THE ROSE IN THE RING

The gaunt man led the way. At his heels, doggedly, came the two short ones, fagged, yet uncomplaining; all of them drenched to the skin by the chill rain that swirled through the Gap, down into the night-ridden valley below. Sky was never so black. Days of incessant storm had left it impenetrably overcast.

These men trudged—or stumbled—along the slippery road which skirted the mountain's base. Soggy, unseen farm lands and gardens to their left, Stygian forests above and to their right. Ahead, the far-distant will-o-the-wisp flicker of many lights, blinking in the foggy shroud. Three or four miles lay between the sullen travelers and the town that cradled itself in the lower end of the valley.

Night had stolen early upon the dour spring day. The tall man who led carried a rickety, ill-smelling lantern that sent its feeble rays no farther ahead than a dozen paces; it served best to reveal the face of the huge silver watch which frequently was drawn from its owner's coat pocket.

Eight o'clock,—no more,—and yet it seemed to these men that they had plowed forever through the blackness of this evil night, through a hundred villainous shadows by unpointed paths. Mile after mile, they had traversed almost impassable roads, unwavering persistence in command of their strength, heavy stoicism their burden. Few were the words that had passed between them during all those weary miles. An occasional oath, muffled but impressive, fell from the lips of one or the other of those who followed close behind the silent, imperturbable leader. The tall man was as silent as the unspeakable night itself.

It was impossible to distinguish the faces of these dogged night-farers. The collars of their coats were turned up, their throats were muffled, and the broad rims of their rain-soaked hats were far down over the eyes. There was that about them which suggested the unresented pressure of firearms inside the dry breast-pockets of long coats.

This was an evening in the spring of 1875, and these men were forging their way along a treacherous mountain road in Southwestern Virginia. A word in passing may explain the exigency which forced the travelers to the present undertaking. The washing away of a bridge ten miles farther down the valley had put an end to all thought of progress by rail, for the night, at least. Rigid necessity compelled them to proceed in the face of the direst hardships. Their mission was one which could not be stayed so long as they possessed legs and stout hearts. Checked by the misfortune at the bridge, there was nothing left for them but to make the best of the situation: they set forth on foot across the mountain, following the short but more arduous route from the lower to the upper valley. Since three o'clock in the afternoon they had been struggling along their way, at times by narrow wagon roads, not infrequently by trails and foot paths that made for economy in distance.

The tall man strode onward with never decreasing strength and confidence; his companions, on the contrary, were faint and sore and scowling. They were not to the mountains born; they came from the gentle lowlands by the sea,—from broad plantations and pleasant byways, from the tidewater country. He was the leader on this ugly night, and yet they were the masters; they followed, but he led at their bidding. They had known him for less than six hours, and yet they put their lives in his hands; another sunrise would doubtless see him pass out of their thoughts forever. He served the purpose of a single night. They did not know his name—nor he theirs, for that matter; they took him on faith and for what he was worth—five dollars.

"Are those the lights of the town?" panted one of the masters, a throb of hope in his breast. The tall man paused; the others came up beside him. He stretched a long arm in the direction of the twinkling lights, far ahead.

"Yas, 'r," was all that he said.

"How far?" demanded the other laboriously.

"'Bout fo'h mile."

"Road get any better?"

"Yas, 'r."

"Can we make it by nine, think?"

"Yas, 'r."

"We'd better be moving along. It's half-past seven now."

"Yas, 'r."

Once more they set forward, descending the slope into the less hazardous road that wound its way into the town of S——, then, as now, a thriving place in the uplands. The ending of a deadly war not more than ten years prior to the opening of this tale had left this part of fair Virginia gasping for breath, yet too proud to cry for help. Virginia, the richest and fairest and proudest of all the seceding states, was but now finding her first moments of real hope and relief. Her fortunes had gone for the cause; her hopes had sunk with it.

Both were now rising together from the slough into which they had been driven by the ruthless Juggernaut of Conquest. The panic of '73 meant little to the people of this fair commonwealth; they had so little then to lose, and they had lost so much. The town of S—-, toward which these weary travelers turned their steps, was stretching out its hands to clasp Opportunity and Prosperity as those fickle commodities rebounded from the vain-glorious North; the smile was creeping back into the haggard face of the Southland; the dollars were jingling now because they were no longer lonely. The bitterness of life was not so bitter; an ancient sweetness was providing the leaven. The Northern brother was relaxing; he was even washing the blood from his hands and extending them to raise the sister he had ravished. There was forgiveness in the heart of fair Virginia—but not yet the desire to forget. The South was coming into its own once more—not the old South, but a new one that realized.

Intermittent strains of music came dancing up into the hills from the heart of S—. The wayfarers looked at each other in the darkness and listened in wonder to these sounds that rose above the swish of the restless rain.

"It's a band," murmured one of the two behind.

"Yas, 'r; a circus band," vouchsafed the guide, a sudden eagerness in his voice. "Van Slye's Great and Only Mammoth Shows—"

"A circus?" interrupted one of the men gruffly. "Then the whole town is full of strangers. That's bad for us, Blake."

"I don't see why. He's more than likely to be where the excitement's highest, ain't he? He's not too old for that. We'll find him in that circus tent, Tom, if he's in the town at all."

"First circus they've had in S—— in a dawg's age," ventured the guide, with the irrelevancy of an excited boy. "Rice's was there once, I can't remember jest when, an' they was some talk of Barnum las' yeah, they say, but he done pass us by. He's got a Holy Beheemoth that sweats blood this yeah, they say. Doggone, I'd like to see one." The guide had not ventured so much as this, all told, in the six hours of their acquaintanceship.

"Well, let's be moving on. I'm wet clear through," shivered Blake.

Silence fell upon them once more. No word was spoken after that, except in relation to an oath of exasperation; they swung forward into the lower road, their sullen eyes set on the lights ahead. Heavy feet, dragging like hundredweights, carried them over the last weary mile. Into the outskirts of the little town they slunk. The streets were deserted, muddy, and lighted but meagerly from widely separated oil lamps set at the tops of as many unstable posts.

Some distance ahead there was a vast glow of light, lifting itself above the housetops and pressing against the black dome that hung low over the earth. The rollicking quickstep of a circus band came dancing over the night to meet the footsore men. There were no pedestrians to keep them company. The inhabitants of S—— were inside the tents beyond, or loitering near the sidewalls with singular disregard for the drizzling rain that sifted down upon their unmindful backs or blew softly into the faces of the few who enjoyed the luxury of "umberells." Despite the apparent solitude that kept pace with them down the narrow street,—little more than a country lane, on the verge of graduating into a thoroughfare,—the three travelers were keenly alert; their squinting, eager eyes searched the shadows beside and before them; their feet no longer dragged through the slippery, glistening bed of the road; every movement, every glance signified extreme caution.

Slowly they approached the vacant lots beyond the business section of the town, known year in and year out to the youth of S—— as "the show grounds." Now they began to encounter straggling, envious atoms of the populace, wanderers who could not produce the admission fee and who were not permitted by the rough canvasmen to venture inside the charmed circle laid down by the "guy-ropes." At the corner of the tented common stood the "ticket wagon," the muddy plaza in front of it torn by the footprints of many human beings and lighted by a great gasoline lamp swung from a pole hard by. Beyond was the main entrance of the animal tent, presided over by uniformed ticket takers. Here and there, in the gloomy background, stood the canvas and pole wagons, shining in their wetness against the feeble light that oozed through the opening between the sidewall and the edge of the flapping main top, or glistening with sudden brightness in response to the passing lantern or torch in the hand of a rubber-coated minion who "belonged to the circus,"—a vast honor, no matter how lowly his position may have been. Costume and baggage wagons, their white and gold glory swallowed up in the maw of the night, stood backed up against the dressing-tent off to the right. The horse tent beyond was even now being lowered by shadowy, mystic figures who swore and shouted to each other across spaces wide and spaces small without regulating the voice to either effort. Horses, with their clanking trace-chains, in twos and fours, slipped in and out of the shadows, drawing great vehicles which rumbled and jarred with the noise peculiar to circus wagons: tired, underfed horses that paid little heed to the curses or the blows of the men who handled them, so accustomed were they to the proddings of life.

And inside the big tent the band played merrily, as only a circus band can play, jangling an accompaniment to the laughter and the shouts of the delighted multitude sitting in the blue-boarded tiers about the single ring with its earthen circumference, its sawdust carpet and its dripping lights.

The smell of the thing! Who has ever forgotten it? The smell of the sawdust, the smell of the gleaming lights, the smell of animals and the smell of the canvas top! The smell of the damp handbills, the programs and the bags of roasted peanuts! Incense! Never-to-be-forgotten incense of our beautiful days!

Warm and dry and bright under the spreading top with its two "center poles" and its row of "quarters"; cold, dreary and sordid outside in the real world where man and beast worked while others seemed to play.

Groups of canvasmen now began to tear down the animal tent—the "menagerie," as it has always been known to the man who pays admission. An hour later, when the big show is over, the spectators will stream forth, even as their own blue seats begin to clatter to earth behind them, and they will blink with amazement to find themselves in the open air, instead of in the menagerie tent. As if by magic it has disappeared, and with it the sideshow and its banners, the Punch and Judy show, the horse tent, the cook tent, the blacksmith shop. Where once stood a dripping white city, now stretches a barren, ugly waste of unhallowed, unfamiliar ground, flanked by the solitary temple of tinsel and sawdust which they have just left behind, and which even now is being desolated by scowling men in overalls. The crowd oozes forth, to find itself completely lost in the night, all points of the compass at odds, no man knowing east from west or north from south in the strange surroundings. The "lot" they have known so well and crossed so often has been transformed into a trackless wilderness, through which strange objects rumble and creak, over which queer, ghastly lights play for the benefit of grumbling men from another world.

Blake and his companion, standing apart from the lank, wide-eyed guide, were conversing in low tones.

"We'd better make the circuit of the tents," said Blake, evidently the leader. "You go to the right and I'll take the other way round. We'll meet here. Keep your eye peeled. He may be hiding under the wagons where it's dry. Look out for these circus toughs. They're a nasty crowd."

Then he turned to the guide.

"We won't need you any longer," he said. "This is as far as we go. Here is your pay. If I were you, I'd buy a ticket and go inside."

"Yas, 'r," said the smileless guide, accepting the greenback with no word of thanks. A brief "good night" to his employers, and the lean mountaineer strolled over to the ticket wagon. He purchased a ticket and hurried into the tent. We do not see him again. He has served his purpose.

His late employers made off on their circuit of the tents, sharp-eyed but casual, doing nothing that might lead the circus men to suspect that they were searching for one among them. In the good old days of the road circus there were thieves as well as giants; if a man was not a thief himself, he at least had a friend who was. There was honor among them.

A scant hour before the three men came to the "showgrounds" their quarry arrived there. That Blake and his companion were man-hunters goes without saying, but that the person for whom they searched should be a hungry, wan-faced, terrified boy of eighteen seems hardly in keeping with the relentless nature of the chase.

The ring performance in the main tent had been in progress for fifteen or twenty minutes when the fugitive, exhausted, drenched and shivering, crept into the protected nook which marks the junction of the circus and dressing tops. Here it was comparatively dry; the wind did not send its thin mist into this canvas cranny. Not so dark as he may have desired, if one were to judge by the expression in his feverish eyes as he peered back at the darkness out of which he had slunk, but so cramped in shadow that only the eye of a ferret could have distinguished the figure huddled there. Chilled to the bone, wet through and through, this white-faced lad, with drooping lip and quickened breath, crouched there and waited for the heavy footstep and the brutal command of the canvasman who was to drive him forth into the darkness once more.

He had watched his chance to creep into this coveted spot. When the men were called to work at the horse tent he found his chance. It looked warm in this corner; a pleasant light on the inside of the two tents glowed against the damp sidewalls: here and there it glimmered invitingly under the bottom of the canvas. He knew that his tenancy must end in an hour or two: the big top would be leveled to the ground, rolled up and spirited away into the stretches that lay between this city and the next one, twenty miles away. But an hour or two in this friendly corner, close to the glare of the circus lights, almost in touch with the joyous, bespangled world of his ambitions, even though he was a hated and hunted creature, was better than the sopping roadside or the fields.

He knew that he was being hounded and that those who sought him were close behind. Once in the forest, far back in the hills, he had heard them, he had seen them. Off in other parts of the country men were looking for him. In the cities throughout Virginia and the adjoining states there were placards describing him ere this, and rewards were mentioned.

Resting in the bushes above the trail, late in the afternoon, he had seen Blake and his men. They had stopped to rest, and he could hear their conversation plainly. With all the wiliness of a hunted thing, he had slipped off into the forest, terrified to find that his pursuers were so close upon him.

He had learned that they were making for S—— and it was easy to see that their progress was slow and grueling. His feet were light, his legs strong; peril gave wings to his courage. Something told him that he must beat them by many miles into the town of S——. Once, when he was much younger, he had gone to S—— with his grandfather to see the soldiers encamped there. He remembered the railroad. It was imperative that he should reach the railway as far in advance of his pursuers as legs and a stout heart could carry him.

A wide detour through the sombre forest brought him to the road once more, fully a mile below his pursuers. He forgot his hunger and his fatigue. For miles he ran with the fleetness of a scared thing, guided by the crude sign-boards which pointed the way and told the distance to S——. Night fell, but he ran on, stumbling and faint with dread, tears rolling down his thin cheeks, sobs in his throat. Darkness hid the sign-boards from view; he reeled from one side of the narrow, Stygian lane to the other, sustaining many falls and bruises, but always coming to his feet with the unflagging determination to fight his way onward.

Half-dazed, gasping for breath and ready to drop in his tracks, he came at last to the open valley. Far ahead and below were the lights of a town—he could only hope that it was S——. Tortured by the vast oppressiveness of the solitude which lay behind him, peopled by a thousand ghosts whose persistent footsteps had haunted him through every mile of his flight, he cried aloud as he stumbled down the rain-washed hill,—cried with the terror of one who sees collapse after human valor has been done to death.

He was never to know how he came, in the course of an hour, to the outskirts of the town. His mind, distracted by the terror of pursuit, refused to record the physical exertions of that last bitter hour; his body labored mechanically, without cognizance of the strain put upon it. He had traversed fifteen miles of the blackest of forests and by way of the most tortuous of roads. A subconscious triumph now inspired him, born of the certainty that he had left his enemies far behind. It was this oddly jubilant spur that drove him safely, almost instinctively, into the heart of S——. The music of a band both attracted and bewildered him. It was some time before he could grasp the fact that a circus was holding forth in the lower end of the town. The subtle cunning that had become part of his nature within the past forty-eight hours forbade an incautious approach to the circus grounds. There, of all places, he might expect to encounter peril. To his bewildered mind every man who breathed of life was a sleuth sent forth to lay hold of him.

He gave the circus—loved thing of tenderer days—a wide berth, finding his way to the railway station by outlying streets. His first thought was to board an outbound train, to secrete himself in one of the freight cars. The sudden, overpowering pangs of hunger drove this plan from his mind, combined with the discovery that no train would pass through the town before midnight. Disheartened, sick with despair, he slunk off through the railway yards, taking a roundabout way to the circus grounds.

There was money in his purse,—plenty of it; but he was afraid to enter an eating-house, or to even approach the "snack-stand" on the edge of the circus lot. For a long time he stood afar off in the darkness, his legs trembling, his mouth twitching, his eyes bent with pathetic intentness upon the single pie and hot sandwich stand that remained near the sideshow tent, presided over by a kind-faced, sleepy old man in spectacles.

A huge placard tacked to the board fence back of this stand attracted his attention. Impelled by a strange curiosity, he ventured into the circle of light, knowing full well, before he was near enough to distinguish more than the bold word "Reward," that this sinister bill had to do with him and no other.

Held by the same mysterious power that a serpent exercises in charming its victim, the lad stared at the face of this ominous thing that proclaimed him a fugitive for whom five hundred dollars would be paid, dead or alive.

Stricken to the soul, he read and re-read the black words, unable, for a long time, to tear himself away from the spot. A quick alarm seized him. He slunk back into the shadows, his hunger forgotten. For many minutes he stood in the grisly darkness, staring at the white patch on the fence. Curses rose to his lips—lips that had never known an oath before; prayers and pleadings were forgotten in that bitter arraignment of fate.

Then came the sudden revival of youthful spirits, carrying with them the reckless bravado that all boys possess to the verge of folly. The band was playing, the show had begun. In his mind's eye he could see the "grand entree." A fierce desire to brave detection and boldly enter the charmed pavilion took possession of him. First, he would buy of the pieman's wares; then he would calmly present himself before the ticket wagon window, after which—But he got no farther in his dream of audacity. The placard on the fence seemed to smite him in the face. He drew farther back into the darkness, shuddering. With his arms clasped tightly across his chest, shivering in the chill that had returned triumphant, he dragged himself wearily away from the place of temptation.

Circling the dressing-tent, he came upon men at work. They were drawing stakes with the old-fashioned chains. For a while he dully watched them. They passed on. He crept from his place of hiding and, attracted by the lights as a moth is drawn by the candle, made his way to the sheltered spot at the joining of the tents.

After a few moments of restless vigil an overpowering sense of lassitude fell upon him. His eyes closed in abrupt surrender to exhaustion. The rhythmic beat of the quickstep leaped off into great distances; the champing and snorting of horses in the dressing-tent died away as if by magic; the subdued voices of the men and women who waited their turn to bound into the merry ring faded into indistinguishable whispers; the crack of the ring master's whip and the responsive yelp of the clown trailed off into silence. His head fell back, his body relaxed, and he slipped off into sweet unconsciousness.

A man in motley garb, with a face of scarlet and white, sitting on a blue half-barrel near the flap which indicated the entrance to the men's section of the dressing-tent, caught sight of an arm and hand lying limp under the edge of the canvas. He stared hard for a moment and then, attracted by the slim, unfamiliar member, arose and advanced to the spot. As he stood there, looking down at the hand, a woman and a young girl approached.

"Drunk," observed the clown, with a grimace.

They stopped beside him, looking down. The woman spoke. "How long and fine the fingers are. A boy's hand, not a man's. See who is there, Joey, do."

And so it was that the fugitive was taken.

The clown lifted the sidewall and bent over the form of the lad, peering into the white, mud-streaked face.

"He's not drunk," he said quickly.

"He looks ill, poor fellow. How wet he is,—and so muddy. Is he asleep? It isn't—it isn't something else?" She drew back in sudden dread.

"He's alive, right enough. I say, Mrs. Braddock, there's something queer about this. He can't belong in this 'ere town, else he wouldn't be sleepin' 'ere in the mud. He's plain pegged out, ma'am. Like enough 'e's some poor fool as wants to join the circus. Run away from 'ome, I daresay. We've 'ad lots of 'em follow us up lately, you know. Only this 'un looks different. Shall I call Peterson? He'll wake 'im up right enough and conwince 'im that the show business is a good thing to stay out of while he can."

"Don't call Peterson. He is a brute. Rouse him yourself, and tell him to come inside the tent. Poor boy, he's half drowned. Come, dearie," to the girl, "go into the dressing-room. You must not see—"

"He is so white and ill-looking, mother," said the girl, in pitying tones, her gaze fastened upon the face of the sleeper. The mother drew the child aside, an arm about her shoulder. Together they watched the clown's efforts to arouse the boy.

"He may be another Artful Dick, my child," ventured the mother. "Your father says the pickpockets are uncommonly numerous this spring."

"I'm sure he isn't a thief—I'm sure of it," said the girl eagerly.

She was a pretty, brown-haired creature, whose large, serious eyes seemed unnaturally dark and brilliant against the vivid coloring of her cheeks and forehead. The blacks, whites and carmines of the make-up box had beautified her for the ring but not for closer observation. One who understood the secrets of the "make-up" could have told at a glance that underneath the thick layer of powder and paint there was a soft, white skin; even the rough, careless application of harmless cosmetics could not, in any sense, deceive one as to the delicacy of her features. The mouth, red with the carmine grease, was gentle, even tremulous; her nose, though streaked with a thin, white line, was straight and pure patrician in its modeling, with fine, quivering nostrils, now gently distended by sharp exercise in the ring; her ears were small, her throat round and slim; right proudly her head rode the firm, white neck; the warm, brown hair swept down in caresses for the bare shoulders.

A long, red Shaker cloak enveloped the slim, straight body. Dainty golden slippers, protected by the ungainly ground shoes of the circus performer, peeped from beneath the hem of the robe. A small, visorless cap of red velvet fitted snugly over the crown of her head.

Now the lips were parted and the eyes narrowed by interest in the stranger who slept against their walls.

The mother was still a young woman; a pretty one, despite the careworn expression in her eyes and the tired lines in her face. She was dressed in the ordinary garments of the street, in no way suggestive of the circus. There was an unmistakable air of gentle breeding about her, patient under the strain of adverse circumstances, but strong and resolute in the power to meet them without flinching. This woman, you could see at a glance, was not born to the circus and its hardships; she came of another world. Tall and slender and proud she was, endowed with the poise of a thorough gentlewoman. Hers was a fine, brilliant face, crowned by dark hair that grew low and waved about her temples. Deep, tender brown eyes met yours steadily and with unwavering candor. There was strength and loyalty and purity in their depths. No hardness, no callousness, no guile, no rancor there: only the clear, sweet eyes of a woman whose soul is white. There was an infinite pity in them now.

The clown had shaken the boy into partial wakefulness. He was sitting up, leaning forward on his hands, his eyes blinking in the contest between sleep and amazement.

"Get up," said Grinaldi, the clown, shaking him by the shoulder. "What are you doing here, boy?"

The lad came quickly to his feet and would have rushed away into the darkness behind him had it not been for the restraining grip on his arm. He felt himself being dragged into the stuffy, mysterious vestibule of the tent, into plain view of a half-dozen vividly attired persons, almost under the feet of stolid, gayly caparisoned horses wearing the great back-pads.

And this creature who led him there—this grotesque object with the chalky face and coal-black eyebrows that ran up in tall triangles to meet a still chalkier pate—this figure with the red and black crescents on his cheeks and the baggy, spotted suit of red and white and blue and the conical hat—who and what was he?

The clown!

He was not dreaming—he was in the dressing-tent of the circus, enveloped by the dull, magic atmosphere that comes in the smoke of burning oils,—an atmosphere that is never to be found outside the low walls of a dressing-tent. He experienced a sudden feeling of suffocation. The whole world seemed to have closed in upon him; a drab sky almost touched his head; the horizon seemed to have rushed up to within ten feet of where he stood.

His bewildered gaze took in the horses, the boxes, the trunks, the ring paraphernalia, the "properties," the discarded uniforms of attendants—cast in apparent confusion here, there and everywhere. Somehow, as he stared, this conglomerate mass of unfamiliar things seemed to creep away into the black shadows he had not perceived before; the drab dome of the tent began to swirl above his head, like a merry-go-round; the lights danced and then went out.

Grinaldi, the clown, caught him in his arms as he slipped forward in a dead faint.

CHAPTER II — IN THE DRESSING-TENT

When he regained consciousness, he was lying on a thick, dusty mattress, his head pillowed on a bundle of cloth that smelled of cotton and dyestuffs. Faces emerged from the gloom around him. Some one was holding a torch over his strange couch. That odd face in bismuth and lampblack was bending over him.

"He's come 'round, Mrs. Braddock," he heard this creature say, in a far-off voice. "Only a faint, nothing more. Poor lad, he looks ill and hungry."

Then other figures, all gaudy and bright and glittering, crowded into his vision. He tried to raise himself to his elbow, a fierce wave of embarrassment rushing over him. Some one supported him from behind. As he came to a sitting position, he turned his head to thank this person. It was with difficulty that he repressed a cry of alarm. The being who braced him with friendly arms was a glittering, shiny thing of green, with a human face that leered upon him.

Observing the youth's bewilderment and uncertainty, Grinaldi laughed.

"He's not a boa-constrictor, lad. He's the boneless wonder. He's as gentle as a spring lamb, and not hardly as tough. Signer Anaconda, the Human Snake, that's what he's called on the bills. Ed Casey is his real name."

"Aw, cheese it, Joey," growled the amiable Signer. "Say, young feller, what's ailing you? Where'd you come from?"

The stranger in this curious world managed to turn his body so that his legs hung over the side of the vaulter's mattress; he faced his audience, a sudden wariness in his eyes. Before venturing a word of explanation, he allowed his gaze to sweep the entire group. They mistook his deliberateness for stupefaction.

He saw perhaps a dozen people in the group before him. The colors of the rainbow were represented in the staring, curious company. There were men in tights and women in tights—in pink and red and green and blue—some of them still panting and breathless after their perilous work in the ring. He took them all in at a glance, but his eyes rested at last on the one figure that seemed out-of-place in this motley crowd: the tall, graceful figure of the woman in street clothes. He looked long at the sweet, gentle, unpainted face of this woman, and drew his first deep breath of relief and hope when she smiled. She moved quickly through the crowd of acrobats and riders, followed close behind by the slim, wide-eyed girl in the long red cloak. An instant later she was sitting beside him on the mattress, smiling with friendly encouragement as she laid her hand upon his arm. The girl stood at her knee. For the first time the fugitive noticed the face of this slender girl—no, it was the eyes alone that he saw, for the face was grossly covered with pigments.

"What has happened?" asked the tall woman gently. "Have you—have you run away from home, my boy?"

"How long have I been here?" There was a suggestion of alarm in the abrupt question.

His voice, querulous through excitement, was quite strong and musical. The tone and his manner of addressing the questioner proved beyond contradiction that he was no ordinary tramp, or show-follower, such as they were in the habit of seeing in their travels. A dozen fine old Virginia gentlemen, perhaps, one after another, had lived and died before him; down that precious line of blood had come the strain that makes for the finished thoroughbred—the real Virginia aristocrat. Six words, spoken with the mild drawl of the cultured Southerner, were sufficient to prove his title. No amount of mud or tatters or physical distress could take away the inborn charm of blood. No haggardness or pain could detract from the fine, clean movement of the lips, or sully the deep intelligence of the eyes.

His audience at once found a new interest in him. He was not what they had expected him to be; this boy was no scatter-brained country lout, with the dream of the circus at the back of his folly.

He, of course, could not have known that during the ten minutes in which he lay unconscious on the huge pad a score of these curious, sympathetic strollers, partially or wholly dressed, had come out to gaze upon him, each delivering a characteristic opinion as to his purpose, but all of them roughly compassionate. Without exception, they looked upon him as one of the show-sick youths who, in those days, as now, succumb too readily to the lure of sawdust and spangles. More than one scoffing jest was uttered over his unconscious head.

Now they realized that he was not what they had thought him to be. A deeper tragedy than this seemed to be stamped in his wan face.

"You fainted ten minutes ago. Are you feeling better now? Give him some brandy, one of you. We will put you on your feet again in a few minutes, and then you may get on to the hotel. How wet you are! You must have come far."

He watched her face all the time she was speaking. No sign of trust or confidence came into his own as the result of her kindliness. Instead, the wariness grew.

"Only across the mountain," he said succinctly. A half smile, quizzical and almost grotesque by reason of the mud on his chin, came to his lips. "I've been out in the rain, ma'am," he vouchsafed. "I should say you had," said the contortionist. "You're soppin' wet. By gum, I'll bet the green runs in these tights of mine, too." The wet body had drenched them thoroughly.

Whereupon the newcomer undertook to support himself, not without a word of thanks to the acrobat. Once more he surveyed the mystic circle of figures. He had never been so close to men and women in tights before. Somehow they were not so alluring as when viewed from the blue seats of the circus tent. The fluffy, abbreviated tarletan skirts of two women bareback riders who stood not more than two yards away seemed tawdry and flimsy at close range; the pink fleshings of the world's greatest somersault artist looked rumpled and fuzzy; the zouave costume of the lady rope-walker lost its satiny sheen through propinquity; the clown was dusty and greasy and stuffy. An illusion was being shattered in the flash of an eye.

"I must be moving along," he said, in quick return to apprehension. "Thank you for looking out for me. It was very kind of—" He swayed as he tried to arise. The genial contortionist caught him.

"He's hungry!" cried one of the bareback queens. He made a heroic effort to pull himself together. The innate modesty of a gentleman reproved him even as things went hazy: he was conscious that he was staring at the surprisingly large kneecaps of the speaker. He was vaguely troubled because they were dirty.

A flask of brandy was pressed to his lips. He gasped, caught his breath, and, as the tears came to his eyes, smiled apologetically.

"It's pretty strong," he choked out.

"Puts snap and ginger into you," said the clown, standing back to watch the effect of his ministrations. "It strikes me you're not a common tramp. Wot were you doing 'angin' round this tent, son? Don't you know you might 'ave got clubbed to death by one of the canvasmen out there? They're never 'appy unless they're kickin' some poor rube over the guy-ropes. You wasn't trying to peep into the dressing-tent, was you?"

A hot flush mounted to the boy's forehead. He arose unsteadily.

"No," he said quickly. "I was trying to find a dry spot. I was tired out. Let me go now, please. I'm all right." He started toward a flap in the tent wall.

"Better not go that-a-way," said the clown. "You'll go plump into the ring. Wait a minute. Are you 'ungry?"

"No," said the boy, but they knew he was not speaking the truth. The girl in the long red cloak, she of the wonderful eyes, stood before him.

"Please wait, won't you?" she said, half timidly, half imperatively. "I will get something for you to eat. It's—it's right over there in my corner. The cook always brings my father's supper here after the show begins. He won't mind if I give it to you. He can get more. My father owns the show."

"No, no," he cried. "I can't take his supper. I am not hungry."

But she smiled and flew away, disappearing behind the flap at his left: a fluttering red fairy she might have been. He never forgot that first radiant, enveloping smile.

"It is all right, my boy," said the girl's mother, also smiling. "You are hungry. We know what it is to be hungry—sometimes."

"That we do," said the contortionist, rubbing his narrow abdomen and drawing a lugubrious mouth.

"You must be quite frozen in those wet clothes," observed Mrs. Braddock pityingly.

"I can't stay here, ma'am," he said abruptly. The hunted look came back into his eyes.

"He's no regular bum," said the "strong man," in the background, addressing the pink-limbed "lady juggler."

"He's got a 'istory, that boy 'as," said the lady addressed, deeply interested. "Makes me think o' that boy Dickens wrote about. What was his name?"

"How should I know?" demanded the strong man. "You Britishers are always workin' off riddles about something somebody wrote."

"What is your name?" asked the gentle-voiced woman at the boy's side. "Where do you come from?"

He hesitated, still uncertain of his standing among these strange, apparently friendly people.

"I can't tell you my name," he said in a low voice. "I hoped you wouldn't ask me. I have no home now—not since—Oh, a long time ago, it seems. More than a week, I reckon, ma'am."

"You have been wandering about like this for a week?" she asked in surprise. He gulped.

"Yes, ma'am. Since the eleventh of May." He wanted to tell her that he had been hunted from county to county for over a week, but something held his tongue. He felt that she would understand and sympathize, but he was not so sure of the others.

Perhaps she suspected what was going on in that troubled brain, for she laid her hand gently upon his arm and said: "Never mind, then. When you are stronger, you may go. I am sure you are a good boy."

He thanked her with a look of mute gratitude. The girl with the long red cloak came tripping back with a tray. She placed it on his knees; then she whisked away the napkin which covered it. All he knew was that he smiled up into her eyes through his tears, and that the smell of warm food assailed his nostrils. As she straightened up, the neglected cloak slipped from her shoulders. She caught it on her arm, but did not attempt to replace it. He lowered his eyes, singularly abashed. A trim, clean figure in red tights stood before him, absolutely without fear or shame or in the least conscious of her attire.

He was in her world, that was all. In his, outside that canvas crucible and between performances, she would have died of mortification if, by chance, there had been one-tenth of the exposure. Here, she was as fully dressed and as modestly as she would be an hour later, clothed from head to foot in the conventional garments of her sex, rigidly observing the strictest laws of delicacy.

A trim, straight figure she was, just rounding into young womanhood; turning fifteen, in truth. Lithe and graceful, with the sinuous development of a perfectly healthy young girl who has gone through the expanding process without pausing at the awkward stage, due no doubt to her life and training. Firm, well-rounded hips; a small waist, full chest and perfect shoulders, straight, exquisitely modeled limbs and high, arched insteps: perfect in girlhood, with promise of the divine at the height of full womanhood.

The mother arose at once. She remembered that he was in their world.

"Come," she said to her daughter. They withdrew to the women's half of the dressing-tent, leaving him to devour his feast alone. Slowly the others, taking their cue, edged away. When next the clown approached him, fresh from a merry whirl in the ring, the tray was on the mattress at his side, every particle of food gone. The boy's face was in his hands, his elbows on his knees.

"Well, you was 'ungry," said the kindly voice. The boy looked up, his eyelids heavy.

"I reckon I was almost asleep," he said. "I haven't slept much of late."

Suddenly it dawned on him that the clown was staring intently at his face. With quick understanding he shrank back, but did not withdraw his gaze from the eyes of the other.

"By jingo!" muttered the motley one. "You—you are the one they're 'unting for—all over the state. The reward bills! I remember now!"

The lad had risen. A look of abject misery and dread leaped in his eyes.

"Let me go!" he said, almost in a whisper, fiercely intense. "I'll get out. I haven't done any harm to you. Don't keep me here a minute—"

"Then you are the Jenison boy!" in open-mouthed wonder. "Well, I'll be jiggered! Here! Don't bolt like that!"

"Let go of me!" cried the boy, striking at the hand that clutched his arm. "I won't let them catch me! Let me go!"

"Keep your shirt on, my son," said the clown coolly. "Nobody's going to 'urt you 'ere. Just you remember that. I am not going to give you up—leastwise, not just yet. So you murdered your grandfather, did you? Well, I wouldn't 'ave took you to be that kind—"

"I didn't do it! I didn't do it!" There was piteous appeal in his wide eyes. "I swear I didn't. They're trying to put it on me to save some one else. Oh, please, don't keep me here. They—they are—they must be here by this time, looking for me. Oh, if you knew how I've tried to dodge them. They had bloodhounds last Saturday. Oh!" He covered his face with his hands and shuddered as with a mighty chill.

Grinaldi eyed him speculatively.

"You say they're 'ere now? So close as that?" he demanded in a low voice.

"I passed them on the mountain. I tried to make the railroad ahead of them. There was a bridge down back there. There were two of them, officers from the county seat. They won't have any mercy if they find me. They'll take me back and I'll be hung. I can't prove anything—I can't escape." He had dropped helplessly to the edge of the mattress, and was staring hard at the sidewall beyond as if expecting his pursuers to burst in upon him at any moment.

"And you didn't do it?" the clown asked, something like awe in his voice.

"Before God, I did not. I—I loved my grandfather. I couldn't have done it. Why, he was the only father I had—the only mother. He was everything to me. It was—" He caught himself up quickly in his wild declaration. "I know the man who did it. I heard them talking it over before it happened, but I didn't know what they were talking about." His eyes grew almost glassy with the horror that surged up from behind them.

"Then why don't you tell your story?" demanded the clown. "Let the other chap clear 'imself."

"They've got the evidence against me. Oh, you don't know! You can't know how it looked to the world. There's a man who says he saw me with a gun at my grandfather's window. He did see me there and I had a gun, but not to kill poor old granddaddy. No, no! I heard some one walking on the gallery—a thief, I thought. I crawled out of my window with my shotgun. I—but I oughtn't to tell you this. You must let me go. I'll never tell on you, I swear—"

"Wait a minute," interrupted the clown, laying his arm over the boy's shoulder. "We'll talk it over with Mrs. Braddock. She can tell by lookin' in your eyes whether you're good or bad. As far as I'm concerned, I don't believe you did it. Yes, yes, that's all right! Don't hug me, sonny. Here she is. She's the wife of the man wot owns the show."

Mrs. Braddock crossed over to them, smiling. It was not until she opened her lips to speak of the compliment his appetite had paid to the cook tent that she perceived the look in his eyes. Then she glanced at the serious face of the clown.

"This 'ere chap, ma'am," said Grinaldi, in low, level tones, "is David Jenison, the boy wanted for that murder near Richmond last week. You've seen the reward bills. His grandfather, you remember—"

She drew back; her eyes dilated, her lips stiff. "You are the Jenison boy?" she said slowly, even unbelievingly. "The one who killed his grandfa—" "But I didn't do it!" he almost wailed. "You—you must believe me, ma'am. I didn't do it!" He stood before her, looking straight into her eyes.

"No, Mrs. Braddock," said Grinaldi, "he didn't do it." "How do you know, Grinaldi? How can you—" "Because he says another person did it," said Grinaldi calmly.

The woman turned to the boy once more. She seemed to be searching his soul with her intense gaze.

"No," she murmured, after a moment, breathing deeply, "I am sure you did not commit murder. You poor, poor boy!"

He would have dropped to his knees before her, had not the clown checked him by means of a warning hiss.

"Brace up!" he said sharply. Then to Mrs. Bradock: "We've got to find a way to 'ide 'im. The officers are right on his 'eels."

She hesitated for a moment. Swift glances passed between her and the clown.

"You must keep very quiet and do what we tell you to do," she said to the boy, who nodded his head eagerly. "You will be safe here. A circus is the safest harbor in all the world for the thief and the lawbreaker. Why should it not be so for one who is innocent?"

"Let me tell you all about it, madam," began David Jenison, the hunted. She stopped him.

"Not now. There is no time for that. We will take you on faith and we will help you. My boy, I knew in the beginning that you were of gentle birth—I saw it in your face, in the way you held yourself. But that you should be one of the Jenisons of Virginia—why, Grinaldi, the Jenisons are the bluest—But, there, we'll talk of that another time, too. Sam!" She called to a ring attendant who stood near the entrance. The burly, rough-looking young man came up at once, respectful to a degree.

"Go out in front and tell Mr. Braddock to hurry back here as soon as he is through with the tickets!" The man slid out between the flapping walls. "Now, Grinaldi, you must make it your business to tell every one who this boy is, and what must be done for him. Don't be alarmed, David Jenison," she said with a smile. He had opened his lips to protest. "There isn't a soul in all this company, from feed-boy to proprietor, who will betray you to the officers of the law. We stand together—the innocent and the guilty. If you are vouched for by Joey Grinaldi and—me, or by any other in our little universe, that is the end of it. Even the basest ruffian in the canvas gang, even the vilest of the hostlers, will stand by you through thick and thin. And there are real murderers among them, too. You must have faith in us."

"I have faith in YOU" he said simply. Then, true Virginian that he was, this tired, harassed boy bent low and lifted her hand to his gallant lips. "I will give my life up for you any day, madam. It is yours."

"Spoken like a gentleman," said the clown, his eyes twinkling.

A couple of horses came clattering into the tent from the ring. At the entrance they were seized by waiting attendants; one of the mysteries that had always puzzled the boy was solved. He had wondered where the plunging steeds raced to after their whirlwind exit from the ring. A moment later, a swarm of men came rushing in with hoops, balloons and banners and hurdle-poles, followed by the "Greatest Living Bareback Rider of the Globe, the One and Only Mellburg." After him came a tired ringmaster, lanky and not half so proud as he looked to be in his spike-tailed coat.

Some one in the big tent was making an announcement in stentorian tones.

"It's time for me to go in," said the clown. "My song comes now. Just you go along with Casey 'ere, into the dressing-room. He'll get you something dry to wear out of my box. Don't forget one thing: we're all as thick as thieves 'ere, whether we're honest men or not. You'll find every man, woman and child wot appears in the ring to be absolutely square and honest. They've got to be. The bad men are not the performers. You'd find that out if you was with 'em a bit. I don't mind tellin' of it to you, as a consolation, that there is two real murderers among the canvasmen and a dozen or more pussons which are wanted for desp'rit things. Nobody peaches on 'em, mind you, and that's the way it goes. We've just got to stand together. Hi! Hi!"

He was off with a rush. A few minutes later he was heard singing his lay in the ring, the then popular and familiar ditty, "Whoa, Emma!" with a crude but vociferous chorus of male voices to "join in the refrain." Casey, without further instructions, and asking no questions, led the youth into the men's section. Here all was confusion. A dozen men were stripping themselves of one set of tights to don another, for in those days the ordinary acrobat did many turns in the process of earning his daily bread.

By the time Grinaldi returned, young Jenison was completely arrayed in an extra costume of the clown's, a creation in red and white stripes, much too baggy in all directions, but dry as toast. The owner of the costume put his hands to his sides and roared with laughter.

"Casey, you serpent," he gasped, "I didn't mean that kind of a suit. I meant my Sunday togs—the ones I go to church in, when I goes. Which I doesn't. 'Ere, boys, step right up and listen to an announcement." The crowd gave attention. "This 'ere chap is wanted. There's a big reward for 'im. You've all seen the posters. He's the Jenison boy. Well, he ain't guilty. Get the notion? We 've got to 'elp 'im out of the country. Mum's the word, lads. Say!" He stood back to inspect his charge. "If you're going to wear them togs, you've got to 'ave your face done over to match."

Whereupon he began to apply grease and bismuth to the countenance of the amazed young patrician. The others looked on and laughed good-naturedly. To his surprise, no one seemed to mind the fact that he was a fugitive and an alleged slayer. They had stared at him curiously for a moment; two or three of them exchanged whispers, that was all.

In a twinkling he was transformed into a real scaramouch. A conical hat adorned the knit skullpiece that covered his black hair.

"Don't peep in the lookin'-glass," said Signor Anaconda, now in the pale blue tights of a "ground and lofty" tumbler. "You'll keel over again, plumb dead."

The flap at the entrance was jerked aside and a tall, black-mustached man peered in upon the group.

"Where's the kid?" he demanded sharply. "My wife said he was with you, Joey. Say, I don't like this business. They're out in front now, looking for him. Two of 'em. Have you let him get away?"

David, peering from behind the real clown, experienced an instantaneous feeling of aversion for Braddock, the proprietor. Even as he quailed beneath the new peril that asserted itself in no vague manner, he found himself wondering how this man could have come to be the husband of his lovely benefactress.

"He's here, Tom," announced Grinaldi, shoving the boy forward.

"What's he doing in that costume?" demanded the owner, dropping the flap and staring hard at the boy.

"His clothes were wet. Besides, if they come botherin' around back 'ere, Tom, they won't be so likely to reckernise him in these—"

"Say, do you suppose I'm going to get into a muss with these people by hiding a murderer?" snapped Braddock. "Bring him out here. Come along, bub."

"You're getting blamed virtuous all of a sudden, Braddock," said the clown angrily. "'Ow about these dogs you are protectin' all the time? What's more, this 'ere kid's innocent."

"There's five hundred dollars reward for this fellow," said Braddock, jamming his hands into his coat pockets. "That doesn't sound like he's innocent, does it? Besides, the officers are plumb certain he's hanging around this show some place. I'm not going to be pestered with constables and detectives from here to Indiana, let me tell you that. It's bad business, monkeying with stray boys, ever since the Charley Ross kidnapping job last year. So you lummixes have decided to protect him, have you? Why, the whole pack of you ought to be in jail for even thinkin' of it. Come out here, boy!"

Without a word, the boy shook himself free of Grinaldi's protecting grasp, and stepped forward.

"I'm not willing to see these men get into trouble," he said steadily, addressing the boss. "Give me time to change my clothes again, and then you can call in the officers."

"Don't be a fool," exclaimed the clown. A murmur of protest arose from the others.

"Thomas!" A woman's voice was calling from the other side of the low canvas partition.

"That's my wife," growled Braddock. "I suppose she'll be beggin' for you, too. What do you want?" The question was roared through the canvas.

"Come here, please. I must speak with you."

"Change your clothes, boy," he said, after a moment of indecision. "See that he don't get away, you fellows. If he gives you the slip, I'll have blood, and don't you forget it."

The man had been drinking. His eyes were bloodshot and unsteady. His face was bloated from the effects of long and continued use of alcohol. Once on a time he had been a dashing, boldly handsome fellow; there could be no doubt of that; the sort of youth that any romantic girl might have fallen in love with. He was tall and straight and powerful, despite the evidences of dissipation that his face presented. A wonderfully vital constitution had protected his body from the ravages of self-indulgence; the constitution of a great, splendid human animal, in whom not the faintest sign of a once attractive personality remained. There was no refinement there, no mark of good breeding; all of the mirage-like glamour that may have bewildered and deceived her, long years ago, was gone. What she had evidently mistaken for the nobility of true manhood, in her innocence and folly, was no more than the arrogance of splendid health. This man had been beautiful in his day, and frankly pleasing. That was long before the thing that was in his blood, and in the blood of his fathers, perhaps, had claimed dominion: the mysterious thing which inevitably registers the curse of the base-born, so that no man may be deceived. Blood always tells, but usually it tells too late.

But of the Braddocks and their hateful history, more anon. Let us look at this man as he now is, just as we have looked, perhaps too casually, at the woman who called him husband.

A heavy black mustache, lightly touched with gray, shaded a coarse, rather sinister mouth, from the corner of which protruded an unlighted but thoroughly-chewed cigar. His hair and eyebrows were thick and black. Thin red lines formed a network in his cheeks, telling of the habits that had put them there; on his forehead there was a perpetual scowl, a line slashed between the eyes as if laid there by a knife. The features were not irregular, but they were of the strength that denotes cultivated weaknesses. His chin was square and strong, heavily stubbled with a two days' growth of beard. Eyes that were black and sullen, stood well out in their sockets; the lids were red and thick, and there were narrow pouches below them; the whites were bloodshot and indefinite. He was flashily dressed in the mode of the day, typical of his calling. A silk hat tilted rakishly over his brow. His waistcoat was a loud brocade, his necktie a single black band, knotted once. There was a great paste diamond in his soiled shirt-front. A long checked coat, with tails and sidepockets, trousers of the same material, completed his ordinary makeup. Tonight, on account of the rain, he wore high gum boots outside of the trouser-legs.

You could hardly have mistaken his calling in those days, unless you might have suspected him of being a gambler. In which you would not have been wrong.

The line between his eyes seemed to deepen as he turned from the group to join his wife in the "green room" of the tent. As the flap dropped behind him, Grinaldi turned to the boy, who had started to unlace the striped overshirt.

"Wait a minute," he said quickly. "Mebbe we can fix it with 'im. She'll put in a plea for you and so will Little Starbright,—that's what 'is daughter is called on the bills—if she gets a chance. Stay right 'ere, youngster. I've got to go in for my girl's act now. I wish you could see my girl. She's the queen of the air, and don't you forget it. Ain't she, boys?"

There was a combined—apparently customary—chorus of approval.

Outside, Braddock was glowering upon his wife, who faced him resolutely. There never had been a time when she was afraid of this man; even though he had mistreated her shamefully, he had never found the courage to exercise his physical supremacy. As so often is the case—almost invariably, it may be affirmed—with men of his type and origin, Braddock recognized and respected the qualities that put her so far above him. Not that he admitted them, even to himself: that would have been fatal to his own sense of justice. He merely felt them; he could not evade the conditions for the reason that he was powerless to analyze the force which produced them. He only knew that somehow he merited the scorn in which she held him. There were times when he hated her for the very beauty of her character. Then he cursed her in bleak, despairing rage, more against himself than against her; but never without afterward cringing in morbid contemplation of the shudder it brought to her sensitive face.

If any one had been so bold as to accuse him of not loving her, he would have been crushed to earth by the brute that was in him. On the other hand, if he were timorously charged with loving her, it would have been like him to call the venturesome one a liar—and mean it, too, in his heart.

"But five hundred is five hundred," he was repeating doggedly in opposition to her argument in behalf of the boy. "You don't know whether he's guilty or not, Mary. So what's the use of all this gabble? It makes me sick. Business is bad. We need every dollar we can scrape up. I won't be a party to—"

"You harbor pickpockets and thieves and—yes, murderers, I'm told, Tom. It is a shameful fact that more sneak thieves follow this show and share with its owner than any other concern in the business. Oh, I know all about it! Don't try to deny it. They pay a regular tribute to you for privileges and protection. Artful Dick Cronk gave you half of the hundred he filched from the old man at Charlottesville last week. I—"

"Here, here!" he said in an angry whisper. "Don't talk so damned loud. Next thing you'll be telling that sort of stuff to the girl. That'd be a nice thing for her to think, wouldn't it? Say, don't you ever let me hear of you breathin' a word of that kind to her. I'd—I'd beat your brains out. Understand?"

"Oh, I'm not likely to tell her what kind of a man her father is," said his wife bitterly. "Take care, Tom, that she doesn't find it out for herself. Be quiet! She is coming."

The girl, cleansed of her paint and powder, her lithe body clad in a prim, navy blue frock, the skirt of which came below the tops of her high-laced boots, approached hastily from the women's section. She was tying the strings of her quaint poke-bonnet under her chin, and her eyes were gleaming with excitement.

"Where is that boy?" she asked, looking about in some anxiety. "Father, you should see him. He is so different from the boys who follow—"

"We were just talking about him," interrupted her father shortly. "He's wanted by the police, so you see he ain't so different from the rest after all. He's a—"

"Don't, Tom," cried his wife.

"—a murderer," completed Braddock, rolling his cigar from one side of his mouth to the other.

The girl stared at him for a moment, dumbly, uncomprehendingly. Her lips parted and her eyes grew very wide.

"Oh, father," she cried, in low, hushed tones. Then she turned to her mother, almost imploringly. "Is—is it true, mother?"

"Well, see here," broke in Braddock angrily. "Don't you believe me? Haven't I said so?"

"He is the Jenison boy we were talking about last night, dearie," said Mrs. Braddock. "I don't believe he committed that horrid crime. I can't believe it."

"I am sure he didn't—I am sure he didn't," cried the girl impulsively. "He is a gentleman, father. He couldn't—"

Braddock took instant offense. He hated to hear any one spoken of as a gentleman.

"What's that got to do with it?" he demanded. "Gentleman, eh? You two seem to think that these pretty gentlemen can't do anything wrong. Why, they're rottener than nine-tenths of the blokes that follow this show—every mother's son of 'em. I'm sick of having this gentleman business thrown up to me. That's all you two talk about. I suppose you think you're better than the company you live with. Let me tell you this, you're show people and nothin' more. I don't give a damn who your people are; you're my wife and my daughter, and that's all there is to it. I won't stand this sort of—"

"Tom, you must keep still," said his wife firmly. He was intoxicated; she knew better than to argue with him, or to agree with him. "All this has nothing to do with the boy. We must give him a chance, the same as—you understand?"

He glared at her warningly.

"I don't protect thieves and murderers," he said quickly.

Then he whirled about and snatched aside the flap, calling to the group of acrobats.

"Come out here, you! Step lively. I want to ask a few questions. Where the dev—Say, haven't you got out of that suit yet? Why, you little scuttle, I'll rip it off your back if you're not out of it in two minutes. Hold on! Come out here first."

As Jenison walked past him the proprietor gave him a violent cuff on the side of the head. The boy, weak and faint, reeled away and would have fallen but for the tent pole which he managed to clutch. His face was convulsed by sudden rage. Even while his head swam, he pulled himself together for a leap at the man who had struck the wanton, unexpected blow.

Braddock was huge enough and strong enough to crush the infuriated lad, but drink had made him a coward at heart. He stooped over and picked up an iron-ringed stake from the ground.

With a little cry of terror his daughter, recovering from her sudden stupefaction, sprang forward and frantically clutched the man's arm. Her mother was no less active in putting herself in front of the boy, staying him with resolute hands. The performers who had followed David from the room leaped in with clenched fists, glaring hatefully at their employer. Others, in remote parts of the enclosure, hurried up, aroused from drowsy meditation by the sharp excitement.

"Don't, father!" cried the girl in the agony of dread.

"Damn him, he may have a gun," exclaimed Braddock. "He's used one before."

"Why did you strike me?" cried David hoarsely, his lips twitching, his eyes glowing like coals.

"Aw, none o' that, now, none o' that," snarled Braddock, taking a step forward.

"Why did you strike me?" repeated the boy dully.

"Calm yourself, my boy," Mrs. Braddock kept repeating insistently, without raising her voice, always low, tense, impelling.

The tears sprang to his eyes—tears of rage and helplessness. With a sob he turned away and leaned his head against the pole.

"Poor boy," she whispered.

"Don't you call me a brute, Casey," roared Braddock, turning upon the contortionist in a fury. Casey had not uttered a word, but Braddock instinctively anticipated the charge. The contortionist was afraid of him. He drew back with a scared look in his eyes.

Mrs. Braddock was speaking quietly, compassionately to the suffering boy. "We must be careful," she said, "not to oppose him too strongly. Those men are out in front. He will turn you over to them if you resort to violence. Calm yourself, do. There is still the chance that he may change his mind. He is not really heartless. It is only his way."

"Why did he strike me?" again fell from the lips of the fugitive.

At this moment Grinaldi came hurrying in from the ring. He took in the situation at a glance. Behind him, peering over his shoulder, was a black-haired young woman in pink tights and spangled trunks.

David was afterward to know this handsome, black-haired girl as Ruby Noakes, the daughter of Grinaldi, otherwise Joey Noakes, and known to the gaping world as Mademoiselle Roxane, the Flying Queen of the Air.

CHAPTER III — DAVID ENTERS THE SAWDUST RING

Braddock saw at once that the old clown was against him. With an ugly imprecation he directed one of the attendants to go to the main entrance with instructions to bring Mr. Blake and his friend back to the dressing-tent.

"We'll see who's running this show," he declared, taking a fresh grip on the stake, and rolling the dangling cigar over and over between his teeth.

"Hold on, Camp," said Grinaldi, checking the attendant with a gesture. "See 'ere, Tom," he went on earnestly, "wot's the reason you won't give this one an even chance with the others?"

"Stand aside, Christie," Braddock said to his trembling daughter. "Don't get in the way. Oh, I'm not going to smash the cub, so don't worry. Here! Come away from him, I say. Both of you. I won't stand for any petting of a rascal like him. Well, I'll tell you, Joey Noakes," he went on, turning to the clown, "I don't mind saying I need the money. This kid's going to be caught by somebody before long, and the man that does it gets five hundred. It might as well be me. Business is business, and just now business is bad. You people all know what this infernal weather has done for us. We haven't had a paying day since we opened, and here it is the middle of May—nearly six weeks, that's what it is. There's a lousy three hundred dollars in the big top to-night and half as much this afternoon. I tell you if these rains keep up I'll have to close. It takes more than five hundred dollars a day to run this show. I owe back salaries—all of you have got something coming to you. Five hundred dollars velvet, that's what this boy means to me—not for myself, mind you, but for the treasury. That's why I'm going to turn him over, if you want to know."

"But he ain't guilty," said Grinaldi sharply.

"How do you know?" snarled Braddock. "Go and do what I told you," to the wavering attendant. Mrs. Braddock and Christine were standing beside the dejected boy, the former looking steadily at the face of her husband, whose bloodshot eyes would not meet her gaze. Christine's eyes were wide with the bewildered stare of an intelligence that has suddenly been aroused to new aspects: she was having a glimpse of a side to her father's character that had never been revealed to her before.

She put forth a hand and drew Ruby Noakes close beside her, pressing her hand tightly in actual alarm. The Noakes girl's arm went around the slender figure, but she continued to stare curiously at the face of the stranger in their midst. She was half a head taller than Christine, and at least three years her senior.

"We ought to have a new clown to help out dad, Mr. Braddock," ventured Miss Noakes coolly.

Braddock stared at her. He was not in the habit of accepting feminine advice.

"What's that?" he barked.

"Keep still, Ruby," cautioned her father nervously. Ruby's lips parted quickly, and then, thinking better of it, she closed them.

David's face took on a queer, uncertain expression while Braddock was advancing his dire need of money as an excuse for turning him over. The proprietor resumed his bitter harangue against the weather, prophesying bankruptcy and sheriff's sales. The boy's face began to clear. An eager, excited gleam came into his eyes. He looked about him as if searching for some sign of corroboration in the faces of the performers. A certain evidence of dejection had crept into more than one countenance. It began to dawn on him that the man was more or less sincere in his argument; even the words of others, in conflict with his purpose, served to convince him that the money was needed, very seriously needed.

"If he's innocent, he can prove it," argued Braddock stubbornly. "The county pays the five hundred. It's nothing out of his pocket. Why the devil shouldn't I get it?"

David had opened his lips two or three times to utter the words that surged up from his anxious, despairing heart. A sense of guilt and shame had checked them on each occasion. Whatever it was that he felt impelled to say, his honest pride rebelled against the impulse.

Now he lifted his head resolutely, and addressed the proprietor, whose stand appeared to be immovable.

"I will pay you the five hundred dollars," said David clearly.

Every eye was turned upon him, every tongue was stilled. The tumblers who had started for the ring stopped in their tracks to gaze in open-mouthed wonder at the straight, grotesque figure that faced Braddock.

The proprietor blinked unbelievingly. Then he gave vent to a short, derisive laugh.

"You will, will you?"

David felt a hot wave of blood rush to his head. His offer had met with the rebuke it deserved!

"I thought that if it was only the money, I could let you have it. I didn't mean to try to buy you off," he explained hastily.

"Are you in earnest?" demanded Braddock, depositing the stake on the ground, a curious glitter swimming across his eyes.

"About the money?"

"Certainly. Where are you going to get it?"

"I've got it with me," said David, feeling at his side. A look of dismay spread over his face. It was quickly dispelled by the recollection that his own clothes were lying in the men's dressing-room. "It's in my vest."

No one thought to oppose him as he passed hastily under the flap. He was back in a moment, carrying his rain-soaked waistcoat. With nervous fingers he drew a heavy pin from the mouth of the inside pocket, and extracted a long leather purse therefrom. It was tied up with a heavy piece of string.

"Do you mean to tell me that you've got five hundred dollars in there?" demanded Braddock incredulously.

David felt without seeing the look that went through the crowd. He knew, by some strange mental process, that they were condemning him, that they were drawing away from him. He was bewildered. Then suddenly he understood. It came like a blow. Something rushed up into his throat and choked him.

They took this money to be the profits of murder! The spoils of a dreadful sin!

Speechless, he turned to Mrs. Braddock. There was no mistaking the look of pain and distress in her dark eyes. There were doubt and wonder there, too. It seemed to him that she shrank back a step; although, as a matter of fact, she remained as motionless as a statue. Christine was glowing upon him in grateful amazement, unutterable relief in her gaze. To her, it meant only that he was rich and could save himself. It did not occur to her that he had come by the riches dishonestly, nor was she at once conscious of a feeling that her father would do wrong to accept the tribute. It was not until later that she felt the shock of revulsion.

"It is my money!" cried David, speaking to Mrs. Braddock. "Every cent of it! I—I know what you are thinking. You think I stole it." His eyes were flashing and his chin was held high now. "I'll kill any one who says I steal. I'd sooner commit murder a thousand times than to steal."

"How did you—come by all that money?" asked Mrs. Braddock, more than half convinced by his fervor.

"That's what I'd like to know," added her husband. "Here! Lemme take that pocket-book."

David jerked his hand loose and abruptly thrust the purse into the hand of the astonished Mrs. Braddock.

"Look at it," he cried passionately. "Open the purse. It's still in the sealed envelope, just as my father left it when he went off to the war the second time—after he was wounded. He left it with my mother for me. No one has ever opened the package. It was in my mother's trunk until she died. She wouldn't put it in a bank. My uncle Frank never knew that she had it; he doesn't know that I have it now. But it is mine. My father gave it to me when I was six years old. See what it says on the envelope. It's his own writing. 'For my son David. To be used in the acquiring of an education if I should fall in this dear, beloved cause, which now seems lost. God defend us all!' See! 'Arthur Brodalbin Jenison.' My father's signature. Here is the seal of his ring. It is my money."

Even Thomas Braddock was swayed, convinced by the eloquence of that fierce appeal. He stared at the boy, his lips apart, his cigar hanging limply from one corner of his mouth.

"By thunder!" he murmured, frankly surprised in himself. "I believe the tale, hang me if I don't!"

But David was waiting only for the verdict of the woman. Mrs. Braddock had not glanced at the envelope that she now clutched in her tense fingers; her eyes were only for the eager, chalk-colored face of the boy. Tears welled up in her warm eyes as he paused for breath.

"I believe you, too—yes, yes, my boy, we all believe you," she cried, putting out her hand to him. He snatched it up and kissed it.

At that instant the ringmaster, white with rage, dashed in from the big tent.

"Say, what's the matter with you loafers?"

The crowd of tumblers jumped out of the trance as if shot.

"The show's been held up for ten minutes! Get in there all of you!" Here followed a violent explosion of appropriate profanity. "The audience is gettin' wild. They'll be wantin' their money back unless the performance goes on purty blamed—"

Braddock reached the man's side in three steps. He delivered a resounding slap on the ringmaster's cheek, almost knocking him down. The tall hat went spinning away on the ground. Tears of pain and terror flew to the fellow's eyes. He began to blubber.

"Don't you swear in the presence of my wife and daughter,—you!" snarled Braddock, his own blasphemy ten times as venomous as the other's.

"I—I beg your pardon, Mrs. Braddock," stammered the ringmaster in great haste. If the gaping, respectful hundreds could see the despot of the ring now!

Braddock's daughter uttered a low moan of horror and amazement. Her heart swelled with pity for the poor wretch who dared not to defend himself. Ruby Noakes felt the quiver that ran through the girl's body. She promptly led her away from the spot.

"Come with me while I change," she said quickly.

Together they passed into the women's dressing-room. Christine's look of mute surprise and shame rested on David's face as the flap dropped behind her.

A minute later, the humiliated ringmaster, Briggs by name, was cracking his whip in the middle of the ring, mighty lord of all he surveyed, although, to his chagrin, there was no clown present to receive the attention. In those good old days the circus carried but one clown. He was the most overworked man in the ring, but he had the satisfaction of knowing that he was the solitary idol of thousands.

Grinaldi did not accompany the tumblers to the ring. The lone elephant that graced the show and the horses had been led out for the "lofty somersault men" to vault over after the run down the "spring board"; that part of the dressing-tent in which Braddock stood was now clear of humanity, except for his wife, the clown and David Jenison.

"Well, he knows I don't permit swearing in front of my daughter," said Braddock, resenting the unspoken scorn in his wife's face. "Let's see that envelope," he added roughly.

She held the coveted package behind her back, shaking her head resolutely.

"How do I know there's five hundred in it?" he demanded.

"There's more than that," said David nervously.

"How do you know? It's never been opened."

Mrs. Braddock glanced at the writing on the face of the staunch, yellow envelope. She started violently. In plain figures, in one corner, she saw: "$3,000." She realized, with a flash of shame, that it would be fatal to the boy's interests if her husband should come to know of the actual value of the package. She opened her lips to utter a word of caution to David, but he was too eager and too quick for her.

"There's three thousand dollars in it," he said.

Braddock started. For the first time he removed the chewed cigar from his lips, all the while fixedly regarding the youth with narrowing eyes. He was thinking fast and hard. Three thousand dollars!

"You are not to break this seal, David Jenison," said Mrs. Braddock firmly, her face very white. "Take it and go. It is your money, not ours."

"Hold on there," objected her husband. His befuddled brain was solving a certain problem to his own eminent satisfaction. "These officers have got to be convinced that you are not with this show. I can't afford to lie to 'em. There's only one way out of it. I can hire you under another name and you can travel with us till we get out of this part of the country. Five hundred is the reward. If I get it from you, most of it can be paid back in wages. If I turn you over to them and take their coin, I'd be doing the best thing for myself, but I'm willing to run the risk of—"

"Thomas Braddock, you are not to take this boy's money," cried his wife. "It would be infamous!"

"Now, you keep out of this," he growled, fearful for his plans. "It's one or the other, Mary. Either he antes up or they do."

"I will not allow it!"

David broke in, with a rare show of dignity. "I said I would pay it, Mrs. Braddock. I can't break my word. If Mr. Braddock will send them away, I will pay the amount they offer."

"Give him the envelope, Mary," commanded Braddock.

She looked about her as if seeking means of escape with the precious package. Then, with a deep sigh, and a look of unutterable scorn for the man, she handed the envelope to David.

He broke the seal.

"Maybe it's Confederate money," said Braddock, a sudden chill in his heart. But it was not Confederate money. There was exposed to view a neat package of United States treasury notes of large denomination, brand-new and uncrumpled, just as they had come from the treasury department.

Without hesitation, young Jenison counted off five hundred dollars. Mrs. Braddock closed her eyes in pain as he laid the notes in her husband's hand. Grinaldi turned away, suppressing the bitter imprecation that rose to his lips.

"I'll tell those scoundrels that you haven't been near the show." He did not count the money. He had counted it with greedy eyes as David told off the bills in his nervous, clumsy fingers. "Now, you lay low. Stick close to me. Don't let anybody see much of you till we're over in Ohio. I'll guarantee to get you off safe. Don't you worry. Just lay low. I'll find work for you to do. We're headed for Indiana and Illinois. They'll never get you out there. By thunder! I've got an idea, Joey, that girl of yours is right. You do need a bit of help. We'll make a clown of him. We'll have two clowns. How is that, Mary?"

She did not reply. He looked away hastily.

"I couldn't be a clown," began David in consternation.

"Sure you can," interrupted the boss. "It's as easy as fallin' off a log. Joey can tell you all the tricks. He's the best in the world, Joey Grinaldi is. That's what I've got him for. We've got the best show in the world, too. Barnum ain't in the same class with us. Forepaugh and Van Amberg? They are second rate aggre—But, say, I'd better go out and steer those fellows away." He started off, but stopped suddenly as if struck by a serious doubt.

"Perhaps you'd better let me take the rest of that money and put it in the safe in the ticket-wagon," he said encouragingly. "It's likely to be nipped by some of these crooks that follow the show. 'T ain't safe with you, let me tell you that."

"No!" cried his wife, her voice shrill with decision.

Braddock did not insist. He was too wise for that.

"Well, if it's stolen, don't blame me," he said. "Remember, I told you so. I don't give a damn personally. It's your money, kid."

"I reckon I'll keep it," said David, suddenly acute. He began wrapping the string around the broken package, which he had kept sacredly inviolate for so long. "I'll stay with the show and do anything I can, if you'll only help me to get away. I—I don't want to be taken back there. Some day, I expect to go back, but not right now. I'm not afraid. But I can't go back until I've found the man that knows."

"There is a man who—knows?" murmured Mrs. Braddock.

"Yes. I must find him. He—he doesn't want to be found. That's why it is going to be so hard. But I will find him!" His eyes were flashing, his teeth were set.

"So much the better," said Braddock. "You can throw 'em off the track for awhile, then take your money and go to New York. You'll find him there, all right. They all go there."

"He is a nigger," said David.

"Umph!" grunted Braddock. "That's bad. You mustn't expect any jury in Virginia to believe a nigger in these days."

"Oh, yes, they will. They'll have to," declared David firmly.

"Say," said the proprietor, his voice sinking to tones of caution. He addressed the three of them. "Better keep this quiet about the five hundred. It won't help any of us if it gets out that you've been bribing me, boy. I'll just say that I refused to take the wad. That will go, too. Don't let anybody know. Understand, Mary?" He looked at her with lowering eyes.

"I will not tell Christine, Tom," she said evenly, meeting the look with a gaze so steady that he bristled for a moment, but gave way before it. He felt the scorn and laughed shortly in his attempt to convince himself, at least, that he did not deserve it.

"And just to show you that I'm honest in this business," he went on hurriedly, "I'm going to begin by paying you the fifty I still owe on your salary, Joey. That's the kind of a man I am. I do what I say I'll do. Here's your fifty, Joey."

"Not that kind of money for me, thank you," said Grinaldi, with a scowl that brought his painted eyebrows together. He turned on his heel and hurried into the dressing-room, unable to restrain the words that would have cut the heart of the man's wife to shreds.

An attendant came in from the circus tent just as Christine Braddock emerged from the dressing-room alone. David was stuffing the purse inside the loose shirt that he wore. The girl hurried to her mother's side.

"Are they going to—to take him?" she whispered fearfully.

David saw the sweet, clean lips tremble. Her eyes were wide and dry with trouble. Somehow his heart swelled with a strange new emotion: he could not have ascribed it to joy, or to self-pity, or to gratitude. It was something new and pleasant and warm; a glow, a light, an uplifting. This sweet, wonderfully pretty girl was his friend! She believed in him.

"No, dear," replied Mrs. Braddock, lowering her eyes in sudden humiliation.

The attendant was speaking. "Mr. Braddock, that feller out at the door has got tired waitin'. He says he's comin' back yere to see you. What'll I say to 'im? He's got a warrant an' he's got some of the town marshal's men with 'im now."

"I'll go out and see him right away. The boy ain't with this show."

With a slow, meaning look at his wife, he turned to follow the man. Over his shoulder he called to David:

"Go in there with Joey. He'll tell you where to hide if you have to. Be quick about it."

He was gone. The tumblers began to pour in from the main tent.

Christine clutched her mother's arm in the agony of desperation.

"Did—did he take the money from—him?" she demanded tremulously.

Mrs. Braddock looked at David, an abject appeal in her eyes. He smiled blandly and lied nobly, like a true Virginia gentleman.

"No, Miss Braddock. Instead of that, he has hired me to go with the show."

"Oh, I am so glad," she cried. "I knew he would not take your money."

David swallowed hard; and then, fearing to speak again or to meet her radiant eyes, he hastened after Grinaldi.

A moment later he was in the center of an excited, whispering group of performers, in various conditions of attire, but singularly alike in their state of mind. They were softly but impressively consigning Thomas Braddock to the most remote corner in purgatory. They plied David with questions. He reported the impatience of the officers, and Braddock's decision to protect him for the time being.

"I saw them chaps out there, standin' by the menagerie doors," said the contortionist. "Spotted 'em right away, I did."

A bareback rider looked in. His horse already had started for the ring.

"Lay low!" he whispered. "One of the boys says they won't be put off by Brad. They're going to search the tent with the town marshal."

Grinaldi, who had been deep in thought, suddenly slapped his knee and uttered a cackle of satisfaction.

"I've got it! We'll pull the wool over their eyes, by Jinks! Follow me, boy, and do just wot I tells you. I'm—I'm going to take you into the ring with me. By Jupiter, they won't think of looking for you there."

Attended by a chorus of approval, he shoved the stupefied David out before him and hustled him across the space that lay between them and the main top, all the while whispering eager instructions in his ear.

"You just follow behind me, keeping step all the time—about three steps behind me. Don't look to right or left. Keep your eyes on the middle of my back. Nobody knows you, so don't go into a funk, my lad. It's life or death for you, mebby. I'll get a word to Briggs, the ringmaster. He'll help you out, too. Just follow me around the ring, three steps behind. Stop when I stop, walk when I do. Look silly, that's all. I'll think of something else to tell you to do after we're out there. And we'll stay out there till the show's over."

Trembling in every joint, David paused at the entrance. Mrs. Braddock came running up from behind.

"I've just heard," she whispered. "Do as Joey tells you. Don't be afraid."

"I'll try," chattered David, pathetic figure of Momus.

"Wait," she whispered, as much to Joey Grinaldi as to the novice. "David, will you trust me to take care of your money until to-morrow?"

Without a word he slipped his hand into his shirt front and produced the flat purse. He handed it to her.

"Good!" exclaimed Joey Grinaldi.

The next instant David Jenison, aristocrat, was trudging dizzily toward the sawdust ring, his heart beating like mad, his knees trembling.

Thomas Braddock, detaining the officers on the opposite side of the ring, saw the strange figure and for a moment was near to losing his composure. Then he grasped the situation and exulted. He boldly escorted Blake and the town authorities to the dressing-tent, where he assisted in the search and the questioning.

Before the expiration of half an hour's time every man, woman and child connected with Van Slye's Great and Only Mammoth Shows knew that David Jenison, the murderer, was among them and that he was to be protected. The word went slyly, by whisper, from car to ear, down to the lowliest canvasman. It spread to the throng of crooks, pickpockets and fakirs that followed the show; it reached to the freaks in the sideshow. And not one among them all would have betrayed him by sign or deed. They stuck together like leeches, these good and bad nomads, and they asked few questions. And so it was that David Jenison made his first appearance as a clown in the sawdust ring.

CHAPTER IV — A STRANGER APPEARS ON THE SCENE

An hour after the conclusion of the performance David was on the road once more; not, as before, afoot and weary, but safely ensconced in one of the huge, lumbering "tableau" wagons used for the transportation of canvas and perishable properties. The boss canvasman, not the hardened brute that he appeared to be, had stored him away in the damp interior of the ponderous wagon, first providing him with dry blankets on which he could sleep with some security and no comfort. There was little space between his mountainous, shifting bed and the roof of the van; and there would have been no air had not the driver of the four-horse team obligingly opened a narrow window beneath the seat on which he rode.

With considerable caution the fugitive had been smuggled into the van, under the very noses of his pursuers, so to speak. Somewhat dazed and half sick with anxiety, he obeyed every instruction of his friend the clown.

Blake and his men had watched the tearing down of the tent, the loading of the entire concern and its subsequent departure down the night-shrouded country pike. That Blake was not fully satisfied with the story told to him by Thomas Braddock, and somewhat doubtfully supported by his own investigations, is proved by the fact that he decided to follow the show until he was positively assured that his quarry was not being shielded by the circus people. With no little astuteness he and his companion resolved that they could accomplish nothing by working openly: their only chance lay in the ability to keep the circus people from knowing that they were following them. In this they counted without their hosts. At no time during the next three days were their movements unknown to the clever band of rascals who followed the show for evil purposes, and who, with perfect integrity, kept the proprietor advised of every step taken and of every disguise affected. Blake was not the first nor the last confident officer of the law to more than meet his match in the effort to outwit an old-time road circus. He was butting his head against a stone wall. Consummate rascality on one hand, unwavering loyalty on the other: he had but little chance against the combination. The lowliest peanut-vender was laughing in his sleeve at the sleuth; and the lowliest peanut-vender kept the vigil as resolutely as any one else.

Despite his uncomfortable position and the natural thrills of excitement and peril, David was sound asleep before the wagon was fairly under way. Complete exhaustion surmounted all other conditions. He was vaguely conscious of the sombre rumbling of the huge wagon and of the regular clicking of the wheel-hubs, so characteristic of the circus caravan and so dear to the heart of every boy. His bones ached, his stomach was crying out for food, and his body was chilled; but none of these could withstand the assault of slumber. He would have slept if Blake's hand had been on his shoulder.

Out into the country rolled the big wagon, at two o'clock in the morning, following as closely as possible the flickering rear lantern of the vehicle ahead. The rain had ceased falling, but there was a mist in the air, blown from the trees that lined the road. Those of the circus men who were compelled to ride outside the wagons were clothed in their rubber coats; their more fortunate companions slept under cover on the pole wagons, on top of the seat wagons, or in stretchers swung beneath the property wagons or cages. Others, still more fortunate, slept in property or trunk vans, or in the band chariots. The leading performers and officials, including all of the women, traveled by train. The gamblers, pickpockets and fakirs got along as best they could from town to town by stealing passage on the freight trains. Times there were, however, when the entire aggregation traveled with the caravan. On such occasions the luckless roustabout gave up his precarious bedroom to the "ladies" and sat all night in dubious solitude atop of his lodging house. These emergencies were infrequent: they arose only when railroad facilities were not to be had, or—alas! when the exchequer was depleted.

On this murky night the performers remained over in S—, to take an early train for the next stand. The railroad show was then an untried experiment. Barnum and Coup and others were planning the great innovation, but there was a grave question as to its practicability. Later on Coup made the venture, transporting his show by rail. Such men as Yankee Robinson, Cole and even P. T. Barnum traveled by wagon road until that brave attempt was made. The railroad was soon to solve the "bad roads" problem for all of them. Short jumps would no longer be necessary; profitable cities could be substituted for the small towns that every circus had to make on account of the distances and the laborious mode of transportation. Still, if you were to chat awhile with an old-time showman, you would soon discover that the "road circus" of early days was the real one, and that the scientifically handled concern of to-day is as utterly devoid of the true flavor as the night is without sunshine.

Three times during the long, dark hours before dawn the chariot was stalled in the mud of the mountain road; as many times it was moved by the united efforts of five or six teams and the combined blasphemy of a dozen drivers. Through all of this, David slept as if drugged. Daybreak came; the ghostly wagon train slipped from darkness into the misty light of a new "day." Cocks were crowing afar and near, and birds were chirping in the bushes at the roadside. Out of the sombre, crinkling night rolled the red, and white, and golden juggernauts, gradually taking shape in the gray dawn, crawling with sardonic indifference past toll-gate and farmhouse, creaking and groaning and snapping in weird, uncanny chorus.

Early risers were up to see the "circus" pass. It was something of an epoch in the lives of those who dwelt afar from the madding crowd.

The elephant, the cages of wild beasts, the horses, the towering chariots, the amazing pole wagons—all slipped down the road and over the hill, strange, unusual objects that came but once a year and seemed to leave the countryside smaller and more narrow than it had been before.

Hunched-up drivers, sleepily handling a half-dozen reins, looked neither to right nor left, but swore mechanically for the benefit of the tired horses, and without compunction in the presence of roadside spectators, male or female. Wet, sour, unfriendly minions were they, but they sent up no lamentations; their lives may have been hard and unpromising, but lightly in their hearts swam the blissful conviction that they were superior to the envious yokels who gaped at them from fence corners and barnyards since the first dreary streak of dawn crept into the skies. A shadowy, ungainly, mysterious caravan of secrets, cherished but unblest, it straggled through the dawn, resolute in its promise of splendor at midday. Wild beasts were abroad in the land, and mighty serpents, too; but they slept and were scorned by the men who slumbered above or below them.

The country people looked on and wondered, and shuddered at the thought of the terrific creatures at their very door-yards. Then they hitched up their teams and flocked to town in the wake of the peril, there to marvel and delight in the very things that had awed them in their own province. And all through the land people locked their doors and put away their treasures. The circus had come to town!

It was eight o'clock before David was routed from his strange bed by the boss canvasman. They were in a new town. He rubbed his eyes as he stood beside the wagon wheel and looked upon the amazing scene before him. Dozens of huge wagons were spread over the show-grounds; a multitude of men and horses swarmed in and about them; curious crowds of early risers stood afar off and gazed. The rhythmic pounding of iron stakes, driven down by four precise sledge-men came to his ears from all sides; the jangling of trace-chains; the creaking of wagons and the whine of pulleys. Here, there, everywhere were signs of a mighty activity, systematic in its every phase. Men toiled and swore and were cursed with the regularity of a single well-balanced mind. Already the horse tent and the cook tent were up. A blacksmith shop was clanging out its busy greetings.

For a moment David forgot his own predicament. He stared in utter bewilderment, vastly interested in the great transformation. Under his very eyes a city of white was about to spring into existence.

Some one touched his shoulder, not ungently. He started in sudden alarm. A rough-looking fellow in a soiled red undershirt was standing at his elbow.

"The boss says you'd better come to the cook-top and get somethin' to eat, young feller." That was all. He jerked his head in the direction of the long, low tent in the corner of the lot and started off. David followed, sharply conscious of a revived hunger.

A score of men were seated at the long tables, gulping hot coffee and bolting their food. From the kitchen beyond came the crackling of fats, the odor of frying things and the aroma of strong coffee. The clatter of tin pans and cups, the rattle of pewter knives and forks and the commands of hungry men to the surly lads who served them assailed the refined ears of the young Virginian as he stopped irresolutely at the mouth of the tent.

"Set down here, kid," said his escort, pointing to a place on the plank, stepping over it himself to take his seat at the board. If the stranger expected a greeting or comment on his appearance among these men, he was happily disappointed. They looked at him with sullen, indifferent eyes and went on bolting the breakfast. Some of them were half naked; all of them were dirty and reeking with perspiration. There was no effort at general conversation. David had the feeling that they hated each other and were ready to hurl things at the slightest provocation, such as the passing of the time of day.

A half-grown boy placed a huge tin cup full of steaming coffee on to the table and said in a husky, consumptive voice: "'Ere's your slop, kid."

Another boy jammed a panful of bacon and corn-bread across his shoulder and advised him to hurry up and "grab it, you."

David ate in shocked silence. The man at his left laughed at his genteel use of the knife and fork and the dainty handling of the bacon. Sugar and cream were not served. He was hungry. The coarse but well-cooked food pleased his palate more than he could have believed. He ate his fill of the "chuck," as his neighbor called it. Then he was hurried back to the wagon in which he had slept. It was empty now, cavernous and reeking with the odor of damp canvas lately removed.

"Git in there, kid," said his guide briskly. "You gotta keep under cover fer a spell. Stay in there 'tel Joey Grinaldi says the word. Them's Braddock's orders."

David hesitated a moment. "Where is Mrs. Braddock?" he asked.

"Train ain't in yet. You don't suppose the highlights travel this away, do you? Well, nix, I should say not. Say, are you goin' to learn the business? If you are, I got some fishworm oil that's jest the thing to limber up yer joints. In two weeks, if you rub this oil of mine all over you reg'lar, you c'n bend double three ways." It was an old game. David stared but shook his head.

"I'm not going to be a performer," he said, with a wry smile at the thought of "fishworm oil."

"Well, that bein' the case, have you got any chewin' about yer clothes?"

"Chewing?" murmured David.

"Fine cut er plug, I don't care."

"I don't chew tobacco," said David stiffly.

"Oh," said the man in amaze. "A reg'lar little Robert Reed, eh? Well, hop inside there. I gotta shut the door. Don't you cry if it's dark, kid."

David crawled into the chariot and the door was closed after him. A thin stream of daylight came down through the narrow slit beneath the driver's seat. For a while he sat with his back against the wall, pondering the situation. Then, almost without warning, sleep returned to claim his senses. He slipped over on his side, mechanically stretched out his legs and forgot his doubts and troubles.

He was aroused by the jostling and bouncing of the huge, empty wagon. With a start of alarm he leaped to his feet, striking his head against the roof of his abiding place, and hurried to the end of the wagon to peer out through the slit. Bands were playing, whips were cracking and children were shrieking joyously. It was a long time before he grasped the situation. The "Grand free street parade" was in progress; he was riding, like a caged beast, through the principal streets of the town!

From the security of his position he could look out upon the throng that lined the sidewalks, without danger of being seen in return. After the first great wave of mortification and shame, he was able to consider his situation to be quite as amusing as it was fortunate. He found himself laughing at the country people and their scarcely more sophisticated city brethren with something of the worldly scorn that dominated the "profession." Even the horses that drew the "Gorgeous chariots of gold" eyed the gaping crowds with profound pity. There is nothing in all this world so incredibly haughty as a circus, from tent-peg to proprietor. Perhaps you who read this have felt your own insignificance while gazing at an imperial tent-peg that happened to lie in your path as you wandered about the grounds; or you have certainly felt mean and lowly in the presence of a program-peddler, and positively servile in contact with a boss canvasman. It is in the air; and the very air is the property of the circus.

In time the twenty wagons, with their double and quadruple teams, attended fore and aft by cavaliers and court-ladies, papier mache grotesques, trick mules and "calico ponies," came once more to the grounds, still pursued by the excited crowd. Far ahead of the parade a loud-voiced "barker" rode, warning all people to look out for their horses: "The elephant is coming!" Just to show their utter lack of poise, at least fifty farm nags, in super-equine terror, leaped out of their harness and into their own vehicles when "Goliath," the decrepit old elephant, shuffled by, too tired to lift his proboscis, thus exemplifying the vast distinction between themselves and the circus horses which only noticed Goliath when he got in the way.

David had a long wait in the dark, stuffy chariot. Finally the door was opened and Braddock looked in. Directly behind the proprietor was the dirty sidewall of a tent. David blinked afresh in the light of day,—although, alas, the sun was not shining.

"Hello," said Braddock shortly. His cigar bobbed up and down with the movement of his lips. "Come out. You can duck under the canvas right here. Lift it up, Bill."

The boy slid from the chariot to the ground and made haste to pass under the wall which had been raised by a canvasman. Braddock followed him into the huge tent. A small army of men were erecting the seats for the afternoon performance. David realized that he was in the "main top."

A stocky, bow-legged man, his hands in his pockets and a short briar pipe in his lips, advanced to meet them.

"Well, 'ow are you?" asked this merry-eyed stranger, his face going into a hundred wrinkles by way of friendly greeting. "Oh, I say, David, don't you know your old pal and playmate? Hi, there! 'Ere we are!"

David stared in astonishment. It was Grinaldi, the clown, without his make-up or his wig! Never was there such a change in human face.

They clasped hands, David laughing outright in the ecstasy of relief at finding this whilom friend.

"Keep shady, you," said Braddock, finding no pleasure in the boy's change of manner. "Those pinchers came over on the train with us. And say, we might just as well settle what's to be done about you. I've thought it over seriously. I'm taking a risk in havin' you around, understand that. But if you want a job with the show, I'll give you one. Tell you what I'll do: I'll give you two and a half a week and your board. That's good pay for a beginner. You to do clown work and—"

"But I can't be a clown—" began David.

"Well, what do you want?" roared Braddock, apparently aghast. "Do you expect to ride around in carriages and live on goose liver? Say, where do you think you are? In society? Well, you can get that out of your head, lemme tell you that, you—"

"'Ere, 'ere, Brad," put in Joey sharply, noting the look in the boy's pale face. "Don't talk like that. 'E's not used to that sort o' gaff. Let me talk it over with 'im."

"Well, the offer don't stand long. He either takes it or he don't. If he don't, out he goes. Say, you, where's all that money you had last night? I'm not going to have anybody carryin' a wad around like that and gettin' it nabbed and then settin' up a roar against the show, gettin' us pulled or something worse. I insist on taking care of that stuff, for my own protection, just so long as you stay with this show."

David looked helplessly to Joey Noakes for succor.

"I'll talk that over with 'im, too, Brad," announced the clown briefly.

"And let me add something else," resumed Braddock, with an unnecessary oath. "I'm not going to have you hangin' around my wife and daughter if you do stay with us. Remember one thing: you're a cheap clown, and you've got to know your place. My daughter's a decent girl. She's got good blood in her, understand that. Damn' fine blood. I'm not going to have her associatin' with a—"

"'Old on, Brad!" interrupted the old clown, glaring at him. "Cheese it, will you? I won't stand for it. You got five 'undred from this boy and you ought to treat 'im decent. He's got just as good blood in 'im as Christie's got—and better, blow me, because it's probably good on both sides—which is more than you can say for her, poor girl. Thank God, she don't show that she's got your blood in 'er veins."

"Here! Do you mean to insinuate that she's not mine?" gasped Braddock, suddenly a-tremble. Much as he trusted to the virtue of his wife, he was never able to comprehend the miracle that gave him Christine for a daughter. There was no trace of him to be seen in her.

"You know better than that," said the clown coldly.

"Well," said Braddock, nervously shifting his cigar and lowering his gaze. If he had intended to say more, he changed his mind and walked off toward the center of the tent where men were throwing up a circular bank about the ring.

"He's a drunken dog," said the clown, glaring after him. "She's the finest woman in the world. And to think of 'er bein' the wife of that bounder."

David had been thinking of it and puzzling his tired brain for hours.

"How did she happen to marry—"

"No time for that now," said Grinaldi briskly. "Mebby I'll tell you about her some other time, not now. You'd better keep away from her and Christine for a couple of days. Brad will forget it in no time, 'specially if he thinks he can scrape some more o' that money out of you. Oh, he's a slick one. He's got 'is eye on that wad. Now, let's get down to business. I advise you to stick to the show for awhile—at least until we're a good ways off. Take up 'is offer. It ain't bad. You can 'ave chuck with me and Ruby. I'll look out for that. You just do wot I tell you, and you'll be a clown. Not a real one, but good enough to earn two and a 'arf. I'm not doin' this for you, my boy, because I think I need an assistant. Joey Grinaldi has been a fav'rit clown in two hemispheres for forty years. Some day I'll show you the medals I got in London and Paris and—but never mind now. You start right in this afternoon, doin' just wot I tells you. You'll be all right and them blokes as is 'untin' for you won't be able to twig you from sole leather. Wot say?"

"I'll do just as you say," said David simply.

"Good! Now come over 'ere by the band section and I'll tell how we'll work it out. Of course, we'll improve it every day. All you needs is confidence. We 'ave dinner at twelve-thirty in the performer's end of the cook-tent. It's all right there. I'll fetch yours into the dressin'-tent for you, so's you won't be seen. There's my daughter over there. Ain't she a stunner? Say, she's a gal as is a gal. Best trapeze worker in the business, if I do say it myself. And 'er mother was the best columbine that ever appeared in a Drury Lane pantomime, poor lass." He abruptly passed his hand across his eyes.

"The columbine?" said David, his eyes beaming. "I remember the columbine and the harlequin and the pantaloon in Drury Lane one boxing week when I was in London with my grandfather. Was a columbine really your wife?"

"She was," said Joey proudly. "But," he added hastily, "it ain't likely you saw her. She died when Ruby was born."

That afternoon David appeared in the ring, once more clad in the striped suit and besmeared with bismuth. He was even more frightened than at his first appearance, when he was driven by another fear. Ruby Noakes, black-eyed and dashing, winked at him saucily from her perch on the high trapeze, having caught his eye. When she slid down the stout lacing and wafted kisses to the multitude, he was near enough to catch her merry undertone:

"You have no idea how funny you are," she said, passing him by with a skip.

"There's your friend, the detective," remarked Joey, later on, jerking his head in the direction of the animal tent. Sure enough, Blake was standing at the end of the tier of seats, talking with Thomas Braddock. "But he doesn't reckernize you, David, so don't turn any paler than you are already."

The new clown, wretchedly unsuited to his new occupation, managed to get through the performance without mishap. He followed instructions blindly but faithfully, barking his shins twice and tripping over an equestrian banner once with almost direful results. The audience laughed with glee, and Grinaldi congratulated him on the hit he was making.

"Hit?" moaned David, rubbing his elbow in earnest. "Good heaven! Was that a hit?"

"My boy, they'd laugh if you were to break your neck," said the clown gravely.

Christine Braddock came on for her turn early in the program. David was told that her mother, who persistently though vainly opposed a ring career for her loved one, compromised with Braddock on the condition that she was to appear early in the performance.

"Brad was a circus rider in his younger days, before he took to drink," explained Joey, as he and David sat together at the edge of the ring while Briggs, the ringmaster, announced the approach of "the world-famed child marvel, Little Starbright, and Monseer Dupont, in the great-est eques-trian feats evah attempted by mor-tal crea-tuah!"

"When Christie was a wee bit of a thing he took 'er into the ring with 'im. She sat on 'is shoulder and the crowd thought it wonnerful. Arter that he took 'er in reg'lar. Mrs. Braddock almos' lost 'er mind, but Brad coaxed 'er into seein' it 'is way. It was before he took to drinking steady. That gal 'as no more business being a circus rider than nothink. But you can't make Brad see it that way now. He says she's got to earn 'er bread and keep, and that she's no better than wot 'er father is. If circus riding is good enough for 'im, it's good enough for 'is offspring, says he. Her mother just had to give in to 'im. Well, when she was about ten, Brad took to drinking. That was before he bought old Van Slye out. One day he fell off the 'oss with 'er and broke 'is arm. Fort'nitly, the younker wasn't 'urt. So, then he had sense enough to listen to 'is wife. He quit riding 'isself, but he put big Tom Sacks into the act in 'is place. Tom is the present Mons. Dupont—a fine feller and as steady as can be. He's powerful strong and a fairish sort of rider—but nothink like wot Brad used to be in his best day. Christine's getting a bit biggish for 'im to 'andle; I daresay this is the last season for their double act. But for four seasons she's been doing amazing fine work with old Tom. She seems to like it, and she's as daring as the very old Nick. Don't know wot fear is, I might say. She's so fairy-like and so purty that the crowds just naterally love 'er to death. She's going to be a wonnerful 'ansome woman, David, that gal is, take it from me. 'Ere she is!"

"She's like a rose," said David, following the slim, scarlet creature with his eyes.

"And a rose she is, my heartie," said Joey. "When I was a lad at 'ome, there was a chap named Thackeray writing wonderful clever tales. I remembers one of them particular. It was called 'The Rose and the Ring.' I never see Christine in them togs without thinking of the name of that book—The Rose and the Ring, d' ye get my idea? Mr. Thackeray was a well-known writer when I was a boy. That was thirty year ago. I daresay he's dead and forgotten now."

David smiled. "He'll never die, Mr. Noakes. He's more alive now than ever. 'The Rose and the Ring.' Why not 'The Rose in the Ring'?"

"Hi! Hi!" cried Joey approvingly, "Right you are."

During the entire act of Little Starbright and Monsieur Dupont David gazed entranced. He followed Grinaldi, but his eyes were not always leveled against the spotted back of his mentor; they were for the lithe, graceful figure in scarlet riding atop of the sturdy Tom Sacks, sometimes standing upright on his shoulders, again leaning far out from his thigh, or even more daringly dancing on his broad back while he squatted on the pad. First on one foot, then the other, then clear of his back with both of them twinkling in merry time to the quickstep of the band, her dark hair fluttering from beneath the saucy cap, her hands waving and her eyes sparkling. Kisses went wafting to every section of the tent, and with them smiles such as David had never seen before.

He was standing near when she leaped from the horse's back and skipped to the center of the ring to blow her final kisses to the multitude. It occurred to him all at once that he was staring at this wonderfully graceful, fairy-like little creature with the eyes of a delighted spectator and not as a clown. He guiltily looked for a reprimand from Grinaldi. To his surprise and disappointment she passed him by without a sign of recognition, slipping her tiny feet into the ground shoes and shuffling off to the dressing-tent with the stride peculiar to ring performers. For a moment he felt as if she had struck him in the face, so quick was his pride to resent the slight.

"This ain't a parlor, my lad," said Joey, shrewdly analyzing the feelings of his protege. "You mustn't expect the ladies to stop and chat with you in the ring. It ain't reg'lar. She didn't mean nothink—nothink at all, bless 'er 'eart."

When the performance was over, David was whisked into the men's section of the dressing-tent and told to stay there until further orders. He changed his clothes and "washed up," listening meanwhile to the congratulations and the good-natured chaffing of the performers who were there with him. Despite their ribald scoffing, he knew they were his friends: there was something about these careless, inconsequent knights of the sawdust ring, in spangles or out, that warmed the cockles of his sore, despairing heart.

He came before long to laugh with them and to take their jibes as they were meant—good-naturedly. Joey Grinaldi beamed with congratulation. He laid himself out to make the going easy for his "gentleman pardner," appreciating the vast distinction that lay between these men and the kind David had known all of his life. And David saw that he was trying to make it easy for him. His heart swelled with a strange gratitude; he unbent suddenly and met the rough kindnesses more than half way. They were not the kind of men he was used to,—they were not gentlemen; but they stood ready to be his friends, and something told him that they would ring true to the very end if he met them half way.

They had their own undeviating regard for what they called honor: honor meant loyalty and fairness, nothing more. Simple, genial, unpolished braggarts were they, but their word was as good or better than a gentleman's bond. David was soon to fall under the spell of this bland comradeship: he was to see these men in a light so bright that it blinded him to their vulgarities, their quaint blasphemy and their prodigious lack of veracity as applied to personal achievements. He was to find in them a splendid chivalry, almost unbelievable at first: their regard for the women in the troupe was in the nature of a revelation to him, who came from the land of gallantry itself.

"Say, kid," said Signor Anaconda, "the human snake," suddenly adopting a serious mien,—which did not become him,—"you gotta change your name. What'll we call him, fellers? Now, le' 's give him a reg'lar story-book name. Prince Something-or-other. What say to—"

"That's all settled," said old Joey, his eyes full of soap and water and squeezed so tightly together that they looked like wrinkles. "Christine Braddock named 'im this morning. I forgot to tell you, David. Your name is Snipe—Jack Snipe."

David flushed. "Why did she call me that?" he asked.

"Because you were lonesome, and there is nothink so lonesome as a jack-snipe. Leastwise, that's wot she says. She asked me if I'd ever seen a jack-snipe on a wet, dreary day, a-standing on a sandbar, all alone like and forlorn. She said she always felt so sorry for the poor little cuss—no, she didn't say cuss either. What was it she said, Casey? You was there."

"She said 'thing,'" said Casey briefly.

"Right, my lad. Thing it was. Well, wot she says goes in this 'ere aggergation, so from now on you are just Jack Snipe." He lowered his voice. "There won't nobody call you David or Jenison after this, my boy. It's too dangerous."

David was thoughtful. "Do you mean to say," he said, after a pause, "that every person in this show knows who I really am?"

"You bet your life they do," said Casey.

"And what I am wanted for?"

"Certain. Wot's that got to do with it?"

"Do they think I'm—I'm guilty?"

"Well, I reckon most of 'em do," said the contortionist blandly. "But," he added in some haste, "they don't give a dang for a little thing like that."

"But," said David fiercely, "I don't want them to think I am guilty. I can't bear to think that every one is looking upon me as a criminal. Why—why, what must the ladies of the—of the show think of me? I—I—"

Joey Grinaldi put his hand on the young fellow's shoulder: "They don't think you done it, Jack—not one of 'em. I heard 'em speaking of you last night as if you was a reg'lar angel. For the fust time since I've knowed all of them women, they are all agreed on one thing: they all agree that you are the sweetest kid they've ever seen and that you never done anything naughty in your life. Come on, now. Mrs. Braddock wants to see you a minute."

David's heart leaped. He followed the old clown into the open tent, his eyes bright with the eagerness to look once more upon the strange, lovely friend of the night before,—his true guardian angel.

She was standing near the entrance to the main tent, talking with half a dozen of the women performers, all of whom were in street attire. As soon as she saw him she smiled and motioned for him to join the group. He was not slow to obey the summons. To the amazement of the interested group the young Virginian lifted her hand to his lips. Mrs. Braddock flushed warmly, an exquisite smile of appreciation leaping to her rather sombre eyes.

"You must let me introduce you to these ladies," she said, after a few low words of greeting. "This is Jack Snipe, our new clown," she said, naming for his benefit the riders, the ropewalker, the snake-charmer and the boneless wonder. David was profoundly polite, almost old-fashioned in his acknowledgment of the introduction. The women were suddenly conscious of a new-found glory in themselves. The "boneless wonder" talked of his elegance for weeks, and always without resorting to slang.

"Where is Miss Christine?" asked David, turning to Mrs. Braddock with a shy smile.

She did not answer at once. When she did, it was with palpable uneasiness. "My daughter usually takes her sleep at this time, Dav—Jack."

David's cheek slowly turned red. He remembered what Braddock had said to him.

"You are all very good to me," he murmured, for want of anything better to say. His sensitive heart was thumping quickly, driven by humiliation. She looked steadily into his eyes without speaking and then walked away from the group, directing him to follow. They sat down upon the tumbler's pad, just where they had been seated the night before.

"My husband is hard sometimes, David," she said gently. "It will last for a few days, that is all. We must not aggravate him now. In a little while he will forget that he has—has said certain things. Then, I hope that you and Christine will be good friends. I—I want her to know you well, David. I want her to be with—with some one who is different from the people here. You understand, don't you?"

"Yes," said David, suddenly enlightened. "I know what you mean. I shall be very happy, too."

"Ah, how gently you did that," she cried, a wistful gleam in her dark eyes. "How the blood tells its story! Yes, David, I want her to know you; I want her to—to be with her own kind." Her face flamed with sudden fervor; he was struck by the almost pathetic eagerness that leaped into her eyes, transfiguring them. "I have tried so hard to give her something of what I had myself, David, when I was a girl. Everything depends on the next year or two. She is thinking for herself now. It is the turning-point. You must know, David, you must see that she is not like the others here."

"She is like you," he said, very simply.

The blood surged once more to her cheeks; her lips parted with the quick breath of joy and gratitude. She thanked him very gently, very gravely. No word was uttered against the man who was Christine's father.

"I prayed last night, David, that you might stay with the show until the end of this season. I am determined that it shall be her last, no matter what it may cost both of us."

"Cost both of us," thought he, and at once knew what she meant. The cost, if necessary, would be the husband and father.

Then she told him, in hurried sentences, that she had watched him in the ring, and that her daughter had come back to her with glowing reports of his composure and cleverness. David's pride, at least, was appeased. She had looked at him, after all, and was interested.

He was struck by the sudden, curious change that came over Mrs. Braddock's face. She was looking past him toward the entrance to the circus tent. All the color, all the eagerness left her face in a flash; the warmth died out in her big brown eyes and in its stead appeared a look of positive dread and uneasiness—it might have been repugnance. Her lips grew tense, and he could see that she started ever so slightly, as if in surprise.

He glanced over his shoulder. Thomas Braddock was approaching, his face red with anger and drink. At his side walked a tall, exceedingly well-dressed stranger, who carried his silk hat in his hand and was smiling blandly upon the proprietor's wife.

"Oh, that man again!" he heard her say between her stiff lips. There was a world of loathing in the half-whispered sentence, which was so low that it barely reached his ears. He looked up quickly, and saw her face go darkly red again—the red of humiliation, he could have sworn.

"Go!" she said to David, quietly but firmly.

He turned away, vaguely conscious that the newcomer was more to be feared than Thomas Braddock himself. Instinctively the boy experienced a singular, instantaneous aversion to this immaculate intruder.

"Get out!" he heard Braddock roar after him as he paused at the partition to look once more at the stranger.

The man was bowing low before the straight, motionless figure of Mary Braddock. Her chin was high in the air, and David could almost have sworn that he saw her nostrils dilate.

From a place beyond the flap in the partition he surveyed this disturbing visitor.

CHAPTER V — SOMETHING ABOUT THE BRADDOCKS

He was not long in supplying a reason for the sudden antipathy he felt toward this man whom he had never seen before.

A somewhat prolonged study from the security of the dressing-room had the effect of settling the aversion more firmly in his mind. In the first place, the man's face was a peculiarly evil one. His dark eyes were set quite close together under a bulging forehead. His eyebrows were straw-colored, and so thin that they were almost invisible. A broad, flat nose, with spreading nostrils, not unlike that of an Ethiopian, gave to the upper part of his face a sheep-like expression. His lower lip, thick and blue and loose, protruded with flabby insistence beyond its mate, which was short and straight. The chin receded, but was of surprising length and breadth. His ears sat very low on his head and were ludicrously small. Above them rose a massive dome, covered with thick, well-brushed hair of a yellowish hue, parted exactly in the middle. His cheeks were white and flaccid, and there was a fullness in front of the jaw-point that suggested approaching bagginess. He smiled with his lips closed, and broadly at that. The picture was even less alluring than when his face was in repose. In the subdued, gray light of the tent his complexion was singularly colorless; David thought of a very sick man he had once seen.

But this man was apparently in the best of health. He was spare, and his sloping shoulders did not suggest breadth or strength; yet there was that about him which made for force and virility. His hands were long and slim and very white. A huge diamond glittered on one of the fingers of the left hand; another quite as large adorned the bosom of his shirt. It required no clever mind to see that he was not an out-of-doors man. One would say, guessing, that he was thirty six or eight years of age. As a matter of fact, he was fifty-five.

David noticed that he never allowed his gaze to leave the face of Mary Braddock, except to occasionally traverse her figure from crown to foot. The boy's dislike grew to actual resentment. He experienced a fierce desire to rush out and strike the man across the eyes.

He could not hear what they were talking about. Broddock, tipsy as usual, was urging something on her in low, insistent tones. His manner was that of one who espouses a forlorn hope; he argued with the insinuating, doubting earnestness so characteristic of the man who knows that he is operating against his own best interests in the face of one who fully understands the weakness that impels him. Mrs. Braddock stood before him, cold, passive, unconvinced. Her greeting for the newcomer had been most unfriendly. She deliberately turned her back on him, after the first short "good afternoon." As for the stranger, he did not take part in the conversation. He stood close to her elbow, the trace of a smile on his lips.

Suddenly her tense body relaxed. Her chin dropped forward and she nodded her head dejectedly. Braddock's next remark, uttered with considerable gusto, came to David's ears.

"Good!" he said, biting his cigar with approving energy. "We can talk it over there. I think you will see it my way, Mary. You'll see if I'm not right! Come on, Bob. This is no place to talk."

She preceded them without another word, an air of utter weariness characterizing her movements. The stranger smiled his bland, hateful smile. When Braddock, in genial relief, essayed to take his arm, the tall man coldly withdrew himself from the contact, displaying a far from mild aversion to the advances of the tipsy showman. Braddock dropped back, like a cowed dog, permitting the other to pass through the sidewall ahead of him, a step or two behind the unhappy Mary Braddock on whose back his steady gaze was leveled with unswerving intentness.

David hurried to a rent in the canvas and peered out into the sunlight of the waning day. The stranger had come up beside Mrs. Braddock, talking to her as they crossed the lot in the direction of the street. She apparently paid no heed to his remarks. Braddock made no effort to keep up with them, but loafed behind, simulating interest in the most conveniently propinquitous of his possessions, with now and then a furtive glance at the couple a half-dozen paces ahead.

David was sorely puzzled and distressed. He knew that something was going cruelly wrong with his friend and supporter, but what it was he could not even venture a guess, knowing so little about the people and conditions attached to his new world.

"So, he's 'ere again, is he?"

He whirled quickly to find Grinaldi peering over his shoulder, his erstwhile merry face as black as a thunder cloud.

"Who is he?" demanded David.

The clown did not answer at once. His eyes were glittering. It was not until the trio passed from view beyond a "snack-stand" that he sighed mightily and jammed his hands into his coat pockets, still clenched. Even then, he stared long at David before replying.

"That man?" he said harshly. "That's Colonel Bob Grand."

"What has he got to do with the show, Mr. Noakes?"

"Call me Joey. Everybody does, my lad." He looked around cautiously. No one was near them. Nevertheless, he lowered his voice. "That's just wot all of us would like to know ourselves, Jacky. He's a race-horse man and a gambler. Oh, don't you get it into your 'ead that he follows the show in them capacities. Not he. He's too big a guy for that. No, sirree. He pinches the dollars by the thousands, that chap does. No ten-dollar rube games for 'im. But I'll tell you all about 'im at supper. There's Ruby waiting for us at the door. I'm 'aving supper brought over 'ere for us three and Casey. He's a nice chap, Casey is. Brad says you are not to go to the cook-top until we're out of the woods." Before starting off to join his daughter, Grinaldi looked again through the hole in the canvas, muttering a dejected oath.

Ruby Noakes, very pretty and quite demure in a simple frock of brown, without the prevailing bustle and paniers, was directing the contortionist in his efforts to construct a table out of three "blue seats" and a couple of property trunks, or "keesters," as they were called.

"I insist on having a table that I can put my legs under," she said when he argued that the trunks alone would make an "elegant" table. "We can sit on the boxes. Here, dad, you and Jack get the boxes up. The boys will be here with supper in a minute or two. Oh, I say, isn't it going to be fun? Just like a supper party in Delmonico's—only I've never been to one there. Goodness, how I'd love to eat at Delmonico's!"

"You wouldn't like it a bit, Ruby," announced Casey. "You got to understand French to eat what they have there. If you can't understand French, you're sure to eat something that won't agree with you, not bein' able to tell soup from pickled pigs' feet."

"How do you know? You've never been there."

Casey gave her a cool stare. "I haven't, eh? My dear, I'd have you to know that I've et there a hundred times."

Her eyes popped wide open.

"Of course," he explained, "I allus had to wake up and find I'd been dreamin'. But, by ginger, them was great dreams. I allus had 'em after my wife's cousin had been up to our shack of a Sunday to get a good square meal. He was a waiter at Delmonico's. He was allus tellin' what gorgeous things he had to eat at Del's, and then, blow me, I'd dream about 'em the livelong night."

Presently the food came in from the cook-tent. The four sat down, David beside the girl, who generously took him in hand at this unusual banquet. In the menagerie tent beyond wild beasts were growling and roaring and snarling a weird interlude for the benefit of the banqueters, sounds so strange and menacing that David looked often with uneasy interest in the direction from which they came.

"I like this, don't you, dad? I wish we could have a runaway boy with us every night or so." She gave David a warm, enveloping smile.

But Joey was not listening to the idle chatter of his daughter. He ate in silence, his brow corrugated with the intensity of his thoughts.

"Say, Casey, 'ave you seen 'im?" he asked at last, interrupting a tale that Ruby was telling for David's especial benefit.

"I like that!" she exclaimed indignantly.

"Seen who?" from Casey, also ignoring her.

"Grand."

"Is that skunk here again?"

"Big as life, dang 'is bloody 'eart. He's bothering 'er, too. Makes love to 'er right afore 'er 'us-band's eyes. It's—it's out-rage-ious."

Miss Noakes forgot her story and her resentment. She leaned forward, her black eyes fairly snapping, her fingers clenched. David recalled the muscular bare arms he had seen during the trapeze act, and wondered how so slight a person as she now seemed to be could be so powerfully developed.

"I knew something awful was going to happen," she said. "I saw a cross-eyed man in the blues to-day. It never fails."

Circus people, from the beginning of history, have been superstitious. Not one, but all of them, carry charms, amulets or lucky pieces, and they recognize more signs than the sailors themselves.

"Some of these fine days I'm going to paste that guy on the nose," said the contortionist heatedly.

"You'll get a bullet in your gizzard if you do," said the clown gloomily. "He carries a gun, and he'll use it, too. And if he didn't, Tom Braddock would beat you to jelly for insulting 'is best friend."

"Do you mean that Mrs. Braddock is in love with that man?" demanded David, his heart sinking.

The three of them glared at him—positively glared.

"Nobody said that, sir," said old Joey angrily. "She despises 'im. I said as 'ow he was in love with 'er. There's a big difference in that, my friend."

"I knew she wasn't that kind of a woman," cried David joyously.

"What do you know about women?" demanded Casey

"I'll tell you about 'im and 'er and all of them," said Joey, looking about to see that they were quite alone in their corner. "You can tell by looking at 'er, Jacky, that she ain't no common pusson. She's quality, as you Virginians would say. And for that matter, so is Colonel Grand, after a fashion. That is to say, he comes of a very good old New Orleans family. He spoilt it all by being a colonel in the Union army during the war. He wasn't for the North because he was patriotic, but because he knowed the North would win and he saw 'is chance to get rich. He's just a nateral-born gambler. Of course, he ain't been back to New Orleans since the war. I understand 'is own brothers intend to shoot 'im if he does go back. He went to Washington to live, and he made a pile of money promoting carpet-bagging schemes through the south. He's got a big gambling-house in Baltimore at present, and an interest in one in New York, besides 'aving a string o' race-horses.

"Well, Tom Braddock comes from Baltimore. His father was a hoss trainer and trader there for a good many years afore he died—w'ich was about two years ago. I've 'eard it said by them as knows, that he sometimes traded hosses in the dead of night and forgot to leave one in exchange for the one he took away. However that may be, he never got caught at it and so died an honest man. It seems that he borrowed one of Colonel Grand's riding hosses to go after a doctor one night, some years ago, and didn't return it for nearly eighteen months. He wouldn't 'ave returned it then if the Colonel 'adn't seen 'im riding it in Van Slye's street parade out in a little Indiana town during county fair week. I was with the show at the time, w'ich was afore old Van Slye sold out to Tom Braddock. Well, Tom and Mrs. Braddock begged so 'ard for the old scamp that the Colonel not only let 'im off but took 'im back to Baltimore to train hosses for him. That was about five seasons ago, and it was the first time any of us ever laid eyes on the Colonel.

"Tom Braddock and 'is wife lived in Baltimore in the winter time, where she kept little Christine in school from November to March. The rest of the year she teaches 'er 'erself. I might say that Christine is a specially well-edicated child and well brought up. You can see that for yourself. Tom wanted 'er to learn 'ow to sing and dance so's she could be earning money all winter, but 'er mother said nix to that, very proper like. In course o' time, Tom's father worked it so's Tom could practice 'is bareback acts at Colonel Grand's stables. He was the best rider in the country at that time. The Colonel got 'im to drinking and gambling. That was the beginning. The poor cuss 'adn't been such a bad lot up to that time. Him and Mary had always got on fairly well until he got to drinking. It wasn't long afore the Colonel took a notion to Tom's wife. He 'as a wife of 'is own, but that didn't stop 'im. He just went plumb crazy about Mary Braddock, who was the purtiest, loveliest woman he'd ever seen—or any of us, for that matter. I'll never forget how nice she's allus been to my gal 'ere, and to every gal in the show, for that matter. She's an angel if there ever was one. Don't interrupt, Casey. I've said it. You keep still, too, Ruby—and don't sniffle like that, either.

"I won't go into the 'istory of 'ow the Colonel tried to get 'er away from Tom. I daresay that's the very thing that makes 'er stick to Tom so loyal-like in spite of wot he is now. Just principle, that's all. Well, for more 'n two year the Colonel 'as been pestering 'er almost to death, and she 'as to stand it because he's got such a terrible 'old on 'er 'usband. You see, the Colonel lent Tom a good bit of money when he bought old Van Slye out season afore last. I will say this for Tom, he paid 'im back dollar for dollar. We 'ad a good season and he got the show cheap. Tom give up riding because he was tight all the time, nearly killing Christine once or twice. Every once in awhile, come so the Colonel would turn up and travel with the show for a week or so, inducing Tom to play poker and drink. Tom allus lost and then the Colonel'd stake 'im for a month or so to run the show on. This 'as gone on for two years, Tom getting wuss all the time and the Colonel more persistent. Tom 'as lost all sense of honor and decency. He knows the Colonel is trying to get 'is wife away from 'im, and he ain't got spunk enough left to object to it. He don't even try to protect 'er from the old villain. They say Grand 'as promised 'er a fine 'ome in Washington and will edicate Christine abroad, besides offering enough diamonds to fill a 'at. But she just despises 'im more and more every week. He'll never get 'er—no sirree! Why, she just couldn't do it! 'T ain't in 'er!

"Early this season he lent Tom five or six thousand, and Tom can't pay it back, I know, business 'as been so bad. He's come on this time, I daresay, to bulldoze 'em into 'is way of thinking. He's wonderful persistent. Like as not he'll help Tom out some more afore he leaves, just to draw the web closer. He'll stay a few days, 'anging around 'er like a vulture, paying no attention to 'er rebukes, and then he'll go off to return another day. He's wrecked Tom Braddock, just as a stepping-stone. Some day he'll be through with Tom for good and all, and you'll see what 'appens to Thomas."

Grinaldi's voice was hoarse with emotion; his brow was damp with perspiration. Casey was the only one who ate; he ate sullenly.

"What beasts!" cried David, his fine nature in revolt.

"Brad 'as got to this point in 'is love for drink and cards," said Joey. "He'll sacrifice anything for whiskey. He's got to have it. We've all talked to 'im. No good. I—I don't like to say it, Dav—Jacky, but he's slapped 'is wife more 'n once when she's tried to plead with—"

David sprang to his feet, his face quivering with rage and horror.

"I'll kill him!" he cried shrilly. "If the rest of you are afraid to stand up for her, I will show you how a Virginia gentleman acts in such matters. I'll—"

"My boy," said Joey, very much gratified by his protege's attitude. "I like to hear you talk that way. But don't you go 'round gabbing about killing people. A word to the wise, my lad. You see wot I mean?"

David turned perfectly livid and then sank back to his seat with a groan of despair.

"You mean that my—that I've got a bad name already?"

"So far as the law is concerned, yes," said Joey gently. "You see, you are David Jenison and—well, it's a fine old name, my 'eartie, but these ain't very gallant days. It's too soon after the war, I take it."

The boy looked from one to the other, his eyes dark with the pain of understanding.

"But," he said bravely, "he must not be allowed to strike her. Why doesn't she leave him? Why not get a divorce? No woman should live with a man who strikes her. God doesn't intend that to be. He—"

"God put us all into the world and he'll take us all out of it," said the clown, philosophizing. "That's about all we ought to expect 'im to do. I don't think God 'as anything to do with matrimony. He says, 'you takes your choice and you trusts to luck, not to me. If it turns out all right,' says he, 'you can thank me, but if it goes wrong, don't blame me.' So there you are. It strikes me that God don't intend a good many things, but they 'appen just the same. As for 'er getting a divorce, she's too proud. She made 'er bed, as the feller says, and she's going to lie in it as long as there's room. She made 'er bed sixteen years ago, she did, against 'er father's wishes, and she ain't the kind to go back and say it's too 'ard for 'er to sleep in and she'd like to come 'ome and sleep in one of 'is for a change. No sirree, my lad."

"How did she come to marry such a beast as Braddock?"

"Well, that's another story. I 'ope, Casey, I'm not boring you."

"I wasn't gaping," said Casey testily. "I was coolin' my mouth. Try that coffee yourself if you don't think it's hot."

"I wish she would leave him," said Ruby, more to herself than to the others.

"She's got some of 'er own money in the show—all of it, I daresay. Money 'er grandmother left 'er a couple of years ago. Brad promised he'd buy 'er share in a year or two and let 'er put the money away for Christine. But he'll never do it, not 'im. You see, Da—Jacky, it all 'appened this way. She was going to a young ladies' boarding-school up in Connecticut w'en she fust saw Tom Braddock. Her father lived in New York City and he was a very wealthy guy. She was 'is only child and 'er mother was dead. The old man, whose name was Portman,—Albert Portman, the banker,—was considering a second venture into matrimony at the time. Mary was eighteen and she didn't want a stepmother. She raised such a row that he sent 'er off to school so as he could do 'is courting in peace and plenty. She was a wayward gal,—leastwise she says so 'erself—and very impetuous-like. One day a circus comes to the town where she was attending school. The young ladies were took to the afternoon performance by the—er—school-ma'ams. They all perceeded to fall in love at first sight with a 'andsome young equestrian. He was very good-looking, I can tell you that, and he 'ad a fine figger. As clean a looking young chap as ever you see. Well do I remember Tommy Braddock in them days. He was twenty-two and he rode like a A-rab. Well, wot should 'appen but 'is hoss, a green one, must bolt suddenlike, scairt by one of the balloons that 'it 'im on the nose. Brad fell off as the brute leaped out of the ring, terrified by the shouts of the ring-men. The hoss started right for the seats where the school misses was setting. Up jumps Brad and sails after 'im. The hoss got tangled in some ropes and stumbled, just as he was about to leap into the place where Mary Portman sat. Brad grabs 'im by the bit and jerks 'im around, but in the plunging that followed, the hoss fell over on 'im, breaking 'is leg—I mean Brad's. Of course, there was a great stew about it. He was took to a 'ospital and the papers was full of 'ow he saved the life of the rich Miss Portman. Well, she used to go to see 'im a lot. When he got so's he could 'obble around, she took 'im out driving and so on. He was a fair-spoken chap in them days and he 'ad a good face. So she fell desperit in love with 'im. He was an 'ero. She told 'er father she was going to marry 'im. As the old gentleman was about to be married 'imself, he 'ated to share the prominence with 'er. So he said he'd disown 'er if she even thought of marrying a low-down circus rider. That was enough for Mary. She up and run off with Tom and got married to 'im in a jiffy, beating 'er father to the altar by about two weeks.

"As soon as Tom was able to ride again, they joined the show. Her father disowned 'er, as he said he would. He said he'd 'ave the butler shut the door in 'er face if she ever come to the 'ouse. They went up to ask for forgiveness, and the butler did shut the door in 'er face. So she turned 'er back on 'er father's 'ome and went to the little one Tom made for 'er in Baltimore. She never even wrote to 'er father after that, and she won't ever go back, no matter wot 'appens. Not even if he sends for and forgives 'er, I believe. She's stood it this long, she'll stick it out. Mr. Portman got married right enough and I understand he's 'ad a 'ell of a time of it ever since. Married a reg'lar tartar, thank God.

"Well, in a year Christine came. After a couple of years they went to England and the Continent, where Brad rode for several seasons very successful. When Christine was seven, he insisted that she should work with 'im in the ring. He 'ad 'is way. They made a sensation with Van Slye's show and stuck to 'im for six years straight, allus drawing good pay. Mary went with them everywhere, never missing a performance, allus scairt to death on account of the gal. I think nearly all of the last five years of her life 'ave been spent in wishing that Tom would fall off and break 'is own neck, but he couldn't do it very well without breakin' the kid's, too, so she didn't know wot to do. Then he got to drinking so 'ard that he did fall off, 'urting 'imself purty bad. After that he give it up, buying a share in Van Slye's show, and letting Christine do 'er work with Tom Sacks. Mrs. Braddock would give anything she's got in the world if she could get Christine out of the business and settled down in their own 'ome in Baltimore. Just to show you wot drink does for Brad, he pays Christine a good salary every week for riding and then insists on taking it back so's he can put it in the savings bank for 'er. He spends every penny of it for drink and he—"

"Sh!" came in a warning hiss from Ruby Noakes, whose quick, black eyes had caught sight of a figure approaching from the big top. "Mrs. Braddock is coming, dad. My, how white she is."

The proprietor's wife moved slowly, even listlessly. Something vital had gone out of her face, it seemed to David, who knew her only as a strong, courageous defender. A wan smile crept into her tired eyes as she carne up to them and asked if she might sit down at their board. The hand she laid caressingly on Ruby's shoulder shook as if with ague.

"Jerk up a keester for Mrs. Braddock, Casey," cried old Joey with alacrity. The contortionist found a small trunk and placed it between Ruby Noakes and David. Mrs. Braddock thanked him and sat down.

"Have you had your supper, Mrs. Braddock?" asked Ruby.

"I am not hungry," said the other quietly. "A cup of coffee, though, if you have enough for me without robbing yourselves. You work so hard, you know, my dears, while I am utterly without an occupation. I don't need much, do I?"

"You need a snifter of brandy," announced Joey conclusively. He went off to get it.

Ruby rinsed her own tin-cup and poured out some hot coffee. Casey called up a boy and sent off to the performer's cook top for a pitcher of soup, some corned beef and potatoes, ignoring her protests.

"And how is the new clown faring?" she asked, turning to the silent David with a smile.

"Very well, thank you," he replied. "I have been very hungry, you know. I have never known food to taste so good."

"The hotels in these towns are atrocious. I can't eat the food," she explained listlessly.

Joey handed her a drink from his flask. She swallowed it obediently but with evident distaste. There was a long, somewhat painful silence.

"I think it's started to sprinkle again," ventured the contortionist, looking at the top with uneasy eyes.

"Yes," she said appreciatively, "it means another wretched night for us." She toyed with the tin-cup with nervous fingers for a moment and then turned to the expectant Grinaldi. "We have been obliged to borrow more money, Joey."

"So?" he said, nodding his head dumbly.

"Five thousand dollars. I—I signed the note with Tom. Oh, if we could only have a spell of good weather!" It was an actual wail of despair.

"It's bound to come," said the clown. "It can't rain allus, Mrs. Braddock."

Again there was silence. The three performers were absolutely dumb in the presence of her unspoken misery.

"Would my money be of any service to you?" asked David at last, timidly.

"You dear boy, no!" she cried warmly. "You do not understand. This is our affair, David. You are very, very good, but—" She checked the words resolutely. "We can lift the notes handily if the weather helps us just a little bit."

"I don't like that man," announced the boy, his dark eyes gleaming.

The others coughed uncomfortably. Mrs. Braddock hesitated for a second, and then laid her hand on his.

"He is a very bad man, David," was all that she said. He would have blurted out an additional expression of hatred had she not lifted her finger imperatively. "You must not say indiscreet things, my friend." It was a warning and he understood.

"Come on, Jacky," put in Grinaldi hastily. "I've got to rehearse you a bit. You've got to learn 'ow to tumble and you've got to—"

"Just a moment, Joey," said Mrs. Braddock nervously. "David, I can't keep your money for you. Do you object to Mr. Noakes taking it for awhile? Until we can get to a town where you can deposit it in a bank. It isn't safe with me. I—"

"It is safe with you," he cried eagerly.

"No! If anything were to happen to me you would never see it again." He was struck by the increased pallor of her face. "It's quite safe with Joey."

He waited a moment before replying. "I know that, Mrs. Braddock. You may give it to him. But—but I want you to know that if you ever need any of it, or all of it—for yourself or Christine, you are more than welcome to it."

Her eyes were flooded. "Thank you, David," she said softly. Then she quickly withdrew the flat purse from the bosom of her dress and handed it to Joey, not without a cautious look in all directions.

The clown put it in his inside coat pocket without a word.

"You must deposit it in a bank at N—," she went on hurriedly. "All but an amount sufficient to help you if you are obliged to suddenly fly from arrest. You understand. Joey will attend to it for you. You may depend on him and Casey to stand by you. In a few days we will be in Ohio. The danger will be small after that, Dav—I mean, Jack Snipe. I—I have worried about this money ever since—well, ever since last night. You must not have it about you, nor is it safe with me. It is too large a sum to be placed in jeopardy. Perhaps, my boy, it is your entire fortune, who knows. The Jenison estate seems lost to you, cruelly enough. I am so very sorry."

"I only want to think that none of you believe I committed the crime I am accused of," said David simply. "The money isn't anything."

"We are not accusers," she said gravely.

"Where is Brad?" demanded Grinaldi, his patience and diplomacy exhausted.

"He is up in Colonel Grand's room at the hotel," she answered, as if that explained everything.

"Talking business, I suppose," he said sarcastically.

"Yes, they are settling certain details." She spoke in such a way that Joey looked up in alarm.

"You don't mean to say you are—you are going to—"

"No, not that, my friend," she said, quite calmly.

"I didn't think so," said Joey fervently.

Mrs. Braddock arose abruptly.

"I must go to Christine. Will you come, Ruby?"

Ruby followed her out of the tent, exchanging a quick glance with her father as she left the improvised table.

"Come on, Jacky," said Joey. "Strip them clothes off and get to work. You've got a lot to learn. Ta, ta, Casey. Don't stay out in the rain. You'll melt your bones, if you've got any."

David, somewhat depressed and very thoughtful, got into a portion of his clown's dress under the direction of his instructor, who was unusually cross and taciturn.

As they started for the deserted ring, Joey took the boy's arm and said, with a diffidence that was almost pathetic:

"Jacky, I—I want you to be nice to my gal. She's never 'ad no chance to associate with a real toff. It ain't 'er fault, poor gal; it's the life we leads. These 'ere circus people are as good as gold, Jacky; I'm not complaining about that. But they ain't just exactly wot I want my gal to grow up like. Not but wot she's growed up already so far as size is concerned. But she's not quite eighteen. She's been in the show business since she was two. Her mother and 'er grandmother afore 'er, too. But the business ain't wot it used to be. I want 'er to get out of it. I don't want 'er marrying some wuthless 'Kinker' or even a decent 'Joy.' Mrs. Braddock 'as done worlds for 'er, mind you, but it's the men she's associated with that I objects to. They're—they're too much like me. That's wot I mean, Jacky. Would you mind just conversing with 'er friendly like from time to time? Just give 'er a touch of wot a real gentleman is, sir. It ain't asking too much of you, is it, Dav—Jacky? I ain't ashamed to ask it of you, and I—I kind of hoped you wouldn't be ashamed to 'elp tone 'er up a bit, in a way. She's more like 'er mother than she is like me. And 'er mother was as fine a columbine as ever lived, she was that refined and steadfast."

David gave his promise, strangely touched by this second appeal to the birthright that placed him, though helpless and dependent, on a plane so far above that of his present associates that even the most scornful of them felt the distinction. He recalled the profane respectfulness of the boss canvasman earlier in the day—a condition which would have astonished that worthy beyond description if he had had the least idea that he was respectful.

CHAPTER VI — DAVID JENISON'S STORY

David's first week with the show was a trying one. In the first place, he was kept so carefully under cover, literally as well as figuratively, that he seldom saw the light of day except at dawn or through the space between sidewall and top. At night he rode over rough, muddy roads in the tableau wagon, stiff and sore from the violent exercise of the day,—for he was training in earnest to become a clown. He was learning the clown's songs, and singing with the chorus in such pieces as "I'll never Kiss my Love again behind the Kitchen Door," "Paddle your own Canoe," and others in Joey's repertory.

Throughout the forlorn, disquieting days he stayed close to the dressing-tent, always in dread of the moment when Blake or some other minion of the law would clap him on the shoulder and end the agony of suspense. Blake, as a matter of fact, more than once came near to finding his quarry. Twice, at least, David was smuggled out of sight just in time to avoid an encounter with his stubborn pursuer.

At last, after five days, Blake gave it up and turned back to Virginia, hastened somewhat by the cleverly exploited newspaper strategy of George Simms, the show's press agent. Simms managed it so that a press dispatch came out of Richmond in which it was said on excellent authority that the boy had been seen in the neighborhood of his old home within the week, and that posses were now engaged in a neighborhood hunt for him. Blake was fooled by it.

After it became definitely known to Simms that Blake was back in Richmond with his assistant, David was permitted to emerge gradually from his seclusion. The first thing he did was to go with Joey Grinaldi to a savings bank where, under the name of John Snipe, he deposited two thousand dollars, retaining five hundred for emergencies. Part of this he turned over to the clown, part to Ruby and the rest to the trusty contortionist. Twice during the week Braddock bullied him into giving up twenty-five dollars to "fix it" with town officials. At least once a day he was importuned to deliver the "leather" into the safe keeping of the proprietor, who solemnly promised that it would be returned. Moreover, in drunken magnanimity, he guaranteed to pay three per cent interest while the money was in his ticket-wagon safe, sealed and inviolate if needs be. On the subtle advice of Joey Noakes David did not tell Braddock that he had deposited the money; it would have been like the "boss" to fly into a rage and deliver him up to the authorities.

Braddock drank hard during the days following the departure of Colonel Grand, who stayed with the show no longer than twenty-four hours—an unusually brief visit, according to Joey.

The rainy weather continued and business got worse and worse. There was an air of downright gloom about the circus. Men, women and children were in the "dumps," a most unnatural condition to exist among these whilom, light-hearted adventurers. When they lifted up their heads, it was to deliver continuous anathemas to the leaden skies; when they allowed them to droop, it was to curse the soggy earth.

The new clown saw but little of Mrs. Braddock and Christine. Braddock's failure to extract money from him made that worthy so disagreeable that his wife and daughter were in mortal terror of his threats to turn the boy adrift if he caught them "coddling" him.

David's close associates were the Noakeses, the contortionist and two or three rather engaging acrobats. As for the women of the company, he had but little to do with them, except in the most perfunctory way. He was always polite, gallant and agreeable, and they made much over him when the opportunity presented itself. They were warm-hearted and demonstrative, sometimes to such an exaggerated degree that he was embarrassed. He was some time in getting accustomed to their effusive friendliness; it dawned on him at last that they were not graceless, flippant creatures, but big-hearted, honest women, in whom tradition had planted the value of virtue. He was not long in forming an unqualified respect for them; it was not necessary for Joey Grinaldi to tell him over and over again that they were good women.

If Christine saw him while she was in the ring, David was never able to determine the fact for himself. He tried to catch her eye a hundred times a day; he looked for a single smile that he might have claimed for his own. Once he caught her in his arms when she stumbled after leaping from the horse at the end of her act. It was very gracefully done on his part. She whispered "Thank you," but did not smile, and therein he was exalted. There was no day in which he failed to perform some simple act of gallantry for her and Mrs. Braddock, always with an unobtrusive modesty that pleased them. Sometimes he left spring flowers for them; on other occasions he bought sweetmeats and pastry in the towns and smuggled them into their hands, not without a conscious glow of embarrassment and guilt. He was ever ready to seize upon the slightest excuse to be of service to them, despite the fact that they resolutely held aloof from him. The entire company of performers understood the situation and cultivated a rather malicious delight in abetting his clandestine courtesies.

It was no other than the queen of equestrians, Mademoiselle Denise (in reality an Irish woman with three children who attended school and a husband who never had attended one, although he was an exceptionally brilliant man when it came to head balancing)—it was Denise who, one rainy evening, brought Christine and David together between performances in a most satisfying manner by taking the former to visit a fortune-teller whose home was quite a distance from the show lot, first having sent David there on a perfectly plausible pretext. The young people met on the sidewalk in front of the house bearing the number Mademoiselle Denise had given to David. To say that he was surprised at seeing Christine under the same umbrella with the older woman would be putting it very tamely; to add that both of them were shy and uneasy is certainly superfluous. Moreover, when I say that David was obliged to inform Mademoiselle Denise that she had given him the wrong number; that a hod-carrier instead of a sorceress dwelt within,—when I say this, you may have an idea that there was no fortune-teller in the beginning. And then, when the head-balancing husband suddenly appeared and walked off with Denise, leaving the embarrassed youngsters to follow at any pace they chose, you may be quite certain that there was a conspiracy afoot.

Christine walked demurely beside David, under a rigid umbrella. They were seven blocks from the circus lot; it was quite dark and drizzly. For the first two blocks they had nothing to say to each other, except to venture the information that it was raining. In the second block, a very lonely stretch indeed, David, whose eyes had not left the backs of the wily couple ahead, regained his composure and with it his natural gallantry.

"Perhaps you had better take my arm, Miss—Miss Christine," he said stiffly.

She took it, rather awkwardly perhaps but very resolutely.

"I thought I heard something in the bushes back there," she said in extenuation.

"It was the wind," he vouchsafed, but his thoughts went at once to Blake. Involuntarily he looked over his shoulder and quickened his pace. She felt his arm stiffen.

"I'm quite sure it was a cow," she said.

"Are you afraid of cows?"

"Dreadfully."

"And you're not afraid of elephants or camels?"

"Oh, dear, no; they're tame." She seemed in doubt as to the wisdom of expressing aloud the thoughts that troubled her. Twice she peered up into the face of her companion. Then she resolutely delivered herself. "I do hope father won't see us, David."

"You poor girl," he cried gently. "I'm sorry if this gets you into trouble. Denise didn't tell me. She—"

"Oh, Denise did it on purpose," she said, quite glibly. "I suppose she thinks we're going to fall in love with each other."

David was grateful to the darkness. It hid his blush of confusion.

"But that's perfectly silly," went on the soft voice at his elbow. "I just want to be your friend, David. My mother adores you. So do I, but in just the same way that she does. I—I couldn't think of being so ridiculous as to fall in love with you."

He resented this. "I don't see why you say that," he said, rather stiffly. "But," very hastily, "I'm not asking you to do it. Please don't misunderstand me. I—"

"Mother and I are so sorry for you, David," she went on earnestly. "We—we don't believe a word of—of—well, you know." She was suddenly distressed.

"How do you know that I'm not guilty?" he cried bitterly. "You have only my word for it. Of course, I'd deny it. Anybody would, even if he was as guilty as sin. I—I might have done it, for all you know."

"Oh, don't—don't talk like that, David!"

"Nearly every one with the show thinks I did it. It doesn't matter to them, either. They like me just as well. It's—it's as if I were a friendless, homeless dog. They're tender-hearted. They'd do as much for the dog, every time. I like them for it. I'll not forget everybody's kindness to me and—and their indifference."

"Indifference, David?"

"Yes. That's the word. It doesn't make any difference what I am, they just say it's all right and—and—that's all."

She caught the intensely bitter note in his voice. Christine was young, but she had fine perceptions. Her lip trembled.

"Nobody thinks you did it," she cried in a vehement undertone. "Even father—" She stopped abruptly, a quick catch of compunction in her breath.

"If he thinks I'm innocent, why is he so set on keeping me from talking to you or your mother?" he demanded quickly, a sudden fire entering his brain. "That doesn't look as if he thinks I'm all right, does it? I'm—I'm not a low-down person. If I was, I could see a reason. But I'm a gentleman. Every man in my family has been a gentleman since—oh, you'll think I'm boasting. I didn't mean to say this to you. It sounds snobbish. No, Christine, your father thinks I'm guilty."

"He does not!" she whispered. "I know he doesn't. I've heard him argue with mother about you. He has told her that he does not believe that you killed your grandfather. I've heard him say it, David. He—he is only thinking of—must I say it? Of the disgrace to us if you should be caught and it came out we were your friends. That's it. He's thinking of us, David. It is so foolish of him. We both have told him so. But—but you don't know my father." There was a world of meaning in that declaration—and it was not disrespectful, either.

David was discreetly silent. He was quelling the rage that always rose in his heart when he thought of Thomas Braddock's attitude, not only toward him but toward his wife.

"I wish he wouldn't look at it in that way, David," she resumed plaintively. "We—we would be so happy if you could be with us,—that is, more than you are." She was stammering, but not from embarrassment. It was in the fear of saying something that might touch his sensitive pride.

"I—I love your mother," he cried intensely. "She's the best woman I've ever known—except my own mother. She's better than my aunts—yes, she is! Better than all of them. I could die for her."

She clutched his arm tightly but said nothing. The words could not break through the sobs that were in her throat. Neither spoke for a matter of a hundred feet or more. Then he said to her, rather drearily:

"Did you read what the papers said about the—the murder, and about me?"

"No. Mother will not let me read the things about crime. But," she said quickly, "she has told me all about it since you came."

"They made me out to be a vicious degenerate and an ingrate," he said. "Oh, it was horrible,—the things they said about me. Just as if they knew I was guilty. But, Christine, I am going to make them take it all back. I'm going to make them apologize some day, see if I don't." The fierce agony in his voice moved her greatly.

"Oh, if I could help you!" she cried tremulously.

He apparently did not hear the eager words.

"It all looked so black against me," he went on, looking straight ahead unseeingly. "Perhaps I shouldn't blame them. I have thought it all out, lots of times, Christine, and I've tried to put myself in their place. Sometimes I think that if I were not myself I should certainly believe myself guilty. It did point to me, every bit of it, Christine. And I am as innocent as a little baby. If—if they catch me they'll hang me!"

"No, no!" she shuddered.

"Doesn't it look to you as if I really had done it?" he demanded. "Tell the truth, Christine. From what you have heard, wouldn't you say it looked as if I were guilty?"

She hesitated, frightened, distressed. "The papers did not tell the truth, David," she said loyally.

"They hunted for me with bloodhounds," he went on vaguely. "If they had caught me then, I would have been strung up and shot to pieces. You see," turning to her with a gentle note in his voice, "my grandfather was very much beloved. He was the very finest man in all the state. I have sworn to avenge his death. I swear it every night—every night, Christine. First, I'm going to clear myself of the—the hideous thing. And then!" There was a world of promise in those two words.

"You have said that there is a man who can clear you," she ventured. "Who is he, David? Where is he to be found? Why doesn't he step forward and clear you?"

"I—I don't know where he is. In New York, I think. He—he was sent out of the country by—by some one. Do you want to hear my side, Christine?"

"Do you—care to speak of it, David?"

"Yes. You will understand. You are good. I want you to tell your mother, too." He slackened his pace. Both forgot that the hour for the "tournament" was drawing perilously near. "I lived with my grandfather, Colonel Jenison. My father was killed at Shiloh. My mother died when I was nine years old. I had one uncle, my father's younger brother. He was an officer in the Southern army, just as my father was. He gave my grandfather trouble all of his life. They say it was his wild habits that drove my grandmother to her grave. I knew him but slightly. When the war was two years old, he was court-martialed for treason to the cause. The story was that he had been caught trying to sell some plans to the enemy. He was sentenced to be shot. It was very clear against him, my mother told me on one of the rare occasions when his name was mentioned. But he escaped during a sudden, overwhelming attack by the Yanks. They never caught him. My grandfather, who had been a colonel in the war with Mexico and had lost an arm, disowned him as a son. He disinherited him, leaving everything to my father. When my father was killed I became the heir to Jenison Hall and all that went with it,—a vast estate.

"A year ago my uncle Frank turned up. He came to Richmond with proof that cleared him of the charge of treason in the minds of his old comrades. Three men on their deathbeds had signed affidavits, showing that they were guilty of the very thing of which he was accused, he being an innocent dupe in the transaction. I don't know just how it all came about, but he was exonerated completely. With this to back him up, he came to the Hall to plead for my grandfather's forgiveness. He came many times, and finally it seems that grandfather believed his story. Uncle Frank took up his residence at the Hall. I hated him from the beginning. He was a wicked man and always had been. I don't believe what the affidavits said.

"Well, he soon learned that I was to be the heir. Everybody knew it. I was at the University. Grandfather had sent me there. It was my second year, for I had gone in very young. When I went home for the Christmas holidays, Uncle Frank was practically running the place. Grandfather didn't really trust him, I'm sure of that. They had a couple of violent scenes New Year's week up in the library. It was something about money. Grandfather told me a little about it, but not much. He said Uncle Frank wanted him to change his will, claiming it was not fair to him, who had been so wrongfully accused. My grandfather told me that he would never change it. He might leave a certain amount in trust for Uncle Frank, but Jenison Hall was not to go to any Jenison whose name had ever been blackened.

"One day I went up to Richmond to spend the night with some college friends. My uncle Frank was already there, on business he said. Well, I found out what his business was—accidentally, of course. He was there to see a nigger lawyer! Think of that, Christine. A Jenison having dealings with a nigger lawyer. This lawyer had once been a slave on the Jenison place, a yellow boy whose name was Isaac—Isaac Perry. When the war broke out he went with my uncle as his body-servant. He was a smart, thieving fellow,—always too smart to be caught, but always under suspicion. My grandfather had given him some schooling because Isaac's father was his body-servant and he would have done anything for old Abraham. After the war Isaac was made a lawyer, 'way down in South Carolina. The judges were darkies, they say. Later on he went to Richmond and did some business for the darkies there, besides conducting a barber shop.

"Well, I happened to go into his shop the evening I reached Richmond. He was shaving Uncle Frank. They did not observe me as I sat back along the wall. I heard him tell Uncle Frank he would surely come to the hotel that night to see him. Uncle Frank said it was important and asked him to be sure and bring the papers. He left the shop without seeing me, and Isaac had forgotten me, I reckon. I wondered what business he and my uncle could have to discuss. That night I made it a point to be at the hotel. I saw Uncle Frank standing out in front. When Isaac came up he took him off down the street. I heard him say to Isaac that the hotel was not a good place for a nigger to be seen, except as a servant, even if he did come as a lawyer. So they went back to the barber shop, which was closed. Isaac opened the doors and they went in. The blinds were shut. I waited until Uncle Frank came out, an hour later. He said to Isaac, who came no farther than the door, that he would be up again in about ten days to see how he was 'getting on with it.' Isaac said he'd have it fixed up 'so slick that it would fool the old man hisself.'

"When I went back to Jenison Hall I tried to tell grandfather about all this, but I didn't do it. I couldn't bear the thought of carrying tales. I went back to school, but I couldn't get the thing out of my head."

Christine interrupted him, intense almost to breathlessness.

"They—they were fixing up a new will!" she whispered, vastly excited.

He smiled wanly. "I wish I could prove that. About three weeks ago I had a message from Uncle Frank, saying that grandfather was quite ill. I was to come home. When I got to the Hall grandfather was much better, and seemed annoyed because my uncle had brought me home unnecessarily. That very night he was murdered."

"Oh!" she whispered.

"He was shot by some one who fired through the parlor window. It happened at half-past eleven o'clock, a most unusual time for grandfather to be about. He was fully dressed when they found him a few minutes after the shooting. A heavy charge of buckshot had struck him in the breast. I—I can't tell you any more about that. It was too horrible."

"I know, I know! Poor David!"

"I was studying in my room up to a short time before the shot was fired. The house was very still. Uncle Frank was downstairs with granddaddy. I couldn't imagine what kept them up so long, talking. Finally I heard Uncle Frank go upstairs to his room. Grandfather was pacing the parlor floor; I could hear the stumping. Finally he came out in the hall and called to me. I hurried downstairs. He was very much agitated. 'David,' he said, 'do you remember a darky we used to have named Isaac?' I was startled. 'Well, he has become a lawyer up in Richmond. He has done very well, and I want you to know what I have done for him. You are to own this place some day—soon, I fear. I have signed a paper to-night, deeding over to Isaac the little five-acre patch on the creek where he was born and where his father and grandfather were born. He saw your uncle Frank in Richmond recently and asked him if it would be possible for him to buy the ground. He wants to put up a building to be known as the Old Negroes' Home. I have thought it over. I did not sell it to him, David. I gave it to him. It is all quite regular and legal. The paper is in that drawer there. You are taking the law course at the university. I want you to look over the agreement to-night or to-morrow morning, before it is taken over to the county seat. It is just as well that you, who are to be the next master of Jenison Hall, should understand all that there is in it.'

"'Has Isaac Perry been here?' I asked, for I was strangely troubled. 'He has,' said granddaddy, 'he brought the document over this evening. Isaac seems likely to make something of himself, after all.' 'I will read it in the morning,' I said, and then I told him that I was glad that he had given the ground. 'Your uncle Frank advised me to tell you of it to-night,' said he.

"I went upstairs to my work, leaving him below. Soon afterwards I went down again to get the paper, feeling that I might as well read it before going to bed. He was reading in the back parlor. I got the envelope out of the drawer in the front room and went back upstairs without disturbing him. A minute afterwards I heard the shot. My own gun was standing in the corner. I grabbed it up and crawled through a window on to the gallery, running down the back steps. As I reached the bottom I saw a man climbing over the fence to the right. Not dreaming that a tragedy had occurred, I rushed after him. He easily got away in the darkness. Then I returned to the house. As I came near I saw Isaac Perry—unmistakably Isaac Perry—at the corner. He turned and ran the instant he saw me. When he crossed in front of the lighted parlor windows I distinctly saw that he did not carry a gun. The man I chased had one. Just then a great cry came from the parlor. I rushed up to the window to look within. One of the panes of glass had been broken.

"My grandfather was lying on the floor. Two of the servants were standing near, looking at him as if paralyzed. There was blood on his white shirt front. Oh! I can't tell you how it—"

He could not continue for a full minute or more. The girl was scarcely breathing.

"I just stood there and stared, the gun in my hand. Suddenly some one leaped upon me from behind. It was my uncle Frank and he was out of breath, very much excited. 'You little devil!' he yelled two or three times. Then he called for help. Servants came running from all directions. I didn't know what he meant. Soon I was to learn."

"He—he thought you killed him?" whispered Christine.

"He said I killed him. I was dazed—I was crazy. It was a long time before I realized what was happening to me. The—the servants and the neighbors who came in wanted to lynch me—but Judge Gainsborough, who rode over in his night-clothes from his plantation, prevailed upon them to wait—to give me a hearing. My uncle Frank would have let them hang me. I began at last to realize how badly it looked for me. They laughed at my story of the man who ran away. My uncle Frank deliberately denied that Isaac Perry had been there. I was stupefied. It came over me suddenly that—that Uncle Frank had done the shooting. He had killed his own father!"

"The monster!"

"How wonderfully everything worked out against me. The gun, with one barrel empty, for I had fired it that very day in the woods; my presence at the window; the servants who saw me looking in; my uncle Frank's tale of how he came out on the gallery above and saw me hiding in the dead lilac bushes, and afterwards creep up to the window to look in upon the thing I had done. He told of my attempt to run and of his straggle to hold me. One of the servants had seen me go down when granddaddy called to me, and again he had seen me go down quietly to the library after the paper. I did go quietly, it is true, so as not to disturb the old gentleman.

"They all rushed upstairs to search my room. Lying on my table was the long envelope. Judge Gainsborough opened it, so he says. They came downstairs and I shall never forget the look of horror in the Judge's eyes as he stood there staring at me. 'David,' he said, 'this is a terrible, terrible thing you have done.' I couldn't speak. 'How did you know that your grandfather had made this new will?' Christine, the—the paper was a new will, giving everything to my uncle Frank, excepting a small bequest in money and a house and lot in Richmond, which, however, was to go to Uncle Frank in case of my death. The will looked genuine—everybody said so—even Judge Gainsborough. It had been drawn three weeks before and had been witnessed by George Whitman, who died ten days after signing, and Mortimer Simms, who, strangely enough, died three days later."

"It was a forgery—a false will?" she cried, trembling violently in her excitement.

"I know it was—I know it. My grandfather had told me of the deed. This was the envelope and the paper. There was no such deed to be found. That makes me half believe that he did sign the will, thinking it was something else. My story about the deed was not believed. As for Isaac Perry, my uncle said that he left for New York soon after my grandfather's visit to Richmond, doubtless when the will was drawn and signed. He could not have been near Jenison Hall at the time of the shooting. Uncle Frank produced a letter from Isaac, received that very day from New York, in which he said that he was going to Europe as the body-servant of a New York gentleman who had helped him to secure an education.

"They locked me in the cellar and put a guard over me until the sheriff could come up in the morning. Christine, there wasn't a single chance for me to prove my innocence. I knew that Uncle Frank and Isaac Perry had arranged the whole devilish plot—how nicely they arranged it, too! It worked out even better than they expected, for I unwittingly damned myself. I never can tell you of my feelings when the whole thing became clear to me. I must leave that to your imagination. I was as innocent as a babe, and yet, in the eyes of every one, as guilty as ever any murderer has been in this world. My only chance to escape certain hanging lay in escape. It was after three o'clock in the morning when I began to think of flight. I made up my mind that I could never hope for acquittal. I thought only of getting away from them and then devoting my whole life to finding the proof of my innocence. Isaac Perry can prove it—or my uncle. But, my uncle will not do it—and Isaac is not to be found. I discovered that when I reached Richmond two nights afterwards. He had left nearly three weeks before, never to return, it was said.

"Well, to make it short, I hit my darky guard over the head with a chunk of stove-wood. I hated to do it, but it was the only chance. You can't kill a nigger by hitting him on the head. Then I crawled through a small hole in the cellar wall into the potato bins beyond. From there I could easily get into the back yard, provided no one was watching. They were all on the other side of the wing, discussing the murder—and me. They said I'd surely be lynched the next night. Oh, it was awful. I crawled out of the window hole and sneaked off toward the hen-houses, below the old slave building. I don't know when they missed me. I only know that I reached the woods and ran and ran till I thought I should drop. Some other time I will tell you of all I went through during the next week. You won't believe a lot of it, I know,—it was so dreadful. There were a good many times when I was ready to give up, and a good many times when they almost had me. God helped me, though. He heard my prayers. I'll never again think there is no God, as a lot of us used to think at the University. You don't know the agony of dread and fear in which I'm living now. Something tells me that they will get me and that I'll never have the chance to find Isaac Perry, to force him to tell the truth."

"I am sure you will find him, David," she said, but her heart was very cold.

The circus tents were just ahead of them now. The band was playing and people were hurrying along the poorly lighted streets, sheltered by umbrellas, all bound for the "grounds."

David's lips were rigid; his eyes saw nothing of the scene ahead, nor were his ears conscious of the music.

"Christine, I am going to kill my uncle Frank," he said, quite calmly.

"Oh, David!"

"If I find I can't clear myself, I am going back there and shoot him down like a dog—just as he shot his poor old fa—father." His body shook with the racking sobs that choked him.

"You must not do that," she implored, terrified. "Then they would surely hang you."

"Ah, but I wouldn't mind it then," he said between his teeth.

"David, you must let mother talk with you. She can tell you what to do. Don't think of—of that, please, please don't."

He turned upon her, amazed. "Don't you think that he ought to be killed?" he demanded.

"Can't a judge order him to be hung?" she asked encouragingly.

"But they'd never be able to prove it on him. Christine, I—I wouldn't be surprised if he has also killed Isaac Perry. I've thought of that, too. Isaac is too dangerous to be left alive, don't you see. He drew the will and perhaps forged granddaddy's name, and also that of George Whitman, after Whitman's death. Maybe granddaddy really signed the will, thinking it was the transfer. I—"

"Do you think your uncle wanted you to be hanged for something you didn't do,—for a murder he committed himself?"

"Why not? I was in the way. If they lynched me at once, he could feel very secure. Besides, he knew of the other will, dated years ago, which is in the bank at Richmond. Of course, the fraudulent will takes the place of the old one."

David did not then tell her of his stealthy return to Jenison Hall two nights after his flight and before the funeral. On this occasion he not only secured the envelope containing the three thousand dollars, hidden in his mother's black leather trunk, but from a place of concealment he was forced to hear such damning talk regarding himself that he again stole away, fully convinced that his wild design to charge his uncle with the crime would be absolutely suicidal.

A sharp exclamation from the girl brought him out of his last fit of abstraction. They were quite near to the tents.

"We are late," she cried nervously. "I didn't think of the time. The band is playing the waltz—that's the second piece before the tournament. We must hurry. Oh, I do hope father has not missed us!"

There was abject terror in her voice.

"I'm so sorry," he murmured, apprehending the outcome for her alone. "We must make for the rear of the dressing-tent. Hurry, Christine."

They broke into a run, intending to make a wide circuit of the main-tops. She was breathless with anxiety. He grasped her arm to help her across the rough ground.

"If he knew, he would drive you away," she cried. She was not thinking of herself.

Near the dressing-tent they were met by Mrs. Braddock, who had started out to look for them.

"Hurry," she whispered. "Go in on the other side, Jack—quickly. Come this way, Christine. Your father is coming back through the main-top. Mr. Briggs and Professor Hanson are detaining him near the band section—talking of a change in the music. Oh, I've been so nervous!"

"Good-by, David," whispered Christine, as she flew to the sidewall. An instant later she disappeared, casting a quick glance up into his face as he gallantly lifted the canvas for her to pass under.

"I'm sorry," he murmured impulsively to Mrs. Braddock as she followed. Then he raced around the tent and bolted under the wall into the men's section.

Joey Grinaldi simply glared at him.

In two minutes he was out of his clothes and beginning to slip into the stripes.

"Here's Brad," hissed a friendly "Courtier," calling in through the flap, beyond which a dozen men and women were waiting to make the grand entree, or "tournament."

Braddock came in, his cigar wallowing in the throes of a vacuous but conciliatory smile. Every one stood ready for a shocking display of profanity.

"Jacky," he said, with amiable disregard for the novice's tardiness, "would you mind letting me take fifty dollars until to-morrow? There's a guy out here that threatens to attach us if I don't settle an outrageous bill for feed and provisions. I'm just forty-eight fifty short."

No one spoke. David did not even glance at Grinaldi or the others. He knew and they knew that there was no such claim against Braddock. He hesitated for an instant only. Then it was borne in upon him that Braddock may have heard of his walk with Christine and was demanding tribute.

He picked up his coat and deliberately drew from the lining a thin, folded bit of paper. It contained all the money that was in his possession at the time. He counted off five ten-dollar bills, replaced the remaining thirty dollars inside his striped shirt, and handed the tribute to Braddock.

"You're a damn' fine boy, Jacky," said the man. "I'll not forget this."

Later on he demonstrated the sincerity of the remark.

He came back when the show was half over, and with vast good nature took David over to where Mrs. Braddock and Christine were standing with wonder and doubt in their faces.

"I guess it's all right for us four to see a little more of each other," he said, but he did not look at his wife. "Jacky, you rascal, you are a gentleman, and as such I introduce you to my family. Let's all be friends."

Mrs. Braddock's face went white. She understood the motive of the man. He meant to follow new methods in the effort to secure possession of David's money.

Christine beamed with delight. She kissed her father's stubbly cheek and called him a darling!

CHAPTER VII — THE BROTHERS CRONK

"Don't you tell 'im you've stuck that money away in a bank," was all that Joey Grinaldi said when David told him of Braddock's sudden change of front. It was a sentient bit of advice, showing that the wool was not to be pulled over Joey's eyes.

"I think I understand," said David gloomily. "But what am I to say to him?"

"Don't peep. Leave it to me. I'll tell 'im that you're talking of putting most of it into the business after you get safely over into Indiana or Illinois. That'll stave 'im off. But he's going to 'ave that money, one way or another, my lad. That's wot's on 'is mind."

The next morning, just after the parade, David went off for a walk in the town. His thoughts were of the evening before and the half-hour he had spent with Christine. He was thinking of her wonderfully sympathetic eyes, of the live touch of her hand on his arm, of the soft music in her voice, of the delicious words of faith and confidence she had whispered. He could still feel the tight clasp of her fingers on his arm; he could still hear the tremulous note in her voice.

And how gravely she had smiled at him in the ring! What a profession of deep loyalty there was in the glance she gave him when he passed her in the dressing-tent! The world seemed to have grown brighter for him all of a sudden. For the first time in weeks he whistled,—and it was a blithe air that he lilted, for, by nature, he was a blithe lad.

His reverie was abruptly disturbed. Turning a corner he came upon a group of town boys. They were making faces and hooting at a strange figure that crouched against a high board fence. David recalled this figure at once: a squat, hunchback lad who was to be seen at times behind the counter of the "snack stand." More than once had the strong, straight Virginian gazed with a certain pity upon the pale-faced cripple. He had been struck by the look of patient suffering in the boy's face.

But now that look was gone. The hunchback, who could have been no more than fifteen, was convulsed by rage. He was showing his teeth like a vicious dog. The most appalling flow of profanity came shrieking through his white lips. David was shocked. Never in all his life had he heard such unspeakable names as those which the tormented boy was screaming back at his tantalizers.

Suddenly he spat upon the biggest of his scoffers, following the act with a name so vile that the other leaped forward and struck him a heavy blow in the face.

This was too much for David. He dashed in and planted a stinging right-hander on the jaw of the enraged bully, sending him to the ground beside the hunchback, who was writhing there with blood on his lips.

For a second or two the fellow's companions, four in number, stood undecided. Then, with one accord, they rushed at David Jenison.

The Virginian was not skilled in the art of self-defense, but he was brave and cool and strong. He met the rush staunchly. To his own surprise his wild swings landed with amazing precision and the most gratifying effect. Two of his assailants reeled away under the savage impact of his blows. A stone, hurled by one of the young ruffians, struck him on the shoulder; another reached his face with a cutting blow of the fist. He felt the hot blood trickling down his cheek. But he stood squarely in front of the hunchback, his fists swinging like mad, half of his blows failing to land on the person of any one of his crowding, cursing adversaries.

Suddenly a new element entered into the one-sided conflict. A whirlwind figure dashed out of an alley hard by and came crashing into the thick of the fray.

"Dick! Dick!" shrieked the cowering cripple, the fiercest glee in his shrill voice.

"Always on hand," sang out the newcomer, slashing out right and left. "Old Nick-o'-time, my lads. So you'd jump on a cripple, would you? Here's a Christmas gift for you, you hayseed!"

Singing glibly after this fashion, the tall recruit laid about him with devastating effect. Three of the surprised town boys were sprawling on the ground; another was trying to scale the fence ahead of an expected boot-toe; the fifth was being soundly polished off by the exhilarated David. In less time than it takes to tell it, five terrified hoodlums were "streaking it" in as many directions, their chins high with a mighty resolve, their legs working like pinwheels, their eyes popping and their mouths spread in speechless endeavor. Five seconds later you couldn't have found one of them with a telescope.

The hunchback had leaped forward and was clasping a leg of the tall, angry rescuer, whining petulantly: "Why didn't you come sooner, Dick! You never look out for me. One of them struck me. See!"

"Struck you, did he? I'd—I'd have killed him if I'd knowed that, Ernie. But, say, who's your friend? Looked as if he was doing business all right when I came up. Hello! They got to you, did they? Bleeding like a pig, you are. Say, young feller, never—never put your nose where it can be hit. I hates the sight of blood, and always did."

David was wiping the blood from his cheek. The tall young man came over and inspected the break in the cuticle.

"Just peeled it off a little," he announced. "No harm done. Oh, I say, you're the new clown, ain't you? I saw you last night. Put it there, kid. You're a brick. I'll not forget what you did for Ernie."

The two shook hands. The satirical grin had left the stranger's face. He was regarding David with keen gray eyes, narrowed by the odd intentness of his gaze. David had the feeling that his innermost soul was being searched by the shrewdest eyes he had ever looked into.

"I came up just in time," explained the Virginian, still somewhat out of breath. "They were teasing him, and then one of the brutes struck him. I like fair play. I couldn't help taking a hand. They might have hurt him severely."

"He's my brother," said the other, putting his hand on Ernie's misshapen shoulder. "No, I won't forget this," he went on. "You didn't have to interfere, but you did. Plucky thing to do. They say you come from Virginia. Well, you've proved it. Thank you for doing this. My name's Dick Cronk. I'm from New York. Ernest, I haven't heard you say anything that sounds like 'much obliged.' Speak up!"

The hunchback looked sullenly at the ground, his black eyebrows almost meeting in a straight line above his nose.

"He couldn't have licked 'em if you hadn't come, Dick," he protested.

"See here, Ernie," said Dick, "that's no way to act. Mr.—er—this young gentleman defended you until I—"

"I saw him looking at my—my hump yesterday. He laughed at me," cried the boy fiercely.

David's hand fell from his bloody cheek. "Laughed at you?" he cried. "I never did such a thing. You are mistaken."

"What were you laughing at, then?" demanded the unfortunate boy, made over-sensitive by his dread of ridicule.

"I don't remember that I laughed," said David, perplexed and distressed.

"Well, you did," defiantly.

David caught the look of profound embarrassment in Dick Cronk's face. He felt a sharp pity for him, though he could not have explained why.

"I'm sorry you think that of me," he said. "And I am happy to have come to your assistance just now. Let's be friends."

Dick pushed Ernie forward, gently but firmly. The hunchback extended his hand grudgingly.

"All right," he said sulkily.

"Come on!" said Dick, suddenly alert. "The cops will be along here directly. Let's get back to the lot. I'm not particularly anxious to get pinched just now."

He winked at David in a most mysterious way, and then grinned broadly. David looked puzzled. Then a deep flush spread over his unstained cheek.

"You mean because you are with me?" he demanded.

Dick Cronk stared. "What's that got to do with me? Oh!" He appeared to recall something to mind. "I didn't mean anything like that," he hastened to explain. "As far as that goes, I guess you're in worse company than I am at the present moment."

With this enigmatic rejoinder he proceeded to collect three trophies of the battle and toss them over the high board fence. Three of their late enemies had neglected to pick up their hats as they scuttled off the field of carnage.

"None of them worth keeping," was his contemptuous remark as he started off briskly in the direction of the circus lot.

For the first time in many days the sun was shining. David announced that he would proceed on his walk toward the distant hills.

"Better come along with me," advised Dick, halting abruptly. "The cops will get wind of this. They jerk up a circus man on the slightest excuse. It's something of an honor, I believe, to land one of us in jail. The darned rubes talk about it for weeks afterwards, telling how they nailed a desperate character. Everybody connected with a show is a regular devil in their eyes. And that reminds me. I had my lamps on a couple of blue boys down the street as I came up. We'd better go up this alley."

The three of them turned into the narrow alley and walked briskly along, Dick Cronk regaling the perplexed David with airy comments on the methods employed by rustic police in their efforts to preserve the city from the depredations of circus followers and scalawags. He was a revelation to the young Virginian.

Despite his jaunty, casual manner, there was a certain keen watchfulness in his face, an alert gleam in his lively eyes. He seemed to be taking in everything as they ambled through the alley. When they approached the intersecting street his gaze seemed to project itself far ahead, even to the scouring of the thoroughfare in both directions.

"I think those two cops are still at the corner below," he remarked. "We'll turn to the left without looking to the right."

They turned to the left.

"Yes," said Dick, who, so far as David could see, had not glanced to the right, "they're still there. Let me tell you one thing, pardner. If a cop ever stops you and begins asking questions, just you tell him you're a performer. You can always prove it, whether you are one or not." He drew forth a short black pipe. "Heigho! I'm glad to be back with the show." There was a world of satisfaction in the way he said it.

"Are you a performer?" asked David, glancing out of the corner of his eye at the long, supple figure. The fellow was filling his pipe.

Dick Cronk laughed softly. "Yes. I've been performing on the perpendicular bars for the past two weeks. Not the horizontal bars, mind you. Banks and Davis do that act. Climbing up and down the bars has been my job lately."

"You mean?"

"Even the innocent must suffer sometimes," quoth the nonchalant philosopher. It was sharply revealed to David that he had been in jail.

Three abreast they moved down the main street of the town, soon mingling with the throngs of country people in the neighborhood of the public square. Dick Cronk's hands were in his trouser pockets; his shoulders were thrown back, his chin elevated, his long legs stepping out freely, confidently. His stiff black hat was cocked airily over his right ear. He was rather flashily dressed, but he had the ease of manner that enabled him to carry his clothed with peculiar unobtrusiveness. They were threadbare and untidy, if you took the pains to look closely; but you never thought of looking closely; you merely took in the general effect, which was rather pleasing than otherwise.

The face of this debonair knight of Vagabondia was curiously attractive, though not what you would call handsome. The features were too pronounced, the lips too prone to twist into satirical grimaces. His dark hair grew rather low on his wide forehead; it always looked straight and damp. The nose was long and pointed. When he whistled—which was almost incessantly—the tip of it appeared to protrude at least half an inch farther out from his face and to assume a new elevation. His chin was square and his neck was long. Swift-moving gray eyes twinkled good-humoredly under a frank, open brow.

"Are you going to be with the show the rest of the summer?" asked David hesitatingly, at one stage of their conversation.

"I don't know," said the other, pursing his lips. "I can't say that I like Braddock's greedy ways. He wants too much in the divvy. There's plenty of shows nowadays that don't ask anything off of us. But Brad's got to have a slice of it. See? I've been thinking a little of Barnum or Van Amberg."

Ernie spoke up shrilly. "You bet your life he ain't going to leave the show." Dick turned pink about the ears.

"Never mind that, kid," he said uneasily. David instinctively knew that there was a girl in the balance.

Dick had the wonderful knack of "spotting" a policeman two blocks away. At times this quality in him was positively uncanny.

"I can see 'em through a brick wall," he said to David. "I guess it must be second sight."

"It's second smell," said Ernie briefly.

They came at length to the show grounds. Here, to David's amazement, every one they met greeted the tall youth with a shout of joy. He shook hands with all of them, from the hostler to the manager, from the "butcher" to the highest-priced performer, without any apparent distinction.

"Hello, Dick, old boy!" was the universal greeting.

"Hello, kid!" was his genial response, to young and old alike. Women, sunning themselves, waved their hands gayly at him; some of them wafted kisses—which he gallantly returned. Old Joey Noakes took his pipe out of his mouth, crinkled his face up into a mighty smile, and exclaimed:

"It's good for sore eyes to see you again, Dicky. How was it this time?"

"I liked the stone pile better than the chuck they gave us. Gee whiz, I'll never get pinched in that burg again."

David turned away for a moment to speak to some one. When he looked again, Dick Cronk had disappeared.

"Where is he?" he asked of old Joey.

"He's 'arf-way uptown by this time," said the clown quizzically.

"Who is he, Joey?"

Joey looked surprised. "Don't you know Artful Dick Cronk?" he demanded. "Why, Jacky, he's the slickest dip—that's short for pickpocket—in the United States. He's the king of all the glue-fingers, that boy is. My eye, 'ow he can do wot he does, I can't for the life of me see." He then went into a long dissertation on the astonishing accomplishments of Artful Dick Cronk.

"And you all associate with him?" cried David, openly surprised.

"Certain sure. Why not? He's the most honest dip I ever see. He wouldn't touch a thing belonging to one of us—not a thing. He works only on these 'ere rich blokes wot thinks we're scum and vermin. But, I say, Jacky," he interrupted himself to say sagely, "I wouldn't be seen with 'im too often if I was you. He does have to make some very sudden escapes sometimes, unexpected like, and I doubt if you can dodge as well as he can. If that feller was to give up lifting pocket-books, he could be the grandest lawyer in ten states. Wot he don't know about the law nobody else does. Experience is a wonderful teacher. He comes by 'is name rightly, he does,—Artful Dick. I've larfed myself sick many a time listening to 'ow he lifted things. Once he actually took a feller's pocket-book out of 'is inside westcut pocket, removed the bills, signed a little receipt for 'em, and then returned the leather to the gent's westcut. Later on he 'eard the chap was going to use the money to pay off a morgidge and that he 'ad a sick wife. Wot did Dick do but 'unt him up again and put the money back, removing the receipt and substituting a fifty-dollar bill he'd filched from a wise guy in a bank, all wrapped up in a little note telling the chap to give it to 'is wife with the compliments of Old Nick. I've larfed myself to sleep wondering wot the feller thought when he found the note!" "I've never seen any one just like him. He's a very odd person," said David. "I think I should like him in spite of what he is."

"Everybody likes him. He's so light-'earted he almost bursts with joy. He's followed us for two seasons, and I've never knowed 'im to do a mean or dishonorable thing," said Joey with perfect complacency. And yet Joey Noakes was the soul of integrity! David could not help laughing; whereupon the clown hastened to add: "Except to steal."

"I'm sorry he's that kind," deplored David.

"He's about twenty-one," said Joey, a retrospective light in his eye. "He first joined us as a sleight-o'-hand man in the side-show. That cussed little brother of 'is got a job taking tickets. Dick 'ad been in jail a couple of times and he decided to turn over a new leaf. He'd 'a' been all right if it 'adn't been for Ernie. Ernie didn't think he was making enough money by being honest, so he just naturally drove 'im to picking again. That boy is a little devil. You see, the trouble with poor Dick is, that he's set 'imself up to protect and provide for Ernie all 'is life. It seems that he's responsible for the deformity. When Ernie was five years old, Dick, who 'ad a wery disagreeable temper in them days, kicked the little cuss downstairs. The kid was laid up for months and he came out of it all twisted up—just as you see 'im now. Well, Dick never got mad at anybody after that. He wery properly swore he'd take care of Ernie and try to make up for wot he'd done to 'im. He said he'd beg or steal or kill if he 'ad to, to provide for 'im. He's never 'ad to beg or kill, I'm thankful to say. So, you see, he ain't altogether to blame for 'is occupation. Ernie's a miser. He wouldn't be satisfied with 'arf of a decent man's wages, if Dick minded to go to honest work; he must have 'arf of all Dick can steal, and he sets up a 'orrible rumpus if Dick don't make some good pulls. Ernie's excuse for 'is greediness is this: he says he wants to 'ave plenty to fall back on if Dick 'appens to get a long term in the pen. Who's going to support 'im, says he, while Dick's doing time? Wot do you think of that for brotherly love?"

"It's unbelievable!"

"He curses Dick in one breath and sweeties 'im in the next," went on Joey. "Wheedles 'im, don't you see. Once Dick was in the jug for two months. Ernie wanted to kill 'im afore he got out, he was that enraged at 'im for being so inconsiderate as to get caught. They say Ernie has several thousand dollars in a bank in New York, every nickel of which Dick stole for 'im. Dick spends 'is own share freely, or gives it away for charity, or—ahem! lends it to needy persons as 'appens to know 'im."

"Poor fellow! What a life! What is to become of him?" cried David, genuinely concerned.

"Oh, he's got all that set down in 'is book of fate, as he calls it. He says he's going to be 'anged some day. He's just as sure of it as he's sure he's alive."

"Just a morbid notion."

"Well, it's his antecedents, as the feller would say. In the family, so to speak. His father was 'anged for murder when Dick was eleven years old. I daresay it's got on 'is mind, poor lad."

"His father was hanged?" cried David, in a lowered tone. A swift shudder swept over him.

"He was," said Joey, refilling his pipe and preparing to scratch a sulphur match on his bandy leg. "And a good job it was, too. He was a 'ousebreaker, and he 'ad a wery gentle wife who prayed for 'im every night and tried to get 'im to give up the life on account of the children. One night he got drunk and shot a perfectly 'elpless old man whose 'ouse he was robbing. That's wot they swung 'im for. I daresay that's why Dick 'as never took to drink. He says it takes the polish off from a chap's ambition."

All this time, at the back of the "snack-stand" across the lot the Cronk brothers were engaged in earnest conversation, low-toned and serious, irascible on the part of the one, conciliatory on the part of the other.

"You know I give you half always, Ernie," said tall Dick, almost plaintively. "I never hold out on you."

"You say you don't," snarled the other between his teeth. "You got more than twenty dollars out of that guy last night, didn't you? I know you did."

"S' help me God, Ernie, I didn't get a—"

"He had nearly fifty dollars in the saloon."

"I don't know where it got to, then. I nipped only two tens, I swear, Ernie. Why, I wouldn't do you a dirty trick like that for the world."

"You done me a dirty trick once," grated the misshapen lad. "If it hadn't been for you I'd be as straight as anybody and I—"

"Don't begin on that again, Ernie," pleaded Dick. "Ain't you ever going to give me a rest on that? Ain't I trying to make up for it, the best I know how?"

"Yes, and didn't you let 'em catch you back there in Staunton? Is that the way you make it up? Letting me starve—almost." He glared at the ground. "Yes, if I was straight she'd look at me, too. She wouldn't look the other way every time I come around. Oh, you don't know how it feels! She'd go out walking with me instead of that Virginian smart aleck who killed his grandpa. But just see how it is, though! She won't look at me! She won't even look at me!"

A whole world of bitterness dwelt in that cry of despair.

"If I was straight like you, she'd—she might love me. She might marry me. Just think of it, Dick! I might get her." With the inconsistency of the selfishly irrational he added: "I've got plenty of money. I could give her fine clothes and—But, oh, what's the use? She hates to look at me. I—I hurt her eyes—yes, I hurt her eyes!"

It was pitiful. Greed and avarice had made a hateful little monster of him, and yet a heart of stone would have been touched by the misery in his eyes, the anguish on his lips. Dick murmured helplessly:

"May—maybe you can get her anyhow, Ernie. Maybe you can. Maybe—maybe."

But Ernie's emotion underwent a sudden change. Spitefulness leaped into his eyes; the wail of misery left his voice and in its place came shrill blasphemy. After he had cursed Dick and David Jenison to his heart's content he came to a standstill in front of his unhappy brother. Sticking out his lower jaw angrily he snapped:

"Where's the sapphire ring you got from the feller in Charlottesville?"

"I—I still got it."

"Oh, I see!" sneered Ernie, drawing back. "You're saving it to give to Ruby Noakes, eh? That's it, is it? Cheating me out of it to give to her. An engagement ring, eh? Say, you—"

"Hold on, Ernie," said Dick sternly. "I'm not going to do anything of the sort. Why—why, I couldn't give Ruby anything I'd stole. I couldn't!"

"Aw, but you don't mind giving me things you've stole. I'm different, am I? I'm not as good as she is, am I? Well, say, lemme tell you one thing: Ruby Noakes ain't going to hook up with a sneak thief."

"Ernie," said Dick, going very white and speaking very slowly, "you sometimes make me wish you'd 'a' died that time."

"I wish I had! Then they'd 'a' hung you."

"I was only nine," murmured Dick, trying to put his arm around his brother, only to have it struck away with violence.

"And I was only four," scoffed the other. "Say, let's see that ring."

Dick produced the sapphire. It was most unusual in him to carry the smallest part of his gains on his person. The circumstance struck Ernie at once.

"So you were going to give it to her," snapped he.

"She wouldn't take it if I were fool enough to offer it," said Dick quietly, dropping the ring into his brother's hand. It immediately found a new resting place in the latter's pocket.

"Maybe the other one will take it from me," he grinned.

"You'd better not try it, Braddock would kick you to death."

"Everybody wants to kick me," whined the other, taking a new turn. "But, say, he didn't offer to kick me last night when I told him she'd been out walking with that guy. I seen 'em—I seen 'em sneaking in. I told Brad. I bet he raised thunder with 'em."

Dick was looking out past the stand in the direction of the big tents.

"I'm not so sure," he said dryly. "I see Brad and Christine and the guy you mean talking over there by the entrance. They seem to be in a specially good humor."

Ernie sprang forward, his eyes dilated. He stared for a full minute without blinking. Then his grip on Dick's arm suddenly relaxed.

"Oh, God, how I wish I was straight and handsome like him!" he cried brokenly.

Dick did not look down, but he knew that the tears were standing in the boy's eyes.

"Don't think about it, Ernie," he began.

Ernie shook off his hand and angrily rubbed his eyes with his bony knuckles. He sobbed twice, and then burst forth in a shrill tirade of abuse. Quivering with ungovernable rage, he called Dick every vile name he could lay his proficient tongue to.

Poor Dick offered up no word of protest, no sign of resentment. When Ernie stopped for sheer exhaustion, not only of his lung power but in the matter of epithets, the tall martyr took his hands out of his pockets, stretched himself lazily, and announced, as if it were expected of him as a duty:

"Well, the crowd is beginning to gather at the ticket-wagon. I guess I'd better be strolling among 'em, Ernie. So long."

Ernie looked up eagerly, his mood changing like a flash.

"Good luck, Dick," he said, his eyes sparkling.

CHAPTER VIII — AN INVITATION TO SUPPER

That same night Artful Dick Cronk had a long conversation with Thomas Braddock. David was the principal subject of discussion. The airy scalawag was not long in getting to the bottom of the fugitive's history, so far as it could be obtained from the rather disconnected utterances of the convivial Thomas. They had come upon each other in a bar-room, but Dick had succeeded in getting the showman away from the place before he reached the maudlin stage. The day's business had been good. Braddock was cheerful, almost optimistic in consequence. He vociferously thanked his lucky sun, not his stars. Convinced that this was an uncommonly clever bit of paraphrasing, he repeated it at least a dozen times with great unction, always appending a careful explanation so that Dick would be sure to catch the point—or, you might say, the twist.

"If we only had sunshine like this," he announced with a comprehensive wave of his hand, regardless of the fact that it was ten o'clock at night, "I'd clear a million dollars this season. We've got nearly fifteen hundred dollars in that tent to-night, Dick. Twenty-one hundred on the day. A week of this beautiful sunshine and we'd be doing three thousand a day. I'd make old Barnum look like a two-spot. Did you ever see more beautiful sunshine, Dick? Now, did you?"

"That's not the sun, Brad," said Dick, removing his pipe from his lips. "That's a canvasman with a torch." They had arrived at the lot.

Braddock swore a mighty oath, and with jovial good-humor chucked Dick in the ribs, not very gently, it may be supposed. Dick, with responsive good-humor, seized the opportunity to deliver a resounding thump on Braddock's back, almost knocking the breath out of him. If one could have looked into the brain of the grinning pickpocket, he might have detected a vast regret that policy made it inadvisable to thump the showman on the jaw instead of the back. He had the satisfaction, however, of hearing the other cough violently for some little time.

"Don't be so rough," growled Braddock, taking a fresh cigar from his pocket to replace the one that had been expelled by the force of the blow.

"Excuse me," apologized Dick promptly. "Say," he went on, without waiting for or expecting forgiveness, "tell me something about this new clown of yours."

Whereupon Braddock lowered his voice and told him as much as he knew of the story. They sat on a wagon tongue at some distance from where the men were tearing down the menagerie tent. Dick Cronk puffed his pipe thoughtfully during the recital. One might have imagined that he was not listening.

"I don't believe he killed him," said he at the end of the story.

"Neither do I," said Braddock. "But it won't hurt to let him think that we're all still a leetle bit doubtful."

"I heard all about the murder in Staunton. The sheriff was trying to head the kid off if he came through that county. We were expectin' to see him landed in jail any day. They had bloodhounds after him, I hear." Dick Cronk's body quivered in a sharp spasm of dread.

"Say, Dick, listen here," said Braddock, leaning closer and dropping his voice to a half-whisper. "I've been wantin' you to turn up ever since he joined us. What will you say when I tell you he's got more 'n two thousand dollars with him?"

Dick started. "What!"

"He has. I've seen it. He's lousy with it."

"Well, he came by it honestly," said Dick after a moment.

"How do you know?" demanded the other insinuatingly.

"Honest men are so blamed scarce, Brad, that I can always tell one
when I see him."

Braddock rolled his cigar from one side of his mouth to the other and back again before venturing the next remark.

"It would be no trick at all to get it away from him."

Dick Cronk looked at his averted face. "What do you mean?"

"Think of what a haul it would be."

"I suppose you want me to lift the pile. Is that it?"

"Not unless we come to a thorough understanding beforehand," said Braddock quickly. "It's my plan, so I get the bulk of it, understand that."

"I do the job and you get the stuff," sneered Dick, still looking at his companion. Braddock felt that look and moved uncomfortably.

"It's too much money to let get away," he explained somewhat irrelevantly.

"Then why don't you pinch it yourself? Why ask me to do it?"

Braddock turned upon him angrily. "Why, I'm no thief! I'll break your neck if you make another crack like that."

Artful Dick arose. "I'm not so easily insulted," he said with a queer little laugh. "But, say, Braddock, let me tell you one thing. I'm not going to touch that kid's wad, and you ain't either. I'm a friend of his'n, after what happened to-day. Put that in your pipe, Brad, and smoke it."

Braddock gulped painfully. "See here, Dick, don't be a fool. We can clean up a—"

"You'd take the pennies off a dead nigger's eyes," interrupted the pickpocket scathingly.

"I'd do anything to keep the show from busting," said the other with the air of a martyr. "Anything to save my wife's little fortune, and anything to keep my performers from going broke."

"I suppose your wife thinks it's all right to get this kid's money away from him," said Dick sarcastically.

"She—why, of course, she wouldn't know anything about it. She's so blamed finicky."

"Of course!" scoffed Dick.

"But she'd stand for it, if she ever did find it out. She needs the money just as much as I do, only she likes to appear sanctimo—"

"I hate a liar, Brad," said Dick coolly.

Braddock arose unsteadily. "You mean ME?"

"I do," said the thief to the liar. "You know you lie when you say she'd back you up in a game like that."

"I've a notion to smash you one."

"Here's your watch, Brad, and your pocketbook. I nipped 'em just now to see if I'm in practice. Oh, yes, and your revolver, too." He laughed noiselessly as he laid the three articles on the footrest of the wagon and turned away.

Braddock blinked his eyes. As he replaced the articles in their places, he said admiringly: "Well, you do beat the devil!"

When he turned, the pickpocket was nowhere to be seen. It was as if the earth had swallowed him.

Five minutes later Dick appeared quite mysteriously in the dressing-tent, coming from the skies, it seemed to David, who found him filling a space that had been absolutely empty when he stooped over an instant before to adjust his shoe-lacing.

"Hello, kid," said Dick easily. "Say, do you know there's a warrant for your arrest right now in the hands of the town marshal of this burg?"

David's heart almost stopped beating.

"How do you know?" he demanded.

"I just piped him and a Pinkerton guy I know by sight hunting up Braddock. Not three minutes ago. They were talking it over between 'em out there by the road. The detective's got a picture of you, he says. Somehow they've dropped on to it that the new clown is you. Evening, Mrs. Braddock."

The proprietor's wife came up, followed closely by Christine and Ruby, dressed for the street. In an instant David repeated the startling news.

"What is to be done?" cried Mrs. Braddock, aghast.

"They sha'n't take you, David," cried Christine.

"Where is my father?" fell from Ruby's frightened lips.

"Not a second to be lost," said Dick. "I've got a scheme. Come in here, kid, and let me get into the tights you've got on. Tell Joey, and put the rest of the crowd on to the game," he added to Ruby.

When the town marshal and the detective deliberately stalked into the dressing-tent a few minutes later, a nonchalant group of performers greeted them, apparently without interest.

The new clown was partly dressed, but he had not washed the bismuth and carmine from his lean face. Braddock, perspiring freely, came in behind the officers. He saw in a glance what had transpired. His cigar almost dropped from his lips.

"We want you," said the marshal, pushed forward by the detective. The new clown looked up, amazed, as the hand fell on his shoulder. "No trouble now," added the local officer, nervously glancing around him. He knew the perils attending the arrest of a circus performer in his own domain.

"What's the matter with you?" exclaimed Dick Cronk, jerking his arm away.

"I want you, David Jenison, for murder in—"

There was a roar of laughter from the assembled crowd of performers.

"Come off!" grinned Dick Cronk. "You're off your base, you rube. Let go my arm!"

"None of that now," said the detective. "I've got your picture here. The jig's up, young feller. It's no—"

"My picture?" ejaculated Dick in surprise. "Let's have a look at it. I never had my picture taken in my life."

The man held out a small solar print of a daguerreotype that David Jenison sat for the year before at college. While the marshal, in some trepidation, regained his grip on the prisoner's arm, the crowd of performers looked at the picture with broad grins on their faces.

"Wash up, Jacky," said Grinaldi, stifling a laugh.

"Let the rubes see what you really look like," added Signor Anaconda.

Dick Cronk proceeded to scrub away the make-up. When he lifted his face for inspection, the two officers glared at him in positive consternation.

"I guess I'm not the guy you're after," said Dick coolly. "A blind man could see that I don't look like that picture. My, what a nice-looking boy he is! A reg'lar lady-killer."

"You're not the man, that's dead sure," said the Pinkerton operative, perplexity written all over his face. "We've had a job put up on us," he explained, turning to Braddock. "Some smart aleck sent word to our branch that the real Jenison boy was a clown in this show. We got a note from some one who said he belonged to the show. They sent me up here on a chance that it was true. We had this picture in the office. The note says David Jenison joined the show three weeks ago. How long have you been with it?"

Dick Cronk was very cunning. "That's funny. I've been with it just three weeks. Say, I bet I know who put up this job on you." He turned to his friends. "It was that darned Jim Hopkins. He's always up to a gag of some sort."

"Where is he?" demanded the detective.

"The Lord knows," said Dick. "He ducked a couple of days ago. Gone to Cincinnati, I think he said. He works the shell game, and it got pretty hot for him after we left Cumberland. Well, say, this IS great! I guess the drinks are on the Pinkerton office. Thaw out, mister. Charge it to the Molly McGuires."

In the mean time David Jenison, attired in a street gown belonging to Madam Bolivar, the strong lady, was on his way to the hotel, accompanied by Mrs. Braddock, Christine and others of the sex he represented for the time being.

An hour later he stole away from the hotel, in his own clothes, and boarded a rumbling tableau wagon at the edge of the town, considerably shaken by his narrow escape, but full of gratitude to the resourceful pickpocket.

In the railroad yards Dick Cronk hunted out his brother Ernie, and, standing over him in a manner so threatening that the astonished hunchback shrank down in fear, he bluntly accused him of informing on David Jenison.

"I know you did it, Ernie," he said, when the other began to whimper his denials. "You've done a lot of sneakin' things, but this is the sneakin'est. If you ever peach on anybody again, I'll—well, I won't say just what I'll do. It'll be good and plenty, you can be I on that."

"What'll you do?" sneered Ernie, but cravenly.

"Something I didn't do the first time," announced Dick with deadly levelness. Ernie turned very cold.

"You wouldn't hurt me?" he whined.

"I'm through talkin' about it," said Dick, turning away. "Just you remember, that's all."

Colonel Bob Grand descended upon the show the following afternoon. His customary advent was always somewhat in the nature of a hawk's visitation among a brood of chickens: it was quite as disturbing and equally as hateful. Moreover, like the hawk, he came when least expected.

"Oh, how I loathe that man," whispered Christine to David. She was waiting for her turn in the ring, just inside the great red and gold curtains at the entrance of the dressing-tent. Tom Sacks was peeping through the curtains at the haze-enveloped crowd in the main tent. David and the slim girl in red were standing at the big gray horse's head and she was feeding sugar to the animal. The youth in the striped tights was a head taller than his companion—for David was then but an inch or two short of six feet and broadening into manhood.

Colonel Grand had just entered the dressing-tent with Christine's father, and was paying his most suave devotions to Mrs. Braddock across the way.

"When did he come?" asked David, filled with a sharp pity for the girl, who, as yet, could hardly have suspected the real object of his visits.

"An hour ago. David, why does he come so often?"

"I—I suppose he has business in these towns," he floundered uncomfortably.

"My mother hates him,—oh, how she hates him. I don't see why he can't see it and stay away from us. Of course, he's very rich, and he's a—a great friend of father's. They say Colonel Grand gambles and—and he leaves his wife alone at home for weeks at a time. I can't bear the sight of his face. It is like an animal's to me. Have you seen that African gazelle out in the animal top? The one with the eyes so close together and the long white nose? Well, that's how Colonel Grand looks to me. I've always hated that horrid deer, David. I see it in my dreams, over and over again, and it is always trying to butt me in the face with that awful white nose. Isn't it odd that I should dream of it so much?"

"It's just a fancy, Christine. You'll—you'll outgrow it. All children have funny dreams," he said with a lame attempt at humor.

"I'm fifteen, David," she said severely. "I don't like you to say such things to me. But," and she beamed a smile upon him that fairly dazzled, "I do love the way you pronounce my name. No one says it just as you do. I hate being called Christie. Don't you ever begin calling me Christie. Do you hear?"

"I've always loved Christine," he said frankly. Then he felt himself blush under the paint.

She hesitated, suddenly shy. "I've never liked David until now," she said. "I've always liked Absalom better. Reginald is my favorite name,—or Ethelbert. Still, as you say, I will doubtless outgrow them. Besides, you are not David. You are poor little Jack Snipe."

Her warm smile faded as she turned her eyes in the direction of Colonel Grand. The troubled look came back to them at once; there was a subtle spreading of her dainty nostrils.

"How I hate his smile," she said in very low tones.

Without looking at David again she passed through the curtains after Tom Sacks and made her way to the ring, a jaunty figure that gave no sign of the uneasiness that lurked beneath the joyous spangles.

David looked after her for a moment. He became suddenly conscious of the fact that Colonel Grand was staring at him across the intervening space. Turning, he met the combined gaze of the three persons who formed the little group. There was a comprehensive leer on the face of the Colonel.

In that instant there flashed through David's mind the conviction that Colonel Bob Grand was to play an ugly and an important part in his life. Again there came over him, as once before, the insensate desire to strike that gray, puttyish face with all his might.

He had been kept out of the ring during the early part of the performance, while Artful Dick and other cunning scouts were satisfying themselves that the Pinkerton man actually had given up the chase. As a matter of fact, the disgusted operative had been completely fooled, and was well on his way to Philadelphia, cherishing the prospect of a laugh at the expense of the superintendent who had sent him on the wild-goose chase.

David kept a wary eye open for the danger signal, which, however, was not to come. He saw the Braddocks and Colonel Grand leave the dressing-tent and pass into the open air. This time Braddock walked ahead with his unyielding wife. Apparently he was expostulating with her. She looked neither to right nor left, but walked on with her face set and her eyes narrowed as if in pain. Colonel Grand, the picture of insolent assurance, sauntered behind them, a beatific smile on his lips.

The Virginian was sitting on a property trunk, dejectedly staring at the ground when Christine returned from the ring. Thunders of applause had told him when the act was over; the change of tune by the band announced the beginning of the next act—that of the strong man and his wife. How well David remembered these sudden transitions. He almost longed to be out there now, in the thick of it, with good old Joey Grinaldi at his side, dodging the ringmaster's lash and grinning at the jokes of the veteran.

The girl came straight up to him, her anxious gaze sweeping the interior. She was about to speak to him, but changed her mind and hurried on to her dressing-room. An instant later she was back, greatly agitated. "Where is my mother?" she asked.

"They went away a few minutes ago," replied David, as unconcernedly as possible.

"Where? Where did they go, David?" she cried, her voice low with alarm.

"To the side-show, I think," prevaricated he.

He saw the look of relief struggling into her face.

"She—she always cries when she goes out with them together," she murmured piteously. "Oh, David, I'm so worried. I don't know why—I don't know what it is that causes me to feel this way. But I am frightened—always frightened."

He took her little hand between his own; it was trembling perceptibly. Very gently he sought to reassure her, his heart so full that his voice was husky with the emotion that crowded up from it.

"Nothing ever can happen to your mother, Christine—nothing. Please don't worry, little girl. Colonel Grand can't—won't do anything to hurt her. Your father won't let that happen. He won't—"

"David, I am not so sure of that," she said slowly, looking straight into his eyes and speaking almost in a monotone. He started. For a moment he was speechless.

"You must not say that, Christine," he said.

"I don't know why I said it," she responded, nervously biting her nether lip. Then she smiled, her white teeth gleaming against the carmine. "She'll be back presently, I know. I'm so silly."

"You are very young, you'll have to admit, after this display," he chided. She left him.

Joey Grinaldi came in a few minutes later and took his protege off to the ring, with the assurance that "the coast" was clear. All the rest of the afternoon David's heart ached with a dull pain. He could hardly wait for the time to come when he could return to the dressing-tent. At last, he raced from the ring, pursued by the inflated bladder in the hand of Joey Grinaldi, their joint mummery over for the afternoon.

Christine was sitting on the trunk that he had occupied so recently; Mrs. Braddock was nowhere in sight.

"David," she said slowly, as he drew up panting, "they did not go to the side-show."

He was spared the necessity of an answer by the providential return of the girl's mother. She came in alone from the main tent. A glance showed them both that she had been crying. Christine sprang forward with a little cry and slipped her arm through her mother's.

As they passed by David the mother's stiff, tense lips were moving painfully. He heard her say, as if to herself:

"I cannot—I will not endure it any longer. I cannot, my child."

David stood before her the next instant, his face writhing with fury, his hands clenched.

"Is—is there anything I can do, Mrs. Braddock? Tell me! Can I do anything for you?" he cried.

She stared for a moment, as if bewildered. Then her face lightened. The tears sprang afresh to her eyes.

"No, David," she said gently. "There is nothing you can do."

"But if there should be anything I can do—" he went on imploringly. She shook her head and smiled.