful of this unspoken promise. If he is to avoid a linguistic breach, he must constantly have his wits about him; must study out his combinations carefully, and use all his knowledge, all his tact. He will make due use of spontaneous impulse; but that this may be wise and disciplined, he will form the habit of curiosity about words, their stations, their savor, their aptitudes, their limitations, their outspokenness, their reticences, their affinities and antipathies. Thus when he has need of a phrase to fill out a verbal dinner party, he will know which one to select.
Certain broad classifications of words are manifest even to the most obtuse user of English. Shady, behead, and lying are "popular" words, while their synonyms umbrageous, decapitate,_ and mendacious are "learned" words. Flabbergasted and higgledy-piggledy are "colloquial," while roseate and whilom are "literary." Affidavit, allegro, lee shore, and pinch hit are "technical," while vamp, savvy, bum hunch, and skiddoo are "slang." It would be disenchanting indeed were extremes of this sort brought together. But offenses of a less glaring kind are as hard to shut out as February cold from a heated house. Unusual are the speeches or compositions, even the short ones, in which every word is in keeping, is in perfect tune with the rest.
For the attainment of this ultimate verbal decorum we should have to possess knowledge almost unbounded, together with unerring artistic instinct. But diction of a kind only measurably inferior to this is possible to us if we are in earnest. To attain it we must study the difference between abstract and concrete terms, and let neither intrude unadvisedly upon the presence or functions of the other; do the same by literal and figurative terms and instruct ourselves in the nature and significance of connotation.
Before considering these more detailed matters, however, we may pause for a general exercise on verbal harmony.
EXERCISE - Discords
1. Study the editorial in Appendix 1 for unforewarned changes in mood and assemblages of mutually uncongenial words. Rewrite the worst two paragraphs to remove all blemishes of these kinds.
2. Compare Burke's speech (Appendix 2) with Defoe's narrative (Appendix 5) for the difference in tone between them. Does each keep the tone it adopts (that is, except for desirable changes)?
3. Note the changes in tone in the Seven Ages of Man (Appendix 4). Do the changes in substance make these changes in tone desirable?
4. In the following passages, make such changes and omissions as are necessary to unify the tone:
How I loved to stroll, on those long Indian summer afternoons, into the quiet meadows where the mild-breathed kine were grazing! An old cow that switches her tail at flies and puts her foot in the bucket when you milk her, I absolutely loathe. How I loved to hear the birds sing, to listen to the fall of ripe autumnal apples!
It wasn't the girl yclept Sally. This girl was not so vivacious as Sally, but she had a mug on her that was a lot less ugly to look at. Gee, when she stood there in front of me with those mute, ineffable, sympathetic eyes of hers, I was ready to throw a duck-fit.
Old Grimes is dead, that dear old soul;
We'll never see him more;
He wore a great long overcoat,
All buttoned down before.
<I. Abstract vs. Concrete Terms; General vs. Specific Terms>
Abstract terms convey ideas; concrete terms call up pictures. If we say "Honesty is the best policy," we speak abstractly. Nobody can see or hear or touch the thing honesty or the thing policy; the apprehension of them must be purely intellectual. But if we say "The rat began to gnaw the rope," we speak concretely. Rat, gnaw, and rope are tangible, perceptible things; the words bring to us visions of particular objects and actions.
Now when we engage in explanations and discussions of principles, theories, broad social topics, and the like—when we expound, moralize, or philosophize,—our subject matter is general. We approach our readers or hearers on the thinking, the rational side of their natures. Our phraseology is therefore normally abstract. But when, on the other hand, we narrate an event or depict an appearance, our subject matter is specific. We approach our readers or hearers on the sensory or emotional side of their natures. Our phraseology is therefore normally concrete.
You should be able to express yourself according to either method. You should be able to choose the words best suited to make people understand; also to choose the words best suited to make people realize vividly and feel. Now to some extent you will adopt the right method by intuition. But if you do not reinforce your intuition with a careful study of words, you will vacillate from one method to the other and strike crude discords of phrasing. Of course if you switch methods intelligently and of purpose, that is quite another matter. An abstract discussion may be enlivened by a concrete illustration. A concrete narrative or portrayal may be given weight and rationalized by generalization. Moreover many things lie on the borderland between the two domains and may properly be attached to either. Thus the abstraction is legitimate when you say or write: "A man wishes to acquire the comforts and luxuries, as well as the necessaries, of life." The concreteness is likewise legitimate when you say or write: "John Smith wishes to earn cake as well as bread and butter."
In most instances general terms are the same as abstract, and specific the same as concrete. Some subtle discriminations may, however, be made. Of these the only one that need concern us here is that the wording of a passage may not be abstract and yet be general. Suppose, for example, you were telling the story of the prodigal son and should say: "He was very hungry, and could not obtain food anywhere. When he had come to his senses, he thought, 'I should be better off at home.'" This language is not abstract, but it is general rather than specific. When Jesus told the story, he wished to put the situation as poignantly as possible and therefore avoided both abstract and general terms: "And he would fain have filled his belly with the husks that the swine did eat: and no man gave unto him. And when he came to himself, he said, How many hired servants of my father's have bread enough and to spare, and I perish with hunger!" Many a person who shuns abstractions and talks altogether of the concrete things of life, yet traps out circumstance in general rather than specific terms. To do this is always to sacrifice force.
EXERCISE - Abstract
1. Discuss as abstractly as possible such topics as those listed in Activity 1 for EXERCISE - Discourse, or as the following:
Is there any such thing as luck?
Is the Golden Rule practicable in the modern business world?
Is modesty rather than self-assertion regarding his own merits and
abilities the better policy for an employee?
Are substantial, home-keeping girls or girls rather fast and frivolous the
more likely to obtain good husbands?
Is it desirable for a young man to take out life insurance?
Is self-education better than collegiate training?
Should one always tell the truth?
2. Discuss as concretely as possible the topics you have selected from 1. Use illustrations drawn from life.
3. Restate in concrete terms such generalizations as the following:
Experience is the best teacher.
Self-preservation is the first law of nature.
To him who in the love of nature holds
Communion with her visible forms, she speaks
A various language.
Necessity is the mother of invention.
The bravest are the tenderest.
Vanity of vanities, all is vanity.
Pride goeth before destruction.
The evil that men do lives after them.
4. Compare the abstract statement "Truths and high ethical principles are received by various men in various ways" with the concrete presentation of the same idea in Appendix 3. Which expression of the thought would be the more easily understood by the average person? Why? Which would you yourself remember the longer? Why?
5. Compare the statement "The second period of a human being's life is that of his reluctant attendance at school" with Shakespeare's picture of the schoolboy in Appendix 4.
6. Burke, near the close of his speech (Appendix 2), presents an idea, first in general terms, and then in specific terms, thus: "No contrivance can prevent the effect of…distance in weakening government. Seas roll, and months pass, between the order and the execution, and the want of a speedy explanation of a single point is enough to defeat a whole system." Find elsewhere in Burke's speech and in the editorial (Appendix I) general assertions which may be made more forceful by restatement in specific terms, and supply these specific restatements.
7. State in your own words the general thought or teaching of the Parable of the Prodigal Son. (Luke 15: 11-24.)
8. Make the following statements more concrete:
In front of our house was a tree that at a certain season of the year displayed highly colored foliage.
A celebrated orator said: "Give me liberty, or give me death!"
On the table were some viands that assailed my nostrils agreeably and others that put into my mouth sensations of anticipated enjoyment.
From this window above the street I can hear a variety of noises by day and a variety of different noises by night.
As he groped through the pitch-dark room he could feel many articles of furniture.
9. State in general terms the thought of the following sentences:
A burnt child dreads the fire.
A stitch in time saves nine.
A cat may look at a king.
A barking dog never bites.
If his son ask bread, will he give him a stone?
If two men ride a horse, one must ride behind.
Stone walls do not a prison make.
A merry heart goes all the day.
Thrice is he armed that hath his quarrel just.
As the twig is bent, so the tree is inclined.
10. Describe a town as seen from a particular point of view, or at a particular time of day, or under particular atmospheric conditions. Make your description as concrete as possible.
11. Compare your description with this from Stevenson: "The town came down the hill in a cascade of brown gables, bestridden by smooth white roofs, and spangled here and there with lighted windows." Stevenson's sentence contains twenty-five words. How many of them are "color" words? How many "motion" words? How many of the first twenty-five words in your description appeal to one or another of the five senses?
12. Narrate as vividly as possible an experience in your own life. Compare what you have written with the account of Crusoe's escape to the island (Appendix 5). Which narrative is the more concrete? How much?
<2. Literal vs. Figurative Terms>
Phraseology is literal when it says exactly what it means; is figurative when it says one thing, but really means another. Thus "He fought bravely" is literal; "He was a lion in the fight" is figurative. Literal phraseology as a rule appeals to our scientific or understanding faculties; figurative to our emotional faculties. Here again, as with abstraction and concreteness, you should learn to express yourself by either method.
Both have their advantages and their drawbacks. We all admire the man who has observed, and can state, accurately. It is upon this belief of ours in the literal that Defoe shrewdly traffics. (See Appendix 5.) He does not stir us as some writers do, but he gains our implicit confidence. Dame Quickly, on the contrary, makes egregious use of the literal. (See paragraph above EXERCISE - Wordiness III above.) Her facts are accurate, yes; but how strictly, how unsparingly accurate! And how many of them are beside the point! She quite convinces us that the devotee of the literal may be dull.
An advantage of the figurative also is that it may make meanings lucid. Thus when Burke near the close of his discussion (Appendix 2) wishes to make it clear that by a law of nature the authority of extensive empires is slighter in its more remote territories, he has recourse to a figure of speech: "In large bodies, the circulation of power must be less vigorous at the extremities. Nature has said it." More often, however, the function of the figurative is to drive home a thought or a mood of which a mere statement would leave us unmoved—to make us feel it. Thus Burke said of the Americans "Their love of liberty, as with you, fixed and attached on this specific point of taxing." He added: "Here they felt its pulse, and as they found that beat they thought themselves sick or sound." Had you been one of his Parliamentary hearers, would not that second sentence have made more real and more important the colonial attitude to taxation? The poets of course make frequent and noble use of the figurative. This is how Coleridge tells us that the descent of a tropical night is sudden:
"The sun's rim dips; the stars rush out;
At one stride comes the dark."
The words rush out and at one stride comes convert the stars and the darkness into vast beings or at least vast personal forces; the comparisons are so natural as to seem inevitable; we are transported to the very scene and feel the overwhelming abruptness of the nightfall. But if a figure of speech seems artificial, if it is strained or far-fetched or merely decorative, it subtracts from the effectiveness of the passage. Thus when Tennyson says:
"When the breeze of a joyful dawn blew free
In the silken sail of infancy."
we must stop and ponder before we perceive that what he means is "When I was a happy child." The figure is like an exotic plant rather than a natural outgrowth of the soil; it appears to us something thought up and stuck on; it is a parasite rather than a helper.
Of course, as with abstraction and concreteness, you should develop facility in gliding from literalness to figurativeness and back again. But you are always to remember that your gymnastics are not to militate against verbal concord. You must never set words scowling and growling at each other through injudicious combinations like this: "She was five feet, four and three-quarter inches high, had a small, round scar between her nose and her left cheek-bone, and moved with the lissom and radiant grace of a queen."
EXERCISE - Literal
1. Give the specifications for a house you intend to build.
2. Make a list of comparisons (as to a nest, a haven, a goal) to show what such a house might mean in the life of a man. Expand as many of these comparisons as you can, but do not carry the process to absurd lengths. (In the figure of the nest you may mention the parent birds, their activities, the nestlings; in the figure of the haven you may mention the quiet, sheltered waters in contrast to the turbulent billows outside; in the figure of the goal you may mention the struggle necessary to reach it.)
3. Describe the looks of the house. Use as many figures of speech as you can. If you can find no appropriate figures, at least make your words specific.
4. Give a surveyor's or a tax assessor's or a conveyancer's description of a piece of land. Then describe the land through figures of speech which will vivify its outward appearance or its emotional significance to the owner.
5. Observe that the Parable of the Sower (Appendix 3) is an extended figure of speech. Is the main figure effective? Are its detailed applications effective?
6. The Seven Ages of Man (Appendix 4) is also an extended figure of speech. Does it, as Shakespeare intends, bring vividly to your consciousness the course, motives, stages, evolution of a human being's life? There are several subsidiary figures. Do these add force, definiteness to the picture Shakespeare is drawing at that moment?
7. Observe from Appendix 3, Appendix 4, and the sentences listed in Activity 9 for EXERCISE - Abstract above, that a thing meant to be concrete is likely to be stated figuratively.
8. Examine The Castaway (Appendix 5) for its proportionate use of literal and figurative elements. See Activity 2 of EXERCISE - Wordiness III above for a statement of Defoe's purpose. Could he have effected this purpose so well had he employed more figures of speech?
9. Examine Appendix 2 for its use of figures. Are the figures appropriate to the subject matter? Are there enough of them?
10. Galvanize the thought of any sentence or paragraph in editorial (Appendix 1) by the use of a figure of speech.
11. Summarize or illustrate your opinion on any of the topics listed in Activity 1 for EXERCISE - Discourse, through the employment of figure of speech.
12. Are these figures effective?
Man is born unto trouble, as the sparks fly upward.
The flower of our young manhood is scaling the ladder of success.
Fair as a star, when only one
Is shining in the sky.
Silence, like a poultice, comes
To heal the blows of sound.
In my head
Many thoughts of trouble come,
Like to flies upon a plum!
Let me tell you first about those barnacles that clog the wheels of society by poisoning the springs of rectitude with their upas-like eye.
The day is done, and the darkness
Falls from the wings of night,
As a feather is wafted downward
From an eagle in his flight.
Yea, though I walk through the valley of the shadow of death,
I will fear no evil.
Life, like a dome of many-colored glass,
Stains the white radiance of eternity.
Mountains stood out like pimples or lay like broken welts across the habitable ground.
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage,
And then is heard no more; it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves.
13. Recast the following sentences to eliminate the clashing of literal and figurative elements:
Life is like a rich treasure entrusted to us, and to sustain it we must have three square meals a day.
She glanced at the mirror, but did not really see herself. She was trying to puzzle out the right course, and could only see as through a glass darkly.
Arming himself with the sword of zeal and the buckler of integrity, he wrote the letter.
He swept the floor every morning, and was a ray of sunshine in the office.
He also emptied the waste baskets and cleaned the cuspidors.
<3. Connotation>
The connotation of a word is the subtle implication, the emotional association it carries—often quite apart from its dictionary definition. Thus the words house and home in large measure overlap in meaning, but emotionally they are not equivalents at all. You can say house without experiencing any sensation whatever, but if you utter the word home it will call back, however slightly, tender and cherished recollections. Bald heads and gray hair are both indicative of age; but you would pronounce the former in disparaging allusion to elderly persons, and the latter with sentiments of veneration. You would say, of a clodpole that he plays the fiddle, but of Fritz Kreisler that he plays the violin. And just as you unconsciously adapt words to feelings in these obvious instances, you must learn, on peril of striking false notes verbally, to do so when distinctions are less gross.
Moreover circumstance as well as sentiment may control the connotation of a word. A word or phrase may have a double or triple connotation, and depend upon vocal inflection, upon gesture, upon the words with which it is linked, upon the experience of speaker or hearer, upon time, place, and external fact, or upon other forces outside it for the sense in which it is to be taken. You may be called "old dog" in an insulting manner, or (especially if a slap on the shoulder accompanies the phrase) in an affectionate manner. You may properly say, "Calhoun had logic on his side"; add, however, the words "but his face was to the past," and you spoil the sentence,—for face gives a reflex connotation to side, slight perhaps and momentary, but disconcerting. Think over the funny stories you have heard. Many of them turn, you will find, on the outcropping of new significance in a phrase because of its environment. Thus the anecdote of the servant who had been instructed to summon the visiting English nobleman by tapping on his bedroom door and inquiring, "My lord, have you yet risen?" and who could only stammer, "My God! ain't you up yet?" Or the anecdote of the minister who in a sermon on the Parable of the Prodigal Son told how a young man living dissolutely in a city had been compelled to send to the pawnbroker first his overcoat, next his suit, next his silk shirt, and finally his very underclothing—"and then," added the minister, "he came to himself." Only by unresting vigilance can you evade verbal discords, if not of this magnitude, at least of much frequency and stylistic harm.
EXERCISE - Connotation
1. Note the contrast in emotional suggestion that comes to you from hearing the words:
"Sodium chloride" and "salt"
"A test-tube of H2O" and "a cup of cold water"
"A pair of brogans" and "a little empty shoe"
"Bump" and "collide"
"A brilliant fellow" and "a flashy fellow"
"Bungled it" and "did not succeed"
"Tumble" and "fall"
"Dawn" and "6 A.M."
"Licked" and "worsted"
"Fat" and "plump"
"Wept" and "blubbered"
"Cheek" and "self-assurance"
"Stinks" and "disagreeable odors"
"Steal" and "embezzle"
"Thievishness" and "kleptomania"
"Educated" and "highbrow"
"Job" and "position"
"Told a lie" and "fell into verbal inexactitude"
"A drunkard" (a stranger) and "a drunkard" (your father).
2. Make a list of your own similar to that in Exercise 1.
3. Read the sentences listed in EXERCISE - Slovenliness III and IV. What do these sentences suggest to you as to the social and mental qualifications of the person who employs them?
4. Read the second paragraph of Appendix 2. What does it suggest to you as to Burke's social and mental qualifications?
5. Suppose you were told that a passage of twenty-eight lines contains the following expressions: "mewling and puking," "whining schoolboy," "satchel," "sighing like furnace," "round belly," "spectacles on nose," "shrunk shank," "sans [without] teeth, sans eyes, sans taste, sans everything." Would you believe the passage is poetry?—that its total effect is one of poetic elevation? Read the Seven Ages of Man (Appendix 4). Is it poetry? How does Shakespeare reconcile the general poetic tone with such expressions as those quoted?
6. What is wrong with the connotation of the following?
The servant told us that the young ladies were all in.
All my poor success is due to you.
He insisted on carrying a revolver, and so the college authorities fired
him.
The carpenter too had his castles in Spain.
He rested his old bones by the wayside, and his gaunt dog stood sniffing
at them.
On the other hand, he had a white elephant to dispose of.
When he came to the forks of the road, he showed he was not on the square.
Body, for funeral purposes, must be sold at once. City Automobile Agency.
7. Can you express the following ideas in other words without sacrifice of emotional suggestion? Try.
The music, yearning like a god in pain.
Alone, alone, all, all alone,
Alone on a wide, wide sea!
But O for the touch of a vanished hand,
And the sound of a voice that is still!
Old, unhappy, far-off things,
And battles long ago.
It was night in the lonesome October.
How they tinkle, tinkle, tinkle,
In the icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight.
The moan of doves in immemorial elms,
And murmuring of innumerable bees.
Ay, but to die, and go we know not where;
To lie in cold obstruction and to rot.
Merrily, merrily, shall I live now,
Under the blossom that hangs on the bough.
'Tis as easy now for the heart to be true
As for grass to be green or skies to be blue,—
'Tis the natural way of living.
We are such stuff
As dreams are made of, and our little life
Is rounded with a sleep.
8. With the most connotative words at your command describe the following:
Your first sweetheart
A solemn experience
A ludicrous experience
A terrifying experience
A mysterious experience
The circus parade you saw in your boyhood
A servant girl
A dude
An odd character you have known
The old homestead
Your boarding house
A scene suggesting the intense heat of a midsummer day
Night on the river
The rush for the subway car
The traffic policeman
Your boss
Anything listed in the first part of Activity 9 of EXERCISE - Discourse.
III
WORDS IN COMBINATION: HOW MASTERED
The more dangerous pitfalls for those who use words in combination—as all of us do—have been pointed out. The best ways of avoiding these pitfalls have also been indicated. But our work together has thus far been chiefly negative. To be sure, many tasks assigned for your performance have been constructive as well as precautionary; but the end held ever before you has been the avoidance of feeble or ridiculous diction. In the present chapter we must take up those aspects of the mastery of words in combination which are primarily positive.
<Preliminaries: General Purposes and Methods>
Before coming to specific aspects and assignments, however, we shall do well to consider certain large general purposes and methods.
<I. A Ready, an Accurate, or a Wide Vocabulary?>
First, what kind of vocabulary do we wish to acquire? A facile, readily used one? An accurate one? Or one as nearly as may be comprehensive? The three kinds do not necessarily coexist. The possession of one may even hinder and retard the acquisition of another. Thus if we seek a ready vocabulary, an accurate vocabulary may cause us to halt and hesitate for words which shall correspond with the shadings of our thought and emotion, and a wide vocabulary may embarrass us with the plenitude of our verbal riches.
But may is not must. Though the three kinds of vocabulary may interfere with each other, there is no reason, except superficially, why they should. Our purpose should be, therefore, to acquire not a single kind but all three. We should be like the boy who, when asked whether he would have a small slice of apple pie or a small slice of pumpkin pie, replied resolutely, "Thank you, I will take a large piece of both."
That the assignments in this chapter may help you develop a vocabulary which shall be promptly responsive to your needs, you should perform some of them rapidly. Your thoughts and feelings regarding a topic may be anything but clear, but you must not pause to clarify them. The words best suited to the matter may not be instantly available, but you must not tarry for accessions of language. Stumble, flounder if you must, yea, rearrange your ideas even as you present them, but press resolutely ahead, comforting yourself with the assurance that in the heat and stress of circumstances a man rarely does his work precisely as he wishes. When you have finished the discussion, repeat it immediately—and with no more loitering than before. You will find that your ideas have shifted and enlarged, and that more appropriate words have become available. Further repetitions will assist you the more. But the goal you should set yourself, as you proceed from topic to topic, is the attainment of the power to be at your best in the first discussion. You may never reach this goal, but at least you may approach it.
That the assignments in this chapter may assist you in making your vocabulary accurate, you should perform some of them in another way. When you have selected a topic, you should first of all think it through. In doing this, arrange your ideas as consistently and logically as you can, and test them with your reason. Then set them forth in language which shall be lucid and exact. Tolerate no slipshod diction, no vaguely rendered general meanings. Send every sentence, every word like a skilful drop-kick—straight above the crossbar. When you have done your best with the topic, lay it by for a space. Time is a great revealer of hidden defects, and you must not regard your labors as ended until your achievement is the maturest possible for you. If the quantity of what you accomplish is meager, suffer no distress on that account. The desideratum now is not quantity, but quality.
The assignments in this chapter will do less toward making your vocabulary wide than toward making it facile and precise. To be sure, they will now and then set you to hunting for words that are new. Better still, they will give you a mastery over some of your outlying words—words known to your eyes or ears but not to your tongue. But these advantages will be somewhat incidental. Means for the systematic extension of your verbal domain into regions as yet unexplored by you, are reserved for the later chapters of this book.
<2. A Vocabulary for Speech or for Writing?>
In the second place, are we to develop a vocabulary for oral discourse or a vocabulary for writing? It may be that our chief impediment or our chief ambition lies in one field rather than in the other. Nevertheless we should strive for a double mastery; we ought to speak well and write well. Indeed the two powers so react upon each other that we ought to cultivate both for the sake of either. True, some men, though inexpert as writers, have made themselves proficient as speakers; or though shambling and ineffective as speakers, have made themselves proficient as writers. But this is not natural or normal. Moreover these men might have gleaned more abundantly from their chosen field had they not shut it off from the acres adjacent. Fences waste space and curtail harvests.
The assignments in this chapter are of such a nature that you may perform them either orally or in writing. You should speak and write alternately, sometimes on the same topic, sometimes on topics taken in rotation.
In your oral discussions you should perhaps absent yourself at first from human auditors. A bedstead or a dresser will not make you self-conscious or in any way distract your attention, and it will permit you to sit down afterward and think out the degree of your failure or success. Ultimately, of course, you must speak to human beings—in informal conversations at the outset, in more ambitious ways later as occasion permits.
In your writing you may find it advantageous to make preliminary outlines of what you wish to say. But above all, you must be willing to blot, to revise, to take infinite pains. You should remember the old admonition that easy reading is devilish hard writing.
<The Mastery of Words in Combination>
These purposes and methods are general. We now come to the specific fields in which we may with profit cultivate words in combination. Of these fields there are four.
<I. Mastery through Translation>
If you read a foreign language, whether laboriously or with ease, you should make this power assist you to amass a good English vocabulary. Take compositions or parts of compositions written in the foreign tongue, and turn them into idiomatic English. How much you should translate at a given time depends upon your leisure and your adeptness. Employ all the methods—the spontaneous, the carefully perfected, the oral, the written—heretofore explained in this chapter. In your final work on a passage you should aim at a faultless rendition, and should spend time and ransack the lexicons rather than come short of this ideal.
The habit of translation is an excellent habit to keep up. For the study of an alien tongue not only improves your English, but has compensations in itself.
EXERCISE - Translation
1. Translate from any accessible book in the foreign language you can read.
2. Subscribe for a period of at least two or three months for a newspaper or magazine in that language, if it is a modern one. Translate as before, but give most of your time to rapid oral translation for a real or imaginary American hearer.
3. When you have completed your final written translation of a passage from the foreign language, make yourself master of all the English words you have not previously (1) known or (2) used, but have encountered in your work of translation.
<2. Mastery through Paraphrasing>
It may be that you are not familiar with a foreign language. At any rate you have some knowledge of English. Put this knowledge to use in paraphrasing; for thus you will enrich your vocabulary and make it surer and more flexible. The process of paraphrasing is simple, though the actual work is not easy. You take passages written in English—the more of them the better, and the more diversified the better—and both reproduce their substance and incarnate their mood in words you yourself shall choose.
You may have a passage before you and paraphrase it unit by unit. More often, however, you should follow the plan adopted by Franklin when he emulated Addison by rewriting the Spectator Papers. That is, you should steep yourself in the thought and emotion of a piece of writing, and then lay the piece aside until its wording has faded from your memory, when you should reëmbody the substance in language that seems to you natural and fitting. Much of the benefit will come from your comparing your version, as Franklin did his, with the original. When you perceive that you have fallen short, you should consider the respects wherein your inferiority lies—and should make another attempt, and yet another, and another. When you perceive that in any way you have surpassed the original, you should feel a just pride in your achievement—and should resolve that next time your cause for pride shall be greater still. Even after you have desisted from formal paraphrasing, you should cling to the habit, formed at this time, of observing any notable felicities in whatever you read and of comparing them with the expression you yourself would likely have employed.
EXERCISE - Paraphrasing
1. Paraphrase the editorial in Appendix 1. You should improve upon the original. Keep trying until you do.
2. Paraphrase the second paragraph in Burke's speech (Appendix 2). Burke lacked the cheap tricks of the ordinary orator, but his discussions were based upon a comprehensive knowledge of facts, a sympathetic understanding of human nature, a vast depth and range of thought, and a well-meditated political philosophy. In short, he is a model for elaborated discussions. Set forth the leading thought of this paragraph; you can give it in fewer words than he employs. But try setting it forth with his full accompaniments of reflection and information; you will be bewildered at his crowding so much into such small compass.
3. Try to rival the pregnant conciseness of the Parable of the Sower (Appendix 3).
4. Paraphrase in prose the Seven Ages of Man (Appendix 4). Catch if possible the mood, the "atmosphere," of each of the pictures painted by Shakespeare. Condense your paraphrase as much as you can.
5. In each of the preceding exercises compare your vocabulary with that of the original as to size, precision, and the grace and ease with which words are put together. Does the original employ terms unfamiliar to you? If so, look up their meaning and make them yours; then observe, when you next paraphrase the passage, whether your mastery of these terms has improved your expression.
<3. Mastery through Discourse at First Hand>
Models have their use, but you can also work without models. It is imperative that you should. You must learn to discuss, explain, analyze, argue, narrate, and describe for yourself. Here again you should diversify your materials to the utmost, not only that you may become well-rounded and versatile in your ability to set forth ideas and feelings in words, but also that your knowledge and your sensibility may receive stimulation.
It is feasible to begin by discussing or explaining. Most of the intercourse conducted through language consists in either discussion or explanation. Analysis, ordinarily, is almost ignored. Argument is indulged in, and so is description (though less freely), but they are of the bluntest and broadest. Narration—the recounting of incidents of everyday existence—is, however, widely employed.
In your work of discussion or explanation you may seize upon any current topic—industrial, social, political, or what not—that comes into your mind. Or you may make a list of such topics, writing each on a separate piece of paper; may jumble the slips in a hat; and may thus have always at your elbow a collection of satisfactory themes from which you may take one at random. Or you may invest in language of your own selection the substance of an address or sermon you have heard, or give the burden of some important conversation in which you have participated, or explain the tenor of an article you have read. You should of course try to interest your hearers, and above all, you should impart to what you say complete clarity.
In analyzing you should select as your topic a process fairly obscure, the implications of a certain statement or argument, the results to be expected from some action or policy that has been advocated, or the exact matter at issue between two disputants. Any topic for discussion, explanation, or argument may be treated analytically. Your analysis in its final form should be so carefully considered that its soundness cannot be impeached.
In arguing you may take any subject under the sun, from baseball to Bolshevism, for all of them are debated with vehemence. Any topic for discussion or explanation becomes, when approached from some particular angle, material for argument. Thus the initial topic in the exercise that follows is "The aeroplane's future as a carrier of mail." You may convert it into a question for debate by making it read: "The aeroplane is destined to supplant the railroad as a carrier of mail," or "The aeroplane is destined to be used increasingly as a carrier of transcontinental mail." In arguing you may propose for yourself either of two objectives: (1) to silence your opponent, (2) to refute, persuade, and win him over fairly. The achievement of the first end calls for bluster and perhaps a grim, barbaric strength; you must do as Johnson did according to Goldsmith's famous dictum—if your pistol misses fire, you must knock your adversary down with the butt end of it. This procedure, though inartistic to be sure, is in some contingencies the only kind that will serve. But you should cultivate procedure of a type more urbane. Let your very reasonableness be the most potent weapon you wield. To this end you should form the habit of looking for good points on both sides of a question. As a still further precaution against contentiousness you should uphold the two sides successively.
In narrating you should, as a rule, stick to simple occurrences, though you may occasionally vary your work by summarizing the plot of a novel or giving the gist and drift of big historical events. You should confine yourself, in large part, to incidents in which you have been personally involved, or which you yourself have witnessed, as mishaps, unexpected encounters, bickerings, even rescues or riots. You should omit non-essentials and make the happening itself live for your hearer; if you can so interest him in it that he will not notice your manner of telling it, your success is but the greater.
Finally, in describing you should deal for the most part with beings, objects, and appearances familiar to you. Description is usually hard to make vivid. This is because the objects and scenes are likely to be immobile and (at least when told about) to lack distinctiveness. Try, therefore, to lay hold of the peculiar quality of the thing described, and use words suggestive of color and motion. Moreover be brief. Long descriptions are sure to be wearisome.
EXERCISE - Discourse
1. Select topics from the following list for discussion or explanation:
The aeroplane's future as a carrier of mail
The commercial future of the aeroplane
A recent scientific (or mechanical or electrical) invention
A better type of newspaper—its contents and makeup
A better type of newspaper—how it can be secured
The connection between the advertising and news departments
of a newspaper—the actual condition
The connection between the advertising and news departments
of a newspaper—the ideal
Special features in a newspaper that are popular
A single standard for the sexes—is it possible?
A single standard for the sexes—how it can be attained (or approximated)
Should the divorce laws be made more stringent?
Should a divorced person be prohibited from remarrying?
What further marriage restrictions should be placed upon the
physically or mentally unfit?
What further measures should be taken by the cities (states, nation) for
the protection of motherhood?
Is the division of men into strongly contrasted groups as to wealth
one of nature's necessities, or is it the result of a social and
economic system?
Some shortcomings of the labor unions
Are the shortcomings of the labor unions accidental or inherent?
Some ways of bettering the condition of the working classes
How municipal (state, national) bureaus for finding employment
for the laborer may become more serviceable
Wrongs committed by big business (or some branch of it)
Should a man's income above a stipulated amount be confiscated
by the government?
Income taxes—what exemptions should be granted?
The right basis for business—competition or coöperation?
Are the courts equally just to labor and capital?
How can legal procedure be changed to enable individuals to secure just
treatment from corporations without resorting to prolonged and expensive
lawsuits?
Where our interests clash with those of Great Britain
How our relations with Great Britain may be further improved
How our relations with Japan may be further improved
How may closer commercial relations with other countries be promoted?
What to do about the railroads and railroad rates
A natural resource that should be conserved or restored
Do high tariffs breed international ill-will?
Should we have a high tariff at this juncture?
To what extent should osteopathy (chiropractic) be permitted
(or protected) by law?
What is wrong with municipal government in my city
How woman suffrage affects local government
How to make rural life more attractive
The importance of the rotation of crops
The race problem as it affects my community
The class problem as it affects my community
The school-house as a social center
How to Americanize the alien elements in our population
To what extent, if at all, should foreign-born citizens of our
country be encouraged to preserve their native traditions and culture?
Censorship of the moving picture
Educational possibilities of the moving picture
How to bring about improvement in the quality of the moving picture
The effect of the moving picture upon legitimate drama
A church that men will attend
How young men may be attracted to the churches
How far shall doctrine be insisted upon by the churches?
To what extent shall the church concern itself with social
and economic problems?
To what extent, if at all, shall Sunday diversions be restricted?
The advantages of using the free public library
Can the cities give children in the slums better opportunities for
physical (mental, moral) development?
Should all cities be required to establish zoölogical gardens,
as well as schools, for the children?
How my city might improve its system of public parks
The most interesting thing about the work I am in
Opportunities in the work I am in
The qualities called for in the work I am in
The ideals of my associates
Something I have learned about life
Something I have learned about human nature
A book that has influenced me, and why
A person who has influenced me, and how
My favorite sport or recreation
Why baseball is so popular
What I could do for the people around me
What I should like for the people around me to do for me.
2. Discuss or explain the ideas listed in Exercise 3 for 'Abstract vs. Concrete' in "Words in Combination: Some Pitfalls" above.
3. Analyze the debatable questions included in the two preceding exercises or suggested by them. That is, find the issues in each question, and show what each disputant must prove and what he must refute.
4. Analyze the results to be expected from the adoption of some policy or course of action by:
A newspaper
A business firm
The city
The farmers
The producers in some business or industry
The consumers
The retail merchants of your city
Some group of reformers
Some social group
Those interested in a social activity, as dancing
Your neighbors
Yourself.
5. Analyze or explain:
The testing of seed grain
How to raise potatoes (any other vegetable)
How to utilize and apportion the space in your garden
How to keep an automobile in good shape
How to run an automobile (motor boat)
How to make a rabbit trap
How to lay out a camp
How to catch trout (bass, codfish, tuna fish, lobsters)
How to conduct a public meeting
How a bill is introduced and passed in a legislative body
How food is digested
How to extract oxygen from water
How a fish breathes
How gold is mined
How wireless messages are sent
How your favorite game is played
How to survey a tract of land
How stocks are bought and sold on margins
How public opinion is formed
How a man ought to form his opinions
The responsibility of individuals to society
The responsibility of society to the individual.
6. Argue one side or the other, or the two successively, of queries contained or implied in Exercises 1 and 2.
7. Argue one side or the other, or the two successively, of queries listed in Exercise 1 in EXERCISE - Abstract.
8. Give a narrative of:
The earning of your first dollar
How somebody met his match
An amusing incident
An anxious moment
A surprise
The touchdown
That fatal seventh inning
How you got the position
Why you missed the train
When you were lost
Your first trip on the railroad (a motor boat, a merry-go-round,
snowshoes, a burro)
A mishap
How Jenkins skated
Your life until the present (a summary)
Something you have heard your father tell
What happened to your uncle
Your partner's (chum's) escapade
Meeting an old friend
Meeting a bore
A conversation you have overheard
When Myrtle eavesdropped
When the girls didn't know Algy was in the parlor
A public happening that interests you
An incident you have read in the papers
An incident from your favorite novel
Backward Ben at the party
Something that happened to you today.
9. Describe …
For the mood or general "atmosphere":
Anything you deem suitable in Activity 8 in EXERCISE - Connotation.
An old, deserted house
Your birthplace as you saw it in manhood
The view from an eminence
A city as seen from a roof garden by night
Your mother's Bible
A barnyard scene
The lonely old negro at the supper table
A new immigrant gazing out upon the ocean he has crossed
The downtown section at closing hour
A scene of quietude
A scene of bustle and confusion
A richly colored scene
A scene of dejection
A scene of wild enthusiasm
A scene of dulness or stagnation.
With attention to homely detail:
The old living-room
My aunt's dresses
Barker's riding-horse
The business street of the village
A cabin in the mountains
The office of a man approaching bankruptcy
The Potters' backyard
The second-hand store
The ugliest man.
For general accuracy and vividness:
The organ-grinder
The signs of an approaching storm
The arrival of the train
Mail-time at the village post office
The crowd at the auction
The old fishing-boat
A country fair (or a circus)
The inside of a theater (or a church)
The funeral procession
The political rally
The choir.
<4. Mastery through Adapting Discourse to Audience>
For convenience, we have heretofore assumed that ideas and emotions, together with such expression of them as shall be in itself adequate and faithful, comprise the sole elements that have to be reckoned with in the use of words in combination. But as you go out into life you will find that these things, however complete they may seem, are not in practice sufficient. Another factor—the human—must have its place in our equation. You do not speak or write in a vacuum. Your object, your ultimate object at least, in building up your vocabulary is to address men and women; and among men and women the varieties of training, of stations, of outlooks, of sentiments, of prejudices, of caprices are infinite. To gain an unbiased hearing you must take persistent cognizance of flesh and blood.
In adapting discourse to audience you must have a supple and attentive mind and an impressionable and swiftly responsive temperament as well as a wide, accurate, and flexible vocabulary. Unless you are a fool, a zealot, or an incorrigible adventurer, you will not broach a subject at all to which your hearers feel absolute indifference or hostility. Normally you should pick a subject capable of interesting them. In presenting it you should pay heed to both your matter and your manner. You should emphasize for your listeners those aspects of the subject which they will most respond to or most need to hear, whether or not the phases be such as you would emphasize with other auditors. You should also speak in the fashion you deem most effective with them, whether or not it be one to which your own natural instincts prompt you.
Let us say you are discussing conditions in Europe. You must speak in one way to the man who has traveled and in an entirely different way to the man who has never gone abroad—in one way to the well-read man, in an entirely different way to the ignoramus. Let us say you are discussing urban life, urban problems. You must speak in one way to the man who lives in the city, in another to the man who lives in the country. Let us say you are discussing the labor problem. You must speak in one way to employers, in another to employees, possibly in a third to men thrown out of jobs, possibly in a fourth to the general public. Let us say you are discussing education, or literature, or social tendencies, or mechanical principles or processes, or some great enterprise or movement. You must speak in one way to cultivated hearers and in another to men in the street, and if you are a specialist addressing specialists, you will cut the garment of your discourse to their particular measure.
The same principle holds regardless of whether you expound, analyze, argue, recount, or describe. You must always keep a finger on the mental or emotional pulse of those whom you address. But your problem varies slightly with the form of discourse you adopt. In explanation, analysis, and argument the chief barriers you encounter are likely to be those of the mind; you must make due allowance for the intellectual limitations of your auditors, though many who have capacity enough may for some cause or other be unreceptive to ideas. In description you must reckon with the imaginative faculty, with the possibility that your hearers cannot visualize what you tell them—and you must make your words brief. In narration you must vivify emotional torpor; but lest in your efforts to inveigle boredom you yourself should induce it, you must have a wary eye for signals of distress.
EXERCISE - Adapting
1. Explain to (a) a rich man, (b) a poor man the blessings of poverty.
2. Discuss before (a) farmers, (b) merchants the idea that farmers (merchants) make a great deal of money.
3. Explain to (a) the initiate, (b) the uninitiate some piece of mechanism, or some phase of a human activity or interest, which you know at first hand and regarding which technical (or at least not generally understood) terms are employed. (The exact subject depends, of course, upon your own observation or experience; you are sure to be familiar with something that most people know hazily, if at all. Bank clerk, chess player, bridge player, stenographer, journalist, truck driver, backwoods-man, mechanic—all have special knowledge of one kind or another and can use the particular terms it calls for.)
4. Explain to (a) a supporter of the winning team, (b) a supporter of the losing team why the baseball game came out as it did.
5. Discuss before (a) a Democratic, (b) a Republican audience your reasons for voting the Democratic (Republican) ticket in the coming election.
6. Explain to (a) your own family, (b) the man who can lend you the money, why you wish to mortgage your house (any piece of property).
7. Explain to the owner of an ill-conducted business why he should sell it, and to a shrewd business man why he should buy it.
8. Discuss before (a) old men, (b) young men, (c) women the desirability of men's giving up their seats in street cars to women. (Also modify the question by requiring only young men to give up their seats, and then only to old people of either sex, to sick people, or to people with children in their arms.)
9. Explain the necessity of restricting immigration to (a) prospective immigrants, (b) immigrants just granted admission to the country, (c) persons just refused admission, (d) exploiters of cheap labor, (e) ordinary citizens.
10. Discuss the taking out of a life insurance policy with (a) a man not interested, (b) a man interested but uncertain what a policy is like, (c) a man interested and informed but doubtful whether he can spare the money, (d) the man's wife (his prospective beneficiary), whose desires will have weight with him.
11. Discuss the necessity of a reduction in wages with (a) unscrupulous employers, (b) kind-hearted employers, (c) the employees.
12. Advocate higher public school taxes before (a) men with children, (b) men without children.
13. Advocate a further regulation of the speed of automobiles before (a) automobile-owners, (b) non-owners.
14. Urge advocacy of some reform upon (a) a clergyman, (b) a candidate for office.
15. Combat before (a) advertisers, (b) a public audience, (c) a lawmaking body, the defacement of landscapes by advertising billboards.
16. Describe life in the slums before (a) a rural audience, (b) charitable persons, (c) rich people in the cities who know little of conditions among the poor.
17. Describe the typical evening of a spendthrift in a city to (a) a poor man, (b) a miser, (c) the spendthrift's mother, (d) his employer, (e) a detective who suspects him of theft.
18. Describe the city of Washington (any other city) to (a) a countryman, (b) a traveler who has not visited this particular city. (If it is Washington you describe, describe it also for children in whom you wish to inculcate patriotism.)
19. Give (a) a youngster, (b) an experienced angler an account of your fishing trip.
20. Recount for (a) a baseball fan, (b) a girl who has never seen a game, the occurrences of the second half of the ninth inning.
21. Describe a fight for (a) your friends, (b) a jury.
22. Narrate for (a) children, (b) an audience of adults some historical event.
23. Give (a) your partner, (b) a reporter an account of a business transaction you have just completed.
24. Narrate an escapade for (a) your father, (b) your cronies in response to a toast at a banquet with them.
IV
INDIVIDUAL WORDS: AS VERBAL CELIBATES
Thus far we have studied words as grouped together into phrases, sentences, paragraphs, whole compositions. We must now enter upon a new phase of our efforts to extend our vocabulary. We must study words as individual entities.
You may think the order of our study should be reversed. No great harm would result if it were. The learning of individual words and the combining of them into sentences are parallel rather than successive processes. In our babyhood we do not accumulate a large stock of terms before we frame phrases and clauses. And our attainment of the power of continuous iteration does not check our inroads among individual words. We do the two things simultaneously, each contributing to our success with the other. There are plenty of analogies for this procedure. A good baseball player, for instance, tirelessly studies both the minutiae of his technique (as how to hold a bat, how to stand at the plate) and the big combinations and possibilities of the game. A good musician keeps unremitting command over every possible touch of each key and at the same time seeks sweeping mastery over vast and complex harmonies. So we, if we would have the obedience of our vocabularies, dare not lag into desultory attention to either words when disjoined or words as potentially combined into the larger units of thought and feeling.
We might therefore consider either the individuals first or the groups first. But the majority of speakers and writers pay more heed to rough general substance than to separate instruments and items. Hence we have thought best to begin where most work is going on already—with words in combination.
As you turn from the groups to the individuals, you must understand that your labors will be onerous and detailed. You must not assume that by nature all words are much alike, any more than you assume that all men are much alike. Of course the similarities are many and striking, and the fundamental fact is that a word is a word as a man is a man. But you will be no adept in handling either the one or the other until your knowledge goes much farther than this. Let us glance first at the human variations. Each man has his own business, and conducts it in his own way—a way never absolutely matched with that of any other mortal being. All this you may see. But besides the man's visible employment, he may be connected in devious fashions with a score of enterprises the public knows nothing about. Furthermore he leads a private life (again not precisely corresponding to that of any other), has his hobbies and aversions, is stamped with a character, a temperament of his own. In short, though in thousands of respects he is like his fellows, he has after all no human counterpart; he is a distinct, individual self. To know him, to use him, to count upon his service in whatsoever contingency it might bestead you, you must deem him something more than a member of the great human family. You must cultivate him personally, cultivate him without weariness or stint, and undergo inconvenience in so doing.
Even so with a word. Commonplace enough it may seem. But it has its peculiar characteristics, its activities undisclosed except to the curious, its subtle inclinations, its repugnances, its latent potentialities. There is no precise duplicate for it in all the wide domain of language. To know it intimately and thoroughly, to be on entirely free terms with it, to depend upon it just so far as dependence is safe, to have a sure understanding of what it can do and what it cannot, you must arduously cultivate it. Words, like people, yield themselves to the worthy. They hunger for friendship—and lack the last barrier of reserve which hedges all human communion. Thus, linguistically speaking, you must search out the individuals. You must step aside from your way for the sake of a new acquaintance; in conversations, in sermons, in addresses, in letters, in journalistic columns, in standard literature you must grasp the stranger by the hand and look him straight in the eye. Nor must you treat cavalierly the words you know already. You must study them afresh; you must learn them over and learn them better; you must come to understand them, not only for what they are, but for what they will do.
<What Words to Learn First>
What, then, is your first task? Somebody has laid down the injunction— and, as always when anything is enjoined, others have given it currency— that each day you should learn two new words. So be it,—but which two? The first two in the dictionary, or hitherto left untouched in your systematic conquest of the dictionary? The first two you hear spoken? The first two that stare at you from casual, everyday print? The first two you can ferret from some technical jargon, some special department of human interest or endeavor? In any of these ways you may obey the behest of these mentors. But are not such ways arbitrary, haphazard? And suppose, after doing your daily stint, you should encounter a word it behooves you to know. What then? Are you to sulk, to withhold yourself from further exertion on the plea of a vocabulary-builder's eight-hour day?
To adopt any of the methods designated would be like resolving to invest in city lots and then buying properties as you encountered them, with no regard for expenditure, for value in general, or for special serviceability to you. Surely such procedure would be unbusinesslike. If you pay out good money, you meditate well whether that which you receive for it shall compensate you. Likewise if you devote time and effort to gaining ownership of words, you should exercise foresight in determining whether they will yield you commensurate returns.
What, then, is the principle upon which, at the outset, you should proceed? What better than to insure the possession of the words regarding which you know this already, that you need them and should make them yours?
<The Analysis of Your Own Vocabulary>
The natural way, and the best, to begin is with an analysis of your own vocabulary. You are of course aware that of the enormous number of words contained in the dictionary relatively few are at your beck and bidding. But probably you have made no attempt to ascertain the nature and extent of your actual linguistic resources. You should make an inventory of the stock on hand before sending in your order for additional goods.
You will speedily discover that your vocabulary embraces several distinct classes of words. Of these the first consists of those words which you have at your tongue's end—which you can summon without effort and use in your daily speech. They are old verbal friends. Numbered with them, to be sure, there may be a few with senses and connotations you are ignorant of— friends of yours, let us say, with a reservation. Even these you may woo with a little care into uncurbed fraternal abandon. With the exception of these few, you know the words of the first class so well that without thinking about it at all you may rely upon their giving you, the moment you need them, their untempered, uttermost service. You need be at no further pains about them. They are yours already.
A second class of words is made up of those you speak on occasions either special or formal—occasions when you are trying, perhaps not to show off, but at least to put your best linguistic foot foremost. Some of them have a meaning you are not quite sure of; some of them seem too ostentatious for workaday purposes; some of them you might have been using but somehow have not. Words of this class are not your bosom friends. They are your speaking acquaintance, or perhaps a little better than that. You must convert them into friends, into prompt and staunch supporters in time of need. That is to say, you must put them into class one. In bringing about this change of footing, you yourself must make the advances. You must say, Go to, I will bear them in mind as I would a person I wished to cultivate. When occasion rises, you must introduce them into your talk. You will feel a bit shy about it, for introductions are difficult to accomplish gracefully; you will steal a furtive glance at your hearer perchance, and another at the word itself, as you would when first labeling a man "my friend Mr. Blank." But the embarrassment is momentary, and there is no other way. Assume a friendship if you have it not, and presently the friendship will be real. You must be steadfast in intention; for the words that have held aloof from you are many, and to unloose all at once on a single victim would well-nigh brand you criminal. But you will make sure headway, and will be conscious besides that no other class of words in the language will so well repay the mastering. For these are words you do use, and need to use more, and more freely—words your own experience stamps as valuable, if not indeed vital, to you.
The third class of words is made up of those you do not speak at all, but sometimes write. They are acquaintance one degree farther removed than those of the second class. Your task is to bring them into class two and thence into class one—that is, to introduce them into your more formal speech, and from this gradually into your everyday speech.
The fourth class of words is made up of those you recognize when you hear or read them, but yourself never employ. They are acquaintance of a very distant kind. You nod to them, let us say, and they to you; but there the intercourse ends. Obviously, they are not to be brought without considerable effort into a position of tried and trusted friendship. And shall we be absolutely honest?—some of them may not justify such assiduous care as their complete subjugation would call for. But even these you should make your feudal retainers. You should constrain them to membership in class three, and at your discretion in class two.
Apart from the words in class four, you will not to this point have made actual additions to your vocabulary. But you will have made your vocabulary infinitely more serviceable. You will be like a man with a host of friends where before, when his necessities were sorest, he found (along with some friends) many distant and timid acquaintance.
Outside the bounds of your present vocabulary altogether are the words you encounter but do not recognize, except (it may be) dimly and uncertainly. Some counselors would have you look up all such words in a dictionary. But the task would be irksome. Moreover those who prescribe it are loath to perform it themselves. Your own candid judgment in the matter is the safest guide. If the word is incidental rather than vital to the meaning of the passage that contains it, and if it gives promise of but rarely crossing your vision again, you should deign it no more than a civil glance. Plenty of ways will be left you to expend time wisely in the service of your vocabulary.
EXERCISE - Analysis
1. Make a list of the words in class two of your own vocabulary, and similar lists for classes three and four. (To make a list for class one would be but a waste of time.) Procure if you can for this purpose a loose-leaf notebook, and in the several lists reserve a full page for each letter of the alphabet as used initially. Do not scamp the lists, though their proper preparation consume many days, many weeks. Try to make them really exhaustive. Their value will be in proportion to their accuracy and fulness.
2. Con the words in each list carefully and repeatedly. Your task is to transfer these words into a more intimate list—those in class four into class three, those in three into two, those in two into one. You are then to promote again the words in the lower classes, except that (if your judgment so dictates) you may leave the new class three wholly or partially intact. To carry out this exercise properly you must keep these words in mind, make them part and parcel of your daily life. (For a special device for bringing them under subjection, see the next exercise.)
3. To write a word down helps you to remember it. That is why the normal way to transfer a word from class four into class two is to put it temporarily into the intermediary class, three; you first see or hear the word, next write it, afterwards speak it. The mere writing down of your lists has probably done much to bring the words written into the circuit of your memory, where you can more readily lay hold of them. Also it has fortified your confidence in using them; for to write a word out, letter by letter, makes you surer that you have its right form. With many of your words you will likely have no more trouble; they will be at hand, anxious for employment, and you may use them according to your need. But some of your words will still stubbornly withhold themselves from memory. Weed these out from your lists, make a special list of them, copy it frequently, construct short sentences into which the troublesome words fit. By dint of writing the words so often you will soon make them more tractable.
4. Make a fifth list of words—those you hear or see printed, do not understand the meaning of, but yet feel you should know. Obtain and confirm a grasp of them by the successive processes used with words in the preceding lists.
<The Definition of Words>
Another means of buttressing your command of your present vocabulary is to define words you use or are familiar with.
Do not bewilder yourself with words (like and, the) which call for ingenuity in handling somewhat technical terms, or with words (like thing, affair, condition) which loosely cover a multitude of meanings. (You may, however, concentrate your efforts upon some one meaning of words in the latter group.) Select words with a fairly definite signification, and express this as precisely as you can. You may afterwards consult a dictionary for means of checking up on what you have done. But in consulting it think only of idea, not of form. You are not training yourself in dictionary definitions, but in the sharpness and clarity of your understanding of meanings.
About the only rule to be laid down regarding the definition of verbs, adjectives, and adverbs is that you must not define a word in terms of itself. Thus if you define grudgingly as "in a grudging manner," you do not dissipate your hearer's uncertainty as to what the word means. If you define it as "unwillingly" or "in a manner that shows reluctance to yield possession," you give your hearer a clear-cut idea in no wise dependent upon his ability to understand the word that puzzled him in the first place.
Normally, in defining a noun you should assign the thing named to a general class, and to its special limits within that class; in other words, you should designate its genus and species. You must take care to differentiate the species from all others comprised within the genus. You will, in most instances, first indicate the genus and then the species, but at your convenience you may indicate the species first. Thus if you affirm, "A cigar is smoking-tobacco in the form of a roll of tobacco-leaves," you name the genus first and later the characteristics of the species. You have given a satisfactory definition. If on the other hand you affirm, "A cigar is a roll of tobacco-leaves meant for smoking," you first designate the species and then merely imply the genus. Again you have given a satisfactory definition; for you have permitted no doubt that the genus is smoking-tobacco, and have prescribed such limits for the species as exclude tobacco intended for a pipe or a cigarette.
In defining nouns by the genus-and-species method, restrict the genus to the narrowest possible bounds. You will thus save the need for exclusions later. Had you in your first definition of a cigar begun by saying that it is tobacco, rather than smoking-tobacco, you would have violated this principle; and you would have had to amplify the rest of your definition in order to exclude chewing-tobacco, snuff, and the like.
EXERCISE - Definition
1. Define words of your own choosing in accordance with the principles laid down in the preceding section of the text.
2. Define the following adjectives, adverbs, and verbs:
Miserable Rebuke Wise
Angrily Rapidly Boundless
Swim Paint Whiten
Haughtily Surly Causelessly
3. So define the following nouns as to prevent any possible confusion with the nouns following them in parentheses:
Wages (salary) Ride (drive)
Planet (star) Truck (automobile)
Watch (clock) Reins (lines)
Jail (penitentiary) Iron (steel)
Vegetable (fruit) Timber (lumber)
Flower (weed) Rope (string)
Hail (sleet, snow) Stock (bond)
Newspaper (magazine) Street car (railway coach)
Cloud (fog) Revolver (rifle, pistol, etc.)
Mountain (hill) Creek (river)
Letter (postal card)
4. While remembering that the following words are of broad signification and mean different things to different people, define them according to their meaning to you:
Gentleman Courage
Honesty Beauty
Honor Good manners
Generosity A good while
Charity A little distance
Modesty Long ago
<How to Look Up a Word in the Dictionary>
So much for the words which are already yours, or which you can make yours through your own unaided efforts. For convenience we have grouped with them some words of a nature more baffling—words of which you know perhaps but a single aspect rather than the totality, or upon which you can obtain but a feeble and precarious grip. These slightly known words belong more to the class now to be considered than to that just disposed of. For we have now to deal with words over which you can establish no genuine rulership unless you have outside help.
You must own a dictionary, have it by you, consult it carefully and often. Do not select one for purchasing upon the basis of either mere bigness or cheapness. If you do, you may make yourself the owner of an out-of-date reprint from stereotyped plates. What to choose depends partly upon personal preference, partly upon whether your need is for comprehensiveness or compression.
If you are a scholar, Murray's many-volumed New English Dictionary may be the publication for you; but if you are an ordinary person, you will probably content yourself with something less expensive and exhaustive. You will find the Century Dictionary and Cyclopedia, in twelve volumes, or Webster's New International Dictionary an admirable compilation. The New Standard Dictionary will also prove useful. All in all, if you can afford it, you should provide yourself with one or the other of these three large and authoritative, but not too inclusive, works. Of the smaller lexicons Webster's Collegiate Dictionary, Webster's Secondary School Dictionary, the Practical Standard Dictionary, and the Desk Standard Dictionary answer most purposes well.
A dictionary is not for show. You must learn to use it. What ordinarily passes for use is in fact abuse. Wherein? Let us say that you turn to your lexicon for the meaning of a word. Of the various definitions given, you disregard all save the one which enables the word to make sense in its present context, or which fits your preconception of what the word should stand for. Having engaged in this solemn mummery, you mentally record the fact that you have been squandering your time, and enter into a compact with yourself that no more will you so do. At best you have tided over a transitory need, or have verified a surmise. You have not truly learned the word, brought it into a vassal's relationship with you, so fixed it in memory that henceforth, night or day, you can take it up like a familiar tool.
This procedure is blundering, farcical, futile, incorrect. To suppose you have learned a word by so cursory a glance at its resources is like supposing you have learned a man through having had him render you some temporary and trivial service, as lending you a match or telling you the time of day. To acquaint yourself thoroughly with a word—or a man— involves effort, application. You must go about the work seriously, intelligently.
One secret of consulting a dictionary properly lies in finding the primary, the original meaning of the word. You must go to the source. If the word is of recent formation, and is native rather than naturalized English, you have only to look through the definitions given. Such a word will not cause you much trouble. But if the word is derived from primitive English or from a foreign language, you must seek its origin, not in one of the numbered subheads of the definition, but in an etymological record you will perceive within brackets or parentheses. Here you will find the Anglo-Saxon (Old English), Latin, Greek, French, German, Italian, Scandinavian, or other word from which sprang the word you are studying, and along with this authentic original you may find cognate words in other languages. These you may examine if you care to observe their resemblance to your word, but the examination is not necessary. It could teach you only the earlier or other forms of your word, whereas what you are after is the original meaning. This too is set down within the brackets; if your search is in earnest, you cannot possible miss it. And having discovered this original meaning, you must get it in mind; it is one of the really significant things about the word. Your next step is to find the present import of the word. Look, therefore, through the modern definitions. Of these there may be too many, with too delicate shadings in thought between them, for you to keep all clearly in mind. In fact you need not try. Consider them of course, but out of them seek mainly the drift, the central meaning. After a little practice you will be able to disengage it from the others.
You now know the original sense of the word and its central signification today. The two may be identical; they may be widely different; but through reflection or study of the entire definition you will establish some sort of connection between them. When you have done this, you have mastered the word. From the two meanings you can surmise the others, wherever and whenever encountered; for the others are but outgrowths and applications of them.
One warning will not be amiss. You must not suppose that the terms used in defining a word are its absolute synonyms, or may be substituted for it indiscriminately. You must develop a feeling for the limits of the word, so that you may perceive where its likeness to the other terms leaves off and its unlikeness begins. Thus if one of the terms employed in defining command is control, you must not assume that the two words are interchangeable; you must not say, for instance, that the captain controlled his men to present arms.
Such, abstractly stated, is the way to look up a word in the dictionary. Let us now take a concrete illustration. Starting with the word tension, let us ascertain what we can about it in the Century Dictionary and Cyclopedia. Our first quest is the original meaning. For this we consult the bracketed matter. There we meet the French, Spanish, Portuguese, and Italian kinsmen of the word, and learn that they are traceable to a common ancestor, the Latin tensio(n), which comes from the Latin verb tendere. The meaning of tensio(n) is given as "stretching," that of tendere as "stretch," "extend." Thus we know of the original word that in form it closely resembles the modern word, and that in meaning it involves the idea of stretching.
What is the central meaning of the word today? To acquaint ourselves with this we must run through the definitions listed. Here (in condensed form) they are. (1) The act of stretching. (2) In mechanics, stress or the force by which something is pulled. (3) In physics, a constrained condition of the particles of bodies. (4) In statical electricity, surface-density. (5) Mental strain, stress, or application. (6) A strained state of any kind, as political or social. (7) An attachment to a sewing-machine for regulating the strain of the thread. Now of these definitions (2), (3), (4), and (7) are too highly specialized to conduct us, of themselves, into the highway of the word's meaning. They bear out, however, the evidence of (1), (5), and (6), which have as their core the idea of stretching, or of the strain which stretching produces.
We must now lay the original meaning alongside the central meaning today, in order to draw our conclusions. We perceive that the two meanings correspond. Yet by prying into them we make out one marked difference between them. The original meaning is literal, the modern largely figurative. To be sure, the figure has been so long used that it is now scarcely felt as a figure; its force and definiteness have departed. Consequently we may speak of being on a tension without having in mind at all a comparison of our nervous system with a stretched garment, or with an outreaching arm, or with a tightly strung musical instrument, or with a taut rope.
What, then, is the net result of our investigation? Simply this, that tension means stretching, and that the stretching may be conceived either literally or figuratively. With these two facts in mind, we need not (unless we are experts in mechanics, physics, statical electricity, or the sewing-machine) go to the trouble of committing the special senses of tension; for should occasion bid, we can—from our position at the heart of the word—easily grasp their rough purport. And from other persons than specialists no more would be required.
EXERCISE - Dictionary
For each of the following words find (a) the original meaning, (b) the central meaning today. (Other words are given in the exercises at the end of this chapter.)
Bias Supersede Sly
Aversion Capital Meerschaum
Extravagant Travel Alley
Concur Travail Fee
Attention Apprehend Superb
Magnanimity Lewd Adroit
Altruism Instigation Quite
Benevolence Complexion Urchin
Charity Bishop Thoroughfare
Unction Starve Naughty
Speed Cunning Moral
Success Decent Antic
Crafty Handsome Savage
Usury Solemn Uncouth
Costume Parlor Window
Presumption Bombastic Colleague
Petty Vixen Alderman
Queen Doctor Engage
<Prying Into a Word's Past>
To thread with minute fidelity the mazes of a word's former history is the task of the linguistic scholar; our province is the practical and the present-day. But words, like men, are largely what they are because of what they have been; and to turn a gossip's eye upon their past is to procure for ourselves, often, not only enlightenment but also entertainment. This fact, though brought out in some part already, deserves separate and fuller discussion.
In the first place, curiosity as to words' past experience enables us to read with keener understanding the literature of preceding ages. Of course we should not, even so, go farther back than about three centuries. To read anything earlier than Shakespeare would require us to delve too deeply into linguistic bygones. And to read Shakespeare himself requires effort—but rewards it. Let us see how an insight into words will help us to interpret the Seven Ages of Man (Appendix 4).
In line 2 of this passage appears the word merely. In Shakespeare's time it frequently meant "altogether" or "that and nothing else." As here used, it may be taken to mean this, or to have its modern meaning, or to stand in meaning midway between the two and to be suggestive of both; there is no way of determining precisely. In line 12 the word pard means leopard. In line 18 saws means "sayings" (compare the phrase "an old saw"); modern means "moderate," "commonplace"; instances means what we mean by it today, "examples," "illustrations." (Line 18 as a whole gives us a vivid sense of the justice's readiness to speak sapiently, after the manner of justices, and to trot out his trite illustrations on the slightest provocation.) The word pantaloon in line 20 is interesting. The patron saint of Venice was St. Pantaleon (the term is from Greek, means "all-lion," and possibly refers to the lion of St. Mark's Cathedral). Pantaloon came therefore to signify (1) a Venetian, (2) a garment worn by Venetians and consisting of breeches and stockings in one. The second sense is preserved, substantially, in our term pantaloons. The first sense led to the use of the word (in the mouths of the Venetians' enemies) for "buffoon" and then (in early Italian comedy) for "a lean and foolish old man." It is this stock figure of the stage that Shakespeare evokes. In line 22 hose means the covering for a man's body from his waist to his nether-stock. (Compare the present meaning: a covering for the feet and the lower part of the legs.) In line 27 mere means "absolute." In line 28 sans means "without."
Of the words we have examined, only sans is obsolete, though pard, saws, and pantaloon are perhaps not entirely familiar. That is, only one word in the passage, so far as its outward form goes, is completely alien to our knowledge. But how different the matter stands when we consider meanings! The words are words of today, but the meanings are the meanings of Shakespeare. We should be baffled and misled as to the dramatist's thought if we had made no inquiries into the vehicle therefor.
In the second place, to look beyond the present into the more remote signification of words will put us on our guard against the reappearance of submerged or half-forgotten meanings. We have seen that the word tension may be used without conscious connection with the idea of stretching. But if we incautiously place the word in the wrong environment, the idea will be resurrected to our undoing. We associate ardor with strong and eager desire. For ordinary purposes this conception of the word suffices. But ardor is one of the children of fire; its primary sense is "burning" (compare arson). Therefore to pronounce the three vocables "overflowing with ardor" is to mix figures of speech absurdly. We should fall into a similar mistake if we said "brilliant fluency," and into a mistake of another kind (that of tautology or repetition of an idea) if we said "heart-felt cordiality," for cordiality means "feelings of the heart." Appreciate means "set a (due) value on." We may perhaps say "really appreciate," but scrupulous writers and speakers do not say "appreciate very much." A humor (compare humid) was once a "moisture"; then one of the four moistures or liquids that entered into the human constitution and by the proportions of their admixture determined human temperament; next a man's outstanding temperamental quality (the thing itself rather than the cause of it); then oddity which people may laugh at; then the spirit of laughter and good nature in general. Normally we do not connect the idea of moisture with the word. We may even speak of "a dry humor." But we should not say "now and then a dry humor crops out," for then too many buried meanings lie in the same grave for the very dead to rest peacefully together.
Even apart from reading old literature and from having, when you use words, no ghosts of their pristine selves rise up to damn you, you may profit from a knowledge of how the meaning of a term has evolved. For example, you will meet many tokens and reminders of the customs and beliefs of our ancestors. Thus coxcomb carries you back to the days when every court was amused by a "fool" whose head was decked with a cock's comb; crestfallen takes you back to cockfighting; and lunatic ("moonstruck"), disaster ("evil star"), and "thank your lucky stars" plant you in the era of superstition when human fate was governed by heavenly bodies.
Further, you will perceive the poetry of words. Thus to wheedle is to wag the tail and to patter is to hurry through one's prayers (paternoster). What a picture of the frailty of men even in their holiness flashes on us from that word patter! Breakfast is the breaking of the fast of the night. Routine (the most humdrum of words) is travel along a way already broken. Goodby is an abridged form of "God be with you." Dilapidated is fallen stone from stone. Daisy is "the day's eye," nasturtium (from its spicy smell) "the nose-twister," dandelion "the tooth of the lion." A lord is a bread-guard.
You will perceive, moreover, that many a dignified word once involved the same idea as some unassuming or even semi-disreputable word or expression involves now. Thus there is little or no difference in figure between understanding a thing and getting on to it; between averting something (turning it aside) and sidetracking it; between excluding (shutting out) and closing the door to; between degrading (putting down a step) and taking down a notch; between accumulating (heaping up) and making one's pile; between taking umbrage (the shadow) and being thrown in the shade; between ejaculating and throwing out a remark; between being on a tension and being highstrung; between being vapid and having lost steam; between insinuating (winding in) and worming in; between investigating and tracking; between instigating (goading on or into) and prodding up; between being incensed (compare incendiary) and burning with indignation; between recanting (unsinging) and singing another tune; between ruminating (chewing) and smoking in one's pipe. Nor is there much difference in figure between sarcasm (a tearing of the flesh) and taking the hide off; between sinister (left-handed) and backhanded; between preposterous (rear end foremost) and cart before the horse; between salary (salt-money, an allowance for soldiers) and pin-money; between pedigree (crane's foot, from the appearance of genealogical diagrams) and crowsfeet (about the eyes); between either precocious (early cooked), apricot (early cooked), crude (raw), or recrudescence (raw again) and half-baked. To ponder is literally to weigh; to apprehend an idea is to take hold of it; to deviate is to go out of one's way; to congregate is to flock together; to assail or insult a man is to jump on him; to be precipitate is to go head foremost; to be recalcitrant is to kick.
Again, you will perceive that many words once had more literal or more definitely concrete meanings than they have now. To corrode is to gnaw along with others, to differ is to carry apart, to refuse is to pour back. Polite is polished, absurd is very deaf, egregious is taken from the common herd, capricious is leaping about like a goat, cross (disagreeable) is shaped like a cross, wrong is wrung (or twisted). Crisscross is Christ's cross, attention is stretching toward, expression is pressed out, dexterity is right-handedness, circumstances are things standing around, an innuendo is nodding, a parlor is a room to talk in, a nostril is that which pierces the nose (thrill means pierce), vinegar is sharp wine, a stirrup is a rope to mount by, a pastor is a shepherd, a marshal is a caretaker of horses, a constable is a stable attendant, a companion is a sharer of one's bread.
On the other hand, you will find that many words were once more general in import than they have since become. Fond originally meant foolish, then foolishly devoted, then (becoming more general again) devoted. Nostrum meant our own, then a medicine not known by other physicians, then a quack remedy. Shamefast meant confirmed in modesty (shame); then through a confusion of fast with faced, a betrayal through the countenance of self-consciousness or guilt. Counterfeit meant a copy or a picture, then an unlawful duplication, especially of a coin. Lust meant pleasure of any sort, then inordinate sexual pleasure or desire. Virtue (to trace only a few of its varied activities) meant manliness, then the quality or attribute peculiar to true manhood (with the Romans this was valor), then any admirable quality, then female chastity. Pen meant a feather, then a quill to write with, then an instrument for writing used in the same way as a quill. A groom meant a man, then a stableman (in bridegroom, however, it preserves the old signification). Heathen (heath-dweller), pagan (peasant), and demon (a divinity) had in themselves no iniquitous savor until early Christians formed their opinion of the people inaccessible to them and the spirits incompatible with the unity of the Godhead. Words betokening future happenings or involving judgment tend to take a special cast from the fears and anxieties men feel when their fortune is affected or their destiny controlled by external forces. Thus omen (a prophetic utterance or sign) and portent (a stretching forward, a foreseeing, a foretelling) might originally be either benign or baleful; but nowadays, especially in the adjectival forms ominous and portentous, they wear a menacing hue. Similarly criticism, censure, and doom, all of them signifying at first mere judgment, have come—the first in popular, the other two in universal, usage—to stand for adverse judgment. The old sense of doom is perpetuated, however, in Doomsday, which means the day on which we are all to be, not necessarily sent to hell, but judged.
You will furthermore perceive that the exaggerated affirmations people are always indulging in have led to the weakening of many a word. Fret meant eat; formerly to say that a man was fretting was to use a vigorous comparison—to have the man devoured with care. Mortify meant to kill, then killed with embarrassment, then embarrassed. Qualm meant death, but our qualms of conscience have degenerated into mere twinges. Oaths are shorn of their might by overuse; confound, once a tremendous malinvocation, may now fall from the lips of respectable young ladies, and fie, in its time not a whit less dire, would be scarcely out of place in even a cloister. Words designating immediacy come to have no more strength than soup-meat seven times boiled. Presently meant in the present, soon and by and by meant forthwith. How they have lost their fundamental meaning will be intelligible to you if you have in ordering something been told that it would be delivered "right away," or in calling for a girl have been told that she would be down "in a minute."
You will detect in words of another class a deterioration, not in force, but in character; they have fallen into contemptuous or sinister usage. Many words for skill or wisdom have been thus debased. Cunning meant knowing, artful meant well acquainted with one's art, crafty meant proficient in one's craft or calling, wizard meant wise man. The present import of these words shows how men have assumed that mental superiority must be yoked with moral dereliction or diabolical aid. Words indicating the generality—indicating ordinary rank or popular affiliations—have in many instances suffered the same decline. Trivial meant three ways; it was what might be heard at the crossroads or on any route you chanced to be traveling, and its value was accordingly slight. Lewd meant belonging to the laity; it came to mean ignorant, and then morally reprehensible. Common may be used to signify ill-bred; vulgar may be and frequently is used to signify indecent. Sabotage, from a French term meaning wooden shoe, has come to be applied to the deliberate and systematic scamping of one's work in order to injure one's employer. Idiot (common soldier) crystallizes the exasperated ill opinion of officers for privates. (Infantry—an organization of military infants—has on the contrary sloughed its reproach and now enshrines the dignity of lowliness.) Somewhat akin to words of this type is knave, which first meant boy, then servant, then rogue. Terms for agricultural classes seldom remain flattering. Besides such epithets as hayseed and clodhopper, contemptuous in their very origin, villain (farm servant), churl (farm laborer), and boor (peasant) have all gathered unto themselves opprobrium; villain now involves a scoundrelly spirit, churl a contumelious manner, boor a bumptious ill-breeding; not one of these words is any longer confined in its application to a particular social rank. Terms for womankind are soon tainted. Wench meant at first nothing worse than girl or daughter, quean than woman, hussy than housewife; even woman is generally felt to be half-slighting. Terms affirming unacquaintance with sin, or abstention from it, tend to be quickly reft of what praise they are fraught with; none of us likes to be saluted as innocent, guileless, or unsophisticated, and to be dubbed silly no longer makes us feel blessed. Besides these and similar classes of words, there are innumerable individual terms that have sadly lost caste. An imp was erstwhile a scion; it then became a boy, and then a mischievous spirit. A noise might once be music; it has ceased to enjoy such possibilities. To live near a piano that is constantly banged is to know how noise as a synonym for music was outlawed.
A backward glance over the history of words repays you in showing you the words for what they are, and in having them live out their lives before you. Do you know what an umpire is? He is a non (or num) peer, a not equal man, an odd man—one therefore who can decide disputes. Do you know what a nickname is? It is an eke (also) name, a title bestowed upon one in addition to his proper designation. Do you know what a fellow, etymologically speaking, is? He is a fee-layer, a partner, a man who lays his fee (property) alongside yours. Do you know that matinée, though awarded to the afternoon, meant primarily a morning entertainment and has traveled so far from its original sense that we call an actual before-noon performance a morning matinée? Do you know the past of such words as bedlam, rival, parson, sandwich, pocket handkerchief? Bedlam, a corruption of Bethlehem, was a hospital for the insane in London; it came to be a general term for great confusion or discord. Rivals were formerly dwellers—that is, neighboring dwellers—on the bank of a stream; disputes over water-rights gave the word its present meaning. A person or parson, for the two were the same, was a mask (literally, that through which the sound came); then an actor representing a character in a play; then a representative of any sort; then the representative of the church in a parish. A sandwich was a stratification of bread and meat by the Earl of Sandwich, who was so loath to leave the gaming table that he saved time by having food brought him in this form. A kerchief was originally a cover for the head, and indeed sundry amiable, old-fashioned grandmothers still use it for this purpose. Afterward people carried it in their hands and called it a handkerchief; and when they transferred it to the pocket, they called it a pocket handkerchief or pocket hand head-cover. A scrutiny of such words should convince you that the reading of the dictionary, instead of being the dull occupation it is almost proverbially reputed to be, may become an occupation truly fascinating. For clustered about the words recorded in the dictionary are inexhaustible riches of knowledge and of interest for those who have eyes to see.
EXERCISE - Past
1. For each of the following words look up (a) the present meaning if you do not know it, (b) the original meaning, (c) any other past meanings you can find.
Exposition Corn Cattle
Influence Sanguine Turmoil
Sinecure Waist Shrew
Potential Spaniel Crazy
Character Candidate Indomitable
Infringe Rascal Amorphous
Expend Thermometer Charm
Rather Tall Stepchild
Wedlock Ghostly Haggard
Bridal Pioneer Pluck
Noon Neighbor Jimson weed
Courteous Wanton Rosemary
Cynical Street Plausible
Grocer Husband Allow
Worship Gipsy Insane
Encourage Clerk Disease
Astonish Clergyman Boulevard
Realize Hectoring Canary
Bombast Primrose Diamond
Benedict Walnut Abominate
Piazza Holiday Barbarous
Disgust Heavy Kind
Virtu Nightmare Devil
Gospel Comfort Whist
Mermaid Pearl Onion
Enthusiasm Domino Book
Fanatic Grotesque Cheat
Auction Economy Illegible
Quell Cheap Illegitimate
Sheriff Excelsior Emasculate
Danger Dunce Champion
Shibboleth Calico Adieu
Essay Pontiff Macadamize
Wages Copy Stentorian
Quarantine Puny Saturnine
Buxom Caper Derrick
Indifferent Boycott Mercurial
Gaudy Countenance Poniard
Majority Camera Chattel.
2. The following words are often used loosely today, some because their original meaning is lost sight of, some because they are confused with other words. Find for each word (a) what the meaning has been and (b) what the correct meaning is now.
Nice Awful Atrocious
Grand Horrible Pitiful
Beastly Transpire Claim
Weird Aggravate Uncanny
Demean Gorgeous Elegant
Fine Noisome Mutual (in "a mutual friend")
Lovely Cute Stunning
Liable Immense.
3. The following sentences from standard English literature illustrate the use of words still extant and even familiar, in senses now largely or wholly forgotten. The quotations from the Bible and Shakespeare (all the Biblical quotations are from the King James Version) date back a little more than three hundred years, those from Milton a little less than three hundred years, and those from Gray and Coleridge, respectively, about a hundred and seventy-five and a hundred and twenty-five years. Go carefully enough into the past meanings of the italicized words to make sure you grasp the author's thought.
And now abideth faith, hope, charity, these three; but the greatest of these is charity.(1 Corinthians 13:13)
I prevented the dawning of the morning. (Psalms 119:147)
Our eyes wait upon the Lord our God. (Psalms 123:2)
The times of this ignorance God winked at. (Acts 17:30)
And Jesus said, Somebody hath touched me; for I perceive that virtue is gone out of me. (Luke 8:46)
To judge the quick and the dead. (1 Peter 4:5)
Be not wise in your own conceits. (Romans 12:16)
In maiden meditation, fancy-free. (Shakespeare: A Midsummer
Night's Dream)
Is it so nominated in the bond? (Shakespeare: The Merchant of Venice)
Would I had met my dearest foe in heaven. (Shakespeare: Hamlet)
The extravagant and erring spirit. (Said of a spirit wandering from the bounds of purgatory. Shakespeare: Hamlet)
The modesty of nature. (Shakespeare: Hamlet)
It is a nipping and an eager air. (Shakespeare: Hamlet)
Security Is mortals' chiefest enemy. (Shakespeare: Macbeth)
Most admired disorder. (Shakespeare: Macbeth)
Upon this hint I spake. (From the account of the wooing of
Desdemona. Shakespeare: Othello)
This Lodovico is a proper man. A very handsome man.
(Shakespeare: Othello)
Mice and rats and such small deer. (Shakespeare: King Lear)
This is no sound
That the earth owes. (Shakespeare: The Tempest)
Every shepherd tells his tale. (Milton: L'Allegro) Bring the rathe primrose that forsaken dies. (Rathe survives only in the comparative form rather. Milton: Lycidas)
Can honor's voice provoke the silent dust? (Gray: Elegy)
The silly buckets on the deck. (Coleridge: The Ancient
Mariner)
4. In technical usage or particular phrases a former sense of a word may
be embedded like a fossil. The italicized words in the following list
retain special senses of this kind. What do these words as thus used mean?
Can you add to the list?
To wit
Might and main
Time and tide
Christmas_tide_
Sad bread
A bank teller
To tell one's beads
Aid and abet
Meat and drink
Shop_lifter_
Fishing-tackle
Getting off scot-free
An earnest of future favors
A brave old hearthstone
Confusion to the enemy!
Giving aid and comfort to the enemy
Without let or hindrance
A let in tennis
_Quick_lime
Cut to the quick
Neat-foot oil
To sound in tort (Legal phrase)
To bid one God_speed_
I had as lief as not
The child favors its parents
On pain of death
Widow's weeds
I am bound for the Promised Land
To carry a girl to a party (Used only in the South)
To give a person so much to boot
5. Each of the subjoined phrases contradicts itself or repeats its idea clumsily. The key to the difficulty lies in the italicized words. What is their true meaning?
A weekly journal Ultimate end Final ultimatum Final completion Previous preconceptions Nauseating seasickness Join together Descend down Prefer better Argent silver Completely annihilate Unanimously by all Most unique of all The other alternative Endorse on the back Incredible to believe A criterion to go by An appetite to eat A panacea for all ills Popular with the people Biography of his life Autobiography of his own life Vitally alive A new, novel, and ingenious explanation Mutual dislike for each other Omniscient knowledge of all subjects A material growth in mental power Peculiar faults of his own Fly into an ebullient passion To saturate oneself with gold and silver Elected by acclamation on a secret ballot.
V.
INDIVIDUAL WORDS: AS MEMBERS OF VERBAL FAMILIES
Our investigation into the nature, qualities, and fortunes of single words must now merge into a study of their family connections. We do not go far into this new phase of our researches before we perceive that the career of a word may be very complicated. Most people, if you asked them, would tell you that an individual word is a causeless entity—a thing that was never begotten and lacks power to propagate. They would deny the possibility that its course through the world could be other than colorless, humdrum. Now words thus immaculately conceived and fatefully impotent, words that shamble thus listlessly through life, there are. But many words are born in an entirely normal way; have a grubby boyhood, a vigorous youth, and a sober maturity; marry, beget sons and daughters, become old, enfeebled, even senile; and suffer neglect, if not death. In their advanced age they are exempted by the discerning from enterprises that call for a lusty agility, but are drafted into service by those to whom all levies are alike. Indeed in their very prime of manhood their vicissitudes are such as to make them seem human. Some rise in the world some sink; some start along the road of grandeur or obliquity, and then backslide or reform. Some are social climbers, and mingle in company where verbal dress coats are worn; some are social degenerates, and consort with the ragamuffins and guttersnipes of language. Some marry at their own social level, some above them, some beneath; some go down in childless bachelorhood or leave an unkempt and illegitimate progeny. And if you trace their own lineage, you will find for some that it is but decent and middle-class, for some that it is mongrelized and miscegenetic, for some that it is proud, ancient, yea perhaps patriarchal.
It is contrary to nature for a word, as for a man, to live the life of a hermit. Through external compulsion or internal characteristics a word has contacts with its fellows. And its most intimate, most spontaneous associations are normally with its own kindred.
In our work hitherto we have had nothing to say of verbal consanguinity. But we have not wholly ignored its existence, for the very good reason that we could not. For example, in the latter portions of Chapter IV we proceeded on the hypothesis that at least some words have ancestors. Also in the analysis of the dictionary definition of tension we learned that the word has, not only a Latin forebear, but French, Spanish, Portuguese, and Italian kinsmen as well. One thing omitted from that analysis would have revealed something further—namely, that the word has its English kinfolks too. For the bracketed part of the dictionary definition mentions two other English words, tend and tense, which from their origin involve the same idea as that of tension— the idea of stretching.
Now words may be akin in either of two ways. They may be related in blood. Or they may be related by marriage. Let us consider these two kinds of connection more fully.
<Words Related in Blood>
As an illustration of blood kinships enjoyed by a native English word take the adjective good. We can easily call to mind other members of its family: goodly, goodish, goody-goody, good-hearted, good-natured, good- humored, good-tempered, goods, goodness, goodliness, gospel (good story), goodby, goodwill, goodman, goodwife, good-for-nothing, good den (good evening), the Good Book. The connection between these words is obvious.
Next consider a group of words that have been naturalized: scribe, prescribe, ascribe, proscribe, transcribe, circumscribe, subscriber, indescribable, scribble, script, scripture, postscript, conscript, rescript, manuscript, nondescript, inscription, superscription, description. It is clear that these words are each other's kith and kin in blood, and that the strain or stock common to all is scribe or (as sometimes modified) script. What does this strain signify? The idea of writing. The scribes are a writing clan. Some of them, to be sure, have strayed somewhat from the ancestral calling, for words are as wilful—or as independent—as men. Ascribe, for example, does not act like a member of the household of writers, whatever it may look like. We should have to scrutinize it carefully or consult the record for it in that verbal Who's Who, the dictionary, before we could understand how it came by its scribal affiliations honestly. But once we begin to reflect or to probe, we find we have not mistaken its identity. Ascribe is the offspring of ad (to) and scribo (write), both Latin terms. It originally meant writing to a person's name or after it (that is, imputing to the person by means of written words) some quality or happening of which he was regarded as the embodiment, source, or cause. Nowadays we may saddle the matter on him through oral rather than written speech. That is, ascribe has largely lost the writing traits. But all the same it is manifestly of the writing blood.
The scribes are of undivided racial stock, Latin. Consider now the manu, or man, words which sprang from the Latin manus, meaning "hand." Here are some of them: manual, manoeuver, mandate, manacle, manicure, manciple, emancipate, manage, manner, manipulate, manufacture, manumission, manuscript, amanuensis. These too are children of the same father; they are brothers and sisters to each other. But what shall we say of legerdemain (light, or sleight, of hand), maintain, coup de main, and the like? They bear a resemblance to the man's and manu's, yet one that casual observers would not notice. Is there kinship between the two sets of words? There is. But not the full fraternal or sororal relation. The mains are children of manus by a French marriage he contracted. With this French blood in their veins, they are only half-brothers, half-sisters of the manu's and the man's.
Your examination of the family trees of words will be practical, rather than highly scholastic, in nature. You need not track every word in the dictionary to the den of its remote parentage. Nor need you bother your head with the name of the distant ancestor. But in the case of the large number of words that have a numerous kindred you should learn to detect the inherited strain. You will then know that the word is the brother or cousin of certain other words of your acquaintance, and this knowledge will apprise you of qualities in it with which you should reckon. To this extent only must you make yourself a student of verbal genealogy.
EXERCISE - Blood
(Simple exercises in tracing blood relationships among words are given at the end of the chapter. Therefore the exercises assigned here are of a special character.)
1. Each of the following groups is made up of related words, but the relationship is somewhat disguised. Consult the dictionary for each word, and learn all you can as to (a) its source, (b) the influence (as passing through an intermediate language) that gave it its present form, (c) the course of its development into its present meaning.
Captain Cathedral Governor
Capital Chaise Gubernatorial
Decapitate Chair
Chef Shay Guardian
Chieftain Ward
Camp
Cavalry Campaign Guarantee
Chivalry Champion Warrant
Camera Inept Incipient
Chamber Apt Receive
Serrated Inimical Poor
Sierra Enemy Pauper
Influence Espionage Work
Influenza Spy Wrought
Playwright
Isolate
Insular
2. The variety of sources for modern English is indicated by the following list. Do not seek for blood kinsmen of these particular words, but think of all the additional words you can that have come into English from Indian, Spanish, French, any other language spoken today.
Alphabet (Greek) Piano (Italian)
Folio (Latin) Car (Norman)
Boudoir (French) Rush (German)
Binnacle (Portuguese) Sky (Icelandic)
Anger (Old Norse) Yacht (Dutch)
Isinglass (Low German) Hussar (Hungarian)
Slogan (Celtic) Samovar (Russian)
Polka (Polish) Chess (Persian)
Shekel (Hebrew) Tea (Chinese)
Algebra (Arabic) Kimono (Japanese)
Puttee (Hindoo) Tattoo (Tahitian)
Boomerang (Australian) Voodoo (African)
Potato (Haytian) Skunk (American Indian)
Guano (Peruvian) Buncombe (American)
Renegade (Spanish)
<Words Related by Marriage>
That words marry and are given in marriage, is too generally overlooked. Any student of a foreign language, German for instance, can recall the thrill of discovery and the lift of reawakened hope that came to him when first he suspected, aye perceived, the existence of verbal matrimony. For weeks he had struggled with words that apparently were made up of fortuitous collocations of letters. Then in some beatific moment these huddles of letters took meaning; in instance after instance they represented, not a word, but words—a linguistic household. Let them be what they might—a harem, the domestic establishment of a Mormon, the dwelling-place of verbal polygamists,—he could at last see order in their relationships. To their morals he was indifferent, absorbed as he was in his joy of understanding.
In English likewise are thousands of these verbal marriages. We may not be aware of them; from our very familiarity with words we may overlook the fact that in instances uncounted their oneness has been welded by a linguistic minister or justice of the peace. But to read a single page or harken for thirty seconds to oral discourse with our minds intent on such states of wedlock is to convince ourselves that they abound. Consider this list of everyday words: somebody, already, disease, vineyard, unskilled, outlet, nevertheless, holiday, insane, resell, schoolboy, helpmate, uphold, withstand, rainfall, deadlock, typewrite, football, motorman, thoroughfare, snowflake, buttercup, landlord, overturn. Every term except one yokes a verbal husband with his wife, and the one exception (nevertheless) joins a uxorious man with two wives.
These marriages are of a simple kind. But the nuptial interlinkings between families of words may be many and complicated. Thus there is a family of graph (or write) words: graphic, lithograph, cerograph, cinematograph, stylograph, telegraph, multigraph, seismograph, dictograph, monograph, holograph, logograph, digraph, autograph, paragraph, stenographer, photographer, biographer, lexicographer, bibliography, typography, pyrography, orthography, chirography, calligraphy, cosmography, geography. There is also a family of phone (or sound) words: telephone, dictaphone, megaphone, audiphone, phonology, symphony, antiphony, euphonious, cacophonous, phonetic spelling. It chances that both families are of Greek extraction. Related to the graphs—their cousins in fact—are the grams: telegram, radiogram, cryptogram, anagram, monogram, diagram, logogram, program, epigram, kilogram, ungrammatical. Now a representative of the graphs married into the phone family, and we have graphophone. A representative of the phones married into the graph family, and we have phonograph. A representative of the grams married into the phone family, and we have gramophone. A representative of the phones married into the gram family, and we have phonogram. Of such unions children may be born. For example, from the marriage of Mr. Phone with Miss Graph were born phonography, phonographer, phonographist (a rather frail child), phonographic, phonographical, and phonographically.
Intermarriage between the phones and the graphs or grams is a wedding of equals. Some families of words, however, are of inferior social standing to other families, and may seek but not hope to be sought in marriage. Compare the ex's with the ports. An ex, as a preposition, belongs to a prolific family but not one of established and unimpeachable dignity. Hence the ex's, though they marry right and left, lead the other words to the altar and are never led thither themselves. Witness exclude, excommunicate, excrescence, excursion, exhale, exit, expel, expunge, expense, extirpate, extract; in no instance does ex fellow its connubial mate—it invariably precedes. The ports, on the other hand, are the peers of anybody. Some of them choose to remain single: port, porch, portal, portly, porter, portage. Here and there one marries into another family: portfolio, portmanteau, portable, port arms. More often, however, they are wooed than themselves do the pleading: comport, purport, report, disport, transport, passport, deportment, importance, opportunity, importunate, inopportune, insupportable. From our knowledge of the two families, therefore, we should surmise that if any marriage is to take place between them; an ex must be the suitor. The surmise would be sound. There is such a term as export, but not as portex.
Now it is oftentimes possible to do business with a man without knowing whether he is a man or a bridal couple. And so with a word. But the knowledge of his domestic state and circumstances will not come amiss, and it may prove invaluable. You may find that you can handle him to best advantage through a sagacious use of the influence of his wife.
EXERCISE - Marriage
1. For each word in the lists of EXERCISE - Dictionary and Activity 1 for EXERCISE - Past, determine (a) whether it is single or married; (b) if it is married, whether the wedding is one between equals.
2. Make a list of the married words in the first three paragraphs of the selection from Burke (Appendix 2). For each of these words determine the exact nature and extent of the dowry brought by each of the contracting parties to the wedding.
<Prying Into a Word's Relationships>
Hitherto in our study of verbal relationships we have usually started with the family. Having strayed (as by good luck) into an assembly of kinsmen, we have observed the common strain and the general characteristics, and have then "placed" the individual with reference to these. But we do not normally meet words, any more than we meet men, in the domestic circle. We meet them and greet them hastily as they hurry through the tasks of the day, with no other associates about them than such as chance or momentary need may dictate. If we are to see anything of their family life, it must be through effort we ourselves put forth. We must be inquisitive about their conjugal and blood relationships.
How, then, starting with the individual word, can you come into a knowledge of it, not in its public capacity, but in what is even more important, its personal connections? You must form the habit of asking two questions about it: (1) Is it married? (2) Of what family or families was it born? If you can get an understanding answer to these two questions, an answer that will tell you what its relations stand for as well as what their name is, your inquiries will be anything but bootless.
Let us illustrate your procedure concretely. Suppose you read or hear the word conchology. It is a somewhat unusual word, but see what you can do with it yourself before calling on the dictionary to help you. Observe the word closely, and you will obtain the answer to your first question. Conchology is no bachelor, no verbal old maid; it is a married pair.
Your second and more difficult task awaits you; you must ascertain the meaning of the family connections. With Mr. Conch you are on speaking terms; you know him as one of the shells. But the utmost you can recall about his wife is that she is one of a whole flock of ologies. What significance does this relationship possess? You are uncertain. But do not thumb the dictionary yet. Pass in mental review all the ologies you can assemble. Wait also for the others that through the unconscious operations of memory will tardily straggle in. Be on the lookout for ologies as you read, as you listen. In time you will muster a sizable company of them. And you will draw a conclusion as to the meaning of the blood that flows through their veins. Ology implies speech or study. Conchology, then, must be the study of conches.
Your investigations thus far have done more than teach you the meaning of the word you began with. They have brought you some of the by-products of the study of verbal kinships. For you no longer pass the ologies by with face averted or bow timidly ventured. You have become so well acquainted with them that even a new one, wherever encountered, would flash upon you the face of a friend. But now your desires are whetted. You wish to find out how much you can learn. You at last consult the dictionary.
Here a huge obstacle confronts you. The ologies, like the ports (above), are a haughty clan; they are the wooed, rather than the wooing, members of most marital households that contain them. Now the marriage licenses recorded in the dictionary are entered under the name of the suitor, not of the person sought. Hence you labor under a severe handicap as you take the census of the ologies. Let us imagine the handicap the most severe possible. Let us suppose that no ology had ever been the suitor. Even so, you would not be entirely baffled. For you could look up in the dictionary the ologies you your self had been able to recall. To what profit? First, you could verify or correct your surmise as to what the ological blood betokens. Secondly, you could perhaps obtain cross-references to yet other ologies than those you remembered.
But you are not reduced to these extremities. The ologies, arrogant as they are, sometimes are the applicants for matrimony, and the marriage registry of the dictionary so indicates. To be sure, they do not, when thus appearing at the beginning of words, take the form ology. They take the form log. But you must be resourceful enough to keep after your quarry in spite of the omission of a vowel or two. Also from some lexicons you may obtain still further help. You may find ology, logy, logo, or log listed as a combining form, its meaning given, and examples of its use in compounds cited.
By your zeal and persistence you have now brought together a goodly array of the ologies—all or most, let us say, of the following: conchology, biology, morphology, phrenology, physiology, osteology, histology, zoology, entomology, bacteriology, ornithology, pathology, psychology, cosmology, eschatology, demonology, mythology, theology, astrology, archeology, geology, meteorology, mineralogy, chronology, genealogy, ethnology, anthropology, criminology, technology, doxology, anthology, trilogy, philology, etymology, terminology, neologism, phraseology, tautology, analogy, eulogy, apology, apologue, eclogue, monologue, dialogue, prologue, epilogue, decalogue, catalogue, travelogue, logogram, logograph, logo-type, logarithms, logic, illogical. (Moreover you may have perceived in some of these words the kinship which exists in all for the loquy group—see (1) Soliloquy below.) Of course you will discard some items from this list as being too learned for your purposes. But you will observe of the others that once you know the meaning of ology, you are likely to know the whole word. Thus from your study of conchology you have mastered, not an individual term, but a tribe.
In conchology only one element, ology, was really dubious at the outset. Let us take a word of which both elements give you pause. Suppose your thought is arrested by the word eugenics. You perhaps know the word as a whole, but not its components. For by looking at it and thinking about it you decide that its state is married, that it comprises the household of Mr. Eu and his wife, formerly Miss Gen. But you cannot say offhand just what kind of person either Mr. Eu or the erstwhile Miss Gen is likely to prove.
Have you met any of the Eu's elsewhere? You think vaguely that you have, but cannot lay claim to any real acquaintance. To the dictionary you accordingly betake yourself. There you find that Mr. Eu is of a family quite respectable but not prone to marriage. Euphony, eupepsia, euphemism, euthanasia are of his retiring kindred. The meaning of the eu blood, so the dictionary informs you, is well. The gen blood, as you see exemplified in gentle, general, genital, engender, carries with it the idea of begetting, of producing, of birth, or (by extension) of kinship. Eugenics, then, is an alliance of well and begotten (or born).
Your immediate purpose is fulfilled; but you resolve, let us say, to make the acquaintance of more of the gens, whose number you have perceived to be legion. You are duly introduced to the following: genus, generic, genre, gender, genitive, genius, general, Gentile, gentle, gentry, gentleman, genteel, generous, genuine, genial, congeniality, congener, genital, congenital, engender, generation, progeny, progenitor, genesis, genetics, eugenics, pathogenesis, biogenesis, ethnogeny, palingenesis, unregenerate, degenerate, monogeny, indigenous, exogenous, homogeneous, heterogeneous, genealogy, ingenuous, ingenious, ingenue, engine, engineer, hygiene, hydrogen, oxygen, endogen, primogeniture, philoprogeniture, miscegenation. Some of these are professional rather than social; you decide not to leave your card at their doors. Others have assumed a significance somewhat un_gen_-like, though the relationship may be traced if you are not averse to trouble, Thus engine in its superficial aspects seems alien to the idea of born. But it is the child of ingenious (innate, inborn); ingenious is the inborn power to accomplish, and engine is the result of the application of that power. Whether you care to bother with such subtleties or not, enough gens are left to make the family one well worth your cultivation.
Thus by studying two words, conchology and eugenics, you have for the first time placed yourself on an intimate footing with three verbal families—the ologies, the eu's, and the gens. Observe that though you studied the ologies apart from the eu's and the gens, your knowledge—once you have acquired it—cannot be kept pigeonholed, for the ologies have intermarried with both the other families. Hence you on meeting eulogy can exclaim: "How do you do, Mr. Eu? I am honored in making your acquaintance, Mrs. Eu—I was about to call you by your maiden name; for I am a friend of your sister, the Miss Ology who married Mr. Conch. And you too, Mr. Eu—I cannot regard you as a stranger. I have looked in so often on the family of your brother—the Euphony family, I mean. What a beautiful literary household it is! Yet it has been neglected by the world-yea, even by the people who write. Well, the loss is theirs who do the neglecting." And genealogy you can greet with an equal parade of family lore: "Don't trouble to tell me who you are. I am hob and nob with your folks on both sides of the family, and my word for it, the relationship is written all over you. Mr. Gen, I envy you the pride you must feel in the prominence given nowadays to the eugenics household. And it must delight you, Miss Ology-that-was, that connoisseurs are so keenly interested in conchology. How are Grandfather Gen and Grandmother Ology? They were keeping up remarkably the last time I saw them." Do you think words will not respond to cordiality like this? They will work their flattered heads off for you!
EXERCISE - Relationships
1. For each of the following words (a) determine what families are intermarried, (b) ascertain the exact contribution to the household by each family represented, and (c) make as complete a list as possible of cognate words.
Reject Oppose Convent Defer Omit Produce Expel
2. Test the extent of the intermarriages among these words by successively attaching each of the prefixes to each of the main (or key) syllables. (Thus re-ject, re-fer, re-pel, etc.)
<Two Admonitions>
In tracing verbal kinships you must be prepared for slight variations in the form of the same key-syllable. Consider these words: wise, wiseacre, wisdom, wizard, witch, wit, unwitting, to wit, outwit, twit, witticism, witness, evidence, providence, invidious, advice, vision, visit, vista, visage, visualize, envisage, invisible, vis-à-vis, visor, revise, supervise, improvise, proviso, provision, view, review, survey, vie, envy, clairvoyance. Perhaps the last six should be disregarded as too exceptional in form to be clearly recognized. And certainly some words, as prudence from providentia, are so metamorphosed that they should be excluded from practical lists of this kind. But even in the words left to us there are fairly marked divergences in appearance. Why? Because the key-syllable has descended to us, not through one language, but through several. As good verbal detectives we should be able to penetrate the consequent disguises; for wis, wiz, wit, vid, vic, and vis all embody the idea of seeing or knowing.
On the other hand, you must take care not to be misled by a superficial resemblance into thinking two unrelated key-syllables identical. Let us consider two sets of words. The first, which is related to the tain group (see <Tain> below), has a key-syllable that means holding: tenant, tenement, tenure, tenet, tenor, tenable, tenacious, contents, contentment, lieutenant, maintenance, sustenance, countenance, appurtenance, detention, retentive, pertinacity, pertinent, continent, abstinence, continuous, retinue. The second has a key-syllable that means stretching: tend, tender, tendon, tendril, tendency, extend, subtend, distend, pretend, contend, attendant, tense, tension, pretence, intense, intensive, ostensible, tent, tenterhook, portent, attention, intention, tenuous, attenuate, extenuate, antenna, tone, tonic, standard. The form of the key-syllable for the first set of words is usually ten, tent, or tin; that for the second tend, tens, tent, or ten. You may therefore easily confuse the two groups until you have learned to look past appearances into meanings. Thenceforth the holdings and the stretchings will be distinct in your mind—will constitute two great families, not one. Of course individual words may still puzzle you. You will not perceive that tender, for example, belongs with the stretchings until you go back to its primary idea of something stretched thin, or that tone has membership in that family until you connect it with the sound which a stretched chord emits.
FIRST GENERAL EXERCISE FOR THE CHAPTER
Each of the key-syllables given below is followed by (1) a list of fairly familiar words that embody it, (2) a list of less familiar words that embody it, (3) several sentences containing blank spaces, into each of which you are ultimately to fit the appropriate word from the first list. (The existence of the two lists will show you that learned words may have commonplace kinfolks.)
First, however, you are to study each word in both lists for (1) its exact meaning, (2) the influence of the key-syllable upon that meaning, (3) any variation of the key-syllable from its ordinary form. (A few words have been introduced to show how varied the forms may be and yet remain recognizable.)
Also, as an aid to your memory, you are to copy each list, underscoring the key-syllable each time you encounter it.
(The lists are practical, not meticulously academic. In many instances they contain words derived, not from a single original, but from cognates. No list is exhaustive.)
<Ag, act, ig> (carry on, do, drive): (1) agent, agitate, agile, act, actor, actuate, exact, enact, reaction, counteract, transact, mitigate, navigate, prodigal, assay, essay; (2) agenda, pedagogue, synagogue, actuary, redact, castigate, litigation, exigency, ambiguous, variegated, cogent, cogitate.
Sentences (inflect forms if necessary; for example, use the past tense, participle, or infinitive of a verb instead of its present tense): It was ____ into law. The legislators had been ____ by honest motives, but the popular ____ was immediate. The ____ of the mining company refused to let us proceed with the ____. Nothing could ____ the offense. The father was ____, the son ____. The student handed in his ____ at the ____ time designated. Though ____ enough on land, he could not ____ a ship. The ____ by missing his cue so ____ the manager that his good work thereafter could not ____ the ill impression.
<Burn, brun, brand> (burn): (1 and 2 combined) burn, burnish, brunette, brunt, bruin, brand, brandish, brandy, brown.
Sentences: He plucked a ____ from the ____. The ____ hair of the ____ was so glossy it seemed ____. He ____ his sword and bore the ____ of the conflict. After drinking so much ____ he saw snakes in his imagination, he staggered off into the woods and met Old ____ in reality.
<Cad, cas, cid> (fall): (1) cadence, decadent, case, casual, casualty, occasion, accident, incident, mischance, cheat; (2) casuistry, coincide, occidental, deciduous.
Sentences: The period was a ____ one. He gave but ____ attention to the ____ of the music. On this ____ an ____ befell him. To the general it was a mere ____ that his ____ were heavy. As a result of this ____ he was accused of trying to ____ them.
<Cede, ceed, cess> (go): (1) cede, recede, secede, concede, intercede, procedure, precedent, succeed, exceed, success, recess, concession, procession, intercession, abscess, ancestor, cease, decease; (2) antecedent, precedence, cessation, accessory, predecessor.
Sentences: He ____ the existence of a ____ that justified such ____. The delegate ____ his authority when he consented to ____ the territory. He would not ____ from his position or ____ for mercy. At ____ the pupils ____ in forming a ____. His ____ was suffering from an ____ at the time the Southern states ____. His agony ____ only with his ____.
<Ceive, ceit, cept, cip, cap(t)> (take): (1) receive, deceive, perceive, deceit, conceit, receipt, reception, perception, inception, conception, interception, accept, except, precept, municipal, participate, anticipate, capable, capture, captivate, case (chest, covering), casement, incase, cash, cashier, chase, catch, prince, forceps, occupy; (2) receptacle, recipient, incipient, precipitate, accipiter, capacious, incapacitate.
Sentences: Though she ____ the officers, she did not prevent the ____ of the fugitive. He ____ that the man was very ____. The mayor skilfully ____ the alderman and proposed that ____ bonds be issued. The sight of the money ____ him and he quickly gave me a ____. He uttered musty ____, which were not always given a friendly ____. From the ____ of the movement he plotted to ____ the leadership in it. The ____ took part in the ____, but failed to ____ any of the game.
<Cide, cis(e)> (cut, kill): (1) decide, suicide, homicide, concise, precise, decisive, incision, scissors, chisel, cement; (2) patricide, fratricide, infanticide, regicide, germicide, excision, circumcision, incisors, cesura.
Sentences: He could not ____ whether to make the ____ with a ____ or a pair of ____. There was ____ evidence that he was the ____. In a few ____ sentences he explained why his friend could never have been a ____. The prim old lady had very ____ manners of speech.
<Cur, course> (run): (1) current, currency, incur, concur, occurrence, cursory, excursion, course, discourse, intercourse, recourse; (2) curriculum, precursor, discursive, recurrent, concourse, courier, succor, corridor.
Sentences: He ____ in the request that payment be made in ____. The ____ was so strong that the ____ by steamer had to be abandoned. In the ____ of his remarks he had ____ to various shifts and evasions. By his ____ with one faction, though it was but ____, he ____ the enmity of the other. It was a disgraceful ____.
<Dic, dict> (speak, say): (1) dedicate, vindicate, indication, predicament, predict, addict, verdict, indict, dictionary, dictation, jurisdiction, vindictive, contradiction, benediction, ditto, condition; (2) abdicate, adjudicate, juridical, diction, dictum, dictator, dictaphone, dictograph, edict, interdict, valedictory, malediction, ditty, indite, ipse dixit, on dit.
Sentences: The man ____ to drugs was ____ for ____ treatment of his wife, and the ____ were that the ____ would be against him. He said, on the contrary, that his character would be ____. The attorney for the defense ____ that the judge would rule that the matter did not lie within his ____. This would leave the prosecution in a ____. But the prosecution issued a strong ____ of this theory, and said ____ were favorable for proving the man guilty.
<Duce, duct> (lead): (1) induce, reduce, traduce, seduce, introduce, reproduce, education, deduct, product, production, reduction, conduct, conductor, abduct, subdue; (2) educe, adduce, superinduce, conducive, ducat, duct, ductile, induction, aqueduct, viaduct, conduit, duke, duchy.
Sentences: We ____ the company to ____ the fare. They ____ ten cents from the wages of each man, an average ____ of four per cent. They ____ us when they say we have wilfully lessened ____. The highwaymen ____ the ____. If you have an ____, you can ____ an idea in other words.
<Error> (wander): (1) error, erroneous, erratic, errand; (2) errata, knight errant, arrant knave, aberration.
Sentences: That ____ fellow came on a special ____ to tell us we had made an ____. And his statement was ____ at that!
<Fact, fic(e), fy, fect, feat, feit> (make, do): (1) fact, factory, faction, manufacture, satisfaction, suffice, sacrifice, office, difficult, pacific, terrific, significant, fortification, magnificent, artificial, beneficial, verify, simplify, stupefy, certify, dignify, glorify, falsify, beautify, justify, infect, perfect, effect, affection, defective, feat, defeat, feature, feasible, forfeit, surfeit, counterfeit, affair, fashion; (2) factor, factotum, malefaction, benefaction, putrefaction, facile, facsimile, faculty, certificate, edifice, efficacy, prolific, deficient, proficient, artifice, artificer, beneficiary, versification, unification, exemplification, deify, petrify, rectify, amplify, fructify, liquefy, disaffect, refection, comfit, pontiff, ipso facto, de facto, ex post facto, au fait, fait accompli.
Sentences: The opposing ____ by incredible ____ had found it ____ to take over the ____ of the goods. By this ____ it ____ what goodwill the owner of the ____ had for it, but it won the ____ of the public. The owner, though seemingly ____ at first, soon ____ a scheme to make the success of the enterprise more ____. By an ____ lowering of the price of his own goods and by ____ that those of his rivals were ____, he hoped to ____ the public mind with unjust suspicions. But all this did not ____. In truth the ____ of it was the hastening of his own ____ and a ____ heightening of the public ____ toward his rivals. His directors, seeing that his policy had failed to ____ itself, met in his ____ and urged him to take a more ____ attitude.
<Fer> (bear, carry): (1) transfer, prefer, proffer, suffer, confer, offer, referee, deference, inference, indifferent, ferry, fertile; (2) referendum, Lucifer, circumference, vociferate, auriferous, coniferous, pestiferous.
Sentences: With real ____ to their wishes he ____ to ____ the goods by ____. The ____ of the sporting writers was that the ____ was ____ to his duties. After ____ apart, the farmers ____ the use of their most ____ acres for this experiment. To be mortal is to ____.
<Fide> (trust, believe, have faith): (1) fidelity, confide, confident, diffident, infidel, perfidious, bona fide, defiance, affiance; (2) fiduciary, affidavit, fiancé, auto da fé, Santa Fé.
Sentences: He was ____ that the man was an ____. He had ____ in a ____ rascal. He had been ____ for years and had proved his ____. Though we are somewhat ____ in making it, you may be sure it is a ____ offer. His attitude toward his father is one of gross ____.
<Grade, gress> (walk, go): (1) grade, gradual, graduate, degrade, digress, Congress, aggressive, progressive, degree; (2) gradation, Centigrade, ingress, egress, transgression, retrogression, ingredient.
Sentences: His failure to ____ from college made him feel ____ especially as his cronies all received their ____. The engine lost speed ____ as it climbed the long ____. I ____ to remark that some members of ____ are more ____ than ____.
<Hab, hib> (have, hold): (1) habit, habitation, inhabitant, exhibit, prohibition, ability, debit, debt; (2) habituate, habiliment, habeas corpus, cohabit, dishabille, inhibit.
Sentences: The ____ of the island ____ an ____ to live without permanent ____. It was his ____ to glance first at the ____ side of his ledger, as he was much worried about his ____. Most women favor ____.
<Hale, heal, hol, whole> (sound): (1) hale, hallow, Hallowe'en, heal, health, unhealthy, healthful, holy, holiday, hollyhock, whole, wholesome; (2) halibut, halidom.
Sentences: Though he lived in a ____ climate, he was ____. The food was ____, the man ____ and hearty. He did not think of a ____ as ____. We had ____ in our garden almost until ____. He wept at hearing the ____ name of his mother. For a ____ month the wound refused to ____.
<It> (go): (1) exit, transit, transition, initial, initiative, ambition, circuit, perishable; (2) itinerant, transitory, obituary, sedition, circumambient.
Sentences: The ____ was broken. It was his ____ shipment of ____ goods, and they suffered a good deal in ____. His ____ was to be regarded as a man of great ____. His ____ was less effective than his entrance.
<Ject> (throw): (1) eject, reject, subject, project, objection, injection, dejected, conjecture, jet, jetty; (2) abject, traject, adjective, projectile, interjection, ejaculate, jetsam, jettison.
Sentences: With ____ mien he watched the waves lash the ____. His scheme was ____ to much ridicule and then ____, and he himself was ____ from the room. From a pipe that ____ from the corner of the building came a ____ of dirty water. He could only ____ what their ____ was. The ____ brought immediate relief.
<Jud, jur, just> (law, right): (1) judge, judicious, judicial, prejudice, jurist, jurisdiction, just, justice, justify; (2) judicature, adjudicate, juridical, jurisprudence, justiciary, de jure.
Sentences: The eminent ____ said the matter did not lie within his ____. Though ____ in most matters, he admitted to ____ in this. The ____ said he would comment in an unofficial rather than a ____ way. She could not ____ her suspicions. He was not only ____ himself, but devoted to ____.
<Junct> (join): (1) junction, juncture, injunction, disjunctive, conjugal, adjust; (2) adjunct, conjunction, subjunctive, conjugate.
Sentences: A ____ force had entered their ____ relationships. At this ____ he gave the ____ that disturbances should cease. The tramp halted at the ____ to eat his lunch and ____ his knapsack.
<Jure> (swear): (1 and 2 combined) juror, jury, abjure, adjure, conjurer, perjury.
Sentences: They ____ their loyalty. He ____ them to remember their duty as ____. The ____ held the ____ guilty of ____.
<Leg, lig, lect> (read, choose, pick up): (1) elegant, illegible, college, negligent, diligent, eligible, elect, select, intellect, recollect, neglect, lecturer, collection, coil, cull; (2) legend, legion, legacy, legate, delegate, sacrilegious, dialect, lectern, colleague, lexicon.
Sentences: In ____ he listened to the ____ and took an occasional note in an ____ hand. She ____ an ____ costume. They ____ the only man who was ____. He did not ____ to take up the ____. He was ____ rather than ____. Her mind was too ____ to ____ all the circumstances.
<Lig> (bind): (1 and 2 combined) ligament, ligature, obligation, ally, alliance, allegiance, league, lien, liable, liaison, alloy.
Sentences: It was a pleasure that knew no ____. To belong to the ____ carries ____. In studying anatomy you learn all about ____ and ____. The two nations were in ____. We may be sure of their ____. We will take a ____ upon your property. As a ____ officer he was ____ for the equipment which our ____ reported lost.
<Luc, lum, lus> (light): (1) lucid, translucent, luminous, illuminate, luminary, luster, illustrate, illustrious; (2) lucent, Lucifer, lucubration, elucidate, pellucid, relume, limn.
Sentences: The ____ author spoke very ____. He gave us a ____ explanation of a very abstruse subject. The material was ____ even to the rays of the feeblest of the heavenly ____. He ____ his theory by the following anecdote. This deed added ____ to his fame.
<Mand> (order): (1 and 2 combined) mandate, mandamus, mandatory, demand, remand, countermand, commandment.
Sentences: The superior court issued a writ of ____. The case was ____ to the lower court. His instructions were not discretionary, but ____. At your ____ the ____ has been issued. The ____ promptly ____ the orders of the offending officer.
<Mit, mis, mise> (send): (1) permit, submit, commit, remit, transmit, mission, missile, missionary, remiss, omission, commission, admission, dismissal, promise, surmise, compromise, mass, message; (2) emit, intermittent, missive, commissary, emissary, manumission, inadmissible, premise, demise.
Sentences: The ____ could only ____ why so many of his people had not attended ____. The ____ contained a ____ that no one would be held ____. The request was ____ that he would please ____. He ____ to his ____ without a protest. A ____ was appointed to investigate whether the territory should be granted ____ as a state. His ____ was such as to ____ him to tarry if he chose.
<Move, mote, mob> (move): (1) move, movement, removal, remote, promote, promotion, motion, motive, emotion, commotion, motor, locomotive, mob, mobilize, automobile, moment; (2) immovable, motivate, locomotor ataxia, mobility, immobile, momentum.
Sentences: The next ____ was his, and his ____ was profound. The ____ of the ____ from across the alley enabled the ____ to surge in a threatening ____ toward the rear of the building. At this ____ the ____ was great. The officer whose ____ had seemed so ____ was now enabled to ____ strong forces for the campaign. The ____ began a slow ____ forward. His exact ____ was not known.
<Pass, path> (suffer): (1) passion, passive, impassive, impassioned, compassion, pathos, pathetic, impatient, apathy, sympathy, antipathy; (2) passible, impassible, dispassionate, pathology, telepathy, hydropathy, homeopathy, allopathy, osteopathy, neuropathic, pathogenesis.
Sentences: With an ____ countenance he spoke of the ____ of our Lord. The ____ of the story moved her to ____. He allowed his ____ no further expression than through that one ____ shrug. With a ____ smile he settled back into dull ____. His plea was ____.
<Ped, pod> (foot): (1) pedal, pedestrian, pedestal, expedite, expediency, expedition, quadruped, impediment, biped, tripod, chiropodist, octopus, pew; (2) centiped, pedicle, pedometer, velocipede, sesquipedalian, antipodes, podium, polypod, polyp, Piedmont.
Sentences: A ____ suggested that we could ____ matters by each mounting a ____. The loss of the ____ was a serious ____ to the rider of the bicycle. The ____ had me place my foot on an artist's ____. The purpose of this nautical ____ was to capture a live ____. The ____ of having so large a ____ for the statue had not occurred to us. A ____ scarcely recognizable as human occupied my ____.
<Pell, pulse> (drive): (1) dispel, compel, propeller, repellent, repulse, repulsive, impulse, compulsory, expulsion, appeal; (2) appellate, interpellate.
Sentences: After the ____ of the attack the mists along the lowlands were ____. His manner was ____, even ____. The revolutions of the ____ soon ____ the boatmen to shove farther off. After his ____ he ____ for a rehearing of his case. The act was ____, but he felt an ____ toward it anyhow.
<Pend, pense, pond> (hang, weigh): (1) pending, impending, independent, pendulum, perpendicular, expenditure, pension, suspense, expense, pensive, compensate, ponder, ponderous, preponderant, pansy, poise, pound; (2) pendant, stipend, appendix, compendium, propensity, recompense, indispensable, dispensation, dispensary, avoirdupois.
Sentences: The veterans felt great ____ while action regarding their ____ was ____. We shall ____ you. An arm of it stood in a position ____ to the ____ mass. He knew that fate was ____, and he watched the ____ swing back and forth slowly. He gave a ____ argument in favor of the ____ of the money. There is ____, that's for thoughts. Let us ____ the question whether the ____ is needful. She was a woman of rare social ____. Penny-wise, ____ foolish.
<Pet> (seek): (1 and 2 combined) petition, petulant, impetus, impetuous, perpetuate, repeat, compete, competent, appetite, centripetal.
Sentences: A great ____ force keeps the planets circling about the sun. The complaints of a ____ woman led him to ____ for the prize. The sexual ____ leads men to ____ the race. The ____ was pronounced upon ____ authority to be ill drawn up. With ____ wrath he ____ the assertion. The ____ became noticeably weaker.
<Ply, plic, plicate> (fold): (1) ply, reply, imply, plight, suppliant, explicit, implicit, implicate, supplicate, duplicate, duplicity, complicate, complicity, accomplice, application, plait, display, plot, employee, exploit, simple, supple; (2) pliant, pliable, replica, explication, inexplicable, multiplication, deploy, triple, quadruple, plexus, duplex.
Sentences: We ____ the thief's ____ with questions. He ____ that others were ____ with him. The king ____ to the ____ that such ____ must never be ____ in the realm thereafter. It would be a ____ matter to ____ the order. The manager had ____ confidence in his ____. She admired his courage in this ____, perceived his ____ in the crime, and deplored his participation in the ____. They ____ him for an ____ promise that mercy would be shown. She was in a ____, for she had not had time to arrange her hair in its usual broad ____. He was ____ of body. The ____ was refused.
<Pose, pone> (place): (1) expose, compose, purpose, posture, position, composure, impostor, postpone, post office, positive, deposit, disposition, imposition, deponent, opponent, exponent, component; (2) depose, impost, composite, apposite, repository, preposition, interposition, juxtaposition, decomposition.
Sentences: The ____ said he would ____ the manner in which the cashier had made away with the ____. The true ____ of the ____ was now known, yet he retained his ____. For you to make yourself an ____ of these wild theories is an ____ on your friends. The closing hour at the ____ is ____ thirty minutes on account of the rush of Christmas mail. He was ____ that his ____ had ____ the letter. One of the ____ elements in his ____ was gloom.
<Prise, prehend> (seize): (1) prize, apprise, surprise, comprise, enterprise, imprison, comprehend, apprehension; (a) reprisal, misprision, reprehend, prehensile, apprentice, impregnable, reprieve.
Sentences: He had no ____ as to what the ____ would ____. His ____ was so great that he could scarcely ____ the fact that the ____ was his. The judge ____ them of the likelihood that they would be ____.
<Prob> (prove): (1 and 2 combined) probe, probation, probate, probity, approbation, reprobate, improbable.
Sentences: The young ____ was placed on ____. The will was brought into the ____ court. It is ____ that such ____ as his will win the ____ of evil-doers.
<Rupt> (break): (1 and 2 combined) rupture, abrupt, interrupt, disrupt, eruption, incorruptible, irruption, bankrupt, rout, route, routine.
Sentences: The volcano was in ____. Though ____, he remained ____. The ____ of the barbarians ____ these reforms. The organization was ____ after having already been put to ____. The ____ he had chosen led to a ____ in their relationships. It was ____ work.
<Sed, sid(e), sess> (seat): (1) sedulous, sedentary, supersede, subside, preside, reside, residue, possess, assessment, session, siege; (2) sediment, insidious, assiduous, subsidy, obsession, see (noun), assize.
Sentences: The ____ was so small that he scarcely noticed he ____ it. The officer was ____ in making the ____ upon every tax-payer fair. During the ____ Congress remained in ____. He ____ in the city and has a ____ occupation. When the officer who ____ is firm, such commotions will quickly ____. He ____ the disgraced commander.
<Sequ, secu, sue> (follow): (1) sequel, sequence, consequence, subsequent, consecutive, execute, prosecute, persecute, sue, ensue, suitor, suitable, pursuit, rescue, second; (2) obsequies, obsequious, sequester, inconsequential, non sequitur, executor, suite.
Sentences: On the ____ day they continued the ____. In the ____ chapter of the ____ the heroine is ____. The ____ of events is hard to follow. The ____ was that her brother began to ____ her ____. The district attorney ____ six ____ offenders, but thought it useless to bring any ____ offender to trial. It was a ____ occasion.
<Shear, share, shore> (cut, separate): (1 and 2 combined) shear, sheer, shred, share, shard, scar, score, (sea)shore, shorn, shroud, shire, sheriff.
Sentences: The ____ had on his face a ____ made by a ____ thrown at him. In that ____ an old custom for every one to ____ in the ____ the sheep. There was, instead of the usual ____, a cliff that rose from the sea. All ____ as the freshman was, he had hardly a ____ of his former dignity. The ____ was very one-sided. A ____ of mist was about him.
<Sign> (sign): (1) sign, signal, signify, signature, consign, design, assign, designate, resignation, insignificant; (2) ensign, signatory, insignia.
Sentences: He ____ his approval of the ____. The disturbance caused by his ____ was ____. He ____ no reason for ____ those particular men. As he could not write his own ____, I ____ the document for him. It was a ____ defeat.
<Solve, solu> (loosen): (r) solve, resolve, dissolve, solution, dissolute, resolute, absolute; (2) solvent, absolution, indissoluble, assoil.
Sentences: On account of his ____ course he had given his parents many a problem to ____. He ____ the powder in a cupful of water and ____ to give it to the patient. This ____ of the difficulty did not win the ____ approval of his employer. The obstacles were many, but he was ____.
<Spec(t), spic(e)</b/> (look): (1) spectator, spectacle, suspect, aspect, prospect, expect, respectable, disrespect, inspection, speculate, special, especial, species, specify, specimen, spice, suspicion, conspicuous, despise, despite, spite; (2) specter, spectrum, spectroscope, prospector, prospectus, introspection, retrospect, circumspectly, conspectus, perspective, specie, specification, specious, despicable, auspices, perspicacity, frontispiece, respite.
Sentences: His ____ was conducted in such a manner as to show the utmost ____. In ____ she noticed an odor of ____. From his ____ you would have taken him to be a ____ of wild animal. The ____ was better than we had ____ it to be. Though you have no ____ fondness for children, you will enjoy the ____ of them playing together. The ____ did not ____ what underhand tactics some of the players were resorting to. In ____ of all this, we made a ____ showing. The ____ is one you cannot ____. ____ this ____ of matters, she did not ____ the cause of her ____, but let him ____ what it might be.
<Spire, spirit> (breathe, breath): (1 and 2 combined) spirit, spiritual, perspire, transpire, respire, aspire, conspiracy, inspiration, expiration, esprit de corps.
Sentences: At the ____ of a few days it ____ that a ____ had actually been formed. The ____ of the division was such that every man ____ to meet the enemy forthwith. He was a man of much ____ and marked powers of ____. As he lay there, he merely ____ and ____; he had no thought whatsoever of things ____.
<Sta, sti(t), sist> (stand): (1) stand, stage, statue, stall, stationary, state, reinstate, station, forestall, instant, instance, distance, constant, withstand, understand, circumstance, estate, establish, substance, obstacle, obstinate, destiny, destination, destitute, substitute, superstition, desist, persist, resist, insist, assist, exist, consistent, stead, rest, restore, restaurant, contrast; (2) stature, statute, stadium, stability, instable, static, statistics, ecstasy, stamen, stamina, standard, stanza, stanchion, capstan, extant, constabulary, apostate, transubstantiation, status quo, armistice, solstice, interstice, institute, restitution, constituent, subsistence, pre-existence, presto.
Sentences: The ____ of the motion was that the student who had been expelled should be ____. He ____ in his ____ resolution to go on the ____. She could not ____ the pleas of ____ people. He ____ her to alight at the ____. In an ____ you shall ____ what the ____ was that drove me to tempt ____ thus. We had gone but a little ____ when I perceived by the hungry working of his jaws that his ____ was the ____ in the next block. No ____ could cause him to ____. She was ____ in a ____ at the bazaar.
<Stead> (place): (1 and 2 combined) stead, steadfast, instead, homestead, farmstead, roadstead, bestead.
Sentences: ____ of resting in a harbor, the ships were tossed about in an open ____. Little did it ____ him to cling to the old ____. A ____ nestled by the highway. To be known as ____ now stood him in good ____.
<Strict, string, strain> (bind): (1) district, restrict, strictly, stringent, strain, restrain, constrain; (2) stricture, constriction, boa constrictor, astringent, strait, stress.
Sentences: We ____ them by means of ____ regulations. He ____ them to this course by his mere example. He attended ____ to his duties. You should not ____ your pleasures in this way. The ____ of long effort was telling on him.
<Tact, tang, tain, ting, teg> (touch): (1) tact, contact, intact, intangible, attain, taint, stain, tinge, contingent, integrity, entire, tint; (2) tactile, tactual, tangent, distain, attaint, attainder, integer, disintegrate, contagion, contaminate, contiguous.
Sentences: His appointment is ____ upon his removing this ____ from his name. His ____ is such that no ____ with evil could leave any ____ upon him. The contents were ____. With ____ he hopes to ____ the ____ approval of his auditors. It was a dark ____. The reason is ____.
<Tail> (cut): (1 and 2 combined) detail, curtail, entail, retail, tailor, tally.
Sentences: He held the property in ____. He kept the reckoning straight by means of ____ cut in a shingle. He resolved to ____ expenses by visiting the ____ less often. We need not go into ____. The profit lies in the difference between wholesale and ____ prices.
<Tain> (hold—for related ten group see above under Two Admonitions): (1 and 2 combined) detain, abstain, contain, obtain, maintain, entertain, pertain, appertain, sustain, retain.
Sentences: Village life and things ____ thereto I shall willingly ____ from. I ____ that precepts of this kind in no sense ____ to public morals. If the gentleman can ____ the consent of his second, the chair will ____ the motion as he restates it. Though your forces may ____ heavy losses, they must ____ their position and ____ the enemy.
<Term, termin> (end, bound): (1 and 2 combined) term, terminus, terminal, terminate, determine, indeterminate, interminable, exterminate.
Sentences: At the ____ of the railroad stands a beautiful ____ station. The manner in which we may ____ the agreement remains ____. He ____ that rather than yield he would make the negotiations ____. During the second ____ they ____ all the rodents about the school.
<Tort> (twist): (1) torture, tortoise, retort, contort, distortion, extortionate, torch, (apple) tart, truss, nasturtium; (2) tort, tortuous, torsion, Dry Tortugas.
Sentences: By the light of the ____ he saw a ____ fowl by the fireside and a ____ in the cupboard. The ____ of his countenance was due to the ____ he was undergoing. ____ his face into a very knowing look, he ____ that a man with a ____ in his buttonhole and ____ shell glasses on his nose had leered at the girls as he passed.
<Tract, tra(i)> (draw): (1) tract, tractor, intractable, abstracted, retract, protract, detract, distract, attractive, contractor, trace, trail, train, trait, portray, retreat; (2) traction, tractate, distraught, extraction, subtraction.
Sentences: In an ____ manner he drove the ____ across a large ____ of ground. He ____ his gaze at the ____ girl. The ____ was now willing to ____ his statement that in the house as it stood there was no ____ of departure from the specifications. Down the weary ____ of the pioneer dashes the palatial modern ____. To be ____ was one of his ____. The artist ____ her as in a ____ state. The ____ of his forces ____ but little from his fame.
<Vene, vent> (come): (1) convene, convenient, avenue, revenue, prevent, event, inventor, adventure, convention, circumvent; (2) venire, venue, parvenu, advent, adventitious, convent, preventive, eventuate, intervention.
Sentences: The legislature ____ in order to pass a measure regarding the public ____. At the ____ the wily old politician was able to ____ his enemies. The ____ saw no means of ____ this infringement of his patent right. In that ____ we are likely to have an ____. Through the long, shaded ____ they strolled together.
<Vert, vers(e)> (turn): (1) avert, divert, convert, invert, pervert, advertize, inadvertent, verse, aversion, adverse, adversity, adversary, version, anniversary, versatile, divers, diversity, conversation, perverse, universe, university, traverse, subversive, divorce; (2) vertebra, vertigo, controvert, revert, averse, versus, versification, animadversion, vice versa, controversy, tergiversation, obverse, transverse, reversion, vortex.
Sentences: Though he carried a large ____ of goods, he was ____ to ____ them. He had ____ forgotten that it was his wedding ____. The ____ was on ____ subjects. They ____ a broad area where nothing had been done to ____ the danger that threatened them. With ____ stubbornness he held to his ____ of the story. He held that the reading of ____ is ____ of masculine qualities. His professors at the ____ soon ____ him to new social and economic theories. Her husband was such a ____ creature that she resolved to secure a ____. Americans are the most ____ people in the ____. The anecdote ____ his ____ himself. Her answer not only was ____, it revealed her ____. He had undergone grave ____ in his time.
<Vince, vict> (conquer): (1 and 2 combined) evince, convince, province, invincible, evict, convict, conviction, victorious.
Sentences: He was ____ that the campaign against the rebels in the ____ could not be ____. He ____ a lively interest in my theory that the fugitive could not be ____. He felt an ____ repugnance to ____ the man, and this in spite of his ____ that the man was guilty.
<Voc, voke> (call, voice): (1) vocal, vocation, advocate, irrevocable, vociferous, provoke, revoke, evoke, convoke; (2) vocable, vocabulary, avocation, equivocal, invoke, avouch, vouchsafe.
Sentences: He was a ____ ____ of the measure, but no sooner was the order issued than he wished it ____. In ____ the assembly he ____ the enthusiasm of his followers. That he should give ____ utterance to this thought ____ me; but the words, once spoken, were ____.
<Volve, volute> (roll, turn): (1) involve, devolve, revolver, evolution, revolutionary, revolt, voluble, volume, vault; (2) circumvolve, convolution, convolvulus.
Sentences: It ____ upon me to put down the ____. In this ____ the heroine is ____ and the hero handy with a ____. He was ____ in a ____ uprising. He had laid the papers away in a ____. The ____ of civilization is a tedious story.
SECOND GENERAL EXERCISE
Copy both sections (the first consists of fairly familiar terms, the second of less familiar terms) of each of the following word-groups. Find the key-syllable, underscore it in each word, observe any modifications in its form. Decide for yourself what its meaning is; then verify or correct your conclusion by reference to the dictionary. Study the influence of the key-syllable upon the meaning of each separate word; find the word's original signification, its present signification. Add to each word-group as many cognate words as you can (1) think of for yourself, (2) find in the dictionary by looking under the key-syllable. Fill the blanks in the sentences after each word-group with terms chosen from the first section of words in that group.
(1) Animosity, unanimous, magnanimity; (2) animate, animadvert, equanimity.
Sentences: It was the ____ opinion that to so noble a foe ____ should be shown. The spiteful man continued to display his ____.
(1) Annual, annuity, anniversary, perennial, centennial, solemn; (2) superannuate, biennial, millennium.
Sentences: The amateur gardener made the ____ discovery that the plant was a ____. The ____ celebration of the great man's birth took a ____ and imposing form in our city. By a happy coincidence the increase in his ____ came on his wedding ____.
(1) Audit, auditor, auditorium, audience, inaudible, obey; (2) aurist, auricular, auscultation.
Sentences: His voice may not have been ____, but it certainly did not fill the ____. Not one ____ in all that vast ____ but was willing to ____ his slightest suggestion. He was not willing that they should ____ his accounts.
(1) Automatic, automobile, autocrat, autobiography; (2) autograph, autonomy.
Sentences: The ____ dictated to his secretary the third chapter of his ____. The habit of changing gear properly in an ____ becomes almost ____.
(1) Cant, descant, incantation, chant, enchant, chanticleer, accent, incentive; (2) canto, canticle, cantata, recant, chantry, chanson, precentor.
Sentences: He ____ upon this topic in a queer, foreign ____. Such utterances are mere sanctimonious ____; I had rather listen to the ____ of a voodoo conjurer. The little girl from the city was ____ with the crowing of ____. The ____ of the choir somehow gave him the ____ to try again.
(1) Cent, per cent, century, centennial; (2) centenary, centime, centurion, centimeter, centigrade.
Sentences: For nearly a ____ this family has been living on a small ____ of its income. I wouldn't give a ____ for ____ honors; I want my reward now.
(1) Chronic, chronological, chronicle; (2) chronometer, synchronize, anachronism.
Sentences: It is a ____ record of changing activities and ____ ills. This page is a ____ of athletic news.
(1) Corps, corpse, corporal, corpulent, corporation, incorporate; (2) corpus, habeas corpus, corporeal, corpuscle, Corpus Christi.
Sentences: The ____ gentleman said he did not believe in ____ punishment. The hospital ____ carried the ____ into the office of a great ____. He resolved to ____ this idea into the reforms he was introducing.
(1 and 2 combined) Creed, credulous, credential, credit, accredit, discredit, incredible.
Sentences: He was not so ____ as to suppose that his ____ would be accepted and his statements ____ without some investigation. It is to his ____ that he refused to be bound by his former religious ____. That such ____ has been heaped upon him is ____.
(1) Crescent, increase, decrease, concrete, recruit, accrue, crew; (2) crescendo, excrescence, accretion, increment.
Sentences: The ____ now had ____ evidence that military life was not altogether pleasant. In the olden days on the sea deaths from scurvy might bring about a dangerous ____ in the size of the ____. His courage ____ with the profits that ____ to him. The ____ moon rode in the sky.
(1) Cure, secure, procure, sinecure, curious, inaccurate; (2) curate, curator.
Sentences: Occupying the position for a while will ____ you of the notion that it is a ____. He was ____ to know so a bookkeeper had managed to ____ so high a salary. He ____ the equipment required.
(1 and 2 combined) Indignity, indignation, undignified, condign, deign, dainty.
Sentences: We must not be too ____ about visiting ____ punishment upon those responsible for this ____. He did not ____ to express his ____. It was an ____ act.
(1) Durable, endure, during, duration, obdurate; (2) durance, duress, indurate, perdurable.
Sentences: ____ the whole interview she remained ____. It is a ____ cloth; it will ____ all sorts of weather. The session was one of prolonged ____.
(1) Finite, infinite, define, definite, confine, final, in fine, unfinished; (2) definitive, infinitesimal.
Sentences: One cannot ____ the ____. He ____ himself to purely ____ topics. ____ it was a ____ offer and the ____ one he expected to make. The bridge is still ____.
(1) Flexibility, inflexible, deflect, inflection, reflection, reflex; (2) circumflex, genuflection.
Sentences: The ____ influence of this act was great. I did not like the ____ of his voice. After some ____ he decided to remain ____. He was not to be ____ from his purpose. I could but admire the ____ of her tones.
(1) Fluent, affluent, influence, influenza, superfluous, fluid, influx, flush (rush of water), fluctuate; (2) confluent, mellifluous, flux, reflux, effluvium, flume.
Sentences: When you ____ the basin, an ____ of water fills it again. He is an ____ man and a ____ writer. When I had ____, the doctor gave me a disgusting ____ to drink. The wind must have an ____ in making the waves ____ as they do. Any more would be ____.
(1) Fort, forte, effort, comfort, fortitude, fortify, fortress; (2) aqua fortis, pianoforte.
Sentences: The defenders of the ____ held out with great ____. Though a ____ or two stood at important passes, the border was not really ____. His ____ was not public speaking. It was the only by an ____ that he could ____ them.
(1) Fraction, infraction, fracture, fragility, fragment, suffrage, frail, infringe; (2) diffract, refractory, frangible.
Sentences: It was in the course of his ____ of the rules that he suffered the ____ of his collar-bone. He told the committee of ladies that he was as fond of ____ as of ____. It is hardly a proof of ____ that he is so willing to ____ upon the rights of others. The ____ scaffolding bent and swung as he trod it.
(1 and 2 combined) Fugitive, fugue, refuge, subterfuge, centrifugal.
Sentences: Closing his eyes as if to listen better to the ____ was a little ____ of his. The upward movement of the missile was arrested by the ____ attraction of the earth. The ____ took ____ in an abandoned barn.
(1) Refund, confound, foundry, confuse, suffuse, profuse, refuse, diffuse; (2) fusion, effusion, transfuse.
Sentences: With ____ cheeks and ____ utterance he made a ____ apology. The amount we lost through the defective work at your ____ should be ____ to us. Such a blow might ____ but not ____ him. He ____ the appointment.
(1) Belligerent, gesture, suggest, congested, digestion, register, jest; (2) gerund, congeries.
Sentences: As he stopped before the cash ____ he gave a ____ which showed that his ____ was none too good. His look was ____, but he lightly made a ____. Amid the ____ traffic she stopped to ____ that pink would be more becoming than lavender.
(1) Relate, translate, legislate, elation, dilated, dilatory; (2) collate, correlate, prelate, oblation, superlative, ablative.
Sentences: With ____ eyes he ____ the passage for me. The ____ was very ____ in agreeing upon the measure to be passed. He ____ the story with pride and ____.
(1) Locate, locality, locomotive, dislocate; (2) locale, allocate, collocation.
Sentences: In trying to ____ the mine as near the fissure as possible he fell and ____ his hip. It was only ____ in that entire ____.
(1) Soliloquy, loquacious, loquacity, colloquial, eloquent, obloquy, circumlocution, elocution; (2) magniloquent, grandiloquent, ventriloquism, interlocutor, locutory, allocution. (For related log and ology words see above under Prying Into a Word's Relationships.)
Sentences: ____ always, he indulged at this time in a great deal of ____. Though it was mere ____, yet there was something ____ about it. Amid all this ____ he managed to rid himself of a good deal of ____ regarding Standish. Hamlet's ____ on suicide is a famous passage.
(1) Allude, elude, delude, ludicrous, illusory, collusion; (2) prelude, postlude, interlude.
Sentences: Such evidence is ____, and belief in it is ____. He ____ to a possible ____ between them. The more credulous ones he ____, and the skeptical he manages to ____.
(1) Metrical, thermometer, barometer, pedometer, diametrically, geometry; (2) millimeter, chronometer, hydrometer, trigonometry, pentameter.
Sentences: He was careful to consult both the ____ and the ____. He always wore a ____ on these trips. The two were ____ opposed to each other. The poet has great ____ skill. ____ is an exact science.
(1) Monotone, monotonous, monoplane, monopoly, monocle, monarchy, monogram, monomania; (2) monosyllable, monochrome, monogamy, monorail, monograph, monolith, monody, monologue, monad, monastery, monk.
Sentences: His eye held a ____, his gold ring bore a ____ seal, and his voice was a stilted ____. One thing I hate about a ____ is the ____ reference to everything as his majesty's. He had a ____ of the trade in his town. He is suffering, not from madness, but from ____.
(1) Mortal, immortality, mortify, postmortem, mortgage, morgue; (2) mortmain, moribund, À la mort.
Sentences: After a hasty ____ examination, the body was taken to the ____. She was ____ at this reminder of the ____ on her father's property. The ____ shall put on ____.
(1 and 2 combined) Mutual, mutation, permutation, commute, transmute, immutable, moult.
Sentences: As he ____ that morning he reflected upon the ____ and combinations of fortune. We suffer the ____ of this worldly life, but ourselves are not ____. God's love is ____, and our love for each other should be ____. Birds when they ____ are weakened in body and depressed in spirit.
(1) Native, prenatal, innate, nature, unnatural, naturalize, nation, pregnant, puny; (2) denatured, nativity, cognate, agnate, nascent, renascence, née.
Sentences: It was some ____ influence, he thought, that gave him his ____ physique. It was a ____ reply, but its heartlessness was ____. He was not ____ to the country, but ____. ____ in his ____ was the love of his own ____.
(1) Note, notion, notable, notice, notorious, cognizant, incognito, recognize, noble, ignoble, ennoble, ignore, ignorance, ignoramus, reconnoiter, quaint, acquaintance; (2) notary, notation, connotation, cognition, prognosticate, reconnaissance, connoisseur.
Sentences: In complete ____ of the enemy's position, he decided that he would ____ it. ____ himself, he was ____ of what was going on about him. You must ____ the conduct of such an ____. His ____ with this ____ gentleman ____ him. He ____ but would not ____ this ____ fellow. The ____ is a ____ one. He could but ____ how ____ his brother had become.
(1) Panacea, panoply, panorama, pantomime, pan-American, pandemonium; (2) pantheist, pantheon.
Sentences: Arrayed in all the ____ of savages, they acted the scene out in ____. From this point the ____ of the country-side unrolled itself before him. It is no ____ for human ills; any supposition that it is will lead to ____. It is a ____ movement.
(1) Peter, petrify, petrol, stormy petrel, petroleum, saltpeter, pier; (2) petrology, parsley, samphire.
Sentences: As he walked along the ____, he observed the flight of the ____. The English name for gasoline is ____. ____ is used in the manufacture of gunpowder. He was almost ____ at hearing of this enormous stock of ____. The crowing of the cock caused ____ to weep bitterly.
(1 and 2 combined) Petty, petite, petit jury, petit larceny, petticoat, pettifogger.
Sentences: Charged with ____, he was tried by the ____. The contemptible ____ hid behind the ____ of his wife. She was a winsome maiden, dainty and ____. It is a ____ fault.
(1 and 2 combined) Philosophy, philanthropy, Philadelphia, bibliophile, Anglophile.
Sentences: His ____ was generous, but his ____ was not profound. That queer old ____ hangs to the library like a caterpillar. It was the love of humankind that caused Penn to name the city ____. Most Americans are not ____.
(1 and 2 combined) Cosmopolitan, metropolitan, politics, policy, police.
Sentences: Those who engage in ____ lack, as a rule, a ____ outlook. It is merely ____ intolerance of towns and villages. The ____ of the mayor was to increase the ____ force.
(1 and 2 combined) Potential, potency, potentate, impotent, omnipotent, plenipotentiary.
Sentences: So far from being ____, we possess a ____ difficult to estimate. The ____ sent an ambassador ____. A ____ solution of the problem is this. ____ God.
(1) Impute, compute, dispute, ill repute, reputation, disreputable; (2) putative, indisputable.
Sentences: She could not ____ the cost. There was some ____ as to the cause of his ____. Let them ____ to me what motives they will. Though somewhat ____, he was extremely solicitous about his ____.
(1) Abrogate, arrogate, interrogate, arrogant, derogatory, prerogative; (2) surrogate, rogation, prorogue.
Sentences: In an ____ manner he ____ these ____ to himself. To ____ authority is to give opportunity for remarks ____ to one's reputation. He skilfully ____ the witness.
(1) Salmon, sally, assail, assault, insult, consult, result, exultation, desultory; (2) salient, salacious, resilient.
Sentences: After the ____ the firing was ____. The defenders ____ out and ____ us, but the ____ of this effort only added to our ____. We sat there watching the ____ leap over the waterfall and ____ about our arrangements for taking them. To accept the remark as an ____ is to acknowledge the speaker as an equal.
(1) Science, conscience, unconscious, prescience, omniscience, nice; (2) sciolist, adscititious, plebiscite.
Sentences: By his ____ understanding of the issues he was able to gain a reputation for ____. We thought he possessed ____, but he seemed ____ of his erudition. Except under the sharp necessities of ____, he was ruled by a ____ thoroughly tender.
(1) Sect, section, non-sectarian, dissect, insect, intersection, sickle, vivisection, segment; (2) bisect, trisect, insection, sector, secant.
Sentences: He stood at the ____ of the roads, leaning on the shank of a sharp ____. The foreman of the ____ gang is a member of our ____. The boy was ____ an ____ with a butcher knife he had previously used to cut for himself a large ____ of the Sunday cake. It is a ____ movement. He defended the ____ of animals.
(1) Sense, consent, assent, resent, sentimental, dissension, sensation, sensibility, sentence, scent, nonsense; (2) sentient, consensus, presentiment.
Sentences: A woman of her ____ would shrink from a ____ of this sort. He ____ in a single, crisp ____. To be ____ is to be guilty of ____. He had the good ____ to ____ to this course. He ____ such ____ and the causes that produced them. A hound hunts by ____.
(1) Despond, respond, correspond, corespondent, sponsor; (2) sponsion, spouse, espouse.
Sentences: She ____ that her husband had been ____ with the ____. The ____ of the movement could as yet see no reason to ____.
(1 and 2 combined) Structure, instructor, construct, obstruct, instrument, destructive, misconstrue.
Sentences: The student ____ the intentions of his ____. He resolved to ____ every effort to complete the ____. The ____ was one that might easily be turned to ____ work. They ____ a grandstand overlooking the racetrack.
(1) Terrace, territory, subterranean, inter, terrier; (2) terrene, tureen, terrestrial, terra cotta, Mediterranean, terra firma, parterre.
Sentences: The ____ was tearing a great hole in the ____ in order to ____ a bone. He found rich ____ deposits. The discoverers laid claim to the entire ____.
(1) Thesis, parenthesis, antithesis, anathema, theme, epithet, treasure; (2) hypothesis, synthesis, metathesis.
Sentences: To set two ideas in ____ to each other makes both more vivid. By way of ____ he informed me that the subject was ____ to his father. On this ____ he can summon a host of picturesque ____. The ____ is one you will find it hard to establish. He was seeking Captain Kidd's buried ____.
(1 and 2 combined) Tumor, tumidity, tumult, tumulus, contumacy.
Sentences: The ____ of his joints was due to rheumatism. His ____ led to a ____ of opposition. So excited was he at the discovery of the ____ that he did not permit the ____ on his hand to restrain him from beginning the excavation.
(1 and 2 combined) Turbid, disturb, perturbation, turbulence, trouble, imperturbable.
Sentences: His ____ manner gave no hint of the ____ within him. The ____ sweep of the stream caused her not the slightest ____. Do not ____ yourself with the thought that you are putting me to any ____.
(1 and 2 combined) Pervade, invade, evasion, vade mecum.
Sentences: He promised that there would be no ____ of payments. Byron's Childe Harold was my ____ during my travels in Switzerland and Italy. The fragrance of heliotrope ____ the room. You must not ____ my privacy like this.
(1) Avail, prevail, prevalent, equivalent, valiant, validity, invalid, invalidate; (2) valetudinarian, valediction, valence.
Sentences: The ____ of the agreement has been thoroughly established. Our cause is just, and must ____. It is ____ to admitting that the terms are now ____. It was a ____ act and ____ the concessions previously wrested from us. The ____ impression is that mere ingenuity will not ____.
(1) Virtue, virile, virgin, virtually; (2) virago, virtuoso, triumvir.
Sentences: It was ____ a new arrangement. It is ____ soil. To be ____ and daring is every boy's dream. ____ is its own reward.
(1) Revive, survival, convivial, vivid, vivify, vivacious, vivisection; (2) vive (le roi), qui vive, bon vivant, tableau vivant.
Sentences: He has a ____ manner, a ____ spirit. The ____ of the opposition to the ____ of animals is very marked. You cannot ____ a dead cause or scarcely ____ memories of it. The ____ coloring of her cheeks was a sure sign of health, or of skill.
THIRD GENERAL EXERCISE
Find the key-syllable (in a few instances the key-syllables) of each of the following words. How does it affect the meaning of the word? Does it appear, perhaps in disguised form, in any of the words immediately preceding or following? Can you bring to mind other words that embody it?
Innovation Commonwealth Welfare Wayfarer
Adjournment Rival Derivation Arrive
Denunciation Denomination Ignominy Synonym
Patronymic Parliament Dormitory Demented
Presumptuous Indent Dandelion Trident
Indenture Contemporary Disseminate Annoy
Odium Desolate Impugn Efflorescent
Arbor vitae Consider Constellation Disaster
Suburb Address Dirigible Dirge
Indirectly Desperate Inoperative Benevolent
Voluntary Offend Enumerate Dilapidate
Request Exquisite Exonerate Approximate
Insinuate Resurgence Insurrection Rapture
Exasperate Complacent Dimension Commensurate
Preclude Cloister Turnpike Travesty
Atone Incarnate Charnal Etiquette
Rejuvenate Eradicate Quiet Requiem
Acquiesce Ambidextrous Inoculate Divulge
Proper Appropriate Omnivorous Voracious
Devour Escritoire Mordant Remorse
Miser Hilarious Exhilarate Rudiment
Erudite Mark Marquis Libel
Libretto Vague Vagabond Extravagant
Souse Saucer Oyster Ostracize
FOURTH GENERAL EXERCISE
With a few exceptions like the Hale-heal group above under Verbal Families, most verbal families of straight English or of Germanic- Scandinavian-English descent are easily recognizable as families. Witness the Good family and the Stead family. The families in which kinship may be overlooked are likely to be of Latin or Greek ancestry, though perhaps with a subsequent infusion of blood from some other foreign language, as French. Hitherto our approach to verbal families has been through the descendants, or through that quality in their blood which holds them together. But we shall also profit from knowing something of the founders of these families—from having some acquaintance with them as individuals. Below (in separate lists) the more prominent of Latin and of Greek progenitors are named, their meaning is given, and two or three of their living representatives (not always direct descendants) are designated. Starred [*] words are those whose progeny has not been in good part assembled in the preceding pages; for these words you should assemble all the living representatives you can. (Inflectional forms are given only where they are needed for tracing English derivatives.)
<Latin Ancestors of English Words>
Latin word Meaning English representatives
Ago, actum do, rouse agile, transact
*Alius other alias, inalienable
*Alter other alteration, adultery
*Altus high altitude, exalt
*Ambulo walk perambulator, preamble
*Amicus friend amicable, enemy
*Amo, amatum love inamorata, amateur, inimical
*Anima life animal, inanimate
Animus mind animosity, unanimous
Annus year annuity, biennial
*Aqua water aquarium, aqueduct
Audio, auditum hear audience, audit
*Bellum war rebel, belligerent
*Bene well benefit, benevolence
*Bonus good bonanza, bona fide
*Brevis short abbreviate, unabridged
Cado, casum fall cadence, casual
Caedo, cecidi, caesum cut, kill suicide, incision
Cano, cantum sing recant, chanticleer
Capio, captum take, hold capacious, incipient
*Caput, capitis head cape (Cape Cod), decapitate,
chapter, biceps
Cedo, cessum go concede, accessory
Centum hundred per cent, centigrade
*Civis citizen civic, uncivilized
*Clamo shout acclaim, declamation
*Claudo, clausum close, shut conclude, recluse, cloister, sluice
Cognosco (see Nosco)
*Coquo, coxi, coctum cook decoction, precocious
*Cor, cordis heart core, discord, courage
Corpus body corpse, incorporate
Credo, credituin believe creed, discreditable
Cresco, cretum grow crescendo, concrete, accrue
*Crux, crucis cross crucifix, excruciating
Cura care curate, sinecure
Curro, cursum run occur, concourse
*Derigo, directum direct dirge, dirigible, address
*Dexter right, right hand ambidextrous, dexterity
Dico speak, say abdicate, verdict
*Dies day diary, quotidian
Dignus worthy, fitting dignity, condign
Do, datum give condone, data
*Doceo, doctum teach document, doctor
*Dominus lord dominion, danger
*Domus house domicile, majordomo
*Dormio sleep dormant, dormouse
Duco lead traduce, deduction
*Duo two dubious, duet
Durus hard durable, obdurate
Eo, itum go exit, initial
Error, erratum wander erroneous, aberration
Facio, feci, factum make, do manufacture, affect, sufficient,
verify
Fero, latum carry transfer, relate
Fido trust, believe confide, perfidious
Finis end confine, infinity
Flecto, flexum bend reflection, inflexible
Fluo, fluxum flow influence, reflux
Fortis strong fortress, comfort
Frango, fractum break infringe, refraction
*Frater brother fraternity, fratricide
Fugio, fugitum flee centrifugal, fugitive
Fundo, fusum pour refund, profuse, fusion
Gero, gestum carry belligerent, gesture, digestion
Gradior, gressus walk degrade, progress
*Gratia favor, pleasure, ingratiate, congratulate,
good-will disgrace
*Grex, gregis flock segregate, egregious
Habeo, habitum have, hold habituate, prohibit
Itum (see Eo)
Jacio, jeci, jactum throw, hurl reject, interjection
Jungo, junctum join conjugal, enjoin, juncture
Juro swear abjure, perjury
Jus, juris law, right justice, jurisprudence
Judex (from jusdico) judge judgment, prejudice
*Juvenis young rejuvenate, juvenilia
Latum (see Fero)
*Laudo, laudatum praise allow, laudatory
Lego, lectum read, choose elegant, lecture, dialect
*Lex, legis law privilege, illegitimate,
legislature
*Liber book libel, library
*Liber free liberty, deliberate
Ligo bind obligation, allegiance, alliance
*Linquo, lictum leave delinquent, relict, derelict
*Litera letter illiterate, obliterate
Locus place collocation, dislocate
Loquor, locutus speak soliloquy, elocution
Ludo, lusum play prelude, illusory
/Lux, lucis light\ lucid, luminary
\Lumen, luminis /
*Magnus great magnate, magnificent
*Malus bad, evil malaria, malnutrition
Mando order mandatory, commandment
Manus hand manual, manufacture
*Mare sea maritime, submarine
*Mater mother maternal, alma mater
*Medius middle mediocre, intermediate
*Mens mind mental, demented
*Miror wonder mirror, admirable
Mitto, missum send commit, emissary
*Mordeo, morsum bite mordant, morsel, remorse
Mors, mortis death mortal, mortify
Moveo, motum move remove, locomotive
*Multus many multiform, multiplex
Muto, mutatum change transmute, immutable, moult
Nascor, natus be born renascence, cognate
*Nihil nothing nihilism, annihilate
*Nomen, nominis name denomination, renown
*Norma rule abnormal, enormous
/Nosco, notum cognosco \
\ cognitum know / notation, incognito
*Novus new novelty, renovate
*Nuntio announce denounce, renunciation
*Opus, operis work magnum opus, inoperative
*Pater father patrician, patrimony
Patior, passus suffer impatient, passion
Pello, pulsum drive propeller, repulse
Pendeo, pensum hang pendulum, appendix
Pendo, pensum weigh compendium, expense
Pes, pedis foot expedite, biped
Peto seek impetus, compete
*Plaudo, plausum clap, applaud explode, plausible
*Plecto, plexum braid perplex, complexion
*Pleo, pletum fill complement, expletive
*Plus, pluris more surplus, plural
Plico, plicatum fold reply, implicate
Pono, positum place opponent, deposit
Porto carry report, porter
Potens, potentis powerful impotent, potential
Prendo, prehensum seize comprehend, apprise
*Primus, primatis first primary, primate
Probo, probatum prove improbable, reprobate
*Pugno fight impugn, repugnant
Puto think impute, disreputable
*Quaero, quaesitum seek require, inquest, exquisite
*Rapio, raptum seize enraptured, surreptitious
*Rego, rectum rule, lead region, erect
*Rideo, risum laugh deride, risible
Rogo, rogatum ask prorogue, abrogate
Rumpo, ruptum break disrupt, eruption
Salio, saltum leap salient, insult
*Sanguis blood sang froid, ensanguined
Scio, scitum know prescience, plebiscite
Scribo, scriptum write prescribe, manuscript, escritoire
Seco, sectum cut secant, dissect
Sedeo, sessum sit supersede, obsession
Sentio, sensum feel presentiment, consensus
Sequor, secutus follow sequence, persecute, ensue
Signum sign insignia, designate
*Solus alone solitude, desolate
Solvo, solutum loosen solvent, dissolute
*Somnus sleep somnambulist, insomnia
*Sono sound consonant, resonance
*Sors, sortis lot sort, assortment
Specio, spectum look despicable, suspect
Spiro, spiratum breathe perspire, conspiracy
*Spondeo, sponsum promise respond, espouse
Sto, steti, statum stand constant, establish
Sisto, stiti, statum cause to stand consistent, superstition
Stringo, strictum bind stringent, restrict
Struo, structum build construe, destruction
Tango, tactum touch intangible, tact
Tempus, temporis time temporize, contemporary
Tendo, tensum stretch distend, intense
Teneo, tentuin hold tenure, detention
*Tendo try tentative, attempt
Terminus end, boundary terminal, exterminate
Terra earth territory, inter
Torqueo, tortum twist distort, tortuous
Traho, tractum draw extract, subtraction
Tumeo, tumidum swell tumor, contumacy
Turba tumult, crowd turbulent, disturb
*Unus one unify, triune, onion
*Urbs city urbane, suburban
Vado, vasum go pervade, invasion
Valeo, validum be strong prevail, invalid
Venio, ventum come intervene, adventure
Verto, versum turn divert, adverse
*Verus true verdict, veracity
*Via way obviate, impervious, trivial
Video, visum see provide, revise
Vinco, victum conquer province, convict
Vir man triumvir, virtue
Vivo, victum live vivacious, vivisect
Voco, vocatum call revoke, avocation
*Volo wish malevolent, voluntary
Volvo, volutum turn revolver, evolution
Vox voice equivocal, vociferate
<Latin Prefixes>
Prefix Meaning English embodiments
*A, ab from, away avert, abnegation, abstract
*Ad to adduce, adjacent, affect, accede
*Ante before antediluvian, anteroom
*Bi two biped, bicycle
*Circum around circumambient, circumference
*Cum, com, with, together combine, consort, coadjutor
con, co
*Contra against contradict, contrast
*De from, negative deplete, decry, demerit, declaim
down, intensive
*Di, dis asunder, away from, divert, disbelief
negative
*E, ex from, out of evict, excavate
*Extra beyond extraordinary, extravagant
*In in, into, not innate, instil, insignificant
*Inter among, between intercollegiate, interchange
*Intro, into, within introduce, intramural
intra
*Non negative nonage, nondescript
*Ob against, before
(facing), toward obloquy, obstacle, offer
*Per through, extremely persecute, perfervid, pursue,
pilgrim, pellucid
*Post after postpone, postscript
*Pre before prepay, preoccupy
*Pro before proceed, proffer
*Re back, again return, resound
*Retro back, backward retroactive, retrospective
*Se apart, aside seclude, secession
*Semi half semiannual, semicivilized
*Sub under, less than, subscribe, suffer, subnormal,
inferior subcommittee
*Super above, extremely superfluous, supercritical, soprano
*Trans across, through transfer, transparent
*Ultra beyond, extremely ultramundane, ultraconservative
<Greek Ancestors of English Words>
(Scientific terms in English are largely derived from the Greek)
Greek word Meaning English representatives
*Aner, andros, man, stamen androgynous, philander,
anthropos philanthropy
*Archos chief, primitive archaic, architect
*Astron star asterisk, disaster
Autos self autograph, automatic, authentic
*Barvs heavy baritone, barites
*Biblos book Bible, bibliomania
*Bios life biology, autobiography, amphibious
*Cheir hand chiropody, chirurgical, surgeon
*Chilioi a thousand kilogram, kilowatt
*Chroma color chromo, achromatic
Chronos time chronic, anachronism
*Cosmos world, order cosmopolitan, microcosm
*Crypto hide cryptogam, cryptology
*Cyclos wheel, circle encyclopedia, cyclone
*Deca ten decasyllable, decalogue
*Demos people democracy, epidemic
*Derma skin epidermis, taxidermist
*Dis, di twice, doubly dichromatic, digraph
*Didonai, dosis give dose, apodosis, anecdote
*Dynamis power dynamite, dynasty
*Eidos form, thing seen idol, kaleidoscope, anthropoid
*Ethnos race, nation ethnic, ethnology
Eu well euphemism, eulogy
*Gamos marriage cryptogam, bigamy
*Ge earth geography, geometry
Genos family, race gentle, engender
Gramma writing monogram, grammar
Grapho write telegraph, lithograph
*Haima blood hematite, hemorrhage, anemia
*Heteros other heterodox, heterogeneous
*Homos same homonym, homeopathy
*Hydor water hydraulics, hydrophobia, hydrant
*Isos equal isosceles, isotherm
*Lithos stone monolith, chrysolite
Logos word, study theology, dialogue
Metron measure barometer, diameter
*Micros small microscope, microbe
Monos one, alone monoplane, monotone
*Morphe form metamorphosis, amorphous
*Neos new, young neolithic, neophyte
*Neuron nerve neuralgia, neurotic
Nomos law, science, astronomy, gastronomy, economy
management
*Onoma name anonymous, patronymic
*Opsis view, sight synopsis, thanatopsis, optician
*Orthos right orthopedic, orthodox
*Osteon bone osteopathy, periosteum
*Pais, paidos child paideutics, pedagogue,
encyclopedia
Pas, pan all diapason, panacea, pantheism
Pathos suffering allopathy, pathology
Petros rock petroleum, saltpeter
*Phaino show, be visible diaphanous, phenomenon,
epiphany, fantastic
Philos loving bibliophile, Philadelphia
*Phobos fear hydrophobia, Anglophobe
Phone sound telephone, symphony
*Phos light phosphorous, photograph
*Physis nature physiognomy, physiology
*Plasma form cataplasm, protoplasm
*Pneuma air, breath pneumatic, pneumonia
Polis city policy, metropolitan
*Polys many polyandry, polychrome,
polysyllable
Pous, pados foot octopus, chiropodist
*Protos first protoplasm, prototype
*Pseudes false pseudonym, pseudo-classic
*Psyche breath, soul, psychology, psychopathy
mind
*Pyr fire pyrography, pyrotechnics
*Scopos watcher scope, microscope
*Sophia wisdom philosophy, sophomore
*Techne art technicality, architect
*Tele far, far off telepathy, telescope
{*Temno cut }
{*Tomos that which is } epitome, anatomy, tome
{ cut off }
*Theos god theosophy, pantheism
*Therme heat isotherm, thermodynamics
{Tithenai place } epithet, hypothesis,
{Thesis a placing, } anathema
{ arrangement }
*Treis three trichord, trigonometry
*Zoon animal zoology, protozoa, zodiac
<Greek Prefixes>
Prefix Meaning English embodiments
*A, an no, not aseptic, anarchy
*Amphi about, around, ambidextrous, amphitheater
(Latin ambi) both
*Ana up, again anatomy, Anabaptist
*Anti against, opposite antidote, antiphonal, antagonist
*Cata down catalepsy, cataclysm
*Dia through, across diameter, dialogue
*Epi upon epidemic, epithet, epode, ephemeral
*Hyper over, extremely hypercritical, hyperbola
*Hypo under, in smaller hypodermic, hypophosphate
measure
*Meta after, over metaphysics, metaphor
*Para beside paraphrase, paraphernalia
*Peri around, about periscope, peristyle
*Pro before proboscis, prophet
*Syn together, with synthesis, synopsis, sympathy
VI
WORDS IN PAIRS
Our first task in this volume was the study of words in combination. Our second was the study of individual words in two of their aspects—first, as they are seen in isolation, next as they are seen in verbal families. Now our third task confronts us. It is the study of words as they are associated, not in actual blood kinship, but in meaning.
Such an association in meaning may involve only two words (pairs) or larger groups. In this chapter we shall confine ourselves to the study of pairs.
Of the relationship between pairs there are three types. In the first the words are hostile to each other. In the second they may easily be confused with each other. In the third they are parallel with each other. We shall examine the three types successively.
But we must make an explanation first. Although we shall, in this and the following chapters, have frequent occasion to give the meanings of individual words, we shall give them without regard to dictionary methods. We shall not attempt formal, water-tight, or exhaustive definitions; our purpose is to convey, in the simplest and most human manner possible, brief general explanations of what the words stand for.
<Opposites>
Pairs of the first type are made up of words by nature opposite to each other, or else thought of as opposite because they are so often contrasted. Here is a familiar, everyday list:
east, west straight, crooked myself, others large, small pretty, ugly major, minor laugh, cry walk, ride light, darkness top, bottom hard, soft friend, enemy sweet, sour clean, dirty temporal, spiritual meat, drink merry, sad means, extremes land, water private, public Jew, Gentile man, woman noisy, quiet independent, dependent old, new general, particular sublime, ridiculous age, youth wholesale, retail give, receive sick, well savage, civilized pride, humility brain, brawn wealth, poverty constructive, destructive soul, body positive, negative
None of these words needs explaining. If you think of one of them, you will think of its opposite; at least its opposite will be lurking in the back of your mind. As proof of this fact you have only to glance at the following list, from which the second member of each pair is omitted:
hot — black — boy — in — off — over — love — wrong — strong — wet — first — day — long — fast — good — hope — least — asleep — buy — left — alive — winter — war — succeed — creditor — fat — internal — wise — drunk —
Many words of a more difficult kind are thus pitted against each other, and we learn them, not singly, but in pairs. At least we should. As good verbal hunters we should be alert to the chance of killing two birds with one stone.
Allopath and homeopath, for example, are difficult opposites. We know of the existence of the two classes of medical practitioners; we know that they use different methods; but beyond this our knowledge is likely to be hazy. Let us set out, then, to learn the two words. The best way is to learn them together. Allopathy means other suffering, homeopathy like suffering. An allopath uses remedies which create within the patient a condition that squarely conflicts with the further progress of the disease. A homeopath prescribes medicines (in small doses) which produce within the patient the same condition that the disease would produce; he "beats the disease to it," so to speak—takes the job himself and leaves the disease nothing to do. The allopath travels around a race-track in the opposite direction from the disease, and thwarts it through a head-on collision. The homeopath travels around the race-track in the same direction as the disease, and thwarts it by pulling at the reins. If we consider the two words together and get these ideas in mind, we shall have no further trouble with allopaths and homeopaths—except, perhaps, when they have rendered their services and presented their bills.
Objective and subjective are also a troublesome pair. A thing is objective if it is an actual object or being, if it exists in itself rather than in our surmises. A thing is subjective if it is the creature of a state of mind, if it has its existence in the thought or imagination of some person or other. Thus if I meet a bear in the wilds, that bear is objective; whatever may be the state of my thoughts, he is there—and it would be to my advantage to reckon with this fact. But if a child who is sent off to bed alone says there is a bear in the room, the bear is subjective; it is not a living monster that will devour anybody, but a creature called into the mind of the child through dread.
EXERCISE - Opposites
Study the following words in pairs. Consult the dictionary for actual meanings. Then test your knowledge by embodying each word of each pair in a sentence, or in an illustration like those of the race-track and the bear in the preceding paragraphs.
superior, inferior concord, discord export, import domestic, foreign fact, fiction prose, poetry verbal, oral literal, figurative predecessor, successor genuine, artificial positive, negative practical, theoretical optimism, pessimism finite, infinite longitude, latitude evolution, revolution oriental, occidental pathos, bathos sacred, profane military, civil clergy, laity capital, labor ingress, egress element, compound horizontal, perpendicular competition, coöperation predestination, freewill universal, particular extrinsic, intrinsic inflation, deflation dorsal, ventral acid, alkali synonym, antonym prologue, epilogue nadir, zenith amateur, connoisseur anterior, posterior stoic, epicure ordinal, cardinal centripetal, centrifugal stalagmite, stalactite orthodox, heterodox homogeneous, heterogeneous monogamy, polygamy induction, deduction egoism, altruism Unitarian, Trinitarian concentric, eccentric herbivorous, carnivorous deciduous, perennial esoteric, exoteric endogen, exogen vertebrate, invertebrate catalectic, acatalectic
<Words Often Confused>
Pairs of the second type are made up of words which are often confused by careless writers and speakers, and which should be accurately discriminated.
Sometimes the words are actually akin to each other. Continuous- continual and enormity-enormousness are examples. Sometimes they merely look or sound much alike. Mean-demean and affect- effect are examples. Sometimes the things they designate are more or less related, so that the ideas behind the words rather than the words themselves are responsible for the confusion. Contagious-infectious and knowledge-wisdom are examples. Let us distinguish between the two members of each of the pairs named.
A thing is continuous if it suffers no interruption whatever, continual if it is broken at regular intervals but as regularly renewed. Thus "a continuous stretch of forest"; "the continual drip of water from the eaves."
Enormity pertains to the moral and sometimes the social, enormousness to the physical. Thus "the enormity of the crime," "the enormity of this social offense"; "the enormousness of prehistoric animals."
Demean is often used reproachfully because of its supposed relation to mean. But it has nothing to do with mean. The word with which to connect it is demeanor (conduct). Thus "We observed how he demeaned himself" implies no adverse criticism of either the man or his deportment. Both may be debased to be sure, but they may be exemplary.
To affect means to feign or to have an influence upon, to effect to bring to pass. Thus "He affects a fondness for classical music," "The little orphan's story affected those who heard it"; "We effected a compromise." Affect is never properly used as a noun. Effect as a noun means result, consequence, or practical operation. Thus "The shot took instant effect"; "He put this idea into effect."
A disease is contagious when the only way to catch it is through direct contact with a person already having it, or through contact with articles such a person has used. A disease is infectious when it is presumably caused, not by contact with a person, but through widespread general conditions, as of climate or sanitation.
Our knowledge is our acquaintance with a fact, or the sum total of our information. Our wisdom is our intellectual and spiritual discernment, to which our knowledge is one of the contributors. Knowledge comprises the materials; wisdom the ability to use them to practical advantage and to worthy or noble purpose. Knowledge is mental possession; wisdom is mental and moral power.
EXERCISE - Confused
1. Consult the dictionary for the distinction between the members of each of the following pairs. In each blank of the illustrative sentences insert the word appropriate in meaning.
<Ability, capacity.> ____ to receive knowledge. ____ to impart knowledge.
<Abstain, refrain.> He ____ from laughter. He steadfastly ____ from evil courses.
<Abstinence, temperance.> Though he always displayed ____, he did not carry it to the point of ____.
<Accept, except.> I shall ____ most of the suggestions, but must ____ the one made by Mr. Wheeler.
<Accept, receive>. When the package was ____ at the local post office, Bayard refused to ____ it.
<Ache, pain>. The dull ____ of his head. A sharp ____ below shoulder-blade. I have known the ____ of cold hands. "My heart ____, and a drowsy numbness ____ My sense, as though of hemlock I had drunk."
<Address, tact>. With firmness and ____ he set about reconciling the factions. Her ____ enabled her to perceive that something was amiss.
<Adhere, cohere>. The magnetized iron filings ____. The cold iron ____ to the boy's tongue.
<Adherence, adhesion>. The ____ of the heated particles to each other was instantaneous. Amid these trials their ____ to the cause was unshaken.
<Admission, admittance>. His ____ to the room was forced. He obtained ____ into a fraternal order.
<Admit, confess>. When he ____ that he had a weapon, he practically ____ that he had slain the man.
<Adverse, averse>. He was ____ to going. Their answer was ____.
<Advice, counsel>. In this emergency he sought ____. He asked my ____ as to the best place to hang the picture.
<Aggravate, irritate>. To let these mishaps ____ you is to ____ your suffering.
<Allusion, illusion>. It is an ____ to suppose that I made any ____ to you.
<Allusion, reference>. It was more than a possible ____; it was an unmistakable ____.
<Amateur, novice>. Though we call him a(n) ____, he is in skill by no means the ____ you might think him.
<Ambiguous, equivocal>. You are unintentionally ____. These words are deliberately ____.
<Anticipate, expect>. Since we ____ the enemy to advance, would it not be wise to ____ him?
<Appearance, aspect>. He was handsome in ____. The ____ of the sky was ominous.
<Apprehend, comprehend>. "Lovers and madmen have such seething brains, Such shaping fantasies, that ____ More than cool reason ever ____."
<Ardor, fervor>. The ____ of the worshipers. The ____ of the soldiers.
<Artist, artisan>. The ____ who was decorating the walls called to an ____ who was mixing mortar.
<Ascent, ascension>. We easily made the ____ of the slope, and from the summit witnessed the balloon ____.
<Ascent, assent.> He gave his ____ when I proposed that we wait for the others to complete the ____ to this point.
<Ascribe, impute.> I ____ it to you as a fault rather than ____ it to you as an honor.
<Assembly, assemblage.> It was an informal ____. The ____ considered the matters it had been called to discuss.
<Assent, consent.> When told that the measure would advance his interests, he ____; but he would not ____ to it.
<Avenge, revenge.> The injury was slight, but he ____ it with unsparing malice. "____, O Lord, thy slaughtered saints."
<Avocation, vocation.> The lawyer, besides his regular ____, had the collecting of birds' eggs as his ____.
<Aware, conscious.> Though not ____ of the seriousness of his malady, he was ____ of the pain it caused him.
<Balance, remainder.> Darrell added the ____ of the coins, but not even they brought about the ____ he sought between assets and obligations.
<Bashful, modest.> Though ____ socially, he was not what you would term a ____ man.
<Behavior, conduct.> His ____ in this time of trial was exemplary. She praised the ____ of the children at the party.
<Belief, faith.> He possibly had ____, but not an active ____.
<Benignant, benign.> Her social manner was ____. The ____ influence of sunlight.
<Beside, besides.> ____ his personal friends, many people he had not even met stood ____ his sickbed.
<Blanch, whiten.> At this threat the face of the heroine ____. With a pail of cheap paint he ____ the dingy wall.
<Blessing, benediction.> After telling his parishioners to be mindful of their ____, the clergyman pronounced the ____.
<Blockade, siege.> Daily attacks on exposed redoubts marked the progress of the ____. The fleet lay there in silent ____ of the port.
<Bravery, bravado.> The incident proved that his ____ was not founded in real ____.
<Bring, fetch.> When you come, ____ the official documents with you. ____ me the scales you will find in the granary yonder.
<Broad, wide.> A man with ____ shoulders stood in the ____, open doorway.
<Bury, inter.> After they had solemnly ____ their comrade, they ____ the treasure. They also ____ their comrade's dog.
2. Consult the dictionary for the distinction between the members of each of the following pairs. Determine whether the words are correctly used in the illustrative sentences. (Some are; some are not.)
<Can, may.> Can I stay at home this afternoon, papa? Because of the floods, the train beyond doubt may not get through.
<Character, reputation.> His character among them was very good. A man's reputation can never be taken from him.
<Childish, childlike.> Your conduct is peevish; it is childishly so. Her innocence was childlike.
<Cite, quote.> He was always citing snatches of Tennyson. We might quote Hamlet's soliloquy on suicide as an example of Shakespeare's ability to go to the heart of deep questions.
<Claim, assert.> He claimed that Jefferson was our third President. He asserted that bears sleep through the winter.
<Clothing, costume.> At the masquerade ball we each wore special clothing. The mariner who had swum from the wreck to the desert shore had not a shred of costume.
<Comfort, ease.> Comfort after labor. The ease of owning a home.
<Commercial, mercantile.> Petty commercial transactions. A mercantile treaty.
<Common, mutual.> This pavilion was the common play-house for the children of the neighborhood. Ward and Aker held this property as their mutual possession.
<Complement, compliment.> This addition is the complement of our quota. He paid his dancing partner a compliment.
<Complement, supplement.> His downrightness is the complement of his uprightness. As a supplement to his wages he received an occasional bonus.
<Complete, finish.> He put in the completing touches. He had finished the task.
<Composure, equanimity.> His composure was not to be shaken. After this inner tumult came equanimity.
<Comprehensible, comprehensive.> Numbers of such magnitude are scarcely comprehensible. That men by the million should die for a cause is a thing not really comprehensive.
<Compulsion, obligation.> Who does not feel within him a compulsion to help the weak? It was through obligation, through having slave-drivers stand over them, that these wretched folk built the pyramids.
<Congratulate, felicitate.> I congratulated my friend on his appointment to the commission. I also felicitated the stranger on his appointment.
<Consecutive, successive.> Three consecutive convictions proved the ability of the prosecuting attorney. The quiet passing of successive summer days.
<Contemptible, contemptuous.> Its size was insignificant, even contemptible. He won the prize by a contemptuous trick.
<Continuation, continuance.> The investigator was surprised to find the tradition of such long continuation. We waited impatiently for the continuance of the story in the next issue.
<Corporal, corporeal.> I am more and more amazed at the perfection of man's corporal frame. His corporeal vigor was unusual.
<Correct, rectify.> A man may correct many of his false judgments on current affairs by studying history. The mistake is ours; it shall be rectified.
<Cozy, snug.> The cozy fit of a garment. A snug place by the fire.
<Crawl, creep.> We crawled forward at dawn to surprise their outposts. In his humility he fairly crept on the earth.
<Credible, creditable.> I do not doubt it; it is entirely credible. The success of the antidote seemed scarcely creditable.
<Credit, accredit.> Though he is the official and credited ambassador, his assertions are not accredited.
<Cure, heal.> I cured the dog's wounds. The physician declared he could heal leprosy.
<Custom, habit.> "A custom more honor'd in the breach than the observance." Is it your custom to watch the clock while you eat? The habit in that region was to rise at cockcrow.
<Decided, decisive.> A decided battle. A decisive fault in manners.
<Definite, definitive.> We still await a definite edition of this author's works. His answer was so definitive that we no longer doubted what he meant.
<Demesne, domain.> Clive added India to the British demesne. The king went riding through his personal domain.
<Deprecate, depreciate.> The German mark has deprecated in value. He depreciated the praise they were lavishing upon him.
<Descent, dissent.> They tied themselves together with a rope in order to make their dissent safer. The dissent to a lower plane of conversation was what he most desired.
<Discovery, invention.> The discovery of the wireless telegraph is Marconi's chief claim to remembrance. The invention of a water passage between Tierra del Fuego and the mainland was the work of Magellan.
<Discriminate, distinguish.> He could not discriminate individuals at that distance. Any man can distinguish right from wrong.
<Disinterested, uninterested.> His course was entirely generous and disinterested. Most visitors to art galleries have an uninterested manner.
<Disposal, disposition.> This disposal of the matter is authoritative, final. His disposition of his forces was well-considered.
<Dissatisfied, discontented.> Though the colonists were dissatisfied for the moment, they could hardly be called discontented.
<Distinct, distinctive.> The distinct quality of his character was aggressiveness. There were four separate and distinctive calls.
<Dramatic, theatrical.> An affected, dramatic manner. A truly theatrical situation.
<Dry, arid.> A dry plain. An arid place to sleep in.
<Dumb, mute.> The man stood dumb with surprise. Always be kind to mute animals.
<Durable, lasting.> Our joy is durable. Oak is a lasting wood.
3. Consult the dictionary for the distinction between the members of each of the following pairs. Frame sentences to illustrate the correct use of the words. (Some of the words in this list, as well as some in other parts of the chapter, are considered in larger groups in the chapters following.)
earth, world efficiency, efficacy egoism, egotism eldest, oldest elemental, elementary elude, evade emigrate, immigrate enough, sufficient envy, jealousy equable, equitable equal, equivalent essential, necessary esteem, respect euphemism, euphuism evidence, proof exact, precise exchange, interchange excuse, pardon exempt, immune expect, suppose expedite, facilitate
facsimile, copy familiar, intimate fancy, imagination farther, further feeling, sentiment feminine, effeminate fervent, fervid fewer, less fluid, liquid first (or last) two, two first (or last) food, feed foreign, alien force, strength forgive, pardon
gayety, cheerfulness genius, talent gentle, tame genuine, authentic glance, glimpse grateful, thankful grieve, mourn
hanged, hung happen, transpire happiness, pleasure healthy, healthful hear, listen heathen, pagan honorable, honorary horrible, horrid human, humane
illegible, unreadable image, effigy imaginary, imaginative impending, approaching imperious, imperial imply, infer in, into inability, disability ingenious, ingenuous intelligent, intellectual insinuation, innuendo instinct, intuition involve, implicate irony, sarcasm irretrievable, irreparable
judicious, judicial just, equitable justify, warrant
lack, want languor, lassitude later, latter lawful, legal lax, slack leave, let lend, loan liable, likely libel, slander lie, lay like, love linger, loiter look, see loose, lose luxurious, luxuriant
majority, plurality marine, maritime martial, military moderate, temperate mood, humor moral, ethical moral, religious mutual, reciprocal myth, legend
natal, native nautical, naval near, close necessaries, necessities needy, needful noted, notorious novice, tyro
observance, observation observe, perceive obsolete, archaic omnipresent, ubiquitous on, upon oppose, resist opposite, contrary oppress, depress
palliate, extenuate passionate, impassioned pathos, pity patron, customer peculiar, unusual perspicuity, perspicacity permeate, pervade permit, allow perseverance, persistence pertain, appertain pictorial, picturesque pitiable, pitiful pity, sympathy pleasant, pleasing politician, statesman practicable, practical precipitous, precipitate precision, preciseness prejudice, bias prelude, overture pride, vanity principal, principle process, procedure procure, secure professor, teacher progress, progression propitious, auspicious proposal, proposition tradition, legend truth, veracity
quiet, quiescent
raise, rear raise, rise ransom, redeem rare, scarce reason, understanding reasonable, rational recollect, remember regal, royal reliable, trustworthy requirement, requisite restive, restless reverse, inverse ride, drive rime (or rhyme), rhythm
sacred, holy salutation, salute scanty, sparse scholar, student science, art scrupulous, conscientious serf, slave shift, expedient sick, ill silent, taciturn sit, set skilled, skilful slender, slim smart, clever sociable, social solicitude, anxiety stay, stop stimulus, stimulation strut, swagger suppress, repress
termination, terminus theory, hypothesis tolerate, permit torment, torture tradition, legend truth, veracity
unbelief, disbelief unique, unusual
varied, various variety, diversity venal, venial vengeance, revenge verse, stanza vindictive, revengeful visit, visitation visitant, visitor
wander, stray warn, caution will, volition wit, humor witness, see womanish, womanlike worth, value
<Parallels>
Pairs of the third type are made up of words parallel in meaning. This class somewhat overlaps the second; many terms that are frequently confused are parallels, and parallelism is of course a cause of confusion.
Parallels are words that show likeness in meaning. Likeness, not sameness. Yet at one time actual sameness may have existed, and in many instances did. Nowadays this sameness has been lost, and the words have become differentiated. As a rule they still are closely related in thought; sometimes, however, the divergence between them is wide.
Why did words having the same meaning find lodgment in the language in the first place? The law of linguistic economy forbids any such happening, and only through sheer good fortune did English come to possess duplications. The original Anglo-Saxon did not contain them. But the Roman Catholic clergy brought to England the language of religion and of scholarship, Latin. Later the Normans, whose speech as a branch of French was an offshoot of Latin, came to the island as conquerors. For a time, therefore, three languages existed side by side in the country—Anglo- Saxon among the common folk, Latin among the clergy, and Norman-French at the court and among the nobility. The coalescing of the three (or of the two if we count Latin in its direct and indirect contributions as one) was inevitable. But other (mostly cognate) languages also had a part in the speech that was ultimately evolved. The Anglo-Saxon element was augmented by words from Dutch, Scandinavian, and the Germanic tongues in general; and Latin was reinforced by Greek. Thus to imply, as is sometimes done, that modern English is simply a blend of Anglo-Saxon and Latin elements is misleading. Native and classic are the better terms to use, provided both are used broadly. Native must include not only Anglo-Saxon but the other Germanic elements as well, and classic must include French and Greek as well as Latin.
The welding of these languages made available two—in some instances more than two—words for a single object or idea. What became of these duplicates? Sometimes one of the words was dropped as needless. Oftentimes, however, both were retained—with such modifications in meaning that thereafter they designated, not the same object or idea, but different forms or aspects of it. Thus they became parallels, and the new language waxed rich with discriminations which neither of the component tongues had possessed.