NOOKS AND CORNERS

PRINTED BY
SPOTTISWOODE AND CO., NEW-STREET SQUARE
LONDON

NOOKS AND CORNERS

BEING THE COMPANION VOLUME TO
‘FROM KITCHEN TO GARRET’
BY
J. E. P A N T O N
AUTHOR OF
‘BY-PATHS AND CROSS-ROADS’ ‘THE CURATE’S WIFE’ ‘A TANGLED CHAIN’
‘COUNTRY SKETCHES IN BLACK AND WHITE’
ETC.
ILLUSTRATED
London
WARD & DOWNEY
12 YORK STREET, COVENT GARDEN
1889
[All rights reserved]

CONTENTS

ILLUSTRATIONS

NOOKS AND CORNERS.

CHAPTER I.
MOVING HOUSE.

I have been asked by a great many readers of ‘From Kitchen to Garret’ to produce another book on the ever fascinating subject of household management and house decoration; and I have been furthermore requested to consider Edwin and Angelina from another standpoint, and to regard them as having increased their borders in more ways than one, and, having become richer and at the same time more numerous, as now beginning to move from their small house, furnished so joyfully and hopefully in the early flush of their married happiness, to one larger in every way, and more suited to their present income and growing family.

I confess that I begin my task with just a little diffidence, and a little misgiving, too, and feel just a wee bit as sad over the beginning of this little volume as I know my young couples must feel when, no longer quite as young as they were, they turn their backs on that dear little first home, and take up their abode in the newer, far more convenient habitation, welcomed so joyfully by the children, who declare that now, and now only, they will have room in which to breathe!

For, successful as ‘From Kitchen to Garret’ is, and many as are the friends I have made through its pages, I am rather doubtful about another book on the same lines; still, I can but do my best, and so, without any more forewords on the matter, I will at once plunge into my subject, and will trust that all those who have made their little houses pretty by either following or improving on the hints given in my first book will not disdain to follow me once more into those Nooks and Corners of house-furnishing and house-keeping, which were deemed too ambitious for my young couple, or were forgotten in the first essay on the subject.

Besides which, as life goes on, I am thankful to say that decoration becomes more and more a fine art.

Formerly people rather scorned the idea of being ‘house-proud’ in the same manner in which all are nowadays. Their house-pride was merely expressed in the amount of gilding compressed into a single room; in the thickness of their carpets, the heaviness of their draperies, and the general costliness of the plenishing, and the amount of money these things had cost was far more often spoken of than anything else; while the name of the upholsterer was mentioned, not as a guarantee that taste and skill had been called into action, but as a proof that money in this case had not been an object. Formerly, did I say? Alas! cases still exist of this heavy and depressing style of thing! Money is poured out like water on carpets that are nightmares, and on papers that are as absolutely meaningless as they are ugly, and the despair of anyone who is called in, as I am constantly, to mitigate the horrors of some gigantic monument of bad taste and lavish expenditure.

And then, too, people are still, as a rule, far too timid, and act far too much in a hurry; they believe far too much in the upholsterer, and far too little in themselves; and above all they cannot get out of the terrible English habit, carried through every single department in life, of buying a thing because they admire it, and not because it suits what they already possess, thus marring at every step their chances of having a home which is always a pleasure to inhabit, and a restful refuge from the cares and toils of life.

But it is to assist the timid and those who lack confidence in their own tastes, and furthermore who may live in distant country places, where nothing new penetrates even in these days of parcel-posts and illustrated newspapers, that I am writing this book, and wrote ‘From Kitchen to Garret,’ and therefore I must not scold but rather encourage those who would add to the beauty of their surroundings, but do not quite know how to set about it: and I am most anxious that there may soon be no house anywhere in England that may not have some claim to be considered beautiful or interesting or pretty; for indeed there is no reason why the humblest among us may not have a charming home, as certainly, if he or she have taste, money nowadays is not a barrier between beauty and the public at large. Therefore when any among my readers makes up her mind that it is absolutely necessary that a move should be made, the first piece of advice I would give her is that she should determine on her future locality, if not on the abode itself, before she is driven from her first house by the lapsing of a lease or the necessity of deciding immediately because a tenant is forthcoming for house number one; for if not, she may find herself forced into an uncongenial neighbourhood or into a house that has every unpleasant quality under the sun. Above all she must be prepared for a certain amount of acute misery, mental, at any rate, if not physical, for there is something about one’s first married home that one can never really replace, and that renders our fitting into our new locality only a little less torturing than inhabiting a new skin would be, were we suddenly forced into one.

Personally I am not one bit sentimental; I never cried over a faded flower, or lay awake weeping bitter tears over an unhappy love-affair: I never had one, I am thankful to say. Neither have I hoarded first shoes, snippings of baby curls, nor indeed anything save my wedding-dress, which is a most valuable ‘property’ for characters and private theatricals of all kinds; and therefore I am considered absolutely lacking in ‘fine feelings,’ and unhampered by ‘nonsense’; but I have never yet become reconciled to the moves we have had to make after our first twelve years of married life, and I much doubt now if I ever shall; I certainly shall not until I make move number three, and what is perhaps the most curious point in the whole business is that I did not like the house, nor the town, nor indeed anything much about it, and yet I can never see certain looks in the sky, scent certain odours, without being transported to dear dull Dorsetshire, and without longing in a curious home-sick way for the marvellously lovely range of the Purbeck hills, which haunts me like a dream, and for which I am convinced I should positively pine, had I the smallest touch of sentiment in my composition.

The house itself was most wretchedly inconvenient, the furniture of over twenty years ago—aye, and some of it over fifty years ago—does not bear thinking about in these æsthetic days. I endured dullness such as only a London girl, plunged suddenly into an atmosphere she could not comprehend, much less assimilate, could experience: we had three years of unspeakable worries; and yet, with it all—with its hideous rooms and its cold and ugly passages, its out-of-the-worldness, and its unpleasant associations—there is something about it that no other house can ever hold, and that causes me often and often to dream I am there again, or that makes me hear sometimes on a quiet night the old sound of the sudden clash of the china closet door, the opening of the door at the top of the kitchen stairs—which, I believe, has been taken away now by desecrating hands, and which had a sound all its own—or that causes me to wake suddenly from sleep to wonder at the late return of phantom waggons and ghostly horses over stones that are hundreds of miles away from our present uncongenial abode, and which caused sounds inseparable from thoughts of those dear dead days—days I would have back this moment if I could, if only to live them over once more in a manner a thousand times better than an inexperienced girl could ever do, and use then the experience one buys at such an enormous cost because one will not listen to words of wisdom from those who have lived so very much longer in the world than we had then, and which is useless now, because one sees all too late what one might have done for others.

These experiences and reminiscences of mine may seem out of place here, but they really are not. I shall in this book, as in my last, speak only of what I have experienced; and I am so convinced that when house-moving is done heartbreak must ensue that I dwell upon this aspect of the case in order that the first house may not be left capriciously, but only because it is absolutely necessary to go elsewhere.

I have always felt myself, unsentimental creature though I am, that a house absorbs some of one’s own personality: that the very walls we warm with our breathing, living selves, and among which we spend our lives, and allow ourselves to be ourselves without any company veneer, must in some measure become impregnated by our vitality. You may, for example, re-paper and re-furnish your room, but in a very short time that room looks exactly like you once more, and becomes again in a week or two—a month, at most—part and parcel of your own individuality. But leave your house, and, if you can muster sufficient courage to do so, go and call on the next inhabitant, and you will see in one moment what I mean. The very room is altered. Your successors may have kept your decorations, taken off your ‘fixtures,’ and gone on the very same lines as regards furnishing and arrangement as you did, but it will not look in the very least like you, and you will not believe you are in the same room in which you have spent so many happy and unhappy hours. At first, therefore, in any new house you have not only to adapt yourself and your furniture to it, but you have by your individuality to imprint yourself on the very fabric itself.

The last owner’s individuality fades at once; I have seen few empty houses that do not look precisely like something dead: the body is there, but the spirit is absent. And there is a blank awful chill about such a house that penetrates one’s very soul and depresses one in an extraordinary way; but it takes some time to reanimate the body, and, indeed, in an unloved atmosphere I question if it is ever done. Some folk the house won’t have at any price, and there are one or two places I wot of that are blank still, because uncongenial people have them and are incapable of living up to them properly; they put just the wrong draperies in the windows, wrench the doors round into the wrong places, and finally have hung the very worst colours on the walls, and, indeed, have treated it in such an inconsiderate way that it never responds, and remains silent, angular, unsatisfied, dead, as long as those people remain within its shelter.

Angelina, when she really must move therefore, must remember to think over all these details.

I envy everyone myself who has a really inherited house—a house which has absorbed the family atmosphere for centuries, that has never been passed from hand to hand and from family to family until it has no recollection of who built it or what it was built for; a house for which it is an intense and real pleasure to plan improvements, to deck as one would deck a child of one’s own, knowing that what we spent on it or did for it would benefit and please not only ourselves but those who are to come after us. Yes; hopeless Radical as I am in everything else, I am Conservative indeed in the house I would have if I could; but in these days of progress, when most people grow rich, and many only use their dwelling-place as a shelter, and don’t think of it as a home, I am constantly being pained to see retired city men and lawyers—the two classes which become really wealthy, taking over the delightful places which once owned ‘county families,’ and ruining the society round with their ostentation and the ridiculous airs only found in suburban places where ‘society’ so-called consists of ‘twopence three-farthings looking down on twopence,’ while the poor houses themselves are ruined too by utterly inappropriate furnishing and by decorations suitable only for an ordinary ‘mansion,’ furnished by giving carte blanche to some enterprising and advertising tradesman.

Should Angelina have made her first home in the family dwelling-place, she will never have to learn what moving house really means. She can allow her roots to sink as deeply as she likes into the kindly soil, and she can make it all as charming as she will, because she will know that all she does will only benefit her own; but as there are indeed few nowadays who can contemplate this (for even the absorbers of the old places round London never think of the generation behind them, and often and often cut up the land for eligible building sites, with as little compunction as one cuts up a cake at a school-feast: only taking care it shall go as far as it can), we need not dwell on this aspect of the case, but on the one that should be the motive of this chapter, namely, moving house.

If you are tolerably happy in the neighbourhood you know, pray take my advice and remain there; there are sure to be discomforts of some kind or other in any locality. I have never yet come across anyone who was perfectly satisfied with his or her belongings; certainly I have never met anyone who had not bitter complaint to make about the special locality he or she inhabited, and yet who did not ruffle up their feathers the moment any stranger found fault with it. But a neighbourhood is like a house, and requires locally knowing; and if we are for ever changing our neighbourhood, we can never feel at home anywhere.

No doubt it is an unfashionable idea nowadays, this clinging to one place; but I think, if more consideration were given to the subject, life would be much better than it is at present, for far more good can be done by those who are able to help their poorer neighbours, should they remain year after year in the same place; for they are thus enabled to know them thoroughly, to sift the deserving from the hopeless, and finally to interest themselves in such a way in the real life around them that the place in which fate has placed them is in some measure better for their having made their home there. And this cannot be done satisfactorily by mere birds of passage, who have no ‘vested interests’ in the place, and are ready to be off at a minute’s notice, just because they think a change would be nice.

And once having made up your minds that a change of house is imperative, I advise you to ponder seriously and at great length over the pros and cons of a residence in the same neighbourhood, before finally determining to plant your roots elsewhere. I think what makes a residence in the suburbs almost unendurable is this mania for change, for we no sooner begin to know people there and like them than we find they are becoming uneasy; they fancy the place is unhealthy, someone has been rude, the nicest people have not called—as if the nicest people ever did rush to call without introductions of some sort or other—and they are off impatiently before they have entered into the life of a place they condemn ruthlessly because they do not really know what it is like.

How long does it take to know a place? Well, if you are lucky enough to go there with really good introductions, I should think six months; if you know no one, and are dependent on chance, or the vicar of the parish, you may never know it at all; but, in ordinary cases, and where people have had their edges clipped by really good society, you ought to know quite as many people as you wish to in about three years.

Therefore, if you have begun your residence in the suburbs, and have a nice church, a nice doctor, and nice friends, stay there; you don’t know how deeply your roots are planted until you begin to drag them up. If you are a Londoner, on no account be persuaded by artistic accounts of country delights to leave your beloved pavements and the exquisite freedom of a town life and surroundings: and if you are born and have lived among cabbages and roses—if you love the country, and can interest yourself mildly in the continual changes that are going on around you in your neighbours’ houses and the cottages round about—remain there; and be thankful for tastes which are innocent if they are circumscribed, and often result in a far nobler life than that made up mostly from excitement and dissipation; because anyone who can and will live cheerfully in the country, making work for the labourer, and employing folk in pure air, and in decent habitations, does much more for the human race than he wots of, and should be encouraged to do so in any manner that one possibly can.

I am often being told that the country is a far cheaper place to live in than London; but I have tried both, and I know better. In the first place, in London you can do precisely what you like, and, provided your likes are not openly eccentric, no one will interfere with you. You can have ten friends or ten thousand acquaintances. You may wear one dress as long as it will hold together, and no one will doubt your capabilities of being respectable because of your shabby attire. You may get up when you like, go to bed when you like, need not give to any charity if you are not charitably disposed, need not keep a carriage, because you can at any moment hail any vehicle, and go anywhere you like; and, above all, can be so easily amused, and at so cheap a rate, that one need hardly put down ‘amusements’ in our schedule at all.

Now in the country we must have some sort of a carriage if we wish to get outside our own immediate neighbourhood and mix with our fellow-creatures; from the humble ‘four-wheel’ of the farmer’s wife, and the curate’s donkey-cart, to the landau, waggonette, or smart little victoria of the other richer folk: all must have some other means of progression than would be afforded by one’s own legs. Our incomes are common property, and, should we have two new dresses in the course of the year, are a prey for all those dear creatures who spend their time in being charitable on other folk’s money. We must have a garden, and we obtain a scant supply of worm-eaten fruit, inferior flowers, and out-of-season vegetables, at a price for which we could have obtained the very best stores of Covent Garden—for by out-of-season I don’t mean that our pears and asparagus come before their time, but considerably after the period when they have become cheap in the market in London; and, finally, we cannot be amused without half ruining ourselves by constant rushes to town, by subscribing largely to Mudie, and by taking in every newspaper we can lay our hands on if we are readers, and if we are fond of finery, by sending for constant new garments, not because we want them, but because we really want to see what is being worn. Of course rates, rents, and taxes are much less in the country; but rent in London is less than it used to be, and in unfashionable neighbourhoods is not too exorbitant; but even with the rent considered, I still maintain one can live more cheaply in London than elsewhere, and can most certainly live longer there and far more pleasantly.

So I do most strongly advise country mice to remain country mice, unless they make the change very young; and I implore town mice to cling to their pavements, for nothing short of a residence for generations in the country can teach one how to live under the microscope which is put over one the moment a stranger goes into the country to live, and nothing save being born to it could ever reconcile one to having one’s most intimate personal concerns discussed at the bar of every public house, over every shop counter, in every parlour, as they are discussed in an ordinary rural place, or to having one’s most innocent speeches repeated until one would certainly not recognise them, did they return to us after their last repetition.

I declare that twenty years of residence in and about the country have never reconciled me to all this, or caused me to take the profound interest in my turn in my neighbours, in the way that aborigines do to reconcile and repay themselves for their own sojourn under the microscope, and which a country born and bred individual takes as naturally as he does his absence from the theatres, and his utter lack of interest on any other topic than the ever-absorbing one of ‘who is going to marry whom,’ or who is not, and what the curate’s last baby was called, and why that special name was selected; and, therefore, I never lose an opportunity of warning the ducks to remain in the pond, and the hens in the farmyard where they were hatched, for I am quite sure my experience is not a solitary one by any means, and has often been the fate of those who went into the country because no one warned them that the delights thereof were mere snares and delusions, and who would give anything to return, only they cannot afford another move.

And I have no doubt that the country mice are as miserable in the town in their turn: they miss the intimate conversations, the familiarity of their friendships; they pine for fresh air, and weep over ‘smuts;’ the noise and bustle we love so dearly bewilders and distresses them; they object to putting on gloves and a bonnet whenever they go out, resent being unable to ‘run in’ at any moment to their acquaintances, dread the streets, see disease lurking at every corner, in every glass of milk, in each vestment fresh from the laundress, and, pining away, become pale, ill, and wretched, and put it down to London, when really the misery lies entirely in themselves.

Have I said enough to show my readers that when they are contemplating a move they should do their utmost to remain in the same neighbourhood, or at all events in one with the main workings of which they are in a measure familiar? I think so; and if at the same time I tell them to remember the church where their children were christened, the doctor who helped them over so many hours of pain and trouble, and finally the friends they made—and old friends should never be given up on any account whatever—I believe they will see that a change even for the better has always its trials, and that a great many things should be considered before up-rooting takes place, and a family is landed in an entirely new locality, that, be it as nice as it may be, has its own interests, in which the new-comer has neither part nor parcel, and its unwritten laws and small rules of etiquette, which are as rigid as they are incomprehensible to an outsider.

I think in every neighbourhood there should be also some agent to send out lists of all the pros and cons, the ins and outs of a neighbourhood, which should show you at once the number and styles of the different churches, the state of society (it could be ‘young,’ ‘army,’ ‘lawyers,’ or anything almost), the schools, the advantages and disadvantages, and, in fact, all the particulars one wants to know. They should truthfully and in confidence give one all the required information, and then one would not run the risk of making mistakes. But as this seems impossible, a residence for a short time in a furnished house (one’s own house could in turn be let to some one who wants to investigate our neighbourhood) should be indulged in. A very few weeks would inform us of all we want to know; for even if we did not become acquainted with one soul personally, we should have looked at the people and taken stock of their windows, from which I think one can always learn so much, and can quietly make our own inquiries about schools, churches, and the rest of the vital points of interest about a new residence, and come as quietly to the conclusion as to whether the neighbourhood will suit us or not, before going to the expense of moving and decorating to suit ourselves and our belongings—an expense which once incurred often binds us hard and fast to a place from which we would give our ears to remove.

Then comes the question of the house. This should be large enough to take all the family and allow for any possible additions; but at the same time Angelina will have to remember that when the boys are at school there will always be a room for a friend, and therefore the question of spare rooms is not such a vital one as it was. She will also have to legislate for the girls’ own room—probably a room for a governess, though a resident governess should be avoided unless the house is a good size, and unless she is an absolute necessity. There is the schoolroom to think of, and she must contemplate—perhaps ruefully—the nurseries, with an eye to adapting them to another purpose, when that saddest of all days comes when we cannot deceive ourselves into believing a nursery is any longer necessary, and we have to turn our backs on our youth and the dear small child-inhabitants at the same time. A house without a nursery is never as joyous or lively as one that possesses such a room, and it’s no use trying to believe this to be the case. Still it is equally of no use to set apart the best room in the house for that most pleasant of all chambers, if there is no chance of nursery children, and if all are merged into the young gentlemen and ladies, who are fast growing up and eagerly longing to launch their boats on the sea of life for a cruise of their own.

When the house is positively and actually selected and the move imminent, when the lease is signed and the decorations are in train, the first step to take is to get several estimates from firms who are accustomed to do nothing else save move furniture. In nothing does price fluctuate so much as it does in these estimates, and when we moved from Dorsetshire to Shortlands there was actually and positively a difference of 100l. in the highest and lowest of the many estimates we had, the person selected being just 100l. lower in his price than the man who made us our first offer.

To move luxuriously we should have taken house number two for a quarter before we are obliged to leave our own. Of course if we could persuade the landlord to let us have it for six weeks it would be better; but not many landlords are as accommodating as this, and unfortunately many of us cannot afford a double rent even for such a short space of time. Still an effort should be made, as undoubtedly much is wasted in a hurried move—in an enforced turning out on quarter day into another house on the same date.

It is only people in very straitened circumstances who accept in these artistic days of ours the landlord’s scheme of decoration. Formerly there were no ideas in the head of an ordinary paterfamilias on the subject of paint and paper, and as long as all was clean and in good condition he did not agitate himself in the least about his surroundings as far as mere colour and ‘decoration’ were concerned, and he cheerfully spread his Turkey carpet and placed his heavy sideboard and mahogany table and chairs in position, regardless of the fact that the ‘good’ flock paper and vulgar graining made up a tout ensemble as utterly depressing as it was tasteless and absolutely without character.

But now, I am glad to think, what is already in one’s possession governs in some measure what alterations are to be made, and as fate never yet was so propitious as to put one down straight from one house into another which was exactly decorated to our taste, we may be quite sure that there are many things to do to any place to which we may contemplate moving; therefore I say if possible let the two leases, i.e. of your present and your future house, run side by side for six weeks at least: so shall you move comfortably, and be able to make those alterations that are perfectly sure to be necessary.

A new house should never by any chance be entered in the September quarter; it is astonishing what an amount of coal and reckless expenditure of gas is required to obtain even moderate warmth in a new house; and furthermore most appalling discoveries are apt to be made, as soon as the fires are lighted, of the manner in which floors, doors, and window-frames are capable of shrinking the moment warmth penetrates the place; these we can circumvent in summer, but the winter is not a time to run any risks of discovering that the more we try to warm the house the wider open gape the cracks in all the woodwork, and that nothing we can do will really warm a place, more and more exposed as days go by to the four winds of heaven. Therefore, if the future house has never been lived in, enter it in June, or even in March; there will then be ample time to find out all faults in the structure before the winter arrives with all its concomitant miseries.

Delightful Mr. Aspinall, for whose existence I can never be sufficiently thankful, has made house decoration mere child’s play compared to what it used to be; and, armed with his paints and a written description of what each room is to be like when done, the foreman can be left to his own devices, and the old house can be returned to with a safe conscience; for if careful selection has been made of each paper and its own particular paint, no risks are run of finding, as I found when I made my last move, that owing to the peculiar freaks of the painter there were seven shades of blue in my hall, and another separate shade of the same colour in a bed-room that was designed for a gem, and was becoming under the wretch’s brush the exact shade of a butcher’s apron, which was his own idea of a complete match to the ‘Berry’ paper—really a good hedge-sparrow egg blue-green! If only he had had Aspinall’s neat little tins, I should not have had to stand over him all the time he mixed his paint, and most of the time he was applying it, and could not see at the last that he was wrong and I was absolutely right. So if those about to move will leave their decorators instructions to use Aspinall and nothing else, they can be absolutely sure that their paint will be right, and not a perpetual eyesore, as it almost invariably is when left to the tender mercies of the ordinary decorator, who considers he has an eye for colour, and is as obstinate as half-educated people invariably are.

Briefly, then, the first thing we have to do when we contemplate moving is to really make up our minds that such a step is absolutely necessary, because no one who has never moved can understand the mental misery caused by tearing up one’s roots even from an uncongenial soil; secondly, to carefully select a house likely to be our home for the rest of our lives; thirdly, to still more carefully choose and put in train a scheme of decoration that will harmonise in some measure with our cherished possessions; and fourthly, to endeavour not to be forced at the last to move hurriedly or into a new house in the winter. Once these details are remembered and enforced, the real process of moving may begin, and be got over as soon as the new house is ready for the inmates.

The mere move itself should be left entirely in the hands of the people employed. Personally, I recommend for any one in the suburbs Bachelar, of Croydon, who moved our furniture most successfully in the south of England. Peace, of Bridgewater and Bournemouth, is equally to be commended. Unfortunately, I know no one in the north, but I have no doubt there are many firms there; but in any case all should be written to, and estimates should be carefully considered before definitely selecting any one from among their number; but all one’s belongings should be in covered furniture vans: open vans or railway trucks are ruination, and should never for one moment be used; and no estimate which includes moving any of the ‘goods and chattels’ in open trucks should be considered seriously, as even the roughest furniture suffers considerably by being carted about in this primitive manner, and is spoiled to a far greater extent than the mere difference between the two kinds of conveyances would pay for.

The books and pictures should be packed first, and unpacked last; the carpets should be rolled up, after a good shaking, with camphor-bags inside, even for the shortest transit; the straw, &c., used in packing them in the most carefully supervised vans having been proved a most comfortable home for small and teasing animals, which, discovering that carpets, pillows, and beds are warmer and more comfortable on the whole than straw, forsake their habitations for eligible residences among our properties if we have not made them unbearable with camphor and a good sprinkling of Keating’s insect powder before they leave our hands. Each room-full of furniture should be placed ready to be again put down in the special room for which it is intended. The carpets should remain rolled until the last of the movers is departed; then after the floors have been most thoroughly scrubbed with carbolic soap, the carpets should be well beaten, and should be relaid if possible by the hands of some ‘professional,’ for on the proper laying of a carpet depends far more of the wear than we quite realise. The best furniture mover cannot resist—please remember this!—the exquisite temptation to which he is exposed to stuff up odd corners, and to prevent shaking by making ‘buffers’ out of our pillows, cushions, and odds and ends generally; and as he furthermore has most excellent wrapping material in blankets, small rugs, and other similar trifles, the amateur must come to the rescue of her goods, or the professional packer will be much too strong for her.

In really well-organised and well-managed households each bed pillow and mattress should have its loose and washable cover sewn tightly over it of whitey-brown crash; these covers should be washed every year—if possible, every six months, and if these are arranged for they will in a great measure protect our property from the dirt and certain amount of almost indispensable damage, which would accrue to them were they left to the tender mercies of the remover, who would at once use them as mentioned above, and would not disdain to walk upon them cheerfully, did they seem to require more pressing down than a mere arrangement with the hands would effect; but if they are not so defended before the move is actually in progress, these covers should be made, or else great sheets of coarse crash, such as is used for packing purposes, should be strongly sewn round them, or inevitably we shall have to send all the bedding to the upholsterers to be ‘re-done’—i.e. picked over and readjusted, and the ticks washed also. The blankets must be even more carefully protected. I have seen them wrapped round iron bedsteads, and large mirrors, and with boots and even knives inside their folds, and in any case they are ruthlessly annexed for packing purposes. Now to circumvent this I strongly advise that space should be left at the top of the box of each person inhabiting each separate room, and into this space the folded blankets should go, to be ready for use at once, and to be out of the way of the ‘ravagers.’ The clothes that should have occupied the space in the box can be most safely left in the chests of drawers and wardrobes, for ‘personal property’ of all kinds is invariably respected, and not the most ruthless of packers would dream of enfolding grimy objects in body linen or even among the folds of heavy winter dresses. These are invariably left exactly as one last placed them, and are emphatically respected, while even new blankets appear to have an irresistible attraction for them, and are annexed at once, while venerable ones suffer in the most appalling way conceivable.

It is absolutely impossible to move in anything like comfort or peace unless the juvenile members of the family and their nurses are ‘boarded out.’

It is astonishing how very kind people are to each other when this trying work is proceeding, and there are few among us, if indeed there are any, who are not possessed of relatives, or at least dear friends, who will stretch their houses to the extent of taking in some of the children for the inside of a week; but if there are none on whom we can rely, the children should be sent to an hotel, or lodgings should be taken for them for a week; for if this is not done we should be quite sure to be driven mad by them, by the utter helplessness of their nurses, and by the certainty that we should have them all ill from the draughts, the scrappy meals, the uncertain hours, and the thousand and one absolutely unpreventable events that are familiar to every mother, and therefore need not be detailed here.

Let us suppose, therefore, that our move is to commence on a Tuesday, an excellent day, which leaves Monday for our private packings, for the men to pack the books, china, and ornaments (the number of my possessions in these several ways always eliciting most amusing comments), and for us to clear out the children and nurses; these latter, by the way, should have carefully packed all the children’s things the week before in boxes marked ‘Nursery’ in large chalk letters, and should take with them to their lodgings only what is absolutely necessary. We will then proceed up-stairs, put all the blankets away as suggested just now, see our garments are so bestowed that they are safe, the silver and jewellery in the charge of the man-servant if there be one, in the charge of the parlour-maid if there be none, and then we should see placards are up in each room, inscribed with the name of the room into which the things are to go; and our task at the other end will be much simplified if we also attach labels to each very heavy piece of furniture, taking care similar labels are already placed in a prominent position in the rooms they are intended for.

The packing of a big house takes about two days, and on the evening of the first day two of the servants and one of the household, the eldest daughter if possible, should go on to the new house; if, however, there is a long journey before them they should start almost as soon as the vans come, as the first will arrive Wednesday morning at the new abode, and someone should be there to receive it. The mistress and master should remain until Wednesday night, when they too should go on to the new abode, travelling by night if necessary, and the oldest and trustworthiest servant should be left to see the house is cleaned down by a couple of charwomen, and to hand the keys to a representative of the landlord, who should go over the house with an agent on the side of the remover to see all was left properly and undamaged by the out-going tenant; then the maid or man could rest at a friend’s house or at the local inn, and join the rest of the party on Thursday morning.

It is absolutely necessary that a separate hamper of food ready cooked and sufficient to supply the household for three days should be sent on with the first batch of domestics, and the hamper should contain kettle, cups and saucers, plates, and knives and forks, besides the actual food. The cook will not be able to be spared from putting her belongings in order to cook eatables, but an ample supply is necessary; for, as all will be working hard, all will require sustenance. This hamper should be at once put into the larder in the new house, the door locked, and the key kept by the servant herself.

The contents of the servants’ bedrooms, the kitchen, and one sitting-room, and, if possible, one bedroom besides, should be despatched first, and as each article is brought in someone should seat herself on a camp-stool in the hall and should call out ‘Dining-room,’ ‘Servants’ bedroom,’ ‘Blue room,’ or otherwise name its destination; so will the movers avoid the pleasing sight, that met my eyes when I moved last, of the complete contents of three rooms placed higgledy-piggledy in the centre of one chamber, heaped up like ‘leaves in Vallombrosa,’ where the wretched painters were dawdling over their work still; the painters who had caused this chaos by insisting that none of the other rooms were ready, though none were as absolutely unfinished as that in which they had arranged this pleasing reception for me.

Thank goodness, my rage was so extreme that I turned them out neck and crop, else, verily, I believe they would be here at this very moment; but I always determined to use my own sufferings as a warning to others, and I relate this experience in the hope that no one will attempt a move until the painters are out, and unless they will manage it on the lines here laid down for them.

The men who move are always supposed to lay carpets, hang pictures and curtains, and replace the books in cases. Whenever money is a very great object—and, in that case, no move should be contemplated unless it were a matter of health or the bread-winner’s change of employment—I strongly advise that they should do nothing of the kind.

In the first place, the carpets should not be placed until the last man has departed; and in the second, it is infinitely better to have not only a regular carpet-layer, but a man accustomed to hang pictures and arrange brackets, mirrors, &c. I personally have a great many pictures and odds and ends, and I have twice had a most excellent man from Shoolbred’s on these occasions, who came properly provided with nails, copper-wire, and all necessary tools, and who, for a little under 3l., quietly, swiftly, and skilfully placed the pictures, &c., in their places, with just a very little supervision from me; for, like all those who have no regular art education, he had the usual mania for hanging everything ever so much higher than it ought to be—a mania I most successfully and promptly combated! But beyond this, and giving him a few directions as to the placing of the pictures in due order, I left matters to him; and in three days—for, like an angel, he remained his Saturday half-holiday at my urgent request—all the walls were decorated and finished properly, which they could not have been in double the time had I been forced to rely on the help of those in the house.

The china and books should be the last things arranged, and this cannot be completed, I fear, in the week; but, thanks to my plan of short curtains and no blinds, any window can be arranged in exactly ten minutes. For, of course, the slight brass rods should be in place before the move begins; and the carpets being square are laid in about half an hour each, the carpet-layer going swiftly from room to room, and the maids replacing the furniture, with the help of a man, as he leaves the room; and as once curtains are up and carpets down the worst of the battle is over, we may, perhaps, even arrange the china and books before Sunday, and so spend in truth a real day of rest.

I have all the decorative china arranged on a tiny folding-table we call a choir-table, because it is brought into use for choir teas and other similar festivities, and from this are picked out quickly and easily the distinctive pieces devoted to each room: the book-shelves are up, and then the books, being packed in something like order, are arranged, and, in consequence, carefully done. A move need never take more than ten days; and it would be simply indefensible were not the house absolutely and completely straight in a fortnight; and, above all, let the servants’ apartments and the nurseries be put in order first. Servants, as a rule, are far less able, both by temperament and education, than we are, to bear being ‘put out of their ways,’ and being over-worked and over-tired resent, as no really trained and well-disciplined nature resents, the small discomforts that we know will soon be entirely forgotten, but that are apt at the time to cause friction, and, if not properly legislated for, may even lose us a good and valuable servant.

And, inasmuch as we have had an education and advantages, and inherit in some cases the disciplined nature of forefathers and mothers equally disciplined and educated, we must show that we have profited by these said advantages at such times as these; and whereas we know that our maids have had none, we should consider them, and look after them much as we should after children, being quite sure we shall be rewarded after our struggles by cheerful faces and willing arms, that are twice as cheerful and willing as they would be did we not remember to tell them how tired they must be, and to see they have extra food, and a small amount of coddling even, to carry them over the present stress of work.

The children should not return until one sees their rooms are dry and warm and straight. This, like all the rest of the move, must be done by organisation, and the rooms could be properly ready by Saturday night; but each maid must be told off to the different rooms, and the mistress and her daughter (and I do hope, for her sake, she may have that most invaluable of all possessions—a grown-up daughter) must never relax their supervision, else sundry gigglings and rompings about will hinder work, and denote that, like most young feminine creatures, the maids are disorganised by the presence of the opposite sex, and are endeavouring to combine amusement and work in a most unsatisfactory and impossible manner.

The master of the house, poor creature! will confine his energies in most cases to paying for the move, or, if he be very exemplary, after arranging the wine-cellar he will see to the books and help with the pictures. I have even heard rumours of men who are most useful and helpful at similar crises; but as I have never yet found any male rise above the discomfort sufficiently to be of real use in the matter, I must put down this as a mere rumour, only hoping that it may be true. He is, however, invaluable when it comes to managing the men who come to move, and should be considered angelic if he does not grumble over his scrappy dinner, or resent the fact that, unless he can go to an hotel, he is not likely to have any decent meals for at least three days—a fact a woman rather enjoys than deplores, as she recognises that for those three days at least there are no orders to give and no regular planning of food to be done.

The first few days in a new house are replete with misery. On the commencement of our tenancy we are literally besieged by the tradesmen coming to endeavour to secure our custom; but we should be wise if from some friend we were to obtain a list of those who are really reliable, until we are able to send round to the butchers, and obtain lists of prices from all for comparison, and have time to discover which of the local grocers will serve us at co-operative prices for ready money. But under no circumstances do I advise allowing a grocer’s man to call for orders: a grocer’s bill being the one of all others that is liable to swell to gigantic proportions. The moment a daily visit is permitted, the maids appear to rack their brains to see what they can order, and I have saved myself at least five shillings a week since I put a veto on the daily call, which seemed a signal for them to discover that hearthstones, vinegar, treacle, and similar ‘intangible’ objects were required; and by ‘intangible’ I mean articles that might be wanted, as it is impossible to regulate the supplies of these as one can other goods; and as I have had far less of all since I send a written order to either Shoolbred or Whiteley—whose men are not naturally in the least likely to press for orders, and whose sole duties consist in bringing the things, and receiving payment for the same—I strongly recommend all housewives either to deal with them, or to go to the local grocers themselves, and at once impress on them that no orders given in the kitchen are to be attended to under any pretext whatever.

The tradesman difficulty is the first misery, and then come the miseries of making acquaintance really with our house and surroundings. We are sure to discover a thousand small vexatious omissions in the house itself, and above all—‘miserere mei!’—will we see with dismay that the furniture which looked quite beautiful in our old home has suddenly, and in the most unprovoked manner, become absolutely shabby and miserable.

This is an unanswerable problem, but it is a fact, and I can only account for it by suggesting that the new paper and paint are to blame, and that the sooner we get our furniture done up and rejuvenated the sooner shall we become reconciled to our new house; but, of course, this costs money—at a time, too, when money has been flowing away a little too freely to be pleasant—and, no doubt, we may have to wait: another reason why a move is trying, and why, like marriage, it should never be undertaken lightly or unadvisedly; and at first we must make the best of our surroundings, being duly thankful for the square carpets and the light short curtains that save us so much piecing and planning, and looking forward to new cretonne and tapestry as soon as we can afford it.

Then comes the misery of making new friends; and here I would say a word of warning to those who go to an entirely unknown place, and have absolutely no introductions. The best and nicest folk do not rush to call on new people unless they have some knowledge of them; therefore wait a little and ‘gang warily’ before accepting as your fidus Achates the first lady who enters your doors, for doubtless her call is caused by curiosity, and because she has but few acquaintances and wishes ardently to have more.

Of course, if you have an immense house and heaps of money, everyone calls on the house and on your income, and you can soon discriminate for yourselves who is likely to be desirable and who is not; but the ordinary householder should be very cautious about the acquaintances she makes until she feels her feet, and can find out somehow—it is from the clergyman and his wife generally—who is who, taking care in her turn to tell enough of herself and her forbears to show that she is respectable at any rate, and obtaining in due course the same sort of information about those with whom she is surrounded.

In London—dear, lovely, unsnobbish London—one can do absolutely as one likes about everything, and nowhere is society as good as it is there. In the country the very best society is dull. In London one can meet with the only society worth having, in my opinion: the society of those who either in art, literature, science, or politics have ‘done something,’ and are making the history of the world. From this country folk are absolutely debarred: another reason, dear readers, why I say live in London, if you can in any way contrive to do so, and do not leave it on any pretext whatever. But as man must associate with his kind or perish, no doubt there are compensating elements in country society that are evident to those who have lived among it all their lives. At any rate, we can live more unselfishly in the country, and do more good to those of our poorer brethren than we can in these crowded streets, where they are nothing to us save a probable source of infection, and a certain source of annoyance and dread.

To sum up this chapter briefly, then: let no move be made, unless such a course is absolutely imperative; let it be done in order and with regularity; and make no rushes into friendship in your new neighbourhood until you have discovered who is who, and made due inquiries on this subject; and, above all, under all circumstances, if fate has absolutely obliged you to make that particular move, make the best of it, and don’t always either mentally or openly contrast your present abode unfavourably and bad-temperedly with your last location. You have to live where you have pitched your tent: therefore, bad as the place may appear to you, try and smother your feelings until use has made you reconciled to your new surroundings, even if ‘home’ has not asserted its charm and caused you to become fond of the place, because your best and dearest are there with you. It will be an effort, I can assure you, to do so, but if you are strong-minded enough to suffer in silence, you will be repaid for so doing a thousand-fold.

CHAPTER II.
HALLS AND PASSAGES.

The first part of the new house that should be attacked by the decorator’s art is undoubtedly the hall: and as undoubtedly it is here that the ordinary speculative builder surpasses himself; for, as a rule, the moment one opens the front door one falls up the staircase, or else one is confronted by a long, hopeless passage, which strikes a chill into the stoutest heart, especially if the owner of that heart has not had much experience in the art of ‘how to make the best’ of a very bad state of affairs.

But in these days of ours nothing in the way of amelioration is impossible; and, indeed, were I given carte blanche I would undertake to make the most hideous, square, ‘impossible’ house a bower of beauty. That sounds very egotistical, but I really do not mean it to be so; I only should like to impress upon my readers that never before has so much attention been given to decoration of houses as is given now, and that by the aid of carefully planned woodwork and by using arches on the plan of the Moorish fretwork first introduced by Liberty, a square room can be made picturesque, and a long narrow passage pleasant to contemplate, by simply putting up a series of slight arches, or else by curtaining off portions of it by aid of simple wooden partitions, such as are illustrated on page 25. I am very proud indeed of this sketch, as it was made from a brilliant inspiration of mine for a house where the instant one opened the door leading into the street, one was confronted by the stairs on one hand, and a long uninteresting straight passage on the other; and I was indeed pleased when I suddenly saw that a couple of arches could be cut out from what might have been a partition placed along the foot of the stairs from one side of the hall to the other, and that the arch at the stair foot could be curtained by a double curtain or pair of curtains, which would fall together when anyone raised it to go upstairs; while the other arch could be draped either to the left or right with a heavy piece of material according to the position of the wall, or whether there is anything in the way of a cupboard or door to be concealed.

Treated in this way, the ordinary tiresome little hall of a London house is metamorphosed, at once, and, as the wooden framework can be so arranged that it can be screwed into the wall and so be made removable at will, I am quite sure this notion of mine will ‘catch on,’ as the Yankees say, more especially as Messrs. Wallace & Co., of Curtain Road, E.C., are willing to erect it ready painted and varnished at about 1l. a foot; that is to say, if the

passage were six feet wide the arches would cost about 6l., if twelve 12l., and so on. The arches could be enamelled to match the hall decorations, and the curtains could be of some heavy material like the ‘Elvira’ tapestry, or the beautiful jute velvet or Bokhara plush, which is undoubtedly the material for draping, while even the humbler serge is not to be despised; but in this case the curtain in the stair arch should be made double and very full, a great deal of the appearance of this ‘notion’ depending on full graceful curtains and proper draperies.

It would even be possible in a hall arranged like this to have one of the hideous hat and coat rails which die so hard; but even here I again repeat my warning against these monstrosities; they can never look like anything save Bluebeard’s wives hanging up against the wall, and are always a temptation to the gentle burglar or the common area sneak who delights to make off with coats and hats even if he can find nothing else; but if the master of the house declines to allow himself to be educated up to keeping his garments out of sight, he may be humoured by allowing him a place behind the hall curtain, which should be then properly draped in such a manner that the coats and hats would be completely hidden; a china or brass receptacle for umbrellas could be put on the other side of the convenient curtain also, and so all these most undecorative items will be put out of sight, thus causing the arches to be as useful as they are undoubtedly ornamental.

In many houses the staircase goes up at the side and does not face the front door, and here, too, the arches come in with great effect. I mean in those houses where there is a straight passage from the front door to a room opposite which faces the door and so ends the house; in the passage there are usually two doors, one on either side, belonging to the dining and morning rooms, the end room being often enough a small back room, or, as was the case in our house at Shortlands, even the drawing-room itself; there the passage opens out on the right hand and discloses the staircase close by the door and a passage leading to the lavatory; here the arches conceal the staircase at once and also the latter arrangement, and make a decoration out of what is always to me a great eyesore. In one case where the arches have been erected the passage led to the servants’ pantry, the door of which always stood invitingly open, disclosing sink and washings-up generally to the eyes of the critical caller; the curtain conceals all that now splendidly, and the whole arrangement gives an idea of space and ‘veiled possibilities’ which is really marvellous.

When we came to our present abode the hall here struck me with dismay, and it was some time before I could understand in the least what could be done with it; it was exactly like a telescope, with a hideous window at one end, opening out on to several dead trees, and what looked like the family washing, with doors appearing just where such doors should be concealed, and, of course, it had beautiful marble papers and graining and a brand-new dado of a dark and hideous design in varnished paper too; the ‘decorations,’ however, I did not consider; but I racked my brains about the long, narrow, awful passage called by courtesy ‘the hall,’ and at last I had an inspiration. I ran a wooden partition across, about ten feet from the end of the place, and behind that put in a hot and cold water arrangement, and made it into a regular cloak-room; opening out another door into that, which previously opened out into a tiny passage leading into the fourth sitting-room, which would have been absolutely unusable had not this been done; and then, by the aid of bent laths and a little plaster, two arches were made in the passage, draped, one to the right, the other to the left, with a ‘khelim,’ looped with cords and tassels; and so I obtained what old Astley used to call a ‘wister’—i.e. a vista—and made a really decorated spot out of a most commonplace passage. Of course all the coats and hats are in the cloak-room, and there is nothing in the hall itself save the buffet illustrated on next page, which is in old oak, and which always looks nice, and forms a place where the cards of visitors can be placed, or the letters from the post, or other trifles; a couple of chairs for emergencies, the gong, and one of Mr. Pither’s beautiful red pots on a bamboo stand holding one of the long-suffering Aspidistras, which will live in draughts, and successfully bear uncomplainingly what would certainly kill at once any other plant, completing the furniture of this so-called hall.

My readers will be amused to hear that since I wrote ‘From Kitchen to Garret’ I have learned a very great

many things; indeed, if I had not, I should most certainly not be writing a second instalment of ‘furniture literature.’ However, as one of these items is undoubtedly about the hall, I am now going to mention it here at once. Reluctantly, but emphatically, have I come to the conclusion that where hard wear is expected it is absolutely necessary to have linoleum of some kind or the other on the floor. Of course a great many well-regulated households are provided with nice tiles, which I can never look at without envy; but as the majority of folks are not so highly favoured, and as most households possess boys, and many have dogs too, I have regretfully discovered that, if a house is to be kept clean and tidy, the hall must have some material to cover it that can be washed daily, and so can be perpetually and properly kept in order. There is a particularly pretty linoleum made by the Staines Linoleum Company in Queen Victoria Street, E.C., which resembles tiny squares of black and white marble, which looks very well down. Of course it is a sham, and as such is to be deprecated, but I cannot help recommending it, as it looks so clean and nice and bright, and would do admirably in some halls; while for those who will not allow any shams anywhere in their houses, nothing looks so nice as the darkest brown self-coloured linoleum put down all over the passages and halls, with some six-foot and even larger rugs about. The rugs must be as large as possible, as little rugs are apt to slip and move under the servants’ feet. They also have a most aggravating manner of turning up at the edges, and becoming shabby; while the large rugs will wear for years, and stand really very hard wear too. These are about 28s. at either Maple’s or Treloar’s, and measure about three yards long by about one and a half yards wide. I say about, as none of these rugs seem to me to be exactly the same size; but this is near enough to give my readers some idea of how many they would require if they elect to put them down in their halls. The smaller rugs are about six feet long, and about four wide. These should have a wide binding sown on at the back, top and bottom, with a few shots, or else those round leaden weights used in ladies’ jackets, underneath the binding to keep the ends down, and prevent the curling which is so unsightly and tiresome in these small rugs, and on damp hall-floors should be lined at the back with American leather.

Linoleum should never be scrubbed with soap and water, for this removes the pattern; but should be rubbed with a wet house-flannel to remove the dirt, and then polished with sour milk and water; plain brown linoleum should be kept in order with linseed oil (boiled) and turpentine mixed. This is specially required at first; for, like all materials which have no pattern on, it shows every footmark, and at first appears as if it were going to wear villainously; but the oil and turpentine soon restore it, and the rugs prevent the usual miserable effect of a plain material, which—I cannot think why—always wears badly if left to itself, and invariably looks untidy and shabby almost before it is down; therefore we may consider it an axiom that, if we are not provided with a good tiled floor, we cannot do better than have either the Staines linoleum to simulate marble, or the plain linoleum and rugs—this for preference. The linoleum should be washed daily with a damp duster, and the rugs shaken, and once a week all should be cleaned with the linseed oil and turpentine; this will double the wear, and insure all marks being quite removed.

Another thing which I have most certainly learned is, that, delightful as felt looks and feels, and that beautiful as are the colours in which it is made, it is absolutely worthless for real wear. I had it laid down in the Watford house, when we went there, all over the halls and passages, and on the stairs too, and was quite delighted with the soft, warm feel thereof, and the appearance was equally pleasing; but we had not been there six months before that wretched stuff became the curse of the household; every single drop of water, every thread, or morsel of dust, every footmark showed; and from morning until night something had to be done in the shape of brushing and dusting, and, even then, we were never clean and never tidy. And then, in addition to its other sins, if the abominable material did not begin to go into holes; all along the edges of the stairs tiny white spots showed where the under felt was working through, and before a year was out all the wretched stuff had to be removed, and replaced in the hall with dark brown linoleum and rugs; and on the stairs by Pither’s beautiful dark-blue blossom-patterned Brussels carpet, which after a year’s hard wear looks really better than it did the first day it was put down; and I can never understand how anyone can ever recommend felt, as I am convinced it is absolutely worthless as a floor-covering, and that nothing can make it at all satisfactory; and as I still see it in shops, and notice it pressed on the attention of those about to furnish, I consider it my duty to warn my readers against it, for if they succumb to its fascinating appearance, they will inevitably suffer from its possession in the same way that I did.

Another thing I most strongly advise my readers to possess themselves of, if in any way they can, is a really good stair-carpet. There should be no fidgety border or differently coloured pattern on them to attract the eye and tease the brain, but there should be merely a simple pattern in the lighter shade on a darker ground; this always looks well, and at the same time does not tire one as an accentuated pattern invariably does. I therefore recommend Pither’s excellent Brussels and Wilton pile carpets, 27 inches wide, the one at 4s. 6d., the other at 7s. 3d. the yard, for they are absolutely faultless, both in design and colour, and can be as absolutely relied on both for wear and appearance. Wallace & Co.’s ‘Stella’ Brussels at 3s. 11d. would be nice, if expense is a very great object, and their Burmese carpet with a design on is also to be recommended, and no one can go wrong about their stair-carpets if they make a judicious selection from these four qualities and designs. I am perpetually asked for a really good artistic and satisfactory carpet at a very low price, but I as often reply, You might as well ask me to supply you with a really good diamond necklace for a few shillings, for such a thing does not exist. You can get very artistic-looking carpets for a little money; the Burmese carpet is ridiculously cheap and very satisfactory, but for real hard wear Brussels or pile must be chosen, and for a really good thing one must always pay; and it is far cheaper in the long run to buy what is really good than to be perpetually vexed at the wear and tear which invariably surprises and annoys us, come when it may. I therefore very strongly advise all who can to invest in really good stair-carpets, even if they content themselves with something far less expensive for the other rooms.

Then, too, I should much like to impress on my readers that the hideous glass one usually finds ready for one, either each side of the front door, or else as elaborate fanlights over the doors in the passage, should be removed and replaced by cathedral glass in leaded squares, or by bottle-ends. If, however, this is impossible, though the expense is not great, and the effect thereof is admirable, let the grained and patterned glass be covered by a really excellent imitation of the cathedral glass. This is to be obtained from Graham & Biddle, Graham House, Oxford Street, W., and is floated on glass in the same manner in which the ancient and much despised ‘decalcomanie’ used to be managed, and really has quite a surprising effect; a third way would be to remove the glass and replace it with quite plain, clear glass, covered inside by a fluted curtain of good Madras muslin, in really artistic colours. No one who has not risen in rebellion against the builder’s arrangement of starred or patterned glass can imagine how immensely any place is improved by removing it altogether and replacing it with something else; and though this may appear a trifle to write about, I can assure you that it is only by strict attention to such trifles that one can produce an artistic whole, which shall be entirely and absolutely satisfactory in every way. And, after all, these small matters cost far less than the elaborately draped curtains, the fitted carpets, the giant sideboards, and the other expensive monstrosities against which I am always waging war.

To be really perfect, the hall should be a square space in the centre of the house, where a big fire could blaze in winter, and masses of flowers could greet the incoming guest when dear, delightful summer makes fires unnecessary; and naturally such a hall would require very different treatment to the ordinary long and narrow passage; but if the staircase sweeps out of the hall I should still suggest my arches here. They would hide the stairs—never very lovely objects at the best of times—and obscure the glimpses of ascending and descending legs, which, especially in the long-dead days of crinolines, made going up or down stairs a penance indeed to any one who had to perform the ascent and descent in the face of a numerous company gathered in the hall, besides which a sense of snugness would be given to the whole place, which it could never have were that open space left unprotected, stretching up into the air!

As a rule, the square hall should be treated, as far as mere wall-decoration goes, in the same manner as the passages which lead out of it are treated, but here it would be quite in character, were fresh colours introduced, or the style of decoration reversed: that is to say, if the dado, which is imperative in a narrow passage, were replaced by the same decoration used as a frieze, taking care only that the colours should harmonise: for example, supposing the passages themselves were decorated in brown and gold, the brown being the ‘Kenesaw’ design printed on real brown paper by Essex & Co., Albert Mansions, Victoria Street, S.W., at five shillings and sixpence the piece, the dados being of a really good and strong gold Japanese leather paper, the inner or square hall could be papered in the same manner, using, however, the Japanese gold paper as a frieze; the frieze-rail could be Giles’ picture and china rail, holding big jugs and blue and white china of all kinds, and thus a charming effect would be obtained suitable for the squareness of the hall, and yet harmonising absolutely with the passages which lead out of it.

In such a hall as this the ceiling should be divided into squares; this can be done quite easily nowadays by a series of laths or mouldings made on purpose; this is nailed into the laths above the ceiling with long thin nails. A very good moulding made on purpose is sold by Messrs. Haines & Co., 83 Queen Victoria Street, E.C., at about one penny a foot, and the squares thus made are filled either with a good ceiling paper or else by an admirably decorative material, exactly like moulded plaster, also sold by Haines, and called anaglypta; this costs about 2l. for a good-sized ceiling, and when up all should have a coat of ivory silicate paint, or else of the invaluable and admirable Aspinall enamel, also in ivory, for though builders may argue, and decorators implore, for a heavier and more ornate system of treating the ceiling and cornice, I cannot too emphatically condemn any colouring being introduced into the ceiling and surrounding plaster work in lines, and distracting contrasts of colour, thus bringing the ceiling down on our heads, depressing one dreadfully, and all too often bringing into notice much which would be better left to obscurity.

But my readers must not imagine from the above that I am recommending for one moment the ordinary ugly white-wash, the mere appearance of which ruins any room, or that I am ceasing to love the much-recommended papered ceiling—indeed I am not. Colour of some kind is necessary there as well as anywhere else, but the colour must be ivory, or faint terra-cotta, green, blue, or yellow, and must not be daubed on by the heavy hand of the decorator revelling in golds, and reds, and blues in bewildering confusion, and even introducing dreadful real or imitation oak beams, all well enough in houses where they are part of the fabric, and have the sentiment and beauty of age to defend their existence, but absolutely indefensible in an ordinary London house or small suburban villa, as indefensible as is old oak furbished up in Tottenham Court Road and made ghastly with sticky, varnished paint or stain, when placed in a house that has the nineteenth century and speculative builder written large all over it, in the bulging walls, its vilely drawn lines, and its rawness and newness and vulgarity of style.

For it is no use attempting to have a pretty house unless we are absolutely strong-minded, and begin by forbidding the decorator to do anything but what he is told to do; and it is much wiser to write down exactly at the commencement of our decorations ‘precept on precept,’ ‘line upon line,’ ‘word by word,’ for each room, exactly what we wish the room to be arranged like, putting on paper the name and number of the wall paper, the colour of the paint, and in fact every single thing, so that at the end there can be no mistake; and above all we must not be persuaded out of our own ideas by the builder or by the upholsterer, or by anyone at all, once we have made up our minds what we intend to have, for we may be quite sure that if we are we shall repent it for ever after. I am often much disappointed to find, after I have taken real and elaborate pains to tell people exactly how their houses should be decorated, that they have allowed themselves to be talked over by the builder or the decorator, and that in consequence I am again sent for (at double the expense of course), to tell them how to get over, or in some measure mitigate the horrors that have been perpetrated. ‘It is such a nuisance to run from shop to shop getting all the different papers,’ says one, ‘and the builder had almost the same sort of design in his book, and said his hung much better than those you recommend.’ ‘Oh! we hadn’t time,’ says another, ‘and so we left it to the builder, and now, please, dear Mrs. Panton, do help us again, for the house does look horrid, and we cannot think why,’ and of course I go, and could weep, really weep, over the waste of money, time, and material which would all have been saved had they handed the builder my written plan of decorations and told him that that, and that only, was to be the order for the work.

And decoration is really so easy nowadays, that, like moving, it need only be done slowly and in order to be an absolute success. All that is required from the builder is the plan of each room, you then write to the paper manufacturer for as many pieces of paper at so much, so many yards for the dados or frieze; this is ascertained by simply measuring round the room with a tape; to Aspinall for so much paint (a gallon at 25s. does quite a large room), and then having collected your materials set to work. The painter has not to exercise his genius (?) or discretion (?) at all, he has simply to do as he is told; and, this being understood, one is spared the endless discussions with the builder, who wants to sell you some of the reams of hideous paper he has bought wholesale, and for a mere song, at a clearing-out sale of the ‘Chamber of Horrors’ of some paper-manufacturer, and who makes a great parade of the printed prices at the back of the sheets, trusting that you are innocent of the knowledge that on all papers the regular discount is 33 per cent., and that his own particular stock has been purchased at almost waste-paper prices, because the manufacturer was only too pleased to get rid of what ordinary upholsterers and decorators had absolutely refused to take up; and who is persuasive and pleading, and finally impertinent, when he discovers he has an adept to deal with, and not one of the numerous victims erstwhile so easily bullied or fatigued into putting up almost anything he shows them in order to get rid of and see the last of him.

I think the hall and passage are good spots in which to once more enforce the above details, for all should be done at the beginning, at the entrance as it were, or else the worry and disappointments will be endless; therefore I cannot consider the disquisition in which I have indulged out of place, and I feel I cannot too much or too often impress on my readers the absolute necessity of being sure what they want themselves before sending for the decorator; he must only be the hands to execute the work; and he must be absolutely silent about colours and patterns of paper if the house is to be a success at all. There are several other schemes of decoration that are absolutely successful in a hall, which were not spoken of in ‘From Kitchen to Garret,’ and which can be mentioned here before passing away from the hall altogether, although there are several things still to be said about it; and, indeed, as in all that regards decoration, it is an absolutely inexhaustible subject, as new and pretty things appear daily, and good combinations of colour are constantly suggesting themselves to the decorative mind. For the ordinary long dark passage, I would suggest that yellow and white should be used, nut-brown taking the place of white should there be very much traffic in the place, or should there be necessity for a certain amount of economy; very small halls look nice with Pither’s ‘special’ yellow and white berry paper, at 2s. a piece; a matting dado in plain white with all ivory paint, and Maple’s yellow and white ceiling paper, at 4d. a piece; the matting dado being replaced by Liberty’s nut-brown arras cloth, at 9¾d. a yard, and all ‘nut-brown’ paint, where it is considered desirable to have a darker arrangement than would be obtained by the ivory and white. The arras is very wide, 54 inches, and would in consequence cover a much larger wall-space than the matting does, neither is it so difficult to manage as is matting, but both should be secured at the bottom by upholsterer’s tacks, and at the top by a light wooden rail, sold by Haines, of 83 Queen Victoria Street, E.C., at something under 1d. a foot. This should be screwed to the wall, and could be removed, arras, or matting and all at any time, which it could not be were ordinary nails employed, and a simple (and hideous) paper dado could replace the more expensive ‘properties,’ were the owner to remove and wish to take the dado with him, a plain paper-dado and a tidy wall being all that could be demanded of him by his landlord; beauty and æstheticism are not in the bond that exists between him and his tenant.

Another arrangement would be Pither’s beautiful ‘Buttercup, C,’ at 3s. a piece, and yellow matting dado, and all ‘Mandarin’ paint, and a ceiling paper in red and cream; the ‘berry,’ at 1s., would do quite well with either of these schemes. Pither’s dull red pile carpet would be best for the stairs; and a good many Oriental rugs should be about the hall. Any draperies over the doors should be the dull red ‘Elvira’ tapestry, sold by Wallace, or of Mandarin yellow serge, this, of course, being much cheaper than the ‘Elvira’ brocade, which is 9s. 6d., as against the 1s. 11½d. of the ever useful serge.

If yellow should be objected to—and nothing is so useful or so successful in a dark passage—blue should be the next colour to be thought about, and Liberty’s blue tulip damasque is a most valuable paper for a blue hall. This is only 2s. a piece, and ‘hangs’ splendidly, and a very original effect would be produced by this paper, a high dado of red and gold leather paper, and all dull red paint; the red of the paint to match the curious dull-lacquered appearance of the red in the Japanese leather paper; the stair carpet should be red, and the ceiling paper yellow and white; as a rule Maple’s ceiling paper, at 4d. a piece, is quite good enough for anything; but if people do not mind spending a little more money, Haines has a charming ceiling paper at 3s., in yellow and white, which, being of a more geometrical and better design in every way, would be perfect for ceilings, although, as I said before, where money is an object, the yellow and white ceiling paper is all that is absolutely necessary, and really answers remarkably well.

Should a red hall be desired, Pither’s ‘Buttercup, B,’ at 2s. 6d., cannot be improved upon. Cream or else ‘Scindered’ paint should be used; a red and white matting for the dado, not a check matting, but one which has a red line in it, and dark blue art carpet on the floor, blue and white ceiling paper—Maple, 4d. a piece. Any draperies should be either blue or red, and the ever-useful Khelims would show off admirably in a house arranged and decorated in this way, for their Eastern colourings would appear to advantage against the red and cream walls. This is a bold decoration, but one that looks extremely well, as does even a bolder arrangement, consisting of the ‘Buttercup, B,’ all malachite-green stained woodwork, a dull green matting dado, Burr & Elliott’s (Oxford Street, W.) dull green cocoa-nut matting on the hall and stairs, dull green and white ceiling paper, and draperies of malachite-green serge. All the furniture should be Armitage’s stained green wooden furniture, his high-backed little settle being particularly adapted for use in a hall, where no more furniture should be allowed than is absolutely necessary, unless the hall can, by reason of its size and design, be used as a room, and treated and furnished like one.

I cannot and never do recommend either a terra-cotta or real green wall; the latter is such a nondescript and uncertain colour that the use of it in the entrance appears to me to strike the keynote to the character of the inhabitants, who are thus pronounced uncertain in their ideas, and not particularly satisfactory, and there are so many ‘builder’s horrors’ in the shape of dull, gloomy terra-cotta papers that inexperienced folks are apt to buy simply because the pure word ‘terra-cotta’ implies to a certain class of mind that the paper is artistic and high art, that I am impelled to taboo terra-cotta altogether at once; but if Liberty’s ‘tulip’ and ‘marigold’ damasque papers are bought a terra-cotta wall may be indulged in, though I can never pronounce this as totally satisfactory as are the red, blue, and yellow and brown walls. If the terra-cotta is selected, I advise ivory paint; if that cannot be indulged in, a shade of dull green should be chosen to harmonise with the terra-cotta, and the dado should be either green matting or else of green and gold (dull green and gold, please!) Japanese leather paper; the stair carpet should be green, and so should the draperies and ceiling paper.

A green wall could be arranged by using Liberty’s green and silver ‘tulip’ damasque, at 2s., and dull green paint, and a pale green matting dado, Pither’s dark red carpet, and dark red draperies, the red and cream ‘berry’ for ceiling, or else terra-cotta draperies, and the ‘Stella’ stair carpet from Wallace. This hall would be artistic; but a cooler effect, and one that would be specially adapted for a hot hall, one into which much sun pours, would be obtained by using the green and silver paper, sea-green paint, and all pale green draperies, and a green carpet, using white and green muslin on the windows, and any white and green china to hold flowers and plants that one can find.

Once the papering and painting are done and the stair-carpets are down and the draperies are up, serious attention must be given to the trifles which appear scarcely worth seeing to, but on which depend so much, and which I have spoken about in the beginning of this chapter; for it is of no use to put charming papers on our walls if we leave hideous glass in the doors, or allow our staircase windows to glare at us with strips of yellow, blue, and red glass for edges round a starred centre, in a manner found even in these artistic days in houses where people should presumably know better; and I therefore repeat my advice to my readers to look out for the trifles, and never to rest until all they possess has some beauty to excuse its existence.

Perhaps the most tiresome thing in the orthodox hall is the ordinary long staircase window; but this can be improved at very small cost if a little artistic talent is brought to bear upon it. If it can be afforded in any way the window can be made beautiful by filling it in with cathedral glass in leaded squares, and about three or four really good medallions in stained glass could be hung about. These can be procured from Mr. Pither, 38 Mortimer Street, Regent Street, W. A wide shelf should be placed at the bottom of the window, and china could be arranged there. On the landing could be placed a tall grandfather clock, in such a way that the face faces the hall, and, if there is room, a big palm in a stand adds much to the effect. This would obviate any necessity for draperies, always rather difficult to keep clean in this exalted situation. If this arrangement is too expensive, a wooden arch should be placed round the top of the window, and the woodwork should taper down each side to the bottom of the window (illustrated in Fig. 3), and a soft silk drapery should be caught up on one side. This is confined by a cord, passed over a nail, which can be loosened by releasing the cord; the curtain then falls over the windows, and either obscures the sunshine or the darkness, according to whether it is lowered at night or day, although I should personally prefer to leave it draped and to hang a lamp up in the arch, which could be lighted at night. Plants or china could be arranged along the ledge, and make a charming picture out of what is usually an intensely ugly spot.

Another great difficulty is the usual London landing half-way up-stairs, where sometimes a couple of chairs are put, on which no one ever sits, flanked by a table no one ever dusts or by a couple of palms everyone forgets to water. Here a really clear brain is required to cope with the difficulties; and I have had a sketch done by a friend of mine, who has made a perfectly charming corner out of this generally hideous spot, which I hope will speak for itself, and shows what can be made out of a similar landing with trouble and a good deal of really artistic feeling. In this same house the second door to the drawing-room, which is never used and only looks frightful to those who come up the stairs and see this door first of all, is turned into a cabinet, where various old-fashioned fans and curiosities

generally are kept, the sunken space between the wall and the door itself being amply deep enough for this purpose; and as all doors can be made to open into a room, the deep space can always be on the passage side, the flat side being in the room itself and hidden by a straight curtain, or, by a still simpler process, by taking off all the mouldings, handles, &c., and papering straight over the door, just as if it were a portion of the wall itself.

The simple over-doors, sold by so many furniture houses nowadays, should be placed over the doors, in most houses, in the hall, or else pictures should be hung there; and, indeed, one cannot have too many good pictures anywhere. If real paintings and excellent proof engravings are not to be afforded, do let me beg of my readers to indulge themselves in autotypes or photographs from really good pictures. These look specially well in a hall, and naturally do not serve as dust traps, as do far too many of the Japanese ornaments, fans, skins, and trophies of the chase, which are usually considered appropriate to this remarkably dusty and trying situation. Pictures can be dusted daily; other ornaments require more time and attention, though naturally one would rather have these than nothing, if one cannot afford pictures, in this spot, while the over-doors finish off the hall, and can have the five or six china ornaments, which look well and can be regularly dusted with a long feather brush and duly washed once a week when the hall is entirely turned out.

I most strongly advise the hall to be warmed in some way if it can possibly be managed, and I must own that I never can understand why houses are built year after year without this simple but most important convenience. One need not use a stove because one has it, but it should never be out of one’s power to thoroughly warm the house should one wish to do so, and I look forward to a day I have often spoken of, when women shall qualify as architects, and shall turn their hands entirely to domestic architecture. Until then I suppose we must go on grumbling and putting up with grateless halls, cupboardless houses, and rooms where no provision at all has been made for placing a bed or arranging furniture with common sense, to say nothing of artistic grouping, that of course is absolutely impossible in the ordinary square recessless house with which we are now so very liberally provided by the male architect!

But if in any way possible have a grate put into the hall, or else some kind of stove; of course a grate means a chimney, and this is not always forthcoming when wanted, but a grate is much to be preferred; in the first place it can mean a pretty mantel and over-mantel, and cheerful blazes in winter, and pretty flowers in summer; and in the second, the warmth it gives is separable from the fumes and stuffy feeling that one always finds with a stove, no matter how good it is. Then, too, a stove is hideous, it can’t help being so, and it is frankly frightful; still, if warmth cannot be got into a hall in any other way, a stove must be used, and I think the one sold by Mr. Pither in Mortimer Street, the ‘Eclipse,’ is as good as any; it burns a long time without any attention, and costs very little indeed—I think something like twopence for the twelve hours.

The reason why I impress upon my readers the necessity of a stove is that I cannot believe but that we should be saved an immense amount of illness were we yet more particular about an equal temperature than we are. As a rule our rooms are fairly warm, but in the winter our passages are like ice, they cannot help being so; windows must be opened and the outer doors cannot be kept hermetically sealed, and the moment we leave our fireside or the rooms where we have fires, we get a sudden chill which cannot fail to try us terribly, even if it results in nothing worse; besides which a fearful cold draught comes into our sitting-room the moment the doors are open, and we shiver and throw on more coal—coal that we should not require were the hall warmed as it ought to have been, and which would allow us to even leave our sitting-room door open should we desire to do so. Now our first exclamation to an incoming friend is: ‘Oh, please shut the door!’ and we dismiss him or her with the same pleasing but necessary injunction.

I was delighted to see in one of the papers the other day that there had been a most remarkable diminution in that fatal scourge of our ancestresses—consumption; for I am certain this is entirely due to the fact that we are far more sensible about our clothing, and much more lavish about firing, than our fathers used to be; and I feel convinced, were we to have still more fires, and were we to taboo low

dresses entirely, consumption would soon be a thing of the past. Therefore I cannot, I feel, say too much about the necessity for a stove or fire in the hall, which is certainly neither complete nor sensible without this most necessary piece of furniture; but I suppose we must await our lady architect before these are universal, or before we get a really perfect house, from a woman’s point of view at least. The furniture of the hall must depend entirely on its length and breadth, but once more I beg my readers not to allow of anything approaching the appearance of the ordinary ugly hat stand there; if Edwin will not remove his hideous hats and very ugly coats upstairs, Angelina must conciliate him by having one of the hall wardrobes illustrated here. The first one could go into a corner behind the door, and could be painted to match the decorations, or else could be of either American walnut or oak; the curtains could be of serge worked over in a decorative design in coarse crewels, or else of some pretty tapestry. Complete in art colours with serge curtains it costs 3l. 3s., in walnut 4l. 18s. 6d.; the straight one costs 5l. 15s. in art colours, and 6l. 6s. in walnut; but for the impecunious, and, alas! there are many among us, a V-shaped piece of wood could be put into the corner and screwed there with a straight piece to make a front, from which the curtain should hang down straight; behind this a V-shaped shelf could be placed for hats, and some hooks could be screwed on the wall for coats; but if in any way possible the real thing should be bought—it could be moved to any other house and would last a life-time. These designs are made by Wallace of the Curtain Road, where these capital hall wardrobes are to be had, and which will, I trust, strike a death-blow to the old-fashioned stands, which were as ugly as they were temptations to the ordinary area-sneak to come in and help himself to any coat or hat he takes a fancy to. Instead of the ordinary hall table I again suggest the buffet, illustrated on page 28; nothing looks better, and if a carriage is kept the oak chest, which can be opened like a cupboard, could hold the rugs, while the top could be ornamented with china and hold a big Imari bowl for cards, and a smaller one for the cards left during the afternoon or letters sent by post; a couple of chairs and the high-backed settle spoken of before would be ample for any ordinary hall, where there should be, furthermore, a good mat at the front door, but no small mats in each doorway or dreadful woolly mats about, things which are quite unnecessary and are as ugly as they are tiresome.

It is absolutely necessary that, whether artistic or not, the hall should be scrupulously tidy and as scrupulously clean; and I do not know a more difficult thing than to insist on the former of these two axioms, and to see one’s orders are carried out, especially when there are boys and dogs—those two fatal elements to tidiness and cleanliness, but which are absolutely necessary to the making of a complete house. One may go out leaving a spotless place, with no débris to offend the eye, but one returns to find it scattered over with hats and caps, tennis rackets, bats and stumps, paw and footmarks, and a general air of distracting dirt all over, that is absolutely trying to the eye, that fondly hopes to see what it left; and the only way to cope with the human element is to make a species of pound, into which all is put, and from whence nothing can be extracted without the payment of some small fine. I have known a week’s pocket money go in one morning, but, as a rule, very few lessons are required; the unfailing exactment of a fine teaching even a boy that there is a place for everything and that everything must be put in that place. The dogs and footmarks have to be put up with, and I have known an unhappy kitchenmaid wash the front doorsteps five single times in one day, when the boys have been at home, and rain has, as is usual in Watford, been falling dismally. A back staircase is another thing no house should be built without. This spares the hall immensely, and saves the best stair-carpet, and prevents one meeting the servants as one goes up and down—a thing I personally very much object to. I don’t know why, but I resent hearing them go up to bed past the drawing-room door, and owe our present house yet another grudge, because, for the first time in our lives, we have here no second staircase. If there should be one, I again advise the oilcloth dado spoken of in my former book; nothing is so absolutely indestructible, or so clean, and with this dado a wall would remain tidy and spotless for an entire lifetime. A strong cocoanut matting should be put down on the stairs themselves, but the edges of the stairs should be carefully inspected, as back stairs, especially, are apt to be very roughly finished off; if this is the case, a carpenter should be called in, either to plane them smoothly, or mend them, or a wide, broad piece of brass should bind the edges; these, again, should have a pad of flock in a thin lining laid along them, finally covered with the cocoanut matting. These small precautions will not cost very much, but will certainly add immensely to the chances of the longevity of the carpets. It would be a good thing to have the ‘treads’ of the back stairs grained and varnished; but those in the principal staircase should always be painted white with Aspinall’s water-paint. This gives an indescribably clean and fresh look to the stairs, and the paint is so easily applied that the housemaid could do it herself yearly, or whenever an opportunity offers to re-paint the treads. Housekeepers should, in my opinion, raise a statue to Aspinall, for he certainly has removed the difficulties that lay in wait for the would-be artistic mistress of the household; for now she is rendered quite independent of the British workman, and can either paint her house herself, or give it to a man who can be trusted to apply the paint, albeit no amount of instruction will teach him to match a colour or produce anything save a hideous caricature of the paper we give him, and whose ‘heye’ is absolutely incapable of seeing what a ridiculous muddle he is making; and I, therefore, cannot too often impress upon my readers, especially on those who live far from really artistic workpeople, that if they want their houses to be really nice, they must indulge in Aspinall, and must insist on the unbroken, unpicked-out surface of paint that use of this most invaluable enamel produces most satisfactorily.

CHAPTER III.
NOOKS AND CORNERS.

I think so very much of the appearance of our rooms depends on how we arrange our corners that I have had two large drawings made from corners in my present house, which, at the risk of appearing egotistical, I am going to write about; not because I consider them perfect—no house can really be perfect unless far more money is spent upon it than I am able to spend—but because I consider they will in some measure assist those who, like myself, are very fond of pretty and comfortable things, but are not prepared to ruin themselves in order to obtain this most desirable combination. I wrote so fully in my former book on the arrangement of sitting-rooms that I am only going to touch lightly on the orthodox papering and painting of dining-, drawing-, and morning-rooms, reserving all my new ideas for the billiard-room and library, neither of which rooms were considered likely to be required for the modest young couple starting in life, for whom I more particularly designed that special volume.

As I said before, this book is intended for older folks, or for those who have more of this world’s goods than Edwin and Angelina were supposed to possess; and, therefore, it really supplements—it does not in any measure do away with—‘From Kitchen to Garret;’ and as I am most anxious to impress this upon my readers by not repeating any of the information I gave there, I intend especially in the present chapter to denote how, with a little care, the modest house can be expanded into a more artistic abode, or how a bigger house can be furnished, the while we do not set on one side the furniture with which we began life, and which we possessed ourselves of with so much gladness and with such a sense of importance—at least, I hope all my readers did, for the culture of home and of all that makes a home cannot, in my opinion, be too much developed. Therefore, from their earliest days children should be encouraged to think about their own special rooms, and should be taught to notice and have a voice in the arrangement of all the house. If the house is thoroughly appreciated and cultivated, if, above all, it is the prettiest and happiest place our children know of, we shall not have much difficulty with them when they cease to be children and begin to feel they have a separate existence to ours. They have this separate existence, and we should endeavour that, without in any measure relaxing the ties of duty and politeness, they should be able to feel they are themselves and not our bond-slaves; and this can only be done by consulting and talking with them freely about all we have and do, letting them, if they will, develop their own tastes gradually, but not in a manner that will oust us from our proper place or jar with any of our own pet ideas on the subject of home and its decoration and embellishment; for it is better to endure the ugliest place in the world cheerfully than to live in artistic completeness, if this same artistic completeness means sweeping away all the landmarks of our elders and betters, and leaving them stranded in an unfamiliar world of new tables and chairs, which are nothing to them, and but ill replace the furniture which reminds them of so much that we never knew about or have entirely forgotten. I have known a girl in her zeal for beauty make her mother so abjectly miserable by removing a round table, once the centre of the scattered houseful of boys and girls, and by ruthlessly disposing of clumsy and hideous furniture, made precious by memories of those who have gone into the land of shadows, that I am compelled at times to allow sentiment to sway me and to say, Consider first whether a thing has associations before, in one’s anxiety for beauty, one does away with it. If it have, let it remain, for nothing can ever replace it; but if it have not (and I sternly myself refuse to become sentimental over a chair or footstool), by all means get rid of it, and replace it with something lighter and more modern. As a rule, this will not last long enough for us to cling round it mentally or to deck it with any of the finer sentiment that is inseparable from much of the heavy mahogany and walnut under which so many of my disciples still groan, and which has been handed down from one generation to another, each generation becoming more and more discontented with it, until the present are in open revolt against that which gave our grandmothers and great-grandmothers the greatest possible gratification to possess.

The pretty corners in which we all delight, and the lightness and brightness that now characterise our houses, would have been the source of endless woe and trouble to the dear ladies of old. The corners would have meant dust and ‘gimcracks,’ and as the light colours in which we revel would and do soon become soiled, they, too, would have been deprecated because they showed the dirt, which was present equally in the darker rooms, but not being visible was not taken any notice of until the annual clean, when all was made aggressively shining and absolutely spotless, remaining so for about a week, when dust began to gather again, but it was unnoticed because the dark materials did not show the dirt, which, however, could be felt, did our finger come in contact with the rough moreen or dismal repps in which their souls delighted, and of which specimens still haunt us in the houses of those who are possessors of similar heirlooms with which they dare not part.

Then, too, the dear ladies were so fond of stuffing up their windows and darkening their rooms still more by the drawing down of blinds and the eliminating of every morsel of sunshine, for fear their precious carpets would become faded; and I am sorry to say that this affection for half-dark rooms yet lingers among many who ought to know better. But when I stumble into one of these rooms, where one cannonades against the furniture and falls over footstools in the half-light, I always feel convinced that the blinds are drawn to prevent the sun beating too warmly on the faded complexion of the owner of that house, or to hide the ravages of time, that the liberally applied pearl-powder and rouge and the sticky harsh dye are powerless to remove entirely, but that almost disappear in the rose-tinted chambers I so abhor and despise; and I therefore know what to expect when I am ushered into one of these stuffy, dismal rooms, and am thankful when I get out of it; for the mind that can delight in defying age with paint and dye is not likely to find me of the smallest use. I should say at once, Do away with the blinds and shorten the curtains, and let in some air; and as the owner of that house would sooner dye—I mean die—than accede to my request, I have nothing to say to her, and get away as soon as I can. Any amount of decoration for the house I like and appreciate, but I cannot appreciate or understand the ambition that makes one Aspinall one’s face and pretend to be five-and-twenty when one knows one will never see forty again.

Corners are especially appreciated, unfortunately, by the ladies who draw their blinds down and never face the eye of day save in a carriage, with a spotted veil over their features and a shading parasol, and no doubt some of these individuals will look at the pictures in this book and may see these words of wisdom; if they do, I hope they will consider them, wash their faces, and pull up their blinds. I can assure them they will be far happier and healthier, more especially if they realise that the time they spend in tiring their heads and painting their faces is absolutely wasted—it neither makes them younger nor more ornamental—and that it would be far better employed in working for others, or in making their homes as cheerful as unfailing sunshine and fresh air invariably do. Therefore, down with the curtains and up with the blinds, and let us have as much cheerful sunshine as this rather disappointing climate will allow us to possess, and the first corner I would make is the summer corner, for, that once made, dismal darkness and stuffiness would be an impossibility.

The special corner illustrated here is one of the windows in my present morning-room, which is at the end of the room, in a curious species of square nook to itself; there is an enormous species of bow-window beside, where I have my desk and other belongings, and beyond that again is a third window, below which I have a long book-case full of books; but though this window is to some extent unique, the seat illustrated here, which is an adaptation or rather an enlargement of Giles’ ‘Cosy Corner,’ could be put under any window and of course enlarged immensely; if desired, it could go across one side of the room, and the arm with a curtain could come out straight from the wall of the room, thus making a sheltered place in which to sit and read; and breaking up admirably the long straight look of the wall, which all too often makes an ordinary room the most uninteresting place in the world, and the most difficult to render artistic and pleasant. The right-hand side of the seat should be at least two feet longer than the left-hand side, or else the seat will look too much like a family pew, which cognomen one of my friends is rude enough to give to my present seat, but arranged with the ends of an uneven length, the seat looks like nothing save what it is—a remarkably comfortable lounge, where one can either sit and read or talk, and it forms an extremely pretty addition to any room.

The special seat illustrated here is enamelled Aspinall’s electric turquoise, and is upholstered in Colbourne’s yellow and white Louis XVI. damask, at 2s. 11½d. a yard, but I intend soon to replace this covering by dark yellow stamped

corduroy velveteen, for, pretty as the Louis XVI. damask is, and admirable as it is for curtains and table-cloths, it does not answer for hard wear, and soon becomes soiled and rubbed, a fact Giles warned me about; but I was anxious to experiment myself on the subject; and having done so, and found it does not answer, here solemnly warn my readers from using this charming material for tight coverings or where real hard wear is expected of it. Tightly upholstered furniture should be always covered in something that will really wear, not only because of the expense, but because of the worry of having workmen always in the house replacing the furniture which has become soiled and worn.

But whatever the seat is upholstered in, the fringe round the seat should not be forgotten, and it should almost touch the ground; mine does not, and in consequence the seat always has the appearance of having grown out of its frocks; and the material should be in some measure a contrast to the colour used for enamelling the ends and woodwork; indeed, I much prefer the ends, &c., to be of some polished wood, while the straight piece above the seat and below the shelf could be either plainly painted or polished wood, or else it could be made of brocade or Japanese leather paper. Mr. Giles puts Lincrusta in those he sells to fit into recesses, but I cannot endure this stiff and very ugly material, and always ask him to replace it for me with something preferable, the excellent Japanese leather looking better, in my opinion, than anything else. The straight piece above the seat, if covered in brocade and furnished with tiny hooks, would make an admirable place to display the miniatures and odds and ends of silver that are so fashionable; really old and valuable fans could also be displayed here to advantage, and a thin sheet of talc could be stretched over all. Glass would be too heavy, and the talc would protect the fans, &c., from dust, and yet be sufficiently transparent.

The shelf for china is part of the seat: this is of wood, either enamelled or polished, and should be carefully arranged; the tall jar containing grasses at the end of the shelf in the sketch is really in the corner in my room, and fills up the space between the curtain and the wall, and in the opposite corner from the frieze-rail hangs one of Benson’s admirable copper lamps with a copper shade; this throws the light down on the seat, and enables one to read there, should one wish to do so, the cushioned corner below the lamp being perhaps the most comfortable spot in the whole seat. Just on the other side of the arms, and below the top of them, I had small tea-cup shelves put; they shut down completely, and when not in use are scarcely visible, but they make a great deal of difference to one’s comfort; for one can rest one’s cup there easily, and in consequence this corner makes a favourite spot during the ceremony of afternoon tea, which we always hold in the morning-room, our present drawing-room being only used when lighted up, as it is dark and depressing, because of the numerous trees by which we are surrounded, and that make it unbearable until the lamps are lighted and the yellow and white decoration stands out in the admirable manner in which these two colours always do when once artificial light falls upon them.

The big pillows are in yellow, deep-red, and electric turquoise, and were bought at Maple’s for 16s. 11d. each; but those who really possess numerous pillows, soft and comfortable enough to lean against, but hideous to contemplate, will be glad to hear that Maple sells these frilled silk covers ready to slip on, which would transform in a moment the most frightful pillow ever presented to an unfortunate bride, who yet dare not do away with the kind gift of a relative who may be has not gone with the times or holds the stern opinion that a gift one makes oneself is worth any amount of presents bought in a shop: so it is, if the work be present day work, and really artistic; but the beaded cushion or (the worst development of all) that covered with crazy patchwork, still exists unfortunately, and may exist, blamelessly and usefully, if slipped into one of these covers, which can be whipped off in a moment, should the donor appear unexpectedly, or be even pointed out as our pious endeavour to preserve the ‘beautiful’ work by a cover one does not mind if one spoils: an excellently plausible excuse that spares the feelings of the maker and our own sensitive optics at the same time.

The curtain on my seat is hanging on a brass rod, and is made from a remarkably beautiful pattern of yellow and brown stamped velveteen known as the Graham velveteen, and sold by Graham & Biddle; both sides of the curtain are alike, as I have doubled the material, and I am very fond of this special bit of colour and design; but if the velveteen is objected to, the curtain can be made from the soft artistic silk Shoolbred sells at 2s. a yard; this must be double too, and put on very full, or else it will soon become skimpy and flabby. The table at the end of the seat has a loose cover of dark-red Bokhara plush, a capital species of ribbed plush edged with ball fringe; this costs 6s. 11½d. a yard from Colbourne, and it takes a yard and a quarter to make the square, which is necessary for one of these cloths; a big yellow pot holding a palm stands on the table, the palm giving place whenever possible to a flowering plant, a great white azalea, and a big white rose tree, and also an orange tree with flowers and fruit, and a flowering daphne having all appeared there to the greatest possible advantage. Beyond the curtain, at the extreme end of the seat, I hang a long Japanese bamboo, and have flowers here whenever possible. These bamboos are most decorative, and look nice with comparatively few flowers in them.

On the other side of the seat, at the end, a palm stands on the low, square, velvet-covered stools I prefer to anything else for pot stands; and at the extreme end I always have one of Mrs. M‘Clelland’s admirable newspaper and magazine stands; these are the right height for use and stand on two crossed legs; one side takes papers and the other magazines; a paper-knife is slipped into a bracket at the side, and altogether the stand is a wonderful comfort, and above all makes an excellent present for a man—that most difficult of all creatures to give a present to, unless one half ruin oneself in order to make him an offering.

The walls of this special room are covered with Mr. Smee’s admirable blue paper at 4s. the piece, all the paint is Aspinall’s electric-turquoise enamel, the frieze is plain gold Japanese leather paper, and the ceiling is in squares; the moulding that forms each square is coloured cream, and the squares themselves are filled in with a well-designed yellow and white ceiling paper from Mr. Smee’s at 3s. a piece; the floor is covered with yellow and white matting, and has several rugs lying about, and the curtains are Louis XVI. tapestry, in yellow and white, edged with the usual ball fringe—the smaller windows having this only, the larger one having ‘guipure vitrage’ on it as well. The frieze has been embellished most successfully in three or four places with great branches of Japanese-looking japonica in the natural colours; and this is an immense improvement, as one requires touches of red undoubtedly about the room. The branches do not go all round the room in the orthodox manner, but are scattered in three or four places, and are the work of an artist. A good effect can be obtained by merely outlining with a careful brush the patterns that are on all Japanese leather papers with a little ‘Scinde red.’ Of course this must not be done all over the frieze, but simply here and there, and should be executed with taste, and a great amount of common sense as well.

Before I say any more about this room, or about the other corner which has been arranged for winter use, I want to draw the attention of my readers especially to the windows. My plan of doing away with blinds was illustrated as regards a bow window, and the tiny squares of the manor house windows before, but no one has ever seemed able to grasp the manner in which an ordinary flat window or a French window can be managed. This window is the ordinary flat window; and can anything be simpler than the white curtains of ‘guipure vitrage’ stretched on two slight rods fastened on the window frame, not on the sash? These curtains remain in place, whether the window is open or shut, and, in consequence, were they used in a bedroom, one could dress comfortably with the window open, the curtains remaining in place and serving as a blind. With the ordinary short blind, which vulgarises any house, and to which English house-mothers cling with a devotion worthy of a better cause, one must keep the windows closed during the process of dressing, as the blind goes up with the window, and leaves the room exposed to the glances of anyone who may be passing by. The thicker curtains hang from a separate brass rod, which is rather larger than those used for the muslin. These curtains are attached to rings which allow them to be drawn easily along the rods at night, and when the sun shines too warmly and brightly, and, therefore, no hideously ugly blinds are required; for even ladies whose dubious complexions forbid the free entrance of the blessed sun can make their rooms as dark as they like by drawing these curtains, which can be lined with a thick sateen, and should be edged with a ball fringe, to break the hard line which always spoils the look of any curtain when left untrimmed. ‘Guipure vitrage,’ which is to be had from Wallace, from 10¾d. a yard, makes admirable under curtains. Of course it is much dearer than Kay’s butter muslin, or his easily-draped Indian muslin at 2¾d. a yard. But then these muslins require making up, and must be edged with softly falling frills, which should be from 3 to 5 inches in width, according to the size of the window. These frills are put on without any heading, and fall in a sort of cascade. The frilled muslins sold now by the yard at any big shop are not nearly so satisfactory, as the frills are goffered, and are very stiff. Making the frilled curtains is a serious consideration: they must be done by hand, as the muslin will not stand the machine, and the hemming required is rather hard work, and therefore ‘guipure vitrage,’ despite its price, should recommend itself to those who are not given to sewing. It merely requires hemming top and bottom, and the rods pass through these hems, which should be loose enough to allow of the curtain being moved to cover the window entirely, should this be necessary, or to part in the centre, so that any view there may be need not be obscured.

In the ordinary London house, where all sorts of endeavours are made to completely hide the doings of the inhabitants of the rooms from the passers-by, these curtains, especially in the Indian muslin from Kay’s, are invaluable. No one can see in, and all can see out, while further protection could be obtained by flower boxes along the window-ledges in the summer, and put inside the rooms in the winter, if desired. A couple of iron brackets could be put out, one each side of the window, Aspinalled to match the rest of the paint, and on this the box could rest, full of flowering plants, when the weather outside would be too cold for them to live and flourish. The whole of the house should be done alike with the curtains, of which a double set should be made. The ‘guipure vitrage’ must not be very much starched, and it must be carefully pulled out and stretched before it is quite dry, or else it will seem to have shrunk; but with care and proper washing these curtains would last three or four years, and, as there is no real trouble in making, should soon be the favourite material for these short curtains. The cost would be about 4s. a window, so that it would be easy for anyone to see what their house would cost them. Naturally the other muslin would come only to about 1s. a window; in this case the sewing must be done by the owner of the house or her maids.

I think from this sketch anyone can see how the ordinary blindless window is managed; while the way to arrange a French window is shown in the frontispiece so plainly that no further description can possibly be needed.

And now we come to the winter corner, the sketch of which requires very little comment from me, as I think it speaks for itself; but my readers may be interested to know that the sofa illustrated here began life as a wretched stiff sofa with a scroll end, and no side whatever, and was bought very cheaply of a country tradesman. When I wanted to make a comfortable seat by the fire, I got another local genius to put the scroll end upright, and to put on the side. This transformed the seat at once, and made a most comfortable lounge, more especially as I had the legs cut down, until it is only fourteen inches high, the seat being about twenty-four inches wide. This is a seat pur et simple; but by putting a couple of pillows on the end of the sofa nearest the wall and stuffing them comfortably down there, one makes an excellent rest for one’s head, and can lie there in warmth and peace. This corner, by the way, is a special favourite of Max, the tabby cat, who much resents being moved therefrom, and retreats in great dudgeon to a chair from Liberty, which stands the other side of the fireplace, which is only just indicated in the sketch, and which is a charming but simple design, from Shuffery in Welbeck Street.

Behind the sofa stands the corner cabinet made for me by Mr. Smee, and which is just what such a cabinet ought to be. I have seen a corner cabinet which looked as if its middle had suddenly collapsed, the two sides going into a miserable point, which was as ugly as it was unsatisfactory, and I could not think what was the matter with it, until I discovered that the point ought to have been behind, and that the front should be comparatively straight, as in our illustration. This cabinet is enamelled electric

turquoise, and has brass handles to the drawers and cupboard, which are made for use, and hold an immense variety of things. The drawers are divided in half inside, which is a great convenience, as it enables one to keep papers and properties of all sorts and conditions separate and distinct; while the cupboard also has a shelf in it, and is the whole length and width of the bottom part, thus holding a good deal. The two little velveteen curtains are to break the monotony which would have been caused had the shelves been left open; and the top and shelves generally hold any quantity of china—the dull yellow and blue jars one buys at Gorringe’s being especially suitable for this room; as is the deep red Kaga and Imari ware imported in such quantities by Shoolbred, Liberty, and Whiteley, and indeed by almost every second shop nowadays.

The table shown in this illustration is one that is remarkably useful by reason of its second tray. My own table is covered in dull yellow corduroy velveteen, edged with a ball fringe; but if room were a great object, and there were much to store away, a loose table-cloth, in serge or Bokhara plush, could be thrown over it to conceal anything that was hidden thereunder. I am not fond of these makeshifts myself; but in a small room, where every single inch is of consequence, work that would be perhaps unsightly to leave about can be neatly folded and put on this tray; and another place to put away could be afforded, if we replaced my fireside sofa (which Wallace will supply at 5l. 15s. 6d. complete) by a sofa I saw at Hampton’s just lately. This is an improvement on the very useful box-ottomans I advocate in many bedrooms, and is much like a sofa with a tolerably high side and two ends; the top of the sofa lifts up, and discloses a good deep box, which would hold an immense quantity of things; while the whole affair does not look like a box-ottoman, but resembles a very comfortable and pretty sofa; this costs about 7l. 17s. 6d., and would be of immense use in a room where one had a great deal to put away, and very few convenient places to store one’s property in. This would stand where my sofa is in the sketch, or could be put in a recess one side of the fire; it would look well in either situation. I think this corner, too, gives some idea of how pictures can be hung about in an informal manner; although in every case these are represented in the sketch as being much higher than they really are; there is no formal arrangement, yet all seems to fall into place without trouble, and the whole effect is very good; flowers and plants are again to be found here, and indeed I cannot say too much about the desirability of filling our rooms with both plants and flowers. No house can be pretty without a great many of both; and no one who has not seen the immense difference plenty of plants make can have any idea of the satisfactory effect of these great adjuncts to the real decoration of a house. They cost money, but not one quarter of what they used to; and even in the depth of winter in London one can buy heaps of narcissus and jonquils absurdly cheaply, a shillingsworth making an appreciable difference in any house!

Beyond the chair just indicated in the sketch is a species of square arch, and beyond that a square end to the room itself; I did not at first see what I could do with this most ugly part of an ugly room, but at last the brilliant idea struck me, of which I give a tiny sketch here. I had a series of brackets put up the arch to hold china; the back of these brackets and the panelling above the arch itself was filled in with red and gold Japanese leather paper, and on each bracket I placed one of Elliott’s pots; the sides of the brackets were painted by Mr. M‘Clelland’s clever brush with red, yellow, and pink roses, and I at once found myself in possession of a charming object for contemplation, instead of a yawning gap, preposterous in structure and hideous to look at. By the left-hand side of the arch I place a beautifully embroidered Japanese silk screen in the most delicate shade of pink; I can dwell lovingly on this, as it was not my own selection, but was a Christmas present from someone who knew and studied my tastes, and it gives just the right finish to that corner; behind the last bracket stands a palm in an art-pot, and another little table with a blue cloth is in front of the screen, and completes that side of the room.

Below the last window is the long low book-case mentioned before; it is only about three feet high, and is enamelled electric turquoise like the rest of the room, and each shelf is edged with a frill of yellow printed linen; the top of these shelves makes an excellent rest for photographs, china, and plants, and is thus finished; had the book-case not been placed there I cannot think what I should have done, as no one can sit in that part of the room, which really is a tiny ante-room, or entrance merely, to what is not at the best a large room, but which would have been all the better had the eccentric designer done away with his arch and put all the space at his command into the room itself; but he did not, and so I have made the best use I can of the room as it is, though I really believe in so doing I have shortened my life perceptibly!

At the end of the room, opposite the window under which the book-case is, is a door—and such a door! when we came it was grained maple, and was the centre of a wooden partition, above which was a neat fanlight of starred glass. I shall never forget it—never! I have now put on each side of the door a curtain of Wallace’s ‘daisy brocade,’ and another on the door itself on one of Maple’s rods, which open and shut with the door. Above this there is a shelf to hold china, and the glass is replaced by leaded squares of cathedral glass. I mention all these details to show what a difference a small amount of common sense, a little woodwork, and a little money will make; indeed, in these days of artistic merit, when upholsterers are educated gentlemen, and the shop is no longer a badge of infamy, I think no one who is not utterly obstinate and tasteless need have an ugly house; though I must confess I still have to grieve over the many absolutely hideous houses in the land arranged by those who are not tasteless—I wish they were: then one could do something with them—but are so permeated by vile and vulgar tastes of their own that they will not be taught, and continue to offend our eyes with their belongings, regardless of the fact that in these days it is really easier to have pretty things than to have ugly ones. Before I pass on to other nooks and corners which can be made, I should like once more to impress upon my readers that for a morning-room nothing is so absolutely successful as regards decoration as this arrangement of greeny-blue, yellow and red. I have sat in it and contemplated it for just seven years, and I am more and more convinced that nothing else is so entirely satisfactory in every way; naturally we need not adhere to Mr. Smee’s 4s. paper, or there would be too much monotony about it. Marigold 81 at 5s. 6d. from Morris is just as beautiful, while Pither’s less expensive ‘blossom,’ ‘berry,’ and bay-tree papers, which average 1s. 6d. a piece, can all be used according to the size and shape of the room. And once more I should say most emphatically, Study your room; a dark dull room could not take this scheme of blue, and were such a chamber taken for the morning-room, which I hope and trust would not be the case, I should advocate another scheme of colouring altogether, and would suggest either a really beautiful pink and green floral paper called ‘Amaryllis’ at 10s. 6d. the piece from Wallace, or else Haines’s ‘rose’ paper at 3s. 9d. With either, I should suggest warm ivory paint, a pink and cream ceiling paper, and either cretonne curtains, in a cretonne to harmonise with the paper, or else of soft green Liberty silk, the greens procurable there being the greens to harmonise with pink, Liberty pink and green commingled making a most charming room, but one that should not be attempted cheaply. Green and pink must be in expensive materials to procure the proper shades, a common green and an inferior pink being about the most terrible colours one can have, although a common blue runs it very hard, as sporting individuals would say. A green carpet—either the green ‘lily,’ that always satisfactory, inexpensive carpet from Wallace, sold in blues, greens, and reds, at 3s. 11d. a yard, wide width, or else a dull green pile carpet from Pither’s—should be used in a room decorated in this manner, but the green must be an artistic green, and have no fidgety pattern to distract the eye or attract attention to what we should never see, unless our attention were really called to it.

If the morning-room were in the country, were a very hot room, and only used in summer, it would look very charming in sea-green and white. Morris has a beautiful sea-green paper at 3s. 6d.; and Chappell & Payne have a very pretty sea-green and white-chrysanthemum paper at a little under 2s., the same colour, which could be used were Morris too expensive. Either sea-green or ivory paint could be used. There could be a hand-painted frieze on sea-green ‘tectorium,’ of white lilac and the graceful white broom and their own foliage, and a pale sea-green cretonne should be chosen, with bunches of white lilac on. The floor should be covered with sea-green matting and rugs, which would bring a little colour into the room, and the furniture should be sea-green enamel upholstered in the cretonne. In the pink and green room, by the way, the furniture should be malachite green-stained, to be had from Wallace, and the muslin next the window should be Helbronner’s pink and green lily muslin. This is expensive, but it is by far the prettiest muslin for such a room that could be found. I think low basket-chairs are still the best chairs for a morning-room, but, if they can be afforded, one or two higher chairs should be provided. I find Shoolbred’s corduroy velveteen the best thing possible to cover basket-chairs with, unless one has a maid who is clever enough to unpick the cretonne covers and wash and replace them; then nothing is as nice as cretonne, and this same material, in some appropriate shade, would do for the

larger chairs. The cost of these must depend on the money we have to spend, but a good chair with comfortable springs costs from 5l. to 8l., and, if the money can be managed, I should advise as much as this being given; it will be cheaper in the long run. I think the most difficult matter of all to explain by mere words is the arrangement of a fireplace which is already supplied with one of the ‘handsome statuary’ marble mantel-pieces, which are so much admired by builders and folks who cannot help being impressed with the idea that marble mantel-pieces and a claim to gentility go hand in hand, and I am always imploring people not to drape these imitations with elaborate flutings and flounces of muslin and general awfulnesses. If the morning-room—or, indeed, any other room—is burdened with one of these mantel-pieces, paint it boldly with Aspinall (the paint can always be removed either with Carson’s ‘detergent’ or else by the ‘Eclipse Paint Remover’). See that it matches the rest of the paint in the room; then place along it the simple drapery I have illustrated here. This is quite sufficient. It hides a good piece of the underpart of the structure, and as it can be shaken daily does not collect dust and dirt, as must all more elaborate arrangements inevitably. This drapery is made by taking a straight piece of material about twenty-four inches wider and twenty-four inches longer than the mantel-piece itself; the sides and front are edged with a cord and a tassel, or else a few pompons are hung at the front corners; the drapery is placed straight along the mantel-piece, the uncorded edge against the wall, and drapes itself, being kept stationary by the ornaments and photographs, &c., we usually put on the shelf. Bokhara plush makes the best drapery, but if this is used three or four should be made at the same time, or else the plush cuts to waste. Of course the rest can be used in other ways; it makes admirable flat bell-pulls for bedrooms, with a brass ring at the end, and could be used as toilet covers; but corduroy velveteen is nearly as pretty, and, being the exact width required, would be the best material to use; it is only 2s. 9d. a yard. Whatever is used, the corners of the drapery should be lined with satin, or sateen, either in a paler colour than the drapery itself or in some contrast, as the corners show, and would not look nice at all unless they were lined. This completes the drapery, which is the only one that should be allowed, as it is simple and cleanly, which is more than can be said for any other arrangement. The pattern was given me by a friend, who bought it of a first-rate upholsterer in Paris, and is so simple, I cannot think why no one ever thought of it before in England.

Before we pass away from speaking of the fireplace, I should like to describe one or two ways of filling up the recesses generally found in present-day houses. In a dining-room I should always place the buffets there which I recommend in place of sideboards; then, in the drawing-room or morning-room, Giles’s cosy corner, illustrated in every advertising paper, is to be recommended for one side; this seat goes straight along the recess, and has an end that returns along the end of the recess, giving a corner in which to sit. As a rule these seats will take two people comfortably. Above the padded back is the same straight piece illustrated in the ‘summer corner,’ surmounted by the bracket-rail; but if people do not wish to go to the expense of an elaborately upholstered and spring seat, they can easily make a seat for themselves by having a wooden frame on four legs made to fit the recess; the top should be covered with sacking or webbing, along the front of the seat should be nailed a full flounce of corduroy velveteen lined with holland; a square cushion, made from wool and hair mixed, should be placed along the top of the sacking, and the back should be formed by hanging two square cushions on the wall so arranged that one dovetails with the other in the corner; these should be high enough to allow of using a finish of Giles’s bracket-rail for china, which should be put along the top of the cushions and keep them in their places, and a lamp can be hung over the seat, either from a hook placed in the ceiling itself or hanging out from the frieze-rail from one of the brass arms sold by Benson, on purpose for holding lamps, for about 10s. 6d. each, that would give light to anyone who sat to read by the fire in a room in which gas was banished, as I trust it may soon be banished from every sitting-room in the land, either in favour of the beautiful electric light, for the universal use of which I pine, or in favour of lamps, which may give trouble, but save that trouble over and over again in the manner in which things remain clean and good that would have become both spoiled and soiled had gas been used where they were. Another recess can be filled by using Mrs. Talbot Coke’s design, published in the ‘Queen,’ and which I have her permission for giving here, and which is not only very pretty but decidedly useful. It could be made by any carpenter first, as three simple shelves; the top and bottom shelves should be of equal depth, the centre one should be rather narrower, and the whole arrangement should not be above the line of the mantelshelf; along the edge of the shelves should be glued strips of Japanese leather paper, and the top shelf should be divided as in the sketch, the arches being either simple wooden arches cut out of thin wood, or else of the Moorish fretwork sold by Hindley & Barker; the bottom shelf should have three separate small curtains along it, the division between being strips of wood decorated with Japanese leather. Of course this arrangement should be enamelled to match the rest of the paint, and the silk which is used for the curtains should be a contrast; and great care must be taken to employ someone who does not make his woodwork with a heavy hand (as some cooks make pastry), for I once saw one of these recess arrangements carried out in such a way that the whole effect was dreadful, being entirely marred by the thick wood and heavy arches of which it was composed. Any china can be arranged therein, for the top makes an admirable resting-place for odds and ends and one’s favourite photographs or books. An armchair should be put by the side, and this will suggest at once a comfortable reading-nook for a winter’s afternoon without any more elaborate arrangement.

I am so often asked to advise people, on paper, how to arrange their furniture, and despite my strenuous refusals to contemplate such a waste of time, am so constantly importuned to do so, that I venture to pause here, and give one or two hints on the subject of the general arrangement of sitting-rooms; as although it is naturally quite impossible to tell positively where to place a chair I have never seen in a house I have never entered, it is possible, I trust, to give general hints which shall enable my readers to make their sitting-rooms rather more comfortable than most of them seem able to do at present.

For example, no matter how small a room is, an enormous amount of comfort and a certain idea of unlimited space is always given by placing a screen judiciously by the door; this prevents the whole of the room being on view at once, and gives an opportunity of placing a chair or two behind it, which we could not do were the door to open into the passage and leave a yawning gulf behind one’s back, or were it to open into the room and so leave an exposed place at once where no one could sit, because they would feel they were sitting in the passage; and, again, no chairs should be isolated or put out of humanity’s reach; if they are, they will surely be sought out at once by some shy caller or visitor, and we shall have to spend our time endeavouring to draw him or her into the circle. By this I do not mean that our chairs should be arranged as if we were expecting the assembling together of a prayer-meeting, but that they should be within reach both of ourselves, the fire in winter, the window in summer, and of the light always; then shall we be quite sure our guests are happy, or, if they are not, that it is their own fault and not ours.

There should be a place for each member of the household in any room, and attention to these details even causes the furniture to in some measure arrange itself and be so placed that it shows to the greatest advantage, and can at the same time be used by the owners in the best manner possible as well. If more lamps are required in a room than the two or three which are usually quite sufficient for the purposes of general lighting, those who require special lamps should be encouraged to look after them themselves, especially in the case of the daughters of the house, on whom, in most middle-class families, should devolve all the flower-tending and finer parts of housekeeping, of which, by that time, the house-mother will no doubt be weary, and will only be too glad to hand over to those who are full of energy as well as of the very newest ideas on the subject of how to arrange the flowers, on which so much of the appearance of the house depends.

I like the sofa placed out straight from the side of the fire, as in Fig. 7, or straight along in front of it, about seven or eight feet from the front of the fire; and in some rooms the piano, that most undecorative piece of furniture, can be put with one end straight against the wall in the recess, the other straight out into the room with the sofa against the back, or else a comfortable chair, as represented in Fig. 11, which will, I hope, give my readers a good idea how to manage a piano, which can be placed either out from the wall in the recess, across one corner of a room, or out in the room itself, and, indeed, in any way that will not necessitate its back against the wall, a position that is fatal to anything like music, for it is terrible to play with one’s back to one’s audience, or to sing straight into the wall, which throws one’s voice straight back at one all the time one is singing. As will be seen from the sketch, the baize at the back of the piano is first covered with a good Japanese leather paper, and then soft silk is carelessly draped over it, finishing with a long piece at one side; the top of the piano is first covered with the soft silk, which is fastened by tiny tacks inside the lid to keep it in its place, and then by a piece of Japanese embroidery; at one end is a tall palm-stand from Liberty with a big brass pot holding a palm; at the back, where there is no distinct drapery, stands a small screen, and at the other end is a Cairene inlaid stool holding a jar of grasses; but I should prefer myself a much taller arrangement, as the end of the piano is not at all a pretty object. The silk which is found in the front of most pianos should be replaced by Japanese leather paper. If draping is objected to—and it should never be attempted by anyone who cannot pay some artist in drapery to manage it for them, unless, of course, their own fingers are clever at it—a very good substitute is formed by using one of Shoolbred’s piano-rods, from which can be hung a simple full curtain of some good and beautiful brocade, such as is their Nismes brocade. The top should always be arranged as shown in the sketch, for though these things may deaden the sound,

and a good musician would, no doubt, rage about them, they can be removed in three seconds to a side table should music be the order of the day, and could be replaced at once without giving anyone any undue amount of trouble. I have seen a writing-table in a very small room placed against the piano, the back of which, having been, first covered with brocade, served as a species of ‘hold-all’ for all that is usually found on a writing-table; but I cannot seriously recommend this, as it is certainly incongruous to find cards of invitation, balls of string, date-cases and paper-knives, and general débris, fastened about a piano, which must, I am sure, resent tremendously this extraordinary manner of embellishing it. I have never seen a piano arranged in a better manner than the one illustrated here by the kind permission of my successor at my dear Shortlands house, in whose hands the traditions of the house are well kept up, and who has filled my shoes there much better than I filled them myself; one of her improvements being the drapery over the conservatory door, which I have illustrated here, so many people having doors like that one and being quite unable to manage them properly.

The door is composed, as are all similar doors, of glass at the top and two small panels in the wooden frame below; these are filled in with Japanese leather paper, a brass handle and one finger-plate are added (only one finger-plate should ever be put on a door, and that should be put above the door-handle); and on the top of the glass is placed one of the pretty bead blinds; this is a graduated one, and is just indicated in the sketch. On the left-hand side, nearest the fire, hangs a straight full piece of drapery, edged all round with ball fringe, while on the other side is draped a curtain with a drawing string, which lets down in a moment to hide the door entirely at night. A further idea of how this room is now arranged is given by the tall palm-stand, and the end of a deep, low, beautiful sofa from Liberty, which I never see without breaking the tenth commandment. The sides and back are quite straight, the seat is very broad and is heaped with the frilled pillows, which are as popular as they are useful and pretty; the sofa is enamelled white, and is covered with a beautiful yellow brocade, the curtains beyond, by the window, being of a Morris cretonne, which resembles both in colour and design the brown and yellow velveteen from Graham & Biddle mentioned before. This design makes admirable portières,

and is always a pleasure to look at. The tambourine is hung on the dado, which is of a very good yellow and white matting and is headed with bamboo, and despite the favour into which friezes have grown of late years, a favour they quite deserve I must say, I still cling to the dado in the dining-and drawing-rooms; in the former they give solidity to the wall, which they always keep tidy; in the latter they serve admirably as places on which to hang our favourite nicknacks and those small sketches and pictures which we prize, and which would almost be lost to sight were we to hang them above the height of the dado-rail, where we could not have them near us; so I strongly advise a dado whenever we can have one in the drawing-room, and I have been lately confirmed in my opinion by seeing two newly decorated rooms where the dado was useless as far as regarded the hanging of pet possessions, but it was so decorative that I am forced to pause here for a moment and give a description of them both.

In room No. 1 the wall-paper was my favourite yellow and white from Mr. Smee; all the paint was a deep ivory, and the dado-rail was ivory too; for about a yard below the rail the wall was coloured primrose, and over this was hung a full soft curtain of yellow silk closely plaited on tiny rings, which again were hung on nails below the rail, which curved out over them and hid them completely; this curtain could be taken down and shaken and replaced every week if desired, while, of course, during absence from town the silk would be folded up and put away. The loose curtain looks charming round the room, which is a very tiny one, and has been admirably arranged by Mr. Smee with a fitted seat at one side of the wall, with side curtains to give an idea of privacy, and above that is a long bookcase; the curtains are of the beautiful larkspur cretonne which has yellow and blue in it; the carpet is a deep red, to give more colour, as the room is to be used for day, and therefore requires to be made to look warmer than could be done were only blue and yellow used; and the furniture is all ivory, and upholstered in different brocades; albeit these are also covered with loose cretonne covers in the larkspur cretonne, which is 2s. 10d. a yard, but really deserves to cost as much, it is so pretty, although I do own it is rather expensive for a mere cretonne.

The other room in which I saw the curtain dado was much more sombre in design and colouring; and I do not for one moment recommend such a distressingly dark arrangement, although I do most heartily commend the clever designer of this original room. The dado was not the straight curtain which goes all round the room, which I have been writing about, but it started from the window at one end five feet above the floor; this continued for halfway along the wall, where it suddenly lowered to within three feet of the floor, leaving a piece of wall about three feet across and two deep; after running along for three feet at this lowered angle, it rose again and continued along the wall to the door. Just on the other side of the door the curtain began at three feet from the wainscoting, and continued for about five feet, when it rose once more, and continued at the first altitude for the rest of the wall, which ended in a corner; the curtain lowered from that to the fireplace, which, with its overmantel, filled one square, the dado beginning once more at the five-foot altitude after the fireplace was passed. The curtain was moss-green serge, and was hung from a pole painted moss-green, with brass rings, which were en évidence; and above the curtain the wall was covered with a very good Japanese leather paper; the squares made by the dropping of the curtain being filled in one place by a choice picture, in another by an admirably designed bracket for books and china, and in another by a square beaten brass shield holding an elaborate and beautiful clustered candelabra; and had the drapery been of some bright colour, or some really decorative brocade, the house would have been as charming as it was original, but, arranged with the dark Japanese paper and the much darker drapery, the whole effect was so depressing, that I felt, were I obliged to remain in that house, I should have committed suicide, for my spirits would never have borne up under it. But it was a dark day, as the owner pointed out, when I told him, at his request, what I thought of it all. But I maintain that as most of our English days, and more especially our London days, are extremely dark, we are bound to try and make our rooms so beautiful that they, at least, shall not in any way add to the depression that is inseparable from sage-green walls and darkness generally. We cannot have too much cheerfulness I maintain; it is absolutely impossible to be too happy and too lively; and as our climate does not help us to be either the one or the other, we must endeavour to simulate as much sunshine as we can, by making our rooms cheerful and as sunny-looking as we have the power to do. I never go into my own rooms, or the many rooms I have helped to decorate, without feeling that, whatever else may be their faults, they certainly cannot be called gloomy. They are all bright and cheerful; and I defy anyone to be miserable long, unless, of course, some real misfortune has occurred, in one of my rooms in the green serge abode. A misfitting dress would be as dreadful a sorrow as a broken arm, a disappointment about an entertainment as serious as an illness or loss of money! Flowers again should never be forgotten, or allowed to become dead and shabby; and, above all, each room we occupy should be scrupulously clean, and without being aggressively neat should be absolutely tidy. Directly a thing becomes dirty or untidy it should be cleaned or replaced by something else. We should never overlook the soiling of the paint, a crushed antimacassar, a dirty ceiling, and, above all, we should remember that no amount of artistic knowledge and careful decoration can make up for grimy tablecloths and crooked vases, heaped-up papers and crushed chairbacks and damaged cretonnes. A room must not only be made nice, it must be kept so; and if we cannot afford good servants, who will respect our belongings, we must do the finer parts of the housework ourselves. It is no disgrace to wash fine china, and turn and fold our tablecloths and draperies; it is disgraceful to have dirty ornaments, and to be untidy and careless about our rooms.

Indeed, if any of us really want our rooms to look nice we should, no matter how good are our servants, go carefully over them ourselves the moment the housemaid’s work is done, and see that all is as we like it. Servants do not place furniture, they ram it into its place. The tablecloths are usually put on wrong side out, and, somehow or other, all seems to require the lady’s touch, which cannot be explained, but is certainly observable in any house where the mistress is untidy, and so naturally excuses untidiness in those around her.

I maintain that tidiness is quite a gift, and that she who is possessed of that admirable quality makes things go twice as far as does she who never attempts to put a thing straight, who overlooks dust and dirt, and without knowing precisely how it is managed, gets her house into endless muddle and never allows it to look nice, albeit she spends three times as much over it as does she who is gifted with tidiness and a ‘straight eye.’ Therefore, if a house is to be properly kept, the moment a handle comes off a door, replace it; the instant a thing looks in the least degree dirty, have it washed or cleaned; let any carpet be mended before it goes into a hole; have black cleaned off any ceiling the moment it comes on it; and, above all, have the china clean and straight, and never overlook a rent or a dirty mark. If a house is kept nice the expenses are gradual; if all is neglected, the day of reckoning, which must come inevitably, will be such a heavy one that it will cost more than can be afforded by anyone who is not a millionaire; and it must come, for even if the house is our own, we must leave it some time, and our successor will not revere our memory, or remember us even with kindness, when he comes after us and repairs our ravages, which need have been unimportant had we punctually spent the yearly sum for repairs, &c., which should always be set aside by every careful householder.

Every room in every house should be re-painted and papered at least every seventh year. Outside painting should be done every third year. The ceilings should be cleansed the moment they begin to look dirty; and we should never possess curtains or carpets which we cannot afford to replace somehow, or that will not readily wash and darn, and shake when they begin to show signs of having been used.

A pretty house in good order will always let, should we desire to move; while a house in bad repair, and dirty, will never find a tenant, even if the landlord is a model one, and is willing to do all he can in the matter of new decorations, for somehow the squalor and grime that greet the eye first on entering never seem forgotten, and the house is passed over again and again, because it is impossible to believe a house in such a state can ever be made either healthy or beautiful.

Before passing away from the three ordinary sitting-rooms in a house I should like just to speak of some of the new styles of decoration which have come to the fore lately, and which, I am glad to say, are all as cheerful as can be; not that the arrangements I have advocated have been relegated to that mysterious limbo dedicated to the fashions of last week. I have at last, I am delighted to be able to tell my readers, persuaded one or two of the more enterprising tradesmen to recognise the fact that a thing which was good and satisfactory last week is just as good and satisfactory this, and all the schemes of decoration I gave before are still to be had. But tastes change, and it is always well to be prepared with some new ideas, for rooms are all different, and what suits one room will not suit another.

I still like the Japanese plain paper, red and gold leather dado, and red paint better than anything else for a dining-room, just as I cling to my blue morning-room; but as it would not do for us all to have this same decoration, I often advise an admirable tapestry paper, sold by Pither at 4s. 6d. a piece. This can either have ‘holly-green’ or ‘imperial red’ paint, and a dado of Japanese leather paper, carefully chosen to harmonise with the paper, and which should have dull red and green and gold in its design, in very dark and unobtrusive shades. The ceiling paper should be pale yellow and white, the cornice cream. The doors should be panelled with the Japanese paper, and the curtains should either be of Colbourne’s Gobelin tapestry, at 6s. 11d. a yard, wide width, or else of self-coloured velveteen or serge, the colour of the paint (whichever is chosen), and the carpet should be an Oriental one if possible, with a dark red matting surround, or else of Wallace’s dark red ‘anemone,’ either in pile, Brussels, or Kidderminster, according to the price one wishes to give. This style of decoration would suit almost any furniture, though I should prefer the chairs to be covered with the Gobelin tapestry, which wears admirably, and which should always be used to re-cover old or shabby chairs, instead of a cheap leather. This covering could be done at home by an upholsteress if necessary; but I should advise the chairs being taken in hand by someone who can re-make the stuffing, if the expense can be afforded; if it cannot, the leather should be left as it is, all unevennesses and excrescences should be made even by judicious use of cotton-wool on the leather, then a tight cover of holland should be first put on, finally the cover of Gobelin tapestry, which should not be buttoned down, but should be stretched over and secured in its place with a gimp. Each chair would cost about 4s. or 5s., certainly not more.

Where the old-furniture mania exists, an artistic dining-room can be made by using all nut-brown paint, Essex & Co.’s ‘Kenesaw’ design, stamped on real brown paper, a gold and brown leather dado, all yellow serge or velveteen curtains, and a golden-brown square carpet; and great care should be taken in both rooms to have the proper tablecloths, which Burnett makes from a design I gave him, and which have been largely used (and recommended by the several imitators of mine which have sprung up in divers papers since I first began my own notion of giving advice on the matter of house decoration and arrangement through the columns of a newspaper, now some six long years ago), and which are far better and more artistic than any others I have ever seen. The cloth is plain serge or felt, with a contrasting border united to the cloth itself by a gimp in which both colours are mingled, and finished off with a ball fringe. These cloths cost about 25s. for an ordinary table, and, as they will clean and dye, would last some years if properly looked after.

I have already spoken about the morning-room decoration, and therefore I will only add a few words on the subject of the drawing-room, where the yellow-and-white scheme I so often recommend cannot be improved upon by those who can afford a reasonably expensive scheme of decoration. Of course the very greatest care must be taken to avoid anything like the gold-and-white paper of our ancestors, but this usually was accompanied by grained maple paint, which gave the last touch of horror to the scene, and therefore could never resemble the delicate ivory paint which Aspinall has made so easy for us; and I still admire Mr. Smee’s beautiful yellow-and-white paper at 11s. a piece better than anything else, and with this I advise a dado of Collinson & Lock’s ‘47’ cretonne. This should be secured with a screwed-on dado-rail, as then the cretonne could be removed to be washed; all the chairs should be put into frilled cretonne covers of the same cretonne, made like those in Fig. 13; the curtains should be of Pither’s printed linen at 1s. a yard, edged with ball

fringe at 6d. a yard, and the carpet should be dark blue pile, with a pattern that resembles tiny daisies powdered all over the surface in a paler shade of blue.

Great exception has been taken to Pither’s printed linen because it fades. So it does; but then it is very cheap, it lasts two years in a sunny window, four in one that is not sunny, and, finally, dyes beautifully, fringe and all, coming back from the immortal Pullar as good as on the day it was first bought. I don’t think one can complain very much about a material which behaves like that, can one? But, of course, the printed linen as curtains can be replaced by silk, damask, or by ‘47’ cretonne itself, should the first-named material be objected to.

No colour lights up so well as yellow—I am quite sure of that; and another decoration could be made from the yellow ‘Othmar’ paper sold by Essex, all cream paint, and a frieze of chrysanthemums, either painted by hand, or else of the excellent printed design sold by Haines at 3s. 6d. the yard. With this the carpet should be red, and the curtains should either be of a brocade which introduces the shades in the flowers, or else of a cretonne: all would depend on how much money there was to spend; but whether cretonne or brocade is used, it must match the frieze in some measure. Though great cornices and vast pier-glasses over mantel-pieces are entirely out of date, and will never, I trust, return into fashion, there are still some unfortunates who labour under these possessions, and who dare not rid themselves of them, much as they would like to do so, and who may be glad to learn how these horrors may in some measure be mitigated. All cornices become less repulsive directly they are Aspinalled ivory. I cannot tell why, but this seems to metamorphose them at once, and makes them quite ornamental, while the frame of the glass can be treated in the same manner, unless the frames are quite flat, in which case they should be covered with brocade, in the same manner in which the fashionable frames for photographs are now managed. In any case, all the heavy flourishes and ‘ornaments’ should be removed, and the glass made in every way as plain and unobtrusive as possible. Draping with muslin, or even with Liberty silk, is never successful, and only makes the object draped like one of the lodging-house possessions, carefully guarded in a similar manner by the careful landlady from the encroachments of the flies, and is therefore much to be avoided.

Never, no matter what the time of year, put it out of your power to have a fire, should you so desire it. I still cling to the Japanese umbrella, and have never found a substitute for it which is so absolutely satisfactory. If its stick is properly cut it hides the wood and coal and grate entirely, and gives a bright spot of colour, and can be removed at once. A curtain hung straight down from a slight rod just under the top of the grate itself looks very neat, as does a series of rings to hold flower-pots, just brought out by Hamilton, of the Quentin Matsys Forge, York Street, Westminster. This holds twelve pots of flowers, and can be lifted out in a moment altogether should a fire be required, and would always look well put down in a corner of the room. One of the Guild brocade screens with miniatures answers well too, and Giles has invented from my description a fireplace cabinet, which, put under the wooden mantel-piece—which is de rigueur in an artistic house—continues the mantel and overmantel decorations, and makes the whole appear like a good cabinet for books, china, and flowers. This can also be removed in a few minutes, and either hung on the wall or placed in a corner of the room.

The perfect câche-feu has yet to be invented, but until some clever genius has done this, either of the above ideas answers quite well; but I do solemnly warn my readers against fashionable trellis-work with paper ivy and grapes wandering over it, fans outstretched in plush with senseless photographs let in—as if photographs could be in place on the hearth!—and all the thousand and one freaks of fashion that are brought out by those who ought to know better, and who have filled many houses to overflowing with terrible plush frames, soiled satin bags, useless odds and ends, and ghastly painted tables, brackets, and stands, which are costly to begin with, and so we do not like to dispose of them too hastily, and which should never be seen in the houses of those who really want to have an artistic and pretty home; with which solemn warning we will pass on to sterner subjects, and will consider in another chapter how to treat the more ‘manly’ portion of the house, where work or pleasure may be gone in for.

CHAPTER IV.
THE BILLIARD-ROOM AND LIBRARY.

‘There must be nothing frivolous, light, or airy in the aspect of either of these rooms; all must be sombre and steady, if not dark;’ and though I do not go so far as this—the ordinary dictum of the upholsterer—I am quite willing to allow that in the billiard-room at least lightness and frivolity are out of place, albeit I cannot allow that even this room need be sombre and dreary, while certainly it ought to light up well, as it is a room which is generally used merely at night.

Wherever it can be afforded, and wherever there are young men or lads in the house, there should always be a billiard-table, and the girls should be encouraged to play with their brothers and their brothers’ friends as long as their mother or father can remain in the room as some sort of guard and guide; the pleasanter home is made the less inclination will young men have to go elsewhere for their amusements, and if they are accustomed to be made happy and feel that their friends are welcome too, they will not keep outside home for the pleasure that is to be found without crossing the threshold. A billiard-room in winter, a couple of good tennis-courts in summer, and the hours of leisure will pass comfortably along, and leave neither time nor opportunities for less desirable pleasures.

Example is everything in a house: a thousand sermons will not speak as loudly against betting, and gambling, and drink—the horrors of my existence—as will the example of a house where such things are never allowed, and yet where amusements of all kinds are not frowned upon and refused, where games are encouraged for their own sakes, and where a healthy outdoor life replaces the bar-frequenting, loafing hours, which are all too often the portion of those who have been accustomed to ‘nipping’ and loafing, because they have seen these two habits allowed as a matter of course from their earliest days.

And before I speak of the mere walls and furniture of a billiard-room let me impress upon my readers not to allow this room to be turned into a base imitation of a tap-room. I am not a teetotaler, and have small patience with those intolerant individuals whose language and statements are all too often as bad and violent as they are absolutely unreliable and untrue, and I do not believe in the possibility of living our present eager and artificial existence without the aid of alcohol in some shape or the other, certainly not after we have borne the heat and stress of the day, and we require something stronger than water to sustain us, but I do absolutely condemn the insane and insensate habit in which so many indulge nowadays of continually drinking between meals. Were stimulants taken at meals only, were spirits, with the exception of brandy (which should be kept entirely as a most valuable medicine), abolished, we should have no drunkards, and the teetotalers would lose all excuse for their most unpleasant and untruthful existences; and as we now seldom see a drunkard in our streets, and never contemplate the pleasing scenes which after dinner, in our great-grandmothers’ times, were visible in many dining-rooms, from which no gentleman ever issued to join the ladies, because he was generally under the table or else fast asleep with both arms on it, I am in great hopes that we are learning to be a sober nation, though I hope sincerely never to see it an absolutely teetotal one, for beer and wine are necessary, I am convinced, in our climate, and we should be miserable indeed were we debarred, as the fanatics would debar us, from the use of all fermented or alcoholic drinks.

But we must be moderate and we must not drink between meals, and we must avoid the constant sodas-and-brandies which appear inseparable from some billiard-rooms, and to which is due, no doubt, the pious horror many good folks have of this chamber in a house; and I should like it to be firmly understood that the room was for the game merely, and that anything like ‘nipping’ would be at once and sternly discouraged. This being satisfactorily settled, we may proceed to plan and decorate our billiard-room with a clear conscience, secure in the fact that we are simply providing a place for innocent amusement, that will be of invaluable service at night and on wet Saturday afternoons, and that will not prove a snare and stumbling-block to any, more especially if we as sternly refuse to allow gambling as we refuse to allow imbibing at odd moments of the day or night.

I am always astonished that no crusade has been raised against the national sin of gambling. Drink ruins the homes of poor men, but not more certainly or rapidly than gambling ruins the homes of rich men, and of men far from rich. Drink may kill a man, but it takes a great many drunkards to imbibe an estate, while one night’s gambling may scatter the savings of a lifetime and turn all the wretched children of a selfish gambler into the streets to starve. I have been horrified sometimes to see ladies and gentlemen hot, eager, excited, gambling in private houses, the host actually bent on winning from those who are enjoying his hospitality, the hostess almost insulting her guests in her awful anxiety to gain the contents of their purses; and I am convinced that the only way to escape this demon is to refuse to pander to it at all, to never allow one single penny to be staked at cards in one’s own house, and to make this such a rule that it would be impossible to break it on any consideration whatever. I have seen pennies played for which begat the taste for gambling for much larger sums; and I have never seen a house where gambling was allowed truly prosper, or be anything save the residence of those whose ideas and hopes were centred in this world only, and never rose above the mere ‘society’ existence, than which nothing can be more despicable and awful.

This book is not a tract, and therefore I do not say one half I should like to on this subject; but as I remember the ruined homes—one family especially, where all are scattered and most are dead, where gambling went on in the schoolroom and drawing-room alike, at every moment which could be snatched for the purpose; the broken hearts, the miserably wrecked careers, entirely due to this vice; when one can hardly take up a paper without seeing the dreary fate of some wretched youth, whose tendencies to betting and gaming have caused him to rob his master’s till and landed him in penal servitude, I must say I cannot help feeling astonished that the eager teetotalers do not try their hands at putting down gaming, especially as they have the law on their side—the kind, good, well-devised law which snaps up little boys who play pitch-and-toss at the corners of the streets, that winks at Tattersall’s and the big races, and finally is utterly powerless to punish the high-class gamester, who spends his nights at gaming-hells and ruins his home and his wretched constitution at the same time.

However, lest I weary my readers in dwelling on this subject, about which one cannot say too much, I think I will now simply speak of the decoration of the billiard-room, having, I hope, so judiciously sandwiched the powder between the jam in this chapter, that those who seek for information about the room itself may unawares come upon it, and so be forced to meditate, whether they like it or not, on some of the reasons why so many people dread the idea of a billiard-room where there are boys. If gambling were non-existent, the veriest Chadband might learn to handle the cue; while a pastor at a dissenting chapel need not dread the eyes of his deacons were he found disporting himself in the halls of the ungodly, which would cease to be ungodly, or be no more so than the harmless tennis-courts, were betting eliminated from among their charms, and nothing but the game itself really and truly encouraged and allowed.

A big room is a necessity for a billiard-room, which should never, by any chance, be shorter than twenty-six feet long by twenty broad; a full-sized table measures twelve feet by six, and the size I have spoken of only allows sufficient comfortable room for walking round the table, and for the usual raised seats which are always put at the ends and on one side of the room. Personally, I should prefer a much larger room still, as I like to see one end of the room furnished as a species of sitting-room; but, of course, in London the twenty-six by twenty room would be ample. In the country, the billiard-table comes in for days when shooting is impossible, and the sitting-room end there is a great advantage in more ways than one.

Quite a charming billiard-room can be made by using all brown paint and a high dado, to the top of the door, of brown and gold Japanese leather paper; above the dado the wall should be painted café-au-lait; the cornice should be replaced by a coving, which should terminate in a top-light, from whence the ordinary cross-lights could be hung for use at night, and these surely could be in beaten iron with some prettier shades than the hideous green things which match the equally hideous cloth, which I hope to see replaced soon by something a little more artistic, say in such a room as the one I have just described, by a dull brown cloth, which surely would be every bit as satisfactory as the green, which is certainly the most aggressive shade of green which has ever been made. In this case the shades could be blue, with some lace over them, or the yellow with no lace at all.

Where the ceiling is coved, the coving should always be decorated either with gold leather paper or by an artist’s brush; and I have seen most elaborately drawn pictures of the old wooden ships of Henry VIII.’s time in a similar coving, in sepia on a cream ground, which looked perfectly beautiful, and which I should recommend in a similar room, where stags’ heads and other trophies of the chase should be arranged on the painted wall, which should be too high for pictures, which could not be hung on the dado either, for fear of their being damaged by the ends of the cues. I should advise the use of printed yellow linen for curtains, edged, of course, with ball fringe, were there any windows in the room beside the top-light, which should have a gathered soft yellow blind arranged to draw over it in very hot weather; while the table itself, when not in use, should be covered with a large square of yellow serge lined with American cloth, with a big monogram embroidered on one corner; this would preserve the table, and look much better than the ordinary cloth.

The floor should be parqueterie with strips of velvet pile carpet in golden brown on the four sides; these should be mitred at the corners, and no other carpet would be required, save, of course, a square if we had the drawing-room end to the room I advocated before; if not, the room should be kept for billiards only, when the strips round the table would be quite sufficient; the leather seats should be covered in brown leather, and the fire should be protected by one of the admirable guards sold by Benham & Co., and which have padded tops, on which people can sit and watch the game, and get comfortably warm at the same time.

I have seen a most ingenious arrangement of small cupboards in the overmantel of a billiard-room, which was pronounced invaluable for the safe storing away of cigars and tobacco, which should be mentioned, as of course smoking will be principally carried on in this room. The mantel-piece was walnut, and the fireplace the orthodox open grate and tiled hearth and back; the overmantel was carved to match the mantel, and was quite flat to the wall, which had been scooped out in some manner behind it, to allow of the formation of sundry square cupboards in the wall itself; these each held a cedar-wood box of cigars, with the front end off; and the cigars were so arranged that they could be taken out one by one, when the square wooden block in the overmantel, which formed the entrance to the cupboard, was unlocked, and fell forward on a hinge. No one could have suspected the overmantel of being a cupboard, and yet it was one; while at the same time this particular spot was especially pleasing, I believe, to the constitution of a cigar, which appears to require a certain amount of warmth, until it disappears finally into smoke, leaving its terrible odour behind it. On the mantel-piece itself were dull blue vases holding spills; several ingenious and expensive match-boxes, on which all matches appeared to me to refuse to ignite, and the usual débris one always finds in similar localities, filthy-looking pipes, old date stands, and stands for holding the hunt appointments, and similar expensive and broken toys, being there in vast abundance. Another excellent manner of decorating a billiard-room, where the owner had pictures to dispose of, and did not want a very elaborate or costly decoration, would be formed by papering the room entirely with real brown paper, and painting the room the same soft brown; a frieze should be added, if possible, of one of the Japanese hand-painted friezes one can buy occasionally at any decorator’s, representing a flight of wild ducks, or else of storks, among reeds and flowers; but if this cannot be either found or afforded, a plain gold and brown Japanese leather frieze would look well. This should not be less than fourteen inches wide; anything less is distinctly ugly; while it might come almost to the top of the door, which should be surmounted by one of Wallace’s simple over-doors to hold china, which should be blue and white. The curtains in this room should be Liberty’s very dark blue and white reversible cretonnes; the chairs could be either dark blue leather or saddle-bags with dark blue velvet surrounds; and the carpet should be dark blue pile. This would look well, and be an entirely pleasant scheme of decoration; a hand-painted frieze on brown paper would also be capital if expense were no object.

Yet another and a bolder decoration could be made by using Essex golden ‘Othmar’ paper, with Mandarin paint, and a wide frieze of the dull green ‘Othmar,’ dull green carpets, and Graham & Biddle’s beautiful yellow poppy cretonne, edged with dull green ball fringe, and lined dull green; the carpet should be the dull green ‘Stella’ pile carpet from Wallace’s, and all the chairs should be dull green leather.

If by chance there can be afforded or managed a drawing-room end to the billiard-room, a couple of screens will be found most invaluable; and if these screens have a long spike in each fold, to receive which a corresponding hole is bored in the floor, a great objection to screens will be done away with. Furnished with these spikes, which should be able to be unscrewed and removed quite easily, they could not possibly be knocked over; and, in my opinion, the tall standard lamps, which are so much in request just at present, should be furnished with similar spikes, as they always appear to me dreadfully dangerous, especially where there are children, or even dogs, or careless servants; for though, of course, the danger of fire is entirely done away with if we use Defries’s excellent patent for putting out the light as the lamp falls, the oil must be spilt and damage the carpet, while an unpleasant smash and fright are absolutely certain. We should be saved anything of the kind were my simple spike arrangement adopted by all those who use these lamps.

The drawing-room end of the billiard-room should have a bow window with a seat round, several cosy arm-chairs, a table capable of holding the week’s supply of newspapers and the month’s supply of magazines, each in its own proper corner, and a couple of serviceable paper-knives should be always forthcoming. There should be a nice little writing-table for the use of any who wish to scribble notes; and, above all, there should be either a long bookcase on the wall full of frivolous literature, or else one of Trübner’s excellent bookcases, which revolve and so allow one to reach any book in the case without rising from one’s comfortable seat.

A venerable piano which has seen better days is no mean addition to the comfort and pleasure of the billiard-room, and many an hilarious and impromptu entertainment has chased away the melancholy caused by a wet afternoon in the dismal winter country, due entirely to the happy presence among the company of a piano which was quite good enough to be used to accompany comic songs on, and amply good enough to form the basis for a recitation after—a long way after—Corney Grain or the immortal John Parry.

But though a big room is much better than a small one for billiards, people should not be deterred from having a table in their houses because their space does not allow of a full-sized one. The very nicest billiard-room I was ever in, and which, alas! is now no more, was that formed by using the square hall of a country vicarage; that table existed before the present age of artistic decorations, but whenever I remember it and the dear old house in which it stood I forget all art, and only remember the extreme fascination that place had for me, and can scent again the mingled odours of the vicar’s pipes and Maréchal Niel roses, which are inseparable from my remembrance of the place. The table stood squarely in the front hall, which was covered with brown linoleum, and was seldom unmarked by dogs’ feet for more than five minutes after it had been freshly washed, and we used to perch about on the tops of oak chests, the fender, anywhere, while the game progressed, as there was no room for seats. In addition to the hall table, the hat-stand, decorated with all sorts and conditions of hats, male and female, and the oak chests, one of which held the rugs and whips, the other the parish registers from some very bygone date, the walls themselves were decorated with stuffed birds and animals in glass cases, sundry collars and chains belonging to the dear dogs, driving-whips suspended in some cunning manner to keep them in shape, a barometer which survived the most fearful amount of banging and shaking that ever barometer was subjected to, and finally by the post-bag, which hung from a nail until it was fetched by a small village girl who rejoiced in the remarkable name of ‘Rhody Jemimy,’ who had to take and fetch the bag morning and evening from the ‘World’s End,’ the mail-cart bringing it and taking it from and to that mysterious location, for we were far too primitive in those parts to have a postman, and had our one post a day contentedly enough, though I believe the present denizen of the vicarage has clamoured until he has not only a postman but a second post; albeit, neither were ever required by us, who were perfectly happy in those blessed days without them. I dwell upon this room rather at length in order to encourage anyone who may hanker after a billiard-room, and not dare to think of it seriously because the necessary twenty feet by twenty space is not forthcoming, and, moreover, because they dread the expense as much as the want of room. Of course a new full-sized table is a very expensive thing, and fittings and all could not cost less than 150l.; but as soon as we have made up our minds that we can really have a billiard-table we must begin to look out for the sales, for very often there are compulsory sales about, where a very good billiard-table can be purchased for a quarter the price of a new one. I have known one sold for 25l., as the owner had forgotten to renew his lease and was given summary notice of dismissal, while a friend of mine bought a beauty for 40l. which simply required a little polish about the legs to be quite as good as new; but should money be of no real object, it would be better to go to some really first-class maker and have the table properly set up and made, for I believe there is great art in the proper placing of the table, and this should only be undertaken by someone who thoroughly understands the business; still, in a small room, and with a small and second-hand table, there may be found vast enjoyment if the bigger and more elaborate arrangement cannot possibly be managed.

I am always amused at some people’s determination not to be either happy, or complete in their household arrangements, because they cannot have the best of everything that is to be had, though I must confess such conduct makes me just a little cross as well. I have known folks utterly refuse to contemplate the joys of a jolly little pony and chaise because they didn’t care to set up a carriage unless they could do so properly; ‘properly’ in their case meaning the orthodox coachman, footman, horses, and a couple of carriages; whereas they condemned themselves to their own immediate neighbourhood and to tramping about the lanes, or to staying at home, because they could not understand that as much pleasure could be got out of the ‘shay’ as out of anything still more gorgeous. I have known folks decline with scorn to cover their ugly, depressing, bare walls with pictures, because they could not buy Millais and Herkomers; whereas their lives and their houses would have been brightened at once had they spent 20l. on autotypes. And I have as constantly been acquainted with dozens of folks who would not do this, that, or the other, because they must take a back seat so to speak, and who in consequence waste half their opportunities. I except society, by the way; if the best society is not forthcoming (and by the best society I mean the society of people who are clever and who have done, or long to do something to make the world brighter and happier than they found it), don’t have any. The contact with mean, small, and ignorant minds does one harm, not good; the constant rubbing against time-serving shoulders and the shoulders of those who would do any amount of grovelling to be received by what they consider the society of the neighbourhood, only smirches us, and we had better sit at home all our lives with our books alone than expose ourselves to the deterioration we receive from association with such folk. But, apart from society, I would rather have the second or third best of everything if I can’t have the first, for the more one gets out of life the better, and the more one sees of the world and of the nice people in it the wider do our minds become, and the more appreciation and enjoyment do we have from our lives.

With the plea for a secondhand billiard-table rather than none, I will turn away from the room with one last suggestion—viz. to have good thick curtains hung over any doors that there may be in the room, outside; this will keep the smell of the smoke within proper bounds, and will also keep out the sound of the click-click of the balls, than which nothing is more annoying—to me at any rate. These curtains could be made of Adams serge lined with Bolton sheeting; both these materials will wash and are to be had from Burnett’s, and should be very wide and full, and should hang well over the hinges and cracks of the door; these should further be surrounded by ‘Slater’s patent’ for excluding draughts, as naturally the room will be properly ventilated, and there would be no need to think of that, all our care being centred on keeping in the room all scent of the smoke and all sound of the balls. If the room is separate from the house, and only connected with it by a long passage, we may consider, I think, that nothing more is to be expected, and that here is indeed the perfect billiard-room. This room should be in the care of the head housemaid, whose first duty should be to open all the available windows every morning, no matter what the weather is like, to see all the cigar-ash is swept up, and finally to slip the curtains off the poles (a matter of three minutes exactly), to have them well shaken out of doors and left there for half an hour, having them replaced the moment the room is cleaned and set straight. Treated like this the billiard-room would always be fresh and nice, and would have no more smell of smoke about it than would be pleasantly suggestive to anyone who is not such a bitter enemy to smoke as I am.

And now about the library, the arrangement of which must depend entirely on the individual tastes and pursuits of the master of the house, whose room this is more especially; for in all big houses the mistress has her morning-room, and the guests generally are provided with writing-tables in their rooms, and would only venture into the library when the door was open, or by the rule of the house was made free to them during certain hours. Naturally, if the master were in no measure a literary man, if he had no Parliamentary work, or work that required him to isolate himself from the rest of the household at certain hours, the room would always be free; but it should be kept for writing and reading only, it should never be turned into a play-room of any kind; therefore there should be a certain sobriety about it, and it should not be furnished too frivolously or in such a manner as to suggest flirtation instead of study, sweet sleep instead of proper, severe application to one’s books.

Perhaps the very prettiest library I have ever seen is one in London, which may sound frivolous, but is nothing of the kind, and has some of the most serious work of the nation done between its four walls; it is enamelled white—doors, cupboards, bookshelves, overmantel, indeed everything, and has a most beautiful effect, especially against the dun-coloured, gold-tinted calf volumes, with which the shelves are most amply supplied; the shelves are supported on cupboards with brass locks and hinges, and are wide and deep enough to hold quantities of law papers; all these shelves and cupboards are ‘fitments’ passing completely round the room, and continuing under the windows. The only scraps of wall which show are papered with a very good Japanese leather paper, and the space above the mantel-piece is filled in with an old portrait; sundry pieces of blue china are on the mantel-piece, which are never without their fresh flowers; the carpet is a very fine Oriental one, with a great deal of white in it; the furniture is blue, as are the curtains, which are arranged across the top of each window and down one side only, while the enormous desk which occupies the centre of the room is a most exquisitely inlaid piece of marqueterie, and is the only coloured thing in the room, the frames of the chairs, &c., being enamelled like the room itself. Now this white idea for a library in London—dirty, smoky London—does seem absurd and a trifle frivolous, but the effect thereof is perfect, and as the application of a damp clean duster and a polish from a leather makes the room absolutely spotless, I see no reason why the white library should be scoffed at as an impossibility. A big beaten iron and copper lamp from Strode hangs in the centre of the room, and gives the finishing touch to a very perfect apartment.

Here the room is used for important work which requires absolute peace and absolute solitude, where the books refer to the special subject of study, and would be of no interest whatever to the ordinary man. Still, a modified edition of the white room could easily be carried out, and would be far more cheerful to live with, than the orthodox dark green and carved oak, or a base imitation thereof that we find in far too many houses; oak, in my opinion, being utterly unsuited to a modern house, and should only be used in a big old house where one looks for it as a matter of course. Of the modern imitation called Flemish oak I have no words of condemnation sufficiently strong; it is abominable, ugly, heavy, and badly executed, and should never be tolerated in any house where artistic decoration is encouraged and sought after.

If, as I said before, the master of the house does not require so much space for papers or books as to authorise him to cover in the entire wall-space at his command with fitments, I advise him to run his bookcases simply round the room to a height of an ordinary dado. Above this could be hung the ever-useful Japanese paper, or a real red-and-white paper, such as is Pither’s ‘buttercup.’ On the wall could be hung pictures, or a large cupboard well designed (and I should suggest Mr. Arthur Smee as the proper person to send to for this) should break the space of wall in the centre. The doors could be of cathedral glass in leaded squares, with broad brass hinges and locks; while the same design, of course on a much smaller scale, could be introduced over the mantel-piece. The desk could be enamelled white, and the top covered with Japanese leather paper. Of course the handles on the drawers must be brass; the blotting-book could be of red leather, with a plain monogram stamped on, or else the name of the room and of the house; and the head housemaid should be very particular about the state of the inkstand and of the blotting-book, though she should be forbidden, of course, to touch any of the papers on the desk, for fear she might lose important manuscripts. The mistress of the house should dust these herself if the master is touchy, or objects to other hands meddling with his belongings.

The curtains in a library should be thick and warm, and should, in the red-and-cream room, be in cream Roman satin, embroidered with red flowers if possible, or else of deep red Roman satin or Bokhara plush. The furniture sold by Hampton, covered in what they call ‘Khelims,’ but which is quite unlike the ordinary striped material I have always purchased as such, and is much more Oriental-looking, would do admirably in this room, where there should certainly be a couple of good sofas and four or five armchairs, and a small writing-table and chair beside the bigger one; while great care should be taken with the lighting, it being most important that a good light should fall on the book or writing-table, which should throw no fidgety shadows. When the electric light becomes general this advice will not be necessary, but until it is great care must be taken, before the lights are absolutely fixtures, to ascertain that they are in the right place, or else the unfortunate would-be readers and writers will be continually annoyed. The large standard lamps are useful in a library, as they can be moved at any moment, and further care should be taken in the choice of a carpet, which should be thick and soft, and should cover almost all the floor, thus saving the student any chance of being fidgeted by the sudden scroop of a chair pushed hastily back or by the noise of a falling book or of a sudden footstep.

In a small house a library would be impossible, and therefore I give no directions for a cheaper style of decoration, which, however, could be managed in judiciously chosen shades of green and white, and I will only now speak about the books and the manner of treating such a room.

No child or very young person, and no servant, no matter whom, should ever be allowed to read the library books, which should never under any pretext whatever be removed from the library, and should consist of histories, travels, poetry, and all standard works that have survived the fiery trial of a twenty years’ existence; the lighter works of to-day, which one reads when one is tired or wants simply to be amused, should be found in the billiard and morning rooms, and in every spare room in the house (Mudie’s books being also in these rooms), and on no account whatever should a really good book which forms part of a set, or is valuable, be lent; listen to no entreaties, place the book in the room at the disposal of anyone who cares to read it, but lend it and you may and will run the risk of losing your book, or of having to torment for it, until your friend hates you, although in strict justice he ought to hate himself for the trouble he has given you. In every library and, indeed, in every house, there should be a list of the books in each room, and whenever a book is added the name thereof should be written down. I speak feelingly, if a little bitterly, on the subject, for no one has lent more books than I have, and no one has been more ruthlessly robbed; for people who would be absolutely incapable of depriving one of a pin, lose and forget to return my books, and at last I have come to the conclusion that I will never lend another; books are cheap enough, goodness knows, and libraries swarm; let people borrow there, and close your heart to the would-be borrower if you want to keep your books, and not scatter them generously about the world at large.

Again, I should never forbid anyone to read any book whatever—a prohibition makes people anxious at once; but the fact that the library books must be kept in the library would deter the children from reading what they ought not, and we would forbid certain literature because of its binding, not because of the contents; this I have found act much better than the wholesale orders we were given on the subject, in consequence of which I had read all Defoe’s, Richardson’s, Fielding’s, and other works I should never have seen before I was sixteen, and wondered why on earth they were forbidden me. I should never have read one of them had I not wanted to see why I must not; they did me no harm, because I could not understand them; they might have done infinite harm to any other girl who was less babyish for her age than I happened in some mysterious manner to be, and therefore it is a good thing to keep such books where children do not come and where they are forbidden to touch books which are too well bound to be risked in their all-too-generally grimy little paws.

As in all the other rooms in the house, cheerfulness should be first thought of: a gloomy library, a library where the windows are obscured, is a mistake; cheerfulness is the first thing to be seriously cultivated by us all, in all relations of life, for it is indeed true, as the poet says—

A merry heart goes all the way,
A sad one tires in a mile-a;

therefore, in choosing and furnishing the library, remember this axiom, and let sunshine and brightness and cheerfulness be found there, as in every other room and place in the house; for we are insensibly and immensely influenced by our surroundings, and we should always make the best of our lives and belongings in every way we possibly can.

CHAPTER V.
SHALL WE DO AWAY WITH THE NURSERY?

It is a hard moment in the life of any woman when she has to make up her mind that she cannot any longer consistently retain one of the best rooms in the house for the nursery, more especially if she has been able to realise her ambition, and to give to her children an ideal chamber, where beauty and suitable arrangements for their comfort have been duly studied.

I know nothing sadder than an empty nursery. The children, who were as much our own as anything on this earth can ever be, have ceased to be children. They are still ours, but they are independent creatures; our care is no longer absolutely necessary to them. Some may even have married, and others may be trying their wings by some short flights from the home that will always be theirs, even if they do not care to return to it. But, in any case, they are no longer the dear little mites whose tiny ailments kept us awake at night, whose clothes and education were our unceasing care, and who found their heaven in our presence, believing honestly and thankfully that all they had came from us, and that we were without a flaw, as omnipotent as we were faultless.

The most melancholy part of middle age is this being left behind by our children, the eagerness on their parts to live their own lives and begin their own career. But it should not be sad, as it is only what happened to our parents, after all, and will happen again in the future generation. But all the same, it must be a hardened heart indeed that can contemplate an empty nursery and have no other thoughts than how best to decorate or use the room for a totally different purpose. There is a peculiar serrement de cœur, which, once experienced, can never be forgotten, when we enter a room made sacred to us by a thousand dreams and romances—a thousand dreads and fears we have never spoken of to any soul on earth, and have to consider how best we can alter it to another purpose.

I remember, years ago, going to see a house in which we had had many, many happy hours, and which had just passed from those we knew and loved to persons in an inferior station of life, with whom we should never have any dealings, and I have never forgotten the feeling of desolation that seized me when I looked up at the erstwhile nursery window, from which the bars were hanging broken, and remembered the faces that used never to be absent from that place—a feeling that was intensified a thousand times when I climbed up to the room itself, and looked for the last time on the walls, papered by ourselves with pictures from the ‘Illustrated News’ (I can remember them all vividly, from the marriage of the Princess Royal in one corner to pictures of the American War in the other), and recollected the boys who were all out in the world, each busy with his own life, with whom I had played, ridden, eaten far too much fruit in the sunny garden below the nursery windows (where I verily believe it was always fine and hot), and with whom I had risen at dawn in many a misty September morning, bent on collecting a great dish of mushrooms for breakfast, to surprise the house-mother with—a surprise that she must have been well accustomed to, but which she never failed to express; she knew we should have been so disappointed had she seemed in the least degree to expect the never-failing dish, though she had a hard struggle to be duly elated and not say one word about the draggled skirts and wringing wet stockings and boots, which she knew were reposing upstairs and would be shown to her in due course and with much wrath by Susan, to whose lot it always fell to remedy our dilapidations, which she used to say were always worse when I was there to rush about with the boys and lead them into mischief and dirt of all kinds.

There can be nothing more extinct on this earth than that dear old nursery, closed nearly twenty years ago and utterly swept away, but I can never think of it without becoming young again—without being the eldest of that small flock and worshipped as only five small boys can worship a London cousin much older than themselves, who yet could enter into all their games and excursions with the zest of a girl who has never tried living in the country, and sees only the poetical side of it; and without remembering the happiest of happy homes, where I cannot recollect a cross word, a disagreeable day, or anything but the noise of the boys rushing about, the scent of a thousand flowers, the planning of a hundred picnics, and a delightful sense of summer and sunshine that can never be forgotten, and that has influenced more lives than mine—more even than the generous, hospitable master and mistress will ever know—though perhaps he does in the rest he won so worthily and in the Heaven that must hold anyone who was as generous and good as he was to the many, many relations with whom he filled his house, and to whom he always gave a hearty welcome.

But no doubt there are a great many other nurseries just like this one—and, indeed, I know of several—so I would beg my readers to bear with me while I speak of these rooms, and beg them not to make a clean sweep of the nursery altogether until they are positively obliged to do so, not because there may be other babies to come, but because the nursery is useful for a thousand things, and it makes such a dreadful difference in a house when the room is completely altered and turned into a room for the maid who takes the place of the nurse, perhaps, or into a sitting-room for the girls or boys. Don’t let this be done, dear readers, until you are absolutely crowded out, because you will be miserable, and because you can never tell that the room may not be wanted as a sanitorium; an upstairs sitting-room, a refuge for our grandchildren, should we have married children, and should they be coming to stay with us, and bring their babies in due course of time; while the room having been decorated and furnished as a nursery is that and nothing else, and would have to be completely altered, should we settle to do away with it altogether.

Now, I want you to look just for a moment at the picture I have had drawn here of an empty nursery and see how admirably it is adapted for the purpose, and how cruel it would be to sweep away all these corners and shelves. You will notice how the cupboard fills in the recess between the fire and the wall, and you will see how a doll’s-house should be arranged, and then, I am sure, you will think twice about weeding out all this, and doing away with things that may give pleasure to future generations, particularly when we must all number among our acquaintances people with children, who come to tea, and will enjoy their tea twice as much if the children can be relegated to old nurse and the room where all is prepared for the small guests, who will for the moment take the place of those who are still children to us, albeit they are as old as we were when we began housekeeping ourselves, and set up a nursery with the pride and consequence inseparable from that most important step; while we can look hopefully forward to other small visitors who will be delighted to play with ‘mother’s old toys,’ and to hear things about that mother’s childhood, which can only be told them by an authority on the subject.

The nursery I have had sketched here is, of course, a much more expensive and elaborate room than could be suggested to folks with small incomes, but will serve as an example, I hope even in little houses, although, as those were amply catered for in my first book, I do not feel so bound to consider them as I did then. I should always have a real dado in any nursery. The one used here is of Indian matting, which is as neat and clean after ten years’ use as it was the day it was put up. By the way, a dado should be secured at the top with rather a heavier rail than the one illustrated, and this should be screwed on, not nailed. The screws can be removed at any moment, and the dado taken down. In the case of a cretonne dado this could be washed at any moment, while stuff or matting could be brushed or shaken; but I have taken down matting after ten years on a wall, which was sized before the matting was put up, and have never found the smallest dirt behind it, while the wall remained absolutely intact for that space of time, and, indeed, is as good as new now, after fifteen years’ wear, at least, I hear it is; unfortunately we have moved twice since then, and I cannot possibly inspect the matting to verify this statement for myself as I should like to do; but ten years is a long time, and, in these roving days of ours, when all too rarely do houses descend from father to son, is quite space enough for most of us.

Above the matting—which should be the kind sold by Treloar, in Ludgate Circus, for 35s. the roll of 40 yards—can be put any pretty blue paper. Pither’s new blue bay-tree paper, at 1s. 6d., is charming, and is of a colour that

we never tire of. The paint could be the same shade of blue; the tiny cornice should be coloured cream, and the ceiling paper should be Maple’s cheap yellow and white one, at 4½d. a piece. This could be cleaned twice a year with stale bread, and, as it is so cheap, could be replaced the moment it showed signs of becoming in the least degree shabby. The best toys could be arranged round the room on the shelf, which could be painted blue, and further appropriate decorations could be made by tennis rackets and skipping ropes if desired, albeit I should prefer a picture there of some kind or other, or else a lamp hanging out over the fireplace, beyond the reach of little fingers which might hanker after the fascinating occupation of lowering the light or putting it up to such an extent that the glass might be smashed in less than no time.

The short curtains and absence of blinds which I always advocate, and which idea has been largely copied and adopted, are just indicated in the picture, as is the long straight seat under the windows, which would take the place of the sofa if there were not room for one; but the useful serge or arras cloth should be used instead of cretonne here, as cretonne so soon gets out of order in a place which is so much used as such a window-seat might be. Corduroy velveteen would also make an admirable covering, and would always be, in a measure, tidy. It is possible to make these window-seats do double duty as a seat and also as a box, for instead of the front being a ‘hollow mockery,’ as it is when it is a simple frill and nothing else, it could be a wooden box, and the seat could be a padded lid, which could lift up and down. A small frill nailed on the top of the seat would conceal the opening, and the front of the box could be covered with frilled material like small organ pipes. This would hold any quantity of work, old books, magazines, and rubbish generally: rubbish which is of no use at all, but is absolutely priceless to the little owners.

I think anyone who has ever owned a dolls’-house will admire my idea for a fixed one, because all who have ever possessed a similar abode must have occasionally pulled it down about the ears when engaged in an orthodox game with this most fascinating toy, at least it used to be fascinating in my day; judging from my two girls no one can care now for them, for the beauty we had has long since gone to a hospital, owing to the absolute indifference with which its many charms were treated by our children. But if there still exist any small maidens who treat their houses as we used to, I am sure this arrangement of cupboard shelves with a real house front and a flap to let down, properly painted of course like a hall door, with windows above, must commend itself to them. The flap makes a table for dolls’ meals and parties, and is very useful for house cleaning, which delightful occupation invariably occurred in my day every Saturday regularly; but then we used to cover up our furniture with dust-sheets when we went to the seaside, and, furthermore, always deposited our wills in the drawing-room bureau under the same adventurous and dangerous circumstances, sealing the house at one side with the device of a dove bearing an olive-branch in its mouth, so that we might be quite sure profane hands had not meddled with our house or our possessions during our absence. I do not know if in these grown-up days of ours, and of competitive examinations and women’s rights, there is time or inclination either for elaborate games, such as we used to play over the dolls’-house, but I hope there is, as nothing is more truly engaging than such a possession, for which netting new curtains, and making new furniture, even occupied the boys, while, of course, we were never tired of altering and arranging and making too. Little as I work or care for working, I am sure I should enjoy making a Berlin-wool carpet now for someone‘s dolls’-house, only, unfortunately, I don’t know anyone who has one. I should not require a pattern; I remember the black diamonds accurately, each diamond being filled with a different coloured wool, making a tout ensemble to be feared, indeed, in these æsthetic days of ours.

Many a wet afternoon has been happily passed in washing and ‘getting up’ our net curtains for the windows, in rearranging them and tying them up with ribands bought at Whiteley’s, when it was one wee shop served by the Universal Provider himself and two girls, for which we saved our money; and I sincerely believe my first love of decoration and adornment of the house was fostered, if it were not born, of the intense attachment I had for my dolls’-house, at the desk of which I wrote my first attempt at poetry—and very awful it was—and to whose sheltering care I confided many a packet of MSS., which I was always going to submit to a publisher, but which paucity of stamps kept safely in the dolls’-house until I was old enough to know what utter rubbish I had written, and how worthily it would have been rapidly entombed in the waste-paper basket.

Below the dolls’-house illustrated there is a drawer, which can hold any amount of odds and ends, and of course the whole side of the room could be dolls’-house if cupboard space were not required, but, as it may be, the cupboard is shown above the house, decorated with a spray of flowers, painted by someone who knows how to paint; not by any amateur dauber, for you must never allow bad art in your nursery, even if you know it will have to be done away with in a comparatively short time. The other side of the fireplace can be another cupboard; this should be treated exactly like the one shown, of course without the dolls’-house. This will give ample space for all the nursery belongings, for no one should be allowed to hoard, though a certain amount of rubbish should always be winked at, but broken toys and torn books should be mended and patched—capital work that for wet days—and should always be sent off to the omnivorous Sisters at Kilburn, who can use anything, it doesn’t matter what, and who will welcome as treasures what the children will no longer use; therefore nothing should be thrown away. Nurses and children alike all enjoy mending and making for the Kilburn orphans, if only they are told about them and asked to take an interest in the good work done there. I have looked about all over London, I think, since writing my first book to find a suitable floor-covering for the nursery, and have not satisfied myself quite that I have done it. I cannot like or in any way advise linoleum there. It is cold, ugly, and there is an undeniable odour about it that never leaves it, and therefore I do not like to see it in a room which should always be as pretty as we can make it. I think, therefore, it is best to buy a square carpet, with either a border or else a good woollen fringe round, and put this down over carpet felt. Wallace’s ‘blue anemone’ Brussels carpet, at 3s. 11d. a yard, would wear some years, or a cheaper carpet still might be had in the ‘blue lily,’ at 3s. 9d., wide width; but I should prefer the Brussels for really hard wear. The staining round the room should not be more than 12 inches wide, and should be done with Jackson’s varnish stains. When the stained boards begin to get shabby the nursemaid can paint them over herself with some stain, and they can be kept in order by a weekly polish from the stuff sold by Jackson for the purpose. Half a gallon of the stain is sufficient for a margin round a good-sized room. This would cost 6s., and proper directions for applying the stains are sent out with them. Personally, I prefer the dark oak or walnut stain to any of the others. There should never be a hearth-rug in any room; but I must again state this in connection with the nursery, it would only cause accidents, and would serve at least to conceal the depredations of a careless nursemaid, who cannot refrain from making that portion of the carpet filthy with carelessness when she is doing the grate if she should be provided with a rug with which to cover up her sins. The carpet can be turned round to ensure equal wear if the square is made as suggested, and should last quite ten years, which is as long as any carpet should be allowed to last, in my opinion; an older carpet being a repository of dirt and dust, and therefore cannot be healthy, a reason why I should never advocate very expensive carpets, as I much prefer to be able to have a new one without too much exertion on my part, especially in bedrooms, and in such rooms as nurseries and schoolrooms.

I am, however, again describing a nursery, and this instead of calmly discussing how best to do away with it; but I will make a confession here, and then I fear I shall show how bad an advocate I should prove were I called in to advise how best to do away with this room, which in all real homes is the very heart of the household. For be it known to my readers, that, as my youngest child was eight years old, I determined, Spartan-like, to do away with the nursery, and converted the room into a sitting and sleeping room for my nurse, who was henceforth to act as maid; the young person, who was as her own baby, being taken from her and sent to share her sister’s rooms, one of which was to be part school, part sitting room; but we were all so uncomfortable I had no heart to continue the arrangement. When small friends came to tea there was nowhere for them to go; wet days were things to be dreaded because the child had no real place of her own for her things, and, after struggling on for nearly a year, we have returned to the nursery, although we try our hardest to call it school-room, and are now so much happier in consequence.

Another problem—should we do away with the nursery—is, What is to become of the nurse? You may call her a maid and give her your garments to look after, and tell her she must now take on her the work of a maid, but she will never do this properly; she will miss her room and her occupation, and she will move about miserably, missing the children and yet not knowing what she misses, and will neither be useful nor pleasant. But leave her her nursery, and one child if possible, and she will be quite happy; and, much as we may hanker after a maid, the ideal creature who shall never have to be told that buttons are off or skirts torn, who shall make our every-day dresses and retrim our bonnets, we owe something to the nurse who has looked after the children at the worst and most critical time of their lives, and are bound, if we cannot afford the two luxuries, to sacrifice the maid and cling to the nurse. And be quite sure if we do we shall be rewarded; the children may be grown up, but even grown-up folks have colds and headaches, and sometimes worse ailments than these, and who so fit to keep watch over these ailments as the nurse, who has gallantly steered us through measles, whooping-cough, and the thousand ailments other people’s selfishness is always handing on from generation to generation?—no one, surely; and if she and the nursery are retained together, there is always someone who knows what to do in an emergency, and a place to go to to be petted and quieted and made much of, as only a nurse can do who has had her nurslings from the first and loves them as only their mother and nurse know how to love. We have two such nurses in our family: I one, my sister the other, and I can never advise doing away with any nursery when I remember all that this may probably mean to others beside the householders themselves.

In a large house, therefore—a house where, let us hope, people mean to stay some years—this is an extra reason for making the nursery as pretty as possible. One cannot be very sentimental over a schoolroom; there is always a suspicion of ogre’s castle about that room, and it can invariably be turned into the girls’ sitting-room or into a billiard-room at the earliest opportunity, but all the sentiment of the home is to be found in the nursery, where the children are without a care or a trouble, and where they are gaining strength and health for the battle of life; therefore, let us never grudge any money we can afford being spent upon the nursery. As I said before, I always consider blue by far the pleasantest colour to live with, which is one reason why I advocate blue in the nursery; but of course endless combinations of colour could be had which would be equally pleasing and successful, but not as nice to live with always. However, I will give one or two which might perhaps be liked better by people who are not as fully convinced as I am on the merits of blue.

A pink and cream nursery would be pretty and bright, and could be managed by using Pither’s cream and pink bay-tree paper, all cream paint, and a dado; the dado of Haines’ anaglypta, painted cream, the ceiling paper should be J. & H. Land’s green and white ‘Watteau’ ceiling, at 3s., the carpet should be either the green ‘lily,’ or ‘Stella,’ or ‘anemone,’ from Wallace, and the cretonne should be Oetzmann’s sage-green ‘algæ’ cretonne, at 1s. 3½d., the muslin curtains being, if possible, of Helbronner’s pink and green ‘lily’ muslin, an expensive muslin but a very lovely one, which would complete the room nicely. The furniture should be ash and as simple as possible, and the flowers on the cupboard should be the pink flowering rush with slender reeds, and a few pale Marguerites. Yet another decoration could be made by using a high dado of Liberty’s nut-brown arras cloth, at 9¾d. a yard; this would be sufficiently high to allow of the toy-shelf being used instead of a dado-rail; above this the paper should be Pither’s ‘Buttercup, C,’ at 2s. 6d., a dull yellow-brown paper; all the paint should be ‘golden-brown,’ the ceiling paper should be yellow and white, the curtains yellow ‘Venetian’ cretonne, reversible, at 1s. 1d., clear Indian muslin underneath, and the carpet should be Pither’s golden-brown cottage carpet. This scheme sounds dull, but were anyone so unfortunate as to be condemned to use a sunless room as a nursery, she would find this arrangement would bring the sunshine into the room in a remarkable manner; while dark-blue curtains, carpet, and coverings would make the room less severe and be equally satisfactory, more especially if Colbourne’s Hawthorne muslin in yellow and white were placed next the window. Still, in a sunless room, one cannot have too much yellow; yellow serge would be found useful here for curtains should the windows be large, or a draught come in which would be too much for the cretonne to keep out, though cretonne should always be lined with Burnett’s sateen at 7d. a yard, and for a nursery should be edged with frills; the ball-fringe is really too tempting for small children, who cannot resist the delights of pulling off the little tufts wherever they are within reach of their fingers.

A most successful decoration, if rather a dainty one, was carried out under my directions the other day, and may be mentioned here, as variety is always pleasing to some minds, and it may be liked by those who approve of bright colours; it consisted in staining all the woodwork with Jackson’s malachite green stain and papering the walls with Pither’s admirable red and cream ‘buttercup’ paper, the ceiling being papered with a pale green and white paper; the floor was covered with a green drugget from Barr & Elliott’s, at 2s. a yard, wide width, which is wearing admirably, and all the furniture was in quaint stained wood from Mr. Armitage, examples of which are illustrated in the chapter on kitchens; the settle, table, and chairs, being all made by him, as were the mantel and over-mantel; in the centre of this latter piece of furniture was placed a square of looking-glass, though I personally should have preferred a good autotype in the red tints. The tiles in the grate were red, and there was the orthodox high fender with brass rails, which should never be wanting in any room where there are children; the table-cloth and curtains were of green serge, the exact shade of the staining, and the room altogether was far prettier than I had expected it to be, although I must confess my expectations were very high.

Out of one of these schemes of decoration—and I am glad to say that all are possible, for Pither, among others, will always keep in stock any paper that has really found favour with the public; therefore I am not recommending what will be out of anyone’s power to possess almost before these words are in type, as was the case a very few years ago—it will be quite easy to evolve a nursery in the new house which will be so pretty and appealing to the inhabitants, that when the last baby is a tall young person, either rejoicing in knickerbockers or a frock, or in being in the schoolroom as a matter of course, and who goes for walks and has meals in company with the elders—and we are forced to consider the problem with which I headed this chapter—we may reply unanimously, No; not as long as nurse lives, nor as long as there is the very smallest chance of illness or of our having to entertain small visitors. For these even the cots and high chairs should be retained; they do not eat anything, as one of our old nurses used to say when I wanted to give away some of the treasures, and they may even come in for the grandchildren, who will appreciate, as no one else can, the fact that they are having just what their parents had, and sitting and sleeping in the very beds and chairs they used to patronise. It is from the mistakes of others we learn most, and I have never forgotten the lamentations among old servants at home, when the nurseries being done away with and every cot scattered to the four winds of heaven, my mother had to borrow cots and turn the house almost upside down to take in her grandchildren, who were suddenly sent to her to be looked after during a sudden stress of illness, an inconvenience that caused endless worry and bustle, but would have been nothing at all had the old nurseries still been as they were, and which, as a rule, can be easily managed in a big house where the nurseries have been properly arranged for.

Then, too, the position of the two rooms close together, and generally a little way removed from the rest of the house, though not at the top, I beg, makes them a most admirable place for an invalid to retire to; there is always a chance of illness—aye, even serious illness—as one gets on in life, and all sorts of disagreeable things remind one that one is not immortal; and though, as a rule, houses are built emphatically to live in, and neither to be ill nor die in—though, despite the architects, both these unpleasant matters are possible—one can generally in a large house manage that the nurseries shall be close together and quiet; therefore, they should be kept apart for our own use. We could be ill most comfortably in the night nursery, and convalescent in the day nursery, which could, however, be used for our nurse did we require one, and the cheerful pretty papers and the thoughts that would be inseparable from these rooms would alike help us to bear our woes, while we could have nurse to talk to and to ‘do for us’ as no one else could—no one who did not know us thoroughly, and, having seen us in sickness and in health, in adversity and prosperity, knows exactly what we can bear and how to manage us best.

Thinking over everything, then, considering carefully what the nurseries have been and what they may be, I do most seriously beg all my contemporaries to pause a very long time before they lay a ruthless hand on what was once as sacred as a shrine. No amount of decoration can embellish walls decorated with the hopes and joys of our youth, and one’s first playing at Motherhood; no other paper and paint give us the idea, or remind us as do the old papers and paint, of a thousand and one things no one can possibly want to forget; not even the miseries endured during serious illness, the anxieties turned into joy, or may be deepened into dreadful gloom by death itself, should be forgotten; aye, a thousand times should they be remembered if this be the case, and, though this is an impatient age when no one wants to think, and when death is treated so lightly that people are in society and deepest black at the same time, and when all are so impatient of the sorrow death brings with it, that ‘no one stays at home except the corpse,’ I trust I shall not number many of them among my readers, or indeed anyone who cannot and will not thankfully remember their past, and as they grow old, Darby and Joan together, will not spare time to look back gladly and happily to days which were better, perhaps, than the present days of feeble steps and darkened lights, but which are no less happy if Edwin and Angelina are still hand int hand and heart to heart, and have proved for themselves the absolute truth that where marriage is begun in love, continued in love, and ended in love, it can never be anything save success, and that anyone who calls it a failure must know absolutely nothing whatever about it. To such a couple as this, the nurseries must always be sacred places, and they will be as reluctant as I am to do away with them. I think, therefore, I may take it for granted that unless absolutely pressed for room we shall retain our nurseries, keeping them fresh and bright and nice in case we are ill, or in case we have our grandchildren to see us, or in case we have small visitors, who, being provided with suitable rooms, are nothing but a pleasure to us, when otherwise they might be nothing except a trouble and a nuisance.

CHAPTER VI.
THE GIRLS’ ROOM.

In writing about the girls’ room, I mean to consider a great deal more than decoration, though naturally that will not be neglected, for I am more and more convinced as years go by that something definite must be done in the way of providing for the women who flood the market and struggle—alas! that it should be so—in the open streets with men for their living, instead of contenting themselves with being the helpmeets of those with whom they wage this unseemly warfare. I have a very strong opinion that people should not bring into the world any more children than they can reasonably hope to equip in some measure for the fight. Boys can always make their way, women cannot; and though I do not agree with Mr. Besant, who declares that women hate work and do not wish ever to do anything, I do think that no woman should be obliged to work for mere food and clothes—at all events in the ranks above the lower middle classes; and that no woman’s constitution can stand the anxiety of providing her own sustenance, and at the same time doing work to procure this sustenance; for anxiety paralyses a woman, and the more she is obliged to take thought for the morrow the less able is she to ensure the morrow’s being provided for by her work. She should, therefore, never be placed in a position in which she is literally forced out into public strife, unless from her very earliest days she has been brought up among workers and taught that her future can be nothing but severe toil.

Can one speak too strongly of the wicked selfishness of people who bring ten or eleven children into the world, knowing that, were they to die to-morrow, the unhappy creatures would either starve, or do worse than starve in the workhouse or in one of those excellent and stony-hearted institutions where the child becomes a unit among hundreds of uniformed units, with never a pretty frock or sash among them, and never a chance of anything save work outside the walls and of an ultimate grave?—of the insensate and odious conduct of those parents who bring up their children to have every single thing they require, and then, when the girls do not marry and grow old at home, leave them penniless when totally unable to work, because they have never known they must—never have learned a single thing worth knowing, and that they must either starve genteelly or live on their overburdened relations, or add to the already fearful number of people who paint dreadful little tables and tambourines, sew infamously, or try the thousand and one ways of making a little money, which cheapen the market and bring institutions for the sale of work done by ladies into the profoundest contempt? I say that the State should interfere, and force a man to lay by for his daughters, at least so much that will keep them from such an end, or to give them such an education that at any moment they could work—could do the work that from their earliest days they should learn is waiting for them in the near future; and that if a man’s own sense will not teach him that he has no right to make helpless women suffer (as women must suffer who find themselves destitute in middle age), he should be treated like a criminal and punished by a jury, which should be composed of women who have suffered in their turn through their parents’ selfishness. Naturally this would be impossible, but I do wish men’s consciences could be awakened, and every successful man who is working hard, spending all he makes, and adding yearly to the frocked darlings in the nursery with scarcely an arrière pensée, would remember in the dead of the night, when one’s sins generally find one out, that the day of reckoning will come—that some day the children brought up in luxury and accustomed to think the world their own will be faded spinsters (for out of a large family some are sure to remain unmarried in these days), and that all the sweetness and light of the early life will be forgotten, and the father will be cursed when these faded, sorrowful women have to look forward to nothing but patient starvation or a corner grudged to them by their more successful relations, to whom they can never be anything save incumbrances; for these disappointed ones of the earth always resent prosperity in anyone else, and are apt to snarl and snap at those who dole them out the bread they so unwillingly take.

Why should not the State compel every working man with two or more daughters (after two the case should be legislated for) to pay in a part of his income to some fund for providing for the women? And by working men I mean those who have no capital except their brains—the artists, lawyers, clergymen, professional men of all kinds, who have nothing but themselves to depend upon. The man making and spending his 1,500l. a year should be forced to put by at least 200l. a year for the poor girls who come into the world without their own consent, and who are left absolutely destitute, save of a certain amount of distaste for anything save enjoyment, and an absolute dislike of doing anything save just what it pleases them to do at the moment; while at the same time a properly mapped-out education should be provided that will enable them to earn something in addition to the pittance the State would be keeping for them against a rainy day, but which would be something on which they could rely with certainty, and which would allow them to contemplate possible illness without the deadly sinking that fills the breast of any woman who has absolutely nothing but her own self to rely upon, and who knows she must starve or seek the cold comfort of the corner mentioned before if she cannot continue her labour.

I cannot put the case too strongly before the fathers and mothers who may read this book; for, after all, they must be their own State, and do their own legislating. They must not have enormous families that they cannot feed, clothe, or educate respectably; and they must so manage their affairs that the girls can rely on the 100l. a year, which is all I ask for—all that is absolutely necessary to keep a single woman in comfort, but not luxury; the luxuries must be earned or gone without. They must do this, I say, unless they wish to look down from whence they may go after death, and have their hearts lacerated and torn by the sight of the women they have left to starve and to curse those who have entailed so much misery on them. There surely would be some insurance company who would undertake to do for all what the Edinburgh Life Assurance Company, 11 King William Street, E.C., does for schoolmistresses who like to pay in a certain amount yearly—viz. pay them a pension at a certain age, or else a sum of money, whichever they prefer; and the parents could, as soon as they added another daughter to the household, begin providing for her. If they cannot do this, I maintain they are absolutely wicked in adding that little life to the overwhelming population already here.

There is no misery to be compared to the misery of a woman who, never having imagined her future can be aught but a sheltered one, finds herself at middle age absolutely destitute and at the mercy of her relations. She has no claim on anyone but her parents, and she knows this, and suffers infinitely. Therefore those parents must contemplate this: must understand that marriage does not come to the lot of everyone, and that, even if it does, the woman should not go penniless to her husband, but should have some small allowance to enable her to feel independent, and to add to her house, or her children’s pleasures, out of her own resources. Here, again, I mention the 100l. a year. Each girl in an upper middle-class family—the professional man’s family—cannot possibly cost any amount less than that; in the case, of course, of some, 50l. would be amply sufficient, and this sum should be allowed yearly as long as the father lived; after which, insurance money should be forthcoming that would insure something at all events, if not quite as much as they have been having.

If, however, it is absolutely impossible for a man to give his daughters anything—in which case they ought most distinctly never to have been born—he is bound to tell them so honestly from their earliest days, and he is equally bound to give them such an education that at any moment they can earn something, either as domestic servants—and, for my part, I would, and far rather, be a parlourmaid than a nursery governess—or as Board school teachers, designers, or as members of such of the home branches of toil as are open to women who cannot aspire to the higher education and the advantages of Girton and similar establishments.

Of course the subject of woman’s work is one on which volumes have been written, and volumes might still be compiled from the same source, and I could not naturally go into all the pros and cons of each occupation in this chapter, even if I knew them all, which I do not; but I do strongly beg my readers to dissuade their girls from competing with the men; they only lower prices, and, finally, prevent the men from marrying them by giving themselves one less chance of fulfilling the proper end of their sex—viz. to make a home in the fullest sense of the word. There is plenty for women to do without scratching and fighting with the men. If only they can realise that fact I shall not have written in vain.

I have had lately a great deal to do with women who have to earn their own living, and I have never found one who really could and would work at anything that turned up who could not add in an appreciable manner to her income; but I have also found hundreds who would not even try to do what I could offer them, but who preferred to dabble with paint, to embroider hideous cushions no one wants, and which cost pounds to make, to undertaking the ‘smocking,’ the upholstery, and, above all, the dressmaking and cooking with which any sensible woman, who is honest and hard-working, can keep herself and manage to get along comfortably. No; if they can’t get just the work they want, they will not take any; or, if they take it, they grumble; don’t return it at the time they promise; and, finally, are so unbusinesslike that their employers are in despair, and vow that, come what may, they will never employ a so-called lady again.

And it is also astonishing to me how the mere fact of being gently born seems to these poor things to excuse all their failings. Rickety screens, impossible pictures, frightful woollies—all must be sold at a higher rate for them than for anyone else, because they are made by ladies. And so it should be if ladies understood that, because they are ladies, they should be more punctual and better workers than the poorer classes, if their ladyhood were a hall-mark instead of a screen for their misdemeanours. But they will not see this, and in consequence they bring discredit on their order, and make the very words ‘Poor lady!’ synonymous with everything that is bad and absolutely unsaleable.

To be a successful worker one must take the work which comes before one, and one must be trained to work, to punctuality, and to business habits; therefore, if there be one of the families of daughters no other nation produces in the reckless way our own does, it is imperative that the training to work begins in the nursery, and that the defenceless girls are given this equipment at least, even if the parents can do no more for them.

The boys are born to work; they are carefully trained and brought up for this end, but there are hundreds of cases where the fathers have either been suddenly ruined or become poor through illness or their own selfishness, and who turn the girls out in their turn, and are much astonished when the poor things flounder hopelessly about and cannot keep themselves, because they have had absolutely no training which shall fit them for work.

I feel, in writing this chapter, which concerns the girls of the household, that I cannot say too much about the subject of some provision being made for them, and that they should be relieved not only from the necessity of having to find a market for unskilled labour, but also from the trial of marrying if they do not want to do so, or if they do not see anyone they really love, because their parents are continually telling them it is their duty to marry in order to make room for their younger sisters.

Now, incredible as it may sound to male ears, there are very many women to whom marriage and the obligations and responsibilities entailed thereby are absolutely distasteful and disagreeable. As a rule, these women make the best wives and house-mothers, but they are not the happiest people in the world, and would probably have been both happier and better had they followed out their own inclinations and lived their own lives in their own way, without the constant presence of a man and the unceasing cares of a household on their shoulders. They do not understand Love with a big L, and passion and they are strangers for ever, and always would be, but they marry at their parents’ request, to clear out the nest, and they certainly miss the higher happiness which, perchance, might have come had they waited, either from their work or from meeting the one individual who might have roused their sleeping souls and shown them a glimpse of the paradise that exists, I believe, for those lucky natures who understand what we may call the ‘Ouidaesque’ aspect of the case; albeit I also think they use up rapidly in that short sojourn in Paradise, which serves more sober-minded folk for the whole of life’s journey. For myself I cannot speak. I am a prosaic, unsentimental individual, and so far have got on without sentiment very well indeed; but other people may not be as I am, and may endure misery by marrying the first man who asks them because they see plainly how desperately they are grudged the room in the house which should have been theirs for ever, and from which they should have been allowed to go reluctantly to the husband, who appreciates his wife a thousandfold if he understands he is only allowed possession on sufferance, and that she was wanted by her own people quite as badly as ever he could want her himself.

And this brings me round to the question of giving the girls their own room in the house, where they can do just what they please, and where they can ask their own friends to tea should they desire to do so; not, however, in the American way, which empowers the young people to have festivals whenever they like, and to ask whom they like to them, but in a mitigated form, which compels them to ask permission to entertain, and furthermore to produce a list of names, so that full knowledge may be the mother’s portion, and that she may know exactly who is coming, and, moreover, what is going on. If the girls have their own sitting-room, they feel their residence under the paternal roof is meant to last as long as the roof itself, and they have not that hurried, disagreeable feeling some unfortunate girls must be given by the parents who make no provision for their permanent comfort, and who openly speak of what they shall do when So-and-so gets married; poor So-and-so, who has never had an offer in her life, and shrinks away from every man she sees, as she cannot help regarding him as the monster who carries off a damsel whether she wishes it or not, because the fetish of home has to be appeased, and the fabric kept together by the quick sacrifice of those who are old enough to be chained to the rock to await his advances.

The home—of the making and the decorating, the management, and the keeping together of which I feel I can never say too much—cannot possibly be made too happy, too pleasant for the younger members of it; but they in their turn must understand that they, too, have their part in the whole to perform. The grown-up daughter in such a home is a most precious possession; she can save her mother endless trouble, she can and does take the burden of most of the detail on her shoulders, and for her, therefore, should be arranged some place, no matter how small, that she can call her own, and where she can in some measure do much as she likes, for she is sure to have some pet occupation—friends to write to, work to do, all sorts of things to see about, and which she can only attend to in a room set apart for her and her belongings.

In many cases the schoolroom makes an admirable girls’ room, but should this room be occupied by the younger children when the elder daughter is ‘out’ and requires a room to herself, a capital arrangement could be made for her by copying the French fashion of a boudoir-bedroom, an arrangement for which is illustrated here, and which my artist has adapted from a room I used to have in my Dorsetshire house, where space was a great object, and where the downstairs rooms were so badly managed that it was impossible to have a morning-room in which I could sit, although there were two tiny rooms beside the dining-and drawing-rooms, which we turned into bachelors’ bedrooms, and which constituted our only spare rooms for some time. These rooms were larger than need be bestowed on the eldest girl of a house, and were made by removing the partition between a bed-and dressing-room; the bed and dressing-table, which also served as a washhand-stand, were completely screened off by a long and very tall Japanese screen; the cabinet, which stands by the side of the bed, held a quantity of linen, &c., and always looked very decorative, and not in the least like the humble chest of drawers that it undoubtedly was; while the couch in the first window served as a sofa, and, furthermore, held any quantity of dresses, supplemented as it was by the cupboard, the doors of which are panelled with Japanese leather, put in nearly twenty years ago, and verily, I do believe, the very first doors in England that were ever treated in this manner. I never saw any elsewhere, though, of course, now to find a door with undecorated panels is rather an impossibility,

at all events in any house the owner of which aspires to be in the least degree artistic.

The room illustrated here was papered with a very soft brown-and-gold paper, and had a dado of red-and-white matting, and a hideous shade of terra-cotta paint. In those days one could not find a ceiling paper anywhere, and I was obliged to content myself with a species of café-au-lait wash on the ceiling, which much exercised the mind of the local decorator, to say nothing of my own, for though I knew I hated the ordinary whitewash, I did not quite know how to set about a change; but notwithstanding that, my café-au-lait ceiling was rather smeary, and was profoundly jeered at by the good local housekeepers, to whom a spotless ceiling and a clear conscience were synonymous, and to whom anything new or strange meant undoubtedly an unsafe spiritual condition. The relief from the white glare of the ordinary ceiling was so great that I stuck to it manfully, and even added a blue ceiling to one of the other rooms until I came across a pretty paper, and had that put up, to the intense disgust of the builder and the open horror of the inhabitants, who since my day have papered their ceilings too, and done all sorts of other things which I used to preach in my bridal-days, but of which they took no heed until they saw me in print; then they were quite sure I was right, and began to alter their houses and make them prettier than they had ever been before.

I should not now put terra-cotta and brown together, but that room somehow always looked very harmonious; the short frilled curtains were of a charming soft terra-cotta and white cretonne, which unfortunately has been out of stock for something like fourteen years. The muslin was a very soft Madras with frills also, and the couch was covered in the same patterned cretonne, only in blue and white; when the paper became shabby and a little dull I added a frieze of Japanese fans all round, and they gave just the colour I required to the room. One cannot somehow buy such good fans nowadays as those were, unfortunately; and this is not imagination, for I possess a good many of these identical ones now, and I can never find in any of the numerous Japanese shops which have succeeded Liberty & Hewitt, or I should say followed them, any paper fans that are half such good colours or such pretty designs as those which formed the frieze in that particular room. I had the floor covered entirely with matting, and rugs were placed about. The whole of the furniture, with the exception of the writing-table shown in window No. 2, was wickerwork, and as in those days there was no Aspinall, I had to beg my varnished paint from the man who mended our carriages, and who could never produce anything except a very good black and a particularly awful blue, which I only tried once, and eschewed in favour of black, which remained on for years, and finally succumbed to the superior charms of Aspinall’s hedge-sparrow-egg blue and other delicate and pleasant colours.

The shelves, both in the recesses by the fireplace and between the windows, will give an excellent idea how to manage these dwarf bookcases, which hold a quantity of books, while the tops serve as cabinets or stands for china. The corners of the room had a series of long wooden brackets in each, edged with frills of dark-blue velveteen, and the mantel-piece had on a painted board for the shelf edged with a deep frill or flounce, also of the same dark-blue velveteen; a narrow strip of looking-glass was placed along at the back, as overmantels were not invented, and I had always a horror of the great glass sheets then in vogue; while above that hung pictures, fans, &c., which made a species of overmantel arrangement for myself, with which I was quite satisfied. The room altogether always looked pretty and nice, and was much admired; it was always full of ferns and palms and flowers too, without which no room can ever look well, spend what one may on the furniture and decorations thereof. This species of boudoir-bedroom is always a capital possession, and were space no object in a house I should always arrange the bed-chambers in a similar manner: there should be a dressing-room and bath-room to each, where all the dressing operations could be carried on; and the bath should be shut off by double doors from the passage. Such an arrangement is quite delightful both for visitors and when one has to remain in one’s room from ill-health, for once up and on the sofa the whole appearance of a bedroom vanishes when the screen is in place, which is put straight along between the bed and the cabinet. All the housework is done behind the screen, the housemaids entering by the curtained door, and the invalid is not worried by the sight of bed-making operations, while her room always looks nice, and she can receive there anyone she may care to see, which she could not do were the room frankly a bed-chamber and nothing else.

Of course on ordinary days the windows must be opened as soon as dressing is over, and left open for a good two hours’ spell of airing, and the room should not be sat in after tea or after luncheon if possible. This gives ample time for a due course of airing, the only objection anyone could make to this arrangement being that probably the room might be stuffy, or the air in it exhausted by being used during the day as well as slept in during the night. This objection vanishes into thin air when the windows are opened widely and kept open from about two till bedtime; indeed, I say after bedtime, for whatever the weather may be I have one window open all night, and whenever possible every window which will open remains so; indeed, one window in our present house has not been closed for a moment during three years.

Now, in decorating a room on a smaller scale for a girl, her own individual taste should be in some measure consulted, but nothing can possibly be or look better than the delightful ‘Watteau’ paper, sold by Haines, at 2s. 6d. the piece. It is a paper of which one never tires, and has also the capital quality of being no distinct colour, and of allowing any colour being used in the room with it; while at the same time, should a distinct hue be desired, a room decorated with the ‘Watteau’ paper can be made distinctly blue, moss-green or coral-pink, according to the manner in which the room is painted, or according to the frieze or dado selected. For example, the paper could be hung above a dado of cretonne sold by Shoolbred at 1s. 4½d. a yard, which almost matches the paper, the paint in this case being ivory, and the ceiling paper Land & Co.’s ‘Watteau’ in yellow and white, at 3s. the piece. The curtains could be either of the same cretonne or of a Louis XVI. brocade, sold by Colbourne at 2s. 11½d. a yard, double width. The floor could be covered with matting, and there should be some rugs about on the floor, thus making one decoration without any distinct colour. Another could be the ‘Watteau’ with a plain green frieze or a frieze of Haines ‘rose’ paper, at 10s. a piece. This is run round the room, not put on in strips like wall-paper, and therefore would not be as expensive as it sounds. The frieze-rail and all the woodwork could be stained green with Jackson’s malachite green stain; the ceiling paper could be pink and white; the carpet, Wallace’s green ‘lily;’ and the chairs could be stained green, and upholstered either in the pinky terra-cotta Louis XVI. brocade, of which the curtains could be made, or else of the ‘Watteau’ cretonne mentioned above. The bed should be covered with a worked quilt—a good occupation for any girl would it be to make such quilts; while the towels and pillow-cases should all bear embroidered monograms, marking-ink being a positive badge of disgrace in a household where there should be useful fingers.

There are a great many floral papers, such as the ‘rose,’ at 3s. 9d., sold by Giles; the ‘carnation,’ sold by Maple; and the ‘wild rose,’ sold by Haines, which are all charming for such rooms, or, indeed, for any room; but should a severer form of decoration be required, my readers cannot go wrong with any of Pither’s papers, or of Liberty’s new damasque papers, which are all as good and artistic as they can be, and which can be used fearlessly by anyone who is not sure enough of his own taste to allow himself to select a paper on his own account, or has not time and patience to encounter the invariable battle with the decorator, who will not produce, until he is absolutely obliged, any paper on which he cannot see his way to making an exorbitant profit, and who sets forth paper after paper, trusting to his own ingenuity and his powers of wearying his victim to enable him to sell some venerable ‘shopkeeper’ which has long vexed his soul by its unremunerative existence on some back shelf.

I am delighted myself with Liberty’s damasque papers, which have only been brought out since I wrote my first book, and which, therefore, have not had the honourable mention there that they so very richly deserve to have had, the blue and silver ‘tulip damasque,’ at 2s., being a perfect paper, and one that would be quite satisfactory in a boudoir-bedroom, unless it happened to be a very small one; in that case the blue and silver marigold, at 1s. 6d., would do equally well. With these papers a dado is imperative, as I do not consider they have sufficient substance in them to withstand the wear and tear inseparable from their position at the base of the wall. A dado of Treloar’s thin matting or of a good red-and-gold Japanese paper would look well. With the matting the paint should be ivory, with the leather paper a good red paint should be selected which will harmonise with the blue. In any case a red carpet, such as Pither’s dull red ‘cottage’ carpet, or Wallace’s dull red ‘anemone,’ should be selected, and the curtains should be the same red in serge, or else in a dull blue cretonne, the ‘algæ’ made on purpose to harmonise with this paper by Oetzmann.

The planning and talking over the arrangement of this room will be a great amusement both to mother and daughter, and I strongly recommend the mother to attempt nothing in the way of a surprise, but to frankly take her daughter into her confidence and consult her tastes on the subject if she wishes the room to be a real success. I am compelled to recommend this course from an experience of my own, because I have never forgotten my unconcealable dismay at returning home after a long visit to find my own mother had planned such a surprise for me, but had in all innocence, and with such kindness, done such dreadful things to my pet belongings that I often recall the remembrance of my start of horror and exclamation of dismay with the profoundest contrition, for I did not know then what I have only realised in after years, that I must have pained her dreadfully, for, dear soul, she had done all the renovations out of her own savings, and had taken much trouble and pains about it, and I could not help saying, ‘Oh, why did you let them do this?’ before I realised that this was a surprise, and I ought to have been enchanted instead of dismayed at her renovations—renovations that were in absolute good taste, for her taste was perfect, and her house charming long before anyone else cared for their house, but which somehow were not my ideas, and which annoyed me dreadfully because the arrangements were not mine at all, and which I never dared alter afterwards, because I had already received the changes so ungraciously, instead of realising that I should have been enchanted with the forethought and goodness which had prepared all this for me.

Remembering my own reception of a similar surprise, therefore advise that the daughter should be consulted in every way about the room she is to inhabit, unless, of course, she has no tastes of her own, and does not care what the room looks like so long as she has it to herself; then the room can be made as pretty as the mother likes. But there are few girls nowadays who do not care for their rooms, and are not as eager as anyone else to make themselves a pretty nest that they may regard as their own, and not as a perch on which they rest on sufferance until they are pushed out by the on-coming juniors into the arms of the first man who appears in the least degree anxious to have her for a wife.

I do hope that, whatever else happens, the daughters of the household may never be sent away to schools, or urged at a high school to overwork their brains and go in for those wretched competitive examinations. I am no advocate for the higher education of women, for votes for women, for anything which shall take them out of the sheltered home atmosphere, where women alone can breathe comfortably and live properly, and force them into the arena of life; and I do hope mothers who may read this book will consider what they are doing when they force their girls forward, and delight in the hard work and successful examinations which ruin their constitutions, and make them irritable and nervous and old before their time. I know only too well that there are women who are compelled to work, but I shall always maintain this should not be; and, to return once more to the subject with which I began my chapter, I state boldly that neither would they be were the families of English people smaller, and were we less extravagant, less determined to snatch all we can from life, doing absolutely nothing for ourselves that we can get someone else to do for us. Why, I know myself one family of five or six daughters who, if their father died to-morrow, would not have 50l. a year, yet who go out night after night to balls, who take cabs at every moment, never saving a shilling, who are waited upon by half a dozen servants, and yet who ought to do the housework themselves, who ought to be content with a quarter of the gaiety they insist upon. The poor silly things even went to Court, though, Heaven knows, the Queen would have sent them back again had she known what their dresses cost—a price, moreover, that would never be paid—and who finally would have far more chance of happy marriage than they have now, when every man they know looks askance at their garments, and then at their father’s worried face, and avoids them, justly declining to put themselves in the noose which is round his neck, and which will surely kill him, even if he can keep his head above water for much longer. This case is the case of hundreds of families at present, and therefore I feel I cannot say too much about it, and I do hope mothers will therefore think a little more about their daughters, and endeavour to restore a little of the quiet and simplicity which are almost extinct in this rushing era of ours, and which can never be found among those who are cast out from the shelter of home and forced into competition—a competition that is as odious as it is unnecessary in most girls’ lives, and that would be altogether unnecessary were there fewer girls in the world, and were we content to spend one quarter of the money we do on all sorts of nonsense and on extra servants, who only make our daughters lazy and luxurious when they ought undoubtedly to be up and doing.

The moment a girl leaves the control of the schoolroom and the watchful eye of the governess she should be told that, though now she is to some extent her own mistress, she must not consider her education finished, but rather that the real part of education is just beginning, and that it is absolutely necessary that every day should begin with some steady work; and it is also well that some definite rule should be made on this subject: certain small household duties should be given to her, and certain studies should be continued, leaving it to her to select in some measure what those studies shall be.

Now in the richest households there are many things which should never be left to servants if one wishes the house to look like the abode of a lady, and not of a nouveau riche one, the principal one in my eyes being the arrangement of the flowers. The best gardener in the world has only a gardener’s ideas, and cannot know what to bring in and how to place what he brings in in an absolutely satisfactory way, and, as dead flowers and fading plants are disgraceful and worse than an utter absence of floral decoration, the first duty a girl should undertake is that of going round the rooms the moment breakfast is over, to decide which plants are to be removed and which vases should be refilled. In the country the gardener should wait her orders, and have the flowers gathered dry and before the heat of the sun is on them, and should himself exchange the plants, the position of them being determined by his mistress, as the arrangement of the flowers should be left to her alone. If done systematically in the manner here indicated, all the house will look fresh and nice, and there would be no chance of overwork.

To arrange the flowers an old dress should be worn, also a large apron and sleeves should be donned. Despite the fact that the gardener should bring in the flowers, there is always something extra to gather at the last moment, and one rushes out, gets one’s skirts covered with damp mould and dew from the grass, or shakes down a quart or so of water from the trees all over one, and a dress is spoiled in a moment—a serious matter at all times, but something more than serious when one has forestalled one’s allowance, and can’t afford another garment anyhow.

The arrangement of the flowers in most houses nowadays would occupy at least an hour, after which the girl should sit down for a steady read at some standard work carefully chosen for her, or else to any sewing work she may care for; then she should take up her hobby—and I trust she may have one for her own sake—and she should either practise, paint or write, or do anything she likes (save read novels) until the hour before luncheon, when she must go out. If she be wise she will continue her regular walk with the schoolroom party; if not, she must be sent out to see her friends, do ‘errands’ about the village or town, or else arrange for a game at tennis—anything to ensure some exercise. The girls of the present day don’t care for walks for walking’s sake, but they must have open-air exercise somehow, whether they care for it or not.

In London, I maintain, any girl who knows how to behave, and who is told plainly how to conduct herself, can safely go about the streets alone from the day she is eighteen. I have done so ever since I can remember, and though I do not consider myself lovely, I certainly was nice-looking (please, I am not conceited), and I never met with any adventure of the very smallest kind; and given a straightforward walk, an air of having something to do and doing it, no peeping into shop-windows, for example, and not a suspicion of loitering anywhere, I maintain any ordinary girl can go about alone perfectly, should it be inconvenient to send someone with her, or should she have no girl friend or sister with whom to walk; anyhow, London is much safer than the country, with its crawling tramps and its suspicious cows at every corner, to say nothing of mad bulls and dogs and all kinds of perilous adventures.

The morning walk disposed of, after luncheon then could come any pleasures. There are sure to be calls to be made, tennis to go to, afternoon parties, concerts, and all kinds of small dissipations; then would come dinner, after which, if there were no going out, amusing books could be allowed, and, in fact, any amusement that she particularly cares for should now be indulged in. The evenings should be entirely her own; and if she has any hobbies, and wishes to continue the morning’s work, let her do so. You will very likely be as glad to be left alone for a little with your husband as she is anxious to return to her own quarters and resume the special employments on which she was engaged.

I am now writing about those lucky girls who have an assured future of some kind, who, though they may not be rich should their father die, will not have to join in the fearful battle for bread, and who should represent the sex universally had I my way; and, therefore, I do not dwell on the necessity for toil that would be inevitable were the girls’ parents aware of the sword hanging over their heads. In this case the girls should know the truth, and should themselves elect whether they should prepare armour against the fray, or hang about, hoping against hope that they may be married before the evil days that must come fall upon the household. But girls who are pretty well off, and who, as I said before, cannot starve if their parents die, should still endeavour to find some real occupation for themselves; they may never want to make much money by it, but they should always be able to save money by it; and if they cannot do anything definite, or that will be likely to be heard of in the world, they should cultivate their fingers, and should learn to embroider and sew, in order that their room at first, and their houses afterwards, should be made beautiful by them, and should show evidences of their industry, and the excellent uses they have made of their time.