Transcriber's Note:

Inconsistent hyphenation in the original document has been preserved.

Obvious typographical errors have been corrected.
For a complete list, please see the [end of this document].

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See p. 243

"SHE CAME SLOWLY, WITH ONE SLIM HAND ON THE RAILING"[ToList]

THE TYRANNY
OF THE DARK

BY

HAMLIN GARLAND

AUTHOR OF
"THE CAPTAIN OF THE GRAY-HORSE TROOP"
"HESPER" "THE LIGHT OF THE STAR"
ETC. ETC.

LONDON AND NEW YORK
HARPER & BROTHERS
PUBLISHERS :: MCMV

Copyright, 1905, by Hamlin Garland.
All rights reserved.
Published May, 1905.

CONTENTS

ILLUSTRATIONS

BOOK I

THE CHARACTERS CONCERNED

THE TYRANNY OF THE DARK

I[ToC]

THE SETTING

The village of Colorow is enclosed by a colossal amphitheatre of dove-gray stone, in whose niches wind-warped pines stand like spectators silent and waiting. Six thousand feet above the valley floor green and orange slopes run to the edges of perennial ice-fields, while farther away, and peering above these almost inaccessible defences, like tents of besieging Titans, rise three great mountains gleaming with snow and thunderous with storms. Altogether a stage worthy of some colossal drama rather than the calm slumber of a forgotten hamlet.

The railway enters the valley from the south by sinuously following the windings of a rushing, foam-white stream, and for many miles the engines cautiously feel their way among stupendous walls, passing haltingly over bridges hung perilously between perpendicular cliffs by slender iron rods, or creep like mountain-cats from ledge to ledge, so that when they have reached safe harbor beside the little red depot they never fail to pant and wheeze like a tired, gratified dog beside his master's door. Aside from the coming and going of these trains, the town is silent as the regarding pines.

The only other ways of entrance to this deep pocket lie over threadlike trails which climb the divide from Silver City and Toltec and Vermilion, and loop their terrifying courses down the declivities trod only by the sturdy burro or the agile, sure-footed mountain-horse. These wavering paths, worn deep and dusty once, are grass-grown now, for they were built in the days when silver was accounted a precious metal, and only an occasional hunter or prospector makes present use of them.

Colorow itself, once a flaming, tumultuous centre of miners, gamblers, and social outcasts, is now risen (or declined) to the quiet of a New England summer resort, supported partly by two or three big mines (whose white ore is streaked with gold), but more and more by the growing fame of its mountains and their medicinal springs, for these splendid peaks have their waters, hot and cold and sweet and bitter, whose healing powers are becoming known to an ever-growing number of those Americans who are minded to explore their native land.

This centre of aërial storms, these groups of transcendent summits, would be more widely known still, but for the singular sense of proprietorship with which each discoverer regards them. The lucky traveller who falls into this paradise is seized with a certain instant jealousy of it, and communicates his knowledge only to his family and his friends. Nevertheless, its fame spreads slowly, and each year new discoverers flock in growing numbers to the one little hotel and its ramshackle bath-house, so that the community once absolutely and viciously utilitarian begins to take timid account of its aesthetic surroundings, and here and there a little log-cabin (as appropriate to this land as the chalet to the Alps) is built beside the calling ripples of the river, while saddled horses, laden burros in long lines, and now and then a vast yellow or red ore-wagon creaking dolefully as it descends, still give evidence of the mining which goes on far up the zigzag trails towards the soaring, shining peaks of the Continental Divide.

II[ToC]

THE MAID ON THE MOUNTAIN-SIDE

One day in July a fair young girl, with beautiful gray eyes, sat musingly beside one of these southern trails gazing upon the inverted pyramid of red sky which glowed between the sloping shoulders of the westward warding peaks. Her exquisite lips, scarlet as strawberry stains, were drawn into an expression of bitter constraint, and her brows were unnaturally knit. Her hat lay beside her on the ground, her brown hair was blowing free, and in her eyes was the look of one longing for the world beyond the hills. She appeared both lonely and desolate.

It was a pity to see one so young and so comely confronting with sad and sullen brow such aërial majesty as the evening presented. It was, indeed, a sort of impiety, and the girl seemed at last to feel this. Her frowning brow smoothed out, her lips grew more girlish of line, and at length, rapt with wonder, she fixed her eyes on a single purple cloud which was dissolving, becoming each moment smaller, more remote, like a fleeing eagle, yet burning each instant with even more dazzling flame of color than before—hasting as if to overtake the failing day. A dream of still fairer lands, of conquest, and of love, swept over her—became mirrored in her face. She had at this moment the wistful gaze which comes to the eyes of the young when desire of the future is strong.

Upon her musings a small sound broke, so faint, so far, she could not tell from whence it came nor what its cause might be. It might have been the rattle of a pebble under the feet of a near-by squirrel or the scrambling rush of a distant bear. A few moments later the voice of a man—very diminished and yet unmistakable—came pulsing down the mountain-side.

The girl rose as lightly, as gracefully as a fawn who, roused but not affrighted, stands on her imprint in the grass and waits and listens.

The man or men—for another voice could now be heard in answer—came rapidly on, and soon a couple of men and a small pack-train came out of a clump of thick trees at the head of a gulch, and, doubling backward and forward, descended swiftly upon the girl, who stood, with some natural curiosity, to let the travellers, whoever they might be, pass and precede her down to the valley. She resented them, for the reason that they cut short her reverie, her moment of spiritual peace.

The man who first appeared was a familiar type of the West, a small, lean, sharp-featured, foxy-eyed mountaineer, riding gracefully yet wearily—the natural horseman and trailer. Behind him two tired horses, heaped with a camp outfit, stumbled, with low-hanging heads, while at the rear, sitting his saddle sturdily rather than with grace, rode a young man bareheaded, but otherwise in the rough-and-ready dress of a plainsman. His eyes were on the sunset also, and something in the manner of his beard, as well as in the poise of his head, proclaimed him to be the master of the little train, a man of culture and an alien.

At sight of the girl he smiled and bowed with a look of frank and most respectful admiration, quite removed from the impudent stare of his guide. His hands were gloved, he wore a neat shirt, and his tie was in order—so much the girl saw as he faced her—and as he passed she apprehended something strong and manly in the lines of his back and shoulders. Plainly he was not to the saddle born, like the man ahead, and yet he was quite as bronzed and travel-worn.

A turn in the trail brought them both close under her feet, and again the man in the rear glanced up at the figure poised on the bowlder above him, and his eyes glowed once more with pleasure. There was in his look an expression of acknowledged kinship, as of one refined soul to another, a kind of subtle flattery which pleased while it puzzled the girl. Men with eyes of that appeal were not common in her world.

The bitter look vanished out of her face. She gazed after the trailer with the unabashed interest of a child, wondering who he might be. In that instant her soul, impressionable and eager, received and retained, like a sensitive plate, every line of his figure, every minute modelling of his face—even his fashion of saddle and the leather of his gun-case remained with her as food for reflection, and as she loitered down the trail a wish to know more about him rose in her heart. There was a kind of smiling ecstasy on his face before he saw her—as if he, too, were transported by the scene, and this expression came at last to be the chief revelation of his character.

"THERE WAS IN HIS LOOK AN EXPRESSION OF ACKNOWLEDGED KINSHIP"[ToList]

The red went out of the sky. The golden eagle of cloud flew home over the illimitable seas of saffron, the purple shadows rose in the valleys, the lights of the town began to sparkle. Engine-bells clanged to and fro, and the strains of a saloon band rose to vex the girl's poetic soul with repugnant remembrances of the dance-hall. "I suppose he is only camping through," she thought, a little wistfully, referring back to the stranger. "I wish I knew who he is."

As she came down to the level of the stream its friendly roar cut off the ribald music and the clamor of the engines precisely as the bank shut away the visible town, leaving the little row of pretty cottages in the ward of the mountains and the martial, ranked, and towering firs.

At the foot of the trail a gray-haired woman met her. It was her mother, disturbed, indignant. "Viola Lambert, what do you mean by staying up there after dark? I'm all a-tremble over you."

"It isn't dark, mother," answered the girl; "and if it were, it isn't the first time I've been out alone."

Mrs. Lambert's voice softened. "Child, I can hardly see your face! You must not do such things. I don't mind your being out on horseback, but you must not go up there afoot. It is dangerous with all these tramp miners coming and going."

"Well, don't scold—I'm here safe and sound."

"I haven't had such a turn for years, Viola," the mother explained, as they waited side by side along the narrow walk. "I had an impression—so vivid—that I dropped my work and ran to find you. It was just as if you called me, asking for help. It seemed to me that some dreadful thing had happened to you."

"But nothing did. I went up to see the sunset. I didn't meet a soul." She ended abruptly, for she did not wish to retrace her sad reverie.

"Who were the two men who came down just now? They must have passed you."

"Yes, they passed me—I didn't know them. The one behind looked like an 'expert.' Perhaps he has come to examine the San Luis mine. Some one said they were expecting a man from England."

"He looked more like a Frenchman to me."

"It may be he is," answered Viola, restrainedly.

They turned in at a rustic gateway opening into the yard of a small and very pretty log-cabin which seemed a toy house, so minute was it in contrast to the mighty, fir-decked wall of gray and yellow rock behind it. Flowers had been planted along the path, and through the open door a red-shaded lamp shone like a poppy. Plainly it was the home of refined and tasteful women, a place where tall, rude men entered timidly and with apologies.

"Was there any mail?" asked the girl, as she put aside her hat.

"Not a thing."

The shadow deepened on her small, sensitive face. "Oh, why don't the girls write? they should know how horribly lonely it is here. I'm tired of everything to-day, mother—perfectly stone-blue. I don't like what I am; I'm tired of church-work and the people here. I want to go back East; I want to change my life completely."

The mother, a handsome woman, with fresh, unlined face, made no reply to this outburst. "Gusta won't be back until late; we will have to get our own supper."

The girl seemed rather pleased at this opportunity to do something, and went to her work cheerfully, moving with such grace and lightness that the mother stood in doting admiration to watch her; she was so tall and lithe and full-bosomed—her one treasure.

As she worked, the shadow again lifted from the girl's face, a smile came back to her scarlet lips, and she sang underbreath as only a young maiden can sing to whom love is a wonder and marriage a far-off dream.

She recalled the look which lay on the face of the man who was riding with bared head in ecstasy of the scene above and below him; but, most of all, she dwelt upon the gracious and candid glance of admiration with which he greeted her and which he repeated as he disappeared below her to be seen no more.

This look went with her to her room, and as she sat at her window, which opened upon the river, she wondered whether he had gone into camp in the pine groves just below the bridge, or whether he had taken lodgings at the hotel.

She had lovers—no girl of her charm could move without meeting the admiring glances of men; but this stranger's regard was so much more subtly exalting—it held an impersonal quality—it went beyond her entire understanding, adding an element of mystery to herself, to him, and to the sunset.

III[ToC]

THE MAN

Meanwhile the young tourist had alighted before the door of the principal hotel, and, after writing his name in a clear and precise hand on the book in the office, had hastened to his supper, carrying a most vivid recollection of the slender figure and flushed and speaking face of the girl on the trail. That moment of meeting, accidental and fleeting, had already become a most beautiful climax of his pilgrimage. "She was born of the sunset; she does not really exist," he said, with unwonted warmth of phrase. "How could this little mining town produce so exquisite a flower?"

His grosser needs supplied, he lit his big student's pipe and went out upon the upper story of the hotel's rude porch, and there sat, listening to the rush of the stream, while the great yellow stars appeared one by one above the lofty peaks, and the air grew crisp to frostiness. He was profoundly at peace with the world and himself, his physical weariness being just sufficient to give this hour a sound completeness of content.

As the beauty of the night deepened, the girl's beauty allured like the moon. He still sought to explain her. "She is some traveller like myself," he said, "Bret Harte to the contrary, notwithstanding, the wilderness does not produce maids of her evident refinement and grace. She comes of a long line of well-bred people."

He was not an emotional person, and had not been permitted to consider pleasure the chief object, even of a vacation, but he went to his bed that night well pleased with Colorow, and with a half-defined sense that this was, after all, the point towards which his long journey, with all its windings, had really tended. However, he was not ready to acknowledge that a large part of the charm of the place was due to the glamour of a slender maid lit by the sunset light.

This delight in the town and its surroundings gained a new quality next morning as he looked from his window upon a single white cloud resting like a weary swan on the keen point of old Kanab. Though the mesas of New Mexico and the deserts of Arizona were his special field, he bared his head to the charm of "the high country."

Each summer, after months of prolonged peering into the hidden heart of microscopic things in his laboratory (he was both analytical chemist and biologist), it was his custom to return for a few weeks to huge, crude synthetic, nature for relief. After endless discussion of "whorls of force" and of "the office of germs in the human organism," he enjoyed the racy vernacular of the plainsman, to whom bacteria were as indifferent as blackberry-seeds. Each year he resolved to go to the forest, to the lake regions, or to the mountains; but as the day of departure drew near the desert and the strange peoples living thereon reasserted their dominion, and so he had continued to return to the sand, to the home of the horned toad and the rattlesnake. These trips restored the sane balance of his mind. To camp in the chaparral, to explore the source of streams, and to relive the wonder of the boy kept his faculties alert and keen.

His love of the sands and the purple buttes of the plain did not blind him to the beauty of coloring and the gracious majesty of these peaks, clothed as they were with the russet and gold and amber of ripened grasses, which grew even to the very summits (only the kingliest of the peaks were permitted to wear the ermine robes which denoted sovereignty); the Continental Divide was, indeed, much more impressive than he had expected it to be.

He was not one of those who seek out strange women, and he had no hope of meeting the girl of the mountain-side again. He was content to have her remain a poem—a song of the sunset—a picture seen only for a moment, yet whose impression outlasts iron. Everything in nature had converged to make her momentous. His long stay among the ugly, dusky women of the desert, his exultant joy in the mountain sunset, and his abounding health (which filled his heart with the buoyancy of a boy)—all these causes combined to revive emotions which his absorption in scientific investigation had set in the background—emotions which concern the common man, but which the deeply ambitious chemist, eager to discover the chemical molecular structure of the plasm, must put aside with a firm hand.

IV[ToC]

A SECOND MEETING

Viola was just leaving her mother's gate the following afternoon when a man's voice, cordial, assured, and cultivated, startled her.

"Good-morning. Is this your home?"

She looked up to meet the smiling eyes of the stranger horseman. Again an indefinable charm of manner robbed his greeting of offence, and quite composedly she replied:

"Yes, this is our home."

"What a view you have, and what music!" He indicated the river which ran white and broad over its pebbles, just below the walk. "I am enchanted with the place. I think you must love it very much."

Her face expressed a qualified assent. "Oh yes, but I get tired of it sometimes, especially in winter when we are all shut in with snow."

"Then you really are a year-round resident? I suppose my view is the tourist's view. I can't believe anybody lives here in winter. I hope you won't mind my introducing myself"—he handed her a card. "You made such a pretty picture up there beside the trail yesterday that I couldn't forbear speaking to you on a second meeting. I wanted to know whether you were real or just a fragment of sunset cloud."

The ease and candor of his manner, joined to the effect of the name on the card, fully reassured her, and she looked up with a smile. "Won't you come in and rest?"

"Thank you, I should like particularly to do so, I've been for a climb up that peak behind your cottage and I'm tired."

Her reserve quite melted, the girl led the way to the door where her mother stood in artless wonder.

"Mother, this is Dr. Serviss, of Corlear College."

"I'm glad to know you, sir," said Mrs. Lambert, with old-fashioned formality. "Won't you come in?"

"Thank you. It will be a pleasure."

"Are you a physician?" she asked, as she took his hat and stick.

"Oh, dear, no! Nothing so useful as that. I'm a doctor by brevet, as they say in the army." Then, as though acknowledging that his hostess was entitled to know a little more about her intrusive guest, he added: "I am a student of biology, Mrs. Lambert, and assistant to Dr. Weissmann, the head of the bacteriological department of Corlear Medical College. We study germs—microscopic 'bugs,'" he ended, with humorous glance at Viola. "What a charming bungalow you have here! Did you gather those wild flowers?"

Viola answered in the tone of a pupil to her master, "Yes, sir."

"But some of them grow high. You must be a mountaineer. Pardon my curiosity—it is inexcusable—but how long have you lived here?"

The mother looked at her daughter for confirmation. "Eight years."

"Of course you are from the East?"

"Yes, from Wisconsin."

He laughed. "We call Wisconsin a Western State. Of course, it's the ignorant prejudice of the New-Yorker, but I find it hard to think of you as actual residents of this far-away little town. I thought only miners lived here?"

"We are miners. My husband has a mine up in the Basin, but he's putting in some new machinery just now and is unable to come down but once a week." Then mildly resenting his implied criticism of the town, she added: "We have just as nice people here as you'll find anywhere."

He responded gallantly, "I am quite prepared to believe that, Mrs. Lambert. But do many nice people like you live here all the year round?" He was bent on drawing the girl out, but she did not respond.

The mother answered: "I haven't been away except to take my daughter East to school."

He was cautious. "By East you mean Milwaukee?"

"Diamond Lake, Wisconsin."

He turned to the girl. "How long were you away?"

"Four years."

"Did you like it?"

"Very much."

"That is the reason you find it lonesome here." Up to this moment his attitude was that of a teacher towards a pretty pupil. "You miss your classmates, I suppose? Still there must be diversions here, even for a young girl."

The mother sighed. "It really is very lonesome here for Viola—if it weren't for her church work and her music I don't know what she'd do. There are so few young people, and then her years at the seminary spoiled her for the society out here, anyway."

"So much the worse for Colorow society," laughed Serviss. Then, to clear the shadow which had gathered on the girl's face, he said: "I see a fine piano, and shelves of music books. This argues that you love music. Won't you sing for me? I am hungry for a song."

"I do not sing," she replied, coldly, "I have no voice."

"Then play for me. I have been for eight weeks on the desert and I am famishing for music."

"Are you a musician?" asked Mrs. Lambert.

"Oh no, only a music-lover."

"My daughter is passionately fond of the piano," the mother explained, "and her teachers advised her to go on and make a specialty of it. They recommended Boston, but Viola wants to go to New York. She wanted to go last year, but I couldn't let her go. I'd been without her for four years, and Mr. Lambert's affairs wouldn't permit us both to go, and so she had to stay; but it does seem too bad for one as gifted as she is to give it up."

At this moment Serviss changed his entire attitude towards these people. They were too genuine, too trustful, and too fine to permit of any patronization, and the girl's dignified silence and the charm of her pellucid eyes and rose-leaf lips quite transmuted him from the curious onlooker to the friend. "I can understand your dilemma," he said, with less of formal cheer and more of genuine sympathy. "And yet, if your daughter has most decided talent it is only fair to give her a chance to show what she can do."

The girl flushed and her eyes fell as the mother bent towards her visitor.

"I wish you would listen to her play, Dr. Serviss, and tell me what you think of her talent."

His eyes shone with humor. "I will listen with great pleasure; but don't ask a chemist to judge a pianist. I love music—it is a sweet noise in my ears—but I can hardly distinguish Chopin from Schumann." He faced the girl. "Play for me. I shall be very deeply indebted." As she still hesitated he added: "Please do, or I will certainly think you consider me intrusive."

As Viola slowly rose, Mrs. Lambert said: "You must not feel that way, Dr. Serviss. We are highly honored to entertain one so eminent as you are. I was brought up to value learning. Play for him, Viola."

"What is the reason for her reluctance?" Serviss asked himself. "Is it shyness? Or does she resent me?"

With a glance of protest at her mother the girl took her seat at the piano. "I will try," she said, bluntly. "But I know I shall fail."

Twice she laid her hands upon the keys only to snatch them away again as if they were white-hot metal, and Serviss fancied her cheek grew pale. The third time she clashed out a few jarring chords intermixed with quite astonishing roulade on the treble—an unaccountable interruption, as if a third hand had been thrust in to confuse her. She stopped, and he began to share her embarrassment.

She tried again, shaking her head determinedly from side to side as if to escape some invisible annoying object. It seemed as if some mocking sprite in the instrument were laboring to make her every harmony a discord, and Serviss keenly regretted his insistence.

Suddenly she sprang up with an impatient, choking cry. "I can't do it! He won't let me!" she passionately exclaimed, and rushed from the room leaving her visitor gazing with pity and amazement into the face of the mother, who seemed troubled but in no wise astounded by her daughter's hysterical action. She sat in silence—a painful silence, as if lacking words to express her thought; and Serviss rose, rebuked, and for the first time ill at ease.

"I beg your pardon, Mrs. Lambert; I didn't intend to embarrass your daughter."

"She is very nervous—"

"I understand. Being a complete stranger, I should not have insisted. One of the best singers I ever knew was so morbidly shy that on the platform she was an absolute failure. Her vocal chords became so contracted that she sang quite out of tune, and yet among friends she was magnificent."

The mother's voice was quite calm. "It was not your fault, sir. Sometimes she's this way, even when her best friends ask her to play. That's why I fear she will never be able to perform in concerts—she is liable to these break-downs."

He was puzzled by something concealed in the mother's tone, and pained and deeply anxious to restore the peaceful charm of the home into which he had, in a sense, unbiddenly penetrated. "I am guilty—unpardonably guilty. I beg you to tell her that my request was something more than polite seeming—I was sincerely eager to hear her play. Perhaps at another time, when she has come to know me better, she will feel like trying again. I don't like to think that our acquaintance has ended thus—in discord. May I not come in again, now that I am, in a sense, explained?"

He blundered on from sentence to sentence, seeking to soften the stern, straight line on the mother's lips—a line of singular repression, sweet but firm.

"I wish you would come again. I should really like your advice about Viola's future. Can't you come in this evening?"

"I shall be very glad to do so. At what hour?"

"At eight. Perhaps she will be able to play for you then."

With a feeling of having blundered into a most unpleasant predicament, through a passing interest in a pretty girl, Serviss retreated to his hotel across the river.

V[ToC]

PUPIL AND MASTER

Once out of the spell of the immediate presence of this troubled mother and her appealing daughter, Serviss began to doubt and to question. "They are almost too simple, too confiding. Why should Mrs. Lambert, at a first meeting, accidental and without explanation, ask me to take thought of her daughter's future?" The fact that his connection with an institution of learning gave him a sort of sanctity in their eyes did not weigh with him. He was of those who take professorships in the modern way—with levity, either real or assumed.

"I think, on the whole, I'd better keep out of this family complication, whatever it may be," he concluded. "This absence of the husband in the hills may be more significant than at present appears—it may be a voluntary sequestration. I take the hint. I am not seeking new responsibilities, and I don't care to act as adviser, even to a pretty girl—especially not to a pretty girl." And he waved his hand in the manner of one declining a doubtful cigar.

But this slim young witch, with the scarlet lips and pleading gray eyes, was not so easily banished. His inward eye dwelt upon her with increasing joy, "How beautiful she was, as she stood there on that bowlder! Perhaps she was posing? She is now at the very height of her girlish charm. What an appeal she must make to the men of this region—those exquisite lips—that pliant waist—that full bosom! There is some antagonism between mother and daughter—something more than appears on the surface. She is both sullen and hysterical. What a pity!"

She continued to trouble him as he sat again after his evening meal on the veranda of the hotel. He could hear the slow tramp of heavy boots along the sidewalks beneath him, and the roar of the Colorow, softened by distance, rose and fell like a drowsy tune. On the highest peaks the after-glow still lingered, and from one of the little cottages deep in the shadow across the stream a light appeared like a signal, an invitation, and, the blood in him being young, accepted the lure. He rose with the impulse. "I'm going! Why not? 'Tis a night for adventure. There's no need of involving myself in any wise with their future. I'm an outsider, and will take precious good care to stay so." His face was impassive, but his heart was quick within him as he set foot on the bridge. "Perhaps this is my Rubicon?" he said, and paused with a moment's irresolution.

His doubt, his suspicion, instantly vanished as he re-entered the pretty little sitting-room and faced the sweet-visaged mother, who tacitly acknowledged her daughter as the cause of his coming by saying:

"Viola has just stepped over to the parsonage. She will return in a moment. Won't you please be seated?"

Serviss took a chair, quite ready—even eager—to listen to the further confidences which he perceived his hostess was about to give him.

"I hope you won't think it strange, professor—"

He interrupted her. "Please don't call me professor."

"I beg your pardon, sir. I understood that you were a professor in a university."

She seemed disappointed, and he explained: "It's true I am in the hand-book as a member of the faculty, and I plead guilty to the degree of doctor of philosophy—that I am proud of; but to be called professor robs me of my young humanity." This humorous explanation seemed to confuse her, and he added, kindly and naturally: "Really, Mrs. Lambert, I am a chemist and experimentalist in biology. I have no class-room work, because the college prefers to have me make what they call 'original investigation.' And, pray, let me say that while I am very willing to assist your daughter, or to advise you in any way, I see very little of musical New York. My work confines me to my 'shop' very closely, and when I go out I associate almost wholly with my peculiar kind. However, I can easily secure information as to the best schools of music, for I have several friends who know all about it. I interrupted you—please continue."

This pleasant, straightforward speech restored her confidence. "I think I was about to say, sir, that it may seem strange to you that I should so suddenly ask your advice, but, you see—"

"Oh, not at all," he genially interrupted. "I am consulted on all kinds of matters; in fact, I pass for a real doctor—out on the trail. I carry a little medicine-case for emergencies, and I assume all the authority of the regular practitioner—on occasion. I shall be very sorry if my distaste for the title 'professor' leads you to think me unsympathetic. I shall be very glad to assist you in any way."

"Thank you. You see, I was brought up to esteem learning, and we seldom meet one of your eminence—we are so completely out of the world here—it is a great pleasure to us—"

Footsteps just outside of the screen-door announced the return of the girl, who entered composedly, followed by a young man. Her manner was cold, her glance aloof, as she greeted Serviss.

"I'm glad you came," she said. "I was afraid you would forget us." She turned towards her escort, who had halted in the doorway. "Professor Serviss, this is the Reverend Mr. Clarke, the pastor of our church."

As Serviss shook hands with the Reverend Clarke he experienced a distinct shock of repulsion—an unaccountable feeling, for the clergyman was decidedly handsome, at first sight. But his hand was cold, his face pallid, and a bitter line, the worn pathway of a sneer, curved at one corner of his mouth. "Unwholesome, anæmic," was Serviss's inward comment as he turned away to address the girl, whose change of manner exerted a new witchery over him.

She was dressed in black for some reason, and her face seemed both sad and morose, but the graceful dignity of her strong young body was enhanced by her dark gown. Her hands, her feet, were shapely, without being dainty. "Plainly these women come of good stock, no matter what the husband and father may be," Serviss thought. He resented the clergyman's intrusive presence more and more. "Is he brought in as a safeguard?" he asked himself.

Mr. Clarke's attitude was certainly forbidding. He perched in grim, expectant silence on the edge of his chair, waiting, watching. His lean face had the blue-white look of the much-shaven actor, and his manner was as portentous as that of a tragedian.

"What the devil does he mean by staring at me like that?" Serviss continued to ask himself. "Does he expect me to go off like a bomb?"

He had started a discussion of the weather or some other harmless topic, when Clarke began, in a deep voice, with the formal inflections of the parson: "Miss Lambert tells me you are from Corlear University, professor?"

Serviss groaned and threw up his hands with a comical gesture. "Well, let it go at that. I suppose it explains me to call me 'professor.' Yes, I have a connection there—I draw a salary from the institution."

The clergyman regarded him soberly, as did the women, without sharing his humor in the least. Evidently being a professor in a university was no light thing to a Western preacher. "She tells me you have proposed to act as her adviser—"

Again Serviss protested. "Oh, nothing so formidable as that, my dear sir. I have promised to make inquiries for her." Then, obscurely moved to create a better impression in the girl's mind, he added: "I shall be very happy, of course, to do all that is in my power to aid you, Miss Lambert, but, as I have just been saying to your mother, I can only act through my friends. Nobody enjoys music more than I, but no one can possibly know less about it. In these days of specialization one is forced to one's own little groove in order to achieve practical results. General culture is impossible to specially trained sharps like myself."

"What is your specialty, may I ask?" inquired Clarke, remotely.

"I usually answer 'bugs,' but when I wish to be quite understood I explain that I am a physiological chemist and biologist. At the present moment I am assistant in the pathological department of the Corlear Medical College."

The preacher seemed to lighten a little. "Ah! that is a noble study, a study of incalculable service to mankind. I am deeply interested in that line of thought myself—I may say vitally interested, for I suffer from lung trouble. One by one the germs of disease are being discovered and their antitoxins catalogued." It was evident that he was anxious to impress the women with his wonderful understanding of the scientist's work and aims.

His tone was so sententious that Serviss instantly became flippant, as an offset. "Yes, one by one we round 'em up! But don't think me unfriendly to the 'beasts.' They have their uses. I'd no sooner kill a bacterium than a song-bird. I think we care too highly for the cancerous and the consumptive. I'm not at all sure that humanity oughtn't to be hackled like weeds, and so toughen its hold on life. Germs may be blessings in disguise."

Clarke pursued his way. "How little we know about their reactions—their secretions. You've given some attention to the X-ray and its effect on these cells, I presume?"

Serviss inwardly grinned to think what Weissmann would say at sight of his assistant sitting in solemn discussion of the germs and X-rays with a village clergyman and two reverential women. "Why, yes, I've considered it. Naturally, any new thing that bears on my specialty makes me sit up. I've even done a little experimenting with it."

"But have you considered the bearing of all these subtleties of science upon"—he hesitated—"a—upon certain—a—occult phenomena?"

Serviss eyed him non-committally. "Well, what, for instance?"

"Well, upon, say, telepathy—and—a—well, upon spiritual healing—and the like."

"I can't say that I have; I don't exactly see the connection. Furthermore, I don't believe in these particular delusions. My work concerns the material facts of life, not the dying superstitions of the race. I have no patience with any morbid theory of life."

This remark plainly produced a sensation. The preacher cast a significant glance at the mother, and the girl looked away at the lamp, a flush upon her face.

"Hello!" exclaimed Serviss, under his breath. "Have I discovered a neat of cranks? I've been enlisted on somebody's side—I wonder whose?"

The clergyman faced him again and calmly asked: "Have you ever investigated these occult phenomena?"

"Certainly not. I have no time to waste on such imaginings. My time is all taken in a study of certain definite processes in the living organism."

A light began to glow in the eyes of the young clergyman. "I suppose you class mental healing among the delusions?"

"Most assuredly I do," answered Serviss, with the remorselessness of youth.

"You would say that the mind of man cannot mend the body of another—"

"If you mean directly—in the manner of 'faith cures' and the like—I would answer certainly not, unless the disorder happens to be in itself due to a delusion. I can imagine the hypochondriac being cured by mental stimulus." He felt that he was drawing near the point at issue, and his eyes shone with glee.

The preacher set his trap. "You believe in the action of a drug—say, prussic acid—you believe it will kill?"

"Yes, and quite irrespective of the opinion of the one who takes it. His thinking it water will not check or change its action in the slightest degree."

"But how does it kill?" persisted Clarke. "What does it do?"

"If you mean why, at the last analysis, does one drug attack cells and the other nourish them, I answer, frankly, I don't know—nobody knows."

Clarke pursued his point. "Under the microscope, the germ of, say, tetanus is a minute bar with spore at the end like the head of a tadpole. Of what is this cell composed?"

"Probably of a jelly-like substance with excessively minute filaments, but we don't know. We are at the limit of the microscope. We trace certain processes, we even dissect certain cells, but elemental composition of plasm remains a mystery."

The preacher glowed with triumph. "Then you confess yourself baffled? The union of matter and spirit is beyond your microscope. What do you know about a drop of water? You say it is formed of hydrogen and oxygen in such and such proportions. What is hydrogen? Why do they unite?"

"I don't know," calmly replied Serviss. "We admit that any material substance remains inexplicable. The molecule lies far below the line of visibility. We only push the zone of the known a little farther into the realm of the unknown; but how does that serve your argument?"

"By demonstrating that the mind of a man is simply the mastering mystery in a world of mysteries, and that there is no known limit to what it may do. We say that at the point where life enters to differentiate the germ is beyond science—there of necessity faith is born."

"You say 'we'—are you an apostle of 'the new church'?" asked Serviss, abruptly.

The preacher visibly shrank. "I do not care to announce my growing conviction to my congregation, at present; but I find many things about the doctrine which appeal to me. Some form of spiritism is the coming religion—in my judgment. The old order changeth. The traditional theology—the very faith I preach—has become too gross, too materialistic, for this age; some sweeter and more mystic faith is to follow. Even science is prophesying new power for man, new realms for the spirit. You men of science pretend to lead, but you are laggards. You pore upon the culture of germs, but shut your eyes to the most vital of all truths. Is the life beyond the grave of less account than the habits of animalculæ?"

The young scientist listened to this query with outward courtesy, but inwardly his gorge rose. "I see one gain in your new position," he answered, lightly. "Matter is no longer the dead, inorganic, 'godless thing' which the old-time theologians declared it to be. Matter, so far from being some inert lump, is permeated with life—is life itself. So far as we now know, all the visible and tangible universe is resolvable into terms of force—that is to say, chemical process. There may be no line of demarcation between the organic and the inorganic."

"And yet with your knowledge of the inscrutable final mystery of matter you set a mark at the grave! You condemn all manifestation of the spirit, all the phenomena of spiritism, for example?"

"Condemn is not the word—we simply say the phenomena are absurd, the spirit cannot exist without the body—"

"Have you ever investigated a single form of spirit manifestation? Have you studied the claims of those who are in touch with the spirit world?"

"No."

The preacher's sneer broke forth. "I can't see but you scientists are quite as dogmatic, quite as bigoted as the theologians."

Serviss laughed. "It does look a little that way. However, I'm not as uninformed as I seem. It happens that I am in close personal contact with men whose specialty is the study of morbid psychology, and I know the quality of those who act as mediums for the return of the dead." The intensity of the interest on the part of the little group before him was astonishing, not to say appalling. "It is evident that the mother and her pastor are both of the new dispensation or worse," was his thought, but his natural courtesy led him to say, placably: "There are mysteries in the world, I admit—in chemistry as in biology—but they seem to me to be different in very essence from the 'mysteries' of spiritualism and all allied 'psychic phenomena,' which appear to me essentially absurd, ignoble—'ratty,' to use a slang phrase—a faith founded upon things done in the dark, always in the dark."

The preacher flamed out at this. "I knew you would get round to that; that is the reason why I began by drawing you out on the X-ray. How little do we know of motion! The X-ray moves in straight lines, I understand, while light has a wave motion. Hence they are antagonistic. May it not be that the spirits of those gone before manifest by means of an unknown force which light neutralizes? May this not be the explanation why the phenomena of the spirit world require darkness?"

"It may," answered Serviss, dryly; "but there is a far easier explanation—But, see here," he returned to his boyish humor, "this is my vacation. I came out here to escape 'shop,' and here we are wasting time on X-rays and spiritism, and boring our patient hostess besides. Miss Lambert, won't you play for us and clear the air of our controversial dust?"

The girl, who had been sitting during this conversation in rigid immobility, intent on every word, now turned towards Clarke as if asking his consent. The mother, too, seemed to wait anxiously for the minister's answer, as if wondering whether he would willingly cut short his interrogation.

His eyes were still glowing with the heat of controversy, but he gravely said: "I hope you will give me another opportunity to discuss this matter. It is very important to me."

"Certainly, with pleasure," answered Serviss, glad to rid himself of the discussion of the moment.

As Viola stood slowly turning the leaves of her music, three loud knocks sounded upon the inner door, as if an insistent neighbor had entered and signalled for help. The mother rose and went out hurriedly, but the clergyman merely glanced after her, and said to the girl:

"You would better play, Viola."

The girl dashed into a stormy Polish march, which she played very well, but with a mechanical precision which seemed to offend Clarke, who rose and laid his hand on her arm. "Wait, you're not in the mood yet." He turned to Serviss. "The spirit of our discussion is upon her. She is very sensitive to such things. I will sing first—if you don't object," he added, in a new tone, a touch of apology in his voice, and he gave out the effect of addressing an unseen auditor—some one in the inner room.

"I shall be delighted," replied Serviss, with formal politeness, though he began to apprehend something morbidly forbidding in the minister and in his influence on the girl. An extraordinary intimacy was revealed, not so much in the words he spoke as in the tones he used. "Here is the girl's lover," he decided.

There was no timidity or hesitation in Viola's manner as she struck the first chords of an old ballad, and Clarke, transformed by a new and lofty mood, sang, with notable beauty of phrasing, "The Banks o' Ben Lomond." Something in the melancholy of the lover's cry seemed to fit with this singular young preacher's mood. His voice searched the heart, his eyes misted with feeling, and when he finished Serviss applauded most fervently, "Bravo!" and impulsively offered his hand.

"My dear fellow, you have a wonderful voice. You are the one to go to New York; you'd make Carolus look to his laurels. Sing something else—something of Strauss. Do you know Strauss?"

Clarke smiled with wistful sadness. "I sing very few ballads. My voice was given me to use in Christ's service, not for the gratification of my pride."

Serviss recoiled before this sanctimonious speech, and the light went out of his face. A disgust which he could not entirely conceal crossed his lips. "My dear sir, you can't serve the Lord better than by singing beautiful songs to the weary people of this earth. To wear out a voice like that on pinchbeck hymn tunes is a crime." Then, as if becoming conscious of a neglect of the girl, he added: "Now that you are in the mood, Miss Lambert, you must try that sonata again."

The girl seemed not to be offended by his enthusiasm over the minister's singing, and with a word in a low voice to Clarke, who placed a sheet of music before her, she began to play, opening the composition with unexpected breadth and dignity of phrasing. Serviss listened with growing amazement. Her hands were not large, but they had ample spread and were under perfect control. There was power in the poise of her head and in the rhythmic swaying of her body, but her playing was curiously unfeminine. There was no touch of girlish grace, of sentiment, in her performance, and with a sudden enlightenment Serviss inwardly exclaimed: "Aha! A clerical Svengali! This musical preacher has trained his pupil till she plays as he would play if he had the digital facility. It's all fine, but it is not the girl," and the question of their relationship again engaged him.

"SERVISS LISTENED WITH GROWING AMAZEMENT"[ToList]

When the final stormy note was still, Viola remained on her stool, as though waiting for her critic to applaud.

Serviss broke the silence by exclaiming: "See here, you people are making game of me. You are both professionals in disguise. Come now, 'fess up," he challenged Clarke. "You are Señor Del Corte, barytone of the Salt-Air Opera Company; and you, Miss Lambert, belong to the Arion Ladies' Orchestra. I have found you both out!"

The girl smiled with pleasure, but Clarke remained so unassailably serious that Serviss was moved to further deeps of audacity. "Don't tell me you are a comedian, also! You certainly have me guessing. Who are you, really?"

Clarke answered, resentfully: "I am the pastor of the Presbyterian church in this village, as Miss Lambert has told you, and she is my organist."

Again that thump three times repeated sounded upon the door. Serviss, baffled and silenced by Clarke's impenetrable gravity, and by something inexplicably submissive, yet watchful, in the face of the girl, felt himself confronted by an intangible, sinister, and inescapable influence. The young clergyman seemed to darken and oppress both women. It was as if they were all leagued in a conspiracy to deceive and cajole. This bewilderment lasted but a moment, and he rose from his chair with a spring. "Well, now, play something else—give us a bit of rag-time; that last piece has left us all a little dashed—try a cake-walk."

Clarke interposed. "Miss Lambert does not play those trashy melodies. I consider them essentially irreligious."

Serviss resented the preacher's tone, but quickly answered: "They're not exactly reverent, I'll admit; but without them American music would be but a poor reflection of the German."

As if to save his reputation the preacher sang "The Palms," and sang it magnificently; and the girl accompanied him with such accuracy and good judgment that Serviss was able to infer long hours of practice, and this did not please him.

"His influence on her and on this household is not good," he decided. "That chap is decidedly morbid. If he is married, so much the worse. He's far too handsome to be a safe guide to an impressionable young girl. There is some mystery here," and he recalled that Viola's face was troubled when first he saw it. And at the close of this song, without a glance at the preacher, he offered a parting hand to Viola. "If I can be of any aid in putting you in touch with a teacher in New York, please write me. I think you have my card. You play with astonishing power and brilliancy. You would certainly interest a man like Greer."

Her face flamed with color—all her sullen restraint vanished, all her girlish charm came back. "Oh, do you think so? Do you suppose I could get him to teach me?"

"I don't say that—he is a very busy man—but I think you are decidedly to be encouraged. But I may be able to hear you again before I go. I want to hear you play alone."

"I wish you would come again." There was a subtle entreaty in her voice, almost a prayer; and in her uplifted face was expressed the respect and confidence of a child. His heart was moved with pity as well as with admiration, and, turning to the mother, he added: "I shall probably remain over Sunday, and it would be a pleasure if I might come again to your pretty home."

Mrs. Lambert's face glowed with pleasure. "It will be a great honor to have you, sir."

In this spirit he went away, without again taking Clarke's hand, with a last glance at the girl's face as she stood at the open door to let him pass. He turned from the gate with a sense of having been permitted a glance into the very heart of a secret drama which might at any moment become a tragedy. His interest was profoundly stirred, his sympathies wholly enlisted in behalf of this girl, so young and so aspiring.

As he stood above the roaring water he formulated a theory with regard to the relationship of the personalities he had just left behind him. "The girl is being persecuted by this man Clarke, who is madly in love with her. She has an inner repugnance to him; but he is a clergyman, and that means a great deal to a girl in the adoration stage. Her mother, a nice, religious sort of person, favors the preacher, of course; but the father probably despises him. Clarke is evidently losing his hold on the rock-ballasted keel of his creed, and in his shipwreck he may carry that girl down with him; such cases are all too common. If he is married, he is all the more dangerous. But it is not my duty to interfere." He ended, resolute to put the whole problem from him: "The girl has legal guardians—on them rests the blame if she is corrupted. To reform this world has never been my call."

But he could not rid himself of a growing sense of responsibility. His mind returned again and again to the complication into which he had suddenly been thrust. "Perhaps this desire on the part of the girl to go away to study is only an instinctive desire to escape. It would be like that preacher to have a worn, little, commonplace wife. What can Lambert be thinking of to let such a man come into his home and direct the daily life of both his wife and daughter? He is neglecting his plain duty."

He fell asleep, fancying himself on the way up the trail to the mine, and when he woke to find the good, rectifying rays of the morning sun filling his room the theories of the night were absurd. He desired to see the girl again, not to warn her of her peril, but because she was piquant and lovely, as befitted her romantic surroundings.

VI[ToC]

IN THE MARSHALL BASIN

It must have been about eleven o'clock next morning when Serviss rode up and dismounted at the Lambert gate, and in the flaming light of mid-day the sense of mystification, the feeling that the girl was in the coils of some invisible menace, had entirely vanished. The preacher had sunk to the rôle of a conceited clerical ass who regarded science as an enemy to his especial theories and the visible universe as an outlying province of Calvinism; while Viola, who came to the door, was again most humanly charming, delighting his eyes like the morning.

She smiled blithely and spoke collectedly, in response to his greeting; but when he asked her to be his guide to the wonders of the region her face clouded in dismay.

"Oh, I'm sorry; I wish I could; but I must carry a message up to my father at the mine."

"Very well, why not take me? I infer you go on horseback?"

She hesitated. "Yes, but it's a long, hard ride—and you said you were tired of the saddle."

"I was yesterday; but I feel quite rested now. By all means let me accompany you. I should particularly enjoy mounting high to-day. I should also like to meet your father."

"Very well, I will speak to mother," she replied, with shining face, and disappeared within.

The mother, mindful of Serviss's connection with a great university, made no objection to the plan. On the contrary, she was pleased and flattered by his interest in her daughter, and a few moments later the young people rode off up the mountain road side by side and in high spirits.

Serviss winced at times at the childish flatness of Viola's comment, but her voice was musical and her face flower-like—therefore he forgave her. With all his knowledge of the constitution of matter, he was still young and in the mating mood.

They talked of the flowers, of the trails, of the birds to be found on the heights for a time; but soon, inevitably, they came to talk of themselves. Under his questioning she outlined her plans for a musical education, and this led at last to a consideration of the Reverend Mr. Clarke.

At the first mention of his name the girl's face distinctly darkened and her answers became curiously studied, almost evasive—or so it seemed to Serviss.

"Yes, I play in his church," she said, "and he teaches me. He is a splendid musician—don't you think so? I owe a great deal to him. He has helped me so much—especially in my phrasing. He is a wonderful man. We are fortunate in having him with us."

"He struck me as a little morbid, not to say morose. Has he had trouble in his church?"

Her answer was deep-toned and affectedly solemn in one so young. "No, but his wife passed out last year."

"Passed out? What do you mean by that?"

"I mean she died."

"Oh, I see!" His inflection checked her confidence, and they rode for a little way in silence.

Serviss was thinking. The situation is now clear. Clarke is working upon this sweet and charming girl in order to have her take the place of his dead wife. A sorrowful thing to think of, but not so bad as I have been imagining. At length he asked: "What else can you tell me about this Mr. Clarke? Is he a native of the West?"

"Oh no, he is from the East. He had a big church in Brooklyn; but his health gave out and he was forced to leave it. He came here for the baths and the air. He is much better now."

"He retains all his intellectual diseases, however. What medicine will he find for those?" Meeting the girl's startled glance, he hastened to add: "I beg your pardon, I was just wondering if he were as morbid when he came as he now seems."

"Oh no! He was quite cheerful till his wife went away. That changed him greatly. For months he hardly left his study. He reads too much even now. That is why he looks so pale. His house is packed with books."

"He seems in need of fresh air. How does your father get on with him?"

"Not at all well."

"I inferred that. Your father is a man of deeds—of open air—I take it."

"Mr. Lambert isn't my own father," she took this opportunity to explain. "My own father passed to the other side when I was eleven."

"Pardon my curiosity, Miss Lambert, but you've used a phrase once or twice which I've heard the people of a certain faith use. Is your mother a spiritualist?"

She looked at him with timid eyes, then turned quickly away. "She—she used to be; she's studying theosophy now."

"And the minister is trying to convert you all to his especial theory! I can imagine his discourses. No wonder you want to flee."

The girl's whole face, voice, and manner changed—became bitter, passionate. "Oh, I hate it! I hate it! I want to be free of it all!"

The intensity of her utterance amazed Serviss, and he studied her profile in silence before he answered. "I think I know what you mean, and I sympathize with you. You're too young to be troubled by the doubts and dismays of men like Clarke. He is preposterous in the face of a landscape like this. Let us forget him and his 'isms.'" With these words he straightened in his saddle and lifted his eyes towards the height before them. "Isn't that superb!"

They were drawing near the great gray boundary-wall of the valley, and the sound of roaring water grew tumultuous as they rounded the curve in the road and came into the little triangular nook which had been anciently formed by the Colorow as it descended in power from its source in the high parks. On the left the ledges rose almost sheer for a thousand feet, and from the edge of this cliff ore-buckets, a-slide on invisible cables, appeared in the sky, swooping like eagles, silently dropping one by one, to disappear, tamely as doves, in the gable end of a huge, drab-colored mill which stood upon the flat beside the stream. Beyond the mill Mount Ignacio rose darkly purple, hooded in white clouds.

The entire scene was typical of the West, of its energy, its greed, and its faith. Here was life—life and buoyant health—and the blood of the young scientist quickened as he comprehended the daring, the originality of the miner's plan.

"Is this your father's enterprise?" he asked, in the hope of an affirmative answer. A man of this quality would hang the minister if necessary.

"Oh no. We've got to climb the hill and cross the upper Basin before we reach our mine. This is the ore from the San Luis tunnel."

She was, happily, of the sunny world now, and, with a gay smile, turned her horse into a narrow trail and called back to him: "We climb here." He followed, admiring the strength and grace of her rounded figure as her horse zigzagged up the steep acclivity. She was troubled by no problems at this moment. She was rather a daughter of the mountains, a sister to the eagles.

She stopped once or twice to permit him to locate the far-famed peaks rising one by one to the south of them, and the third time she drew rein he was a-foot, and she said, "We're almost to the top of this grade; it's easier in the Basin."

"I am thinking only of my horse," he answered. "You see, he is carrying a forty-pound saddle, and is not so fresh as yours. I'm sorry to delay you."

The Basin was a most glorious valley, bowl-shaped, green with grass and groves of aspen and fir, and flooded with a cataract of sunshine. All about it ran a rim of lofty summits, purple in shadow, garnet and gold and green in the sun. Here and there a prospect-hole showed like a scar, or a gray, dismantled stamp-mill stood like a disintegrating bowlder beside its yellow-gray dump of useless ore. Serviss, familiar with the rise and fall of the silver-miner, looked over the lovely valley with a certain sense of satisfaction, for he was able to reconstruct its beauty before that flood of devastating humankind swept up from the eastern plain. "Nature is reasserting her dominion," he said, aloud. "Mining is a wounding business—like murder."

The girl glanced away to the south. "We'll have to hurry if we reach camp by one o'clock," she called, and he waved his hand as a sign of surrender to her leadership.

They overtook a long train of burros bearing a most miscellaneous cargo of odds and ends of machinery, nail-kegs, iron-rods, bundles of bolts, lumber, oil, and boxes of groceries.

"This is all father's—all for the new mill," said the girl, nodding and smiling at the Mexicans in charge of the donkeys. "Hello, Clint!" she called, cheerily, to another muleteer, a little farther up the trail, a brown, good-looking young fellow, who saluted her joyfully, his eyes aglow with adoration.

"Every man is her suitor," thought Serviss, with a twinge of disapproval. "Think what she must seem to that leather-colored Arab urging forward those donkeys!" And a knowledge of her danger—he put it that way—began to oppress him. "She is too fine and sweet to marry among these rough miners."

She, it seemed, was not afraid of mountaineers, for she had a gay nod and a bright word for every one she met, though some of them were brutal-mouthed and grimy and sullen. Serviss derived no comfort from the fact that the most sinister of them brightened for an instant in the light of her adorable smile.

At last, far ahead, they came in sight of the mill on a bare peak. The white clouds which had been silently gathering round the great domes swiftly overspread the whole sky. The air grew chill as November. The wind began to roar in the firs with a stern mournfulness which went to the heart of the man; but the girl, without once stopping her horse, unrolled her raincoat and put it on, calling back at her cavalier as she did so with a fine, challenging, gleeful shout.

They were very high now. Perennial ice lay in the gullies and on the north side of the cliffs, and the air was light and keen. Suddenly the wind died away. A gray hush came over the valley. The water in the streams lost its vivid green and became lead-color streaked with white foam. One by one the mountains were blotted out by the storm. The world of sky and rocks grew mysterious, menacing; but the girl pushed fearlessly forward, singing like a robin, while the rain slashed over her, and the thunder boomed and re-echoed from crag to crag like warning guns in magnificent alarums. "I love this!" she cried, her clear voice piercing the veil of water like a flute note. "Don't you?"

Serviss was not without imagination, and the contrast of this jocund, fearless, free young maid with the silent, constrained girl of the night before moved him to wonder. "Here she is herself—nature's own child," he thought. "Last night she was a 'subject'—a plaything of the preacher's. Strange the mother does not realize her daughter's danger."

The storm passed as quickly as it came, and when they drew rein at the mine the sun was shining. The mill, standing on a smooth, steep slope, and sheltered on the north by a group of low firs, seemed half a ruin, but was, in fact, being rebuilt and enlarged. All about it were dumps of clay, slippery with water, and rough bunk-houses and ore-sheds. All the structures were rude, masculine, utilitarian, and the girl grew each moment in delicacy and refinement by contrast.

In answer to her halloo a plainly clad man came to the door, his face set in amazement.

"Why—see here—daughter! I wasn't looking for you to-day."

"I'm here just the same," she laughingly replied. "Here are some telegrams. Professor Serviss, this is my father."

Joseph Lambert was a small man, with shy, blue eyes and a low and gentle utterance. He carried his head leaning a little to the left and seemed a shade discouraged, almost melancholy. He was, however, a brave, silent, tireless little man, who had made one great fortune in silver-mines only to lose it in the panic. He was now cannily working a vein which had a streak of gold in it, and, like all miners, was just on the point of making a "strike." He was distracted with work, and, though cordial, could not at the moment give much time to his visitor.

"Well, now, Viola, you take Professor Serviss into the cook-house and feed him. I guess you'll find something left over. If not, you will have to scratch up something."

Viola thereupon led the way into the kitchen, greeting each man she met, cooks and waiters alike, with impartial, clear-eyed joyousness and trust, and when the food came on she ate without grimace or hesitation. The cook, a big, self-contained Chinaman, came in with a china cup.

"Use this klup—tin klup no good for lady." His voice was gruff and his manner that of one who compels a child to use a napkin; but it was plain he adored her. As she thanked him he shuffled away with an irrepressible grin.

All this produced in Serviss an uneasiness. To him she was a lamb venturing among wolves. "She should not expose herself to the coarse comment, the seeking eyes of these fellows," he indignantly commented, blaming the acquiescent mother and the absent-minded step-father. "This childlike trust is charming, but it is not war."

Her essential weakness of defence, her innocence, began to move him deeply, dangerously. He began to understand how she had turned to Clarke for companionship, not merely because he was a clergyman, but because he was a young man of more than usual culture and attainment, whose sympathy and counsel promised aid and comfort in her loneliness. "She does not love him; she merely admires certain sides of his character; she fears to marry him, and quite properly. His morbid faith would destroy her."

As they were returning to the office they met the young driver of the mule-train, and Viola introduced him as "Mr. Ward, of Boston."

He was tall and spare, with a fine, sensitive, boyish face—a face of refinement which his rough, gray shirt, faded leggings, and badly battered hat belied.

"Mr. Ward is out here for his health, also," Viola explained. "All the really nice people are 'one-lungers.'"

"Isn't it sad?" said Ward, gravely. "However, Miss Lambert is only partly right. I made my health an excuse. I'm here because I like it."

Serviss bent a keen look upon him. "You don't look as if you had ever been sick."

"I'm not. I came out here to escape college—and my father's business." He laughed. "But don't betray me. I'm supposed to be 'slowly improving.'"

There was something fine and hawklike in the young fellow's profile as he stood negligently leaning on the door-frame, his eyes on the flushed face of the girl; and Serviss experienced another pang of jealous pain—they were so young, so comely, so full of the fire and imagination of youth. At the moment his own fame and special tasks were of small account.

Upon their return to the office Lambert met them in the same absent-minded, apologetic way. "I'm just getting some new machinery into place and haven't a minute, but you must make yourself as much at home as you can. Viola will show you around."

Serviss protested that he needed no entertainment, that he was not tired, and that he was well content to sit in the door and smoke and watch the changing glory of the peaks, and this he did while Viola moved about among the workmen in earnest conversation with her step-father.

"She is explaining me," Serviss reasoned. "I wish I could hear what she says. It would be amusing to know myself as she sees me. I hope she doesn't think me middle-aged as well as wise."

Lambert listened to his daughter's words with attention, for a professor in a college was an exalted person in his eyes, and one of his chief regrets at the moment was that he was unable to say to Serviss, "I am a college man myself"; but this he could not do for the reason that the death of his father had taken him out of his class at the beginning of his third year, and put him at the head of a large family as its breadwinner.

"He looks like a very young man, almost a boy—too young to be a professor; but then"—here his eyes twinkled—"when I was at Jefferson all professors seemed old to me. What's he doing here?"

"Just riding through the mountains on his vacation."

"What does your mother think of him?"

"She likes him very much."

"Well, I won't make any objection, then."

Viola stared—then blushed furiously. "What do you mean?"

"Why, didn't you bring him up here to see how I liked him?"

She pounded him with her little brown fist while tears of mortification filled her eyes. "Now, you stop that! You're teasing me. Why, I've only known him three days."

He laughed silently, shaking his head. "Well, these things move quickly sometimes—and how was I to know but you'd known him in the East—you seemed so chummy-like—"

"You've spoiled everything," she wailed, deeply disturbed and painfully self-conscious. "You're mean to me."

He became instantly contrite. "There, now, don't you mind my joking. Of course I was fooling. It's all safe between us, anyway."

But the mischief was done. She forgave him, but never again would she be the same to him, to her mother, or to the imperturbable young man smoking his pipe beneath the firs. He was young—that was only too plain to her now; not so young as Clinton, but not the middle-aged person she had been fancying him to be.

As they were about to start on their homeward trail, Serviss sought opportunity to say: "Mr. Lambert, I met this man Clarke at your house last night, and I want to say that I don't think his influence on your family is particularly wholesome. He's morbid and given to fads."

Lambert replied: "I know what you mean, professor, and I believe you're right. I don't believe in him myself, and I don't take any stock in any of his notions, but my wife does. She thinks he's of the Covenant, somehow. I wish you'd talk with her and try to have her let up on Viola. I don't think they're doin' right by her. If she was my own girl I'd stop it—I would so." Then he added, in a curious tone, this vague defence: "As for Viola, she would be all right if they would leave her alone. She's gifted in a way I don't understand; but if she isn't twisted by Clarke's foolishness she's going to make some man a good wife. She's a good girl, and, as I say, if she was my own child I'd serve notice that this circle business should stop. I wish you'd talk to 'em. I don't count—but they'll listen to you. I'm glad to have met you. I hope you'll come up again. I'd like to mill that business over with you; it's all very curious, but I'm just plumb distracted with work now."

"I beg you not to apologize—it's time to start back, anyhow."

As they rode away down the valley, the girl silent and constrained, Serviss pondered Lambert's words, which were plainly directed against Clarke. His sense of responsibility was increased by Lambert's trust in him. "This won't do," he decided; "I must pull out or I will find myself laden with the woes of the entire family, and Clarke's distresses besides."

The girl was invested now with compelling pathos. Each mile they descended seemed to deepen the returning shadow on her face. The gayety, the buoyancy of the upward trail was gone. She was silent, constrained, and sad; and he set to work to restore her to the simple and girlish candor of the morning. He called attention to the wonders of the western sky. He shouted to induce echoes, and challenged her to a race, and at the last descent dared her to ride down in one of the ore-buckets, seeking to bring the smiles back to her lips.

She responded to his cheer, but not as before. Something clouded her clear glance—her smiles died quickly, and the poise of her head was less alert.

When they had reached the wagon-road and he could ride by her side, he, too, became serious. "I hope I haven't given offence in any way, Miss Lambert? If I have, I assure you it was entirely unintentional, and I beg your pardon."

She looked away. "You have done nothing," she said, slowly.

"But you seem distinctly less friendly to me. I hope you didn't take anything I said concerning your mother's faith to heart. I had no intention of attacking her beliefs, but I must be honest with you—I don't like Mr. Clarke. There's something unwholesome about him, and what you've told me to-day is not reassuring. Evidently he took the death of his wife very hard, and it has added to his natural tendency towards a sort of spiritual monomania. As a matter of fact, he's more Spiritualist than Calvinist at present. Isn't that so?"

The girl's face grew sullen and weary. "Oh, I don't know, I'm tired of it all."

"He endlessly talks his grind, I suppose. How foolish, how sickly it all seems—here in the presence of uncontaminated nature! In such sunlight as this it seems insanity to sit in a book-walled room and grow bloodless with dreaming over insoluble problems. And yet a friend of mine told me that these towns, and especially California towns, were filled with seers and prophets. The occult flourishes in the high, dry atmosphere, those of the faith say. Don't you permit Clarke to destroy your love of nature, Miss Lambert; you belong to the sane and sunny world, and he has no right to bring his gloomy conceptions home to you. You are too young and too naturally joyous to be concerned with the problems of disease and death. You were made to be happy."

He ended with greater earnestness than he had intended to use, and the effect of his words on the girl was very great. She could not speak; tears were in her eyes, and her bosom heaved most piteously. His sense of her helplessness deepened, and he added, "Will you permit me to talk to Mr. Clarke about you and your plans?"

This seemed to alarm her. "No, no!" she cried out, distressfully. "Please don't say anything to him about me. It will do no good. You don't understand, and I can't tell you," she added, breathlessly.

"Very well," he said, soothingly; "but, remember, your case interests me exceedingly, and you may call on me at any time and I will gladly help."

She turned a pale and tearful face towards him and extended her hand.

"I thank you very, very much. You have helped me more than I can say."

During the remainder of the ride he discussed the springs, the source of the streams, the caverns, and other natural features of the scene, and had the satisfaction of seeing her face in a smile before he left her.

He went back to his hotel with a feeling of having spent six days in her company rather than six hours. She absorbed his entire thought, and so keen was his sense of her beleaguerment that he resolved to call upon Clarke in order to define his character and to understand his motives. "His passions or his doubt overshadow the girl's sky, and I'm going to find out whether his designs are those of friend or fiend." At the moment he had a feeling that they were those of a devouring fiend.

VII[ToC]

THE FORCES OF LIGHT AND DARKNESS

Clarke's church typified the decaying faith of its pastor. Grass was serenely pushing up through the rotting planks of the walk which led from the street to the basement "study" just as the natural goodness and cheer of man returns to dominion through the barriers of custom. The paint was blistering and peeling from the clap-boarding on the sunny side of the main building, and in one of the windows a piece of shingle had been set to repair a broken pane. It had the appearance of neglected age.

"The preacher was right—the creed of his church, as of all others, in a lesser degree perhaps, is too crass, too mechanical, too childish to tally the ideals of a generation which is each day awakening to some new potency of matter, some wider conception of the universe."

On the study door, checked by the sun and worn by the rain, the tourist applied his knuckle, and a voice, formal and sonorous, called out, "Come in!"

Opening the door, which led directly into a dark little den with only one window, Serviss confronted Clarke reading by a green-shaded lamp, in whose light he appeared as pallid, as remote from the sun, as a monk of the Middle Ages.

He rose quickly upon recognizing his visitor. "I'm glad to see you, professor; I beg your pardon for not rising. I thought the knock came from my janitor. Take a seat, please." He gathered a handful of books from a yellow arm-chair and pushed it forward with his foot. "Your visit is most opportune. I was meditating a call at your hotel to-night. I wanted to get your idea concerning two or three scientific discoveries which seem to me to have a most important bearing on the welfare of the race."

Serviss became each moment more keenly aware of being face to face with a task which required all his tact, his self-possession, and his wit, for the man before him was immured in self-conceit, accustomed to carrying his point by a rush of words, and was, withal, a student possessed of unusual intellectual resource. He made a very handsome figure as he took his seat amid his books. His face, freshly shaven, gleamed like blue-white marble, and his abundant dark hair, drawn away from his brow by careless fingers, lay in a tumbled mass above his ear, adding a noticeably sculptural finish to his shapely head. His hands, thin, long, and restless, alone betrayed the excitement which the coming of this Master of the Germ engendered in him. He was eager to question, but he waited for his visitor to begin, which he did with manly directness.

"I have called to talk with you about Miss Lambert. She and her mother having honored me by asking my advice as to her study in New York, I would like to know whether you, as their pastor, counsel this movement on her part?"

The clergyman's sentient fingers sought, found, and closed tightly upon a ruler. "That I cannot answer directly," he said, slowly. "Miss Lambert's case is not simple. She is a very remarkable musician, that you know, and yet her talent is fitful. She sometimes plays very badly. I am not at all sure she has the temperament which will succeed on the music-stage."

"I made a somewhat similar remark to the mother myself."

"Moreover, her interests are not the only factors in the problem. Mrs. Lambert's life is bound up in her daughter, and without her she would suffer. The well-being of the family as a whole is against her going."

"You have your own interests, too, I dare say."

Clarke's eyes narrowed. "What do you mean?"

"It would be difficult to replace her here in your church-work, would it not?"

The clergyman returned to his candid manner. "It would, indeed. She is the only organist in the village, and is invaluable to me, especially in the Sunday-school."

"I am disposed to consider her interests, and not those of the mother and father, or even the church," pursued Serviss. "I am of those who recognize the rights of the young as of chief importance to the race."

Clarke seized upon this as a gage of battle. "The race! Oh, you inexorable men of science! What do we care for the race? We would save individuals. The race can take care of itself. The race is only an abstraction—it cannot suffer. Of what avail to the individual to know that the race is to be perfected a thousand years hence?"

"We wander," interposed Serviss, with decision. "The question is really quite simple. Shall we advise the Lamberts to send their daughter to New York to study music, or shall we counsel her to remain here, and in marriage to some good, honest young miner resign herself to the common lot of women. Her talent should determine."

A dull flush rose to the cheek of the preacher, his eyes fell and his voice unconsciously softened. "Marriage is still a long way off for Viola Lambert; she is but a child, and, besides—" He paused.

Serviss smiled. "They marry young in the West, I believe. Besides, she must be twenty, and quite robust."

"She seems but a child to me," repeated Clarke, returning to his clerical manner, and something in the hypocritical tone of his speech angered and disgusted Serviss, and to himself he said: "He is a fraud. He does not intend to let the girl pass out of his control." Then aloud he reopened the discussion: "It all comes back to a question of the girl's talent. If it is sufficient to enable her to earn a living in some larger community, she has a right to go; if not, she should certainly stay here. I believe in the largest possible life for every human being, and Miss Lambert's ambition is a perfectly legitimate craving. Furthermore, she seems eager to escape from this life. She hints at some sort of mysterious persecution. She has not defined her troubles in detail, but I inferred that some undesirable suitor made life miserable for her." With these words he bent a keen glance at Clarke.

"You are quite mistaken, sir. Miss Lambert has many admirers but no suitors. I have cautioned her against entanglements of that kind. I have shown how they would interfere with her work."

"You mean her work in your church?"

Clarke's eyes again took on the narrowed glance of suspicion. "Partly that, but more on account of other and higher work which I hope to see her do."

"To what do you refer?"

"Pardon me, of that I cannot at present speak; I can only say that it is a work whose preliminary stages can be passed as well here as in New York City—better, in fact."

"You arouse my curiosity—"

Clarke suddenly awoke from his musing and became aggressive. He resolutely changed the subject. "Before you go I want to ask you—do you, as a chemist, deny the immortality of the soul?"

"Chemistry does not concern itself with the soul."

"Do you, as a man, deny the immortality of the soul?"

"I neither deny nor affirm. I have never concerned myself with the question."

Clarke was a little daunted. "You leave the most vital question in all this world uninvestigated!"

"Yes, because I was long ago convinced that the problem of death, like the origin of life, is insoluble, and why waste time on the insoluble? To pore upon the constitution of matter is a species of mediævalism. I am concerned with what bacteria do—not what they are."

"I deny that the question of immortality is insoluble!" replied Clarke, his eyes glowing with the fire of his faith. "It is because you scientists ignore the phenomena of spiritism that you remain ignorant of the messages which come from the other side."

"What other side?"

"The realm of those you call 'the dead.'" He caught up a book. "There is the word of a German scientist, a hundred times more eminent than you, and here are the conclusions of two great Englishmen, members of the Royal Academy, who have investigated and have been convinced of the return of the dead."

"I know those men," replied Serviss, coldly. "The common opinion is that they ceased to be scientists when they wrote these volumes. All were past their prime and bereaved, and one was nearly blind. Their true balance of judgment was lost before they set to work on what you call their investigations. The German was considered insane on the 'Fourth Dimension.' But what has this girl to do with your 'realm of the dead' or my study of cancerous tissue? She belongs to the realm of music and flowers. I beg you to remember that. You have no right to throw over her the shadow of your religious perplexities any more than I would have the right to lay before her my knowledge of parasitic growths. Youth, and especially young womanhood, has its rights, and one of them is to be blithe. You admit that you are losing faith; why destroy hers? Your doubts and despairs should not touch her. But they have. She is troubled and sad by reason of your attitude towards life, and especially by your insistence upon the presence of death in the world."

This was not precisely what Serviss had started out to say, but as he went on a sense of being misled, a suspicion that he was playing into the hands of the enemy, kept him from putting into words the strong conviction which had seized him.

The preacher put his interlocked fingers behind his head, and, looking at his visitor beneath lowered, contemptuous lids, replied: "My dear sir, you don't know a thing of what you're talking about."

The note of patronization, the tone of superior wisdom, stung the scientist. He felt in the clergyman's reply not merely opposition, but insult. His very pose was an affront.

"I don't know your motives, that is perfectly true, but I can infer them. It is due me to say that I am not in the habit of mixing in where I am not wanted; but as Mr. and Mrs. Lambert have both asked my advice, I shall give it. The girl is morbid and unhappy here, and I shall tell them to send her away for a time. She has musical talent. I shall advise them to allow her to go East to study."

The preacher's smile deepened into a sneer. "I think I understand your motives, and I shall oppose her going. What is there to restrain a man who recognizes neither spirit nor God?"

Serviss was at first astounded, then hot at the grossness of this insinuation, and his strong, brown hands clinched in the instinct to punish—to retaliate—but his anger cooled to the level of words, and he said: "This interview has more than convinced me of the justice of Lambert's distrust of you. I shall see him again and repeat the warning I have already given." And with these words he turned and went out.

It was with a sense of astonishment and relief that he re-entered the daylight, for the sunset glow was not yet out of the sky. A moment before the world had seemed enveloped in midnight darkness, and lo! here now were the splendid peaks, the singing river, all aglow with golden light. The encounter of the moment before receded swiftly, became incredible, but the preacher remained squat in his den like a vampire in his cave.

As he went slowly up the street he acknowledged a feeling of growing weight, of uncertainty. Having given his word in such wise, he had become the defender, the protector of one of whom he knew nothing that was reassuring. His youth seemed to have suddenly taken on care. His vacation had ended in a cloud of distrust. From the detachment of the scientist he had descended to the level of a moralist and meddler, and, most significant of all, a meddler in the affairs of a young and attractive girl.

VIII[ToC]

DR. BRITT EXPLAINS

Serviss had just written and sealed a letter to his sister, wherein he said, "I shall remain a few days longer here in the mountains—they interest me greatly," when a knock on the door announced the bell-boy bearing a card.

"Dr. Britt!" exclaimed Serviss, with pleasure. "Bring him up, please," and to himself added, "Now we will learn something definite about this amazing group of people."

The manner in which Britt entered the room proclaimed a distinctive character. He edged himself through the door, not stealthily, but carelessly, casually. He, too, was tall, with a wide, dark beard curling over very pink and rather plump cheeks, and in his bright black eyes a sardonic sheen played as he loosely shook his host's hand. His expression was that of a man perpetually amused, as if anticipating a joke or recollecting a mockery. His voice was as languid as his limbs, but his words were precise and to their mark.

Serviss greeted him heartily. "I am glad to meet you, Dr. Britt; take a seat. I have heard of you through Miss Lambert."

"I saw you on the street," replied Britt, without change of expression, "so I looked over the register to find out who you were. I'm mighty glad to meet up with you. I know you very well by reputation, and Weissmann is an old acquaintance of our family's. What are you doing out here? Visiting the Lamberts?"

For some reason this directness disturbed Serviss a little. "No—oh no! I just drifted in over the divide from the desert, and met Miss Lambert by accident, quite by accident. I dropped into Colorow to rest and rinse the desert dust away, before returning East. Turn about is fair play—what are you doing here?"

Britt struck his left breast with his thumb. "Same old story—busted lung. Whenever you strike a suspicious character out here he's either a 'one-lunger' or a 'remittance man.'"

"That's what makes your country worth while."

"I don't know about that, but you'll find a good many of us waiting. When you fellows develop an anti-toxin for the consumption 'bug,' we're all going back to God's country."

"We're hot on its trail," replied Serviss, jocularly.

"I know you are. I 'read after you,' as they say out here. In fact, I've got a little 'farm,' and take a shy at breeding the beasts myself. I'd like you to come in and give me a hint or two."

"With pleasure," Serviss heartily responded. "So you know Weissmann?"

"I used to. My father was an attaché of the embassy at Berlin at one time, and was a factor in getting old 'Hair and Goggles' to come over; he was a conceited ass at that time, with more wool than brains, the governor always said; but the governor wanted to do something for the college."

Serviss studied the card. "Do I know your father?—is he still in public life?"

"He is not." Britt's glance veered. "The governor, I'm sorry to say, has a weakness for toddy, and I've retired him. He boards in White Plains with Patsy Cline summers, and relapses winters."

Serviss changed the subject. "By-the-way, I want to ask you about this man Clarke. What kind of a chap is he?"

Britt's answer was languid but adequate. "Three parts fakir and the rest fanatic."

"I was afraid so—and the Lamberts, what of them?"

"Mrs. Lambert is a dear old ninny. Viola is a mighty bright girl suffering from a well-developed case of hysteria and auto-hypnosis."

"What do you mean?" asked Serviss, sharply.

Britt checked himself. "I ought not to speak of it, I suppose, but, as you are a stranger and can keep a professional secret, I will explain. The mother is a spiritualist—has been for years—and, being on the lookout for it, naturally discovered what she calls 'mediumship' in Viola when a child. By carefully nursing the delusion in herself and in her subject, she has been able to develop a rare 'up-rush of the subliminal,' as Myers would say. When I came here to take Dr. Randall's practice, I found among his papers elaborate notes on the girl's development."

"You amaze me!" exclaimed Serviss. "She seems so normal and so charming."

"In reality she's the most extraordinary puzzle I have ever undertaken to solve. It seems, according to Randall, that this power came upon her soon after the death of her little brother—a couple of years younger than herself. I'll let you see these notes if you like. They're very curious; in fact, I brought the book along—I wanted your opinion of them and your advice as to the girl's treatment."

Serviss leaned forward in growing interest. "By all means let me see the notes. You begin to throw light on something that puzzled me."

Britt drew a small brown book from his pocket and said: "Your first thought will be to relate this business to hysteria, and one of Randall's first entries is a reflection along these lines: 'There is much inconclusive literature on the shelves of medical libraries on the subject of hysteria, and many diverse ailments are thrown into that box of explanations.'" Britt looked up. "He's right there, but he goes on to slate the medical profession thus: 'The mind of a child, like any other expanding, growing thing, tends to depart from the norm—loves apparently to surprise its progenitors. Holding in its grasp latent tendencies of all ages, of all the race, it may at any time astound by its sudden expansion in unexpected directions, as well as by its inexplicable failure to follow ordained grooves.'" Here Britt paused again. "You can see the old chap was hard hit. He now gets evolutionary. 'We are all goats, satyrs, and serpents potentially—even from the neurologist's point of view our minds are infinitely complex.'"

Serviss said, "All this is wise, but is it pertinent?"

"He's coming at it. 'Now, what we men of medicine call hysteria seems to be a violent and, in a sense, unaccountable departure from the norm, induced by the removal of some check—by some deep change in the nervous constitution. Thus a girl suddenly refuses to eat, has visions, shouts, and sings uncontrollably, perhaps speaks in an unknown tongue—she is said to be hysterical. A mother, hearing of the death of her child, begins to laugh, passes at length into a cataleptic state, during which a child's voice sounds from her throat; this, too, is hysteria. A man of forty-five becomes melancholy, professes to hear music inaudible to others, develops automatic writing, and trances in which he is able to hear distant voices, and to read sealed letters; this, too, is hysteria. In reality, nothing is explained.'"

"What of it?" interrupted Serviss. "Let's have the application."

"He makes his point in the next paragraph: 'In conformity with this habit, when called in by Mrs. Lambert to study her daughter, who had passed suddenly into deep sleep and was speaking with the voice of her grandfather, I, with owlish gravity, pronounced her attack a case of hysteria. "Take her on a little trip," said I. "Keep her well nourished and out-of-doors, and she will outgrow it."'"

"Very good advice."

"So it was, but mark the sequel: 'She did not outgrow it.' He puts this in italics. 'The power within her gained in mastery, and, what is most singular and baffling to me, she continues to be a hearty, healthy child in all other ways, and yet at times she seems the calm centre of a whirlwind of invisible forces. Chairs, books, thimbles, even the piano, move to and fro without visible pushing. Electric snapping is heard in the carpet under her little feet, and loud knocking comes upon the walls—'"

"Ah!" exclaimed Serviss, and recalled the knocking at his first visit, while the girl was at the piano.

"Here he drops into italics again. 'One by one all the familiar manifestations of the spiritualistic medium are being reproduced by this pretty maiden here in this mountain home.'"

"Good Lord, what a pity!" exclaimed Serviss.

Britt read on: "'The mother, aggrieved and alarmed by the rude way in which the girl is buffeted, has been put to her paces to conceal the topsy-turvy doings of her household. Stones are hurled through the windows, cabinets are opened by invisible and silent locksmiths, and I have seen these things and can offer no explanation.'" Britt closed the book. "Right here the old doctor lost his nerve, up to this time he was a fairly acute observer. His next entry is evidently some weeks or, possibly, months later. He says: 'Slowly we have learned to understand the phenomena, but we cannot control them, and the child is still cruelly embarrassed by intrusive tappings and cracklings as she visits her friends or as she sits in her seat in school. She has become afraid to sleep alone, and calls piteously for a light whenever the noises begin.'"

"The poor child—"

"You may well say that," replied Britt. "She has told me that her time of greatest trial comes just after the family have had their evening meal, and while she is seated at her book; but Randall grows eloquent in his description of what took place: 'Almost every night at seven o'clock the obscure powers begin their uncanny and invisible riot, ending by seizing upon the child as if to destroy her, compelling her in the end to sleep. Then her voice, her limbs, seem at the disposal of some invisible intelligence.' You see, the old man is weakening. He says no more of hysteria, and nothing about taking the girl away."

"Do you mean to tell me he joined in fostering this delusion?"

"Mark his change of tone. He goes on: 'The mother, convinced by her reading, as well as by messages in writing, believes that the spirits of her dead are trying to communicate with her, and so sits night after night terrified yet hoping, waiting for further instructions from the imponderable ones.'" Britt turned a few pages rapidly. "Listen to this. Here is the key to the old man's change of heart: 'To-night the child began to speak to me in the voice of a man. Hoarse words rose from deep in her throat, a voice and words impossible to her in her normal condition. The voice purported to be my father's. It is all very singular. I do not understand how she could know the things this voice uttered to me.' You see," said Britt, "he has ceased to be the medical adviser." He turned a number of pages slowly. "Well, the girl passed rapidly through these various phases, according to Randall. She wrote messages with her left hand, wherein her grandfather McLeod detailed the method of treating her, and Randall was so far gone that he acquiesced. From her eleventh to her fifteenth year she lived under this 'control.' The manifestations increased in power and definiteness. The 'controls' at last were three—her grandfather, her brother, and her own father. At sixteen the most violent of the manifestations ceased, and the girl went away to school. At this point Joe Lambert enters—he married the mother."

"How did he take these doings?"

"He seems to have been a silent and reluctant witness; the doctor only mentions him incidentally. There are one or two pitiful letters from the girl written while at school, detailing several embarrassing returns of the 'spirits,' but, on the whole, she was happy. According to the record, her vacations must have been a torment, for 'Waltie,' that's no Polter-geist, seemed determined to make up for lost time. He came every night, making life a hell for his sister. She could go nowhere, and it was with the greatest difficulty that the mother kept her dreadful secret."

Serviss, with darkened brow, writhed uneasily in his chair. "I have heard of these things before now, but this is a new view of a medium's development. I don't understand the mother's attitude."

"Randall notes that the mother was resigned and content as soon as she was convinced of the return of her dead father and husband and son, and at present will not think of giving up her fancied communion, especially as the 'guides' constantly assure her that 'they' will protect the girl. But observe the senility of this note in Randall's diary: 'Martha comes regularly to me now, and I am happy in a renewed sense of her companionship. Indeed, I fancy at times that I can see her. She showed me her hands last night; I could see them plainly against the window. I had quite a controversy with Lambert after the sitting. "It's all bad business," he said. "I am scared when I think of what's going to become of Viola. Here she is growing to be a big girl, and a pretty girl, and she ought to be out in company—she ought to be singing and dancing like other girls. She ought to marry like other girls and be happy, and she can't be so long as these things are going on. It isn't right."'"

"No more was it," said Serviss. "It was villainous."

"Randall was too far gone to even agree. 'But it hasn't hurt her,' I replied; 'and, indeed, this marvellous fact resigns me to the practice. I can't endure now the thought of being cut off from Martha and Paul, our precious boy. It would be like shutting the door in their faces. Besides, they are in control; we could not stop their use of the girl if we were to try. As for me, it is now my life. I am old. My friends, my dear ones, are all on that side. I have only a few more days to live, and then—' Right here the old man stopped. He lived a month or two after that, but he made no more notes, and when I came on the scene Clarke was in control of the situation. I had no acquaintance with the family and no personal knowledge of the case till Lambert called one day and told me of the sittings going on in the little cottage. He had a notion that I might be able to cure the girl."

Serviss had listened to Britt with growing pain and indignation—pain at thought of Viola's undoing, indignation that the mother and her physician could so complacently join in the dark proceedings. "Of course, you took hold of the case."

"I tried to, but Mrs. Lambert and Clarke would not admit that the girl was in need of my care. They invited me to join the circle as a spectator, which I did. I am still the onlooker—merely."

"You don't mean to say they are still experimenting with her?"

"You may call it that. They sit regularly two or three nights each week. Clarke is preparing to renounce his pulpit and startle the world by a book on 'spiritism,' as he calls his faith. The girl is his source of thunder."

Serviss sank back into his chair and darkly pondered. "That explains a number of very strange words and actions on the girl's part. What is her attitude? She seemed to me extremely discontented and unhappy."

"She is unhappy. She understands her situation and has moments of rebellion. She knows that she is cut off from her rightful share in the world of young people, and feels accursed."

"I can understand that, and several things she said to me corroborate your analysis of her feeling. But tell me—you have attended these sittings—what takes place—what does the girl profess to do?"

"I don't know. I can't determine Clarke's share in the hocus-pocus. It all takes place in the dark."

"It always does. It belongs there."

"Many of the good old 'stunts' of the professional medium are reproduced. Lights dance about, guitars are played, chairs nose about your knees, hands are laid on your cheek, and so on."

"You don't think she is wilfully tricking?" Serviss asked this with manifest anxiety.

"There's every inducement—darkness, deeply anxious friends. It would not be strange if she did 'help on' now and then."

"What a deplorable thing!"

"And yet I'm not so sure that she wilfully deceives, though I have detected her in fraud. Probably the whole thing began in some childish disorder which threw her system out of balance. There are hundreds of such cases in medical literature. She was 'possessed,' as of old, with a sort of devilish 'secondary personality.' She probably wrote treatises left-handed and upside-down. They often begin that way. The mother, lately bereaved, was convinced of her daughter's occult powers. She nursed the delusion, formed a circle, sat in the darkness, petting the girl when things happened, mourning when the walls were silent—and there you are! 'Sludge the Medium' all over again, in a small way. Probably the girl didn't intend to deceive anybody at first, but she was tolled along from one fakery to another, till at last she found herself powerless in the grasp of her self-induced coma. She is anxious to escape her slavery; she revolts, and is most unhappy, but sees no way out. That's my present understanding of the case. Now, what is your advice? What can I do? I am deeply interested in the girl, but I have no authority to act."

"You shock and disgust me," said Serviss, profoundly moved. "The girl seems too fine for such chicanery. Who is this man Clarke?"

"He was a sensational preacher in Brooklyn a few years ago, but a hemorrhage in the pulpit cut short his career in the East. He came out here and got better, but his wife, who had a weak heart, couldn't stand the altitude. She died—a sacrifice to her husband. He's the kind of a man who demands sacrifice. After his wife's death, he fairly lived at the Lambert cottage, and is now in full control. The girl's will is so weakened that she is but a puppet in the grasp of his powerful personality."

Serviss was now absorbed in reconstructing his conception of Viola. Her situation appealed to him with the greatest poignancy, but his ability to help her seemed gone. Fair as she looked, she was to be avoided, as one tainted with leprosy. His impression that first afternoon had been true—she was beleaguered, if not lost.

Britt was saying: "If the girl were under age I'd appeal to the health authorities of the state—I really would, much as I like Mrs. Lambert—but she is of age, and, what is more to the point, Clarke has won her love and confidence, and what can you do? He fills her horizon, and the mother favors him. He talks to her of her daughter's 'mission to the world,' and such-like vapor, and has the girl herself half convinced that her cataleptic states are of divine origin. I confess I haven't felt free to make any real tests—you can't treat her like a professional, you know—but she seems to have induced by long practice a genuine coma, and until some clamp is applied I can't say whether she or Clarke is the chief offender. Now what would you do?"

Serviss burned with the heat of his anger. "Don't reveal to me any more of this wretched business. I can't advise. If you, her physician, and Lambert, her step-father, can't put a stop to it, what can I, a passing stranger, do? I don't want to know anything more about it. Why, man, it's diabolical! To warp and imprison a girl like that! To think of that bewitching creature as a common trickster—appalls me. And to think that good people, millions of them, believe in such mummery! It is incredible!"

"You'd be surprised at the number of somewhat similar cases we find among our patients. Since coming here I've gone in for a little library of books on the subject. Every physician during his practice comes upon one or more of these abnormal cases which, as Randall says, we label, for convenience, 'hysteria,' and I'm free to say that I don't think we're at the bottom of the matter. Let's be just to this girl. There are points in her favor."

Serviss protested. "Not another word. It's too painful."

Britt persisted. "I was merely going to say that I think there is some basis for all this humbuggery. These mediums don't start from nothing. They nearly all begin with some abnormality. Some submerged power rises to the surface of their minds like a sea-serpent, and that distinguishes them as seers. Curious friends crowd around, then the lying begins. It's going to be worth while to take the subject up, by-and-by. I'd do it myself if I could live in New York City." He rose. "Well, I don't blame you for not going into this case—I wish I were clear of it myself—but I was hoping you'd had some experience that would help me." Thereupon the conversation shifted to other grounds.

After Britt went out Serviss sat in brooding uneasiness over his visitor's sad revelations. He had known Viola Lambert but three days, and yet these revelations concerning her affected him most painfully, quite vitally. His pleasure in her and in the mother and their pretty home was utterly gone, and the breaking-off of this acquaintance left an ache in his heart.

Of course he put all this on very general grounds. "I hate to lose faith in any one. It is a shock to know that I can be so wholly deceived by appearance. Clarke is really the one to blame in the deception. I can't believe the girl wilfully deceives, and yet Britt was explicit, and he seems to be a keen, dispassionate observer."

Thereupon he began to pack in order to take the early morning train for the East. He decided not to see her again, and posted a polite note saying he had been obliged to return to New York, and that he regretted his inability to call.

As he stood on the rear platform of his train next day, looking back up the cañon towards the shining crest of Colorow, he had a craven sense of having deserted a helpless young girl in the hour of her greatest trial.

IX[ToC]

ANTHONY CLARKE, EVANGEL

Mr. Britt was right. Mrs. Lambert was very fond of Clarke—had, indeed, quite taken him into her heart. He was at once son and spiritual adviser, and his wishes had the force of commands. His bereavement could not have anguished her much more keenly had Adele been her own daughter, and this affliction still lay like a mist between them, preventing even a foreboding of his impending confession of desire. Her remembrance of the beauty and high character of his wife made Viola seem doubly the child; and so when, from time to time, some busybody hinted at the minister's marked intimacy with her daughter, she put the covert insinuation away with a frank word—"You mustn't even think such a thing."

Viola, too, from the very beginning of their acquaintance, had admired the young minister quite as deeply as Serviss imagined, and had humbled herself before Adele as to a very wonderful lady of the mysterious outer world, whose deportment, dress, and speech had been sources of enlightenment; and when she passed away, the land of the shadow became just that much richer, more complete in its dominion over her. Almost at once Adele spoke through the vale, saying, "I am here to help and guide."

Thus all powers of earth and heaven had combined to make Clarke the ruler of Viola Lambert's little world. He stood between her and young Clinton Ward and all other suitors—he absorbed her thought. She admired his gifts, and trembled beneath the power of his dark eyes, his magnetic hands, and especially responded to the music of his deep voice, which was very enthralling when it took on the pleading melody of the lover. At times he filled her with such passion of vague unrest that life became a torment, for she was of the age when the world is for the lover's conquest, and the cadence of love's song means most and is least understood; and yet at times she felt a fear of him which chilled her. She was struggling, too, with growing ambitions, and with an expanding knowledge of the world which was beginning to make her critical—the wonder of the child was giving place to the insight of the woman. The wish to shake off her invisible tormentors and be like other girls was in reality a demand for the right to be loved and valued for her own natural self, entirely free from the touch of spectral hands.

She was disappointed that Clarke did not understand and sympathize with this wish, but that he desired her in marriage had never once entered her mind. He was a minister, and she reverenced his office, and, besides, she considered herself but a girl, too ignorant and too trivial to be the wife of one so high in holy service.

With the coming of the young professor a new force seemed entered upon the saner side of her life. She recognized in him a master of the great outer world—the Eastern world, the world of the unafraid—and her determination to at least subordinate her "controls" had expanded swiftly to a most dangerous height during the few hours of her companionship with him. She felt that he would sympathize with her—that he would help her. The clear positiveness of his speech, his health, his humor, grew upon her each moment, and she resolved to confide in him when next they met.

Part of this upspringing revolt, this antagonism, Clarke divined, and the determination to arrest her purpose, the desire to possess her entirely and at once, excluded every other wish or plan, and to feel was to act with Anthony Clarke, for he was born to emotional experience as the sparks fly upward. He had ever been a creature of unreason, morbidly conscious of self—and naturally, for in him struggled the blood of three races. His father was Scotch, and his mother—Spanish on the spindle side and Irish by way of a most mercurial father—remained an unsolved problem all her days, even to her husband. Her laughter was as illogical as her tears. Her household could never tell what the next hour would bring forth, so ready were her sympathies, so instant her despairs. She lived all her life at the heights or the depths, with never a day of serene, womanly, reasonable action, and when she died her passing was of the same emotional stress. She clung to earth like one whose body was about to drop into soundless deeps.

Her son had inherited all her fervency, her inconstancy of purpose, as well as her tendency to collapse under pressure. Physically he had always been of slender figure, with weak lungs, and these weaknesses he had used to free himself from work, from responsibility.

He was not a hypocrite—in that Britt was mistaken. He was by nature deeply religious. His soul aspired, at times, to high things. He was sympathetic to actual pain, and had always been morbidly in awe of death. The sight of any poor, lost, and suffering man threw him into instant, profound, and melancholy pity. A dead beetle in the road, a fly caught in a spider's web, a young robin water-soaked and bedraggled, appalled him, even as a boy, and he pondered them with sad and questioning eyes long after his young companions had forgotten them. Where had the light of their eyes fled? he asked himself. He found no sport in killing any creature, and more than once he used all his slender force to defend a cat from stoning; and yet he was known to have joined the worst youths of his native town in secret drinking-bouts, thereby acquiring the reputation of a liar and sneak, as well as that of licentiate. At seventeen, just when the appetite for liquor seemed beyond his control, a great "revivalist" won his soul, as the saying went, and at twenty-three he assumed his first pastorate.

Success as a pulpit orator was assured by the charm of his voice, the magnetism of his manner. His head was singularly handsome, and often when he spoke his face was irradiated like that of a seraph, and the women of all his congregations adored him from the first glance, embarrassing him with their ardent praises. That he had remained faithful to his wife in spite of this adoration was evidence of her great beauty of character. She was, indeed, his safeguard and his hourly monitor while she lived.

For him she had sacrificed all her friends in the East. She came to the mountains without a murmur, she bore with him, cheered him, upheld him in a hundred ways—and when she died his world went black as midnight. It was as if in the midst of a monster, interminable cavern his one starlike light had gone out in his hand. For days he beat his head against the wall, crying defiant curses against his God; but in the end he sank into voiceless despair. Then it was, as he lay prone and passive, that he began to hear mysterious whisperings and tappings on the walls of his cavern of despond. He rose and listened. He groped his way towards the dim light. He returned to the world of men. His faith in the Scriptures was weakened; but he soon discovered a wondrous change of heart towards those who claimed to be intermediaries between the worlds of matter and of spirit. He turned his attention to the study of the physical evidences of life after death.

Up to that moment he had given but little credence to Mrs. Lambert's half-hearted confidences concerning her own change of faith, and, as Viola had been away at school much of the time, he had forgotten that she was concerned in the mother's confession.

The disclosure of her powers, as he told Dr. Britt—after they were both involved in the curious case—came violently, without warning, a few days after Adele's death. "I was sitting with Mrs. Lambert in sad conversation, seeking her aid and comfort. Viola occupied a low chair beside the shaded lamp, a book upon her knee. She was listening to me. I had just finished saying, in deeply passionate tones, 'I would give all my hope of life for one whisper from the lips of my Adele,' when the room began to darken. At first I thought the effect lay in my own brain, but a moment later I perceived that the light had actually begun to fail. We all watched it in silence for a moment, then Mrs. Lambert remarked, 'Viola, Mary forgot to fill the lamp.'

"Even as she spoke a cool wind blew over my head and lay along my hands. The flame leaped into the air, the room went black, save where a pale glow coming from the street lay upon the floor. A faint rustling arose, a hand touched my cheek, soft lips brushed my ear, and a whisper that stopped the beating of my heart began. A vague, inarticulate murmur, at first; but at last I plainly heard my spirit-wife speaking in gentle reproof—'Tony, Tony, I am always with you.'

"The whisper ceased. The hand was taken away. A deep sigh came to my ear. My Adele was gone! The moment of ecstasy was over. I sat stunned, inert, my brain whirling with the far-reaching import of this experience. Before I could drag myself to my feet Mrs. Lambert, practical and undisturbed, threw open the door and let the light of the street in. Only then, as I looked on Viola, lying in trance with white, set face, did I first connect her in any way with my sweet communion with Adele.

"Then, like a flash of joyous light irradiating my soul, came the conviction that she was the medium through whom my Adele had spoken—that she had opened the gates of silence for me.

"I was no longer body—I was a brain suspended in some invisible sea of force. Here was the reality of religion. Here was the answer to the anguished cry of humanity—an answer to my prayers which the Hebrew Scriptures could not give. There was a life beyond the grave. The spirit did persist after the decay of the body. And here in this little room, when my despair was deepest, the proof had come, blinding me with its beauty.

"Then I said: 'Viola, you have given me the most wonderful moment of all my life. You brought my Adele and put her hand in mine. Through you I heard her voice again. God has chosen you for a great work; I feel it. You should not repel these powers; your gift may mean the most exquisite comfort to thousands—nay, millions—of bereaved souls.'

"I was amazed at the vehement unreason of her reply. 'I don't want it!' she cried. 'I hate it! I won't sit again!' Then I tried to persuade her of her great mission, to no result. The following night I came, and we pleaded with her to act again with us, but she still passionately refused. 'Why don't they come to you or to mother,' she complained, 'instead of to me?' To this I said: 'There is no answer. They have made you their instrument, and it is your duty to do their will.'

"That night the little parlor became a battle-field. Mrs. Lambert had invoked the aid of Donald McLeod, her father, the girl's 'control.' Viola resisted almost to the death. It seemed as if a strong hand clutched her throat, commanding obedience. I feared she would be torn to pieces, and at last I protested. 'She is suffering too much; let us give over the sitting.' But Mrs. Lambert said, quietly: 'It is her own fault. She is being punished for her obstinacy. Father is disciplining her—he will not harm her.' In the end the power conquered, and the girl lay back in slumber so deep, so dead, that her breath seemed stilled forever—her hands icily inert, her face as white as marble."

"Why didn't you interfere?" asked Britt, sternly.

"How could I, when the mother and the girl's 'controls' were minded otherwise? Besides, I began to believe in the girl's mission—I began to understand the enormous value of her work. My God, Dr. Britt, had I that girl's gift I would engross the world. I would write such words across the tomb that death would seem as sweet as baby slumber. I would make the grave a gateway to the light. I would eliminate sorrow from the earth. The Bible no longer satisfies me. I want something more than cold, black letters on a printed page. I want to know! I want to thrill the world with a new message; and here, now, at my hand, is a medium. I can never have this power—perhaps it is only given to babes and to sucklings, but I can spread the light. You, Dr. Britt, shall help me. Let us study this wonderful gift. Let us concentrate our energies upon this supreme problem. I will note all that comes to us, and I will write a burning book—a revelation that shall go round the globe, guiding and gladdening every human soul. Think of it! There is no mightier mission on earth. This girl can be, and must be, made a savior, a hope-bringer, to thousands of despairing souls!"

To this fervid appeal Britt remained impassive and coldly critical—till, chilled and repelled, Clarke had withdrawn his confidence. The two still met occasionally in Mrs. Lambert's home, but their antagonism had deepened to actual hatred. Britt, impotent to help, had long since ceased to protest, even to the girl herself; for he had learned that every revolt on her part brought keener pain and deeper humiliation in its train. He entered upon a study of the subject, and thus far had found little to encourage the hope of the girl's redemption from her maladies.

Clarke, too, had surrounded himself with every available book which bore upon these baffling phases of human experiences, and had put himself in touch with every society organized for the investigation of occult phenomena—and in his dark little den brooded day and night over the dimly apprehended laws of the unseen universe. He left his studies only to be with Viola, who had become as necessary to him as his daily food—as indispensable as air. She was at once his hope and his very present help. How to keep her, how to mould her to his will, how to use her to his great purpose of ridding the world of the fear of death—these became his hourly care, his only interest.

To these ends he strove to enthrall her by his singing, by his oratory, and by his love of poetry, knowing well that to drum constantly upon the harsh string of her "mission" would revolt her; and she, thus beset, thus beleaguered, gave over her rebellion, resigning herself to her guides till this ruddy and powerful young man of science came into her world to fill her with new determination to escape from her mental slavery.

Clarke loved this girl, not as he had loved Adele, of course, but quite as humanly. Her mediumship, so vital to the world, so sacred in his eyes, had but added to her allurement. "All that I am, and all I hope to be, is bound up in the possession of that sweet, wonderful child," he said, in acknowledgment of his discovery. In a very subtle way he now apprehended a change in the girl, and, realizing how utterly his aims, his daily happiness, his future depended upon her, he rose from his seat resolved not merely to advise against her going away, but to claim her as his own—his wife.

"My wife!" At this deeply significant word Adele's pleading face rose vividly before him. Writhing with shame before her reproachful glance, he cried out: "But I cannot live alone! And then consider—I shall be able to meet you each day, perhaps each hour, and as I myself develop in grace of soul I may come to you without any medium. I am not disloyal to you, Adele. I love this girl, I confess that; but not as I loved you. You were my true wife, the only spouse I can ever have—you filled my soul. My love for this girl is that of a father—a teacher. I need her for—Oh, my Adele, I will confess, before you came back to me through this child I was weary of the earth, ready to violently end my anguish. Viola put your hand again in mine—she gave me to hear your voice. I cannot bear to lose those priceless moments, and yet I must do so if she goes from me. Am I not justified in desiring her presence? Come to me; tell me, to-night, what you would have me do. Be merciful, my angel spouse. Remember my empty, desolate heart. Remember the greatness of the work I have set myself to do. Oh, my sweet spirit, if you could only put an arm about my neck now, without any other interposing soul! Come to me, whisper to me—now! Let me know your presence here as I sit alone and despairing—"

He ceased to pray, and bowed his head upon his desk and waited in an agony of hope—waited while the darkness deepened and the splendid eternal song of the river proclaimed the futility and folly of man. A cricket sang with heart-piercing cheer, as if to say, "I die to-morrow, but I never despair." But no silken rustle, no whispering voice came to still the agony welling in bitter sighs from the lips of the tempted man.

X[ToC]

CLARKE'S WOOING

Mrs. Lambert was face to face with a decision of almost equal moment—was, indeed, in the midst of formulating the question which perplexed her, in order that she might lay it before her invisible guides for their consideration. She had just written upon a slate these words: "Shall I take Viola and go East, or shall I send her on alone?" when Clarke's foot was heard outside her door. Hastily hiding the slate, she rose to meet her visitor.

He was very pale, and something in his glance made her aware that his call was of no ordinary intent.

"Where is Viola?" he asked, abruptly.

"She has gone to the street with a friend. She will return soon."

"I am glad you are alone; I want to talk with you. I don't like the condition of mind Viola is in to-day. The coming of this Eastern professor seems to have stirred her to another fit of restless desire to go away. I can't think of this, Julia; she is too precious to me to lose. She has become a part of my very heart's blood, and I am afraid to let her go out of my sight. She is young and very impressionable. If she goes away into the city we may both lose her forever. The time has come to tell you that I love her—not precisely as I loved Adele, but deeply, passionately. I want her as my wife. I ask your consent to tell her so—to-night. Will you give that permission?"

Mrs. Lambert gazed up at him with such fixity of surprise that the rush of his forthright appeal weakened towards its end. She was overwhelmed by the intensity of passion in his voice, as well as by surprise that he, so soon after his bitter loss, could turn to another—to her daughter, a child. And, at last, she whispered, "What will they say, Anthony?"

This question he had anticipated, and his reply was ready. "They will advise it, I am sure. For does it not fit to their purpose? Does not my great book depend on Viola's daily co-operation? I have no fear of their answer; I fear what she will say." He began to pace up and down the room. "What, from their point of view, does her musical education signify? Think of it! She holds the key to the gates of death. On her the hopes of millions hang. She is the most wonderful organism in this world—so normal in all other ways, so trustworthy. She will convince all who come into her presence; and then, have not her 'controls' chosen me to publish their discoveries to the world? It is ordained that we work together in this way. She must not go to New York, that vast caldron which destroys all that is spiritual. She should go only when closely guarded by those who love her and understand her exquisite nature, her gifts. Some day I will take her there. Alone she will be prevented from her grand mission, her message lost, her faith destroyed. Can't you see she must not go?"

"I have done my best to keep her."

"I know you have," he answered, quickly; "and now you must give me authority over her—the authority of a husband. I am willing to put the whole matter to the test this night. She knows that I love her, and I think she honors and respects me—perhaps she may already love me, unworthy as I am."

The mother began now to tremble. "I don't know, Anthony; she thought—we all understood—that you—"

"I know what you mean," he irritably exclaimed. "Why will you persist in misreading me? I am not disloyal to Adele. Can't you see that my devotion for her remains, and that my regard for Viola is no treason to the dead? Adele will understand how vital, how necessary, Viola is to me, for does she not know that I could not even communicate with her if Viola went away? I do not love Viola as a boy loves, but as a man who understands himself and her—as one who understands her duties. It is a different love, but it is just as true, and it is high and holy. Without her I would have gone mad. She saved me from despair. Her union with me will make her an evangel to the earth-bound millions."

Flattered as well as awed by this disclosure of her daughter's power, the mother consented to his demand. Marriage with him would safe-harbor Viola, would establish her in life, and would also carry forward the work which she, too, considered of greater importance than any other concern of her life.

"I don't know her mind, Anthony," she said, after a silence. "She worries and puzzles me lately by her opposition to all our plans; but I don't think she is attached to any of the young men she knows. Still, she is not one to speak of such things. And if she consents—"

"When she comes, leave her to me," answered he, with returning confidence. Deep in the man's egotistic soul lay the thought, "I know why this girl is restless and uneasy—I know why she seeks afar off; it is because she thinks me indissolubly bound to Adele. When she finds that I love her, that I want her for my wife, she will come—her vague rebellions will cease. Her longings will close round me—"

When the door opened and Viola stepped into the room, so tall, so vivid, so tingling with life, the very force of his desire rendered Clarke outwardly humble, drove him to a feigning of sadness and to the voicing of desolate weakness. After the mother left them alone he began speaking in a low voice with deep-dropping cadences.

"Viola, I have something important to say to you. I am much disturbed over your renewed determination to go away. In the face of the great work which is yours to do I do not understand how you can think of dropping it in mid-air, so to speak, to go away on an errand which is essentially selfish—as well as most unwise and full of danger. I don't understand this renewal of restlessness on your part."

The girl's face was clouded, for she had just learned of Serviss's departure and was deeply hurt. She drew the pin from her hat and silently laid it on the table, and in this gesture was something of the resolution of the warrior who divests himself of his cumbering plumed helmet. "It's very simple," she curtly answered. "I want to get away from here for a while. I can't endure my life here any longer."

"Why not? Why are you so unhappy?" he asked, with an accent of stern reproof. "It is a beautiful land—you are among your own people, you have your music, your work, and you are young. You ought to be happy."

"That's just it," she interrupted, quite fiercely. "It is because I am young that I want to do something. It seems to me to-day as if I were losing the best years of my life here in this little town, and I want to get away. I must get away!"

"Does your work with me seem of no value?" His glowing eyes sought hers. He approached her. "Do I weary you? Am I an irritation?"

Her face softened. "No, you have helped me very much. I couldn't have endured this life without you and my music; but this other life—these sittings—I can't go on with them."

"Don't you feel that you must? Don't you feel their enormous importance?"

"No, I don't! I begin to doubt myself—everybody. What have they done for you, for anybody, that I should sacrifice nay whole life to them and their wishes?"

"They brought me healing; they made Dr. Randall happy in his last years; they are a daily solace to your mother; they will comfort millions through our agency." He bent towards her. "Viola, my girl, God has designed for you and me a closer union than even this. You say I have comforted you, that I have made life happier for you. I have come to-night to tell you that I love you, and that I want you to be my wife."

The girl recoiled from the touch of his hand, uttering a low cry of surprise, of question.

He went on: "Yes, I have grown to care for you beyond any other human being. You are my staff, my stay. God sent you to my spiritual healing. I should have gone mad but for you." He bent upon her a look of passion and command. "You must not think of going away. You belong to me." Her face warned him that his appeal was being misinterpreted, and he added, quickly: "I know this comes to you abruptly, and yet you must have felt my love, you must have read my heart."

"Not in that way," she answered, in a low voice. "I thought you—I always understood—" The memory of his professed suffering, his oft-expressed adoration for the dead Adele, checked her, filled her with a storm of doubt, and she could not finish her accusation.

He caught up the thread she dropped. "I did love Adele, I love her still—a holy, mysterious love—a love you cannot understand; my feeling for you is different, but no less high. It is the cry of a lonely, desolate man. Come to me, Viola; do not question; follow your heart's leadings, as I do." The light of her accusing young eyes pierced the armor of his defence, and he fell upon his knees before her. "I can't explain it, but it is true, Viola. I have not deceived you. I loved her—I love her still. She is vital in my life. I was sincere in all I said; but you are flesh and she is spirit. Don't you see? You can comfort me—assist me, work with me as she cannot."

As he poured out his passionate plea, a sense of injury, of disillusionment, overran the girl. She revolted from the touch of his head against her knee. "You must not talk to me that way—you belong to her." She pushed him away. "Get up. Go away from me. I hate you now."

There was something so final, so convicting in her gesture of repulsion that the man's head dropped. He covered his face and uttered a groaning cry, and so lay silently sobbing, while she looked down at him—woman-grown in that instant. His passion moved her to pity, not to love, and she put him aside gently and left the room without further word. Her master, her highest earthly guide, had fallen from his lofty place and lay grovelling at her feet. This conception, vague but massive, oppressed her heart, and lay upon her brain like a leaden cap.

At the moment she, too, despaired of life and knew not where to turn for aid.

BOOK II

I[ToC]

THE MODERNISTS

The Bacteriologic Department of the Corlear Medical School stood at this time on one of the cross-streets of the old East Side, not far from Corlear Park. It was a large, old-fashioned brick building, worn of threshold, and as ugly in line as a livery barn. Its entrance was merely a gap in the wall, its windows rectangular openings to let in the light. Not one touch of color or grace, not one dignified line could be detected throughout its whole exterior. It was constructed for use, not ornament.

Interiorly it was quite as utilitarian. Its halls, bare and cheerless, echoed to the tread and were repellent as those of a barracks. The visitor felt chilled, disappointed, as if he had been met by the insolent servant of an indifferent hostess. It seemed the home of the mathematical, the mechanical, the material; but this was a mistake. It was a house of dreams. The right knock at one of those ugly doors would permit one to step into the presence of the most cheery, the most learned, the most imaginative of individuals—the man of germs, poet, dreamer, and experimentalist, absorbed in the pursuit of the unattainable, concerned with the ultimate structure of organic life, baffled, yet toiling on for love of his work, while the sick of the world believe in him as an angel of altruism.

The far-away rivers of the world have all been traversed and mapped, but the streams of blood in the arteries of man are filled with the unknown. The habits of the Esquimaux, the customs of the dwarfs of Central Africa, the ways of the baboons of Sumatra are minutely set to book, but the wars of the phagocytes remain indeterminate, unexplained. With microscope to his eye the bacteriologist is now examining the constituent parts of the blood, isolating, breeding, and minutely studying the germs of fevers, the growths of tumors, and other elemental forms of human parasites, in order to discover their antagonisms, their likings; for in these jungles of the flesh the war of races proceeds quite as in the Amazonian forests—the white cells against the red, devouring, destroying.

The men behind these bald, bleak doors are tireless workers as well as seers and sages. They toil (at ridiculously low salaries) in the avowed hope of eradicating diseases. They do not pause in dismay of the insoluble. They—or such as they—discovered the cure for small-pox, for hydrophobia, diphtheria, and for yellow-fever. They and their like brought chloroform to the woman in travail, and ether to the wounded soldier. They have enormously reduced the number of those who die on the battle-field by their antiseptic dressings, and by one discovery after another have made infantile diseases less destructive. They already control yellow-fever and are about to eradicate typhoid—yet they say "our work is but begun."

Here one comes upon their dreams. Calm and contained as their words are, their hearts are aflame with passion for the undiscovered. They are akin to those who seek the theoretic poles of the earth, undaunted by endless defeats. With quickening breath they watch the electrons flame and fall, seeing the ultimate constitution of matter almost within their grasp, and yet they do not permit their dreams to blind or weaken them in their wearisome, hopeless quest.

They have their heroism for humanity, too. They meet death face to face, as they pry close into the cause of decay, the secret of morbid growth. There is more danger in certain germs than in lions. Blood-poisoning is to the surgeon a more constant menace than hunger to an Arctic explorer. These students never know what destroyer they may unwittingly unloose. Cross-section of abnormal tissue is more entrancing than a rose-leaf, a cluster of bacilli more beautiful than a snowflake. They have gone past all creeds, these calm young men, but they bow before the unspeakable majesty of the unknown. To them the Hebrew Scriptures are but the tales of minstrels in the childhood of the race, Mohammed a dreamer of baseless visions, and Christ but incarnate love in an age of war. The Creator they conceive is too profound to admit of any attribute. He neither thinks nor feels, and the life that pulses at the base of the first faint cell is a part of the same power that binds the stars to their circling suns.

Notwithstanding their daily contact with the most appalling cases of disease and death, they come and go briskly with jocular greetings on the stair-ways. They return to their homes each night to read, to smoke their pipes, deporting themselves like commonplace fathers and brothers and husbands. They even make love like other men; but, nevertheless, they may be overtaken in muse like alchemists, subject to fear and hope like children. To the business-man their ways are ways of silence and sorcery. Their deep-hid convictions are at variance with all theories of Christian redemption, and the realities of their realm more startling than any romance of war or peace. To them matter is as insoluble as the transforming forces which emanate from it. They play with nerves, laying bare the beating heart of life, forever finding, yet forever failing.

To this big, bare building, to one of these barren rooms, Morton Serviss returned after eight weeks study of the sands and the stars and the cave-dwellings of vanished men. From the infinitely lonely and huge and beautiful he cloistered himself to pore upon the habits of the infinitely small, to listen to the swarming, diminished tumult of the protozoa. He came back, as usual, brown, alert, and keen-eyed—eager for work, confident of some new victory, for he was an investigator of weight and standing among the younger men of science. On the street he was indistinguishable from other debonair young men of good social position; in his laboratory he was a master, absorbed, reticent, and precise of plan.

His chief, a little, gray, bent, brusque German, greeted him with absent-minded smile, remarked briefly upon his good health, and then they set to work. In thirty seconds he had forgotten the desert, the face of Viola, all his energies concentrated on the segment of cancer beneath his eye. A newly developed germ, a thousandth part the stature of a gnat's toe, shut out the valley of the Colorow. All day he moved among a wilderness of tubes, jars, and copper ovens, peering, observing—and in a sense happy.

But at night, when alone with his pipe in his study, the lavender sands, the violet peaks, the vivid saffron skies returned with power. Viola, too, came back to bewitch him from his reading, to make his microscopic world of shadowy substance and the smell of his laboratory a hateful thing.

He heard nothing further of her. Britt wrote once or twice, but did not allude to either Clarke or the Lamberts, and Serviss did not care to ask particularly about them. It was better for him not to be concerned further with the girl's singular history. He hated the irregular, the pretentious. His own life, so clear, so well regulated, made her daily performances the more monstrous. The whole had become so foolish in retrospect that he refrained from speaking of it, even to his sister.

It was not quite true that he saw little of New York, for his sister, Mrs. Rice—a widow with two children—who kept his house, or, rather, his double flat, was a social soul, and not merely went about freely, but entertained regularly. They lived handsomely, and the world in which they moved was crowded with duties as well as with sane pleasures. They entertained at their table artists from Paris, savans from Berlin, and literary lesser lights from London, and they enjoyed all this, envying the richer and more ostentatious families of the city as little as they despised the poor of Hester Street. The one quality which they insisted upon in their guests was intellectual cleverness. Perhaps they were a little severe on bores.

Their ways were quite as remote from the so-called captains of industry as from the farmers of Jersey, and the roar of Broad Street was so far away it reached them but as the hum of hornets outside their window-pane. To the explorer of Tibet this life was narrow. To the gay dinner-parties of upper Fifth Avenue it would have seemed dull. To the wrecker of railroads on Wall Street it was indubitably petty. To the merchant it was unprofitable, and yet they were quite content with it, and looked out upon the bustling throngs of fashion and the hustling world of business with equal word of good-natured contempt.

"We can't all be biologists," Serviss was accustomed to say, "and I suppose somebody must continue to steal and murder."

"VIOLA, TOO, CAME BACK TO BEWITCH HIM FROM HIS READING"[ToList]

They came of good stock, these Servisses, and knew it and felt it. Breeding was indicated in their well-set heads, in their shapely hands, and especially in their handsome noses. "We are inclined to be stubby, that's true, but we have the noses of aristocrats—they go back to the Aryans of the Danube," said Mrs. Rice to a friend. "Morton cannot consider a girl of questionable pedigree, no matter how rich or charming she may be. We believe in stock—not in family, but strain; a family is an accident, a strain is a formation. The Mortons and the Servisses are strains. Their union in my brother will yet make itself felt." Her confidence in his powers was absolute. "He is one of the greatest young men of his day. Time will show," she added, as if to clinch her argument.

The circle of their acquaintance included, first of all—and of course—the scientific group, then in successive widening waves the general literary and educational fraternities, the artistic and musical sets, and finally they kept in touch with the old New York families, their own school-mates and friends and those related. All the details and duties of the social side of his life Morton turned over to Kate, and such was her tact, and her skill and charm as hostess, that her rooms of a Tuesday afternoon were filled with a company of men and women as cheerful and as informal as they were clever and distinguished. Among these groups Serviss moved as detached of all responsibility as any of his guests, finding in this contact with bright minds one of the greatest pleasures of his life.

These various circles moved afar from isms. They prided themselves on their balance, their commonsense, their fund of comparative ideas. True, some of the women had embraced Christian Science more or less openly, but they did not esteem it necessary to proselyte. Political creeds were but jocularly discussed. To advocate any special belief was to prick one's self down a bore, although some of those in the strictly university circles did at times become troublesomely learned in conversation. However, this was esteemed "old fogy-ism" by the younger men like Serviss, who alluded to "the days of the professional monologue" with smiling contempt. Conversation with them was a means of diversion, not of enlightenment as to any special subject.

Into these circles a thorough-going spiritualist never penetrated. To tell the truth, these modernists did not permit the hereafter to awe or affright them. Some of them went to church, but they did so calmly, patiently, as to a decorous function, and some may at times have prayed, through the medium of printed supplication, but, generally speaking, they had reached a sort of philosophic indifference as to the one-time burning question of heaven or hell. So far from acquiescing in the dictum that morality was but filthy rags, they esteemed good deeds and clean thoughts higher than any religion whatsoever.

Mrs. Rice expressed the convictions of many of her associates by saying, humorously: "No, I don't want to be saved. I'm not lost. I don't know as I care for immortality. Forever is a long time—I might get bored; anyhow, the future must take care of itself."

In all the drawing-rooms of his friends, Morton Serviss was a most welcome guest. His frank, boyish ways, his careless dress, his freedom from cant, his essential good-fellowship deceived the most of his acquaintances into thinking him a mere dabbler in science, a man of wealth amusing himself; but Weissmann, who was qualified to know, said: "He has persistency, concentration, a keen mind, a clear eye, and a voonderful physique."

He belonged, moreover, to the men of imagination, not to those who write books or poems, but to those who tunnel mountains, build vast bridges, invent new motors, and play with electrical currents as if they were ribbons. The novelist basing himself on what he knows of human nature projects himself into the unknown, just as the scientist who stands on the discoveries of those before him feels out into the darkness for new stars, new forces. And yet as Clarke and his party indignantly declared, "both novelist and scientist ignore the question most vital to us all—the question of the soul's survival after death"—ignore it till some loved one dies, then they, too, agonize in secret over the mystery for a space, only to rise and go back to their work, concealing the conviction which their hour of anguish brought to them.

Perhaps it was not chance, but deep design, which had brought this vigorous young investigator face to face with a mystery crying out for solution—certainly it was not without craft that the unseen powers had baited their hook with the almost irresistible allurement of a young and ardent girl. If there is logic in the shadow, fate was on Viola's side.

II[ToC]

NEWS OF VIOLA

One morning in late March, while Serviss was still at his morning's mail, Dr. Britt's card came in, bringing with it instant, vivid recollection of Colorow. The beauty of his days there had by no means faded from his mind, although he had succeeded in putting his romance in the background of his working brain, and had given up all thought of ever seeing Viola again.

He greeted Britt most cordially. "So you turned up at last! How is the lung? Isn't this a raw time of the year for you?"

"Well, yes; but my father died a few days ago, and I had to come on, and being near I ran in to see how you and the 'bugs' were getting on."

"Oh, we're thriving. Their ways are quite absorbing. How is your own 'farm'?"

"All in ruins. The fact is I've neglected the poor little brutes. I had no time for germs after I went off into the study of 'spooks.'"

"You don't tell me you've turned investigator of spirits! What have you discovered?"

"Not a thing. It's the most elusive problem I ever tackled. You remember the Lamberts?"

"Very well. I was about to ask about them."

"They're here now."

"Here! In New York?"

"Yes. They went to Boston last fall—Boston is a hot-bed of spookism, as you may know. They spent the winter there among the brethren, and have come on here for a change."

"They'll get it. What is—the girl doing?"

"Spooking mainly. That's all her 'guides' will allow her to do. Clarke still dominates the household by the aid of the ghostly granddaddy—a grim old chap that. They hold regular 'séances' now."

"You don't mean it!" Serviss grew graver yet of countenance. "I had hoped they would spare her that humiliation. I haven't seen her name in the papers."

"Oh, they don't go quite so far as that. The circles are 'very select.' Only the priests of the faith and their friends are invited—no admission fee—you understand?"

"I'm glad of that. It would be too bad to put that child forward in the double rôle of fakir and money-breeder; but, tell me, have you any fresh light on the subject of her mediumship?"

"Well, yes. I've changed my point of view slightly. I'm inclined to think there is pretty generally some basis for the faith. The literature of the subject is immense, and some of it is as well authenticated as any physical treatise. I'm convinced that Miss Lambert has no intent to deceive—she has no possible motive to do so—but Clarke has, and yet I cannot connect him directly with the phenomena."

"How is her health?"

"Very good, apparently. She is quite as blooming as when you saw her, and is immensely more mature mentally."

"Is she resigned to her life?"

"Sometimes she is and sometimes not. She is very sensitive to influences, and at times when Clarke is near she grows almost as enthusiastic as he—at other times she bitterly complains. I tried to free her from Clarke, but she wouldn't give me the authority necessary."

"What do you mean by that?"

There was something both sad and mocking in Britt's face as he answered: "I offered to marry her—wasn't that generous of me? She spurned my humble offer, intimating that there was small choice between me and Clarke and the spooks. No, I'll be honest, she was very nice and kind about it, and added that perhaps Mr. Clarke was right—her duty in the world was to 'convince people of the reality of the forces,' or something like that. 'I shall never marry,' she added, to soften the blow, and really she does seem a person set apart."

Serviss looked down at his book. "I suppose she imagines herself stricken with a mortal illness. I confess I sometimes think of her in that way. I can't understand why her parents—" He checked himself. "Where are they stopping?"

"They're housed over near the Riverside Drive with a wild enthusiast who has oodles and wads of money—old Simeon Pratt."

"I've heard of Simeon—Uncle Simeon the reporters call him on 'the Street.' I remember now about his spiritualism. He had some remarkable experiences after his wife's death—drowned, wasn't she?"

"You can't afford to be indefinite about Simeon's sorrows, doctor, for they made him what he is. I find these believers all start in about the same way. Simeon's wife and two daughters were lost in the English Channel. Simeon became a believer the following Monday—or maybe it was Tuesday."

"I recall the story of his life now. It was all very tragic. I wonder he didn't become a maniac."

"Some people think he did," answered Britt, dryly.

"So they're with Simeon. He lives gorgeously, I'm told."

"About like a lone American guest in a twenty-franc-per-day hotel in Paris. Why, yes, they're very comfortable there—all but the girl. She's discontented and unhappy, if I'm any judge, and is besieged day and night by the mourning faithful, not to speak of certain amorous males."

This hurt, and Serviss shifted ground. "Does she keep up her music?"

Again Britt smiled, but not humorously. "She plays the harp—in the dark."

"You mean—"

"She's taken on a lot more of the regulation tricks—materializing flowers, slate-writing, music without hands, etc."

"You don't mean it! I can hardly associate such doings with her," sorrow and indignation mingled in his voice.

"I assure you I was there last night at a 'circle,' and these things took place with Clarke as ring-master. There wasn't a particle of originality—it was the same old mill, and the same old grist, yet I don't hold her responsible in any harmful degree. I can't believe she designedly tricks, but she's surrounded now by a gang of chattering, soft-pated women, and men with bats in their belfry, who unite in assuring her that her God-given powers must be fostered. They've cut her off from any decent marriage—she's virtually a prisoner to their whims. What they may induce her to do next I don't know. I'm going to hang round here for a week or two and see." A violent fit of coughing interrupted him. When he recovered he looked up sidewise. "Isn't this a peach of a climate? Wouldn't you think they'd build at least one of their big cities where microbes couldn't fatten on genius?"

"What led Clarke to consent to leaving the West? When I was there he bitterly opposed her going."

"Oh, it's very simple. He has written a book on The Physical Proof of Immortality, and, being anxious for a publisher, withdrew his opposition to her plan, and declared himself willing to go to Boston—at Lambert's expense."

"Is he out of the Church?"

"Absolutely. You should have heard his farewell sermon. It really was as dramatic a speech as I ever heard. He went on to declare that the Hebrews were not the only seers, that the wells of inspiration were not yet dry, that revelation was waiting upon every soul to-day, and that he had been led by sorrow to listen at the key-hole, and so on. I trembled for the girl's secret, but he had himself in hand, and did not betray her. No one out there knows for certain what her abnormalities are."

"How about Lambert? Why didn't he take a hand?"

"He seemed bewildered by it all, and overawed by Clarke and the girl's 'controls.' 'It's all above timber-line for me,' he said, but he didn't like their coming away a little bit. He was angry with Clarke for breaking up his home, and if the girl had been his own I think he would have stopped the business long ago. Then there was a young fellow, Clinton Ward, who was working for Lambert, a fine young fellow—"

"I remember him."

"Well, it seems that his father is a partner in a publishing firm in Boston, and Clarke tried to make use of him to get his book published, and I believe his firm is to take it. Meanwhile the young fellow is in love with Viola, and willing to marry her and take chances, but his family is very properly aghast. Viola, knowing this—or for some other reason—refuses him. And there you are! The girl seems cursed on all sides, and, worst of all, has to endure Clarke and his ravings twelve hours of every mortal day."

"What is her relation to Clarke?" asked Serviss, hesitatingly.

"Well, now, I don't know. Sometimes I think he controls her by some infernal hypnotic power; and then again, from some phrase of her own, I think she considers her mind diseased, and marriage with any one else impossible."

"I don't see how the mother can stand by and see her daughter's life burned away."

"She, in her turn, seems enslaved to the dead. She has often told me that her father's spirit is leading her every movement."

"That particular ghost is Clarke—don't you think?"

Britt's eyes narrowed. "I don't know. I have never been able to connect him directly with a single one of these manifestations, and yet he must be at the bottom of part of it."

"It all comes back, then, to the girl herself."

Britt rose uneasily. "I repeat I am completely at sea. I have studied every line of old Randall's notes till I'm 'dopy' myself. Everything has conspired to make the girl hysterical—to fasten some accursed mental weakness upon her. If I could have stopped it two years ago she might have outgrown it. Every year now makes it less easy for her to shake it off—whatever it is."

"Atrocious!" exclaimed Serviss. "Has no one authority to act?"

Britt shrugged his shoulders. "What would you do when both parents—the living and the dead—consent? Only a husband could intervene, and Clarke seems to be about to claim that place. No, I see no hope for the girl. She may be right, after all, in joining Clarke."

Serviss rose to release the emotional tension under which he had kept his limbs. "You don't know their present plans?"

"No, only that Clarke is going to publish soon." He looked round the room. "What a development since my time! Bacteriology and auto-transportation are neck and neck in their amazing expansion."

Thereupon they dropped all reference to the Lamberts and their trials, and turned their minds upon phagocytes and other ravening mites whose likes and dislikes, minute as they are, work more devastation than cannon.

Serviss's work was over for that day; after Britt went away he sat idly at his desk, his mind busy with the revolting pictures called up by what he had heard of Viola. "They are destroying a beautiful soul," he exclaimed, bitterly, as he recalled the charm of her face and voice on that ride to the mine. "They are forcing a charming girl into an abominable life, they are warping her moral fibre into ugliness and death—and Clarke is the fanatic devil of the scheme."

The desire to see her, to talk with her, to measure the change in her grew very strong—so strong that he meditated a call, but the thought of Clarke cut the resolution off before it was fully formed. "Probably Britt is right—Clarke's rotten soul has fatally infected hers."

When Weissmann came in Serviss turned to him and said: "Doctor, I want to ask you a very unusual question."

"Proceed," replied the old man, who spoke with a little touch of the German now and then.

"What do you think of the claims of spiritualism?"

Weissmann did not smile as Serviss had expected. He became grave. "I am not qualified to judge. Speaking generally, I would say there are many phases to be considered. There are some millions of people who believe in it—which would argue some small basis of truth to start with. On the other hand, the extraordinary credulity of these people is to be taken into account."

"You mean they are those bereaved and anxious to believe?"

"Precisely. Again, speaking generally, I find few things impossible in this world of mystery. To take an old metaphor, I would not be surprised to find a grain of wheat in all this bushel of chaff. Every genuine phenomenon in the world stands related to every other phenomenon, and I believe that the truth or falsity of the spiritualistic hypothesis can be determined in accordance with physical science. If I were young and strong like you I would devote myself to the study of this delusion. It should be studied by one like yourself—to whom death is no near presence; as for me, I have two sons and one wife dead; my judgment would be vitiated therewith. You have no dead; you would make an admirable student of these spirit-voices and signs."

Serviss, though a little awed by the old man's unexpectedly solemn manner, ventured further. "Have you ever witnessed any of these unaccountable doings which Crookes and Zöllner instance?"

"I have had them in my own chamber." The old man's eyes twinkled. "Once, as I was dozing on my bed, one morning early, a faint cloud, like a puff of smoke, began to form above my head. It became pendulous, reaching towards me, and out of it a hand developed and extended. I said: 'It is an hallucination—very curious! I will touch it and it will vanish.' I reached—I grasped the hand—it was warm and solid! I leaped from my bed with a yell." He chuckled at his keenly remembered discomfiture.

"How do you account for it? It was an illusion, of course. You thought the illusion only ocular—it extended to the sense of touch."

Weissmann's eyes gleamed speculatively. "We will let it go so. The world of sense and the world of spirit curiously intermingle—as we know."

"But these manifestations, so far as I have any knowledge, are so foolish and childish—"

"Well, so many foolish and childish persons have gone to the other world. Death is not the beginning of wisdom. I am an old man, Serviss, and already many of my loved ones are dead. I should like to believe they are still sentient, and maybe they are. I am German. The blood of Kant is in my veins." He seemed to be speaking partly to himself. "I do not dogmatize so gladly as I once did. As I do not know the essence of matter, it would be folly for me to assume to fathom the depth of spirit. The essential hopelessness of science is coming to render me humble. Spiritualism certainly is a comfortable belief. I would gladly embrace it if I could. I suspend judgment. This desire for another life may be only a survival of a more unreasoning time, something we will outgrow."

Serviss was profoundly surprised by his chief's attitude. He had expected a large, calm, and rather contemptuous reply to his question. In place of decision he encountered a doubt, a hesitancy, which betrayed weakness. Rudolph Weissmann, great as he was, belonged to the innumerable throng of the bereaved whose judgments are clouded by passion. He, too, was growing old, his all-embracing mind had yielded to an hallucination.

The young man's respect for his chief did not diminish, but a feeling of sadness swept over him as he realized that another renowned and fearless investigator was nearing the end of his great usefulness, and that upon the clear blue steel of his intelligence the rust of age had begun to fall. Truly the power of his early training, his worship of Kant and his school was still vital.

Then he pondered his words. "If I were a young man like you I would investigate this thing," and recalled that no young man of science had ever devoted himself to it. "They all came to it late in life, after bereavement."

The bereaved! The whole stupendous delusion seemed to rest upon the overmastering desire of the bereaved for their beloved. The great and good men and women among the believers (he was willing to admit there were such) came to investigation weakened by sorrow, made illogical by loss. They put their sane judgment, their strength, their calm patience aside and grasped eagerly at the lying comfort extended to them. They were not merely deceived, they developed fraud by their blindness, by their hunger for consolation, and by their crass credulity. He was still young enough to have inexorable theories—to be of single-hearted loyalty to his creed. To him as a monist, the soul (as an entity apart from the body) did not exist. Consciousness was a physical disturbance of the higher nerve centres, and thought a secretion of the brain. He acknowledged no line of demarcation between the crystal and the monera—and no chasm (of course) between man and the animals. The universe was a unit—and all its forms and forces differentiations of one substance and that substance too mysterious to be analyzed or named. In such a philosophy as this there could be no room for any hypothesis which even so much as squinted towards dualism, or that permitted a conception so childish as the persistence of the individuality after death.

However, he did not carry his implacable principles into the homes of his friends, and seldom permitted them to interfere with his enjoyment of wines or good dinners, the theatre or the drawing-room. This fact, from a cynical point of view, proved his faith to have been as truly of his laboratory as that of a bishop, with Spencer and Darwin and Koch and Haeckel as the founders of its articles.

He went home that night with the words of both Weissmann and Britt intermingling in his mind, strongly tempted to tell Viola's story to his sister, and so enlist her sympathy for the poor girl.

But it happened that an engagement to dine filled Kate's mind, and he had no time to open the subject till they were on the way, and by that time he had concluded not to involve her in his perplexity.

By a curious coincidence one of the guests at the dinner brought a hush of expectancy over the entire company by relating a series of experiences he had been privileged to share with a "psychic" some years before. He told of his mystification with a laugh in his eyes and with racy vigor of tongue, but Serviss, newly alive to the topic, could not but marvel at the intensity of interest manifested by every soul present. "Disguise it as we may," said the narrator, "this question of the life beyond the grave is chief of all our problems. It is the sovereign mystery, after all."

At this the hostess spoke: "I wish we could see some of these things. You make us shudder deliciously. Can't you sometime bring this remarkable young woman—they're always women, aren't they?"

"Oh no," laughingly replied the young fellow. "One of the most amusing 'stunts' I ever saw was that of a man in Washington, who made a banjo play behind a curtain while holding both your hands."

"Why do the spirits do such foolish things? I should think they'd be ashamed to act so 'frivolous like.'"

"They always talk like Indians, don't they? It's a pity. Why aren't they dignified and sincere?"

The young story-teller went on. "That's just it. The mediums are so nonchalant while causing these marvels that they fail to convince. Why, when I was holding a slate in order that they might write upon it, I minded the scratching no more than a clock a-ticking, they had made me that careless of their hocus-pocus. A voice in my ear can't make me start, and nothing, absolutely nothing, can now 'rouse my fell of hair.' You put a potato in the ashes of the hearth and it will ultimately pop into something to eat. You put a medium in a dark place and she will set your soul's nerves a-tingle."

Under all this banter Serviss perceived the pulse of an interest which laid hold on the most secret hopes and fears of the youngest and shook the eldest with an elemental dread and longing. It was as if the flood-gates of a sea of doubt and wonder had been turned in upon a dozen minds hitherto as well kept as lawns. Questions popped like corks and answers were as vivacious as the gurgle of wine, but the topic remained indeterminate—the argument inconclusive.

On their way home, Serviss said to his sister: "Did you notice how profound the silence became when Ralph started that discussion of the occult?"

"It is always so."

"Is it, really? I hadn't noticed it particularly."

"That's because people are afraid to talk such things before you scientists. Why, every woman there has been to a palmist or mind-reader or something."

"You astonish me. Have you?"

"Of course! I go every little while just for fun. We all pretend that we don't believe in it, but we do. I'm scared blue every time I go to a new one—they're all such creepy creatures. The last one I went to was positively weird."

Serviss was severe. "Kate, I am ashamed of you. To think that you, a woman of penetration, associating with people of rare intelligence like myself—"

"But why don't you people of rare intelligence look into these things? Why do you leave us poor untrained emotional creatures to suffer befoolment when you could so easily instruct us and shield us?"

"Because, while we could easily prove you befooled, you would still follow after your saw-dust idols. We prefer to save you from your bodily infirmities and contagions, and so react on your minds."

She laughed. "That's very clever of you, and very decent. Stay with your germs, rob us of our diseases, but leave us, oh, leave us our delicious thrills!" She became grave. "The fact is, Morton, we all have moments when we feel the presence of the dead. I do. Father and mother never seem away off in our Graceland vault; sometimes they seem to be in the room with me. It's all a fancy, you'll say, and very foolish, but I believe mother actually comes to help me with Georgie when he is ill. Sometimes in the deep of the night I thrill as if she touched me."

He was not unsympathetic as he said: "You never hinted at this before."

"I was afraid to do so. If mother exists somewhere, and in some etherealized form, why can't she come back? Why couldn't her mind act on mine and produce the sensation of her presence?"

"Perhaps it could. Only there is no proof of its ever happening."

"Now see here, Morton, so long as we are on this subject at last, I want to ask you, do you believe mother is gone—absolutely blotted out of existence?" She waited in tense silence, and as they passed a street-lamp, and the light fell on his face, he seemed to have grown suddenly pale. "Do you believe Darwin and Spencer and Victor Hugo have gone to nothingness?"

"No, at the bottom of my heart I can't think that, and yet theoretically I cannot conceive of the existence of any soul apart from the body. Think of it! If mother lives, so do all the billions of cannibals, negroes, Bushmen—you can't draw a line and say 'here begins the immortal souls.'"

"That isn't the question. I do not believe that father and mother and Hayward have vanished into a handful of dust, I cling to a belief in their living selves, not because the bishop and the prayer-books say so, but just because my own mind says so. I won't surrender them, that's all."

"And yet a faith springing from such a desire is not well based. I want to tell you about some people I met last summer. They will interest you." Thereupon he pictured his first meeting with Viola. He described the mother and Clarke. He told of his interview with Britt and of Randall's revelations concerning Viola's life. "And now they have convinced the girl that she should extend her sphere of influence and bring her chicanery to bear on the metropolis."

"How do you know it is chicanery?"

"Britt said—"

"I don't care what Britt said. You found the mother sweet, and you admit the girl is charming. I'll trust your instinct in such matters, Mort; you've never been one to run after frumps and minxes. She had good eyes?"

"Beautiful eyes, steady, blue-gray, wistful. She quite enchanted me at first—"

"And you're sentimental over her still?"

"I didn't say that I was sentimental over her at any time."

"I don't care what you said. I can tell by your voice that she is a lost, sweet dream. What do you want me to do?"

"Nothing."

"Yes, you do. You want me to see her and find out what she's doing here. It is Kate to the rescue! I will go to-morrow."

"You are too precipitate! You might wait and get my mind."

"I have your mind already, and I believe in doing things vigorously. Besides, you've roused my curiosity. After all these years of waiting to see you get interested in something besides your 'bugs'!—I'm delighted to know you're human, and that there is one woman in the world who can make you moan. You are hit—don't deny it! You've been brooding on that girl all this time. I've known you were hit, but I thought I would wait till you cared to speak. I'm crazy to see her. I shall act at once."

"It's too much to ask of you, but I hope you will consider me to the extent—"

"If your theory is correct that girl ought to be snatched away before the mob of occultists, freaks, and flatterers of this city utterly spoil her. Anyhow, I'm going to look into her case on my own account." And in this determination she snuggled into the corner of the carriage and became silent.

Serviss found that sharing his experience with his sister had enormously increased the weight and importance of his doubt. Viola and her singular beleaguerment had suddenly grown to be a vital problem—something to be immediately seized upon, and he casually added: "It is only fair to say that the Lamberts are above the need of taking money for any display of 'psychic force.'"

Suddenly Kate sat up. "Suppose the girl really has these powers?"

"That is impossible!"

"Why impossible? Do you men of science pretend to know all there is to know?"

"Certainly not; but think what such an admission involves."

"No matter what it involves. You don't ask what the X-ray involves; you ask, first of all, is it a fact? If the girl has these powers, then what? You don't even know what she claims, do you?"

"Not in detail."

"Well, then, don't condemn her till you know what you're condemning her for."

"Kate, you amaze me. I thought you would commend my cool judgment, my sanity, and lo and behold! as Aunt Celina says, you have become the girl's advocate and the assailant of science."

"Not at all. I merely say you scientific people should not be so insultingly sure that people with a faith are fools."

"We don't say fools—we merely say misinformed."

"Anyhow, you've interested me in this medium—"

"For Heaven's sake, don't call her that if you're going to see her. To apply such a name to that sweet child is an outrage."

Kate's voice was exultant as she cried out: "Now I know you're in love with her."

"Mrs. Rice, you are a very wise woman."

"I hope I shall not find you a very silly scientist," she replied, with several implications of superiority in both words and tone.

III[ToC]

BRITT COMES TO DINE

His sister's blunt words brought Morton face to face with himself. His heart had been touched, his imagination fired by Viola, hence his discontent, his heat of anger towards the unlovely side of her life. It was the memory of her that had kept him half-hearted to the claims of several comely women of his circle whom Kate had advocated.

And now his mind (which ought to have been given up entirely to bacteria) was filled with the face and fortunes of one who was either living a lie or suffering from an abnormally developed brain. Singular and sad predicament for a man who had determined to move slowly and with calm foresight. Furthermore, the whole world in which his love lived and moved was repellent, silly, and morbid. Since his meeting with her he had tried to read some of the journals devoted to her faith, and had found them incredibly inane—smudgily printed, slovenly of phrase, and filled with messages from Aristotle, Columbus, and Confucius, which would have been discouraging in a boy of twelve years old. The phraseology, the cant terms, nauseated him. The advertisements of "Psychics," "World-famous Mediums," "Palmists," "Horologists," and only the devil himself knows what else, filled him with disgust, added to his already poor opinion of sick humanity. Of these Viola now formed a part—as an actress shares the envy, the brag, the selfish, blatant struggle for success which is reflected in the advertising columns of dramatic journals. He ran down each column of "display ads" of The World of Spirit, timorously, almost expecting to see a notice of "the marvellous psychic Miss Viola Lambert, the mountain seeress"—and so on.

On deeper thought he found these papers shrewdly contrived to take human beings at their weakest point, their most unguarded moment; they had the boldness of the juggler who knows the blind spot in the eyes of his spectators. They occupied a field apart from all other periodicals in the world. Science, literature, and art concerned them only so far as they touched upon, illuminated, or strengthened faith in "the farther shore." They were as special as a trade-journal—far more so, indeed, for the Boot and Shoe News prints occasional reviews of books, and some admirable stories may be found within its pages side by side with notes on "Burnishers" and stitching-machines.

The accounts of circles, sittings, and "séances"—good Lord, how he hated that word!—were almost comic, and yet to think of Viola and her gracious mother concerned with these meetings, even as spectators, filled him with angry disgust.

According to Britt, the girl was a self-deluded fakir at the best—at the worst, an habitual, hysterical trickster, avid for notoriety. In either case a tainted, leprous thing—a woman to be shunned by every man who valued a dignified and wholesome life. It was worse than folly to permit such a creature to break in on his work, to draw his mind from his reading; nevertheless she continued to do both these things.

The next morning, as he was leaving the house for his office, he stepped into the dining-room and took a seat by his sister's side.

"Kate," he said, and his voice was stern, "you must not call upon Miss Lambert."

"Why not, Morton?"

"Because it would prove a snare to you and an embarrassment to me. She is a singularly attractive girl. No one can face her and accuse her. Britt says she is much more mature than when I saw her; and by that he meant to convey that she had grown clever, if not tricky. There is a bad streak in her, I'm afraid, for all her charm, and you would better let her entirely alone. Upon the most charitable construction she is hysterical, and her deception probably arises, as Britt says, from a diseased brain. In any case she is not a fit person for you to meet."

"But you said she has good eyes?"

"She has. She is bewitchingly pretty, but that only makes her case the more perplexing. Why trouble ourselves about her?"

"I'm going to call upon her, anyway. I'm not afraid. I am wild to see a girl who can upset you so completely. You are upset; I can see that."

Morton laughed, rather sadly. "That's a fine, womanly reason, and may be sufficient for you; but, if you go, understand, Kate, it is against my wish. I do not care to know anything more about her and her problems; she has interfered too much with my work already."

She looked deep into his soul, then took another tack. "Well, then, bring on this man Britt; he's the only witness for the prosecution, isn't he? Let's have him to dinner. I want to interrogate him, as the lawyers say. I want to know what kind of a man he is before I take his word against a girl who rejected him. He may be only jaundiced."

"He was their family physician."

"I don't care if he was, he may be seeking revenge on the girl." She put her arm about his neck. "You poor boy, that girl's troubles have upset you. I'm delighted to find you so humanly romantic—at least I would be if she weren't so questionable. But we'll find out. I'm on her side till I know more of Britt; besides, I'm not sure that her mysterious powers are not real," and she sent him away less keenly concerned. With all her impulse and zeal of friendship she was a woman of sense and power.

Britt came to dinner promptly, gratified for a chance to wear his evening dress. Kate received him gladly, but was taken aback by his languid elegance of manner. He really looked distinguished, and she rather hastily explained, "Our dinner is only a family affair, Dr. Britt. We wanted to have you all to ourselves."

"Nothing could be better for me, Mrs. Rice, I assure you," he answered, gallantly. "A formal dinner would embarrass me. I've been so long in the hills I feel like a Long Island hermit. It's a far halloo from Colorow to the Bowery."

"It's farther still from the Bowery to Colorow. That's what makes you Western people so interesting to us of the East."

"Please don't make me out an honored son of the West, Mrs. Rice. I was born in New Jersey."

"Were you, indeed? Oh, I'm so sorry."

"I regret it myself. The West would have fitted me out with better lungs."

Kate never went round when she could wade across. Therefore, no sooner were they inhaling the savor of the soup than she began her interrogation. "I am very much interested in occult affairs, Dr. Britt, and my brother tells me you were the family physician of this remarkable Miss Lambert. Tell us about her."

Britt considered a moment. "It is true that Mrs. Lambert confided in me and permitted me to take a part in Viola's sittings; but I can hardly be called her physician. In the first place, the girl seems so perfectly well physically that medicine is unnecessary, and then, too, I never had her confidence. To be plain, I think she hated the sight of me."

"Why was that?"

He cast a curious sidewise glance. "Well, I'm not pretty to look at, and then, I reckon she thought I was investigating her."

"I hope you were."

"I was, but I didn't get very far."

"What barred you?"

"Well, to begin with, pretty nearly everything took place in the dark."

"It's always so," exclaimed Kate. "I wonder why?"

He shrugged his shoulders. "They all say 'light is antagonistic to the power.' You can draw your own inference."

Morton spoke. "I never could understand why they didn't make a special effort to avoid that criticism."

"Well, tell us what happened," cried Kate. "I'm on the edge of my chair with interest."

Britt looked at Morton. "That's the curious thing, isn't it? People are interested. The fact is, we all secretly hope the ghost-story may turn out to be true."

Kate laughed. "You're perfectly right. We all pooh-pooh, but we'd be bitterly disappointed if all spirit footsteps turned out to be rats rolling nuts. But please hurry—wasn't any of it true?"

"Now, I'm going to be candid—"

At this Morton leaned forward with excess of interest, and Kate exulted. "Good! Now it's coming. Be as candid as you can."

Britt went on musingly. "One night as I sat between Viola and the closed piano, the spook, or whatever it was, ran up and down the keys—now on the treble, now on the bass—keeping time to my whistling."

Morton interrupted. "Did you know that the lid was closed?"

"Yes, I laid my hand on it while the keys were drummed."

"Where was Miss Lambert?"

"Apparently at my left, sleeping. It didn't really matter where she was, for the lid was down. When the lights were turned on she was in deep trance—apparently. That one fact of the closed piano being played in that way remains inexplicable."

"Was that all?" cried Kate, in a most disappointed way.

"Oh no. There were marvels to raise your hair, but that was all that I really valued."

Morton answered quickly. "It was enough, if properly conditioned. The theory is—I've been reading up on it—that these spook brethren of ours attack their doubters in different ways. Knowing you to be a man of materialistic and rather methodical habit of mind, the powers essayed a material test. Perhaps it was a mouse?"

"Or the cat?" suggested Kate.

"They must have been musical and of exceptional intelligence, then," put in Britt, "for they played up and down on the key-board at my request, and kept time to 'Yankee Doodle.'"

Kate exulted. "What do you think of that, Morton? If one is true, then all may be true."

Britt went on. "No. Whatever the power was, it was controlled by human intelligence. It answered to my will."

"You were convinced of that." Morton's glance was keen, keener than he knew. "If you admit that one of these manifestations is true you open the door for the witches."

Britt was a little nettled. "All this took place precisely as I relate it, in the dark, of course. But one sense, that of touch, controlled the situation—hearing took the rest."

"It all shows the inadequacy of human evidence. You must not expect any one to believe that such a manifestation took place. It is like the stories we hear of haunted houses. A friend of mine the other day was telling me of a ghost that frequented an Australian bungalow where he was visiting last year. Said he: 'I saw vases thrown from the mantel-piece in broad daylight. I've heard invisible feet tramping all about my chair in a vividly lighted room.' I didn't believe him, of course. The fact is, we don't know our own capacity for being deceived. We are each a microcosm—a summing-up of all our forebears, and in the obscure places of our brains are the cells of cavemen, nooks troubled by shadows and inhabited by strange noises. If you come at me in the right way you can raise a terrifying echo deep in some knot of my brain-cells; but it is only the echo of a far-away cry—it is not even the cry."

Britt poised himself. "Let me tell you this. I have started in to understand this thing. It isn't a haphazard series of deceits, of that I am at this moment convinced. The most amazing consideration to my mind is this: there is system in their fool-tricks. I don't mean Miss Lambert alone, I mean in all the best-authenticated manifestations. As you say, they know how to attack the public; the ones who don't are exposed and drop out; but, generally speaking, they go on smoothly because they know just what can be safely attempted and what can't. Now in Miss Lambert's case the same system appears. Her alleged phenomena fit into the scheme, her development is according to the spiritualistic Hoyle. No originality is permitted, hence no failure of effect."

"And yet my brother tells me she is quite young and engaging."

"Altogether charming in body, and in every other thought most ingenuous."

Morton interposed mockingly. "And you think she has built up this most elaborate system of deceit?"

"Somebody has. I lay a good part of it to Clarke, but most of it to hysteria and the suggestion of The Flag of Truth and other similar sheets."

"But she already had all these manifestations before Clarke's coming, and presumably before she read The Flag of Truth."

"They say so. I don't know that. Many of the tricks are noted in Randall's notes."

"Who was Randall?" asked Kate.

"Their family physician—my predecessor. Some of her phenomena convinced him. He put himself on record in his notes as a convert. However, that was after his wife died."

"They all weaken when their wives die."

"Not all; some are not anxious to bridge the gulf," answered Britt, lightly. "I'm told Clarke's communion with his dead wife is now as cool as friendship."

Kate faced him. "It's only fair to say, Dr. Britt, that I, too, am one of the 'bereaved,' and that if I seem more hospitable to these messages than my brother you will understand. My husband died two years ago."

"I beg your pardon, Mrs. Rice, if I've seemed too harsh in my zeal to explain—"

"Oh, I'm not one to fear the truth," she answered, quickly. "I come of a family of questioners. It's only now and then that I waver—for a moment. My husband said he would come back to me if he could, and I've been half hoping—not really expecting it, you know—"

She did not complete her sentence, and Morton spoke with tender reproach. "I am being profoundly illumined, Kate. Why didn't you tell me that?"

"Because it was only a jocular remark. I didn't intend you should know it. I don't know how I came to let it slip from my mouth. He has never returned, strange to say. I feel mother, but never Hayward."

They had reached a very tender and solemn pause—so self-revealing had been the woman's admission—and Britt was looking at his plate as his hostess began again with assumed brightness. "Well, now, about this girl. Can you take me to see her? She interests me beyond anything."

"Certainly. I should be delighted. But your brother knows her—she would be pleased to see you both, I've no doubt."

"My brother thinks she is a fraud, and does not wish to see her—"

"I derive my knowledge from you, Dr. Britt."

Britt was undisturbed. "I think she is a fraud, too, but a very charming one."

"That ought to make her all the more convincing," said Kate.

"And all the more dangerous," replied Britt. "She baffles me—when face to face with her."

"What are they going to do with her—exhibit her to the public?"

"Not for the present. Clarke has been making notes industriously all the year and is about ready to publish. He now wants a few of the big fellows, like Uncle Simeon Pratt, to help boom his book. The Lamberts are not in this for money—please give them credit for that—and as for the mother, she is entirely honest—she believes implicitly in her spirits."

"That puts the girl in a horrible position—if she is deceiving," Morton interposed. "Imagine her state of mind if she realizes that her own mother has come to rest upon her system of deceit. The thought is horrible."

"It is quite as bad at that," returned Britt. "You see, the mother has been for years in close daily communion—as she supposes—with her husband, her little son, and others of her dead. Half of her daily life is in these joys, the other half in her daughter. There stood the wall that stopped me. I couldn't express my doubt to the mother. I couldn't apply the clamps. I simply withdrew. I do not intend to pursue the matter to a finish so long as the mother is alive."

Morton's face was clouded with pain. "Let us drop the Lamberts as a subject; they are too distressing, especially as I see no way of helping them. When do you return?"

Kate acquiesced in her brother's diversion of the stream of talk, but an hour later, as Britt was about to go, she seized the opportunity to say: "You must not fail to take me to see this girl. I have never been so excited about any one in my life. Can't you take me to-morrow?"

"I am entirely at your service. Suppose I call at four—will that do?"

"Perfectly. I'm very grateful to you."

"I hope you won't come to curse me for it. I warn you, the girl is damnably convincing. She may enamour you."

"No fear of that," she cried, in defiant brightness. "I'm not so easily fooled."

She re-entered the library with the flush of an excited conviction in her face. "Morton, I feel as if I had taken part in the dissection of a human soul."

He threw up his hand with a gesture of pain and despair. "Don't! I can only hope that girl is utterly bad. Otherwise she is the sport of devils. Help me forget the whole uncanny business."

"You're wrong," she said, firmly. "It is just such men as you and Dr. Weissmann who should snatch the pearl of truth from this bucket of mental mire."

"That's a very good phrase, Kate—if only I was sure of the pearl."

There really was no way out for him. His mind utterly discredited the phenomena Viola claimed to produce, and that left but one other interpretation. She was a trickster and auto-hypnotist—uncanny as the fabled women who were fair on one side but utterly foul and corrupt on the other. In his musing her splendid, glowing, physical self drew near, and when he looked into her sweet, clear eyes his brain reeled with doubt of his doubt. If there were any honest eyes in the world, she was innocent, and a tortured victim, as Kate had so quickly decided; and his plain duty was to beat back the forces seeking to devour her.

"The mind is an obscure kingdom subject to inexplicable revolts and sudden confusions," he thought. "Delusions are easy to foment, and at the last are indistinguishable from the fact, so far as the mind which gave them being is concerned. The body of this girl is young, but her brain may be cankered by the sins and lies of a long line of decadent ancestry." The thought was horrible, but it was less revolting than the alternative—in no other way could her life be explained and excused. In any case it was highly courageous in her to put marriage away as decisively as if it were a crime. And this she must have done, for even Clarke, according to Britt, had thus far sued in vain. There was a heroic strain in the girl somewhere. Was it too late to rescue her from the mental gangrene eating its way to the very centre of her soul? This was the question which only a renewed acquaintance, a careful study could resolve.

IV[ToC]

THE PATRON OF PSYCHICS

Up to the hour of his wife's death Simeon Pratt had been but the business-man, large of appetite, pitiless, self-sufficient, and self-absorbed—the type of man often described by amiable critics as "a hard citizen, but good to his family, you know," as if the fact of his not beating his wife were adequate excuse for railway wrecking.

He might be seen taking the 7.49 train at Eighty-sixth Street each week-day morning with a bundle of newspapers under his arm, a man of depending jowls and protuberant belly, who never offered any one a seat and did not expect such courtesy from others. He was burly and selfish as a hog, and was often so designated by work-weary women, whom he forced to stand while he read his market reports in callous absorption.

His associates greeted him with a nod, unsmiling and curt, and the elevator-boys at the Pratt building were careful not to elbow him. He had the greed of a wolf and the temper of an aging bear, and yet his business ability admittedly commanded respect. Everything he did had a certain sweep. He was not penurious or mean in his wars. On the contrary, he despised the small revenges; but in a strife with his equals he was inexorable—he pushed his adversaries to the last ditch, and into it, remorseless as a mountain land-slide.

All the tenderness in his nature, all his faith in goodness and virtue, he reserved for his home. To his wife (a woman of simple tastes and native refinement) and to his children, bright and buxom girls of twenty-odd, he was a fond and gruffly indulgent provider, making little protest over new gowns and parties. He had no sons, and this was a hidden sorrow to him, and had the effect of centring all his paternal pride and care in his daughters. He could deny them nothing when they wheedled him, and they were nearly always humorously and brazenly trying to "work him," as he called it. Only in one particular had he been granite. With means to build on the east side of the Park, he had deliberately chosen the Riverside Drive in order to show his contempt for the social climbers of upper Fifth Avenue, and neither smiles nor tears had availed to change his plan.

His house was a dignified structure exteriorly, but within was dominated by his taste rather than by that of his daughters, who were quite unable to change his habits after they were once set. He refused to consider their suggestions as to furniture. The interior was, as Britt had said, not unlike a very ornately formal French hotel, and this resemblance arose from the fact that he had once enjoyed a pleasant stay in a house of this sort; and when the decorator submitted a number of "schemes," he chose the one which made the pleasantest impression on his mind.

With three women at the table, he habitually took charge of the dinner, controlling the menu and the decorations as well. It amused outsiders to see him in wordy consultation with the head-waiter and the butler while his guest of honor vainly tried to continue some story he had begun, but his wife suffered in silence. In short, Simeon proceeded precisely as he would have done at a restaurant or at his club, and his family stood clear of his elbow, the girls with sly shrugs of their rounded shoulders, the wife meekly, but ineffectually, protesting against his usurpation of her domain.

He was not politically ambitious, and was in a fair way to grow old as one of the obscure millionaires of New York City when death reached a sable hand and smote him full in the front of his pride and assurance—his wife and daughters were lost in the sinking of a boat off the coast of France.

The news of this disaster came to him as he sat at his desk—the morning papers had given no hint of it. "I don't believe it," he said, quietly, and began pressing the buttons of his desk with the same swift calmness he would have used had the markets been going against him. Messages flew to and fro, the wires pulsed with his imperious anxiety. The manager of the steamboat company answered—denied. The news was confirmed, all to the same end; and when Simeon Pratt rose from his desk that night his jaw hung lax, his big form stooped and shambled as though twenty additional years had suddenly been heaped upon his shoulders. He went back to his splendid, lonely palace (where the servants huddled and whispered and hastened) with a hard, dry knot in his throat, and with eyes heavy and hot and tearless confronted his ruined altar. From one to be feared he had fallen in a day to the most desolate of beings.

Messengers pursued him. The bodies were recovered. He gave orders for them to be shipped by the first boat. In the blaze of the electric light, with horrid, staring eyes and stiffly moving lips, he cursed himself and God. He cursed himself for letting his treasures go from him, he cursed God for permitting such outrages upon justice. At last he fell silent, but he did not sleep nor eat till the end of the second day. Then he rose, took the 7.49 train as usual, and returned to his desk—unshaved, with creased and crumpled clothing, a gray and battered man, sustained by habit, seeking relief in work.

His associates, with forced cheerfulness, professed pleasure at his return, carefully avoiding mention of his appalling loss. To those who did speak of it he returned no word or glance. With fumbling, thick, and nerveless fingers he took up the purple-lettered ribbon of his trade. He fixed his dim eyes on market reports and dictated notes and orders, but it was a poor show. Even those who hated him as a gross, unlovely character were shocked at his shrunken form, his grayed and grizzled cheek. When death deals a blow like that the defeated one acquires a certain majesty.

Gradually the old man regained ability to compute and combine, and to converse with his partners concerning the affairs of the house; but his keen interest, his prompt decision of utterance, were all gone. His presence in the office was the result of habit merely. In reality he was waiting the return of the steamer which bore his precious clay.

This boat was delayed by storms, and for three days the broken financier, unable to remain in his office, walked to and fro between Broad Street and Bowling Green, haunting the office of the steamship company until the bloodless manager, nervous and irritated, left his chair to avoid him, unable to endure the sight of his haggard face and piteous eyes.

When the boat arrived, Simeon met it with his own yacht, and, with a return of his iron resolution, stood by to protect the graves of his hopes as they slid across the rail. Then, ordering every soul from the cabin, he sat down beside the caskets. He knew that his loved ones were there, and yet he could not realize it. He was filled with a desire to prove it all a mistake, but the fear—the certainty of the disfigured faces—deterred him.

He took them home. Nothing could have been more piercingly pathetic than that flabby, gray old man, sitting alone amid the tawdry splendor of his drawing-room with the remains of all he loved in this world shut away from him by rosewood and silver. When the last pale and shaking servant had left the room, the father gave one long, hoarse, choking wail, and fell upon his face on the floor, crushed and utterly despairing.

When he rose he was calmer. He began to give orders for a sumptuous funeral, taking charge of every detail in his familiar way. The ceremony was magnificent and profoundly affecting. Every one present in the great church shed tears of heartfelt sorrow, pitying the great banker, quite humanly; but he himself did not weep, he sat limply with eyes on the floor, in a daze of internal emotion; but when the door of the vault closed on his dead a final terrible cry burst from him, the cry of one who realizes to the last and to the full the emptiness, the futility of a life without love, an old age without hope.

His interest in the material world, in the war of trade, was gone. His vast wealth would still bring him dividends, and his clerks and partners would still consult him, still demand his signatures, but the ones who made all these matters worth doing had vanished.

Life seemed utterly useless, a vain effort, but while yet he struggled with the fear of death and a hate of the day, a delegation of those who claim to hold communion with the dead came to him with a greeting from his wife. This message contained words which startled him. He was persuaded to seek confirmation. He was convinced and became the most fervent of spiritualists. His form lifted, his eyes brightened. A new world opened for him. He announced his intention to use his vast wealth for the faith which had comforted him. He built a magnificent temple to the unseen. He hired speakers and musicians to entertain and instruct those who came to hear. He sought out and entertained scores of mediums, psychics, sensitives, inspiritual speakers, and natural healers—all were welcome at his hearth. He might have been called, and was called, "the prey of harpies," but, as his interests now were in these matters, and as he had the means wherewithal to amuse himself, surely he was not a loser. True, he was many times deceived by false prophets and wronged by fraudulent seers, but still he enjoyed the exquisite solace which the voice of his wife unfailingly brought when the conditions were favorable. He was no longer hopeless; on the contrary, he was reanimated, made over in the faith of the spirit-world. The daughters came less often to speak to him, but when they did come they made his dark, cold heart glow with their gay words. At times it seemed that he could reach out his hands and touch their soft cheeks, so palpable were they, so intimate and familiar were their voices.

Gradually a part of his old-time business shrewdness came to his aid in these intangible matters, and he began to distinguish and to cast out the base and parasitic prestidigitators who infested his house. He grew discerning, and was able to weed the tares from the wheat, and with this discernment came the conviction that it was his duty to violently expose those who sought to cheat him. He became a terror to the fraudulent, and by his vigorous denouncement of this and that performer raised storms of opposition; for it seemed that no trickster, no matter how base, was without a following. His purposes clarified. Aided by cunning counsel, he began to conceive of himself as one called to a great mission; and, resigned to his lot, he set himself to the work of furthering in every possible way the reign of the spirit-world.

It was into the hands of this shattered yet still powerful man that Viola Lambert had been persuaded to deliver herself, and Simeon, convinced of her powers by experiment, and charmed by her girlish grace and dignity, had pushed all other keepers of the door of silence from his house, thereby arousing a tempest of denunciation; for these sibyls gave up the luxury of his table, the munificence of his purse, only after persuasion, and in bitterness and wrath.

Viola's meeting with Pratt was brought about by Clarke, who was aware through the special organs of the faith that the great merchant and promoter was not merely insatiable in his thirst for new sources of solace, but exceedingly generous with his comforters. No sooner had he secured the girl's consent to go than he wrote to Pratt asking him to meet them in Boston. Receiving no answer (Pratt was afflicted with such letters), he wrote again, detailing the experiments he had made, laying great stress upon the fact that the psychic was the daughter of a well-to-do Western mine-owner, that she was a cultured young girl, and that her mother (a distinguished evangel in the cause) was devoted even to the point of submitting her daughter to a series of absolutely convincing tests. He made mention also of his book, which was nearly ready for the press, and which he hoped would create a great stir among scientists.

Simeon did not answer this letter, but sent a representative to Colorow to investigate the writer's claims. The detective returned to say that "the parties" had gone to Boston, but that they had a fine reputation in the region, and that the father was a rich and well-considered citizen. "No one knows anything out o' the way with the girl," the spy added.

Simeon now flamed with eagerness and set out to find Viola and to test her. It was not easy to locate her, for Clarke had proceeded with caution in Boston. After consultation with the editor of The Spiritist, and at his suggestion, he had given only a few very private sittings to a few very discreet friends. These evenings, however, had been very successful, and those who had been permitted to attend them had jealously guarded the jewel they had found, selfishly urging continued secrecy. Nevertheless, the circle had spread, and Viola, apparently resigned to her singular function, was patiently sitting night after night in stuffy, darkened rooms, while Clarke, vivid as ever, sonorous as ever, declaimed in passionate rhythms the promise of a new era for spiritism to be inaugurated by the message of "this wonderful organism." He had, indeed, laid out an elaborate programme for the capture of Boston, but this he instantly dropped when Simeon Pratt sent up his card and asked to see what the girl could do. He demanded a sitting much as a dealer in horses would ask the hostler to drive the proffered animal before him in order that he might judge of her paces. He did not intend to offend; on the contrary, he was instantly consumed with anxiety lest this splendid young creature should refuse to perform.

Viola was deeply offended by his first manner and coldly said: "I am not sitting for money, and I will not be put on exhibition for any one."

Simeon ended by pleading with her for one sitting—one short hour; but she refused, and he went away dejected, flabby with defeat. He returned next day, and still a third time; and at last, to work on her sympathies, he told her how he came to enter the faith, and with broken voice and quivering lips displayed his sorrows.

His weakness availed. The utter tragedy of his life brought the ready tears to Viola's eyes and quite melted her opposition. She saw him in a new light, understood him for what he really was, a lonely, broken old man hastening to the grave, and in her pity consented.

The manifestation which followed he reported as the most marvellous he had ever had. "Jennie, my eldest daughter, spoke from the megaphone for more than an hour, minutely detailing the circumstances of her death, giving orders for the disposition of their jewels and trinkets, and in other ways most completely satisfied me of her identity."

He rose from this sitting exalted, comforted beyond measure, pathetically happy, quite ready to embrace the blessed girl who had made his hour of sweet communion possible. His home, his private car, his yacht were all at her disposal. No queen, however powerful, could have won such homage from him. "You must come to my home," he said. "I will enlarge your work. I will meet every wish of your 'guides'."

With Clarke and the mother on his side, he prevailed. Viola consented to go to New York as his guest, provided her secret powers were not revealed. "I will not be advertised," she said. "Too many people are coming to see me now. If you publish me I will never sit again."

This threat threw Simeon into a panic. "Of course you will remain private. You will be my guest, the same as your mother. No one but my own family shall know of your wonderful powers. I will see to that."

Perhaps he was honest in this promise, but his habit of entertaining "Arabian Priestesses," "Crystal Gazers," and other women of singular endowments was too well known to permit of the fulfilment of his agreement. No sooner was Viola seen on the drive in his carriage than his friends and hangers-on began to smile and say: "Simeon has a new enchantress. I wonder who she is?" And those remarks aroused the curiosity of the ubiquitous workers for the press. Furthermore, the directors of the temple, of course, must needs be told, and the other seeresses, neglected by their once-idolized patron, did not need to be told; so that long before Serviss had a hint of her coming the news of Viola's domestication with Simeon was widely disseminated among the faithful, who hurried at once to meet her.

These seekers went with smiling faces and hastening feet, but they came away laggardly, reproaching the master of the temple for a selfish brute. Some few were admitted, stayed, and met the girl and Clarke—for Clarke fairly divided the honors, so vivid, so picturesque was he. He did not hesitate to speak of his great work, a work which would astound the world, and to announce the title of his great oration which Simeon had engaged for the temple. This was the first big gun of his campaign, this compelling oration; but he must have Viola's consent to the use of her name—her consent also to sit with a group of chosen great men of the city in order to issue a defiant challenge to science. From these special sittings he expected to deduce the final and greatest chapter of his book.

From this public test of her power Viola still shrank, but Pratt's wealth and power, which Clarke continually emphasized, fairly stunned her into acquiescence. So far from being a faith of the poor, the obscure, a faith that lurked in dark corners, avoiding the direct gaze of men, spiritualism from the portals of a resplendent temple appeared to be not merely respectable but triumphant. From this sacred meeting-place of the angelic forces, from the windows of Pratt's palatial home, she looked out upon the city with more of content with her mission than she had ever known before—troubled only by a deeply hidden wish to see again the man whose buoyant health and smiling eyes had so strongly impressed her on their ride into the Marshal Basin.

But this sense of security of power did not last. As the novelty of her position in Pratt's household wore away she found her duties irksome. She resented the flocks of curious or melancholy visitors and began to perceive the bitter truth—that she was only a servant, after all, ministering to the pleasures of Pratt and his friends. She had very little time to herself, and could not escape her masters even for a drive in the Park—one or the other of them was always at her side.

She attempted to withdraw her consent to the use of her name, but Clarke, the guides, even her mother, insisted on the test. Britt alone of all her friends took the side of her fears. They were in correspondence of a formal sort, and when he reached the city he went straight to her, anxious to know what Clarke's plans actually were. To him she spoke more freely than ever before, expressing her dread of the flaring light which Clarke was about to turn upon her.

Britt listened gravely. "There is one way of escape," he said at last, with a smile, both mocking and tender. "I don't pretend to say it's to your mind, but want to remind you that my offer is still open. If you give me the necessary authority I will stop this crusade with a jolt."

"I'm grateful to you, Dr. Britt, truly I am, but I can't do what you ask—not even—" She hesitated and fell silent.

"Not even to save your life or mine. I don't blame you—I am but a poor thing."

"I didn't mean it that way. I respect you very, very much; but you must know Anthony depends on me, and, besides, maybe it is my duty to go on the platform. Father and grandfather both say it is. To them it seems small and selfish of me to want to be happy in my own home while the millions weep uncomforted; but oh, if I could only live my own life part of the time! If I could feel free of this terrible weight one day in seven."

Britt, looking into her clear eyes, acquired a new confidence in her. "Tell me, Miss Lambert, do you really believe that your father comes to you in this way?"

"I dare not doubt it," she answered, with evasive eyes.

"Some of the messages are not specially—"

"I know," she acquiesced, with a shudder. "There are evil spirits as well as good, and sometimes the bad ones come. I don't see why grandfather permits them to use me. He says he can't always help it if there are bad people in the circle. That is another reason why I dread this public test—there is no knowing what the evil spirits might make me say or do. If it did not mean so much to Anthony I would refuse—even if grandfather asked it."

"I saw Professor Serviss to-day."

"Did you?" Her eyes were instantly alight. "Where did you see him? Does he know we are here?"

"He didn't know till I told him. I called at his laboratory."

"Did you tell him where we are?"

"Yes; and he felt as I do, that this is not a good place for you. Pratt has the reputation of entertaining sensational characters, and it will be a miracle if you are not exploited to the press."

Her face clouded again. "Oh, I am so tired of having people look at me and shrug and whisper. I am so tired of having this abnormal thing reflected in the eyes of all my visitors. I wish I could become commonplace—without the slightest thing queer about me. Sometimes I feel like taking a dose of poison and ending it all."

"Don't do that," Britt replied, soberly. "You mustn't even say such a thing. I wish I could help you, but I see no way so long as your own parents and Clarke himself are your guides; but if at any time you will give me the authority"—here his voice became stern—"I will see that you are not troubled by any outside influence."

"You are very kind," she said, but her face expressed only a troubled liking, and he pressed her hand in both of his and silently went away.

Young Clinton Ward also came seeking, boyish, eager, contemptuous of any barrier so illusory as the fact of her trances, which she confessed to him. Her words hardly impressed themselves on his mind, and he replied, flippantly: "That cuts no ice with me. You couldn't be anything I wouldn't like. You're living too close and your nerves are sort of frazzled. What you need is a jolly good time. Come back to Boston and forget all about this business. Come, I want folks to meet you. My mother knows how I feel about you, and is crazy to see you."

"What would she say if she knew what I have told you?" she asked, bitterly.

"She won't mind—after she sees you," he answered, loyally. "No one can know you without—without—Oh, hang it, Viola, you know what I mean. Nothing matters when you love a person. I want you, no matter what any one says. And, besides, I don't see why you can't just chuck the whole blooming business. I'll chuck Clarke out o' the window, if you say the word. He's just trying to work you, and—"

"You mustn't talk that way, Clinton."

"Why not? It's true."

"Well, because—" She hesitated, then said, as if to end her own uncertainty: "I am committed to this life—and to him. My way is marked out, and I must walk in it."

The young fellow was hard hit. He sat looking at her with eyes of consternation and awe. He tried to speak, but could not for a little while; at last he made a second trial. "Do you mean—you don't mean—"

"Yes, I mean—all you think I mean," she answered, and then her fortitude failed her, and she turned away, her eyes filled with hot tears.

He rose awkwardly, all his jaunty self-confidence gone. "I take my medicine. It's all right. I hope you'll be happy—" He broke off with quivering lips.

"I shall never be happy," she said, and the very calmness of her voice went to the boy's heart. "I've given up all hope of being anything but an instrument—a thing whose wishes do not count. Good-bye, Clint," and she gave her hand.

He took it and pressed it hard and went out into the street, staggering under the weight of the revelation he had received.

Viola was fond of Clinton—his simple, wholesome, untroubled nature appealed to her—and yet this very ingenuousness, this ready confidence, made her own life and daily habit seem the more forbidding. She understood now the insuperable barrier which had been raised between herself and the careless youth of the normal world.

In this hour of depression, as in many others, her mind went out towards Morton Serviss. Britt's mention of the young scientist's name seemed to bring him very near, and she wondered again for the hundredth time whether he had entirely forgotten her or not. Would he call, now that he was informed of her presence in the city? She knew (almost as well as if he had written it) the reason for his hasty flight from Colorow, and with a knowledge that he considered her a freak if not something worse she could not write to him, although she still had his card and address.

He was a greater man in the world than when he visited their mountain home, for he had written a book which the critics called "a great and implacable study of diseases and their uses." She had not been able to read it, but she treasured it, nevertheless, and longed to meet him again, to lay her case before him, to ask his advice, not with regard to whether she should go on with her music, but whether her life was worth continuing—for there were times when she secretly considered the morality of making an end of it. It was in the hope of drawing him again to her side that she asked Clarke to include him in the list of scientific men to whom he was planning to send a printed copy of his oration and challenge—after their delivery—and to her mother she said: "I would not be so nervous if I knew that Dr. Serviss were on the committee; I know he would be just and considerate, even if he does despise mediums."

"He's exactly the one," responded Mrs. Lambert, with enthusiasm. "I wonder Tony hasn't spoken of him. Grandfather will be delighted, I'm sure."

V[ToC]

KATE VISITS VIOLA

Towards Simeon's portal, held sacred to "The Keepers of the Keys of the Silent House," Kate Rice and Dr. Britt set their faces at the appointed hour.

"The plot thickens round the girl," began Britt, with a kind of mocking levity. "Mrs. Lambert has done it now!"

They had reached the comparative quiet of the cross-street. "What has she done?"

"She has delivered her ewe-lamb over to this ancient wolf of Wall Street, who will eat her up for a Little Red Riding-hood. I've been looking into Pratt's record. He has a cheerful way, I'm told, of treating his 'psychics' like oranges—squeezing them and throwing them into the street. He has become so sensitive to the sneers of the outsiders that he fears to be 'done.' After getting all that a medium can give him, he 'exposes' her elaborately, and sets her adrift, and so guards himself from the possible accusation of having been deceived. If there is any question of the medium's powers, he can then come out with a card saying: 'I knew So-and-so was a fraud. I exposed her two years—or two months—ago.' I see the girl's finish right here."

"The dreadful old man! Does the girl know this?"

"I don't think she does, but she ought to. I hate to see a nice girl, who would make some one a charming wife, perverted to these unholy uses. The crowning infamy heaped upon her head will be a full page in the Sunday Blast—'Another Harpie Exposed'—and it will come, Mrs. Rice, I am sure of it. Pratt fairly fawns before her now. She is his princess, his seeress, his chief jewel; but woe to her if she displeases him or fails to meet his requirements."

"You appall me, Dr. Britt. Some one should at least warn her."

"I've already done so; but with the mother, Clarke, and Pratt to war against, the case seems hopeless. Besides, she believes in herself—up to a certain point. She'll never degenerate into one of those frumps who go from city to city playing to the foolish women and tack-headed men, but she will certainly be corrupted. If she marries Clarke her future will be woful. She has entered in so far I don't see how she can retreat. She is bound to keep on for his sake and her mother's sake."

"Is she in love with Clarke?"

"That I haven't been able to determine, but she is under his control, or she wouldn't be here."

With these gloomy words in her ears Kate entered the big, cold drawing-room to wait for the coming of the master of the house.

"Pratt is the one to whom you are to pay your first respects—he is master," warned Britt. "Ask to see his collections—that always pleases him. If you will permit, I will lead the way."

"I am trusting you."

"You may do so."

Pratt came in quite briskly, a heavy-faced, white-bearded man, wearing a sack-suit and an old-fashioned turn-down collar. He greeted Britt with a casual hand-shake, looking at Kate suspiciously. "And who is this?" he asked, bluffly.

"A friend of mine, a Mrs. Rice, who desires to see your wonderful collection of slates and paintings."

Pratt softened a little. "I'll be very glad to show them," he said, "but not now. I'll have to ask you to excuse me just now. I am in consultation with my directors."

"Certainly," said Britt, and, after Pratt went out, he added: "That means that Clarke is going to launch his thunderbolt. He's going to defy the scientific world in the most burning oration since Cicero."

At this moment two ladies, in superb wraps, descended the stairway on their way to their carriages, and one of them said, "I think it's a shame—as long as we've known Simeon Pratt—to be turned away like a tramp!"

"Oh, I don't blame her," said the other.

"Some disappointed callers," said Britt.

A moment later several other curious ones were ushered into the drawing-room. Britt kept up a low-toned comment. "All these rubber-necks are here to see the girl. You will be surprised to know how many there are with a sneaking belief in these revelations."

It was a singular situation in which to find Simeon Pratt—major-domo to a crowd of idle curiosity-seekers—and when he returned, with an assumption of haste and bustle, Britt saw him in a new light—that of a poor, lonely, broken old man, weary of life, yet living on in daily hope of communion with the dead, stuffing his heart with dreams and delusions, walking mechanically round, interested only in death.

He had forgotten Kate's name, but he remembered her wish to see his treasures.

"Come to my library," he said; "but first let me call your attention to this remarkable painting."

The painting—or rather wash-drawing in black-and-white—hung over the grand-piano in the light of the west windows. It was globular in form, and represented, Simeon explained, the "War of Light and Darkness." One-half of the globe was darkly shaded, curiously fretted by the lighter half. Above sat a snow-white eagle. Beneath, with prodigious wings outspread, and eyes gleaming like points of fire, hovered a mysterious bat.

"Look closer," commanded Simeon.

Narrower scrutiny brought out, even in the darker half of the globe, a multitude of intertwined forms, outlined with pen and ink. Those of the lighter hemisphere were beautiful as angels, with faint stars in their hair. All were singing. The others, the denizens of the dark, were twisted and contorted in agony, and each was drawn with such certainty of prearrangement that the line which formed the arm of one outlined the head of another. There were hundreds of them, and the whole work was as intricate in design as the engraving on a bank-note, and so packed with symbolism—according to Simeon's exegesis—that one might study it for days. "Observe," said he, "the innumerable faces formed by the line which divides the two worlds. Take these glasses."

Kate, by means of the powerful instrument which he thrust upon her, was able to detect hundreds of other faces invisible to the unaided eye. "It is wonderful. Who did it?"

"A Swedish servant-girl," answered Simeon, loudly, addressing every one in the room. "She couldn't write her name; but when the spirit of Raphael controlled her she could do this with her eyes shut. There's nothing like that picture in the world. It cannot be duplicated by any artist in the flesh."

"That's no dream," murmured Britt.

Pratt hurried them on, past many other equally wonderful paintings, to his library, and as his guests filed in he faced them. "The things I am about to show you have no equal anywhere. They have taken years to collect, and have cost me more than a hundred thousand dollars. I can show you but a few."

The library was a splendid room, rich with the light of the western sun, whose arrangement instantly struck Kate Rice as unusual, for the book-shelves were precisely like those of a butler's pantry. They began at about four feet from the floor and reached entirely to the ceiling, and were filled with splendid, neglected books, while beneath a broad shelf, at their base, were rows of little brass knobs, each of which indicated a shallow drawer. Each drawer had a lock and a small plate which bore a letter and a number, not unlike the cabinet of a numismatist.

"There are but two keys in existence," explained Simeon, with shining face. "The one I now hold and the one in my safety vaults. No one is permitted in this room without my secretary or myself." He moved down the room between the cabinet and the big table. "Here is a message from Columbus." He unlocked and drew out one of the drawers and laid it upon the table. It was exquisitely made, and contained two ordinary hinged school-slates, with the inner sides visible, but protected by a heavy plate of glass. "This message came to me through Angelica Cox—under test conditions," Pratt further explained, as Kate bent above it.

"What do you mean by test conditions?" asked Britt.

"I mean, sir, that I bought and took these slates to the medium, and held them in my hands while that message was written." There was irritation in his voice. He replaced the drawer. "But here is a painting from Murillo, the great artist. He painted the face of one of the ancients." He laid before his silent auditors another drawer which contained a sheet of card-board on which was a fairly good pastel of an Arab in a burnouse. It had the weak and false drawing which would result in the attempt of an amateur to copy an engraving in color. "This came in broad daylight while I held the clean card-board on my head," explained Simeon.

Britt looked at Kate. "The painter might have stood on his head," he blasphemously whispered.

And so down through that splendid room the host moved, exhibiting letters from Napoleon, flowers from Marie Antoinette, verses from Mary Queen of Scots, together with paternal advice from many others equally eminent in history.

"You keep good company," ventured Kate. "Have you anything from Shakespeare?"

"Certainly; and from Edwin Forrest and Lincoln and Grant."

"Anything from Admiral Kidd?" asked Britt.

"Or from Mary Jane Holmes?" added Kate.

Simeon looked at the jokers in silence, not quite sure whether they intended to trap him or not. "No, I save only the words of the most eminent persons in history, outside my own family—I have wonderful testimony from them."

"Ah, show us those, please," cried Kate.

He hesitated, pondering Britt's face, and at last said, "I will show you some materializations," and led the way to some cases filled with pressed flowers. "These are from India and Tibet," he explained.

Kate was getting bored, but Britt seemed fascinated by both Pratt and the exhibit. "To think of one human being possessing a collection like that—painfully amassing it. It's too beautiful!"

"But the girl—ask him to let us see the girl," she urged.

"Don't hurry; he can't be turned aside from his groove."

The treasures of the drawers hinted at, Simeon proceeded to exhibit other wonders. He possessed a coin brought from the sacred city of Lhasa and dropped through the ceiling into a closed and sealed box. "There is no other known to the Western Hemisphere," he said. "The British Museum offered me a thousand pounds for it."

To his mind all these slates, pictures, and flowers were evidences of the interest the great shades had taken in the work of converting Simeon Pratt to the faith, and the messages were intended to steady him in his convictions and to furnish him material with which to bring the world to his view. The man's faith was like to madness—without one ray of humor.

At any other time this astounding museum would have been a most absorbing study to Kate, but she was tingling with desire to get at the young seeress and her mother. "What must they be," she asked herself, "to mix with this kind of idiocy?"

At last, when the favoring pause came, Britt explained to Pratt that Mrs. Rice was the sister of one who had known Viola in the West, and that she very much wished to see the psychic for a moment.

"I think Miss Lambert is engaged," replied Simeon, sulkily; "but I'll see," and he led the way to a small sitting-room on the same floor. "Stay here and I'll send your card up."

"Tell her a sister of Professor Serviss."

Simeon turned quickly. "Serviss—ain't he one of the men that Clarke talks of having on the committee? Are you his sister?"

Kate bowed. "Yes; my brother met Miss Lambert in the West."

Pratt's face cleared. "Well, well! I will send her right down. Your brother is the kind of man we want to reach," he added, as he went out.

"Now, Dr. Britt," began Kate, firmly, "I want you to keep that boresome old man occupied while I talk with these women. I don't want him putting in his oar."

"I'll do my best," he answered, manfully, "up to the measure of gagging him. I can't agree to order him out of the house."

Kate was on her chair's edge with interest as she heard the rustle of skirts and the murmur of a pleasant voice, and when Viola, flushed, smiling, beautifully gowned, entered the room with outstretched hand, she rose with a spring, carried out of her well-planned reserve by the warmth and charm of the girl's greeting. She closed her gloved palm cordially on the fine hand so confidingly given. "I am glad to know you. My brother has spoken so enthusiastically of you."

Viola's flush deepened. "Has he? I assure you we speak often of him. I suppose he is too busy with his wonderful microbes to come and see poor, commonplace creatures like us."

"He is busy, but he only learned of your presence a few days ago."

Viola turned. "Mother, this is Mrs. Rice, Professor Serviss's sister."

Kate liked Mrs. Lambert also, for she was looking remarkably handsome in a black gown of simple pattern. "If these are adventuresses they are very clever in dress," was her inward comment. "I don't wonder Morton was captivated." And she presently said: "Can't you take me to your own room? I want to talk secrets with you."

"Yes, let us do that." Viola turned to her mother. "Let's take Mrs. Rice to our sitting-room."

Mrs. Lambert assented timidly, with a quick glance towards Simeon, who was garrulously declaiming to Britt concerning the wonders of another painting by the Swedish cook.

Pratt, seeing the women rise, approached. "Where are you going?" he asked, with a note of impatience in his voice.

"To my room," answered Viola, firmly, and led the way up-stairs in silence; but when they were beyond earshot in the hall above she bitterly exclaimed: "He spies on everything I do. He will hardly let me out of his sight. I am beginning to hate him, he has so little sense of decency."

"Viola!" warned the mother.

"I don't care," retorted the girl, defiantly. "Why do we endure him—we are not dependent on him. He treats us precisely as if he owned us, and I'm tired of it. I wish papa would come on and take us home."

"He may be a bore, but he houses you like royalty," Kate remarked, as she glanced about the suite which Viola and her mother occupied. It formed the entire eastern end of the third floor of the house, and the decorations were Empire throughout, with stately canopied beds and a most luxurious bath-room.

"Oh yes, it's beautiful; but I would rather be this minute in our little log-cabin in the West," answered the girl, with wistful sadness. "Oh, these warm days make me homesick. When I was there I hated it, now I long to get back. I seem five years older—this winter has been terribly long to me."

"Well, now, lock the door," exclaimed Kate, excitedly, "and tell me all about yourself. Start at the very beginning. Dr. Britt has told me something, but I want to know everything. When did you first know you had this power? That's the first question."

Mrs. Lambert began in the tone of one retelling an old story. "Up till the day my little son Walter died, Viola was just like any other girl of her age—healthy and pretty—a very pretty child."

"I can believe it." Kate's eyes dwelt admiringly on the girl.

"My husband and I were good Presbyterians, and I had never given much thought to spirits or spiritualism, but after our little boy died Robert began to study up, and every time we went to the city he'd go to see a psychic, and that troubled me. As a good church-member I thought he ought not to do it, and so one day I said, 'Robert, I think you ought to tell Mr. McLane'—that was our minister—'what you are doing. It isn't right to visit mediums and go to church, too—one or the other ought to be given up.' He said—I remember his exact words: 'I can't live without these messages of comfort from my boy. They say he is going to manifest himself soon—here in our own home.' I remember that was his exact expression, for I wondered what it was to manifest. That very night things began."

Kate's eyes snapped. "What things?"

"Well, Waltie had a little chair that he liked—a little reed rocking-chair—and my husband always kept this chair close by where he sat reading. That night I saw the chair begin to rock all by itself—and yet, some way, it didn't scare me. 'Robert, did you move Waltie's chair?' I asked. 'No,' he said. 'Why?' 'Because it rocked.' Robert threw down his book and looked at the chair. 'Viola must have moved it,' he said. 'Viola was in her own little chair on the other side of the table,' I said. 'It must have been the cat, then.'

"And then, just while we both looked at it, it began to move again exactly as if Waltie were in it. It creaked, too, as it used to when he rocked."

"I should have been frightened stiff," exclaimed Kate, whose eyes were beginning to widen.

"Nothing that has happened since has given me such a turn. Robert jumped up and felt all about the chair, sure that Viola had tied a string to it—and still she was no child for tricks. Then Robert bent right down over the chair, and it stopped for a moment, and then slid backward under the table, just as our own boy used to do. He loved to play tent. Robert looked up at me as white as the dead. 'It is Waltie, mother; he has come back to us,' he said, and I believed it, too."

In spite of herself, Kate shivered with a keen, complete comprehension of the thrilling joy and terror of that moment, but Viola sat listlessly waiting the end of her mother's explanation. Plainly, it was all a wearisome story to her.

Mrs. Lambert went on: "After that he came every night, and soon the tappings began, and finally we got into communication with my father, who told us to be patient and wait and Waltie would speak to us. Then the power took hold of Viola and frightened her almost into fits."

The girl visibly shuddered and her eyes fell.

"How did it begin?" asked Kate, breathless with interest.

"The first we noticed was that her left arm began to twitch so that she couldn't control it. Then she took to writing with her left hand, exactly like my father's hand-writing. She could write twenty different kinds of writing before she was twelve. These messages were all signed, and all said that she was to be a great medium. Then began the strangest doings. My thimbles would be stolen and hidden, vases would tumble off the mantels, chairs would rock. It was just pandemonium there some nights. They used to break things and pound on the doors; then all of a sudden these doings stopped and Viola went into deathly trances. I shall never forget that first night. We thought she was dead. We couldn't see her breathe, and her hands and feet were like ice."

The girl rose, her face gray and rigid. "Don't mother, don't!" she whispered. "They are here!" She shook her head and cried out as if to the air: "No, no, not now! No, no!"

The mother spoke. "She is being entranced. Some one has a message for you, Mrs. Rice?"

For the first time, Kate had a suspicion of both mother and daughter. This action of the girl seemed a thought too opportune and much too theatric. Now that her splendid eyes were clouded she lost confidence in her, and as she waited she grew cold with a kind of disgust and fear of what was to follow.

The mother gently sided with her daughter against the control, and, taking both her hands, said, quietly: "Not now, father, not now." But in vain. The girl sank back into her chair rigid. "They have something they insist on saying, Mrs. Rice," said Mrs. Lambert, after a silence. "Is it some one for Mrs. Rice?" Three loud snapping sounds came from the carpet under Viola's feet.

"Good gracious! What is that?" exclaimed Kate, a cold tremor passing up her spine.

"It is my father," answered Mrs. Lambert, quite placidly. "Can't you write, father? Be easy on Viola to-day.—He is very anxious to converse with you for some reason, Mrs. Rice."

Again a creeping thrill made Kate's hair rise, and she bit her finger-tip. "Am I dreaming?" she asked herself, as she listened to the mother talking to the air, only to be answered by rappings from the table and thumpings from the chairs. "How absurd, how childish it all is!" she thought.

Even as this thought passed through her mind, the room seemed to darken, the air to thicken. The girl's proud young body sank, doubled till she seemed a crone, old and withered and jocose; a sneering laugh came from her drawn lips; her hands, trembling together, hookedly reached towards Kate; the eyes were sunk lidless and gleaming with malice; a voice that was like the croak of a raven sounded forth: "You got my money, Kit—but you didn't get it all." And from the young, distorted lips a disgusting laugh issued, a laugh that froze Kate's blood and stiffened her tongue so that she could not cry out. She gasped and sank back into her chair, while the voice went on: "You know me. I always hated you—you wasted my money—you poisoned my pets—I hated your husband—he cheated me once—you'll get no joy of my money till you pay that debt."

Kate, inert, aghast, sat blindly staring while this vindictive, remorseless voice went on; only when it stopped was she aware of the mother's serene attitude of waiting, of polite regret at being present at a disagreeable scene; then the girl's lips resumed their sweetness, the beautiful hands fell slack upon her knees, the head lifted and, turning, rested peacefully against the cushion of her chair. The table was violently shaken. A small ornament upon it leaped into the air and fell in Kate's lap. She sprang to her feet with a cry of alarm, shaking the thing away as if it were a toad, and was about to flee when Mrs. Lambert's voice struck her into immobility, so unconcerned was it, so utterly matter of fact.

"Did you know the spirit visitor?" she asked.

With the question Kate's panic ceased. Her awe, her fright, passed into wonder and amazement.

"It was exactly like my great-aunt," she gaspingly admitted. "But, oh, it was terrible! Why do you let her go into such states?"

"We cannot control these manifestations. Hush! They are not yet finished. They are about to write for you."

Still lying in languid ease, the girl lifted one hand to the table—to Kate it seemed that the hand was raised by some outside invisible power—and there it rested, as though weary and meditating. As it paused thus the girl's eyes opened, and she sat regarding it as though it belonged to some other intruding self. Mrs. Lambert brought a pencil and a pad of paper, and laid them upon the stand.

Suddenly the hand woke to vigorous action. Seizing the pencil as a dog might lay hold upon a bone, it began to write slowly, firmly, while Viola watched it, quietly, detachedly, as if it were something entirely separate from her brain. At the end it tore the leaf from the pad and flung it to the floor.

Mrs. Lambert picked it up. "It is from father," she said; "but it is for you."