Goblin Tales of Lancashire


GOBLIN TALES OF LANCASHIRE.


Page [149].


GOBLIN TALES
OF LANCASHIRE

BY

JAMES BOWKER, F.R.G.S.I.

AUTHOR OF 'PHŒBE CAREW, A NORTH COAST STORY,' 'NAT HOLT'S FORTUNE,' ETC.

WITH ILLUSTRATIONS FROM DRAWINGS
BY THE LATE CHARLES GLIDDON.

'Of Faery-land yet if he more enquire,
By certain signes here sett in sondrie place,
He may itt fynd.'

Spenser

'La veuve du même Plogojovits déclara que son mari depuis sa mort lui était venu demander des souliers.'

Calmet, Traité sur les Apparitions, 1751.

London
W. SWAN SONNENSCHEIN & CO.
PATERNOSTER ROW

TO
THE MOST NOBLE
THE MARQUIS OF HARTINGTON, P.C., D.C.L.
THIS LITTLE VOLUME IS DEDICATED
IN ACKNOWLEDGMENT OF
MUCH KINDNESS.


CONTENTS.

PAGE
[INTRODUCTION,]13
I.[THE SKRIKER,]27
II.[THE UNBIDDEN GUEST,]37
III.[THE FAIRY'S SPADE,]50
IV.[THE KING OF THE FAIRIES,]52
V.[MOTHER AND CHILD,]59
VI.[THE SPECTRAL CAT,]63
VII.[THE CAPTURED FAIRIES,]73
VIII.[THE PILLION LADY,]77
IX.[THE FAIRY FUNERAL,]83
X.[THE CHIVALROUS DEVIL,]97
XI.[THE ENCHANTED FISHERMAN,]104
XII.[THE SANDS OF COCKER,]120
XIII.[THE SILVER TOKEN,]129
XIV.[THE HEADLESS WOMAN,]131
XV.[THE RESCUE OF MOONBEAM,]140
XVI.[THE WHITE DOBBIE,]152
XVII.[THE LITTLE MAN'S GIFT,]159
XVIII.[SATAN'S SUPPER,]164
XIX.[THE EARTHENWARE GOOSE,]167
XX.[THE PHANTOM OF THE FELL,]174
XXI.[ALLHALLOW'S NIGHT,]189
XXII.[THE CHRISTMAS-EVE VIGIL,]198
XXIII.[THE CRIER OF CLAIFE,]212
XXIV.[THE DEMON OF THE OAK,]221
XXV.[THE BLACK COCK,]234
XXVI.[THE INVISIBLE BURDEN.]238
[APPENDIX.--Comparative Notes]243

[INTRODUCTION.]

FOR many of the superstitions which still cling to him the Lancashire man of the present day is indebted to his Celtic and Scandinavian ancestors. From them the Horse and Worm stories, and the Giant lore of the northern and southern mountains and fells, have come down, while the relationship of the 'Jinny Greenteeth,' the presiding nymph of the ponds and streams, with allusions to whom the Lancastrian mother strives to deter her little ones from venturing near the pits and brooks; to the water-spirits of the Gothic mythology, is too evident to admit of any doubt. The source of the 'Gabriel Ratchets,' the hell-hounds whose fear-inspiring yelps still are heard by the benighted peasant, who finds in the dread sound a warning of the approach of the angel of death; in the Norse Aasgaardsveia, the souls condemned to ride about the world until doomsday, and who gallop through the midnight storm with shrieks and cries which ring over the lonely moors; or in that other troop of souls of the brave ones who had died in battle, being led by the storm-god Woden to Walhalla, also is undeniable.

Striking, however, as are the points of similitude between some of the Lancastrian traditions and those of the north of Europe, others seem to be peculiar to the county, and that these are of a darker and gloomier cast than are the superstitions of districts less wild and mountainous, and away from the weird influence of the sea, with its winter thunderings suggestive of hidden and awful power, may in a great measure be correctly attributed to the nature of the scenery.

It is easy to understand how the unlettered peasant would people with beings of another world either the bleak fells, the deep and gloomy gorges, the wild cloughs, the desolate moorland wastes two or three thousand feet above the level of the sea, of the eastern portion of the county; or the salt marshes where the breeze-bent and mysterious-looking trees waved their spectral boughs in the wind; the dark pools fringed with reeds, amid which the 'Peg-o'-Lantron' flickered and danced, and over which came the hollow cry of the bittern and the child-like plaint of the plover; and the dreary glens, dark lakes, and long stretches of sand of the north and west.

To him the forest, with its solemn Rembrandtesque gloom,

Where Druids erst heard victims groan,

the lonely fir-crowned pikes, and the mist-shrouded mountains, would seem fitting homes for the dread shapes whose spite ended itself in the misfortunes and misery of humanity. Pregnant with mystery to such a mind would be the huge fells, with their shifting 'neetcaps' of cloud, the towering bluffs, the swampy moors, and trackless morasses, across which the setting sun cast floods of blood-red light; and irresistible would be the influence of such scenery upon the lonely labourer who would go about his daily tasks with a feeling that he was surrounded by the supernatural.

And wild as are many parts of the county to-day, it is difficult to conceive its condition a century or two ago, when much of the land was not only uncultivated, but was, for at least a portion of the year, covered by sheets of water, the highways being little more than bridle roads, or, if wider than usual, very sloughs of despond, the carts in several of the rural districts being laid aside in winter as utterly useless, and grain and other commodities, even in summer time, being conveyed from place to place on the backs of long strings of pack-horses.

Living in lonely houses and cottages shut out from civilisation by the difficulties of communication, and hemmed in by floating mists and by much that was awe-inspiring, with in winter additional barriers of storm, snow and flood, it is easy to imagine how in the fancy of the yeoman, shepherd, farmer, or solitary lime burner, as 'th' edge o' dark' threw its weird glamour over the scene, boggarts and phantoms would begin to creep about to the music of the unearthly voices heard in every sough and sigh of the wandering wind as it wailed around the isolated dwellings.

In everything weird they found a message from the unknown realms of death. The noise of the swollen waters of the Ribble or the Lune, or the many smaller streams hurrying down to the sea, was to them the voice of the Water Spirit calling for its victim, and the howling of their dogs bade the sick prepare to meet 'the shadow with the keys.' All around them were invisible beings harmful or mischievous, and to them they traced much of the misfortune which followed the stern working of nature's laws.

The superstitions which date from, as well as the actual annals of the Witch Mania in Lancashire, in some slight degree confirm this theory, for whereas in the flat and more thickly-populated districts the hag contented herself with stealing milk from her neighbour's cows, spoiling their bakings, and other practical jokes of a comparatively harmless kind, in the wilder localities—the region of pathless moors and mist-encircled mountains—the witch ever was raising terrible storms, bringing down the thunder, killing the cattle, dealing out plagues and pestilence at will, wreaking evil of every conceivable kind upon man and beast, and, hot from her sabbath of devil-worship, even casting the sombre shadows and dread darkness of death over the households of those who had fallen under the ban of her hate.

Lancashire has, however, an extensive ghost lore to which this theory has no reference, consisting as it does of stories of haunted houses and churchyards, indelible blood-stains, and all the paraphernalia of the

Shapes that walk
At dead of night, and clank their chains and wave
The torch of hell around the murderer's bed.

The sketch in this volume, 'Mother and Child,' for the skeleton of which tradition I am indebted to the late Mr. J. Stanyan Bigg, may be considered a fair specimen of these stories. In most cases these legends are not simply the vain creations of ignorance and darkness, although they fade before the light of knowledge like mists before the sun, for under many of them may be found a moral and a warning, or a testimony to the beauty of goodness, hidden it is true beneath the covering of a rude fable, just as inscriptions rest concealed below the moss of graveyards. The well-known legend of the Boggart of Townley Hall, with its warning cry of 'Lay out, lay out!' and its demand for a victim every seventh year, is a striking example of traditions of this class—emphatic protests against wrong, uttered in the form of a nerve-affecting fable. In more than one of the stories of this kind to which I have listened, the ghost of the victim has re-visited 'the pale glimpses of the moon,' and made night so hideous to the wrong-doer, that, in despair and remorse, he has put an end to himself; and trivial as these things may seem to Mr. Gradgrind and his school, they have, like other and nobler parables, influenced minds impervious to dry fact.

To the devil lore of the county, however, the theory certainly will apply, for surely it is in a gloomy gorge, through which forked lightnings flash and chase each other, and the thunder rolls and reverberates, or on a dark and lonesome moor, rather than upon the shady side of Pall Mall, one would expect to meet the Evil One.

Yet, undoubtedly, other causes contributed to enrich the store of tales of fiends with which the county abounds.

In Lancashire many of the old customs, even such as the riding of the wooden Christ on Palm Sunday, continued to be kept up at a later period than was the case in other parts of England; and, notwithstanding the prohibitory edicts of the commissioners appointed by Queen Elizabeth, Miracle Plays and Moralities doubtless were performed there even during the early part of the reign of James I., for the Reformation, rapidly as its principles took root and spread in other parts of the country, did not make rapid headway in Lancashire, where great numbers of the people remained true to the faith of their forefathers. In fact, in many parishes, long after the Church of England had been by law established, Catholic priests continued to be the only officiating ministers. Probably the people loved their church not only on account of its doctrines, of which it may be presumed most of them knew but little, and of its impressive ceremonies, but also because of its recognition of the holy days and fair days, wakes, and games it was powerless to suppress; and perhaps of all the amusements thus winked at or even patronised by the church, that of dramatic representations, rude and grotesque as they undoubtedly were, was the most important. In many places the members of the various guilds and brotherhoods were the performers, but in the majority of cases the entertainments were given by the priests and other ecclesiastical functionaries.

What part the Devil played in these amusements is well known to the antiquary, the old accounts containing particulars of the expenditure upon not only hair for the Evil One's wig, but also for canvas, of which to construct black shirts for the Satanic tag-rag, or, as the old scribes plainly put it, 'for the damned.' It is evident from the old records that Satan left the hands of his dresser an object compared with which the most hideous jack-in-the-box of the modern toy shop would be a vision of loveliness; and, as his chief occupations were those of roaring and yelling, and of suffering all sorts of indignities at the hands of the Vice, as does the pantaloon at the hands of the clown in a pantomime of to-day, it is easy to see that his rôle was not a very dignified one. Everywhere the stage devil was simply the stage fool. Even in France, where the drama ever has been submitted to precise rules, 'there was,' as Albert Reville has remarked (Histoire du Diable, ses origines, sa grandeur et sa decadence. Strasbourg: 1870), 'a class of popular pieces called devilries (diableries), gross and often obscene masquerades, in which at least four devils took part.... In Germany also the devil was diverting on the stage. There exists an old Saxon Mystery of the Passion, in which Satan repeats, like a mocking echo, the last words of Judas who hangs himself; and when, in accordance with the sacred tradition, the traitor's bowels fall asunder, the Evil One gathers them into a basket, and, as he carries them away, sings a little melody appropriate to the occasion.' Undoubtedly these misrepresentations of the apostate angel helped to familiarise the popular mind with the idea of a personal devil going about veritably seeking whom he might devour; and although, when with the crowd in the presence of the Thespian ecclesiastics, people might feel quite at home with, and really enjoy, the company of the Evil One, away again on the dreary moor, or in the lonely hillside cottage, with the night wind howling at the door, fear would resume its wonted supremacy, and the feeling would be deepened and intensified by the memory of the horrid appearance of the stage Satan.

It is possible that in a great measure we owe to these performances the somewhat monotonous frequency with which, in the purely local Lancashire devil stories, the Evil One, who generally in the most stupid manner permits himself to be overreached, comes oft second best, for doubtless many of the traditions were moulded in accordance with the lot of Satan in the miracle plays, as, in their turn, these were, although perhaps indirectly, based upon the teachings of the church, and that, in its turn, upon the writings of the Fathers, some of whom, and notably Origen, did not hesitate to speak of the Redemption even as due in no small degree to Satanic stupidity, a view so lastingly predominant in the Church that as Reville has said, 'la poesie ecclésiastique, la prédication populaire, des enseignements pontificaux même le repandirent, le dramatisèrent, le consacrèrent partout.'

An interesting chapter in the history of religious beliefs might be written upon the views of the early Fathers with reference to Satan and his legion, and the student is not inclined to be quite so severe upon the superstitions of the unlettered peasant when he finds Jerome recording it as the opinion of all the doctors in the church, that the air between heaven and earth is filled with Evil Spirits, and Augustine and others stating that the devils had fallen there from a higher and purer region of the air. The early Christian Church too had its order of Exorcists, who had care of those possessed by Evil Spirits, the energumeni, and the Bishops, departing from the original idea that laymen had the power of exorcism, ordained men to the office and called upon them to exercise their functions even before the rite of baptism, to deliver the candidates 'from the dominion of the power of darkness.'

Of the lighter superstitions in Lancashire, that of belief in fairies appears to be almost extinct, and it is to be lamented that forty years ago folk lore was considered of so little importance, for the slight and vague references in a rare little 'History of Blackpool,' by the Rev. W. Thornber, upon two of which the sketches entitled 'The Silver Token,' and 'The Fairy's Spade' are founded, show that the task of gathering a goodly store of such vestiges of ancient faiths would at the time when that volume was written have been a comparatively easy one. To-day, however, the case is different. Even my friend, the late Mr. John Higson, of Lees, to whose kindness I owe the tradition upon which the story of 'The King of the Fairies' is based, and whose labours in out-of-the-way paths dear to antiquaries were for some years as untiring as successful and praiseworthy, was not able to gather much bearing upon the fairy mythology of the Lancashire people.

Most of the fairy and folk stories it was my good fortune to hear in the county and moorland districts were of a conventional kind, lubber fiends, death warnings, fairy ointment, and fairy money being as plentiful as diamonds in Eastern tales, and for that reason it was not thought necessary to reproduce them in this volume.

The darker forms of superstition, like lower organisms, are more tenacious of life, and in many a retired nook of Lancashire there still may be found small congregations of believers in all the mystic lore of devildom and witchcraft. Readers of Mr. Edwin Waugh's exquisite sketches of north country life will at once call to mind, in the 'Grave of the Griselhurst Boggart,' an illustration of that dim fear of the supernatural which is yet so all-powerful, while the valuable collection of Folk Lore from the pens of the late Mr. Wilkinson and Mr. John Harland is full of testimony to the vitality of many of these offshoots from old-world creeds.


[GOBLIN TALES OF LANCASHIRE.]


[TH' SKRIKER (SHRIEKER).]

ON a fine night, about the middle of December, many years ago, a sturdy-looking young fellow left Chipping for his cottage, three or four miles away, upon the banks of the Hodder. The ground was covered with snow, which in many places had drifted into heaps, and the keen frost had made the road so slippery that the progress he made was but slow. Nature looked very beautiful, and the heart of the rustic even was touched by the sweet peacefulness of the scene. The noble old Parlick, and the sweeping Longridge, with its fir-crowned Thornley Height and Kemple End, stood out boldly against the clear sky, and the moon shed her soft silvery light into the long silent valley, stretching away until its virgin paleness mingled with the shadows and the darkness of the distant fells beyond Whitewell.

All was still, save when the sighing wind rustled gently through the frosted branches of the leafless trees by the roadside, and shook down upon the wayfarer a miniature shower of snow; for even the tiny stream, so full of mirth and music in the summer time, had been lulled to sleep by the genius of winter; and the cottagers, whose little houses, half-hidden by the rime, seemed hardly large enough for the dwellings of dwarfs, had been snugly sleeping for hours.

Adam was by no means a timid or nervous being, but there was a nameless something in the deathly silence which oppressed, if it did not actually frighten, him; and although he sang aloud a verse of the last song he had heard before he left the kitchen of the Patten Arms, his voice had lost its heartiness. He earnestly wished himself safely across the little bridge over the brook; but he was yet some distance from the stream when the faint chimes of midnight fell upon the air. Almost immediately after the last stroke of twelve had broken the silence a cloud passed over the face of the moon, and comparative darkness enveloped the scene; the wind, which before had been gentle and almost noiseless, began to howl amid the boughs and branches of the waving trees, and the frozen snow from the hedgerows was dashed against the wayfarer's face.

He had already begun to fancy that he could distinguish in the soughing of the wind and the creaking of the boughs unearthly cries and fiendish shouts of glee; but as he approached the dreaded stream his courage almost entirely failed him, and it required a great effort to keep from turning his back to it, and running away in the direction of the little village at the foot of Parlick. It struck him, however, that he had come a long distance; that if he did go back to the Patten Arms the company would be dispersed, and the inmates asleep, and, what was more effective than all, that if he could only cross the bridge he would be safe, the Greenies, Boggarts, and Feorin not having power over any one who had passed over the water. Influenced by this thought, yet with his knees trembling under him, he pushed forward with assumed boldness, and he had almost reached the bridge when he heard the noise of passing feet in the crunching snow, and became conscious of the presence of a ghastly thing he was unable to see. Suddenly a sepulchral howl brought him to a stop, and, with his heart throbbing loudly enough to be heard, he stood gazing fixedly into the darkness. There was nothing to be perceived, however, save the copings of the bridge, with their coverings of rime; and he might have stood there until daylight had not another cry, louder and even more unearthly and horrible than the preceding one, called him from his trance. No sooner had this second scream died away than, impelled by an irresistible impulse, he stepped forward in the direction whence the noise had come. At this moment the moon burst forth from behind the clouds which had for some time obscured her light, and her rays fell upon the road, with its half-hidden cart-tracks winding away into the dim distance; and in the very centre of the bridge he beheld a hideous figure with black shaggy hide, and huge eyes closely resembling orbs of fire.

Adam at once knew from the likeness the dread object bore to the figure he had heard described by those who had seen the Skriker, that the terrible thing before him was an Ambassador of Death.

Without any consciousness of what he was doing, and acting as though under the sway of a strange and irresistible mesmeric influence, he stepped towards the bridge; but no sooner did he stir than the frightful thing in front of him, with a motion that was not walking, but rather a sort of heavy gliding, moved also, slowly retreating, pausing when he paused, and always keeping its fiery eyes fixed upon his blanched face. Slowly he crossed the stream, but gradually his steps grew more and more rapid, until he broke into a run. Suddenly a faint knowledge of the horrible nature of his position dawned upon him. A little cottage stood by the roadside, and from one of its chamber-windows, so near to the ground as to be within his reach, a dim light shone, the room probably being occupied by a sick person, or by watchers of the dead. Influenced by a sudden feeling of companionship, Adam tried to cry out, but his tongue clave to his parched mouth, and ere he could mumble a few inarticulate sounds, scarcely audible to himself, the dwelling was left far behind, and a sensation of utter loneliness and helplessness again took possession of him.

He had thus traversed more than a mile of the road, in some parts of which, shaded by the high hedgerows and overhanging boughs, the only light seemed to him to be that from the terrible eyes, when suddenly he stumbled over a stone and fell. In a second, impressed by a fear that the ghastly object would seize him, he regained his feet, and, to his intense relief, the Skriker was no longer visible. With a sigh of pleasure he sat down upon a heap of broken stones, for his limbs, no longer forced into mechanical movement by the influence of the spectre's presence, refused to bear him further. Bitterly cold as was the night, the perspiration stood in beads upon his whitened face, and, with the recollection of the Skriker's terrible eyes and horrible body strong upon him, he shook and shivered, as though in a fit of the ague. A strong and burly man, in the very prime of life, he felt as weak as a girl, and, fearing that he was about to sink to the ground in a swoon, he took handfuls of the crisp snow and rubbed them upon his forehead. Under this sharp treatment he soon revived a little, and, after several unsuccessful efforts, he succeeded in regaining his feet, and resumed his lonely journey.

Starting at the least sough of the breeze, the faintest creak of a bending branch, or the fall of a piece of frozen rime from a bough, he slowly trudged along.

He had passed the quaint old house at Chaigely, the sudden yelp of a chained dog in the court-yard giving him a thrill of horror as he went by, and he had reached the bend in that part of the road which is opposite the towering wood-covered Kemple End. A keen and cutting blast swept through the black firs that crowned the summit, and stood, like solemn sentinels, upon the declivity. There was a music in the wind mournful as a croon over the corpse of a beautiful woman, whose hair still shimmers with the golden light of life; but Adam heard no melody in the moaning sighs which seemed to fill the air around. To him, whose soul was yet under the influence of the terror through which he had so recently passed, the sounds assumed an awful nature; whilst the firs, standing so clearly defined against the snow, which lay in virgin heaps upon the beds of withered fern, seemed like so many weird skeletons shaking their bony arms in menace or in warning.

With a suddenness that was more than startling, there was a lull, and the breeze ceased even to whisper. The silence was more painful than were the noises of the blast battling with the branches, for it filled the breast of the solitary wayfarer with forebodings of coming woe. At the point he had reached the road sank, and as Adam stepped into the almost utter darkness, caused by the high banks, to which clung masses of decayed vegetation, beautified by the genius of winter into white festoons, again and again the terrible shriek rang out.

There was no mistaking the voice of the Skriker for that of anything else upon earth, and, with a sickly feeling at his heart, Adam slowly emerged from the gloom, and, in expectation of the appearance of the ghastly figure, passed on. He had not to wait long, for as he reached the old bridge spanning the Hodder, once more he saw, in the centre of the road, about midway of the stream, the same terrible object he had followed along the lane from the brook at Thornley.

With a sensation of terror somewhat less intense than that which had previously influenced him, he again yielded to the power which impelled him forward, and once more the strange procession commenced, the Skriker gliding over the snow, not, however, without a peculiar shuffling of its feet, surrounded, as they were, by masses of long hair, which clung to them, and deadened the sound, and Adam following in his mechanical and involuntary trot. The journey this time, however, was of but short duration, for the poor fellow's cottage was only a little way from the river. The distance was soon traversed, and the Skriker, with its face towards the terrified man, took up its position against the door of the dwelling. Adam could not resist the attraction which drew him to the ghastly thing, and as he neared it, in a fit of wild desperation, he struck at it, but his hand banged against the oak of the door, and, as the spectre splashed away, he fell forward in a swoon.

Disturbed by the noise of the fall, the goodwife arose and drew him into the cottage, but for some hours he was unable to tell the story of his terrible journey. When he had told of his involuntary chase of the Skriker, a deep gloom fell over the woman's features, for she well knew what the ghastly visit portended to their little household. The dread uncertainty did not continue long, however, for on the third day from that upon which Adam had reached his home the eldest lad was brought home drowned; and after attending the child's funeral, Adam's wife sickened of a fever, and within a few weeks she too was carried to Mytton churchyard. These things, together with the dreadful experience of the journey from Chipping, so affected Adam that he lost his reason, and for years afterwards the sound of his pattering footsteps, as in harmless idiotcy, with wild eyes and outstretched hands, he trotted along the roads in chase of an imaginary Boggart, fell with mournful impressiveness upon the ears of groups gathered by farm-house fires to listen to stories of the Skriker. [1]


[THE UNBIDDEN GUEST.]

IN a little lane leading from the town of Clitheroe there once lived a noted 'cunning man,' to whom all sorts of applications were made, not only by the residents, but also by people from distant places, for the fame of the wizard had spread over the whole country side. If a theft was committed, at once the services of 'Owd Jeremy' were enlisted, and, as a result, some one entirely innocent was, if not accused, at least suspected; while maidens and young men, anxious to pry into futurity, and behold the faces of their unknown admirers, paid him trifling fees to enable them to gratify their curiosity. In short, Jeremy professed to be an able student of the Black Art, on familiar speaking terms with Satan, and duly qualified to foretell men's destinies by the aid of the stars.

The cottage in which the old man resided was of a mean order, and its outward appearance was by no means likely to impress visitors with an idea that great pecuniary advantages had followed that personal acquaintance with the Evil One of which the wizard boasted. If, however, the outside was mean and shabby, the inside of the dwelling was of a nature better calculated to inspire inquirers with feelings of awe, hung round, as the one chamber was, with faded and moth-eaten black cloth, upon which grotesque astrological designs and the figure of a huge dragon were worked in flaming red. The window being hidden by the dingy tapestry, the only light in the room came from a starved-looking candle, which was fixed in the foot of the skeleton of a child, attached to a string from the ceiling, and dangling just over the table, where a ponderous volume lay open before a large crystal globe and two skulls.

In an old-fashioned chair, above which hung suspended a dirty and dilapidated crocodile, the wizard sat, and gave audience to the stray visitors whose desire to peer into futurity overmastered the fear with which the lonely cottage was regarded. A quaint-looking old man was Jeremy, with his hungry-looking eyes and long white beard; and, as with bony fingers he turned over the leaves of the large book, there was much in his appearance likely to give the superstitious and ignorant customers overwhelming ideas of his wondrous wisdom. The 'make up' was creditable to Jeremy, for though he succeeded in deceiving others with his assumption of supernatural knowledge, he himself did not believe in those powers whose aid he so frequently professed to invoke on behalf of his clients.

One day, when the ragged cloth had fallen behind a victim who was departing from the wizard's sanctum with a few vague and mysterious hints in exchange for solid coin, the old man, after laughing sarcastically, pulled aside the dingy curtains and stepped to the casement, through which the glorious sunlight was streaming. The scene upon which the wizard looked was a very beautiful one; and the old man leaned his head upon his hands and gazed intently upon the landscape.

''Tis a bonnie world,' said he,—''tis a bonnie world, and there are few views in it to compare with this one for beauty. My soul is drawn toward old Pendle, yon, with a love passing that of woman, heartless and passionless though the huge mass be. Heartless!' said he, after a pause,—'heartless! when every minute there is a fresh expression upon its beautiful front? Ay, even so, for it looms yonder calm and unconcerned when we are ushered into the world, and when we are ushered out of it, and laid to moulder away under the mountain's shadow; and it will rear its bold bluffs to heaven and smile in the sunlight or frown in the gloom after we who now love to gaze upon it are blind to the solemn loveliness of its impassable face. Poor perishable fools are we, with less power than the breeze which ruffles yon purple heather!'

With a heavy sigh Jeremy turned away from the window, and as the curtain fell behind him, and he stood again in the wretchedly-lighted room, he saw that he was not alone. The chair in which the trembling hinds generally were asked to seat themselves held a strange-looking visitor of dark and forbidding aspect.

'Jeremiah,' said this personage, 'devildom first and poetising afterwards.'

There was an unpleasant tone of banter in this speech, which did not seem in keeping with the character of one who fain would pry into futurity; and as the wizard took his usual position beneath the crocodile, he looked somewhat less oracular than was his wont when in front of a shivering and terrified inquirer.

'What wantest thou with me?' said he, with an ill-assumed appearance of unconcern.

The occupant of the chair smiled sardonically as he replied—

'A little security—that's all. For five-and-twenty years thou hast been amassing wealth by duping credulous fools, and it is time I had my percentage.'

The wizard stared in astonishment. Was the stranger a thief, or worse? he wondered, but after a time, however, he said, drily—

'Even if thou hadst proved thy right to a portion of the profits of my honest calling—and thou hast not—thou wouldst not require a packhorse to carry thy share away. Doth this hovel resemble the abode of a possessor of great wealth? Two chairs, a table, and a few old bones, its furniture; and its tenant a half-starved old man, who has had hard work to support life upon the pittance he receives in return for priceless words of wisdom! Thou art a stranger to me, and thy portion of my earnings is correctly represented by a circle.'

A loud and unmusical laugh followed the wizard's words; and before the unpleasant sound had died away the visitor remarked—

'If I am yet a stranger to thee, Jeremiah, 'tis not thy fault, for during the last quarter of a century thou hast boasted of me as thy willing servant, and extorted hard cash from thy customers upon the strength of my friendship and willingness to help thee; and now, true to thy beggarly instincts, thou wouldst deny me! But 'twill be in vain, Jeremiah—'twill be in vain! I have postponed this visit too long already to be put off with subterfuges now.'

'I repeat, I know thee not,' said the wizard, in a trembling voice. And, hurriedly rising from his chair, he flung aside the thick curtain, in order that the light of day might stream into the chamber, for a nameless fear had taken possession of him, and he did not care to remain in the darkened apartment with his suspicious visitor. To his surprise and terror, however, darkness had fallen upon the scene, and, as he gazed in alarm at the little diamond-framed window, through which so short a time before he had looked upon a fair prospect of meadow and mountain, a vivid flash of lightning darted across the heavens, and a clap of thunder burst over the cottage.

''Twill spoil good men's harvests, Jeremiah,' the stranger calmly said; 'but it need not interrupt our interesting conversation.'

Angry at the bantering manner in which the visitor spoke, the wizard flung open the door, and cried—

'Depart from my dwelling, ere I cast thee forth into the mire!'

'Surely thou wouldst not have the heart to fulfil thy threat,' said the stranger, 'although 'tis true I have but one shoe to be soiled by the mud.' And as he spoke he quietly crossed his legs, and Jeremiah perceived a hideous cloven foot.

With a groan, the wizard sank into his chair, and, deaf to the roaring of the thunder, and to the beating of the rain through the doorway, he sat helplessly gazing at his guest, whose metallic laughter rang through the room.

'Hast thou at length recognised me, Jeremiah?' asked the Evil One, after an interval, during which he had somewhat prominently displayed the hoof, and gloated over the agony its exhibition had caused his victim.

The old man was almost too terrified to answer, but at last he whispered—

'I have.'

'And thou no longer wilt refuse me the security?' hissed the tormentor, as he placed a parchment upon the table.

'What security dost thou demand?' feebly inquired the quaking wizard.

'Personal only,' said Satan. 'Put thy name to this,' and he pointed to the bond.

Jeremy pushed his chair as far from the suspicious-looking document as he could ere he replied—

'Thou shalt not have name of mine.'

He had expected that an outburst of fiendish wrath would follow this speech, but to his surprise the guest simply remarked—

'Very well, Jeremiah. By to-morrow night, however, thou shalt be exposed as the base and ignorant pretender thou art. Thou hast trespassed upon the rightful trade of my faithful servants long enough, and 'tis time I stopped thy prosperous career. Ere sunset thou shalt have a rival, who will take the bread from thy ungrateful mouth.'

After this polite speech the visitor picked up the parchment, and began to fold it in a methodical manner.

Such utterly unexpected gentlemanly behaviour somewhat reassured Jeremiah, and in a fainter voice he humbly asked what his visitor had to give in exchange for a wizard's autograph.

'Twenty-two years of such success as thou hast not even dared to dream of! No opposition—no exposure to thy miserable dupes,' readily answered Satan.

Jeremiah considered deeply. The offer undoubtedly was a tempting one, for after all, his profession had not been very lucrative, and to lose his customers, therefore, meant starvation. He was certain that if another wizard opened an establishment the people would flock to him, even through mere curiosity; but he knew what signing the bond included, and he was afraid to take the step.

After a long delay, during which Satan carefully removed a sharp stone from his hoof, Jeremiah therefore firmly said—

'Master, I'll not sign!'

Without more ado the visitor departed, and almost before he was out of sight the storm abated, and old Pendle again became visible.

A few days passed, and no one came to the dwelling of the wizard; and as such an absence of customers was very unusual, Jeremy began to fear that the supernatural stranger had not forgotten his threat. On the evening of the fifth day he crept into the little town to purchase some articles of food. Previously, whenever he had had occasion to make a similar journey, as he passed along the street the children ran away in terror, and the older people addressed him with remarkable humility; but this time, as he stepped rapidly past the houses, the youngsters went on with their games as though only an ordinary mortal went by, and a burly fellow who was leaning against a door jamb took his pipe from his mouth to cry familiarly—

'Well, Jerry, owd lad, heaw are ta'?'

These marks of waning power and fading popularity were sufficiently unmistakable; but as he was making his few purchases he was informed that a stranger, who seemed to be possessed of miraculous powers, had arrived in the town, and that many people who had been to him were going about testifying to his wonderful skill. With a heavy heart the wizard returned to his cottage. Next night a shower of stones dashed his window to pieces, and, as he peered into the moonlight lane, he saw a number of rough fellows, who evidently were waiting and watching in hopes that he would emerge from his dwelling. These were the only visitors he had during an entire week; and at length, quite prepared to capitulate, he said to himself—

'I wish I had another chance.'

No sooner had he uttered the words, than there was a sudden burst of thunder, wind roared round the house, again the clients' chair was occupied, and the parchment lay upon the table just as though it had not been disturbed.

'Art thou ready to sign?' asked Satan.

'Ay!' answered the old man.

The Evil One immediately seized the wizard's hand, upon which Jeremy gave a piercing yell, as well he might do, for the Satanic grip had forced the blood from the tips of his fingers.

'Sign!' said the Devil.

'I can't write,' said the wizard.

The Evil One forthwith took hold of one of the victim's fingers, and using it as a pen, wrote in a peculiarly neat hand 'Jeremiah Parsons, his × mark,' finishing with a fiendish flourish.

After doing this he again vacated the chair and the room as mysteriously as on the previous occasion.

The autograph-loving visitor had barely departed with the parchment ere a knock at the door was heard, and in stepped a man who wished to have the veil lifted, and who brought the pleasing news that, influenced by the reports of the opposition wizard, he had been to his house in Clitheroe, but had found it empty, the whilom tenant having fled no one knew whither. From that time things looked up with Jeremy, and money poured into the skulls, for people crowded from far and near to test his skill. For two-and-twenty years he flourished and was famous, but the end came.[2] One morning, after a wild night when the winds howled round Pendle, and it seemed as though all the powers of darkness were let loose, some labourers who were going to their work were surprised to find only the ruins of the wizard's cottage. The place had been consumed by fire; and although search was made for the magician's remains, only a few charred bones were found, and these, some averred, were not those of old Jeremy, but were relics of the dusty old skeleton and the dirty crocodile under the shadow of which the wizard used to sit.


[THE FAIRY'S SPADE.]

'Th' fairies han getten varra shy sin' thee an' me wir young, Matty, lass!' said an old grey-headed man, who, smoking a long pipe, calmly sat in a shady corner of the kitchen of a Fylde country farm-house. 'Nubry seems to see 'em neaw-a-days as they ust. I onst had a seet o' one on 'em, as plain as I con see thee sittin' theer, ravellin' thi owd stockin'. I wir ploughin' varra soon after dayleet, an' ther worn't a saand to be heeart nobbut th' noise o'th' graand oppenin', an' th' chirp ov a few brids wakkenin' an' tunin' up, an' ov a toothrey crows close at after mi heels a-pikin' up th' whorms. O ov a suddent I heeard sumbry cry, i' a voice like owd Luke wench i'th' orgin loft ov a Sundays, "I've brokken mi speet!" I lost no toime i' tornin' to see whoa wir at wark at that haar, an' i' aar fielt too, an' I clapt mi een on as pratty a little lass as ever oppent een i' this country side. Owd England choilt's bonny, yone warrant mi, but hoo's as feaw as sin aside o'th' face as I see that mōrn. Hoo stood theer wi' th' brokken spade i' her hond, an' i'th' tother a hommer an' a toothrey nails, an' hoo smoilt at mi, an' offert mi th' tackle, as mich as t' say, "Naaw, Isik, be gradely for onst i' thi loife, an' fettle this speet for mi, will ta?" For a whoile I stood theear gapin' like a foo', and wontherin' wheear hoo could ha' risen fray, but hoo cried aat onst mooar, "I've brokken mi speet!" Sooa I marcht toart her and tuk th' hommer an' th' nails, an' tacklet it up. It didn't tek mi long a-dooin', for it wir but a loile un; but when I'd done hoo smoilt at mi, an' so bonny, summat loike tha ust, Margit, when owd Pigheeod wir cooartin' tha; an' gan mi a hanful o' brass,[3] an' afooar I'd time to say owt off hoo vanisht. That wur th' only feorin as ivver I've seen, an' mebbi th' only one as I'm likely to luk at, for mi seet's getten nooan o'th' best latterly.'


[THE KING OF THE FAIRIES.]

MANY years ago there lived in a farm-house at a point of the high-road from Manchester to Stockport, where Levenshulme Church now stands, a worthy named Burton, 'Owd Dannel Burton.'[A] The farm held by Daniel was a model one in its way, the old man raising finer crops than any other farmer in the district. It was rumoured that Daniel was very comfortably provided for, and that a few bad years would not harm him; and so wonderfully did everything he took in hand prosper, that his 'luck' became proverbial. Such uniform prosperity could not long continue without the tongue of envy and detraction being set wagging, and the neighbours who permitted thistles to overrun their pastures whilst they gadded about to rush-bearings and wakes, finding a reproach to their idleness not only in the old man's success, but also in the careful, industrious habits of his daily life, were not slow to insinuate that there was something more than farming at the bottom of it. 'Dannel' had sold himself to Satan, said some whose pigs had faded away, and whose harvests had not been worth the gathering; and others pretended to know even the terms of the contract, and how many years the old man yet had to play on. A few of these detractors were young men whose imaginations were not kept in sufficient control, but they grew wonderfully reserved respecting the Satanic bargain after the hearty Daniel had had an interview with them, and proved to them that he had not forgotten the use of a good tough black-thorn.

[A] Mr. Burton's grandson was for many years rector of All Saints', Manchester.

'It's nobbut luck,' philosophically remarked others, 'mebbe it'll be my turn to-morn;' but the remainder vowed that neither luck or Evil One had anything to do with it, for the success was due to the labours of Puck, King of the Fairies.

They were right. It was Puck, although no one ever knew how the old man had been able to enlist the services of so valuable an auxiliary, Daniel being strangely reticent upon the point, although generally by no means loth to speak of the fairies and their doings. Reserve with reference to these things, however, would not have availed much, for the farm labourers, the ruddy-cheeked milkmaids, and the other women-folk about the farm-house, were fond of boasting of the exploits of Puck—how during the night everything was 'cleaned up,' and all was in apple-pie order when they came into the kitchen at daybreak, the milk churned, the cows foddered, the necessary utensils filled with water from the well, the horses ready harnessed for their day's work at the plough, and even a week's threshing done and the barn left as tidy as though it had just been emptied and swept. Evidently the servant lasses had no fear of, or objection to, a hard-working supernatural visitor of this kind, but just the reverse, and many of their listeners found themselves wishing that their house, too, had its Boggart.

For so long a period did this state of things continue, each morning revealing an astounding amount of work performed by the willing and inexpensive workman, that at length the assistance was taken for granted, and as a matter of course, offering no food for surprise, although it did not cease to be a cause of envy to the neighbours.

On one occasion, however, as old Daniel was despatching a hearty and substantial breakfast, a heated labourer brought word that all the corn had been housed during the past night. The strange story was true enough, for when the old man reached the field, where on the previous evening the golden sheaves of wheat had stood, he found the expanse quite bare, and as clean as though reapers, leaders, gleaners, and geese had been carefully over it. The harvest was in the barn, but not content with this, Daniel, illustrating the old proverb that 'much would have more,' suddenly exclaimed, 'I wonder whose horses Puck[4] used in this work. If yon of mine, I daresay he sweated them rarely;' and away he strode towards the stable. He had not reached the fold, however, when he met Puck coming towards him, and in a fever of greedy anxiety he cried, 'Puck, I doubt thou'st spoiled yon horses!' No sooner were the words out of his mouth, however, than he saw that for once in his life he had made a mistake, for the fairy went pale with anger as he shouted in a shrill treble:—

Sheaf to field, and horse to stall,
I, the Fairy King, recall!
Never more shall drudge of mine
Stir a horse or sheaf of thine.

After which vow he at once vanished.

The old man walked home in a sorrowful mood, and actually forgot to go to the stable; but next morning early he was disturbed by a knocking at his chamber door. 'Mesthur, ger up,' cried the messenger, who on the previous day had brought the news of the housing of the corn, 'Mesthur, ger up, th' corn's back i'th' fielt.' With a groan of anguish Daniel arose, and hastily made his way to the barn. All the pile was gone, and the floor littered with straw, exactly as it was before the fairy labour had so transformed the place.

It did not take the farmer long to get over the ground between his barn and the corn-field, and arrived there he found the expanse once more covered with yellow sheaves, on which the beams of the rising sun were beginning to fall. Here and there a sheaf had fallen upon the ground, and everywhere straw and ears of corn were scattered about as though the reapers had not long before left the place. The old man turned away in despair.

From that time forward there was no more work done about the farm, or the shippons, and stables; but in the house, however, the maids continued to find their tasks performed as usual.

Great were the rejoicings in the locality when the story of the sheaves became known, and it got noised about that 'Dannel's' fairy had 'fown eawt' with him. The old man became very dejected, for although he did not clearly perceive that the rupture was entirely due to his own selfish greed, he could not go about the farm without observing how much he had lost.

One summer evening in a thoughtful mood he was walking homewards, and wishing that the meadows were mown. Plunged in such reflections, he met a neighbour, who at once asked the cause of his trouble. Daniel turned to point to the meadows, and as he did so he saw the fairy, in an attitude of rapt attention, stooping behind the hedgerow as though anxious to overhear the conversation. 'Yo' miss your neet-mon?' said the neighbour. The old man thought that the time was come to make his peace with offended royalty, and with a cunning glance in the direction of the hiding-place, he answered, 'I do, Abrum, and may God bless Puck, th' King o'th' Fayrees.'[5] There was a startled cry from behind the hedgerow, and both men turned in that direction, but there was nothing to be observed. The fairy had vanished, never again to be seen in Daniel Burton's fields. That night the work was left undone even inside the farm-house, and thenceforward when the kitchen needed cleaning, water was wanted from the well, or when milk had to be churned, the maids had to get up early and do the work, for Puck, King of the Fairies, would not touch either mop or pail.


[MOTHER AND CHILD.]

THE tenants of Plumpton Hall had retired to rest somewhat earlier than was their wont, for it was the last night of November.

The old low rooms were in darkness, and all was silent as the grave; for though the residents, unfortunately for themselves, were not asleep, they held their breath, and awaited in fear the first stroke of the hour from the old clock in the kitchen. Suddenly the sound of hurried footsteps broke the silence; but with sighs of relief the terrified listeners found that the noise was made by a belated wayfarer, almost out of his wits with fright, but who was unable to avoid passing the hall, and who, therefore, ran by the haunted building as quickly as his legs could carry him. The sensation of escape, however, was of but short duration, for the hammer commenced to strike; and no sooner had the last stroke of eleven startled the echoes than loud thuds, as of a heavy object bumping upon the stairs, were heard.

The quaking occupants of the chambers hid their heads beneath the bedclothes, for they knew that an old-fashioned oak chair was on its way down the noble staircase, and was sliding from step to step as though dragged along by an invisible being who had only one hand at liberty.

If any one had dared to follow that chair across the wide passage and into the wainscoted parlour, he would have been startled by the sight of a fire blazing in the grate, whence, ere the servants retired, even the very embers had been removed, and in the chair, the marvellous movement of which had so frightened all the inmates of the hall, he would have seen a beautiful woman seated, with an infant at her breast.

Year after year, on wild nights, when the snow was driven against the diamond panes, and the cry of the spirit of the storm came up from the sea, the weird firelight shone from the haunted room, and through the house sounded a mysterious crooning as the unearthly visitor softly sang a lullaby to her infant. Lads grew up into grey-headed men in the old house; and from youth to manhood, on the last night of each November, they had heard the notes, but none of them ever had caught, even when custom had somewhat deadened the terror which surrounded the events of the much-dreaded anniversary, the words of the song the ghostly woman sang. The maids, too, had always found the grate as it was left before the visit—not a cinder or speck of dust remaining to tell of the strange fire, and no one had ever heard the chair ascend the stairs. Chair and fire and child and mother, however, were seen by many a weary wayfarer, drawn to the house by the hospitable look of the window, through which the genial glow of the burning logs shone forth into the night, but who, by tapping at the pane and crying for shelter, could not attract the attention of the pale nurse, clad in a quaint old costume with lace ruff and ruffles, and singing a mournful and melodious lullaby to the child resting upon her beautiful bosom.

Tradition tells of one of these wanderers, a footsore and miserable seafaring man on the tramp, who, attracted by the welcome glare, crept to the panes, and seeing the cosy-looking fire, and the Madonna-faced mother tenderly nursing her infant, rapped at the glass and begged for a morsel of food and permission to sleep in the hayloft—and, finding his pleadings unanswered, loudly cursed the woman who could sit and enjoy warmth and comfort and turn a deaf ear to the prayers of the homeless and hungry; upon which the seated figure turned the weird light of its wild eyes upon him and almost changed him to stone—a labourer, going to his daily toil in the early morn, finding the poor wretch gazing fixedly through the window, against which his terror-stricken face was closely pressed, his hair turned white by fear, and his fingers convulsively clutching the casement.


[THE SPECTRAL CAT.]

LONG ago—so long, in fact, that the date has been lost in obscurity—the piously-inclined inhabitants of the then thickly wooded and wild country stretching from the sea-coast to Rivington Pike and Hoghton determined to erect a church at Whittle-le-Woods, and a site having been selected, the first stone was laid with all the ceremony due to so important and solemn a proceeding. Assisted by the labours as well as by the contributions of the faithful, the good priest was in high spirits; and as the close of the first day had seen the foundations set out and goodly piles of materials brought upon the ground ready for the future, he fell asleep congratulating himself upon having lived long enough to see the wish of his heart gratified. What was his surprise, however, when, after arising at the break of day, and immediately rushing to his window to gaze upon the work, he could not perceive either foundation or pile of stone, the field in which he expected to observe the promising outline being as green and showing as few marks of disturbance as the neighbouring ones.[6]

'Surely I must have been dreaming,' said the good man, as he stood with rueful eyes at the little casement, 'for there are not any signs either of the gifts or the labours of the pious sons of the church.'

In this puzzled frame of mind, and with a heavy sigh, he once more courted sleep. He had not slumbered long, however, when loud knocks at the door of his dwelling and lusty cries for Father Ambrose disturbed him. Hastily attiring himself, he descended, to find a concourse of people assembled in front of the house; and no sooner had he opened the door than a mason cried out—

'Father Ambrose, where are the foundations we laid yesterday, and where is the stone from the quarry?'

'Then I did not simply dream that I had blessed the site?' said the old man, inquiringly.

Upon which there was a shout of laughter, and a sturdy young fellow asked—

'And I did not dream that I carted six loads from the quarry?'

'Th' Owd Lad's hed a hand int',' said a labourer, 'for t' fielt's as if fuut hed never stept int'.'

The priest and his people at once set off to inspect the site, and sure enough it was in the state described by the mason; cowslips and buttercups decking the expanse of green, which took different shades as the zephyr swept over it.

'Well, I'm fair capped,' said a grey-headed old farmer. 'I've hed things stown afoor today, bud they'n generally bin things wi' feathers on an' good to heyt an' not th' feaundations uv a church. Th' warlt's gerrin' ter'ble wickit. We's hev' to bi lukkin' eawt for another Noah's flood, I warrant.'

A peal of laughter followed this sally, but Father Ambrose, who was in no mood for mirth, sternly remarked—'There is something here which savoureth of the doings of Beelzebub;' and then he sadly turned away, leaving the small crowd of gossips speculating upon the events of the night. Before the father reached his dwelling, however, he heard his name called by a rustic who was running along the road.

'Father Ambrose,' cried the panting messenger, 'here's the strangest thing happened at Leyland. The foundations of a church and all sorts of building materials have been laid in a field during the night, and Adam the miller is vowing vengeance against you for having trespassed on his land.'

The priest at once returned to the little crowd of people, who still were gaping at the field from which all signs of labour had been so wonderfully removed, and bade the messenger repeat the strange story, which he did at somewhat greater length, becoming loquacious in the presence of his equals, for he enjoyed their looks of astonishment. When the astounding narrative had been told, the crowd at once started for Leyland, their pastor promising to follow after he had fortified himself with breakfast.

When the good man reached the village he had no need to inquire which was Adam the miller's field, for he saw the crowd gathered in a rich-looking meadow. As he opened the gate Adam met him, and without ceremony at once accused him of having taken possession of his field. 'Peace, Adam,' said the priest. 'The field hath been taken not by me, but by a higher power, either good or evil—I fear the latter,' and he made his way to the people. True enough, the foundations were laid as at Whittle, and even the mortar was ready for the masons. 'I am loth to think that this is a sorry jest of the Evil One,' said Father Ambrose; 'ye must help me to outwit him, and to give him his labour for his pains. Let each one carry what he can, and, doubtless, Adam will be glad to cart the remainder,'—a proposition the burly miller agreed to at once. Accordingly each of the people walked off with a piece of wood, and Adam started for his team. Before long the field was cleared, and ere sunset the foundations were again laid in the original place, and a goodly piece of wall had been built.

Grown wise by experience, the priest selected two men to watch the place during the night. Naturally enough, these worthies, who by no means liked the task, but were afraid to decline it, determined to make themselves as comfortable as they could under the circumstances.

They therefore carried to the place a quantity of food and drink, and a number of empty sacks, with which they constructed an impromptu couch near the blazing wood fire. Notwithstanding the seductive influence of the liquor, they were not troubled with much company, for the few people who resided in the vicinity did not care to remain out of doors late after what Father Ambrose had said as to the proceeding having been a joke of Satan's. The priest, however, came to see the men, and after giving them his blessing, and a few words of advice, he left them to whatever the night might bring forth. No sooner had he gone than the watchers put up some boards to shield them from the wind, and, drawing near to the cheerful fire, they began to partake of a homely but plentiful supper. Considering how requisite it was that they should be in possession of all their wits, perhaps it would have been better had not a large bottle been in such frequent requisition, for, soon after the meal was ended, what with the effects of the by-no-means weak potion, the warmth and odour sent forth by the crackling logs, and the musical moaning of the wind in the branches overhead, they began to feel drowsy, to mutter complaints against the hardship of their lot, and to look longingly upon the heap of sacks.

'If owt comes,' said the oldest of the two, 'one con see it as well as two, an' con wakken t' tother—theerfore I'm in for a nod.' And he at once flung himself upon the rude bed.

'Well,' said the younger one, who was perched upon a log close to the fire, 'hev thi own way, an' tha'll live lunger; but I'se wakken tha soon, an' hev a doze mysen. That's fair, isn't it?'

To this question there was no response, for the old man was already asleep. The younger one immediately reached the huge bottle, and after drinking a hearty draught from it placed it within reach, saying, as he did so—

'I'm nooan freetunt o' thee, as heaw it is! Thaart not Belsybub, are ta?'

Before long he bowed his head upon his hands, and gazing into the fire gave way to a pleasant train of reflections, in which the miller's daughter played a by-no-means unimportant part. In a little while he, too, began to doze and nod, and the ideas and thronging fancies soon gave way to equally delightful dreams.

Day was breaking when the pair awoke; the fire was out, and the noisy birds were chirping their welcome to the sun. For a while the watchers stared at each other with well-acted surprise.

'I'm freetunt tha's o'erslept thysel',' said the young fellow; 'and rayly I do think as I've bin noddin' a bit mysen.' And then, as he turned round, 'Why, it's gone ageean! Jacob, owd lad! th' foundation, an' th' wō's, an' o th' lots o' stooans are off t' Leyland ageean!'

The field was again clear, grass and meadow flowers covering its expanse, and after a long conference the pair determined that the best course for them to pursue would be that of immediately confessing to Father Ambrose that they had been asleep. Accordingly they wended their way to his house, and having succeeded in arousing him, and getting him to the door, the young man informed him that once more the foundations were missing.

'What took them?' asked the priest. To which awkward query the old man replied, that they did not see anything.

'Then ye slept, did ye?' asked the Father.

'Well,' said the young man, 'we did nod a minnit or two; but we wir toired wi' watchin' so closely; an', yo' see, that as con carry th' foundations ov a church away connot hev mich trouble i' sendin' unlarnt chaps loike Jacob an' me to sleep agen eaur will.'

This ended the colloquy, for Father Ambrose laughed heartily at the ready answer. Shortly afterwards, as on the preceding day, the messenger from Leyland arrived with tidings that the walls had again appeared in Adam's field. Again they were carted back, and placed in their original position, and once more was a watch set, the priest taking the precaution of remaining with the men until near upon midnight. Almost directly after he had left the field one of the watchers suddenly started from his seat, and cried—

'See yo', yonder, there's summat wick!'

Both men gazed intently, and saw a huge cat, with great unearthly-looking eyes, and a tail with a barbed end. Without any seeming difficulty this terrible animal took up a large stone, and hopped off with it, returning almost immediately for another. This strange performance went on for some time, the two observers being nearly petrified by terror; but at length the younger one said

'I'm like to put a stop to yon wark, or hee'll say win bin asleep ageean,' and seizing a large piece of wood he crept down the field, the old man following closely behind. When he reached the cat, which took no notice of his approach, he lifted his cudgel, and struck the animal a heavy blow on its head. Before he had time to repeat it, however, the cat, with a piercing scream, sprang upon him, flung him to the ground, and fixed its teeth in his throat. The old man at once fled for the priest. When he returned with him, cat, foundations, and materials were gone; but the dead body of the poor watcher was there, with glazed eyes, gazing at the pitiless stars.

After this terrible example of the power of the fiendish labourer it was not considered advisable to attempt a third removal, and the building was proceeded with upon the site at Leyland chosen by the spectre.

The present parish church covers the place long occupied by the original building; and although all the actors in this story passed away centuries ago, a correct likeness of the cat has been preserved, and may be seen by the sceptical.[7]


[THE CAPTURED FAIRIES.]

THERE once lived in the little village of Hoghton two idle, good-for-nothing fellows, who, somehow or other, managed to exist without spending the day, from morn to dewy eve, at the loom. When their more respectable neighbours were hard at work they generally were to be seen either hanging about the doorway of the little ale-house or playing at dominoes inside the old-fashioned hostelry; and many a time in broad daylight their lusty voices might be heard as they trolled forth the hearty poaching ditty,

'It's my delight, on a shiny night.'

It was understood that they had reason to sympathise with the sentiments expressed in the old ballad. Each was followed by a ragged, suspicious-looking lurcher; and as the four lounged about the place steady-going people shook their heads, and prophesied all sorts of unpleasant terminations to so unsatisfactory a career. So far as the dogs were concerned the dismal forebodings were verified, for from poaching in the society of their masters the clever lurchers took to doing a little on their own account, and both were shot in the pursuit of game by keepers, who were only too glad of an opportunity of ridding the neighbourhood of such misdirected intelligence. Soon after this unfortunate event, the two men, who themselves had a narrow escape, had their nets taken; and, as they were too poor to purchase others, and going about to borrow such articles was equivalent to accusing their friends of poaching habits, they were reduced to the necessity of using sacks whenever they visited the squire's fields.

One night, after climbing the fence and making their way to a well-stocked warren, they put in a solitary ferret and rapidly fixed the sacks over the burrows. They did not wait long in anxious expectation of an exodus before there was a frantic rush, and after hastily grasping the sacks tightly round the necks, and tempting their missionary from the hole, they crept through the hedgerow, and at a sharp pace started for home. For some time they remained unaware of the nature of their load, and they were congratulating themselves upon the success which had crowned their industry, when suddenly there came a cry from one of the prisoners, 'Dick, wheer art ta?' The poachers stood petrified with alarm; and almost immediately a voice from the other bag piped out—

'In a sack,
On a back,
Riding up Hoghton Brow.'[8]

The terrified men at once let their loads fall, and fled at the top of their speed, leaving behind them the bags full of fairies, who had been driven from their homes by the intruding ferret. Next morning, however, the two poachers ventured to the spot where they had heard the supernatural voices. The sacks neatly folded were lying at the side of the road, and the men took them up very tenderly, as though in expectation of another mysterious utterance, and crept off with them.

Need it be said that those bags were not afterwards used for any purpose more exciting than the carriage of potatoes from the previously neglected bit of garden, the adventure having quite cured the men of any desire to 'pick up' rabbits.

Like most sudden conversions, however, that of the two poachers into hard-working weavers was regarded with suspicion by the inhabitants of the old-world village, and in self-defence the whilom wastrels were forced to tell the story of the imprisonment of the fairies. The wonderful narrative soon got noised abroad; and as the changed characters, on many a summer evening afterwards, sat hard at work in their loom-house, and, perhaps almost instinctively, hummed the old ditty,

'It's my delight, on a shiny night,'

the shock head of a lad would be protruded through the honeysuckle which almost covered the casement, as the grinning youngster, who had been patiently waiting for the weaver to commence his song and give an opportunity for the oft-repeated repartee, cried, 'Nay, it isn't thi delight; "Dick, wheer art ta?"'


[THE PILLION LADY.]

IT was on a beautiful night in the middle of summer that Humphrey Dobson, after having transacted a day's business at Garstang market, and passed some mirthful hours with a number of jovial young fellows in the best parlour of the Ffrances Arms, with its oak furniture and peacock feathers, mounted his steady-going mare, and set off for home. He had got some distance from the little town, and was rapidly nearing a point where the road crossed a stream said to be haunted by the spirit of a female who had been murdered many years back; and although the moon was shining brightly, and the lonely rider could see far before him, there was one dark spot overshadowed by trees a little in advance which Humphrey feared to reach. He felt a thrill of terror as he suddenly remembered the many strange stories told of the headless woman whose sole occupation and delight seemed to be that of terrifying travellers; but, with a brave endeavour to laugh off his fears, he urged his horse forward, and attempted to troll forth the burden of an old song:—

'He rode and he rode till he came to the dooar,
And Nell came t' oppen it, as she'd done afooar:
"Come, get off thy horse," she to him did say,
"An' put it i'th' stable, an' give it some hay."'

It would not do, however; and suddenly he put spurs to the mare and galloped towards the little bridge. No sooner did the horse's hoofs ring upon the stones than Humphrey heard a weird and unearthly laugh from beneath the arch, and, as the animal snorted and bounded forward, the young fellow felt an icy arm glide round his waist and a light pressure against his back. Drops of perspiration fell from his brow, and his heart throbbed wildly, but he did not dare to look behind lest his worst fears should be verified, and he should behold 'th' boggart o'th' bruk.'

As though conscious of its ghastly burden, the old mare ran as she never had run before; the hedgerows and trees seemed to fly past, while sparks streamed from the flints in the road, and in an incredibly short space of time the farm-house was reached. Instinctively, Humphrey tried to guide the mare into the yard, but his efforts were powerless, for the terrified animal had got the bit in her teeth, and away she sped past the gateway.

THE PILLION LADY.

As the rider was thus borne away, another sepulchral laugh broke the silence, but this time it sounded so close to the horseman's ear that he involuntarily looked round.

He found that the figure, one of whose arms was twined round his waist, was not the headless being of whom he had heard so many fearful narratives, but another and a still more terrible one, for, grinning in a dainty little hood, and almost touching his face, there was a ghastly skull, with eyeless sockets, and teeth gleaming white in the clear moonlight.

Petrified by fear, he could not turn his head away, and, as the mare bore him rapidly along, ever and anon a horrid derisive laugh sounded in his ears as for a moment the teeth parted and then closed with a sudden snap. Terrified as he was, however, he noticed that the arm which encircled his body gradually tightened around him, and putting down his hand to grasp it he found it was that of a fleshless skeleton.

How long he rode thus embraced by a spectre he knew not, but it seemed an age.

Suddenly, however, as at a turn in the road the horse stumbled and fell, Humphrey, utterly unprepared for any such occurrence, was thrown over the animal's head and stunned by the fall.

When he recovered full consciousness it was daybreak. The sun was rising, the birds were singing in the branching foliage overhead, and the old mare was quietly grazing at a distance. With great difficulty, for he was faint through loss of blood, and lame, he got home and told his story. There were several stout men about the farm who professed to disbelieve it, and pretended to laugh at the idea of a skeleton horsewoman, who, without saying with your leave or by your leave, had ridden pillion with the young master, but it was somewhat remarkable that none of them afterwards could be induced to cross the bridge over the haunted stream after 'th' edge o' dark.'


[THE FAIRY FUNERAL.]

THERE are few spots in Lancashire more likely to have been peopled by fairies than that portion of the highway which runs along the end of Penwortham wood.

At all times the locality is very beautiful, but it is especially so in summer, when the thin line of trees on the one side of the road and the rustling wood upon the other cast a welcome shade upon the traveller, who can rest against the old railings, and look down upon a rich expanse of meadow-land and corn-fields, bounded in the distance by dim, solemn-looking hills, and over the white farm-houses, snugly set in the midst of luxurious vegetation. From this vantage-ground a flight of steps leads down to the well of St. Mary, the water of which, once renowned for its miraculous efficacy, is as clear as crystal and of never-ceasing flow.

To this sacred neighbourhood thousands of pilgrims have wended their way; and although the legend of the holy well has been lost, it is easy to understand with what superstitious reverence the place would be approached by those whose faith was of a devout and unquestioning kind, and what feelings would influence those whose hearts were heavy with the weight of a great sorrow as they descended the steps worn by the feet of their countless predecessors.

From the little spring a pathway winds across meadows and through corn-fields to the sheltered village, and a little further along the highway a beautiful avenue winds from the old lodge gates to the ancient church and priory. Wide as is this road it is more than shaded by the tall trees which tower on each side, their topmost branches almost interlaced, the sunbeams passing through the green network, and throwing fantastic gleams of light upon the pathway, along which so many have been carried to the quiet God's Acre.

At the end of this long and beautiful walk stands the old priory, no longer occupied by the Benedictines from Evesham, the silvery sound of whose voices at eventide used to swell across the rippling Ribble; and, a little to the right of the pile, the Church of St. Mary, with its background of the Castle Hill.

By the foot of this Ancient British and Roman outlook there is a little farm-house, with meadow land stretching away to the broad river; and one night, fifty or sixty years ago, two men, one of whom was a local 'cow-doctor,' whose duties had compelled him to remain until a late hour, set out from this dwelling to walk home to the straggling village of Longton. It was near upon midnight when they stepped forth, but it was as light as mid-day, the moon shining in all her beauty, and casting her glamour upon the peaceful scene. So quiet was it that it seemed as though even the Zephyrs were asleep. There was not a breath of wind, and not a leaf rustled or a blade of grass stirred, and had it not been for the sounds of the footsteps of the two men, who were rapidly ascending the rough cart-track winding up the side of the hill, all would have been as still as death. The sweet silence was a fitting one, for in the graveyard by the side of the lane through which the travellers were passing, and over the low moss-covered wall of which might be seen the old-fashioned tombstones, erect like so many sentinels marking the confines of the battle-field of life, hundreds were sleeping the sleep with which only the music of the leaves, the sough of the wind, and the sigh of the sea seem in harmony.

As the two men opened the gate at the corner of the churchyard, the old clock sounded the first stroke of midnight.

'That's twelve on 'em,' said the oldest of the two.

'Ay, Adam,' said the other, a taller and much younger man. 'Another day's passin' away, an' it cōn't dee wi'eaut tellin' everybody; yet ther's bod few on us as tez onny notice on't, for we connot do to be towd as wer toime's growin' bod short. I should think as tha dusn't care to hear th' clock strike, Adam, to judge bith' colour o' thi toppin', for tha 'rt gerrin' varra wintry lookin'.'

The old man chuckled at this sally, and then said, slowly and drily:—

'Speyk for thisen, Robin—speyk for thisen; an' yet why should ta speyk at o? Choilt as tha are—an' tha art nobbut a choilt, clivver as tha fancies thisen—tha 'rt owd enough to mind as it's nod olus th' grey-heeoded uns as dees th' fost. Th' chickins fo' off th' peeark mooar oftener nor th' owd brids. Ther's monny an owd tree wi' nobbud a twothree buds o' green abaat it, to show as it wur yung wonst, as tha'd hev herd wark to delve up, th' roots bein' so deep i'th' graand; an' ther's monny a rook o' young-lukkin' uns as tha met poo up as yezzy as a hondful o' sallet. It teks leetnin' to kill th' owd oak, but th' fost nippin' woint off th' Martch yon soon puts th' bonnie spring posies out o' seet. If I'm growin' owd, let's hope I'm roipnin' as weel. Tha'rt not th' fost bit of a lad as thowt heer baan to last o th' tothers aat, an' as hed hardly toime to finish his crowin' afoor th' sexton clapt o honful o' sond i' his meauth.'

This conversation brought the two beyond the gate and some distance along the avenue, in which the moonlight was somewhat toned by the thickness of the foliage above, and they were rapidly nearing the lodge gates, when suddenly the solemn sound of a deep-toned bell broke the silence. Both men stopped and listened intently.

'That's th' passin'-bell,'[9] said Adam. 'Wodever con be up? I never knew it rung at this toime o'th' neet afooar.'

'Mek less racket, will ta,' said Robin. 'Led's keep count an' see heaw owd it is.'

Whilst the bell chimed six-and-twenty both listeners stood almost breathless, and then Adam said:—

'He's thy age, Robin, chuz who he is.'

'Ther wer no leet i 'th' belfry as wi come by, as I see on,' said the young man, 'I'd rayther be i' bed nor up theer towlin' ad this toime, wudn't tha?'

'Yoi,' said Adam. 'But owd Jemmy dusn't care, an' why should he? Hee's bin amung th' deeod to' long to be freet'nt on 'em neet or day, wake an' fable as he is. I dar' say hee's fun aat afoor neaw as they 'r not varra rough to dale wi'. Ther's nod mich feightin i'th' bury-hoyle, beaut ids wi' th' resurrectioners. Bud led's get to'art whoam, lad; we're loikely enough to larn o abaat it to-morn.'

Without more words they approached the lodge, but to their great terror, when they were within a few yards from the little dwelling, the gates noiselessly swung open, the doleful tolling of the passing-bell being the only sound to be heard. Both men stepped back affrighted as a little figure clad in raiment of a dark hue, but wearing a bright red cap, and chanting some mysterious words in a low musical voice as he walked, stepped into the avenue.

'Ston back, mon,' cried Adam, in a terrified voice—'ston back; it's th' feeorin; bud they'll not hort tha if tha dusna meddle wi' um.'

The young man forthwith obeyed his aged companion, and standing together against the trunk of a large tree, they gazed at the miniature being stepping so lightly over the road, mottled by the stray moonbeams. It was a dainty little object; but although neither Adam nor Robin could comprehend the burden of the song it sang, the unmistakable croon of grief with which each stave ended told the listeners that the fairy was singing a requiem. The men kept perfectly silent, and in a little while the figure paused and turned round, as though in expectation, continuing, however, its mournful notes. By-and-by the voices of other singers were distinguished, and as they grew louder the fairy standing in the roadway ceased to render the verse, and sang only the refrain, and a few minutes afterwards Adam and Robin saw a marvellous cavalcade pass through the gateway. A number of figures, closely resembling the one to which their attention had first been drawn, walked two by two, and behind them others with their caps in their hands, bore a little black coffin, the lid of which was drawn down so as to leave a portion of the contents uncovered. Behind these again others, walking in pairs, completed the procession. All were singing in inexpressibly mournful tones, pausing at regular intervals to allow the voice of the one in advance to be heard, as it chanted the refrain of the song, and when the last couple had passed into the avenue, the gates closed as noiselessly as they had opened.

As the bearers of the burden marched past the two watchers, Adam bent down, and, by the help of a stray gleam of moonlight, saw that there was a little corpse in the coffin.

'Robin, mi lad,' said he, in a trembling voice and with a scared look, 'it's th' pictur o' thee as they hev i' th' coffin!'

With a gasp of terror the young man also stooped towards the bearers, and saw clearly enough that the face of the figure borne by the fairies indeed closely resembled his own, save that it was ghastly with the pallor and dews of death.

The procession had passed ere he was able to speak, for, already much affrighted by the appearance of the fairies, the sight of the little corpse had quite unnerved him. Clinging in a terrified manner to the old man, he said, in a broken voice—

'It raley wor me, Adam! Dust think it's a warnin', an' I'm abaat to dee?'

The old man stepped out into the road as he replied—

'It wur a quare seet, Robin, no daat; bud I've sin monny sich i' mi toime, an' theyne come to nowt i' th' end. Warnin' or not, haaever,' he added, with strong common sense, 'ther'll be no harm done bi thee livin' as if it wur one.'

The mournful music of the strange singers and the solemn sound of the passing bell could still be heard, and the two awe-struck men stood gazing after the cavalcade.

'It mon be a warnin', again said Robin, 'an' I wish I'd axed um haa soon I've to dee. Mebbee they'n a towd me.'

'I don't think they wod,' said Adam. 'I've olus heeard as they'r rare and vext if they'r spokken to. Theyn happen a done tha some lumberment if tha 'ad axed owt.'

'They could but a kilt mi,' replied Robin, adding, with that grim humour which so often accompanies despair, 'an' they're buryin' mi neaw, ar'nod they?' Then in a calm and firm voice he said—'I'm baan to ax 'em, come wod will. If tha 'rt freetent tha con goo on whoam.'

'Nay, nay,' said Adam warmly, 'I'm nooan scaret. If tha'rt for catechoizing um, I'll see th' end on it.'

Without further parley the men followed after and soon overtook the procession, which was just about to enter the old churchyard, the gates of which, like those of the lodge, swung open apparently of their own accord, and no sooner did Robin come up with the bearers than, in a trembling voice, he cried—

'Winnot yo' tell mi haaw lung I've to live?'

There was not any answer to this appeal, the little figure in front continuing to chant its refrain with even deepened mournfulness. Imagining that he was the leader of the band, Robin stretched out his hand and touched him. No sooner had he done this than, with startling suddenness, the whole cavalcade vanished, the gates banged to with a loud clang, deep darkness fell upon everything, the wind howled and moaned round the church and the tombstones in the graveyard, the branches creaked and groaned overhead, drops of rain pattered upon the leaves, mutterings of thunder were heard, and a lurid flash of lightning quivered down the gloomy avenue.

'I towd tha haa it ud be,' said Adam, and Robin simply answered—

'I'm no worse off than befooar. Let's mak' toart whoam; bud say nowt to aar fowk—it ud nobbut freeten th' wimmin.'

Before the two men reached the lodge gates a terrible storm burst over them, and through it they made their way to the distant village.

A great change came over Robin, and from being the foremost in every countryside marlock he became serious and reserved, invariably at the close of the day's work rambling away, as though anxious to shun mankind, or else spending the evening at Adam's talking over 'th' warnin'.' Strange to say, about a month afterwards he fell from a stack, and after lingering some time, during which he often deliriously rambled about the events of the dreadful night, he dozed away, Old Jemmy, the sexton, had another grave to open, and the grey-headed Adam was one of the bearers who carried Robin's corpse along the avenue in which they had so short a time before seen the fairy funeral.[10]


[THE CHIVALROUS DEVIL.]

ABOUT half-a-century ago there lived, in a lane leading away from a little village near Garstang, a poor idiot named Gregory. He was at once the sport and the terror of the young folks. Uniformly kind to them, carefully convoying them to the spots where, in his lonely rambles, he had noticed birds' nests, or pressing upon them the wild flowers he had gathered in the neighbouring woods and thickets, he received at their ungrateful hands all kinds of ill treatment, not always stopping short of personal violence. In this respect, however, the thoughtless children only followed the example set them by their elders, for seldom did poor Gregory pass along the row of cottages, dignified by the name of street, which constituted the village, without an unhandsome head being projected from the blacksmith's or cobbler's shop, or from a doorway, and a cruel taunt being sent after the idiot, who, in his ragged clothing, with his handful of harebells and primroses, and a wreath of green leaves round his battered, old hat, jogged along towards his mother's cottage, singing as he went, in a pathetic monotone, a snatch of an old Lancashire ballad.

In accordance with that holy law which, under such circumstances, influences woman's heart, the mother loved this demented lad with passionate fondness, all the tenderness with which her nature had been endowed having been called forth by the needs of the afflicted child, whose only haven of refuge from the harshness of his surroundings and the cruelty of those who, had not they been as ignorant as the hogs they fed, would have pitied and protected him, was her breast. Lavishing all her affection upon the poor lad, she had no kindness to spare for those who tormented him; and abstaining from any of those melodramatic and vulgar curses with which a person of less education would have followed those who abused her child, she studiously held herself aloof from her neighbours, and avoided meeting them, except when she was compelled to purchase food or other articles for her little household. This conduct gave an excuse for much ill feeling, and as the woman had no need to toil for her daily bread, and as her cottage was the neatest in the district, there was much jealousy.

One night, at a jovial gathering, it was arranged that a practical joke, of what was considered a very humorous kind, should be played upon the idiot. The boors selected one of their party, whose task it should be to attire himself in a white sheet, and to emerge into the lane when the poor lad should make his appearance. In accordance with this plan the pack of hobbledehoys watched the cottage night after night, in the hope of seeing the idiot leave the dwelling, and at length their patience was rewarded. They immediately hid themselves in the ditch, while the mock ghost concealed himself behind the trunk of a tree. The lad, not suspecting any evil, came along, humming, in his melancholy monotone, the usual fragment, and just before he reached the tree the sheeted figure slowly stepped forth to the accompaniment of the groanings and bellowings of his associates. They had expected to see the idiot flee in terror; but instead of so doing, he laughed loudly at the white figure, and then suddenly, as the expression of his face changed to one of intense interest, he shouted, 'Oh, oh! a black one! a black one!' Sure enough, a dark and terrible figure stood in the middle of the road. The mock ghost fled, with his companions at his heels, the real spectre chasing them hotly, and the idiot bringing up the rear, shouting at the top of his voice, 'Run, black devil! catch white devil!'

They were not long in reaching the village, down the street of which they ran faster than they ever had run before. Several of them darted into the smithy, where the blacksmith was scattering the sparks right and left as he hammered away at the witch-resisting horseshoes, and others fled into the inn, where they startled the gathered company of idle gossips; but the mock ghost kept on wildly, looking neither to the left nor to the right. The idiot had kept close behind the phantom at the heels of the mock ghost, and when at the end of the village the spectre vanished as suddenly as it had appeared, the lad ran a little faster and took its place. Of this, however, the white-sheeted young fellow was not aware, and, fearing every moment that the shadow would catch him in its awful embrace, he dashed down a by lane. Before he got very far, however, the idiot, who had gradually been lessening the distance between them, overtook and seized him by the neck. With a terrible cry the rustic fell headlong into the ditch, dragging Gregory with him as he fell. The latter was soon upon his feet, and dancing about the lane as he cried, 'Catch white devil! catch white devil!' The mock ghost, however, lay quiet enough among the nettles.

Roused by the story told by the affrighted ones who had rushed so unceremoniously into their presence, as well as by the startling cry of 'Run, black devil! catch white devil!' which the idiot had shouted as he sped past the door, several of the topers emerged from their abiding place; and as nothing could be seen of either mock ghost, spectre, or idiot, they bravely determined to go in search of them. As they passed along the road from the village, their attention was attracted by the cries which seemed to come from the lonely lane, and somewhat nervously making their way along it, they soon saw the idiot dancing about the side of the ditch. With a sudden access of courage, due to the presence of anything human, however weak, they hurried along, and as they drew nearer, the idiot paused in his gambols, and pointed to the mock ghost, who lay stretched in the shadow of the hedgerow. He was soon carried away to the village, where he lay ill for weeks.

The kindness of Gregory's mother to the sick lad's parents, who were very poor and could ill afford to provide the necessary comforts his condition required, caused public feeling to turn in her favour, and those who formerly had been loudest in defaming her became her warmest eulogists. Between the idiot and the young fellow, too, a strange friendship sprang up, and the pair might often be seen passing along the lanes, the idiot chanting his melancholy fragments to the companion whose cap he had adorned with wreaths of wild flowers.

With such a protector the idiot was quite safe, and, indeed, had the village children been wishful to torment Gregory, if the presence of this companion had not sufficed to restrain them, they had only to remember that it was in defence of poor Gregory the Evil One himself had raced through the village.[11]


[THE ENCHANTED FISHERMAN.]

THERE are few views in the north of England more beautiful than that which is seen from Morecambe, as the spectator looks over the beautiful bay, with its crescent coast-line of nearly fifty miles in extent. At low water the dazzling sands, streaked by silvery deceptive channels, stretch to the distant glimmering sea, the music of whose heavings comes but faintly on the gentle breeze; but at tide-time a magnificent expanse of rolling waves sweeps away to Peel, and is dotted over with red-sailed fishing boats and coasters. Far to the north the huge heather-covered Furness Fells stand sentinel-like over the waters, and above them, dimly seen through the faint blue haze, tower the grand mountains of the magic lake country. The scene is full of a sweet dream-like beauty; but there are times when the beautiful is swallowed in the majestic, as the mists come creeping over the sea, obscuring the coasts, and hiding everything save the white caps of the waves gleaming in the darkness, through which the muttering diapasons of the wind, as though in deep distress, sound mysteriously; or when, in winter, the moon is hidden by scudding clouds, and the huge rollers, driven before the breeze, dash themselves to death, as upon the blast come the solemn boom of a signal gun, and the faint cries of those in danger on the deep.

Years ago, however, before the little village of Poulton changed its name, and began to dream of becoming a watering-place, with terraces and hotels, instead of the picturesque, tumble-down huts of the fishermen, against which, from time immemorial, the spray had been dashed by the salt breezes, the only people who gazed upon the lovely prospect were, with the exception of an occasional traveller, the families of the toilers of the sea, and the rough-looking men themselves. These hardy fellows, accustomed to a wild life, and whose days from childhood had been spent on or by the sea, loved the deep with as much tenderness as a strong man feels towards a weak and wayward maiden, for they were familiar with its every mood, with the soothing wash of its wavelets when the sunbeams kissed the foam-bells, as they died on the white sands, and with the noise of the thunder of the breakers chased up the beach by the roaring gales.

One evening a number of these men were seated in the cosy kitchen of the John-o'-Gaunt, listening to 'Owd England' as he narrated some of his strange experiences.

'I moind,' said he, 'when I was nobbut a bit of a lad, Tum Grisdale bein' dreawnt; an' now as we 're tawkin' abeaut th' dangers o' th' sonds, yo'll mebbi hearken to th' tale. Poor Tum was th' best cockler i' Hest Bank, an' as ust to th' sands as a choilt is to th' face o' its mother; but for o that he wir dreawnt on 'em after o. I can co to moind yet—for young as I wor I're owd enough to think a bit when owt quare happent, an' th' seet o' th' deead bodies th' next ebb wir wi' me day an' neet fur lung afterwart—th' day when Tum an' his missis an' th' two lasses seet eawt o' seein' some relations o' th' missis's soide, as livt i' th' Furness country yon, th' owd mon an' th' dowters i' th' shandray, an' th' missis ridin' upo' th' cowt at th' soide. It wir a gradely bonnie afternoon, at th' back eend o' th' year. Th' day as they should o come back wir varra misty; an' abaat th' edge o' dark, just as here an' theear a leet wir beginnin' to twinkle i' th' windows, an' th' stars to peep aat, th' noise ov a cart comin' crunchin' o'er th' beach tuk mi feyther to th' door. "Why, yon's owd Tum Grisdale cart back ageean," he cried eaut. An' he dartit eawt o' th' dur, an' me after, as fast as I could. A creawd o' folk an' childer soon gathert reawnt, wonderin' what wir up; but neawt could bi larnt, for though th' lasses as seet eawt, as breet an' bonnie as posies o gillivers, wir theear i' th' shandray, they wir too freetent an' dazed, an' too wake wi' th' weet an' cowd, to say a whord. One thing, however, wir sewer enough, th' owd folk hedn't come back; an' altho' th' toide then hed covert th' track, an' wir shinin' i' th' moonleet, wheear th' mist could bi sin through, just as if it hedn't mony a Hest Bank mon's life to answer for, a lot o' young cocklers wir for startin' off theear an' then i' search on 'em. Th' owder an' mooar expayrienced, heawiver, wodn't hear on it. Two lives i' one day wir quoite enough, they said; so they o waitit till th' ebb, an' then startit, me, loile as i'wir, among th' rest, for mi feyther wir too tekken up i' talking to send me whoam. It wir a sad outin', but it wir loively compaart wi' t' comin' back, for when we tornt toart Hest Bank, th' strungest o' th' lads carriet owd Tum an' his missis, for we hedn't getten far o'er th' sonds afooar we feawnt th' poor owd lass, an' not far off, i' th' deep channel, owd Tum hissel. They wir buriet i' th' owd church-yart, an' one o' th' lasses wir laid aside on 'em, th' freet hevin' bin too mich for her. When t' tother sister recovert a bit, an' could bide to talk abaat it, hoo said as they geet lost i' th' mist, an' th' owd mon left 'em i' th' shandray while he walkt a bit to foind th' channel. When he didn't come back they geet freetent, but t' owd woman wodn't stir fray th' spot till they heeart t' watters comin', an' then they went a bit fur, but could find nowt o' Tum, though they thowt neaw an' then they could heear him sheautin' to 'em. Th' sheawts, heawiver, geet fainter an' fainter, an' at last stopt o' together. Givin' thersels up for lost, they left th' reins to th' mare an' t' cowt. Th' poor owd lass wir quoite dāz't at th' absence o' Tum; an' as th' cowt wir swimmin' across th' channel hoo lost her howd, an' wir carriet away. Th' lasses knew neawt no mooar, th' wench olus said, till th' fowk run deawn to th' cart uppo' th' beach. Hor as wir left, hoo wir olus quare at after; an' hoo uset to walk alung t' bay at o heawers just at th' toide toime, yo' known, an' it wir pitiful t' heear her when th' woint wir a bit sriller nor usal, sayin' as hoo could heear her owd fayther's voice as he sheauted when hee'd wander't fray 'em an' couldn't foint way to 'em through t' mist. Hoo afterwarts went to sarvice at Lankister, to a place as th' paason fun' for her, i' th' idea o' th' change dooin' her good; but it worn't lung afooar th' news come as hoo wir i' th' 'sylum, an' I heeart as hoo deed theear some toime after.'