THE FINER GRAIN
By Henry James
1910
[Transcriber’s Note: After posting it was discovered that there were several missing pages from the section titled “Mora Montravers”. This section has been removed and will be replaced as soon as possible.]
CONTENTS
“THE VELVET GLOVE”
I
HE thought he had already, poor John Berridge, tasted in their fulness the sweets of success; but nothing yet had been more charming to him than when the young Lord, as he irresistibly and, for greater certitude, quite correctly figured him, fairly sought out, in Paris, the new literary star that had begun to hang, with a fresh red light, over the vast, even though rather confused, Anglo-Saxon horizon; positively approaching that celebrity with a shy and artless appeal. The young Lord invoked on this occasion the celebrity’s prized judgment of a special literary case; and Berridge could take the whole manner of it for one of the “quaintest” little acts displayed to his amused eyes, up to now, on the stage of European society—albeit these eyes were quite aware, in general, of missing everywhere no more of the human scene than possible, and of having of late been particularly awake to the large extensions of it spread before him (since so he could but fondly read his fate) under the omen of his prodigious “hit.” It was because of his hit that he was having rare opportunities—of which he was so honestly and humbly proposing, as he would have said, to make the most: it was because every one in the world (so far had the thing gone) was reading “The Heart of Gold” as just a slightly too fat volume, or sitting out the same as just a fifth-act too long play, that he found himself floated on a tide he would scarce have dared to show his favourite hero sustained by, found a hundred agreeable and interesting things happen to him which were all, one way or another, affluents of the golden stream.
The great renewed resonance—renewed by the incredible luck of the play—was always in his ears without so much as a conscious turn of his head to listen; so that the queer world of his fame was not the mere usual field of the Anglo-Saxon boom, but positively the bottom of the whole theatric sea, unplumbed source of the wave that had borne him in the course of a year or two over German, French, Italian, Russian, Scandinavian foot-lights. Paris itself really appeared for the hour the centre of his cyclone, with reports and “returns,” to say nothing of agents and emissaries, converging from the minor capitals; though his impatience was scarce the less keen to get back to London, where his work had had no such critical excoriation to survive, no such lesson of anguish to learn, as it had received at the hand of supreme authority, of that French authority which was in such a matter the only one to be artistically reckoned with. If his spirit indeed had had to reckon with it his fourth act practically hadn’t: it continued to make him blush every night for the public more even than the inimitable feuilleton had made him blush for himself.
This had figured, however, after all, the one bad drop in his cup; so that, for the rest, his high-water mark might well have been, that evening at Gloriani’s studio, the approach of his odd and charming applicant, vaguely introduced at the latter’s very own request by their hostess, who, with an honest, helpless, genial gesture, washed her fat begemmed hands of the name and identity of either, but left the fresh, fair, ever so habitually assured, yet ever so easily awkward Englishman with his plea to put forth. There was that in this pleasant personage which could still make Berridge wonder what conception of profit from him might have, all incalculably, taken form in such a head—these being truly the last intrenchments of our hero’s modesty. He wondered, the splendid young man, he wondered awfully, he wondered (it was unmistakable) quite nervously, he wondered, to John’s ardent and acute imagination, quite beautifully, if the author of “The Heart of Gold” would mind just looking at a book by a friend of his, a great friend, which he himself believed rather clever, and had in fact found very charming, but as to which—if it really wouldn’t bore Mr. Berridge—he should so like the verdict of some one who knew. His friend was awfully ambitious, and he thought there was something in it—with all of which might he send the book to any address?
Berridge thought of many things while the young Lord thus charged upon him, and it was odd that no one of them was any question of the possible worth of the offered achievement—which, for that matter, was certain to be of the quality of all the books, to say nothing of the plays, and the projects for plays, with which, for some time past, he had seen his daily post-bag distended. He had made out, on looking at these things, no difference at all from one to the other. Here, however, was something more—something that made his fellow-guest’s overture independently interesting and, as he might imagine, important. He smiled, he was friendly and vague; said “A work of fiction, I suppose?” and that he didn’t pretend ever to pronounce, that he in fact quite hated, always, to have to, not “knowing,” as he felt, any better than any one else; but would gladly look at anything, under that demur, if it would give any pleasure. Perhaps the very brightest and most diamond-like twinkle he had yet seen the star of his renown emit was just the light brought into his young Lord’s eyes by this so easy consent to oblige. It was easy because the presence before him was from moment to moment, referring itself back to some recent observation or memory; something caught somewhere, within a few weeks or months, as he had moved about, and that seemed to flutter forth at this stir of the folded leaves of his recent experience very much as a gathered, faded flower, placed there for “pressing,” might drop from between the pages of a volume opened at hazard.
He had seen him before, this splendid and sympathetic person—whose flattering appeal was by no means all that made him sympathetic; he had met him, had noted, had wondered about him, had in fact imaginatively, intellectually, so to speak, quite yearned over him, in some conjunction lately, though ever so fleet-ingly, apprehended: which circumstance constituted precisely an association as tormenting, for the few minutes, as it was vague, and set him to sounding, intensely and vainly, the face that itself figured everything agreeable except recognition. He couldn’t remember, and the young man didn’t; distinctly, yes, they had been in presence, during the previous winter, by some chance of travel, through Sicily, through Italy, through the south of France, but his Seigneurie—so Berridge liked exotically to phrase it—had then (in ignorance of the present reasons) not noticed him. It was positive for the man of established identity, all the while too, and through the perfect lucidity of his sense of achievement in an air “conducting” nothing but the loudest bang, that this was fundamentally much less remarkable than the fact of his being made up to in such a quarter now. That was the disservice, in a manner, of one’s having so much imagination: the mysterious values of other types kept looming larger before you than the doubtless often higher but comparatively familiar ones of your own, and if you had anything of the artist’s real feeling for life the attraction and amusement of possibilities so projected were worth more to you, in nineteen moods out of twenty, than the sufficiency, the serenity, the felicity, whatever it might be, of your stale personal certitudes. You were intellectually, you were “artistically” rather abject, in fine, if your curiosity (in the grand sense of the term) wasn’t worth more to you than your dignity. What was your dignity, “anyway,” but just the consistency of your curiosity, and what moments were ever so ignoble for you as, under the blighting breath of the false gods, stupid conventions, traditions, examples, your lapses from that consistency? His Seigneurie, at all events, delightfully, hadn’t the least real idea of what any John Berridge was talking about, and the latter felt that if he had been less beautifully witless, and thereby less true to his right figure, it might scarce have been forgiven him.
His right figure was that of life in irreflective joy and at the highest thinkable level of prepared security and unconscious insolence. What was the pale page of fiction compared with the intimately personal adventure that, in almost any direction, he would have been all so stupidly, all so gallantly, all so instinctively and, by every presumption, so prevailingly ready for? Berridge would have given six months’ “royalties” for even an hour of his looser dormant consciousness—since one was oneself, after all, no worm, but an heir of all the ages too—and yet without being able to supply chapter and verse for the felt, the huge difference. His Seigneurie was tall and straight, but so, thank goodness, was the author of “The Heart of Gold,” who had no such vulgar “mug” either; and there was no intrinsic inferiority in being a bit inordinately, and so it might have seemed a bit strikingly, black-browed instead of being fair as the morning. Again while his new friend delivered himself our own tried in vain to place him; he indulged in plenty of pleasant, if rather restlessly headlong sound, the confessed incoherence of a happy mortal who had always many things “on,” and who, while waiting at any moment for connections and consummations, had fallen into the way of talking, as they said, all artlessly, and a trifle more betrayingly, against time. He would always be having appointments, and somehow of a high “romantic” order, to keep, and the imperfect punctualities of others to wait for—though who would be of a quality to make such a pampered personage wait very much our young analyst could only enjoy asking himself. There were women who might be of a quality—half a dozen of those perhaps, of those alone, about the world; our friend was as sure of this, by the end of four minutes, as if he knew all about it.
After saying he would send him the book the young Lord indeed dropped that subject; he had asked where he might send it, and had had an “Oh, I shall remember!” on John’s mention of an hotel; but he had made no further dash into literature, and it was ten to one that this would be the last the distinguished author might hear of the volume. Such again was a note of these high existences—that made one content to ask of them no whit of other consistency than that of carrying off the particular occasion, whatever it might be, in a dazzle of amiability and felicity and leaving that as a sufficient trace of their passage. Sought and achieved consistency was but an angular, a secondary motion; compared with the air of complete freedom it might have an effect of deformity. There was no placing this figure of radiant ease, for Berridge, in any relation that didn’t appear not good enough—that is among the relations that hadn’t been too good for Berridge himself. He was all right where he was; the great Gloriani somehow made that law; his house, with his supreme artistic position, was good enough for any one, and to-night in especial there were charming people, more charming than our friend could recall from any other scene, as the natural train or circle, as he might say, of such a presence. For an instant he thought he had got the face as a specimen of imperturbability watched, with wonder, across the hushed rattle of roulette at Monte-Carlo; but this quickly became as improbable as any question of a vulgar table d’hote, or a steam-boat deck, or a herd of fellow-pilgrims cicerone-led, or even an opera-box serving, during a performance, for frame of a type observed from the stalls. One placed young gods and goddesses only when one placed them on Olympus, and it met the case, always, that they were of Olympian race, and that they glimmered for one, at the best, through their silver cloud, like the visiting apparitions in an epic.
This was brief and beautiful indeed till something happened that gave it, for Berridge, on the spot, a prodigious extension—an extension really as prodigious, after a little, as if he had suddenly seen the silver clouds multiply and then the whole of Olympus presently open. Music, breaking upon the large air, enjoined immediate attention, and in a moment he was listening, with the rest of the company, to an eminent tenor, who stood by the piano; and was aware, with it, that his Englishman had turned away and that in the vast, rich, tapestried room where, in spite of figures and objects so numerous, clear spaces, wide vistas, and, as they might be called, becoming situations abounded, there had been from elsewhere, at the signal of unmistakable song, a rapid accession of guests. At first he but took this in, and the way that several young women, for whom seats had been found, looked charming in the rapt attitude; while even the men, mostly standing and grouped, “composed,” in their stillness, scarce less impressively, under the sway of the divine voice. It ruled the scene, to the last intensity, and yet our young man’s fine sense found still a resource in the range of the eyes, without sound or motion, while all the rest of consciousness was held down as by a hand mailed in silver. It was better, in this way, than the opera—John alertly thought of that: the composition sung might be Wagnerian, but no Tristram, no Iseult, no Parsifal and, no Kundry of them all could ever show, could ever “act” to the music, as our friend had thus the power of seeing his dear contemporaries of either sex (armoured they so otherwise than in cheap Teutonic tinsel!) just continuously and inscrutably sit to it.
It made, the whole thing together, an enchantment amid which he had in truth, at a given moment, ceased to distinguish parts—so that he was himself certainly at last soaring as high as the singer’s voice and forgetting, in a lost gaze at the splendid ceiling, everything of the occasion but what his intelligence poured into it. This, as happened, was a flight so sublime that by the time he had dropped his eyes again a cluster of persons near the main door had just parted to give way to a belated lady who slipped in, through the gap made for her, and stood for some minutes full in his view. It was a proof of the perfect hush that no one stirred to offer her a seat, and her entrance, in her high grace, had yet been so noiseless that she could remain at once immensely exposed and completely unabashed. For Berridge, once more, if the scenic show before him so melted into the music, here precisely might have been the heroine herself advancing to the foot-lights at her cue. The interest deepened to a thrill, and everything, at the touch of his recognition of this personage, absolutely the most beautiful woman now present, fell exquisitely together and gave him what he had been wanting from the moment of his taking in his young Englishman.
It was there, the missing connection: her arrival had on the instant lighted it by a flash. Olympian herself, supremely, divinely Olympian, she had arrived, could only have arrived, for the one person present of really equal race, our young man’s late converser, whose flattering demonstration might now stand for one of the odd extravagant forms taken by nervous impatience. This charming, this dazzling woman had been one member of the couple disturbed, to his intimate conviction, the autumn previous, on his being pushed by the officials, at the last moment, into a compartment of the train that was to take him from Cremona to Mantua—where, failing a stop, he had had to keep his place. The other member, by whose felt but unseized identity he had been haunted, was the unconsciously insolent form of guaranteed happiness he had just been engaged with. The sense of the admirable intimacy that, having taken its precautions, had not reckoned with his irruption—this image had remained with him; to say nothing of the interest of aspect of the associated figures, so stamped somehow with rarity, so beautifully distinct from the common occupants of padded corners, and yet on the subject of whom, for the romantic structure he was immediately to raise, he had not had a scrap of evidence.
If he had imputed to them conditions it was all his own doing: it came from his inveterate habit of abysmal imputation, the snatching of the ell wherever the inch peeped out, without which where would have been the tolerability of life? It didn’t matter now what he had imputed—and he always held that his expenses of imputation were, at the worst, a compliment to those inspiring them. It only mattered that each of the pair had been then what he really saw each now—full, that is, of the pride of their youth and beauty and fortune and freedom, though at the same time particularly preoccupied: preoccupied, that is, with the affairs, and above all with the passions, of Olympus. Who had they been, and what? Whence had they come, whither were they bound, what tie united them, what adventure engaged, what felicity, tempered by what peril, magnificently, dramatically attended? These had been his questions, all so inevitable and so impertinent, at the time, and to the exclusion of any scruples over his not postulating an inane honeymoon, his not taking the “tie,” as he should doubtless properly have done, for the mere blest matrimonial; and he now retracted not one of them, flushing as they did before him again with their old momentary life. To feel his two friends renewedly in presence—friends of the fleeting hour though they had but been, and with whom he had exchanged no sign save the vaguest of salutes on finally relieving them of his company—was only to be conscious that he hadn’t, on the spot, done them, so to speak, half justice, and that, for his superior entertainment, there would be ever so much more of them to come.
II
It might already have been coming indeed, with an immense stride, when, scarce more than ten minutes later, he was aware that the distinguished stranger had brought the Princess straight across the room to speak to him. He had failed in the interval of any glimpse of their closer meeting; for the great tenor had sung another song and then stopped, immediately on which Madame Gloriani had made his pulse quicken to a different, if not to a finer, throb by hovering before him once more with the man in the world he most admired, as it were, looking at him over her shoulder. The man in the world he most admired, the greatest then of contemporary Dramatists—and bearing, independently, the name inscribed if not in deepest incision at least in thickest gilding on the rich recreative roll—this prodigious personage was actually to suffer “presentation” to him at the good lady’s generous but ineffectual hands, and had in fact the next instant, left alone with him, bowed, in formal salutation, the massive, curly, witty head, so “romantic” yet so modern, so “artistic” and ironic yet somehow so civic, so Gallic yet somehow so cosmic, his personal vision of which had not hitherto transcended that of the possessor of a signed and framed photograph in a consecrated quarter of a writing-table.
It was positive, however, that poor John was afterward to remember of this conjunction nothing whatever but the fact of the great man’s looking at him very hard, straight in the eyes, and of his not having himself scrupled to do as much, and with a confessed intensity of appetite. It was improbable, he was to recognise, that they had, for the few minutes, only stared and grimaced, like pitted boxers or wrestlers; but what had abode with him later on, none the less, was just the cherished memory of his not having so lost presence of mind as to fail of feeding on his impression. It was precious and precarious, that was perhaps all there would be of it; and his subsequent consciousness was quite to cherish this queer view of the silence, neither awkward nor empty nor harsh, but on the contrary quite charged and brimming, that represented for him his use, his unforgettable enjoyment in fact, of his opportunity. Had nothing passed in words? Well, no misery of murmured “homage,” thank goodness; though something must have been said, certainly, to lead up, as they put it at the theatre, to John’s having asked the head of the profession, before they separated, if he by chance knew who the so radiantly handsome young woman might be, the one who had so lately come in and who wore the pale yellow dress, of the strange tone, and the magnificent pearls. They must have separated soon, it was further to have been noted; since it was before the advance of the pair, their wonderful dazzling charge upon him, that he had distinctly seen the great man, at a distance again, block out from his sight the harmony of the faded gold and the pearls—to speak only of that—and plant himself there (the mere high Atlas-back of renown to Berridge now) as for communion with them. He had blocked everything out, to this tune, effectually; with nothing of the matter left for our friend meanwhile but that, as he had said, the beautiful lady was the Princess. What Princess, or the Princess of what?—our young man had afterward wondered; his companion’s reply having lost itself in the prelude of an outburst by another vocalist who had approached the piano.
It was after these things that she so incredibly came to him, attended by her adorer—since he took it for absolute that the young Lord was her adorer, as who indeed mightn’t be?—and scarce waiting, in her bright simplicity, for any form of introduction. It may thus be said in a word that this was the manner in which she made our hero’s acquaintance, a satisfaction that she on the spot described to him as really wanting of late to her felicity. “I’ve read everything, you know, and ‘The Heart of Gold’ three times”: she put it all immediately on that ground, while the young Lord now smiled, beside her, as if it were quite the sort of thing he had done too; and while, further, the author of the work yielded to the consciousness that whereas in general he had come at last scarce to be able to bear the iteration of those words, which affected him as a mere vain vocal convulsion, so not a breath of this association now attended them, so such a person as the Princess could make of them what she would.
Unless it was to be really what he would!—this occurred to him in the very thick of the prodigy, no single shade of possibility of which was less prodigious than any other. It was a declaration, simply, the admirable young woman was treating him to, a profession of “artistic sympathy”—for she was in a moment to use this very term that made for them a large, clear, common ether, an element all uplifted and rare, of which they could equally partake.
If she was Olympian—as in her rich and regular young beauty, that of some divine Greek mask over-painted say by Titian, she more and more appeared to him—this offered air was that of the gods themselves: she might have been, with her long rustle across the room, Artemis decorated, hung with pearls, for her worshippers, yet disconcerting them by having, under an impulse just faintly fierce, snatched the cup of gold from Hebe. It was to him, John Berridge, she thus publicly offered it; and it was his over-topping confrere of shortly before who was the worshipper most disconcerted. John had happened to catch, even at its distance, after these friends had joined him, the momentary deep, grave estimate, in the great Dramatist’s salient watching eyes, of the Princess’s so singular performance: the touch perhaps this, in the whole business, that made Berridge’s sense of it most sharp. The sense of it as prodigy didn’t in the least entail his feeling abject—any more, that is, than in the due dazzled degree; for surely there would have been supreme wonder in the eagerness of her exchange of mature glory for thin notoriety, hadn’t it still exceeded everything that an Olympian of such race should have found herself bothered, as they said, to “read” at all—and most of all to read three times!
With the turn the matter took as an effect of this meeting, Berridge was more than once to find himself almost ashamed for her—since it seemed never to occur to her to be so for herself: he was jealous of the type where she might have been taken as insolently careless of it; his advantage (unless indeed it had been his ruin) being that he could inordinately reflect upon it, could wander off thereby into kinds of licence of which she was incapable. He hadn’t, for himself, waited till now to be sure of what he would do were he an Olympian: he would leave his own stuff snugly unread, to begin with; that would be a beautiful start for an Olympian career. He should have been as unable to write those works in short as to make anything else of them; and he should have had no more arithmetic for computing fingers than any perfect-headed marble Apollo mutilated at the wrists. He should have consented to know but the grand personal adventure on the grand personal basis: nothing short of this, no poor cognisance of confusable, pettifogging things, the sphere of earth-grubbing questions and two-penny issues, would begin to be, on any side, Olympian enough.
Even the great Dramatist, with his tempered and tested steel and his immense “assured” position, even he was not Olympian: the look, full of the torment of earth, with which he had seen the Princess turn her back, and for such a purpose, on the prized privilege of his notice, testified sufficiently to that. Still, comparatively, it was to be said, the question of a personal relation with an authority so eminent on the subject of the passions—to say nothing of the rest of his charm—might have had for an ardent young woman (and the Princess was unmistakably ardent) the absolute attraction of romance: unless, again, prodigy of prodigies, she were looking for her romance very particularly elsewhere. Yet where could she have been looking for it, Berridge was to ask himself with private intensity, in a manner to leave her so at her ease for appearing to offer him everything?—so free to be quite divinely gentle with him, to hover there before him in all her mild, bright, smooth sublimity and to say: “I should be so very grateful if you’d come to see me.”
There succeeded this a space of time of which he was afterward to lose all account, was never to recover the history; his only coherent view of it being that an interruption, some incident that kept them a while separate, had then taken place, yet that during their separation, of half an hour or whatever, they had still somehow not lost sight of each other, but had found their eyes meeting, in deep communion, all across the great peopled room; meeting and wanting to meet, wanting—it was the most extraordinary thing in the world for the suppression of stages, for confessed precipitate intensity—to use together every instant of the hour that might be left them. Yet to use it for what?—unless, like beautiful fabulous figures in some old-world legend, for the frankest and almost the crudest avowal of the impression they had made on each other. He couldn’t have named, later on, any other person she had during this space been engaged with, any more than he was to remember in the least what he had himself ostensibly done, who had spoken to him, whom he had spoken to, or whether he hadn’t just stood and publicly gaped or languished.
Ah, Olympians were unconventional indeed—that was a part of their high bravery and privilege; but what it also appeared to attest in this wondrous manner was that they could communicate to their chosen in three minutes, by the mere light of their eyes, the same shining cynicism. He was to wonder of course, tinglingly enough, whether he had really made an ass of himself, and there was this amount of evidence for it that there certainly had been a series of moments each one of which glowed with the lucid sense that, as she couldn’t like him as much as that either for his acted clap-trap or for his printed verbiage, what it must come to was that she liked him, and to such a tune, just for himself and quite after no other fashion than that in which every goddess in the calendar had, when you came to look, sooner or later liked some prepossessing young shepherd. The question would thus have been, for him, with a still sharper eventual ache, of whether he positively had, as an effect of the miracle, been petrified, before fifty pair of eyes, to the posture of a prepossessing shepherd—and would perhaps have left him under the shadow of some such imputable fatuity if his consciousness hadn’t, at a given moment, cleared up to still stranger things.
The agent of the change was, as quite congruously happened, none other than the shining youth whom he now seemed to himself to have been thinking of for ever so long, for a much longer time than he had ever in his life spent at an evening party, as the young Lord: which personage suddenly stood before him again, holding him up an odd object and smiling, as if in reference to it, with a gladness that at once struck our friend as almost too absurd for belief. The object was incongruous by reason of its being, to a second and less preoccupied glance, a book; and what had befallen Berridge within twenty minutes was that they—the Princess and he, that is—had got such millions of miles, or at least such thousands of years, away from those platitudes. The book, he found himself assuming, could only be his book (it seemed also to have a tawdry red cover); and there came to him memories, dreadfully false notes sounded so straight again by his new acquaintance, of certain altogether different persons who at certain altogether different parties had flourished volumes before him very much with that insinuating gesture, that arch expression, and that fell intention. The meaning of these things—of all possible breaks of the charm at such an hour!—was that he should “signature” the ugly thing, and with a characteristic quotation or sentiment: that was the way people simpered and squirmed, the way they mouthed and beckoned, when animated by such purposes; and it already, on the spot, almost broke his heart to see such a type as that of the young Lord brought, by the vulgarest of fashions, so low. This state of quick displeasure in Berridge, however, was founded on a deeper question—the question of how in the world he was to remain for himself a prepossessing shepherd if he should consent to come back to these base actualities. It was true that even while this wonderment held him, his aggressor’s perfect good conscience had placed the matter in a slightly different light.
“By an extraordinary chance I’ve found a copy of my friend’s novel on one of the tables here—I see by the inscription that she has presented it to Gloriani. So if you’d like to glance at it—!” And the young Lord, in the pride of his association with the eminent thing, held it out to Berridge as artlessly as if it had been a striking natural specimen of some sort, a rosy round apple grown in his own orchard, or an exceptional precious stone, to be admired for its weight and lustre. Berridge accepted the offer mechanically—relieved at the prompt fading of his worst fear, yet feeling in himself a tell-tale facial blankness for the still absolutely anomalous character of his friend’s appeal. He was even tempted for a moment to lay the volume down without looking at it—only with some extemporised promise to borrow it of their host and take it home, to give himself to it at an easier moment. Then the very expression of his fellow-guests own countenance determined in him a different and a still more dreadful view; in fact an immediate collapse of the dream in which he had for the splendid previous space of time been living. The young Lord himself, in his radiant costly barbarism, figured far better than John Berridge could do the prepossessing shepherd, the beautiful mythological mortal “distinguished” by a goddess; for our hero now saw that his whole manner of dealing with his ridiculous tribute was marked exactly by the grand simplicity, the prehistoric good faith, as one might call it, of far-off romantic and “plastic” creatures, figures of exquisite Arcadian stamp, glorified rustics like those of the train of peasants in “A Winter’s Tale,” who thought nothing of such treasure-trove, on a Claude Lorrain sea-strand, as a royal infant wrapped in purple: something in that fabulous style of exhibition appearing exactly what his present demonstration might have been prompted by. “The Top of the Tree, by Amy Evans”—scarce credible words floating before Berridge after he had with an anguish of effort dropped his eyes on the importunate title-page—represented an object as alien to the careless grace of goddess-haunted Arcady as a washed-up “kodak” from a wrecked ship might have been to the appreciation of some islander of wholly unvisited seas. Nothing could have been more in the tone of an islander deplorably diverted from his native interests and dignities than the glibness with which John’s own child of nature went on. “It’s her pen-name, Amy Evans”—he couldn’t have said it otherwise had he been a blue-chinned penny-a-liner; yet marking it with a disconnectedness of intelligence that kept up all the poetry of his own situation and only crashed into that of other persons. The reference put the author of “The Heart of Gold” quite into his place, but left the speaker absolutely free of Arcady. “Thanks awfully”—Berridge somehow clutched at that, to keep everything from swimming. “Yes, I should like to look at it,” he managed, horribly grimacing now, he believed, to say; and there was in fact a strange short interlude after this in which he scarce knew what had become of any one or of anything; in which he only seemed to himself to stand alone in a desolate place where even its desolation didn’t save him from having to stare at the greyest of printed pages. Nothing here helped anything else, since the stamped greyness didn’t even in itself make it impossible his eyes should follow such sentences as: “The loveliness of the face, which was that of the glorious period in which Pheidias reigned supreme, and which owed its most exquisite note to that shell-like curl of the upper lip which always somehow recalls for us the smile with which windblown Astarte must have risen from the salt sea to which she owed her birth and her terrible moods; or it was too much for all the passionate woman in her, and she let herself go, over the flowering land that had been, but was no longer their love, with an effect of blighting desolation that might have proceeded from one of the more physical, though not more awful, convulsions of nature.”
He seemed to know later on that other and much more natural things had occurred; as that, for instance, with now at last a definite intermission of the rare music that for a long time past, save at the briefest intervals, had kept all participants ostensibly attentive and motionless, and that in spite of its high quality and the supposed privilege of listening to it he had allowed himself not to catch a note of, there was a great rustling and shifting and vociferous drop to a lower plane, more marked still with the quick clearance of a way to supper and a lively dispersal of most of the guests. Hadn’t he made out, through the queer glare of appearances, though they yet somehow all came to him as confused and unreal, that the Princess was no longer there, wasn’t even only crowded out of his range by the immediate multiplication of her court, the obsequious court that the change of pitch had at once permitted to close round her; that Gloriani had offered her his arm, in a gallant official way, as to the greatest lady present, and that he was left with half a dozen persons more knowing than the others, who had promptly taken, singly or in couples, to a closer inspection of the fine small scattered treasures of the studio?
He himself stood there, rueful and stricken, nursing a silly red-bound book under his arm very much as if he might have been holding on tight to an upright stake, or to the nearest piece of furniture, during some impression of a sharp earthquake-shock or of an attack of dyspeptic dizziness; albeit indeed that he wasn’t conscious of this absurd, this instinctive nervous clutch till the thing that was to be more wonderful than any yet suddenly flared up for him—the sight of the Princess again on the threshold of the room, poised there an instant, in her exquisite grace, for recovery of some one or of something, and then, at recognition of him, coming straight to him across the empty place as if he alone, and nobody and nothing else, were what she incredibly wanted. She was there, she was radiantly at him, as if she had known and loved him for ten years—ten years during which, however, she had never quite been able, in spite of undiscouraged attempts, to cure him, as goddesses had to cure shepherds, of his mere mortal shyness.
“Ah no, not that one!” she said at once, with her divine familiarity; for she had in the flash of an eye “spotted” the particular literary production he seemed so very fondly to have possessed himself of and against which all the Amy Evans in her, as she would doubtless have put it, clearly wished on the spot to discriminate. She pulled it away from him; he let it go; he scarce knew what was happening—only made out that she distinguished the right one, the one that should have been shown him, as blue or green or purple, and intimated that her other friend, her fellow-Olympian, as Berridge had thought of him from the first, really did too clumsily bungle matters, poor dear, with his officiousness over the red one! She went on really as if she had come for that, some such rectification, some such eagerness of reunion with dear Mr. Berridge, some talk, after all the tiresome music, of questions really urgent; while, thanks to the supreme strangeness of it, the high tide of golden fable floated him afresh, and her pretext and her plea, the queerness of her offered motive, melted away after the fashion of the enveloping clouds that do their office in epics and idylls. “You didn’t perhaps know I’m Amy Evans,” she smiled, “or even perhaps that I write in English—which I love, I assure you, as much as you can yourself do, and which gives one (doesn’t it? for who should know if not you?) the biggest of publics. I ‘just love’—don’t they say?—your American millions; and all the more that they really take me for Amy Evans, as I’ve just wanted to be taken, to be loved too for myself, don’t you know?—that they haven’t seemed to try at all to ‘go behind’ (don’t you say?) my poor dear little nom de guerre. But it’s the new one, my last, ‘The Velvet Glove,’ that I should like you to judge me by—if such a corvee isn’t too horrible for you to think of; though I admit it’s a move straight in the romantic direction—since after all (for I might as well make a clean breast of it) it’s dear old discredited romance that I’m most in sympathy with. I’ll send you ‘The Velvet Glove’ to-morrow, if you can find half an hour for it; and then—and then—!” She paused as for the positive bright glory of her meaning.
It could only be so extraordinary, her meaning, whatever it was, that the need in him that would—whatever it was again!—meet it most absolutely formed the syllables on his lips as: “Will you be very, very kind to me?”
“Ah ‘kind,’ dear Mr. Berridge? ‘Kind,’” she splendidly laughed, “is nothing to what—!” But she pulled herself up again an instant. “Well, to what I want to be! Just see,” she said, “how I want to be!” It was exactly, he felt, what he couldn’t but see—in spite of books and publics and pen-names, in spite of the really “decadent” perversity, recalling that of the most irresponsibly insolent of the old Romans and Byzantines, that could lead a creature so formed for living and breathing her Romance, and so committed, up to the eyes, to the constant fact of her personal immersion in it and genius for it, the dreadful amateurish dance of ungrammatically scribbling it, with editions and advertisements and reviews and royalties and every other futile item: since what was more of the deep essence of throbbing intercourse itself than this very act of her having broken away from people, in the other room, to whom he was as nought, of her having, with her crânerie of audacity and indifference, just turned her back on them all as soon as she had begun to miss him? What was more of it than her having forbidden them, by a sufficient curt ring of her own supremely silver tone, to attempt to check or criticise her freedom, than her having looked him up, at his distance, under all the noses he had put out of joint, so as to let them think whatever they might—not of herself (much she troubled to care!) but of the new champion to be reckoned with, the invincible young lion of the day? What was more of it in short than her having perhaps even positively snubbed for him the great mystified Sculptor and the great bewildered Dramatist, treated to this queer experience for the first time of their lives?
It all came back again to the really great ease of really great ladies, and to the perfect facility of everything when once they were great enough. That might become the delicious thing to him, he more and more felt, as soon as it should be supremely attested; it was ground he had ventured on, scenically, representation-ally, in the artistic sphere, but without ever dreaming he should “realise” it thus in the social. Handsomely, gallantly just now, moreover, he didn’t so much as let it occur to him that the social experience would perhaps on some future occasion richly profit further scenic efforts; he only lost himself in the consciousness of all she invited him to believe. It took licence, this consciousness, the next moment, for a tremendous further throb, from what she had gone on to say to him in so many words—though indeed the words were nothing and it was all a matter but of the implication that glimmered through them: “Do you want very much your supper here?” And then while he felt himself glare, for charmed response, almost to the point of his tears rising with it: “Because if you don’t——!”
“Because if I don’t—?” She had paused, not from the faintest shade of timidity, but clearly for the pleasure of making him press.
“Why shouldn’t we go together, letting me drive you home?”
“You’ll come home with me?” gasped John Berridge while the perspiration on his brow might have been the morning dew on a high lawn of Mount Ida.
“No—you had better come with me. That’s what I mean; but I certainly will come to you with pleasure some time if you’ll let me.”
She made no more than that of the most fatuous of freedoms, as he felt directly he had spoken that it might have seemed to her; and before he had even time to welcome the relief of not having then himself, for beastly contrition, to make more of it, she had simply mentioned, with her affectionate ease, that she wanted to get away, that of the bores there she might easily, after a little, have too much, and that if he’d but say the word they’d nip straight out together by an independent door and be sure to find her motor in the court. What word he had found to say, he was afterward to reflect, must have little enough mattered; for he was to have kept, of what then occurred, but a single other impression, that of her great fragrant rustle beside him over the rest of the ample room and toward their nearest and friendliest resource, the door by which he had come in and which gave directly upon a staircase. This independent image was just that of the only other of his fellow-guests with whom he had been closely concerned; he had thought of him rather indeed, up to that moment, as the Princess’s fellow-Olympian—but a new momentary vision of him seemed now to qualify it.
The young Lord had reappeared within a minute on the threshold, that of the passage from the supper-room, lately crossed by the Princess herself, and Berridge felt him there, saw him there, wondered about him there, all, for the first minute, without so much as a straight look at him. He would have come to learn the reason of his friend’s extraordinary public demonstration—having more right to his curiosity, or his anxiety or whatever, than any one else; he would be taking in the remarkable appearances that thus completed it, and would perhaps be showing quite a different face for them, at the point they had reached, than any that would have hitherto consorted with the beautiful security of his own position. So much, on our own young man’s part, for this first flush of a presumption that he might have stirred the germs of ire in a celestial breast; so much for the moment during which nothing would have induced him to betray, to a possibly rueful member of an old aristocracy, a vulgar elation or a tickled, unaccustomed glee. His inevitable second thought was, however, it has to be confessed, another matter, which took a different turn—for, frankly, all the conscious conqueror in him, as Amy Evans would again have said, couldn’t forego a probably supreme consecration. He treated himself to no prolonged reach of vision, but there was something he nevertheless fully measured for five seconds—the sharp truth of the fact, namely, of how the interested observer in the doorway must really have felt about him. Rather disconcertingly, hereupon, the sharp truth proved to be that the most amused, quite the most encouraging and the least invidious of smiles graced the young Lord’s handsome countenance—forming, in short, his final contribution to a display of high social candour unprecedented in our hero’s experience. No, he wasn’t jealous, didn’t do John Berridge the honour to be, to the extent of the least glimmer of a spark of it, but was so happy to see his immortal mistress do what she liked that he could positively beam at the odd circumstance of her almost lavishing public caresses on a gentleman not, after all, of negligible importance.
III
Well, it was all confounding enough, but this indication in particular would have jostled our friend’s grasp of the presented cup had he had, during the next ten minutes, more independence of thought. That, however, was out of the question when one positively felt, as with a pang somewhere deep within, or even with a smothered cry for alarm, one’s whole sense of proportion shattered at a blow and ceasing to serve. “Not straight, and not too fast, shall we?” was the ineffable young woman’s appeal to him, a few minutes later, beneath the wide glass porch-cover that sheltered their brief wait for their chariot of fire. It was there even as she spoke; the capped charioteer, with a great clean curve, drew up at the steps of the porch, and the Princess’s footman, before rejoining him in front, held open the door of the car. She got in, and Berridge was the next instant beside her; he could only say: “As you like, Princess—where you will; certainly let us prolong it; let us prolong everything; don’t let us have it over—strange and beautiful as it can only be!—a moment sooner than we must.” So he spoke, in the security of their intimate English, while the perpendicular imperturbable valet-de-pied, white-faced in the electric light, closed them in and then took his place on the box where the rigid liveried backs of the two men, presented through the glass, were like a protecting wall; such a guarantee of privacy as might come—it occurred to Berridge’s inexpugnable fancy—from a vision of tall guards erect round Eastern seraglios.
His companion had said something, by the time they started, about their taking a turn, their looking out for a few of the night-views of Paris that were so wonderful; and after that, in spite of his constantly prized sense of knowing his enchanted city and his way about, he ceased to follow or measure their course, content as he was with the particular exquisite assurance it gave him. That was knowing Paris, of a wondrous bland April night; that was hanging over it from vague consecrated lamp-studded heights and taking in, spread below and afar, the great scroll of all its irresistible story, pricked out, across river and bridge and radiant place, and along quays and boulevards and avenues, and around monumental circles and squares, in syllables of fire, and sketched and summarised, further and further, in the dim fire-dust of endless avenues; that was all of the essence of fond and thrilled and throbbing recognition, with a thousand things understood and a flood of response conveyed, a whole familiar possessive feeling appealed to and attested.
“From you, you know, it would be such a pleasure, and I think—in fact I’m sure—it would do so much for the thing in America.” Had she gone on as they went, or had there been pauses of easy and of charmed and of natural silence, breaks and drops from talk, but only into greater confidence and sweetness?—such as her very gesture now seemed a part of; her laying her gloved hand, for emphasis, on the back of his own, which rested on his knee and which took in from the act he scarce knew what melting assurance. The emphasis, it was true—this came to him even while for a minute he held his breath—seemed rather that of Amy Evans; and if her talk, while they rolled, had been in the sense of these words (he had really but felt that they were shut intimately in together, all his consciousness, all his discrimination of meanings and indications being so deeply and so exquisitely merged in that) the case wasn’t as surely and sublimely, as extravagantly, as fabulously romantic for him as his excited pulses had been seeming to certify. Her hand was there on his own, in precious living proof, and splendid Paris hung over them, as a consecrating canopy, her purple night embroidered with gold; yet he waited, something stranger still having glimmered for him, waited though she left her hand, which expressed emphasis and homage and tenderness, and anything else she liked indeed—since it was all then a matter of what he next heard and what he slowly grew cold as he took from her.
“You know they do it here so charmingly—it’s a compliment a clever man is always so glad to pay a literary friend, and sometimes, in the case of a great name like yours, it renders such a service to a poor little book like mine!” She spoke ever so humbly and yet ever so gaily—and still more than before with this confidence of the sincere admirer and the comrade. That, yes, through his sudden sharpening chill, was what first became distinct for him; she was mentioning somehow her explanation and her conditions—her motive, in fine, disconcerting, deplorable, dreadful, in respect to the experience, otherwise so boundless, that he had taken her as having opened to him; and she was doing it, above all, with the clearest coolness of her general privilege. What in particular she was talking about he as yet, still holding his breath, wondered; it was something she wanted him to do for her—which was exactly what he had hoped, but something of what trivial and, heaven forgive them both, of what dismal order? Most of all, meanwhile, he felt the dire penetration of two or three of the words she had used; so that after a painful minute the quaver with which he repeated them resembled his-drawing, slowly, carefully, timidly, some barbed dart out of his flesh.
“A ‘literary friend’?” he echoed as he turned his face more to her; so that, as they sat, the whites of her eyes, near to his own, gleamed in the dusk like some silver setting of deep sapphires.
It made her smile—which in their relation now was like the breaking of a cool air-wave over the conscious sore flush that maintained itself through his general chill. “Ah, of course you don’t allow that I am literary—and of course if you’re awfully cruel and critical and incorruptible you won’t let it say for me what I so want it should!”
“Where are we, where, in the name of all that’s damnably, of all that’s grotesquely delusive, are we?” he said, without a sign, to himself; which was the form of his really being quite at sea as to what she was talking about. That uncertainty indeed he could but frankly betray by taking her up, as he cast about him, on the particular ambiguity that his voice perhaps already showed him to find most irritating. “Let it show? ‘It,’ dear Princess——?”
“Why, my dear man, let your Preface show, the lovely, friendly, irresistible log-rolling Preface that I’ve been asking you if you wouldn’t be an angel and write for me.”
He took it in with a deep long gulp—he had never, it seemed to him, had to swallow anything so bitter. “You’ve been asking me if I wouldn’t write you a Preface?”
“To ‘The Velvet Glove’—after I’ve sent it to you and you’ve judged if you really can. Of course I don’t want you to perjure yourself; but”—and she fairly brushed him again, at their close quarters, with her fresh fragrant smile—“I do want you so to like me, and to say it all out beautifully and publicly.” “You want me to like you, Princess?” “But, heaven help us, haven’t you understood?” Nothing stranger could conceivably have been, it struck him—if he was right now—than this exquisite intimacy of her manner of setting him down on the other side of an abyss. It was as if she had lifted him first in her beautiful arms, had raised him up high, high, high, to do it, pressing him to her immortal young breast while he let himself go, and then, by some extraordinary effect of her native force and her alien quality, setting him down exactly where she wanted him to be—which was a thousand miles away from her. Once more, so preposterously face to face with her for these base issues, he took it all in; after which he felt his eyes close, for amazement, despair and shame, and his head, which he had some time before, baring his brow to the mild night, eased of its crush-hat, sink to confounded rest on the upholstered back of the seat. The act, the ceasing to see, and if possible to hear, was for the moment a retreat, an escape from a state that he felt himself fairly flatter by thinking of it as “awkward”; the state of really wishing that his humiliation might end, and of wondering in fact if the most decent course open to him mightn’t be to ask her to stop the motor and let him down.
He spoke no word for a long minute, or for considerably more than that; during which time the motor went and went, now even somewhat faster, and he knew, through his closed eyes, that the outer lights had begun to multiply and that they were getting back somewhere into the spacious and decorative quarters. He knew this, and also that his retreat, for all his attitude as of accommodating thought, his air—that presently and quickly came to him—of having perhaps gathered himself in, for an instant, at her behest, to turn over, in his high ingenuity, some humbugging “rotten” phrase or formula that he might place at her service and make the note of such an effort; he became aware, I say, that his lapse was but a half-retreat, with her strenuous presence and her earnest pressure and the close cool respiration of her good faith absolutely timing the moments of his stillness and the progress of the car. Yes, it was wondrous well, he had all but made the biggest of all fools of himself, almost as big a one as she was still, to every appearance, in her perfect serenity, trying to make of him; and the one straight answer to it would be that he should reach forward and touch the footman’s shoulder and demand that the vehicle itself should make an end.
That would be an answer, however, he continued intensely to see, only to inanely importunate, to utterly superfluous Amy Evans—not a bit to his at last exquisitely patient companion, who was clearly now quite taking it from him that what kept him in his attitude was the spring of the quick desire to oblige her, the charming loyal impulse to consider a little what he could do for her, say “handsomely yet conscientiously” (oh the loveliness!) before he should commit himself. She was enchanted—that seemed to breathe upon him; she waited, she hung there, she quite bent over him, as Diana over the sleeping Endymion, while all the conscientious man of letters in him, as she might so supremely have phrased it, struggled with the more peccable, the more muddled and “squared,” though, for her own ideal, the so much more banal comrade. Yes, he could keep it up now—that is he could hold out for his real reply, could meet the rather marked tension of the rest of their passage as well as she; he should be able somehow or other to make his wordless detachment, the tribute of his ostensibly deep consideration of her request, a retreat in good order. She was, for herself, to the last point of her guileless fatuity, Amy Evans and an asker for “lifts,” a conceiver of twaddle both in herself and in him; or at least, so far as she fell short of all this platitude, it was no fault of the really affecting folly of her attempt to become a mere magazine mortal after the only fashion she had made out, to the intensification of her self-complacency, that she might.
Nothing might thus have touched him more—if to be touched, beyond a certain point, hadn’t been to be squared—than the way she failed to divine the bearing of his thoughts; so that she had probably at no one small crisis of her life felt so much a promise in the flutter of her own as on the occasion of the beautiful act she indulged in at the very moment, he was afterward to recognise, of their sweeping into her great smooth, empty, costly street—a desert, at that hour, of lavish lamplight and sculptured stone. She raised to her lips the hand she had never yet released and kept it there a moment pressed close against them; he himself closing his eyes to the deepest detachment he was capable of while he took in with a smothered sound of pain that this was the conferred bounty by which Amy Evans sought most expressively to encourage, to sustain and to reward. The motor had slackened and in a moment would stop; and meanwhile even after lowering his hand again she hadn’t let it go. This enabled it, while he after a further moment roused himself to a more confessed consciousness, to form with his friend’s a more active relation, to possess him of hers, in turn, and with an intention the straighter that her glove had by this time somehow come off. Bending over it without hinderance, he returned as firmly and fully as the application of all his recovered wholeness of feeling, under his moustache, might express, the consecration the bareness of his own knuckles had received; only after which it was that, still thus drawing out his grasp of her, and having let down their front glass by his free hand, he signified to the footman his view of their stopping short.
They had arrived; the high, closed porte-cochere, in its crested stretch of wall, awaited their approach; but his gesture took effect, the car pulled up at the edge of the pavement, the man, in an instant, was at the door and had opened it; quickly moving across the walk, the next moment, to press the bell at the gate. Berridge, as his hand now broke away, felt he had cut his cable; with which, after he had stepped out, he raised again the glass he had lowered and closed, its own being already down, the door that had released him. During these motions he had the sense of his companion, still radiant and splendid, but somehow momentarily suppressed, suspended, silvered over and celestially blurred, even as a summer moon by the loose veil of a cloud. So it was he saw her while he leaned for farewell on the open window-ledge; he took her in as her visible intensity of bright vagueness filled the circle that the interior of the car made for her. It was such a state as she would have been reduced to—he felt this, was certain of it—for the first time in her life; and it was he, poor John Berridge, after all, who would have created the condition.
“Good-night, Princess. I sha’n’t see you again.”
Vague was indeed no word for it—shine though she might, in her screened narrow niche, as with the liquefaction of her pearls, the glimmer of her tears, the freshness of her surprise. “You won’t come in—when you’ve had no supper?”
He smiled at her with a purpose of kindness that could never in his life have been greater; and at first but smiled without a word. He presently shook his head, however—doubtless also with as great a sadness. “I seem to have supped to my fill, Princess. Thank you, I won’t come in.”
It drew from her, while she looked at him, a long low anxious wail. “And you won’t do my Preface?”
“No, Princess, I won’t do your Preface. Nothing would induce me to say a word in print about you. I’m in fact not sure I shall ever mention you in any manner at all as long as ever I live.”
He had felt for an instant as if he were speaking to some miraculously humanised idol, all sacred, all jewelled, all votively hung about, but made mysterious, in the recess of its shrine, by the very thickness of the accumulated lustre. And “Then you don’t like me—?” was the marvellous sound from the image.
“Princess,” was in response the sound of the worshipper, “Princess, I adore you. But I’m ashamed for you.”
“Ashamed——?”
“You are Romance—as everything, and by what I make out every one, about you is; so what more do you want? Your Preface—the only one worth speaking of—was written long ages ago by the most beautiful imagination of man.”
Humanised at least for these moments, she could understand enough to declare that she didn’t. “I don’t, I don’t!”
“You don’t need to understand. Don’t attempt such base things. Leave those to us. Only live. Only be. We’ll do the rest.”
She moved over—she had come close to the window. “Ah, but Mr. Berridge——!”
He raised both hands; he shook them at her gently, in deep and soft deprecation. “Don’t sound my dreadful name. Fortunately, however, you can’t help yourself.”
“Ah, voyons! I so want——-!”
He repeated his gesture, and when he brought down his hands they closed together on both of hers, which now quite convulsively grasped the window-ledge. “Don’t speak, because when you speak you really say things—!” “You are Romance,” he pronounced afresh and with the last intensity of conviction and persuasion. “That’s all you have to do with it,” he continued while his hands, for emphasis, pressed hard on her own.
Their faces, in this way, were nearer together than ever, but with the effect of only adding to the vividness of that dire non-intelligence from which, all perversely and incalculably, her very beauty now appeared to gain relief. This made for him a pang and almost an anguish; the fear of her saying something yet again that would wretchedly prove how little he moved her perception. So his eyes, of remonstrant, of suppliant intention, met hers close, at the same time that these, so far from shrinking, but with their quite other swimming plea all bedimmed now, seemed almost to wash him with the tears of her failure. He soothed, he stroked, he reassured her hands, for tender conveyance of his meaning, quite as she had just before dealt with his own for brave demonstration of hers. It was during these instants as if the question had been which of them could most candidly and fraternally plead. Full but of that she kept it up. “Ah, if you’d only think, if you’d only try——!”
He couldn’t stand it—she was capable of believing he had edged away, excusing himself and trumping up a factitious theory, because he hadn’t the wit, hadn’t the hand, to knock off the few pleasant pages she asked him for and that any proper Frenchman, master of the metier, would so easily and gallantly have promised. Should she so begin to commit herself he’d, by the immortal gods, anticipate it in the manner most admirably effective—in fact he’d even thus make her further derogation impossible. Their faces were so close that he could practise any rich freedom—even though for an instant, while the back of the chauffeur guarded them on that side and his own presented breadth, amplified by his loose mantle, filled the whole window-space, leaving him no observation from any quarter to heed, he uttered, in a deep-drawn final groan, an irrepressible echo of his pang for what might have been, the muffled cry of his insistence. “You are Romance!”—he drove it intimately, inordinately home, his lips, for a long moment, sealing it, with the fullest force of authority, on her own; after which, as he broke away and the car, starting again, turned powerfully across the pavement, he had no further sound from her than if, all divinely indulgent but all humanly defeated, she had given the question up, falling back to infinite wonder. He too fell back, but could still wave his hat for her as she passed to disappearance in the great floridly framed aperture whose wings at once came together behind her.
A ROUND OF VISITS
I
HE had been out but once since his arrival, Mark Monteith; that was the next day after—he had disembarked by night on the previous; then everything had come at once, as he would have said, everything had changed. He had got in on Tuesday; he had spent Wednesday for the most part down town, looking into the dismal subject of his anxiety—the anxiety that, under a sudden decision, had brought him across the unfriendly sea at mid-winter, and it was through information reaching him on Wednesday evening that he had measured his loss, measured above all his pain. These were two distinct things, he felt, and, though both bad, one much worse than the other. It wasn’t till the next three days had pretty well ebbed, in fact, that he knew himself for so badly wounded. He had waked up on Thursday morning, so far as he had slept at all, with the sense, together, of a blinding New York blizzard and of a deep sore inward ache. The great white savage storm would have kept him at the best within doors, but his stricken state was by itself quite reason enough.
He so felt the blow indeed, so gasped, before what had happened to him, at the ugliness, the bitterness, and, beyond these things, the sinister strangeness, that, the matter of his dismay little by little detaching and projecting itself, settling there face to face with him as something he must now live with always, he might have been in charge of some horrid alien thing, some violent, scared, unhappy creature whom there was small joy, of a truth, in remaining with, but whose behaviour wouldn’t perhaps bring him under notice, nor otherwise compromise him, so long as he should stay to watch it. A young jibbering ape of one of the more formidable sorts, or an ominous infant panther, smuggled into the great gaudy hotel and whom it might yet be important he shouldn’t advertise, couldn’t have affected him as needing more domestic attention. The great gaudy hotel—The Pocahontas, but carried out largely on “Du Barry” lines—made all about him, beside, behind, below, above, in blocks and tiers and superpositions, a sufficient defensive hugeness; so that, between the massive labyrinth and the New York weather, life in a lighthouse during a gale would scarce have kept him more apart. Even when in the course of that worse Thursday it had occurred to him for vague relief that the odious certified facts couldn’t be all his misery, and that, with his throat and a probable temperature, a brush of the epidemic, which was for ever brushing him, accounted for something, even then he couldn’t resign himself to bed and broth and dimness, but only circled and prowled the more within his high cage, only watched the more from his tenth story the rage of the elements.
In the afternoon he had a doctor—the caravanserai, which supplied everything in quantities, had one for each group of so many rooms—just in order to be assured that he was grippé enough for anything. What his visitor, making light of his attack, perversely told him was that he was, much rather, “blue” enough, and from causes doubtless known to himself—which didn’t come to the same thing; but he “gave him something,” prescribed him warmth and quiet and broth and courage, and came back the next day as to readminister this last dose. He then pronounced him better, and on Saturday pronounced him well—all the more that the storm had abated and the snow had been dealt with as New York, at a push, knew how to deal with things. Oh, how New York knew how to deal—to deal, that is, with other accumulations lying passive to its hand—was exactly what Mark now ached with his impression of; so that, still threshing about in this consciousness, he had on the Saturday come near to breaking out as to what was the matter with him. The Doctor brought in somehow the air of the hotel—which, cheerfully and conscientiously, by his simple philosophy, the good man wished to diffuse; breathing forth all the echoes of other woes and worries and pointing the honest moral that, especially with such a thermometer, there were enough of these to go round.
Our sufferer, by that time, would have liked to tell some one; extracting, to the last acid strain of it, the full strength of his sorrow, taking it all in as he could only do by himself and with the conditions favourable at least to this, had been his natural first need. But now, he supposed, he must be better; there was something of his heart’s heaviness he wanted so to give out. He had rummaged forth on the Thursday night half a dozen old photographs stuck into a leather frame, a small show-case that formed part of his usual equipage of travel—he mostly set it up on a table when he stayed anywhere long enough; and in one of the neat gilt-edged squares of this convenient portable array, as familiar as his shaving-glass or the hair-brushes, of backs and monograms now so beautifully toned and wasted, long ago given him by his mother, Phil Blood-good handsomely faced him. Not contemporaneous, and a little faded, but so saying what it said only the more dreadfully, the image seemed to sit there, at an immemorial window, like some long effective and only at last exposed “decoy” of fate. It was because he was so beautifully good-looking, because he was so charming and clever and frank—besides being one’s third cousin, or whatever it was, one’s early schoolfellow and one’s later college classmate—that one had abjectly trusted him. To live thus with his unremoved, undestroyed, engaging, treacherous face, had been, as our traveller desired, to live with all of the felt pang; had been to consume it in such a single hot, sore mouthful as would so far as possible dispose of it and leave but cold dregs. Thus, if the Doctor, casting about for pleasantness, had happened to notice him there, salient since he was, and possibly by the same stroke even to know him, as New York—and more or less to its cost now, mightn’t one say?—so abundantly and agreeable had, the cup would have overflowed and Monteith, for all he could be sure of the contrary, would have relieved himself positively in tears.
“Oh he’s what’s the matter with me—that, looking after some of my poor dividends, as he for the ten years of my absence had served me by doing, he has simply jockeyed me out of the whole little collection, such as it was, and taken the opportunity of my return, inevitably at last bewildered and uneasy, to ‘sail,’ ten days ago, for parts unknown and as yet unguessable. It isn’t the beastly values themselves, however; that’s only awkward and I can still live, though I don’t quite know how I shall turn round; it’s the horror of his having done it, and done it to me—without a mitigation or, so to speak, a warning or an excuse.” That, at a hint or a jog, is what he would have brought out—only to feel afterward, no doubt, that he had wasted his impulse and profaned even a little his sincerity. The Doctor didn’t in the event so much as glance at his cluster of portraits—which fact quite put before our friend the essentially more vivid range of imagery that a pair of eyes transferred from room to room and from one queer case to another, in such a place as that, would mainly be adjusted to. It wasn’t for him to relieve himself touchingly, strikingly or whatever, to such a man: such a man might much more pertinently—save for professional discretion—have emptied out there his own bag of wonders; prodigies of observation, flowers of oddity, flowers of misery, flowers of the monstrous, gathered in current hotel practice. Countless possibilities, making doctors perfunctory, Mark felt, swarmed and seethed at their doors; it showed for an incalculable world, and at last, on Sunday, he decided to leave his room.
II
Everything, as he passed through the place, went on—all the offices of life, the whole bustle of the market, and withal, surprisingly, scarce less that of the nursery and the playground; the whole sprawl in especial of the great gregarious fireside: it was a complete social scene in itself, on which types might figure and passions rage and plots thicken and dramas develop, without reference to any other sphere, or perhaps even to anything at all outside. The signs of this met him at every turn as he threaded the labyrinth, passing from one extraordinary masquerade of expensive objects, one portentous “period” of decoration, one violent phase of publicity, to another: the heavy heat, the luxuriance, the extravagance, the quantity, the colour, gave the impression of some wondrous tropical forest, where vociferous, bright-eyed, and feathered creatures, of every variety of size and hue, were half smothered between undergrowths of velvet and tapestry and ramifications of marble and bronze. The fauna and the flora startled him alike, and among them his bruised spirit drew in and folded its wings. But he roamed and rested, exploring and in a manner enjoying the vast rankness—in the depth of which he suddenly encountered Mrs. Folliott, whom he had last seen, six months before, in London, and who had spoken to him then, precisely, of Phil Bloodgood, for several years previous her confidential American agent and factotum too, as she might say, but at that time so little in her good books, for the extraordinary things he seemed to be doing, that she was just hurrying home, she had made no scruple of mentioning, to take everything out of his hands.
Mark remembered how uneasy she had made him—how that very talk with her had wound him up to fear, as so acute and intent a little person she affected him; though he had affirmed with all emphasis and flourish his own confidence and defended, to iteration, his old friend. This passage had remained with him for a certain pleasant heat of intimacy, his partner, of the charming appearance, being what she was; he liked to think how they had fraternised over their difference and called each other idiots, or almost, without offence. It was always a link to have scuffled, failing a real scratch, with such a character; and he had at present the flutter of feeling that something of this would abide. He hadn’t been hurrying home, at the London time, in any case; he was doing nothing then, and had continued to do it; he would want, before showing suspicion—that had been his attitude—to have more, after all, to go upon. Mrs. Folliott also, and with a great actual profession of it, remembered and rejoiced; and, also staying in the house as she was, sat with him, under a spreading palm, in a wondrous rococo salon, surrounded by the pinkest, that is the fleshiest, imitation Boucher panels, and wanted to know if he now stood up for his swindler. She would herself have tumbled on a cloud, very passably, in a fleshy Boucher manner, hadn’t she been over-dressed for such an exercise; but she was quite realistically aware of what had so naturally happened—she was prompt about Bloodgood’s “flight.”
She had acted with energy, on getting back—she had saved what she could; which hadn’t, however, prevented her losing all disgustedly some ten thousand dollars. She was lovely, lively, friendly, interested, she connected Monteith perfectly with their discussion that day during the water-party on the Thames; but, sitting here with him half an hour, she talked only of her peculiar, her cruel sacrifice—since she should never get a penny back. He had felt himself, on their meeting, quite yearningly reach out to her—so decidedly, by the morning’s end, and that of his scattered sombre stations, had he been sated with meaningless contacts, with the sense of people all about him intensely, though harmlessly, animated, yet at the same time raspingly indifferent. They would have, he and she at least, their common pang—through which fact, somehow, he should feel less stranded. It wasn’t that he wanted to be pitied—he fairly didn’t pity himself; he winced, rather, and even to vicarious anguish, as it rose again, for poor shamed Bloodgood’s doom-ridden figure. But he wanted, as with a desperate charity, to give some easier turn to the mere ugliness of the main facts; to work off his obsession from them by mixing with it some other blame, some other pity, it scarce mattered what—if it might be some other experience; as an effect of which larger ventilation it would have, after a fashion and for a man of free sensibility, a diluted and less poisonous taste.
By the end of five minutes of Mrs. Folliott, however, he felt his dry lips seal themselves to a makeshift simper. She could take nothing—no better, no broader perception of anything than fitted her own small faculty; so that though she must have recalled or imagined that he had still, up to lately, had interests at stake, the rapid result of her egotistical little chatter was to make him wish he might rather have conversed with the French waiter dangling in the long vista that showed the oriental café as a climax, or with the policeman, outside, the top of whose helmet peeped above the ledge of a window. She bewailed her wretched money to excess—she who, he was sure, had quantities more; she pawed and tossed her bare bone, with her little extraordinarily gemmed and manicured hands, till it acted on his nerves; she rang all the changes on the story, the dire fatality, of her having wavered and muddled, thought of this and but done that, of her stupid failure to have pounced, when she had first meant to, in season. She abused the author of their wrongs—recognising thus too Monteith’s right to loathe him—for the desperado he assuredly had proved, but with a vulgarity of analysis and an incapacity for the higher criticism, as her listener felt it to be, which made him determine resentfully, almost grimly, that she shouldn’t have the benefit of a grain of his vision or his version of what had befallen them, and of how, in particular, it had come; and should never dream thereby (though much would she suffer from that!) of how interesting he might have been. She had, in a finer sense, no manners, and to be concerned with her in any retrospect was—since their discourse was of losses—to feel the dignity of history incur the very gravest. It was true that such fantasies, or that any shade of inward irony, would be Greek to Mrs. Folliott. It was also true, however, and not much more strange, when she had presently the comparatively happy thought of “Lunch with us, you poor dear!” and mentioned three or four of her “crowd”—a new crowd, rather, for her, all great Sunday lunchers there and immense fun, who would in a moment be turning up—that this seemed to him as easy as anything else; so that after a little, deeper in the jungle and while, under the temperature as of high noon, with the crowd complete and “ordering,” he wiped the perspiration from his brow, he felt he was letting himself go. He did that certainly to the extent of leaving far behind any question of Mrs. Folliott’s manners. They didn’t matter there—nobody’s did; and if she ceased to lament her ten thousand it was only because, among higher voices, she couldn’t make herself heard. Poor Blood-good didn’t have a show, as they might have said, didn’t get through at any point; the crowd was so new that—there either having been no hue and cry for him, or having been too many others, for other absconders, in the intervals—they had never so much as heard of him and would have no more of Mrs. Folliott’s true inwardness, on that subject at least, than she had lately cared to have of Monteith’s.
There was nothing like a crowd, this unfortunate knew, for making one feel lonely, and he felt so increasingly during the meal; but he got thus at least in a measure away from the terrible little lady; after which, and before the end of the hour, he wanted still more to get away from every one else. He was in fact about to perform this manoeuvre when he was checked by the jolly young woman he had been having on his left and who had more to say about the Hotels, up and down the town, than he had ever known a young woman to have to say on any subject at all; she expressed herself in hotel terms exclusively, the names of those establishments playing through her speech as the leit-motif might have recurrently flashed and romped through a piece of profane modern music. She wanted to present him to the pretty girl she had brought with her, and who had apparently signified to her that she must do so.
“I think you know my brother-in-law, Mr. Newton Winch,” the pretty girl had immediately said; she moved her head and shoulders together, as by a common spring, the effect of a stiff neck or of something loosened in her back hair; but becoming, queerly enough, all the prettier for doing so. He had seen in the papers, her brother-in-law, Mr. Monteith’s arrival—Mr. Mark P. Monteith, wasn’t it?—and where he was, and she had been with him, three days before, at the time; whereupon he had said “Hullo, what can have brought old Mark back?” He seemed to have believed—Newton had seemed—that that shirker, as he called him, never would come; and she guessed that if she had known she was going to meet such a former friend (“Which he claims you are, sir,” said the pretty girl) he would have asked her to find out what the trouble could be. But the real satisfaction would just be, she went on, if his former friend would himself go and see him and tell him; he had appeared of late so down.
“Oh, I remember him”—Mark didn’t repudiate the friendship, placing him easily; only then he wasn’t married and the pretty girl’s sister must have come in later: which showed, his not knowing such things, how they had lost touch. The pretty girl was sorry to have to say in return to this that her sister wasn’t living—had died two years after marrying; so that Newton was up there in Fiftieth Street alone; where (in explanation of his being “down”) he had been shut up for days with bad grippe; though now on the mend, or she wouldn’t have gone to him, not she, who had had it nineteen times and didn’t want to have it again. But the horrid poison just seemed to have entered into poor Newton’s soul.
“That’s the way it can take you, don’t you know?” And then as, with her single twist, she just charmingly hunched her eyes at our friend, “Don’t you want to go to see him?”
Mark bethought himself: “Well, I’m going to see a lady——-”
She took the words from his mouth. “Of course you’re going to see a lady—every man in New York is. But Newton isn’t a lady, unfortunately for him, to-day; and Sunday afternoon in this place, in this weather, alone——-!”
“Yes, isn’t it awful?”—he was quite drawn to her.
“Oh, you’ve got your lady!”
“Yes, I’ve got my lady, thank goodness!” The fervour of which was his sincere tribute to the note he had had on Friday morning from Mrs. Ash, the only thing that had a little tempered his gloom.
“Well then, feel for others. Fit him in. Tell him why!”
“Why I’ve come back? I’m glad I have—since it was to see you!” Monteith made brave enough answer, promising to do what he could. He liked the pretty girl, with her straight attack and her free awkwardness—also with her difference from the others through something of a sense and a distinction given her by so clearly having Newton on her mind. Yet it was odd to him, and it showed the lapse of the years, that Winch—as he had known him of old—could be to that degree on any one’s mind.
III
Outside in the intensity of the cold—it was a jump from the Tropics to the Pole—he felt afresh the force of what he had just been saying; that if it weren’t for the fact of Mrs. Ash’s good letter of welcome, despatched, characteristically, as soon as she had, like the faithful sufferer in Fiftieth Street, observed his name, in a newspaper, on one of the hotel-lists, he should verily, for want of a connection and an abutment, have scarce dared to face the void and the chill together, but have sneaked back into the jungle and there tried to lose himself. He made, as it was, the opposite effort, resolute to walk, though hovering now and then at vague crossways, radiations of roads to nothing, or taking cold counsel of the long but still sketchy vista, as it struck him, of the northward Avenue, bright and bleak, fresh and harsh, rich and evident somehow, a perspective like a page of florid modern platitudes. He didn’t quite know what he had expected for his return—not certainly serenades and deputations; but without Mrs. Ash his mail would have quite lacked geniality, and it was as if Phil Blood-good had gone off not only with so large a slice of his small peculium, but with all the broken bits of the past, the loose ends of old relationships, that he had supposed he might pick up again. Well, perhaps he should still pick up a few—by the sweat of his brow; no motion of their own at least, he by this time judged, would send them fluttering into his hand.
Which reflections but quickened his forecast of this charm of the old Paris inveteracy renewed—the so-prized custom of nine years before, when he still believed in results from his fond frequentation of the Beaux Arts; that of walking over the river to the Rue de Marignan, precisely, every Sunday without exception, and sitting at her fireside, and often all offensively, no doubt, outstaying every one. How he had used to want those hours then, and how again, after a little, at present, the Rue de Marignan might have been before him! He had gone to her there at that time with his troubles, such as they were, and they had always worked for her amusement—which had been her happy, her clever way of taking them: she couldn’t have done anything better for them in that phase, poor innocent things compared with what they might have been, than be amused by them. Perhaps that was what she would still be—with those of his present hour; now too they might inspire her with the touch she best applied and was most instinctive mistress of: this didn’t at all events strike him as what he should most resent. It wasn’t as if Mrs. Folliott, to make up for boring him with her own plaint, for example, had had so much as a gleam of conscious diversion over his.
“I’m so delighted to see you, I’ve such immensities to tell you!”—it began with the highest animation twenty minutes later, the very moment he stood there, the sense of the Rue de Marignan in the charming room and in the things about all reconstituted, regrouped, wonderfully preserved, down to the very sitting-places in the same relations, and down to the faint sweet mustiness of generations of cigarettes; but everything else different, and even vaguely alien, and by a measure still other than that of their own stretched interval and of the dear delightful woman’s just a little pathetic alteration of face. He had allowed for the nine years, and so, it was to be hoped, had she; but the last thing, otherwise, that would have been touched, he immediately felt, was the quality, the intensity, of her care to see him. She cared, oh so visibly and touchingly and almost radiantly—save for her being, yes, distinctly, a little more battered than from even a good nine years’ worth; nothing could in fact have perched with so crowning an impatience on the heap of what she had to “tell” as that special shade of revived consciousness of having him in particular to tell it to. It wasn’t perhaps much to matter how soon she brought out and caused to ring, as it were, on the little recognised marqueterie table between them (such an anciently envied treasure), the heaviest gold-piece of current history she was to pay him with for having just so felicitously come back: he knew already, without the telling, that intimate domestic tension must lately, within those walls, have reached a climax and that he could serve supremely—oh how he was going to serve!—as the most sympathetic of all pairs of ears.
The whole thing was upon him, in any case, with the minimum of delay: Bob had had it from her, definitely, the first of the week, and it was absolutely final now, that they must set up avowedly separate lives—without horrible “proceedings” of any sort, but with her own situation, her independence, secured to her once for all. She had been coming to it, taking her time, and she had gone through—well, so old a friend would guess enough what; but she was at the point, oh blessedly now, where she meant to stay, he’d see if she didn’t; with which, in this wonderful way, he himself had arrived for the cream of it and she was just selfishly glad. Bob had gone to Washington—ostensibly on business, but really to recover breath; she had, speaking vulgarly, knocked the wind out of him and was allowing him time to turn round. Mrs. Folliott moreover, she was sure, would have gone—was certainly believed to have been seen there five days ago; and of course his first necessity, for public use, would be to patch up something with Mrs. Folliott. Mark knew about Mrs. Folliott?—who was only, for that matter, one of a regular “bevy.” Not that it signified, however, if he didn’t: she would tell him about her later.
He took occasion from the first fraction of a break not quite to know what he knew about Mrs. Folliott—though perhaps he could imagine a little; and it was probably at this minute that, having definitely settled to a position, and precisely in his very own tapestry bergère, the one with the delicious little spectral “subjects” on the back and seat, he partly exhaled, and yet managed partly to keep to himself, the deep resigned sigh of a general comprehension. He knew what he was “in” for, he heard her go on—she said it again and again, seemed constantly to be saying it while she smiled at him with her peculiar fine charm, her positive gaiety of sensibility, scarce dimmed: “I’m just selfishly glad, just selfishly glad!” Well, she was going to have reason to be; she was going to put the whole case to him, all her troubles and plans, and each act of the tragi-comedy of her recent existence, as to the dearest and safest sympathiser in all the world. There would be no chance for his case, though it was so much for his case he had come; yet there took place within him but a mild, dumb convulsion, the momentary strain of his substituting, by the turn of a hand, one prospect of interest for another.
Squaring himself in his old bergère, and with his lips, during the effort, compressed to the same passive grimace that had an hour or two before operated for the encouragement of Mrs. Folliott—just as it was to clear the stage completely for the present more prolonged performance—he shut straight down, as he even in the act called it to himself, on any personal claim for social consideration and rendered a perfect little agony of justice to the grounds of his friend’s vividness. For it was all the justice that could be expected of him that, though, secretly, he wasn’t going to be interested in her being interesting, she was yet going to be so, all the same, by the very force of her lovely material (Bob Ash was such a pure pearl of a donkey!) and he was going to keep on knowing she was—yes, to the very end. When after the lapse of an hour he rose to go, the rich fact that she had been was there between them, and with an effect of the frankly, fearlessly, harmlessly intimate fireside passage for it that went beyond even the best memories of the pleasant past. He hadn’t “amused” her, no, in quite the same way as in the Rue de Marignan time—it had then been he who for the most part took frequent turns, emphatic, explosive, elocutionary, over that wonderful waxed parquet while she laughed as for the young perversity of him from the depths of the second, the matching bergère. To-day she herself held and swept the floor, putting him merely to the trouble of his perpetual “Brava!” But that was all through the change of basis—the amusement, another name only for the thrilled absorption, having been inevitably for him; as how could it have failed to be with such a regular “treat” to his curiosity? With the tea-hour now other callers were turning up, and he got away on the plea of his wanting so to think it all over. He hoped again he hadn’t too queer a grin with his assurance to her, as if she would quite know what he meant, that he had been thrilled to the core. But she returned, quite radiantly, that he had carried her completely away; and her sincerity was proved by the final frankness of their temporary parting. “My pleasure of you is selfish, horribly, I admit; so that if that doesn’t suit you—!” Her faded beauty flushed again as she said it.
IV
In the street again, as he resumed his walk, he saw how perfectly it would have to suit him and how he probably for a long time wouldn’t be suited otherwise. Between them and that time, however, what mightn’t, for him, poor devil, on his new basis, have happened? She wasn’t at any rate within any calculable period going to care so much for anything as for the so quaintly droll terms in which her rearrangement with her husband—thanks to that gentleman’s inimitable fatuity—would have to be made. This was what it was to own, exactly, her special grace—the brightest gaiety in the finest sensibility; such a display of which combination, Mark felt as he went (if he could but have done it still more justice) she must have regaled him with! That exquisite last flush of her fadedness could only remain with him; yet while he presently stopped at a street-corner in a district redeemed from desolation but by the passage just then of a choked trolley-car that howled, as he paused for it, beneath the weight of its human accretions, he seemed to know the inward “sinking” that had been determined in a hungry man by some extravagant sight of the preparation of somebody else’s dinner. Florence Ash was dining, so to speak, off the feast of appreciation, appreciation of what she had to “tell” him, that he had left her seated at; and she was welcome, assuredly—welcome, welcome, welcome, he musingly, he wistfully, and yet at the same time a trifle mechanically, repeated, stayed as he was a moment longer by the suffering shriek of another public vehicle and a sudden odd automatic return of his mind to the pretty girl, the flower of Mrs. Folliott’s crowd, who had spoken to him of Newton Winch. It was extraordinarily as if, on the instant, she reminded him, from across the town, that she had offered him dinner: it was really quite strangely, while he stood there, as if she had told him where he could go and get it. With which, none the less, it was apparently where he wouldn’t find her—and what was there, after all, of nutritive in the image of Newton Winch? He made up his mind in a moment that it owed that property, which the pretty girl had somehow made imputable, to the fact of its simply being just then the one image of anything known to him that the terrible place had to offer. Nothing, he a minute later reflected, could have been so “rum” as that, sick and sore, of a bleak New York eventide, he should have had nowhere to turn if not to the said Fiftieth Street.
That was the direction he accordingly took, for when he found the number given him by the same remarkable agent of fate also present to his memory he recognised the direct intervention of Providence and how it absolutely required a miracle to explain his so precipitately embracing this loosest of connections. The miracle indeed soon grew clearer: Providence had, on some obscure system, chosen this very ridiculous hour to save him from cultivation of the sin of selfishness, the obsession of egotism, and was breaking him to its will by constantly directing his attention to the claims of others. Who could say what at that critical moment mightn’t have become of Mrs. Folliott (otherwise too then so sadly embroiled!) if she hadn’t been enabled to air to him her grievance and her rage?—just as who could deny that it must have done Florence Ash a world of good to have put her thoughts about Bob in order by the aid of a person to whom the vision of Bob in the light of those thoughts (or in other words to whom her vision of Bob and nothing else) would mean so delightfully much? It was on the same general lines that poor Newton Winch, bereft, alone, ill, perhaps dying, and with the drawback of a not very sympathetic personality—as Mark remembered it at least—to contend against in almost any conceivable appeal to human furtherance, it was on these lines, very much, that the luckless case in Fiftieth Street was offered him as a source of salutary discipline. The moment for such a lesson might strike him as strange, in view of the quite special and independent opportunity for exercise that his spirit had during the last three days enjoyed there in his hotel bedroom; but evidently his languor of charity needed some admonition finer than any it might trust to chance for, and by the time he at last, Winch’s residence recognised, was duly elevated to his level and had pressed the electric button at his door, he felt himself acting indeed as under stimulus of a sharp poke in the side.
V
Within the apartment to which he had been admitted, moreover, the fine intelligence we have imputed to him was in the course of three minutes confirmed; since it took him no longer than that to say to himself, facing his old acquaintance, that he had never seen any one so improved. The place, which had the semblance of a high studio light as well as a general air of other profusions and amplitudes, might have put him off a little by its several rather glaringly false accents, those of contemporary domestic “art” striking a little wild. The scene was smaller, but the rich confused complexion of the Pocahontas, showing through Du Barry paint and patches, might have set the example—which had been followed with the costliest candour—so that, clearly, Winch was in these days rich, as most people in New York seemed rich; as, in spite of Bob’s depredations, Florence Ash was, as even Mrs. Folliott was in spite of Phil Bloodgood’s, as even Phil Bloodgood himself must have been for reasons too obvious; as in fine every one had a secret for being, or for feeling, or for looking, every one at least but Mark Monteith.
These facts were as nothing, however, in presence of his quick and strong impression that his pale, nervous, smiling, clean-shaven host had undergone since their last meeting some extraordinary process of refinement. He had been ill, unmistakably, and the effects of a plunge into plain clean living, where any fineness had remained, were often startling, sometimes almost charming. But independently of this, and for a much longer time, some principle of intelligence, some art of life, would discernibly have worked in him. Remembered from college years and from those two or three luckless and faithless ones of the Law School as constitutionally common, as consistently and thereby doubtless even rather powerfully coarse, clever only for uncouth and questionable things, he yet presented himself now as if he had suddenly and mysteriously been educated. There was a charm in his wide, “drawn,” convalescent smile, in the way his fine fingers—had he anything like fine fingers of old?—played, and just fidgeted, over the prompt and perhaps a trifle incoherent offer of cigars, cordials, ashtrays, over the question of his visitor’s hat, stick, fur coat, general best accommodation and ease; and how the deuce, accordingly, had charm, for coming out so on top, Mark wondered, “squared” the other old elements? For the short interval so to have dealt with him what force had it turned on, what patented process, of the portentous New York order in which there were so many, had it skilfully applied? Were these the things New York did when you just gave her all her head, and that he himself then had perhaps too complacently missed? Strange almost to the point of putting him positively off at first—quite as an exhibition of the uncanny—this sense of Newton’s having all the while neither missed nor muffed anything, and having, as with an eye to the coup de théâtre to come, lowered one’s expectations, at the start, to that abject pitch. It might have been taken verily for an act of bad faith—really for such a rare stroke of subtlety as could scarce have been achieved by a straight or natural aim.
So much as this at least came and went in Monteith’s agitated mind; the oddest intensity of apprehension, admiration, mystification, which the high north-light of the March afternoon and the quite splendidly vulgar appeal of fifty overdone decorative effects somehow fostered and sharpened. Everything had already gone, however, the next moment, for wasn’t the man he had come so much too intelligently himself to patronise absolutely bowling him over with the extraordinary speech: “See here, you know—you must be ill, or have had a bad shock, or some beastly upset: are you very sure you ought to have come out?” Yes, he after an instant believed his ears; coarse common Newton Winch, whom he had called on because he could, as a gentleman, after all afford to, coarse common Newton Winch, who had had troubles and been epidemically poisoned, lamentably sick, who bore in his face and in the very tension, quite exactly the “charm,” of his manner, the traces of his late ordeal, and, for that matter, of scarce completed gallant emergence—this astonishing ex-comrade was simply writing himself at a stroke (into our friend’s excited imagination at all events) the most distinguished of men. Oh, he was going to be interesting, if Florence Ash had been going to be; but Mark felt how, under the law of a lively present difference, that would be as an effect of one’s having one’s self thoroughly rallied. He knew within the minute that the tears stood in his eyes; he stared through them at his friend with a sharp “Why, how do you know? How can you?” To which he added before Winch could speak: “I met your charming sister-in-law a couple of hours since—at luncheon, at the Pocahontas; and heard from her that you were badly laid up and had spoken of me. So I came to minister to you.”
The object of this design hovered there again, considerably restless, shifting from foot to foot, changing his place, beginning and giving up motions, striking matches for a fresh cigarette, offering them again, redundantly, to his guest and then not lighting himself—but all the while with the smile of another creature than the creature known to Mark; all the while with the history of something that had happened to him ever so handsomely shining out. Mark was conscious within himself from this time on of two quite distinct processes of notation—that of his practically instant surrender to the consequences of the act of perception in his host of which the two women trained suppos-ably in the art of pleasing had been altogether incapable; and that of some other condition on Newton’s part that left his own poor power of divination nothing less than shamed. This last was signally the case on the former’s saying, ever so responsively, almost radiantly, in answer to his account of how he happened to come: “Oh then it’s very interesting!” That was the astonishing note, after what he had been through: neither Mrs. Folliott nor Florence Ash had so much as hinted or breathed to him that he might have incurred that praise. No wonder therefore he was now taken—with this fresh party’s instant suspicion and imputation of it; though it was indeed for some minutes next as if each tried to see which could accuse the other of the greater miracle of penetration. Mark was so struck, in a word, with the extraordinarily straight guess Winch had had there in reserve for him that, other quick impressions helping, there was nothing for him but to bring out, himself: “There must be, my dear man, something rather wonderful the matter with you!” The quite more intensely and more irresistibly drawn grin, the quite unmistakably deeper consciousness in the dark, wide eye, that accompanied the not quite immediate answer to which remark he was afterward to remember. “How do you know that—or why do you think it?” “Because there must be—for you to see! I shouldn’t have expected it.”
“Then you take me for a damned fool?” laughed wonderful Newton Winch.
VI
He could say nothing that, whether as to the sense of it or as to the way of it, didn’t so enrich Mark’s vision of him that our friend, after a little, as this effect proceeded, caught himself in the act of almost too curiously gaping. Everything, from moment to moment, fed his curiosity; such a question, for instance, as whether the quite ordinary peepers of the Newton Winch of their earlier youth could have looked, under any provocation, either dark or wide; such a question, above all, as how this incalculable apparition came by the whole startling power of play of its extravagantly sensitive labial connections—exposed, so to its advantage (he now jumped at one explanation) by the removal of what had probably been one of the vulgar-est of moustaches. With this, at the same time, the oddity of that particular consequence was vivid to him; the glare of his curiosity fairly lasting while he remembered how he had once noted the very opposite turn of the experiment for Phil Bloodgood. He would have said in advance that poor Winch couldn’t have afforded to risk showing his “real” mouth; just as he would have said that in spite of the fine ornament that so considerably muffled it Phil could only have gained by showing his. But to have seen Phil shorn—as he once had done—was earnestly to pray that he might promptly again bristle; beneath Phil’s moustache lurked nothing to “make up” for it in case of removal. While he thought of which things the line of grimace, as he could only have called it, the mobile, interesting, ironic line the great double curve of which connected, in the face before him, the strong nostril with the lower cheek, became the very key to his first idea of Newton’s capture of refinement. He had shaved and was happily transfigured. Phil Bloodgood had shaved and been wellnigh lost; though why should he just now too precipitately drag the reminiscence in?
That question too, at the queer touch of association, played up for Mark even under so much proof that the state of his own soul was being with the lapse of every instant registered. Phil Bloodgood had brought about the state of his soul—there was accordingly that amount of connection; only it became further remarkable that from the moment his companion had sounded him, and sounded him, he knew, down to the last truth of things, his disposition, his necessity to talk, the desire that had in the morning broken the spell of his confinement, the impulse that had thrown him so defeatedly into Mrs. Folliott’s arms and into Florence Ash’s, these forces seemed to feel their impatience ebb and their discretion suddenly grow. His companion was talking again, but just then, incongruously, made his need to communicate lose itself. It was as if his personal case had already been touched by some tender hand—and that, after all, was the modest limit of its greed. “I know now why you came back—did Lottie mention how I had wondered? But sit down, sit down—only let me, nervous beast as I am, take it standing!—and believe me when I tell you that I’ve now ceased to wonder. My dear chap, I have it! It can’t but have been for poor Phil Blood-good. He sticks out of you, the brute—as how, with what he has done to you, shouldn’t he? There was a man to see me yesterday—Tim Slater, whom I don’t think you know, but who’s ‘on’ everything within about two minutes of its happening (I never saw such a fellow!) and who confirmed my supposition, all my own, however, mind you, at first, that you’re one of the sufferers. So how the devil can you not feel knocked? Why should you look as if you were having the time of your life? What a hog to have played it on you, on you, of all his friends!” So Newton Winch continued, and so the air between the two men might have been, for a momentary watcher—which is indeed what I can but invite the reader to become—that of a nervously displayed, but all considerate, as well as most acute, curiosity on the one side, and that on the other, after a little, of an eventually fascinated acceptance of so much free and in especial of so much right attention. “Do you mind my asking you? Because if you do I won’t press; but as a man whose own responsibilities, some of ‘em at least, don’t differ much, I gather, from some of his, one would like to know how he was ever allowed to get to the point—! But I do plough you up?”
Mark sat back in his chair, moved but holding himself, his elbows squared on each arm, his hands a bit convulsively interlocked across him—very much in fact as he had appeared an hour ago in the old tapestry bergère; but as his rigour was all then that of the grinding effort to profess and to give, so it was considerably now for the fear of too hysterically gushing. Somehow too—since his wound was to that extent open—he winced at hearing the author of it branded. He hadn’t so much minded the epithets Mrs. Folliott had applied, for they were to the appropriator of her securities. As the appropriator of his own he didn’t so much want to brand him as—just more “amusingly” even, if one would.—to make out, perhaps, with intelligent help, how such a man, in such a relation, could come to tread such a path: which was exactly the interesting light that Winch’s curiosity and sympathy were there to assist him to. He pleaded at any rate immediately his advertising no grievance. “I feel sore, I admit, and it’s a horrid sort of thing to have had happen; but when you call him a brute and a hog I rather squirm, for brutes and hogs never live, I guess, in the sort of hell in which he now must be.”
Newton Winch, before the fireplace, his hands deep in his pockets, where his guest could see his long fingers beat a tattoo on his thighs, Newton Winch dangled and swung himself, and threw back his head and laughed. “Well, I must say you take it amazingly!—all the more that to see you again this way is to feel that if, all along, there was a man whose delicacy and confidence and general attitude might have marked him for a particular consideration, you’d have been the man.” And they were more directly face to face again; with Newton smiling and smiling so appreciatively; making our friend in fact almost ask himself when before a man had ever grinned from ear to ear to the effect of its so becoming him. What he replied, however, was that Newton described in those flattering terms a client temptingly fatuous; after which, and the exchange of another protest or two in the interest of justice and decency, and another plea or two in that of the still finer contention that even the basest misdeeds had always somewhere or other, could one get at it, their propitiatory side, our hero found himself on his feet again, under the influence of a sudden failure of everything but horror—a horror determined by some turn of their talk and indeed by the very fact of the freedom of it. It was as if a far-borne sound of the hue and cry, a vision of his old friend hunted and at bay, had suddenly broken in—this other friend’s, this irresistibly intelligent other companion’s, practically vivid projection of that making the worst ugliness real. “Oh, it’s just making my wry face to somebody, and your letting me and caring and wanting to know: that,” Mark said, “is what does me good; not any other hideous question. I mean I don’t take any interest in my case—what one wonders about, you see, is what can be done for him. I mean, that is”—for he floundered a little, not knowing at last quite what he did mean, a great rush of mere memories, a great humming sound as of thick, thick echoes, rising now to an assault that he met with his face indeed contorted. If he didn’t take care he should howl; so he more or less successfully took care—yet with his host vividly watching him while he shook the danger temporarily off. “I don’t mind—though it’s rather that; my having felt this morning, after three dismal dumb bad days, that one’s friends perhaps would be thinking of one. All I’m conscious of now—I give you my word—is that I’d like to see him.”
“You’d like to see him?”
“Oh, I don’t say,” Mark ruefully smiled, “that I should like him to see me—!”
Newton Winch, from where he stood—and they were together now, on the great hearth-rug that was a triumph of modern orientalism—put out one of the noted fine hands and, with an expressive headshake, laid it on his shoulder. “Don’t wish him that, Monteith—don’t wish him that!”
“Well, but,”—and Mark raised his eyebrows still higher—“he’d see I bear up; pretty well!”
“God forbid he should see, my dear fellow!” Newton cried as for the pang of it.
Mark had for his idea, at any rate, the oddest sense of an exaltation that grew by this use of frankness. “I’d go to him. Hanged if I wouldn’t—anywhere!”
His companion’s hand still rested on him. “You’d go to him?”
Mark stood up to it—though trying to sink solemnity as pretentious. “I’d go like a shot.” And then he added: “And it’s probably what—when we’ve turned round—I shall do.”
“When ‘we’ have turned round?”
“Well”—he was a trifle disconcerted at the tone—“I say that because you’ll have helped me.”
“Oh, I do nothing but want to help you!” Winch replied—which made it right again; especially as our friend still felt himself reassuringly and sustainingly grasped. But Winch went on: “You would go to him—in kindness?”
“Well—to understand.”
“To understand how he could swindle you?”
“Well,” Mark kept on, “to try and make out with him how, after such things—!” But he stopped; he couldn’t name them.
It was as if his companion knew. “Such things as you’ve done for him of course—such services as you’ve rendered him.”
“Ah, from far back. If I could tell you,” our friend vainly wailed—“if I could tell you!”
Newton Winch patted his shoulder. “Tell me—tell me!”
“The sort of relation, I mean; ever so many things of a kind—!” Again, however, he pulled up; he felt the tremor of his voice.
“Tell me, tell me,” Winch repeated with the same movement.
The tone in it now made their eyes meet again, and with this presentation of the altered face Mark measured as not before, for some reason, the extent of the recent ravage. “You must have been ill indeed.”
“Pretty bad. But I’m better. And you do me good”—with which the light of convalescence came back.
“I don’t awfully bore you?”
Winch shook his head. “You keep me up—and you see how no one else comes near me.”
Mark’s eyes made out that he was better—though it wasn’t yet that nothing was the matter with him. If there was ever a man with whom there was still something the matter—! Yet one couldn’t insist on that, and meanwhile he clearly did want company. “Then there we are. I myself had no one to go to.”
“You save my life,” Newton renewedly grinned.
VII
“Well, it’s your own fault,” Mark replied to that, “if you make me take advantage of you.” Winch had withdrawn his hand, which was back, violently shaking keys or money, in his trousers pocket; and in this position he had abruptly a pause, a sensible, absence, that might have represented either some odd drop of attention, some turn-off to another thought, or just simply the sudden act of listening. His guest had indeed himself—under suggestion—the impression of a sound. “Mayn’t you perhaps—if you hear something—have a call?”
Mark had said it so lightly, however, that he was the more struck with his host’s appearing to turn just paler; and, with it, the latter now was listening. “You hear something?”
“I thought you did.” Winch himself, on Mark’s own pressure of the outside bell, had opened the door of the apartment—an indication then, it sufficiently appeared, that Sunday afternoons were servants’, or attendants’, or even trained nurses’ holidays. It had also marked the stage of his convalescence, and to that extent—after his first flush of surprise—had but smoothed Monteith’s way. At present he barely gave further attention; detaching himself as under some odd cross-impulse, he had quitted the spot and then taken, in the wide room, a restless turn—only, however, to revert in a moment to his friend’s just-uttered deprecation of the danger of boring him. “If I make you take advantage of me—that is blessedly talk to me—it’s exactly what I want to do. Talk to me—talk to me!” He positively waved it on; pulling up again, however, in his own talk, to say with a certain urgency: “Hadn’t you better sit down?”
Mark, who stayed before the fire, couldn’t but excuse himself. “Thanks—I’m very well so. I think of things and I fidget.”
Winch stood a moment with his eyes on the ground. “Are you very sure?”
“Quite—I’m all right if you don’t mind.”
“Then as you like!” With which, shaking to extravagance again his long legs, Newton had swung off—only with a movement that, now his back was turned, affected his visitor as the most whimsical of all the forms of his rather unnatural manner. He was curiously different with his back turned, as Mark now for the first time saw it—dangling and somewhat wavering, as from an excess of uncertainty of gait; and this impression was so strange, it created in our friend, uneasily and on the spot, such a need of explanation, that his speech was stayed long enough to give Winch time to turn round again. The latter had indeed by this moment reached one of the limits of the place, the wide studio bay, where he paused, his back to the light and his face afresh presented, to let his just passingly depressed and quickened eyes take in as much as possible of the large floor, range over it with such brief freedom of search as the disposition of the furniture permitted. He was looking for something, though the betrayed reach of vision was but of an instant. Mark caught it, however, and with his own sensibility all in vibration, found himself feeling at once that it meant something and that what it meant was connected with his entertainer’s slightly marked appeal to him, the appeal of a moment before, not to remain standing. Winch knew by this time quite easily enough that he was hanging fire; which meant that they were suddenly facing each other across the wide space with a new consciousness.
Everything had changed—changed extraordinarily with the mere turning of that gentleman’s back, the treacherous aspect of which its owner couldn’t surely have suspected. If the question was of the pitch of their sensibility, at all events, it wouldn’t be Mark’s that should vibrate to least purpose. Visibly it had come to his host that something had within the few instants remarkably happened, but there glimmered on him an induction that still made him keep his own manner. Newton himself might now resort to any manner he liked. His eyes had raked the floor to recover the position of something dropped or misplaced, and something, above all, awkward or compromising; and he had wanted his companion not to command this scene from the hearth-rug, the hearthrug where he had been just before holding him, hypnotising him to blindness, because the object in question would there be most exposed to sight Mark embraced this with a further drop—while the apprehension penetrated—of his power to go on, and with an immense desire at the same time that his eyes should seem only to look at his friend; who broke out now, for that matter, with a fresh appeal. “Aren’t you going to take advantage of me, man—aren’t you going to take it?”
Everything had changed, we have noted, and nothing could more have proved it than the fact that, by the same turn, sincerity of desire had dropped out of Winch’s chords, while irritation, sharp and almost imperious, had come in. “That’s because he sees I see something!” Mark said to himself; but he had no need to add that it shouldn’t prevent his seeing more—for the simple reason that, in a miraculous fashion, this was exactly what he did do in glaring out the harder. It was beyond explanation, but the very act of blinking thus in an attempt at showy steadiness became one and the same thing with an optical excursion lasting the millionth of a minute and making him aware that the edge of a rug, at the point where an arm-chair, pushed a little out of position, over-straddled it, happened just not wholly to have covered in something small and queer, neat and bright, crooked and compact, in spite of the strong toe-tip surreptitiously applied to giving it the right lift Our gentleman, from where he hovered, and while looking straight at the master of the scene, yet saw, as by the tiny flash of a reflection from fine metal, under the chair. What he recognised, or at least guessed at, as sinister, made him for a moment turn cold, and that chill was on him while Winch again addressed him—as differently as possible from any manner yet used. “I beg of you in God’s name to talk to me—to talk to me!”
It had the ring of pure alarm and anguish, but was by this turn at least more human than the dazzling glitter of intelligence to which the poor man had up to now been treating him. “It’s you, my good friend, who are in deep trouble,” Mark was accordingly quick to reply, “and I ask your pardon for being so taken up with my own sorry business.”
“Of course I’m in deep trouble”—with which Winch came nearer again; “but turning you on was exactly what I wanted.”
Mark Monteith, at this, couldn’t, for all his rising dismay, but laugh out; his sense of the ridiculous so swallowed up, for that brief convulsion, his sense of the sinister. Of such conivence in pain, it seemed, was the fact of another’s pain, and of so much worth again disinterested sympathy! “Your interest was then——?”
“My interest was in your being interesting. For you are! And my nerves—!” said Newton Winch with a face from which the mystifying smile had vanished, yet in which distinction, as Mark so persistently appreciated it, still sat in the midst of ravage.
Mark wondered and wondered—he made strange things out. “Your nerves have needed company.” He could lay his hand on him now, even as shortly before he had felt Winch’s own pressure of possession and detention. “As good for you yourself, that—or still better,” he went on—“than I and my grievance were to have found you. Talk to we, talk to we, Newton Winch!” he added with an immense inspiration of charity.
“That’s a different matter—that others but too much can do! But I’ll say this. If you want to go to Phil Bloodgood——!”
“Well?” said Mark as he stopped. He stopped, and Mark had now a hand on each of his shoulders and held him at arm’s-length, held him with a fine idea that was not disconnected from the sight of the small neat weapon he had been fingering in the low luxurious morocco chair—it was of the finest orange colour—and then had laid beside him on the carpet; where, after he had admitted his visitor, his presence of mind coming back to it and suggesting that he couldn’t pick it up without making it more conspicuous, he had thought, by some swing of the foot or other casual manoeuvre, to dissimulate its visibility.
They were at close quarters now as not before and Winch perfectly passive, with eyes that somehow had no shadow of a secret left and with the betrayal to the sentient hands that grasped him of an intense, an extraordinary general tremor. To Mark’s challenge he opposed afresh a brief silence, but the very quality of it, with his face speaking, was that of a gaping wound. “Well, you needn’t take that trouble. You see I’m such another.”
“Such another as Phil——-?”
He didn’t blink. “I don’t know for sure, but I guess I’m worse.”
“Do you mean you’re guilty——-?”
“I mean I shall be wanted. Only I’ve stayed to take it.”
Mark threw back his head, but only tightened his hands. He inexpressibly understood, and nothing in life had ever been so strange and dreadful to him as his thus helping himself by a longer and straighter stretch, as it were, to the monstrous sense of his friend’s “education.” It had been, in its immeasurable action, the education of business, of which the fruits were all around them. Yet prodigious was the interest, for prodigious truly—it seemed to loom before Mark—must have been the system. “To ‘take’ it?” he echoed; and then, though faltering a little, “To take what?”
He had scarce spoken when a long sharp sound shrilled in from the outer door, seeming of so high and peremptory a pitch that with the start it gave him his grasp of his host’s shoulders relaxed an instant, though to the effect of no movement in them but what came from just a sensibly intenser vibration of the whole man. “For that!” said Newton Winch.
“Then you’ve known——-?”
“I’ve expected. You’ve helped me to wait.” And then as Mark gave an ironic wail: “You’ve tided me over. My condition has wanted somebody or something. Therefore, to complete this service, will you be so good as to open the door?”
Deep in the eyes Mark looked him, and still to the detection of no glimmer of the earlier man in the depths. The earlier man had been what he invidiously remembered—yet would he had been the whole simpler story! Then he moved his own eyes straight to the chair under which the revolver lay and which was but a couple of yards away. He felt his companion take this consciousness in, and it determined in them another long, mute exchange. “What do you mean to do?”
“Nothing.”
“On your honour?”
“My ‘honour’?” his host returned with an accent that he felt even as it sounded he should never forget.
It brought to his own face a crimson flush—he dropped his guarding hands. Then as for a last look at him: “You’re wonderful!”
“We are wonderful,” said Newton Winch, while, simultaneously with the words, the pressed electric bell again and for a longer time pierced the warm cigaretted air.
Mark turned, threw up his arms, and it was only when he had passed through the vestibule and laid his hand on the door-knob that the horrible noise dropped. The next moment he was face to face with two visitors, a nondescript personage in a high hat and an astrakhan collar and cuffs, and a great belted constable, a splendid massive New York “officer” of the type he had had occasion to wonder at much again in the course of his walk, the type so by itself—his wide observation quite suggested—among those of the peacemakers of the earth. The pair stepped straight in—no word was said; but as he closed the door behind them Mark heard the infallible crack of a discharged pistol and, so nearly with it as to make all one violence, the sound of a great fall; things the effect of which was to lift him, as it were, with his company, across the threshold of the room in a shorter time than that taken by this record of the fact. But their rush availed little; Newton was stretched on his back before the fire; he had held the weapon horribly to his temple, and his upturned face was disfigured. The emissaries of the law, looking down at him, exhaled simultaneously a gruff imprecation, and then while the worthy in the high hat bent over the subject of their visit the one in the helmet raised a severe pair of eyes to Mark. “Don’t you think, sir, you might have prevented it?”
Mark took a hundred things in, it seemed to him—things of the scene, of the moment, and of all the strange moments before; but one appearance more vividly even than the others stared out at him. “I really think I must practically have caused it.”
CRAPY CORNELIA
I
THREE times within a quarter of an hour—shifting the while his posture on his chair of contemplation—had he looked at his watch as for its final sharp hint that he should decide, that he should get up. His seat was one of a group fairly sequestered, unoccupied save for his own presence, and from where he lingered he looked off at a stretch of lawn freshened by recent April showers and on which sundry small children were at play. The trees, the shrubs, the plants, every stem and twig just ruffled as by the first touch of the light finger of the relenting year, struck him as standing still in the blest hope of more of the same caress; the quarter about him held its breath after the fashion of the child who waits with the rigour of an open mouth and shut eyes for the promised sensible effect of his having been good. So, in the windless, sun-warmed air of the beautiful afternoon, the Park of the winter’s end had struck White-Mason as waiting; even New York, under such an impression, was “good,” good enough—for him; its very sounds were faint, were almost sweet, as they reached him from so seemingly far beyond the wooded horizon that formed the remoter limit of his large shallow glade. The tones of the frolic infants ceased to be nondescript and harsh—were in fact almost as fresh and decent as the frilled and puckered and ribboned garb of the little girls, which had always a way, in those parts, of so portentously flaunting the daughters of the strange native—that is of the overwhelmingly alien—populace at him.
Not that these things in particular were his matter of meditation now; he had wanted, at the end of his walk, to sit apart a little and think—and had been doing that for twenty minutes, even though as yet to no break in the charm of procrastination. But he had looked without seeing and listened without hearing: all that had been positive for him was that he hadn’t failed vaguely to feel. He had felt in the first place, and he continued to feel—yes, at forty-eight quite as much as at any point of the supposed reign of younger intensities—the great spirit of the air, the fine sense of the season, the supreme appeal of Nature, he might have said, to his time of life; quite as if she, easy, indulgent, indifferent, cynical Power, were offering him the last chance it would rest with his wit or his blood to embrace. Then with that he had been entertaining, to the point and with the prolonged consequence of accepted immobilization, the certitude that if he did call on Mrs. Worthingham and find her at home he couldn’t in justice to himself not put to her the question that had lapsed the other time, the last time, through the irritating and persistent, even if accidental, presence of others. What friends she had—the people who so stupidly, so wantonly stuck! If they should, he and she, come to an understanding, that would presumably have to include certain members of her singularly ill-composed circle, in whom it was incredible to him that he should ever take an interest. This defeat, to do himself justice—he had bent rather predominantly on that, you see; ideal justice to her, with her possible conception of what it should consist of, being another and quite a different matter—he had had the fact of the Sunday afternoon to thank for; she didn’t “keep” that day for him, since they hadn’t, up to now, quite begun to cultivate the appointment or assignation founded on explicit sacrifices. He might at any rate look to find this pleasant practical Wednesday—should he indeed, at his actual rate, stay it before it ebbed—more liberally and intendingly given him.
The sound he at last most wittingly distinguished in his nook was the single deep note of half-past five borne to him from some high-perched public clock. He finally got up with the sense that the time from then on ought at least to be felt as sacred to him. At this juncture it was—while he stood there shaking his garments, settling his hat, his necktie, his shirt-cuffs, fixing the high polish of his fine shoes as if for some reflection in it of his straight and spare and grizzled, his refined and trimmed and dressed, his altogether distinguished person, that of a gentleman abundantly settled, but of a bachelor markedly nervous—at this crisis it was, doubtless, that he at once most measured and least resented his predicament. If he should go he would almost to a certainty find her, and if he should find her he would almost to a certainty come to the point. He wouldn’t put it off again—there was that high consideration for him of justice at least to himself. He had never yet denied himself anything so apparently fraught with possibilities as the idea of proposing to Mrs. Worthingham—never yet, in other words, denied himself anything he had so distinctly wanted to do; and the results of that wisdom had remained for him precisely the precious parts of experience. Counting only the offers of his honourable hand, these had been on three remembered occasions at least the consequence of an impulse as sharp and a self-respect as reasoned; a self-respect that hadn’t in the least suffered, moreover, from the failure of each appeal. He had been met in the three cases—the only ones he at all compared with his present case—by the frank confession that he didn’t somehow, charming as he was, cause himself to be superstitiously believed in; and the lapse of life, afterward, had cleared up many doubts.
It wouldn’t have done, he eventually, he lucidly saw, each time he had been refused; and the candour of his nature was such that he could live to think of these very passages as a proof of how right he had been—right, that is, to have put himself forward always, by the happiest instinct, only in impossible conditions. He had the happy consciousness of having exposed the important question to the crucial test, and of having escaped, by that persistent logic, a grave mistake. What better proof of his escape than the fact that he was now free to renew the all-interesting inquiry, and should be exactly, about to do so in different and better conditions? The conditions were better by as much more—as much more of his career and character, of his situation, his reputation he could even have called it, of his knowledge of life, of his somewhat extended means, of his possibly augmented charm, of his certainly improved mind and temper—as was involved in the actual impending settlement. Once he had got into motion, once he had crossed the Park and passed out of it, entering, with very little space to traverse, one of the short new streets that abutted on its east side, his step became that of a man young enough to find confidence, quite to find felicity, in the sense, in almost any sense, of action. He could still enjoy almost anything, absolutely an unpleasant thing, in default of a better, that might still remind him he wasn’t so old. The standing newness of everything about him would, it was true, have weakened this cheer by too much presuming on it; Mrs. Worthingham’s house, before which he stopped, had that gloss of new money, that glare of a piece fresh from the mint and ringing for the first time on any counter, which seems to claim for it, in any transaction, something more than the “face” value.
This could but be yet more the case for the impression of the observer introduced and committed. On our friend’s part I mean, after his admission and while still in the hall, the sense of the general shining immediacy, of the still unhushed clamour of the shock, was perhaps stronger than he had ever known it. That broke out from every corner as the high pitch of interest, and with a candour that—no, certainly—he had never seen equalled; every particular expensive object shrieking at him in its artless pride that it had just “come home.” He met the whole vision with something of the grimace produced on persons without goggles by the passage from a shelter to a blinding light; and if he had—by a perfectly possible chance—been “snap-shotted” on the spot, would have struck you as showing for his first tribute to the temple of Mrs. Worthingham’s charming presence a scowl almost of anguish. He wasn’t constitutionally, it may at once be explained for him, a goggled person; and he was condemned, in New York, to this frequent violence of transition—having to reckon with it whenever he went out, as who should say, from himself. The high pitch of interest, to his taste, was the pitch of history, the pitch of acquired and earned suggestion, the pitch of association, in a word; so that he lived by preference, incontestably, if not in a rich gloom, which would have been beyond his means and spirits, at least amid objects and images that confessed to the tone of time.
He had ever felt that an indispensable presence—with a need of it moreover that interfered at no point with his gentle habit, not to say his subtle art, of drawing out what was left him of his youth, of thinly and thriftily spreading the rest of that choicest jam-pot of the cupboard of consciousness over the remainder of a slice of life still possibly thick enough to bear it; or in other words of moving the melancholy limits, the significant signs, constantly a little further on, very much as property-marks or staked boundaries are sometimes stealthily shifted at night. He positively cherished in fact, as against the too inveterate gesture of distressfully guarding his eyeballs—so many New York aspects seemed to keep him at it—an ideal of adjusted appreciation, of courageous curiosity, of fairly letting the world about him, a world of constant breathless renewals and merciless substitutions, make its flaring assault on its own inordinate terms. Newness was value in the piece—for the acquisitor, or at least sometimes might be, even though the act of “blowing” hard, the act marking a heated freshness of arrival, or other form of irruption, could never minister to the peace of those already and long on the field; and this if only because maturer tone was after all most appreciable and most consoling when one staggered back to it, wounded, bleeding, blinded, from the riot of the raw—or, to put the whole experience more prettily, no doubt, from excesses of light.
II
If he went in, however, with something of his more or less inevitable scowl, there were really, at the moment, two rather valid reasons for screened observation; the first of these being that the whole place seemed to reflect as never before the lustre of Mrs. Worthingham’s own polished and prosperous little person—to smile, it struck him, with her smile, to twinkle not only with the gleam of her lovely teeth, but with that of all her rings and brooches and bangles and other gewgaws, to curl and spasmodically cluster as in emulation of her charming complicated yellow tresses, to surround the most animated of pink-and-white, of ruffled and ribboned, of frilled and festooned Dresden china shepherdesses with exactly the right system of rococo curves and convolutions and other flourishes, a perfect bower of painted and gilded and moulded conceits. The second ground of this immediate impression of scenic extravagance, almost as if the curtain rose for him to the first act of some small and expensively mounted comic opera, was that she hadn’t, after all, awaited him in fond singleness, but had again just a trifle inconsiderately exposed him to the drawback of having to reckon, for whatever design he might amiably entertain, with the presence of a third and quite superfluous person, a small black insignificant but none the less oppressive stranger. It was odd how, on the instant, the little lady engaged with her did affect him as comparatively black—very much as if that had absolutely, in such a medium, to be the graceless appearance of any item not positively of some fresh shade of a light colour or of some pretty pretension to a charming twist. Any witness of their meeting, his hostess should surely have felt, would have been a false note in the whole rosy glow; but what note so false as that of the dingy little presence that she might actually, by a refinement of her perhaps always too visible study of effect, have provided as a positive contrast or foil? whose name and intervention, moreover, she appeared to be no more moved to mention and account for than she might have been to “present”—whether as stretched at her feet or erect upon disciplined haunches—some shaggy old domesticated terrier or poodle.
Extraordinarily, after he had been in the room five minutes—a space of time during which his fellow-visitor had neither budged nor uttered a sound—he had made Mrs. Worthingham out as all at once perfectly pleased to see him, completely aware of what he had most in mind, and singularly serene in face of his sense of their impediment. It was as if for all the world she didn’t take it for one, the immobility, to say nothing of the seeming equanimity, of their tactless companion; at whom meanwhile indeed our friend himself, after his first ruffled perception, no more adventured a look than if advised by his constitutional kindness that to notice her in any degree would perforce be ungraciously to glower. He talked after a fashion with the woman as to whose power to please and amuse and serve him, as to whose really quite organised and indicated fitness for lighting up his autumn afternoon of life his conviction had lately strained itself so clear; but he was all the while carrying on an intenser exchange with his own spirit and trying to read into the charming creature’s behaviour, as he could only call it, some confirmation of his theory that she also had her inward flutter and anxiously counted on him. He found support, happily for the conviction just named, in the idea, at no moment as yet really repugnant to him, the idea bound up in fact with the finer essence of her appeal, that she had her own vision too of her quality and her price, and that the last appearance she would have liked to bristle with was that of being forewarned and eager.
He had, if he came to think of it, scarce definitely warned her, and he probably wouldn’t have taken to her so consciously in the first instance without an appreciative sense that, as she was a little person of twenty superficial graces, so she was also a little person with her secret pride. She might just have planted her mangy lion—not to say her muzzled house-dog—there in his path as a symbol that she wasn’t cheap and easy; which would be a thing he couldn’t possibly wish his future wife to have shown herself in advance, even if to him alone. That she could make him put himself such questions was precisely part of the attaching play of her iridescent surface, the shimmering interfusion of her various aspects; that of her youth with her independence—her pecuniary perhaps in particular, that of her vivacity with her beauty, that of her facility above all with her odd novelty; the high modernity, as people appeared to have come to call it, that made her so much more “knowing” in some directions than even he, man of the world as he certainly was, could pretend to be, though all on a basis of the most unconscious and instinctive and luxurious assumption. She was “up” to everything, aware of everything—if one counted from a short enough time back (from week before last, say, and as if quantities of history had burst upon the world within the fortnight); she was likewise surprised at nothing, and in that direction one might reckon as far ahead as the rest of her lifetime, or at any rate as the rest of his, which was all that would concern him: it was as if the suitability of the future to her personal and rather pampered tastes was what she most took for granted, so that he could see her, for all her Dresden-china shoes and her flutter of wondrous befrilled contemporary skirts, skip by the side of the coming age as over the floor of a ball-room, keeping step with its monstrous stride and prepared for every figure of the dance. Her outlook took form to him suddenly as a great square sunny window that hung in assured fashion over the immensity of life. There rose toward it as from a vast swarming plaza a high tide of emotion and sound; yet it was at the same time as if even while he looked her light gemmed hand, flashing on him in addition to those other things the perfect polish of the prettiest pink finger-nails in the world, had touched a spring, the most ingenious of ecent devices for instant ease, which dropped half across the scene a soft-coloured mechanical blind, a fluttered, fringed awning of charmingly toned silk, such as would make a bath of cool shade for the favoured friend leaning with her there—that is for the happy couple itself—on the balcony. The great view would be the prospect and privilege of the very state he coveted—since didn’t he covet it?—the state of being so securely at her side; while the wash of privacy, as one might count it, the broad fine brush dipped into clear umber and passed, full and wet, straight across the strong scheme of colour, would represent the security itself, all the uplifted inner elegance, the condition, so ideal, of being shut out from nothing and yet of having, so gaily and breezily aloft, none of the burden or worry of anything. Thus, as I say, for our friend, the place itself, while his vivid impression lasted, portentously opened and spread, and what was before him took, to his vision, though indeed at so other a crisis, the form of the “glimmering square” of the poet; yet, for a still more remarkable fact, with an incongruous object usurping at a given instant the privilege of the frame and seeming, even as he looked, to block the view.
The incongruous object was a woman’s head, crowned with a little sparsely feathered black hat, an ornament quite unlike those the women mostly noticed by White-Mason were now “wearing,” and that grew and grew, that came nearer and nearer, while it met his eyes, after the manner of images in the kinematograph. It had presently loomed so large that he saw nothing else—not only among the things at a considerable distance, the things Mrs. Worthingham would eventually, yet unmistakably, introduce him to, but among those of this lady’s various attributes and appurtenances as to which he had been in the very act of cultivating his consciousness. It was in the course of another minute the most extraordinary thing in the world: everything had altered, dropped, darkened, disappeared; his imagination had spread its wings only to feel them flop all grotesquely at its sides as he recognised in his hostess’s quiet companion, the oppressive alien who hadn’t indeed interfered with his fanciful flight, though she had prevented his immediate declaration and brought about the thud, not to say the felt violent shock, of his fall to earth, the perfectly plain identity of Cornelia Rasch. It was she who had remained there at attention; it was she their companion hadn’t introduced; it was she he had forborne to face with his fear of incivility. He stared at her—everything else went.
“Why it has been you all this time?”
Miss Rasch fairly turned pale. “I was waiting to see if you’d know me.”
“Ah, my dear Cornelia”—he came straight out with it—“rather!”
“Well, it isn’t,” she returned with a quick change to red now, “from having taken much time to look at me!”
She smiled, she even laughed, but he could see how she had felt his unconsciousness, poor thing; the acquaintance, quite the friend of his youth, as she had been, the associate of his childhood, of his early manhood, of his middle age in fact, up to a few years back, not more than ten at the most; the associate too of so many of his associates and of almost all of his relations, those of the other time, those who had mainly gone for ever; the person in short whose noted disappearance, though it might have seemed final, had been only of recent seasons. She was present again now, all unexpectedly—he had heard of her having at last, left alone after successive deaths and with scant resources, sought economic salvation in Europe, the promised land of American thrift—she was present as this almost ancient and this oddly unassertive little rotund figure whom one seemed no more obliged to address than if she had been a black satin ottoman “treated” with buttons and gimp; a class of object as to which the policy of blindness was imperative. He felt the need of some explanatory plea, and before he could think had uttered one at Mrs. Worthingham’s expense. “Why, you see we weren’t introduced——!”
“No—but I didn’t suppose I should have to be named to you.”
“Well, my dear woman, you haven’t—do me that justice!” He could at least make this point. “I felt all the while—!” However, it would have taken him long to say what he had been feeling; and he was aware now of the pretty projected light of Mrs. Worthingham’s wonder. She looked as if, out for a walk with her, he had put her to the inconvenience of his stopping to speak to a strange woman in the street.
“I never supposed you knew her!”—it was to him his hostess excused herself.
This made Miss Rasch spring up, distinctly flushed, distinctly strange to behold, but not vulgarly nettled—Cornelia was incapable of that; only rather funnily bridling and laughing, only showing that this was all she had waited for, only saying just the right thing, the thing she could make so clearly a jest. “Of course if you had you’d have presented him.”
Mrs. Worthingham looked while answering at White-Mason. “I didn’t want you to go—which you see you do as soon as he speaks to you. But I never dreamed——!”
“That there was anything between us? Ah, there are no end of things!” He, on his side, though addressing the younger and prettier woman, looked at his fellow-guest; to whom he even continued: “When did you get back? May I come and see you the very first thing?”
Cornelia gasped and wriggled—she practically giggled; she had lost every atom of her little old, her little young, though always unaccountable prettiness, which used to peep so, on the bare chance of a shot, from behind indefensible features, that it almost made watching her a form of sport. He had heard vaguely of her, it came back to him (for there had been no letters; their later acquaintance, thank goodness, hadn’t involved that) as experimenting, for economy, and then as settling, to the same rather dismal end, somewhere in England, “at one of those intensely English places, St. Leonards, Cheltenham, Bognor, Dawlish—which, awfully, was it?”—and she now affected him for all the world as some small squirming, exclaiming, genteelly conversing old maid of a type vaguely associated with the three-volume novels he used to feed on (besides his so often encountering it in “real life,”) during a far-away stay of his own at Brighton. Odder than any element of his ex-gossip’s identity itself, however, was the fact that she somehow, with it all, rejoiced his sight. Indeed the supreme oddity was that the manner of her reply to his request for leave to call should have absolutely charmed his attention. She didn’t look at him; she only, from under her frumpy, crapy, curiously exotic hat, and with her good little near-sighted insinuating glare, expressed to Mrs. Worthingham, while she answered him, wonderful arch things, the overdone things of a shy woman. “Yes, you may call—but only when this dear lovely lady has done with you!” The moment after which she had gone.
III
Forty minutes later he was taking his way back from the queer miscarriage of his adventure; taking it, with no conscious positive felicity, through the very spaces that had witnessed shortly before the considerable serenity of his assurance. He had said to himself then, or had as good as said it, that, since he might do perfectly as he liked, it couldn’t fail for him that he must soon retrace those steps, humming, to all intents, the first bars of a wedding-march; so beautifully had it cleared up that he was “going to like” letting Mrs. Worthingham accept him. He was to have hummed no wedding-march, as it seemed to be turning out—he had none, up to now, to hum; and yet, extraordinarily, it wasn’t in the least because she had refused him. Why then hadn’t he liked as much as he had intended to like it putting the pleasant act, the act of not refusing him, in her power? Could it all have come from the awkward minute of his failure to decide sharply, on Cornelia’s departure, whether or no he would attend her to the door? He hadn’t decided at all—what the deuce had been in him?—but had danced to and fro in the room, thinking better of each impulse and then thinking worse. He had hesitated like an ass erect on absurd hind legs between two bundles of hay; the upshot of which must have been his giving the falsest impression. In what way that was to be for an instant considered had their common past committed him to crapy Cornelia? He repudiated with a whack on the gravel any ghost of an obligation.
What he could get rid of with scanter success, unfortunately, was the peculiar sharpness of his sense that, though mystified by his visible flurry—and yet not mystified enough for a sympathetic question either—his hostess had been, on the whole, even more frankly diverted: which was precisely an example of that newest, freshest, finest freedom in her, the air and the candour of assuming, not “heartlessly,” not viciously, not even very consciously, but with a bright pampered confidence which would probably end by affecting one’s nerves as the most impertinent stroke in the world, that every blest thing coming up for her in any connection was somehow matter for her general recreation. There she was again with the innocent egotism, the gilded and overflowing anarchism, really, of her doubtless quite unwitting but none the less rabid modern note. Her grace of ease was perfect, but it was all grace of ease, not a single shred of it grace of uncertainty or of difficulty—which meant, when you came to see, that, for its happy working, not a grain of provision was left by it to mere manners. This was clearly going to be the music of the future—that if people were but rich enough and furnished enough and fed enough, exercised and sanitated and manicured and generally advised and advertised and made “knowing” enough, avertis enough, as the term appeared to be nowadays in Paris, all they had to do for civility was to take the amused ironic view of those who might be less initiated. In his time, when he was young or even when he was only but a little less middle-aged, the best manners had been the best kindness, and the best kindness had mostly been some art of not insisting on one’s luxurious differences, of concealing rather, for common humanity, if not for common decency, a part at least of the intensity or the ferocity with which one might be “in the know.”
Oh, the “know”—Mrs. Worthingham was in it, all instinctively, inevitably, and as a matter of course, up to her eyes; which didn’t, however, the least little bit prevent her being as ignorant as a fish of everything that really and intimately and fundamentally concerned him, poor dear old White-Mason. She didn’t, in the first place, so much as know who he was—by which he meant know who and what it was to be a White-Mason, even a poor and a dear and old one, “anyway.” That indeed—he did her perfect justice—was of the very essence of the newness and freshness and beautiful, brave, social irresponsibility by which she had originally dazzled him: just exactly that circumstance of her having no instinct for any old quality or quantity or identity, a single historic or social value, as he might say, of the New York of his already almost legendary past; and that additional one of his, on his side, having, so far as this went, cultivated blankness, cultivated positive prudence, as to her own personal background—the vagueness, at the best, with which all honest gentlefolk, the New Yorkers of his approved stock and conservative generation, were content, as for the most part they were indubitably wise, to surround the origins and antecedents and queer unimaginable early influences of persons swimming into their ken from those parts of the country that quite necessarily and naturally figured to their view as “Godforsaken” and generally impossible.
The few scattered surviving representatives of a society once “good”—rari nantes in gurgite vasto—were liable, at the pass things had come to, to meet, and even amid old shades once sacred, or what was left of such, every form of social impossibility, and, more irresistibly still, to find these apparitions often carry themselves (often at least in the case of the women) with a wondrous wild gallantry, equally imperturbable and inimitable, the sort of thing that reached its maximum in Mrs. Worthingham. Beyond that who ever wanted to look up their annals, to reconstruct their steps and stages, to dot their i’s in fine, or to “go behind” anything that was theirs? One wouldn’t do that for the world—a rudimentary discretion forbade it; and yet this check from elementary undiscussable taste quite consorted with a due respect for them, or at any rate with a due respect for oneself in connection with them; as was just exemplified in what would be his own, what would be poor dear old White-Mason’s, insurmountable aversion to having, on any pretext, the doubtless very queer spectre of the late Mr. Worthingham presented to him. No question had he asked, or would he ever ask, should his life—that is should the success of his courtship—even intimately depend on it, either about that obscure agent of his mistress’s actual affluence or about the happy head-spring itself, and the apparently copious tributaries, of the golden stream.
From all which marked anomalies, at any rate, what was the moral to draw? He dropped into a Park chair again with that question, he lost himself in the wonder of why he had come away with his homage so very much unpaid. Yet it didn’t seem at all, actually, as if he could say or conclude, as if he could do anything but keep on worrying—just in conformity with his being a person who, whether or no familiar with the need to make his conduct square with his conscience and his taste, was never wholly exempt from that of making his taste and his conscience square with his conduct. To this latter occupation he further abandoned himself, and it didn’t release him from his second brooding session till the sweet spring sunset had begun to gather and he had more or less cleared up, in the deepening dusk, the effective relation between the various parts of his ridiculously agitating experience. There were vital facts he seemed thus to catch, to seize, with a nervous hand, and the twilight helping, by their vaguely whisked tails; unquiet truths that swarmed out after the fashion of creatures bold only at eventide, creatures that hovered and circled, that verily brushed his nose, in spite of their shyness. Yes, he had practically just sat on with his “mistress”—heaven save the mark!—as if not to come to the point; as if it had absolutely come up that there would be something rather vulgar and awful in doing so. The whole stretch of his stay after Cornelia’s withdrawal had been consumed by his almost ostentatiously treating himself to the opportunity of which he was to make nothing. It was as if he had sat and watched himself—that came back to him: Shall I now or sha’n’t I? Will I now or won’t I? “Say within the next three minutes, say by a quarter past six, or by twenty minutes past, at the furthest—always if nothing more comes up to prevent.”
What had already come up to prevent was, in the strangest and drollest, or at least in the most preposterous, way in the world, that not Cornelia’s presence, but her very absence, with its distraction of his thoughts, the thoughts that lumbered after her, had made the difference; and without his being the least able to tell why and how. He put it to himself after a fashion by the image that, this distraction once created, his working round to his hostess again, his reverting to the matter of his errand, began suddenly to represent a return from so far. That was simply all—or rather a little less than all; for something else had contributed. “I never dreamed you knew her,” and “I never dreamed you did,” were inevitably what had been exchanged between them—supplemented by Mrs. Worthingham’s mere scrap of an explanation: “Oh yes—to the small extent you see. Two years ago in Switzerland when I was at a high place for an ‘aftercure,’ during twenty days of incessant rain, she was the only person in an hotel full of roaring, gorging, smoking Germans with whom I could have a word of talk. She and I were the only speakers of English, and were thrown together like castaways on a desert island and in a raging storm. She was ill besides, and she had no maid, and mine looked after her, and she was very grateful—writing to me later on and saying she should certainly come to see me if she ever returned to New York. She has returned, you see—and there she was, poor little creature!” Such was Mrs. Worthingham’s tribute—to which even his asking her if Miss Rasch had ever happened to speak of him caused her practically to add nothing. Visibly she had never thought again of any one Miss Rasch had spoken of or anything Miss Rasch had said; right as she was, naturally, about her being a little clever queer creature. This was perfectly true, and yet it was probably—by being all she could dream of about her—what had paralysed his proper gallantry. Its effect had been not in what it simply stated, but in what, under his secretly disintegrating criticism, it almost luridly symbolised.
He had quitted his seat in the Louis Quinze drawing-room without having, as he would have described it, done anything but give the lady of the scene a superior chance not to betray a defeated hope—not, that is, to fail of the famous “pride” mostly supposed to prop even the most infatuated women at such junctures; by which chance, to do her justice, she had thoroughly seemed to profit. But he finally rose from his later station with a feeling of better success. He had by a happy turn of his hand got hold of the most precious, the least obscure of the flitting, circling things that brushed his ears. What he wanted—as justifying for him a little further consideration—was there before him from the moment he could put it that Mrs. Worthingham had no data. He almost hugged that word,—it suddenly came to mean so much to him. No data, he felt, for a conception of the sort of thing the New York of “his time” had been in his personal life—the New York so unexpectedly, so vividly and, as he might say, so perversely called back to all his senses by its identity with that of poor Cornelia’s time: since even she had had a time, small show as it was likely to make now, and his time and hers had been the same. Cornelia figured to him while he walked away as, by contrast and opposition, a massive little bundle of data; his impatience to go to see her sharpened as he thought of this: so certainly should he find out that wherever he might touch her, with a gentle though firm pressure, he would, as the fond visitor of old houses taps and fingers a disfeatured, overpapered wall with the conviction of a wainscot-edge beneath, recognise some small extrusion of history.
IV
There would have been a wonder for us meanwhile in his continued use, as it were, of his happy formula—brought out to Cornelia Rasch within ten minutes, or perhaps only within twenty, of his having settled into the quite comfortable chair that, two days later, she indicated to him by her fireside. He had arrived at her address through the fortunate chance of his having noticed her card, as he went out, deposited, in the good old New York fashion, on one of the rococo tables of Mrs. Worthingham’s hall. His eye had been caught by the pencilled indication that was to affect him, the next instant, as fairly placed there for his sake. This had really been his luck, for he shouldn’t have liked to write to Mrs. Worthingham for guidance—that he felt, though too impatient just now to analyze the reluctance. There was nobody else he could have approached for a clue, and with this reflection he was already aware of how it testified to their rare little position, his and Cornelia’s—position as conscious, ironic, pathetic survivors together of a dead and buried society—that there would have been, in all the town, under such stress, not a member of their old circle left to turn to. Mrs. Worthingham had practically, even if accidentally, helped him to knowledge; the last nail in the coffin of the poor dear extinct past had been planted for him by his having thus to reach his antique contemporary through perforation of the newest newness. The note of this particular recognition was in fact the more prescribed to him that the ground of Cornelia’s return to a scene swept so bare of the associational charm was certainly inconspicuous. What had she then come back for?—he had asked himself that; with the effect of deciding that it probably would have been, a little, to “look after” her remnant of property. Perhaps she had come to save what little might still remain of that shrivelled interest; perhaps she had been, by those who took care of it for her, further swindled and despoiled, so that she wished to get at the facts. Perhaps on the other hand—it was a more cheerful chance—her investments, decently administered, were making larger returns, so that the rigorous thrift of Bognor could be finally relaxed.
He had little to learn about the attraction of Europe, and rather expected that in the event of his union with Mrs Worthingham he should find himself pleading for it with the competence of one more in the “know” about Paris and Rome, about Venice and Florence, than even she could be. He could have lived on in his New York, that is in the sentimental, the spiritual, the more or less romantic visitation of it; but had it been positive for him that he could live on in hers?—unless indeed the possibility of this had been just (like the famous vertige de l’abîme, like the solicitation of danger, or otherwise of the dreadful) the very hinge of his whole dream. However that might be, his curiosity was occupied rather with the conceivable hinge of poor Cornelia’s: it was perhaps thinkable that even Mrs. Worthingham’s New York, once it should have become possible again at all, might have put forth to this lone exile a plea that wouldn’t be in the chords of Bognor. For himself, after all, too, the attraction had been much more of the Europe over which one might move at one’s ease, and which therefore could but cost, and cost much, right and left, than of the Europe adapted to scrimping. He saw himself on the whole scrimping with more zest even in Mrs. Worthingham’s New York than under the inspiration of Bognor. Apart from which it was yet again odd, not to say perceptibly pleasing to him, to note where the emphasis of his interest fell in this fumble of fancy over such felt oppositions as the new, the latest, the luridest power of money and the ancient reserves and moderations and mediocrities. These last struck him as showing by contrast the old brown surface and tone as of velvet rubbed and worn, shabby, and even a bit dingy, but all soft and subtle and still velvety—which meant still dignified; whereas the angular facts of current finance were as harsh and metallic and bewildering as some stacked “exhibit” of ugly patented inventions, things his mediaeval mind forbade his taking in. He had for instance the sense of knowing the pleasant little old Rasch fortune—pleasant as far as it went; blurred memories and impressions of what it had been and what it hadn’t, of how it had grown and how languished and how melted; they came back to him and put on such vividness that he could almost have figured himself testify for them before a bland and encouraging Board. The idea of taking the field in any manner on the subject of Mrs. Worthingham’s resources would have affected him on the other hand as an odious ordeal, some glare of embarrassment and exposure in a circle of hard unhelpful attention, of converging, derisive, unsuggestive eyes.
In Cornelia’s small and quite cynically modern flat—the house had a grotesque name, “The Gainsborough,” but at least wasn’t an awful boarding-house, as he had feared, and she could receive him quite honourably, which was so much to the good—he would have been ready to use at once to her the greatest freedom of friendly allusion: “Have you still your old ‘family interest’ in those two houses in Seventh Avenue?—one of which was next to a corner grocery, don’t you know? and was occupied as to its lower part by a candy-shop where the proportion of the stock of suspectedly stale popcorn to that of rarer and stickier joys betrayed perhaps a modest capital on the part of your father’s, your grandfather’s, or whoever’s tenant, but out of which I nevertheless remember once to have come as out of a bath of sweets, with my very garments, and even the separate hairs of my head, glued together. The other of the pair, a tobacconist’s, further down, had before it a wonderful huge Indian who thrust out wooden cigars at an indifferent world—you could buy candy cigars too, at the pop-corn shop, and I greatly preferred them to the wooden; I remember well how I used to gape in fascination at the Indian and wonder if the last of the Mohicans was like him; besides admiring so the resources of a family whose ‘property’ was in such forms. I haven’t been round there lately—we must go round together; but don’t tell me the forms have utterly perished!” It was after that fashion he might easily have been moved, and with almost no transition, to break out to Cornelia—quite as if taking up some old talk, some old community of gossip, just where they had left it; even with the consciousness perhaps of overdoing a little, of putting at its maximum, for the present harmony, recovery, recapture (what should he call it?) the pitch and quantity of what the past had held for them.
He didn’t in fact, no doubt, dart straight off to Seventh Avenue, there being too many other old things and much nearer and long subsequent; the point was only that for everything they spoke of after he had fairly begun to lean back and stretch his legs, and after she had let him, above all, light the first of a succession of cigarettes—for everything they spoke of he positively cultivated extravagance and excess, piling up the crackling twigs as on the very altar of memory; and that by the end of half an hour she had lent herself, all gallantly, to their game. It was the game of feeding the beautiful iridescent flame, ruddy and green and gold, blue and pink and amber and silver, with anything they could pick up, anything that would burn and flicker. Thick-strown with such gleanings the occasion seemed indeed, in spite of the truth that they perhaps wouldn’t have proved, under cross-examination, to have rubbed shoulders in the other life so very hard. Casual contacts, qualified communities enough, there had doubtless been, but not particular “passages,” nothing that counted, as he might think of it, for their “very own” together, for nobody’s else at all. These shades of historic exactitude didn’t signify; the more and the less that there had been made perfect terms—and just by his being there and by her rejoicing in it—with their present need to have had all their past could be made to appear to have given them. It was to this tune they proceeded, the least little bit as if they knowingly pretended—he giving her the example and setting her the pace of it, and she, poor dear, after a first inevitable shyness, an uncertainty of wonder, a breathlessness of courage, falling into step and going whatever length he would.
She showed herself ready for it, grasping gladly at the perception of what he must mean; and if she didn’t immediately and completely fall in—not in the first half-hour, not even in the three or four others that his visit, even whenever he consulted his watch, still made nothing of—she yet understood enough as soon as she understood that, if their finer economy hadn’t so beautifully served, he might have been conveying this, that, and the other incoherent and easy thing by the comparatively clumsy method of sound and statement. “No, I never made love to you; it would in fact have been absurd, and I don’t care—though I almost know, in the sense of almost remembering!—who did and who didn’t; but you were always about, and so was I, and, little as you may yourself care who I did it to, I dare say you remember (in the sense of having known of it!) any old appearances that told. But we can’t afford at this time of day not to help each other to have had—well, everything there was, since there’s no more of it now, nor any way of coming by it except so; and therefore let us make together, let us make over and recreate, our lost world; for which we have after all and at the worst such a lot of material. You were in particular my poor dear sisters’ friend—they thought you the funniest little brown thing possible; so isn’t that again to the good? You were mine only to the extent that you were so much in and out of the house—as how much, if we come to that, wasn’t one in and out, south of Thirtieth Street and north of Washington Square, in those days, those spacious, sociable, Arcadian days, that we flattered ourselves we filled with the modern fever, but that were so different from any of these arrangements of pretended hourly Time that dash themselves forever to pieces as from the fiftieth floors of sky-scrapers.”
This was the kind of thing that was in the air, whether he said it or not, and that could hang there even with such quite other things as more crudely came out; came in spite of its being perhaps calculated to strike us that these last would have been rather and most the unspoken and the indirect. They were Cornelia’s contribution, and as soon as she had begun to talk of Mrs. Worthingham—he didn’t begin it!—they had taken their place bravely in the centre of the circle. There they made, the while, their considerable little figure, but all within the ring formed by fifty other allusions, fitful but really intenser irruptions that hovered and wavered and came and went, joining hands at moments and whirling round as in chorus, only then again to dash at the slightly huddled centre with a free twitch or peck or push or other taken liberty, after the fashion of irregular frolic motions in a country dance or a Christmas game.
“You’re so in love with her and want to marry her!”—she said it all sympathetically and yearningly, poor crapy Cornelia; as if it were to be quite taken for granted that she knew all about it. And then when he had asked how she knew—why she took so informed a tone about it; all on the wonder of her seeming so much more “in” it just at that hour than he himself quite felt he could figure for: “Ah, how but from the dear lovely thing herself? Don’t you suppose she knows it?”
“Oh, she absolutely ‘knows’ it, does she?”—he fairly heard himself ask that; and with the oddest sense at once of sharply wanting the certitude and yet of seeing the question, of hearing himself say the words, through several thicknesses of some wrong medium. He came back to it from a distance; as he would have had to come back (this was again vivid to him) should he have got round again to his ripe intention three days before—after his now present but then absent friend, that is, had left him planted before his now absent but then present one for the purpose. “Do you mean she—at all confidently!—expects?” he went on, not much minding if it couldn’t but sound foolish; the time being given it for him meanwhile by the sigh, the wondering gasp, all charged with the unutterable, that the tone of his appeal set in motion. He saw his companion look at him, but it might have been with the eyes of thirty years ago; when—very likely.—he had put her some such question about some girl long since dead. Dimly at first, then more distinctly, didn’t it surge back on him for the very strangeness that there had been some such passage as this between them—yes, about Mary Cardew!—in the autumn of ‘68?
“Why, don’t you realise your situation?” Miss Rasch struck him as quite beautifully wailing—above all to such an effect of deep interest, that is, on her own part and in him.
“My situation?”—he echoed, he considered; but reminded afresh, by the note of the detached, the far-projected in it, of what he had last remembered of his sentient state on his once taking ether at the dentist’s.
“Yours and hers—the situation of her adoring you. I suppose you at least know it,” Cornelia smiled.
Yes, it was like the other time and yet it wasn’t. She was like—poor Cornelia was—everything that used to be; that somehow was most definite to him. Still he could quite reply “Do you call it—her adoring me—my situation?”
“Well, it’s a part of yours, surely—if you’re in love with her.”
“Am I, ridiculous old person! in love with her?” White-Mason asked.
“I may be a ridiculous old person,” Cornelia returned—“and, for that matter, of course I am! But she’s young and lovely and rich and clever: so what could be more natural?”
“Oh, I was applying that opprobrious epithet—!” He didn’t finish, though he meant he had applied it to himself. He had got up from his seat; he turned about and, taking in, as his eyes also roamed, several objects in the room, serene and sturdy, not a bit cheap-looking, little old New York objects of ‘68, he made, with an inner art, as if to recognise them—made so, that is, for himself; had quite the sense for the moment of asking them, of imploring them, to recognise him, to be for him things of his own past. Which they truly were, he could have the next instant cried out; for it meant that if three or four of them, small sallow carte-de-visite photographs, faithfully framed but spectrally faded, hadn’t in every particular, frames and balloon skirts and false “property” balustrades of unimaginable terraces and all, the tone of time, the secret for warding and easing off the perpetual imminent ache of one’s protective scowl, one would verily but have to let the scowl stiffen, or to take up seriously the question of blue goggles, during what might remain of life.
V
What he actually took up from a little old Twelfth-Street table that piously preserved the plain mahogany circle, with never a curl nor a crook nor a hint of a brazen flourish, what he paused there a moment for commerce with, his back presented to crapy Cornelia, who sat taking that view of him, during this opportunity, very protrusively and frankly and fondly, was one of the wasted mementos just mentioned, over which he both uttered and suppressed a small comprehensive cry. He stood there another minute to look at it, and when he turned about still kept it in his hand, only holding it now a litde behind him. “You must have come back to stay—with all your beautiful things. What else does it mean?”
“‘Beautiful’?” his old friend commented with her brow all wrinkled and her lips thrust out in expressive dispraise. They might at that rate have been scarce more beautiful than she herself. “Oh, don’t talk so—after Mrs. Worthingham’s! They’re wonderful, if you will: such things, such things! But one’s own poor relics and odds and ends are one’s own at least; and one has—yes—come back to them. They’re all I have in the world to come back to. They were stored, and what I was paying—!” Miss Rasch wofully added.
He had possession of the small old picture; he hovered there; he put his eyes again to it intently; then again held it a little behind him as if it might have been snatched away or the very feel of it, pressed against him, was good to his palm. “Mrs. Worthingham’s things? You think them beautiful?”
Cornelia did now, if ever, show an odd face. “Why certainly prodigious, or whatever. Isn’t that conceded?”
“No doubt every horror, at the pass we’ve come to, is conceded. That’s just what I complain of.”
“Do you complain?”—she drew it out as for surprise: she couldn’t have imagined such a thing.
“To me her things are awful. They’re the newest of the new.”
“Ah, but the old forms!”
“Those are the most blatant. I mean the swaggering reproductions.”
“Oh but,” she pleaded, “we can’t all be really old.”
“No, we can’t, Cornelia. But you can—!” said White-Mason with the frankest appreciation.
She looked up at him from where she sat as he could imagine her looking up at the curate at Bognor. “Thank you, sir! If that’s all you want——!”
“It is” he said, “all I want—or almost.”
“Then no wonder such a creature as that,” she lightly moralised, “won’t suit you!”
He bent upon her, for all the weight of his question, his smoothest stare. “You hold she certainly won’t suit me?”
“Why, what can I tell about it? Haven’t you by this time found out?”
“No, but I think I’m finding.” With which he began again to explore.
Miss Rasch immensely wondered. “You mean you don’t expect to come to an understanding with her?” And then as even to this straight challenge he made at first no answer: “Do you mean you give it up?”
He waited some instants more, but not meeting her eyes—only looking again about the room. “What do you think of my chance?”
“Oh,” his companion cried, “what has what I think to do with it? How can I think anything but that she must like you?”
“Yes—of course. But how much?”
“Then don’t you really know?” Cornelia asked.
He kept up his walk, oddly preoccupied and still not looking at her. “Do you, my dear?”
She waited a little. “If you haven’t really put it to her I don’t suppose she knows.”
This at last arrested him again. “My dear Cornelia, she doesn’t know——!”
He had paused as for the desperate tone, or at least the large emphasis of it, so that she took him up. “The more reason then to help her to find it out.”
“I mean,” he explained, “that she doesn’t know anything.”
“Anything?”
“Anything else, I mean—even if she does know that.”
Cornelia considered of it. “But what else need she—in particular—know? Isn’t that the principal thing?”
“Well”—and he resumed his circuit—“she doesn’t know anything that we know. But nothing,” he re-emphasised—“nothing whatever!”
“Well, can’t she do without that?”
“Evidently she can—and evidently she does, beautifully. But the question is whether I can!”
He had paused once more with his point—but she glared, poor Cornelia, with her wonder. “Surely if you know for yourself——!”
“Ah, it doesn’t seem enough for me to know for myself! One wants a woman,” he argued—but still, in his prolonged tour, quite without his scowl—“to know for one, to know with one. That’s what you do now,” he candidly put to her.
It made her again gape. “Do you mean you want to marry me?”
He was so full of what he did mean, however, that he failed even to notice it. “She doesn’t in the least know, for instance, how old I am.”
“That’s because you’re so young!”
“Ah, there you are!”—and he turned off afresh and as if almost in disgust. It left her visibly perplexed—though even the perplexed Cornelia was still the exceedingly pointed; but he had come to her aid after another turn. “Remember, please, that I’m pretty well as old as you.”
She had all her point at least, while she bridled and blinked, for this. “You’re exactly a year and ten months older.”
It checked him there for delight. “You remember my birthday?”
She twinkled indeed like some far-off light of home. “I remember every one’s. It’s a little way I’ve always had—and that I’ve never lost.”
He looked at her accomplishment, across the room, as at some striking, some charming phenomenon. “Well, that’s the sort of thing I want!” All the ripe candour of his eyes confirmed it.
What could she do therefore, she seemed to ask him, but repeat her question of a moment before?—which indeed presently she made up her mind to. “Do you want to marry me?”
It had this time better success—if the term may be felt in any degree to apply. All his candour, or more of it at least, was in his slow, mild, kind, considering head-shake. “No, Cornelia—not to marry you.”
His discrimination was a wonder; but since she was clearly treating him now as if everything about him was, so she could as exquisitely meet it. “Not at least,” she convulsively smiled, “until you’ve honourably tried Mrs. Worthingham. Don’t you really mean to?” she gallantly insisted.
He waited again a little; then he brought out: “I’ll tell you presently.” He came back, and as by still another mere glance over the room, to what seemed to him so much nearer. “That table was old Twelfth-Street?”
“Everything here was.”
“Oh, the pure blessings! With you, ah, with you, I haven’t to wear a green shade.” And he had retained meanwhile his small photograph, which he again showed himself. “Didn’t we talk of Mary Cardew?”
“Why, do you remember it?” She marvelled to extravagance.
“You make me. You connect me with it. You connect it with we.” He liked to display to her this excellent use she thus had, the service she rendered. “There are so many connections—there will be so many. I feel how, with you, they must all come up again for me: in fact you’re bringing them out already, just while I look at you, as fast as ever you can. The fact that you knew every one—!” he went on; yet as if there were more in that too than he could quite trust himself about.