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THE NINE-TENTHS

BY JAMES OPPENHEIM 1911

TO THE MEMORY OF MY FATHER

CONTENTS

PART I—THE DREAM

I. THE PRINTERY

II. THE EAST EIGHTY-FIRST STREET FIRE

III. THE GOOD PEOPLE

IV. GOLDEN OCTOBER

V. MYRA AND JOE

VI. MARTY BRIGGS

VII. LAST OF JOE BLAINE AND HIS MEN

VIII. THE WIND IN THE OAKS

PART II—THE TEST

I. BEGINNINGS

II. THE NINE-TENTHS

III. OTHERS: AND SALLY HEFFER

IV. OTHERS: AND THEODORE MARRIN

V. FORTY-FIVE TREACHEROUS MEN

VI. A FIGHT IN GOOD EARNEST

VII. OF THE THIRTY THOUSAND

VIII. THE ARREST

IX. RHONA

X. THE TRIAL

XI. THE WORKHOUSE

XII. CONFIDENT MORNING

XIII. THE CITY

PART I—THE DREAM

I

THE PRINTERY

That windy autumn noon the young girls of the hat factory darted out of the loft building and came running back with cans of coffee, and bags of candy, and packages of sandwiches and cakes. They frisked hilariously before the wind, with flying hair and sparkling eyes, and crowded into the narrow entrance with the grimy pressmen of the eighth floor. Over and over again the one frail elevator was jammed with the laughing crowd and shot up to the hat factory on the ninth floor and back.

The men smoked cigarettes as the girls chattered and flirted with them, and the talk was fast and free.

At the eighth floor the pressmen got off, still smoking, for "Mr. Joe" was still out. Even after the presses started up they went on surreptitiously, though near one group of them in a dark corner of the printery lay a careless heap of cotton waste, thoroughly soaked with machine-oil. This heap had been passed by the factory inspector unnoticed, the pressmen took it for granted, and Joe, in his slipshod manner, gave it no thought. Later that very afternoon as the opening of the hall door rang a bell sharply and Joe came in, the men swiftly and guiltily flung their lighted cigarettes to the floor and stepped them out or crumpled them with stinging fingers in their pockets. But Joe did not even notice the clinging cigarette smell that infected the strange printery atmosphere, that mingled with its delightful odor of the freshly printed page, damp, bitter-sweet, new. Once Marty Briggs, the fat foreman, had spoken to Joe of the breaking of the "No Smoking" rule, but Joe had said, with his luminous, soft smile:

"Marty, the boys are only human—they see me smoking in the private office!"

Up and down the long, narrow, eighth-floor loft the great intricate presses stood in shadowy bulk, and the intense gray air was spotted here and there with a dangling naked electric bulb, under whose radiance the greasy, grimy men came and went, pulling out heaps of paper, sliding in sheets, tinkering at the machinery. Overhead whirled and traveled a complex system of wheels and belting, whirring, thumping, and turning, and the floor, the walls, the very door trembled with the shaking of the presses and made the body of every man there pleasantly quiver.

The stir of the hat factory on the floor above mingled with the stir of the presses, and Joe loved it all, even as he loved the presence of the young girls about him. Some of these girls were Bohemians, others Jewish, a few American. They gave to the gaunt, smoky building a touch as of a wild rose on a gray rock-heap—a touch of color and of melody. Joe, at noon, would purposely linger near the open doorway to get a glimpse of their bright faces and a snatch of their careless laughter. Some of the girls knew him and would nod to him on the street—their hearts went out to the tall, homely, sorrowful fellow.

But his printery was his chief passion. It absorbed him by its masterful stress, overwhelming every sense, trembling, thundering, clanking, flashing, catching his eye with turning wheels and chewing press-mouths, and enveloping him in something tremulously homelike and elemental. Even that afternoon as Joe stood at the high wall-desk near the door, under a golden bulb of light, figuring on contracts with Marty Briggs, he felt his singular happiness of belonging. Here he had spent the work hours of the last ten years; he was a living part of this living press-room; this was as native to him as the sea to a fish. And glancing about the crowded gray room, everything seemed so safe, secure, unending, as if it would last forever.

Up to that very evening Joe had been merely an average American—clean of mind and body, cheerful, hard-working, democratic, willing to live and let live, and striving with all his heart and soul for success. His father had served in the Civil War and came back to New York with his right sleeve pinned up, an emaciated and sick man. Then Joe's mother had overridden the less imperious will of the soldier and married him, and they had settled down in the city. Henry Blaine learned to write with his left hand and became a clerk. It was the only work he could do. Then, as his health became worse and worse, he was ordered to live in the country (that was in 1868), and as the young couple had scarcely any money they were glad to get a little shanty on the stony hill which is now the corner of Eighty-first Street and Lexington Avenue and is the site of a modern apartment-house. But Joe's mother was glad even of a shanty; she made an adventure of it; she called herself the wife of a pioneer, and said that they were making a clearing in the Western wilderness.

Here in 1872 Joe was born, and he was hardly old enough to crawl about when his father became too sick to work, and his mother had to leave "her two men" home together and go out and do such work as she could. This consisted largely in reading to old ladies in the neighborhood, though sometimes she had to do fancy needlework and sometimes take in washing. Of these last achievements she was justly proud, though it made Henry Blaine wince with shame.

Joe was only six years old when his father died, and from then on he and his mother fought it out together. The boy entered the public school on Seventy-ninth Street, and grew amazingly, his mind keeping pace. He was a splendid absorber of good books; and his mother taught him her poets and they went through English literature together.

Yorkville sprang up, a rubber-stamped neighborhood, of which each street was a brownstone duplicate of the next. The rocky hill became valuable and went for twenty thousand dollars, of which three thousand had to be deducted for the mortgage. Then Joe graduated from high school, and, lusting for life, took a clerk's job with one of the big express companies. He held this for two years, and learned an interesting fact—namely, that a clerk's life began at 5 P.M. and ended at 8.30 A.M. In between the clerk was a dead but skilled machine that did the work of a child. He learned, besides, that advancement was slow and only for a few, and he saw these few, men past middle life, still underlings. A man of forty-five with a salary of three thousand was doing remarkably well, and, as a rule, he was a dried-up, negative, timid creature.

Out of all this he went like a stick of dynamite, took the seventeen thousand dollars and went into his father's business of printing. Joe was shrewd, despite his open nature; he never liked to be "done"; and so he made money and made it fast. Besides his printing he did some speculating in real estate, and so at thirty-eight he was a successful business man and could count himself worth nearly a hundred thousand dollars. He made little use of this money; his was a simple, serious, fun-loving nature, and all his early training had made for plain living and economy. And so for years he and his mother had boarded in a brownstone boarding-house in the quiet block west of Lexington Avenue up the street. They spent very little on themselves. In fact, Joe was too busy. He was all absorbed in the printery—he worked early and late—and of recent years in the stress of business his fine relationship with his mother had rather thinned out. They began leading separated lives; they began shutting themselves away from each other.

And so here he was, thirty-eight years of his life gone, and what had it all been? Merely the narrow, steady, city man's life—work, rest, a little recreation, sleep. Outside his mother, his employees, his customers, and the newspapers he knew little of the million-crowded life of the city about him. He used but one set of streets daily; he did not penetrate the vast areas of existence that cluttered the acres of stone in every direction. There stood the city, a great fact, and even that afternoon as the wild autumn wind blew from the west and rapid, ragged cloud masses passed huge shadows over the ship-swept Hudson, darkened briefly the hurrying streets, extinguished for a moment the glitter of a skyscraper and went gray-footed over the flats of Long Island, even at that moment terrific forces, fierce aggregations of man-power, gigantic blasts of tamed electricity, gravitation, fire, and steam and steel, made the hidden life of the city cyclonic. And in that mesh of nature and man the human comedy went on—there was love and disaster, frolic and the fall of a child, the boy buying candy in a shop, the woman on the operating-table in the hospital. Who could measure that swirl of life and whither it was leading? But who could live in the heart of it all and be unaware of it?

Yet Joe's eyes were unseeing. Children played on the street, people walked and talked, the toilers were busy at their tasks, and that was all he knew or saw. And yet of late he had a new, unexpected vista of life. Like many men, Joe had missed women. There was his mother, but no one else. He was rather shy, and he was too busy. But during the last few months a teacher—Myra Craig—had been coming to the printery to have some work done for the school. She had strangely affected Joe—sprung an electricity on him that troubled him profoundly. He could not forget her, nor wipe her image from his brain, nor rid his ears of the echoes of her voice. He went about feeling that possibly he had underrated poetry and music. Romance, led by Myra's hand, had entered the dusty printery and Joe began to feel like a youngster who had been blind to life.

Outside the world was blowing away on the gray wings of the twilight, blowing away with eddies of dust that swept the sparkling street-lamps, and the air was sharp with a tang of homesickness and autumn. The afternoon was quietly waning, up—stairs the hat-makers, and here the printers, were toiling in a crowded, satisfying present, and Joe stood there musing, a tall, gaunt man, the upstart tufts of his tousled hair glistening in the light overhead. His face was the homeliest that ever happened. The mouth was big and big-lipped, the eyes large, dark, melancholy and slightly sunken, and the mask was a network of wrinkles. His hands were large, mobile, and homely. But about him was an air of character and thought, of kindliness and camaraderie, of very human nature. He stood there wishing that Myra would come. The day seemed to demand it; the wild autumn cried out for men to seek the warmth and forgetful glory of love.

He could get some nice house and make a home for her; he could take her out of the grind and deadliness of school-work and make her happy; there would be little children in that house. He thought she loved him; yes, he was quite sure. Then what hindrance? There, at quarter to five that strange afternoon, Joe felt that he had reached the heights of success, and he saw no obstacle to long years of solid advance. He had before his eyes the evidence of his wealth—the great, flapping presses, the bending, moving men. If anything was sure and solid in this world, these things were.

He felt sure Myra would come. She had not been around for a week, and, anticipating a new meeting with her, he felt very young, like a very young man for the first time aware of the strange loveliness of night, its haunting and hidden beauties, its women calling from afar. It all seemed wild and impossible romance. It smote his heart-strings and set them trembling with music. He wondered why he had been so stupid all these years and evaded life, evaded joys that should have been his twenty years earlier. Now it seemed to him that his youth had passed from him defeated of its splendor.

If Myra came to-day he would tell her. The very thought gave his heart a lovely quake of fear, a trembling that communicated itself to his hands and down his legs, a throbbing joy dashed with a strange tremor. And then as he wanted, as he wished for, the door beside him opened and the bell sharply sounded.

She stood there, very small, very slight, but quite charming in her neat, lace-touched clothes. A fringe at the wrist, a bunch at the neck, struck her off as some one delicate and sensitive, and the face strengthened this impression. It was long and oval, with a narrow woman-forehead cut off by a curve of dark hair; the mouth was small and sweet; the nose narrow; the eyes large, clear gray, penetrating. Under the gracefully modeled felt hat she stood quite complete, quite a personality. One instantly guessed that she was an aristocrat by birth and breeding. But her age was doubtful, seeming either more or less than the total, which was thirty-two.

There she stood, glancing at Joe with a breathless eagerness. He turned pale, and yet at the same time there was a whirl of fire in his heart. She had come to him; he wanted to gather her close and bear her off through the wild autumn weather, off to the wilderness. He reached out a hand and inclosed a very cold and very little one.

"Why, you're frozen!" he said, with a queer laugh.

"Oh—not much!" she gasped. She held her leather bag under her arm and took off her gloves. Then she loosened her coat, and gave a sigh.

He gazed at her warm-tinted cheek, almost losing himself, and then murmured, suddenly:

"More school stuff?"

She made a grimace and tried to speak lightly, but her voice almost failed her.

"Class 6-B, let me tell you, is giving the 'Landing of the Pilgrims,' and every blessed little pilgrim is Bohemian. Here's the programme!"

With trembling fingers she opened her bag and handed him some loose sheets. He bent over them at once.

"Now make it cheap, Mr. Blaine," she said, severely. "Rock bottom! Or
I'll give the job to some one else."

Joe laughed strangely.

"How many copies?"

"One thousand."

He spoke as if in fear.

"Fifty cents too much?"

Myra laughed.

"I don't want the school to ruin you!"

He said nothing further, and in the awkward silence she began pitifully to button her coat. There was no reason for staying.

Then suddenly he spoke, huskily:

"Don't go, Miss Craig…."

"You want …" she began.

He leaned very close.

"I want to take a walk with you. May I?"

She became dead white, and the terror of nature's resistless purpose with men and women, that awful gravitation, that passion of creation that links worlds and uses men and women, went through them both.

"I may?" he was whispering.

Her "Yes" was almost inaudible.

So Joe put on his coat, and slapped over his head a queer gray slouch hat, and called over Marty.

"I won't be back to-night, Marty!" he said.

Then at the door he gave one last glance at his life-work, the orderly presses, the harnessed men, and left it all as if it must surely be there when he returned. He was proud at that moment to be Joe Blaine, with his name in red letters on the glass door, and under his name "Power Printer." His wife would be able to hold her head high.

The frail elevator took them clanking, bumping, slipping, down, down past eight floors, to the street level. The elevator boy, puffing at his cigarette, remarked, amiably:

"Gee! it's a windy day. It's gittin' on to winter, all right….
Good-night, Mr. Blaine!"

"Good-night, Tom," said Joe.

II

THE EAST EIGHTY-FIRST STREET FIRE

They emerged in all the magic wildness of an autumn night and walked east on Eighty-first Street. The loft building was near the corner of Second Avenue. They passed under the elevated structure, cutting through a hurrying throng of people.

"Take my arm," cried Joe.

She took it, trembling. They made an odd couple passing along between the squalid red-brick tenements, now in shadow, now in the glow of some little shop window, now under a sparkling lamp. At Avenue A they went south to Seventy-ninth Street, and again turned east, passing a row of bright model tenements, emerging at last at the strange riverside.

Down to the very edge of the unpaved waste they walked, or rather floated, so strange and uplifted and glorious they felt, blown and carried bodily with the exultant west wind, and they only stopped when they reached the wooden margin, where an old scow, half laden with brick, was moored fast with ropes. This scow heaved up and down with the motion of the rolling waters; the tight ropes grated; the water swashed melodiously.

The man and woman seemed alone there, a black little lump in the vast spaces, for behind them the city receded beyond empty little hill-sides and there was nothing some distance north and south.

"Look," said Joe, "look at the tide!"

It was running north, a wide expanse of rolling waters from their feet to Blackwells Island in the east, all hurling swiftly like a billowing floor of gray. Here and there whitecaps spouted. On Blackwells Island loomed the gray hospitals and workhouses, and at intervals on the shore sparkled a friendly light.

"But see the bridge," exclaimed Myra.

She pointed far south, where across the last of the day ran a slightly arched string of lights, binding shore with shore. On the New York side, and nearer, rose the high chimneys of mills, and from these a purplish smoke swirled thickly, melting into the gray weather.

And it seemed to Joe at that wild moment that nothing was as beautiful as smoking chimneys. They meant so much—labor, human beings, fire, warmth.

And over all—river, bridge, chimneys, Blackwells Island, and the throbbing city behind them—rose the immense gray-clouded heavens. A keen smell of the far ocean came to their nostrils and the air was clear and exhilarant. Then, as they watched, suddenly a tug lashed between enormous flat boats on which were red freight-cars, swept north with the tide. A thin glaze of heat breathed up from the tug's pipe; it was moving without its engines, and the sight was unbelievable. The whole huge mass simply shot the river, racing by them.

And then the very magic of life was theirs. The world fell from them, the dusty scales of facts, the complex intricacies of existence melted away. They were very close, and the keen, yelling wind was wrapping them closer. Vision filled the gray air, trembled up from the river to the heavens. They rose from all the chaos like two white flames blown by the wind together—they were two gigantic powers of the earth preparing like gods for new creation. In that throbbing moment each became the world to the other, and love, death-strong, shot their hearts.

He turned, gazing strangely at her pale, eager, breathless face.

"I want …" he began.

"Yes," she breathed.

He opened his lips, and the sound that escaped seemed like a sob.

"Myra!"

And then at the sound of her name she was all woman, all love. She cried out:

"Joe!"

And they flung their arms round each other. She sobbed there, overcome with the yearning, the glory, the beatitude of that moment.

"Oh," he cried, "how I love you!… Myra …"

"Joe, Joe—I couldn't have stood it longer!"

All of life, all of the past, all of the million years of earth melted into that moment, that moment when a man and a woman, mingled into one, stood in the heart of the wonder, the love, the purpose of nature—a mad, wild, incoherent half-hour, a secret ecstasy in the passing of the twilight, in the swing of the wind and the breath of the sea.

"Come home to my mother," cried Joe. "Come home with me!"

They turned … and Myra was a strange new woman, tender, grave, and wrought of all lovely power, her face, in the last of the light, mellow and softly glowing with a heightened woman-power.

"Yes," she said, "I want to see Joe's mother."

It was Joe's last step to success. Now he had all—his work, his love.
He felt powerfully masculine, triumphant, glorious.

Night had fallen, and on the darkness broke and sparkled a thousand lights in tenement windows and up the shadowy streets—everywhere homes, families; men, women, and children busily living together; everywhere love. Joe glanced, his eyes filling. Then he paused.

"Look at that," he said in a changed voice.

Over against the west, a little to the north, the gray heavens were visible—a lightning seemed to run over them—a ghastly red lightning—sharply silhouetting the chimneyed housetops.

"What is it?" said Myra.

He gazed at it, transfixed.

"That's a fire … a big fire." Then suddenly his face, in the pale light of a street-lamp, became chalky white and knotted. He could barely speak. "It must be on Eighty-first or Eighty-second Street."

She spoke shrilly, clutching his arm.

"Not … the loft?"

"Oh, it can't be!" he cried, in an agony. "But come … hurry …"

They started toward Eighty-first Street up Avenue A. They walked fast; and it seemed suddenly to Joe that he had been dancing on a thin crust, and that the crust had broken and he was falling through. He turned and spoke harshly:

"You must run!"

Fear made their feet heavy as they sped, and their hearts seemed to be exploding in their breasts. They felt as if that fire were consuming them; as if its tongues of flame licked them up. And so they came to the corner of Eighty-first Street and turned it, and looked, and stopped.

Joe spoke hoarsely.

"It's burning;… it's the loft…. The printery's on fire…."

Beyond the elevated structure at Second Avenue the loft building rose like a grotesque gigantic torch in the night. Swirls of flame rolled from the upper three stories upward in a mane of red, tossing volumes of smoke, and the wild wind, combing the fire from the west, rained down cinders and burned papers on Joe and Myra as they rushed up the street. Every window was blankly visible in the extreme light, streams of water played on the walls, and the night throbbed with the palpitating, pounding fire-engines.

And it seemed to Joe as if life were torn to bits, as if the world's end had come. It was unbelievable, impossible—his eyes belied his brain. That all those years of labor and dream and effort were going up in flame and smoke seemed preposterous. And only a few moments before he and Myra had stood on the heights of the world; had their mad moment; and even then his life was being burned away from him. He felt the hoarse sobs lifting up through his throat.

They reached Second Avenue, and were stopped by the vast swaying crowd of people, a density that could not be cloven. They went around about it frantically; they bore along the edge of the crowd, beside the houses; they wedged past one stoop; they were about to get past the next, when, in the light of the lamp, Joe saw a strange sight. Crouched on that stoop, with clothes torn, with hair loosed down her back, her face white, her lips gasping, sat one of the hat factory girls. It was Fannie Lemick. Joe knew her. And no one seemed to notice her. The crowd was absorbed in other things.

And even at that moment Joe heard the dire clanging of ambulances, and an awful horror dizzied his brain. No, no, not that! He clutched the stoop-post, leaned, cried weirdly:

"Fannie! Fannie!"

She gazed up at him. Then she recognized him and gave a terrible sob.

"Mr. Joe! Oh, how did you get out?"

"I wasn't there," he breathed. "Fannie! what's happened?… None of the girls …"

"You didn't know?" she gasped.

He felt the life leaving his body; it seemed impossible.

"No …" he heard himself saying. "Tell me…."

She looked at him with dreadful eyes and spoke in a low, deadly, monotonous voice:

"The fire-escape was no good; it broke under some of the girls;… they fell;… we jammed the hall;… some of the girls jumped down the elevator shaft;… they couldn't get out … and Miss Marks, the forelady, was trying to keep us in order…. She stayed there … and I ran down the stairs, and dropped in the smoke, and crawled … but when I got to the street … I looked back … Mr. Joe … the girls were jumping from the windows…."

Joe seized the stoop-post. His body seemed torn in two; he began to reel.

"From the ninth floor," he muttered, "and couldn't get out…. And I wasn't there! Oh, God, why wasn't I killed there!"

III

THE GOOD PEOPLE

Joe broke through the fire line. He stepped like a calcium-lit figure over the wet, gleaming pavement, over the snaky hose, and among the rubber-sheathed, glistening firemen, gave one look at the ghastly heap on the sidewalk, and then became, like the host of raving relatives and friends and lovers, a man insane. It was as if the common surfaces of life—the busy days, the labor, the tools, the houses—had been drawn aside like a curtain and revealed the terrific powers that engulf humanity.

In his ears sounded the hoarse cries of the firemen, the shout of the sprayed water, the crash of axes, the shatter of glass. It was too magnificent a spectacle, nature, like a Nero, using humanity to make a sublime torch in the night. And through his head pulsed and pulsed the defiant throb of the engines. Cinders fell, sticks, papers, and Joe saw fitfully the wide ring of hypnotized faces. It was as if the world had fallen into a pit, and human beings looked on each other aghast.

"Get back there!" cried a burly policeman.

Joe resisted his shouldering.

"I'm Mr. Blaine;… it's my loft burning. I'm looking for my men…."

"Go to the morgue then," snapped the policeman. "A fire line's a fire line."

Joe was pushed back, and as the crowd closed about him, a soft pressure of clothing, men and women, he became aware of the fact that he had lost his head. He pulled himself together; he told himself that he, a human being, was greater than anything that could happen; that he must set his jaw and fight and brave his way through the facts. He must get to work.

Myra clutched his sleeve. He turned to her a face of death, but she brought her wide eyes close to him.

"Joe! Joe!"

"Myra," he said, in a whisper, suddenly in that moment getting a sharp revelation of his changed life. "I may never see you again. I belong to those dead girls." He paused. "Go home … do that for me, anyway."

He had passed beyond her; there was no opposing him.

"I'll go," she murmured.

Then, dizzily, she reeled back, and was lost in the crowd.

And then he set to work. He was strangely calm now, numb, unfeeling. There was nothing more to experience, and the overwrought brain refused any new emotions. So stupendous was the catastrophe that it left him finally calm, ready, and eagerly awake. He stepped gently through the crowd, searching, and found John Rann, the pressman. John wept like a little boy when they met.

"Marty got out … yes … most of us did … but Eddie Baker, Morty, and Sam Bender…. It was the cotton waste, Mr. Joe, and the cigarettes…."

Joe put his arm about the rough man.

"Never mind, Johnny … Go home to the kiddies…."

There was so little he could do. He went to a few homes he knew, he went to the hospital to ask after the injured, he went to the morgue. At midnight the fire, like an evil thing, drew him back, and he encountered only a steamy blackness lit by the search-light of the engine. There was still the insistent throbbing. And then he thought of his mother and her fears, and sped swiftly up the street, over deserted Lexington Avenue, and up the lamp-lit block. Already newsboys were hoarsely shouting in the night, as they waved their papers—a cry of the underworld palpitating through the hushed city: "Wuxtra! Wuxtra! Great—fire—horror! Sixty—killed! Wuxtra!"

The house was still open, lighted, awake. People came into the hall as he entered, but he shunned them and started up the stairs. One called after him.

"Your mother's out, Mr. Joe."

He turned.

"Out? How long?"

"Since the fire started … She's been back and forth several times …"

He went on up, entered the neat, still front room, lit the gas beside the bureau mirror, and began to pace up and down. His mother was searching for him; he might have known it; he should have remembered it.

And then he heard the uncanny shouting of the newsboys—as if those dead girls had risen from their ashes and were running like flaming furies through the city streets, flinging handfuls of their fire into a million homes, shaking New York into a realization of its careless, guilty heart, crying for vengeance, stirring horror and anger and pity. Who was the guilty one, if not he, the boss?

And then the inquisition began, the repeated sting of lashing thoughts and cruel questions. He asked himself what right he had to be an employer, to take the responsibility of thirty lives in his hands. He was careless, easy-going, he was in business for profits. Had such a man any right to be placed over others, to be given the power over other lives? The guilt was his; the blame fell on him. He should have kept clean house; he should have stamped out the smoking; he should not have smoked himself. There fell upon his shoulders a burden not to be borne, the burden of his blame, and he felt as if nothing now in the world could assuage that sense of guilt.

Life, he found, was a fury, a cyclone, not the simple, easy affair he had thought it. It was his living for himself, his living alone, his ignorance of the fact that his life was tangled in with the lives of all human beings, so that he was socially responsible, responsible for the misery and poverty and pain all about him.

That he should be the one! Had he not lived just the average life—blameless, cheerful, hard-working, fun-loving—the life of the average American? Just by every-day standards his was the useful and good life. But no, that was not enough. In his rush for success he had made property his treasure instead of human beings. That was the crime. And so these dead lay all about him as if he had murdered them with his hands. It was his being an average man that had killed sixty-three girls and men. And what had he been after? Money? He did not use his money, did not need so much. Just a little shared with his employees would have saved them. No, the average man must cease to exist, and the social man take his place, the brother careful of his fellow-men, not careless of all but his own gain.

A boy passed, hoarsely shouting that terrible extra. Would nothing in the world silence that sound? The cold sweat came out on his face. He was the guilty one. That was the one fact that he knew.

And then he paused; the door opened creakingly and his mother entered. She was a magnificent young-old woman, her body sixty-three years old, her mind singularly fresh and young. She was tall, straight, spirited, and under the neat glossy-white hair was a noble face, somewhat long, somewhat slim, a little pallid, but with firm chin and large forehead and living large black eyes set among sharp lines of lids. The whole woman was focussed in the eyes, sparkled there, lived there, deep, limpid, quick, piercing. Her pallor changed to pure whiteness.

"Joe …" her voice broke. "I've been looking for you…."

He paused, walled away from her by years of isolation. She advanced slowly; her face became terrible in its hungry love, its mother passion. She met his eyes, and then he fled to her, and his body shook with rough, tearless sobs. Her relief came in great tears.

"And all those girls," she was murmuring, "and those men. How did it happen?"

He drew back; his eyes became strange.

"Mother," he said, harshly, "I'm the guilty one. There was a heap of cotton waste in the corner, shouldn't have been there. And I let the men smoke cigarettes."

She was horrified.

"But why did you do that?" she whispered, moving a little away from him.

"My thoughtlessness … my business." The word was charged with bitterness. "Business! business! I'm a business man! I wasn't in business"—he gave a weird laugh—"for the health of my employees! I was making money!"

She looked at him as if he had ceased being her son and had turned into a monster. Then she swayed, grasped the bedpost and sank on the bed.

Her voice was low and harsh.

"Your fault … and all those young girls…."

His mother had judged him; he looked at her with haggard eyes, and spoke in a hollow voice.

"Nothing will ever wipe this guilt from my mind…. I'm branded for life … this thing will go on and on and on every day that I live…."

She glanced at him then, and saw only her son, the child she had carried in her arms, the boy who had romped with her, and she only knew now that he was suffering, that no one on earth could be in greater pain.

"Oh, my poor Joe!" she murmured.

"Yes," he went on, beside himself, "I'm blasted with guilt…."

She cried out:

"If you go on like this, we'll both go out of our minds, Joe! Fight! It's done … it's over…. From now on, make amends…. Joe!"—She rose magnificently then—"Your father lost his arm in the war…. Now give your life to setting things right!"

And she drew him close again. Her words, her love, her belief in him roused him at last.

"You know the fault isn't all yours," she said. "The factory inspector's to blame, too—and the men—and the people up-stairs—and the law because it didn't demand better protection and fire-drills—all are to blame. You take too much on yourself…."

And gradually, striving with him through the early morning hours, she calmed him, she soothed him, and got him to bed. He was at last too weary to think or feel and he slept deep into the day. And thinking a little of herself, she realized that the tragedy had brought them closer together than they had been for years.

* * * * *

Out of those ashes on East Eighty-first Street rose a certain splendor over the city. All of New York drew together with indignation and wondrous pity. It did not bring the dead girls to life again—it was too late for that—but it brought many other dead people to life.

Fifty thousand dollars flowed to the newspapers for relief; an inquest probed causes and guilt and prevention; mass—meetings were held; the rich and the powerful forgot position and remembered their common humanity; and the philanthropic societies set to work with money, with doctors and nurses and visitors. The head of one huge association said to the relief committee in a low, trembling voice: "Of course, our whole staff is at your service." Just for a time, a little time, the five-million-manned city flavored its confused, selfish struggle with simple brotherhood.

How had it happened? Whose was the fault? How came it that sixty girls were imprisoned in the skies, as it were, and could only fling themselves down to the stone pavement in an insanity of terror? What war was more horrible than this Peace of Industry? Such things must be prevented in future, said New York, rising like a wrathful god—and for a while the busy wheels of progress turned.

Joe had to attend the inquest as a witness. He gave his testimony in a simple, sincere, and candid way that gained him sympathy. His men testified in his behalf, trying to wholly exonerate him and inculpate themselves, and the lawyers cleverly scattered blame from one power to another—the city, the State, the fire department, the building department, etc. It became clear that Joe could not be officially punished; it was evident that he had done as much as the run of employers to protect life, and that his intentions had been blameless.

However, that did not ease Joe's real punishment. He was a changed man that week, calm, ready with his smile, but haggard and bowed, nervous and overwrought, bearing a burden too heavy for his heart. He made over the twenty thousand dollars of insurance money to the Relief and Prevention Work; he visited the injured and the bereaved; he forgot Myra and tried to forget himself; he attended committee meetings.

Myra wrote him a little note:

DEAR JOE,—Don't forget that whatever happens I believe in you utterly and I love you and shall always love you, and that you have me when all else is lost.

Your
MYRA.

To which he merely replied:

DEAR MYRA,—I shall remember what you say, and I
shall see you when I can.

Yours,
JOE.

It was on Sunday afternoon that Joe met Fannie Lemick on the street. Her eyes filled with tears and he noticed she was trembling.

"Mr. Joe!" she cried.

"Yes, Fannie…."

"Are you going, too?"

"Going where?"

"Don't you know? The mass-meeting at Carnegie Hall!"

He looked at her, smiling.

"I'll go with you, if I may!"

So they went down together. A jam of poor people was crowding the doors, and a string of automobiles drew up and passed at the curb. Joe and Fannie got in the throng. There was no room left in the orchestra and they were swept with the flood up and up, flight after flight, to the high gallery. Here they found seats and looked down, down as if on the side of the planet, on the far-away stage filled with the speakers and the committees, and on that sea of humanity that swept back and up through the boxes to themselves. All in the subdued light, the golden light that crowd sat, silent, remorseful, stirred by a sense of having risen to a great occasion; thousands of human beings, the middle class, the rich, the poor; Americans, Germans, Italians, Jews. But all about him Joe felt a silent hatred, a still cry for vengeance, a class bitterness. Many of these were relatives of the dead.

It was a demonstration of the human power that refuses to submit to environment and circumstance and fate; that rises and rebukes facts, reshapes destiny. And then the speaking began: the bishop, the rabbi, the financier, the philanthropist, the social worker. They spoke eloquently, they showed pity, they were constructive, they were prepared to act; they represented the "better classes" and promised the "poor," the toilers, that they would see that relief and protection were given; but somehow their eloquence did not carry; somehow that mass of commonest men and women refused to be stirred and thrilled. There was even a little hissing when it was announced that a committee of big men would see to the matter.

Joe had a dull sense of some monstrous social cleavage; the world divided into the rulers and the ruled, the drivers and the driven. He felt uncomfortable, and so did the throng. There was a feeling as if the crowd ought to have a throat to give vent to some strange, fierce fact that festered in its heart.

And then toward the end the chairman announced that one of the hat-trimmers, one of the girls who worked—in another hat factory, would address the meeting—Miss Sally Heffer.

A girl arose, a young woman with thin, sparse, gold-glinting hair, with face pallid and rounded, with broad forehead and gray eyes of remarkable clarity. She was slim, dressed in a little brown coat and a short brown skirt. She came forward, trembling, as if overcome by the audience. She paused, raised her head and tried to speak. There was not a sound, and suddenly the audience became strangely still, leaning forward, waiting.

Then again she tried to speak; it was hardly above a whisper; and yet so clear was the hush that Joe heard every word. And he knew, and all knew, that this young woman was overcome, not by the audience, but by the passion of the tragedy, the passion of an oppressed class. She was the voice of the toilers at last dimly audible; she was the voice of a million years of sore labor and bitter poverty and thwarted life. And the audience was thrilled, and the powerful were shaken with remorse.

Trembling, terrible came the words out of that little body on the far stage:

"I would be a traitor to these poor burned bodies if I came here to talk good-fellowship. We have tried you good people of the public and we have found you wanting. The old Inquisition had its rack and its thumbscrews and its instruments of torture with iron teeth. We know what these things are to-day: the iron teeth are our necessities, the thumbscrews the high-powered and swift machinery close to which we must work, and the rack is here in the fire-trap structures that will destroy us the minute they catch on fire.

"This is not the first time girls have been burned alive in this city. Every week I learn of the untimely death of one of my sister workers. Every year thousands of us are maimed. The life of men and women is so cheap and property is so sacred! There are so many of us for one job, it matters little if sixty of us are burned to death.

"We have tried you citizens; we are trying you now, and you have a couple of dollars for the sorrowing mothers and brothers and sisters by way of a charity gift. But every time the workers come out in the only way they know to protest against conditions which are unbearable, the strong hand of the law is allowed to press heavily down on us.

"Public officials have only words of warning to us—warning that we must be intensely orderly and intensely peaceable, and they have the workhouse just back of all their warnings.

"I can't talk fellowship to you who are gathered here. Too much blood has been spilled. I know from my experience it is up to the working people to save themselves. The only way they can save themselves is by a strong working-class movement."

Joe heard nothing further. There were several other speakers, but no words penetrated to his brain. He felt as if he must stifle. He felt the globe of earth cracking, breaking in two under his feet, and for the first time in his life he was acutely aware of the division of humanity. All through his career he had taken his middle-class position for granted; he tacitly agreed that there were employees and employers; but in his own case his camaraderie had hidden the cleavage. Now he saw a double world—on the one side the moneyed owners, on the other the crowded, scrambling, disorganized hordes of the toilers—each one of them helpless, a victim, worked for all that was in him, and then flung aside in the scrap heap. And behold, this horde was becoming self-conscious, was beginning to organize, was finding a voice. And he, who was one of the "good people," was rejected by this voice. He had been "tried" and found wanting. He was on the other side of the fence. And it was the fault of his class that fire horrors and all the chaos and cruelty of industry arose. So that now the working people had found that they must "save themselves."

In an agony of guilt again he felt what he had said to Myra: "From now on I belong to those dead girls"—yes, and to their fellow-workers. Suddenly it seemed to him that he must see Sally Heffer—that to her he must carry the burden of his guilt—to her he must personally make answer to the terrible accusations she had voiced. It was all at once, as if only in this way could he go on living, that otherwise he would end in the insanity of the mad-house or the insanity of suicide.

He was walking down the stairs with Fannie, and he was trembling.

"Do you know this Sally Heffer?"

"Know her? We all do!" she cried, with all a young girl's enthusiasm.

"I want to see her, Fannie. Where does she live?"

"Oh, somewhere in Greenwich Village. But she'll be up at the Woman's
League after the meeting."

He went up to the Woman's League and found the office crowded with women and men. He asked for Miss Heffer.

"I'll take your name," said the young woman, and then came back with the answer that "he'd have to wait."

So he took a seat and waited. He felt feverish and sick, as if he could no longer carry this burden with him. It seemed impossible to sit still. And yet he waited over an hour, waited until it was eight at night, all the gas-jets lit.

The young woman came up to him.

"You want to see Miss Heffer? Come this way."

He was led up a flight of stairs to a little narrow hall-room. Sally Heffer was there at a roll-top desk, still in her little brown coat—quiet, pale, her clear eyes remarkably penetrating. She turned.

"Yes?"

He shook pitifully,… then he sat down, holding his hat in his hands.

"I'm Joe Blaine…."

"Joe Blaine … of what?"

"Of the printery … that burned…."

She looked at him sharply.

"So, you're the employer."

"Yes, I am."

"Well," she said, brusquely, "what do you want?"

"I heard you speak this afternoon." His face flickered with a smile.

"And so you …?"

He could say nothing; and she looked closer. She saw his gray face, his unsteady eyes, the tragedy of the broken man. Then she spoke with a lovely gentleness.

"You want to do something?"

"Yes," he murmured, "I want to give—all."

She lowered her voice, and it thrilled him.

"It won't help to give your money—you must give yourself. We don't want charity."

He said nothing for a moment; and then strength rose in him.

"I'll tell you why I came…. I felt I had to…. I felt that you were accusing me. I know I am guilty. I have come here to be"—he smiled strangely—"sentenced."

She drew closer.

"You came here for that?"

"Yes."

She rose and took a step either way. She gazed on him, and suddenly she broke down and cried, her hands to her face.

"O God," she sobbed, "when will all this be over? When will we get rid of this tragedy? I can't stand it longer."

He rose, too, confused.

"Listen," he whispered. "I swear to you, I swear, that from this day on my life belongs to those"—his voice broke—"dead girls … to the toilers…."

She impulsively reached out a hand, and he seized it. Then, when she became more quiet, she murmured:

"I can see you mean it. Oh, this is wonderful! It is a miracle springing out of the fire!"

There was a strange throbbing silence that brought them close together.
And Sally, glancing at him again, whispered:

"I can see how you have suffered! Let me help you … all that I can!"

He spoke in great pain.

"What can I do? I know so little."

"Do? You must learn that for yourself. You must fit in where you belong.
Do you know anything of the working-class movement?"

"No," he said.

"Then I will make a list of books and magazines for you."

She sat down and wrote a list on a slip, and arose and handed it to him.

She was gazing at him again, gazing at the tragic face. Then she whispered:

"I believe in you…. Is there anything else?"

And again she reached out her hand and he clasped it. Her fine faith smote something hard in him, shriveled it like fire, and all at once, miraculously, divinely, a little liquid gush of lovely joy, of wonderful beatitude began to rise from his heart, to rise and overflow and fill him. He was being cleansed, he had expiated his guilt by confessing it to his accuser and receiving her strange and gentle forgiveness; tears came to his eyes, came and paused on the lashes and trickled down. He gulped a sob.

"I can go on now," he said.

She looked at him, wondering.

"You can!" she whispered.

And he went out, a free man again, at the beginning of a new life.

IV

GOLDEN OCTOBER

Life has an upspringing quality that defies pain. Something buoyant throbs in the heart of the world—something untamed and wild—exultant in the flying beauty of romping children, glinting in the dawn-whitened sea, risen, indeed, through man into triumphant cities and works, and running like a pulse through his spirit. San Francisco is shattered, and there is death and sorrow and destruction: a whole population is homeless—whereupon the little human creatures come down from the hills like laughing gods and create but a more splendid city. Earth itself forges through its winters with an April power that flushes a continent with delicate blossoms and tints.

Joe had come home from Sally Heffer a man renewed. From some clear well in his nature sprang a limpid stream of soft, new joy; a new exhilarating sense of life; a new creative power that made him eager for action. His heart was cleansed, and with the exquisite happiness of a forgiven child he "took up the task eternal." Hereafter he was a man dedicated, a man consecrated to a great work.

His mother noticed the change in him, a new wisdom, a sweet jocularity, and, withal, the return of much of his old nature—its rough camaraderie, its boyish liveliness and homely simplicity. For her this was a marvelous relief, and she could only watch him and wonder at the change. He seemed very busy again, and she did not disturb him in these sensitive days of growth; she waited the inevitable time when he would come to her and tell her what he was going to do, whether he would re-establish his business or whether he had some new plan. And then one day, tidying up his room, she stumbled on a heap of books. Her heart thrilled and she began to surreptitiously borrow these books herself.

Already the great city had forgotten its fire horror—save the tiny, growing stir of an agitating committee—and even to those most nearly concerned it began to fade, a nightmare scattered by the radiance of new morning. One could only trust that from those fair and unpolluted bodies had sprung a new wave of human brotherliness never to be quite lost. And Joe's mother had had too much training in the terrible to be long overborne. She believed in her son and stood by him.

Luckily for Joe, he had much work to do. He and Marty Briggs had to settle up the business, close with customers, dig from the burned rubbish proofs and contracts, attend the jury, and help provide for his men. One sunny morning he and Marty were working industriously in the loft, when Marty, with a cry of exultation, lifted up a little slot box.

"Holy Moses, Joe!" he exclaimed, "if here ain't the old kick-box!"

They looked in it together, very tenderly, for it was the very symbol of Joe's ten years of business. On its side there was still pasted a slip of paper, covered with typewriting:

KICK-BOX

This business is human—not perfect. It needs good thinking, new ideas (no matter how unusual), and honest criticism.

There are many things you think wrong about the printery and the printery's head—things you would not talk of face to face, as business time is precious and spoken words are sometimes hard to bear.

Now this is what I want: Sit down and write what you think in plain English. It will do me good.

JOE BLAINE.

Suddenly Marty looked at his boss.

"Say, Joe."

"What is it, Marty?" The big fellow hesitated.

"Say—when that jury finishes—you're going to set things up again, and go on. Ain't you?"

Joe smiled sadly.

"I don't know, Marty."

Tears came to Marty's eyes.

"Say—what will the fellers say? Ah, now, you'll go ahead, Joe."

"Just give me a week or two, Marty—then I'll tell you."

But the big fellow's simple grief worked on him and made him waver, and there were other meetings with old employees that sharply drew him back to the printery. One evening, after a big day of activity, he found it too late to reach the boarding-house for supper and he remembered that John Rann's baby was sick. So he turned and hurried across the golden glamor of Third Avenue, on Eightieth Street, and just beyond climbed up three flights of stairs in a stuffy tenement and knocked on the rear door. Smells of supper—smells chiefly of cabbage, cauliflower, fried onions, and fried sausages—pervaded the hall like an invisible personality, but Joe was smell-proof.

A husky voice bade him come in and he pushed open the door into a neat kitchen. At a table in the center under a nicely globed light sat John Rann in his woolen undershirt. John was smoking a pipe and reading the evening paper, and opposite John two young girls, one about ten, the other seven, were studying their lessons.

"Hello, John!" said Joe.

John nodded amiably, and muttered:

"Hello yourself!"

He was a strong, athletic, stocky fellow, with sunken little blue eyes, heavy jaws, and almost bald head. Before he had time to rise the two young girls leaped up with shrieks of joy and rushed to Joe. Joe at once tucked one under each arm and hugged them forward to a big chair, into which they all sank together.

"Well! Well!" cried Joe.

"Who do you love most?" asked the seven-year-old.

"The one who loves me most!" said Joe.

"I do!" they both shrieked.

"Now leave Mr. Joe be," warned the father. "Such tomboys they're getting to be, there's no holdin' 'em in!"

At once in the half-curtained doorway to the next room appeared a stocky little woman, whose pale face was made emphatic by large steel-rimmed glasses that shrank each eye-pupil to the size of a tack-head. Her worried forehead smoothed; she smiled.

"I knew it was Mr. Joe," she said, "by the way those gals yelled."

Joe spoke eagerly:

"I just had to run in, Mrs. Rann, to ask how the baby was."

"He's a sight better. Mrs. Smith, who lives third floor front, had one just like him sick a year ago come Thanksgiving, and he died like that. But the doctor you sent over is that kind and cute he's got the little fellow a-fightin' for his life. He's a big sight better. Want to see him?"

Joe gave a kiss each way, set down two reluctant women-to-be, and followed Mrs. Rann to the inner room. In a little crib a youngster, just recovered from colic, was kicking up his heels. Joe leaned over and tickled the sole of one foot.

"Well, Johnny boy!"

"Unc! Unc!" cried the infant.

The mother purred with delight.

"He's trying to say Uncle Joe. Did you ever hear the likes?"

Joe beamed with pride.

"Well, your uncle hasn't forgotten you, old man!"

And he produced from his pocket a little rubber doll that whistled whenever its belly was squeezed.

John Rann appeared behind them.

"Say, Mr. Joe, you haven't had your supper yet."

"Not hungry!" muttered Joe.

"G'wan! Molly, put him up a couple of fried eggs, browned on both, and a cup of coffee. I won't take no, either."

Joe laughed.

"Well, perhaps I'd better. I'm ashamed to ask for anything home this hour—in fact, I'm scared to."

So he got his fried eggs and coffee, and the family hung around him, and Joe, circled with such warm friendliness, was glad to be alive. He was especially pleased with Mrs. Rann's regard. But Joe was always a favorite with mothers. Possibly because he was so fond of their babies. Possibly because mothers love a good son, wherever they find one. Possibly because his heart was large enough to contain as something precious their obscure lives. Just before he left John asked him:

"Will the printery soon be running, Mr. Joe?"

"Tell you later," murmured Joe, and went out. But he was sorely troubled.

However, to Joe there had been revealed—almost in a day and after thirty-eight years of insulated life—two of the supreme human facts. There was humanity, on the one side, building the future, the new state, organizing its scattered millions into a rich, healthy, joyous life and calling to every man to enlist in the ranks of the creators; and then there was woman, the undying splendor of the world, the beauty that drenches life with meaning and magic, that stirs the elemental in a man, that wakens the race instinct, that demands the creation of new generations to inhabit that new state of the future. Intertwined, these wondrous things drew the heart now this way, now that, and to Joe they arose separately in intermittent pulsations that threatened to absorb his existence.

He did not dare go to Myra until he was sure of himself. It seemed that he would have to choose between woman and work. It seemed as if his work would lead into peril, dirt, disaster, and that he could not ask a delicate, high-strung woman to go with him. The woman could not follow her warrior to the battle, for marriage meant children to Joe, and the little ones must stay back at home with the mother.

In that moment of clear terror he had said to Myra:

"I may never see you again…. I belong to those dead girls."

And this phrase came and went like a refrain. He must choose between her and those "dead girls." There stood Myra with gray luminous eyes and soft echoing voice magically hinting of a life of ever-renewed romance. She had a breast for his aching head, she had in her hands a thousand darling household things, she had in her the possibilities of his own children … who should bring a wind of laughter into his days and a strange domestic tenderness. The depths of the man were stirred by these appeals—that was the happy human way to take, the common road fringed with wild flowers and brier-lost berries, and glorious with the stride of health and the fresh open air.

And Myra herself, that charming presence to infold his life—He would go walking through the golden October park, by little leaf-strewn paths under the wild and sun-soaked foliage, with many vistas every way of luring mystery, and over all the earth the rich opulent mother-bliss of harvest, and his heart would ache, ache within him, ache for his own harvests, ache like the sun for the earth, the man for the woman.

A mad frenzy would seize him and he would plunge into his books and read and think and lash himself to a fury of speculation till the early hours of the morning. Exhaustion alone brought him peace.

But something had to be done. He sat down and wrote to her with a trembling hand:

DEAR MYRA,—Though I am impatient to see you, I must yet wait a little while. Bear with me. You will understand later.

Yours,
JOE.

And then she replied:

DEAR JOE,—Can't I help you?
MYRA.

He had to fight a whole afternoon before he replied:

Not yet—later.
JOE.

And back he went into the whirlwind of the world-vision, a stupendous force upsetting, up-rooting, overturning, demolishing, almost erasing and contradicting everything that Joe had taken for granted, and in the wake of the destruction, rising and ever rising, a new creation, the vision of a new world.

He had taken so much for granted. He had taken for granted that he lived in a democracy—that the Civil War had once for all made America a free nation—a nation of opportunity, riches, and happiness for all. Not so. Literally millions were living in abject poverty, slaves to their pay-envelopes; to lose a job meant to lose everything, there being more laborers than jobs, or if not, at least recurrent "panics" and "hard times" when the mills and the mines shut down. And these wage slaves had practically no voice in one of the chief things of their life—their work. So millions were penned in places of danger and disease and dirt, lived and toiled in squalor, and were cut off from growth, from health, from leisure and culture and recreation; and worse, millions of women had to add the burden of earning a living to the already overwhelming burden of child-bearing and home-making; and, still worse, millions of children had been drafted into the service of industrialism.

He proved the case for himself. He began making tours of the city, discovering New York, laying bare the confusion and ugliness and grime and crime and poverty of a great industrial center. He poked into the Ghetto, into Chinatown, Greenwich Village, and Little Italy; he peered into jails, asylums, and workhouses; he sneaked through factories and hung about saloons. Everywhere a terrific struggle, many sinking down into the city's underworld of crime, men becoming vagrants or thieves, women walking the streets as prostitutes.

And over this broad foundation of the "people" rose the structure of business and politics, equally corrupted—or so it seemed to Joe, as it does to every one who is fresh to the facts. Men at the top gathering into their hands the necessities of life: oil, meat, coal, water-power, wool; seizing on the railroads, those only modern means of social exchange; snatching strings of banks wherein the people's money was being saved; and using their mighty money-power to corrupt legislation, to thwart the will of the voters, to secure new powers, to crush opposition. So had arisen a "Money Power" that was annuling democracy.

And Joe's books argued that all this change had been wrought by the invention of machinery, that only through steam, steel, and electricity could world-wide organization take place, that only through these arose the industrial city, the modern mill. The very things that should have set man free, the enormous powers he snatched from nature and harnessed to do his work, powers with the strength of a nation of men—these very things had been seized by a few for their own profit, and had enslaved the majority. Over and over again could the race be fed, clothed, housed, and enriched by these powers, and that with lessened hours of toil and more variety of work.

But Joe's books argued further and most dogmatically that this organization by the selfish few was a necessary step in progress, that when their work was finished the toilers, the millions, would arise and seize the organization and use it thereafter for the good of all. Indeed, this was what Sally's labor movement meant: the enlightenment of the toilers as to the meaning of industrialism, and their training for the supreme revolution.

And out of all this arose the world-vision. At such moments Joe walked in a rarer air, he stepped on a fairer earth than ordinarily obtains. It was the beauty and loveliness of simple human camaraderie, of warm human touch. And at such times Joe had no doubt of his life-work. It lay in exquisite places, in chambers of jolly grandeur, in the invisible halls and palaces of the human spirit. He was one with the toilers of earth, one with the crowded underworld. It was that these lives might grow richer in knowledge, richer in art, richer in health, richer in festival, richer in opportunity, that Joe had dedicated his life. And so arose that wonderful and inexpressible vision—a picture as it were of the far future—a glimpse of an earth singing with uplifted crowds of humanity, on one half of the globe going out to meet the sunrise, on the other, the stars. He heard the music of that Hymn of Human Victory, which from millions of throats lifts on that day when all the race is woven into a harmony of labor and joy and home and great unselfish deeds. That day, possibly, might never arrive, forever fading farther and farther into the sunlit distances—but it is the day which leads the race forward. To Joe, however, came that vision, and when it came it seemed as if the last drop of his blood would be little to offer, even in anguish, to help, even by ever so little, the coming and the consummation of that Victory.

He would awake in the night, and cry out in a fever:

"By God, I'm going to help change things."

The vision shook him—tugged at his heart, downward, like the clutch of a convulsive child; seized him now and again like a madness. Even unto such things had the "dead girls" brought him.

So, crammed with theories—theories as yet untested by experience—Joe became an iconoclast lusting for change. He was bursting with good news, he wanted to cry the intimations from the housetops, he wanted to proselytize, convert. He was filled with Shelley's passion for reforming the world, and like young Shelley, he felt that all he had to do was to show the people the truth and the truth would make them free.

All this was in his great moments,… there were reactions when his human humorous self—backed by ten years of the printery—told him that the world is a complex mix-up, and that there are many visions; moments that made him wonder what he was about, and why so untrained a man expected to achieve such marvels.

But these reactions were swallowed up by the recurrent pulsations, the spasms of his vision. He felt from day to day a growth of purpose, an accumulation of energy that would resistlessly spill into action, that would bear him along, whether or no. But what should he do, and how? He was unfitted, and did not think he cared, for settlement work. He knew nothing and cared less for charity work. Politics were an undiscovered world to him. What he wanted passionately was to go and live among the toilers, get to know them, and be the means of arousing and training them.

But then there was the problem of his mother—a woman of sixty-three. Could he leave her alone? It was preposterous to think of taking her with him. Myra could a thousand times better go. He must talk with his mother, he must thresh the matter out with her, he must not delay longer to clear the issue. And yet he hesitated. Would she be able to understand? How could he communicate what was bursting in his breast? She belonged to a past generation; how could she hear the far-off drums of the advance?

Up and down the Park he went early one evening in a chaos of excitement, and he had a sudden conviction that he could not put off the moment any longer. He must go to his mother at once, he must tell all. As he walked down the lamp-lit street, under all the starriness of a tranquil autumn night, he became alternately pale and flushed, his heart thumped hard against his ribs, he felt like a little boy going to his mother to confess a wrong.

He looked up; the shades of the second floor were illumined: she was up there. Doing what? Sharply then he realized what a partial life she led, the decayed middle-class associates of the boarding-house, tired, brainless, and full of small talk, the lonesome evenings, the long days. He became more agitated, and climbed the stoop, unlocked his way into the house, went up the dim, soft, red-cushioned stairs, past the milky gas-globe in the narrow hall, and knocked at her door.

"Come in!" she cried.

He swung the door wide and entered. She was, as usual, sitting in the little rocker under the light and beside the bureau, between the bed and the window. The neat, fragrant room seemed to be sleeping, but the clear-eyed, upright woman was very much awake. She glanced up from her sewing and realized intuitively that at last the crisis had come. His big, homely face was a bald advertisement of his boyish excitement.

She nodded, and murmured, "Well!"

He drew up a chair awkwardly, and sat opposite her, tilting back to accommodate his sprawling length. Then he was at a loss.

"Well," he muttered, trying to be careless, "how are you?"

"All right," she said drily.

She could not help him, though her heart was beginning to pain in her side.

"I've been walking about the Park," he began again, with an indifference that was full of leaks, "and thinking…." He leaned forward and spoke suddenly: "Say, mother, don't you get tired of living in this place?"

She felt strangely excited, but answered guardedly.

"It isn't so bad, Joe…. There are a few decent people … there's Miss
Gardiner, the librarian … and I have books and sewing."

"Oh, I know," he went on, clumsily, "but you're alone a lot."

"Yes, I am," she said, and all at once she felt that she could speak no further with him. She began sewing diligently.

"Say, mother!"

No answer.

"Mother!"

"Yes," dimly.

His voice sounded unnatural.

"Since the … fire … I've been doing some thinking, some reading…."

"Yes."

"I've been going about … studying the city…."

"Yes."

"Now I want you to understand, mother…. I want to tell you of … It's—well, I want to do something with my money, my life…." And his voice broke, in spite of himself.

His mother felt as if she were smothering. But she waited, and he went on:

"For those dead girls, mother…." and sharply came a dry sob. "And for all the toilers. Oh, but can you understand?"

There was a silence. Then she looked at him from her youthful, brilliant eyes, and saw only an overgrown, rather ignorant boy. This gave her strength, and, though it was painful, she began speaking:

"Understand? Do you mean the books you are reading?"

"Yes," he murmured.

"Well," she smiled weakly, "I've been reading them, too."

"You!" He was shocked. He looked at her as if she had revealed a new woman to him.

"Yes," she said, quickly. "I found them in your room."

He was amazedly silent. He felt then that he had never really known his mother.

"Joe," she said, tremulously, "I want to tell you a little about the war…. There are things I haven't told you."

And while he sat, stupefied and dumfounded, she told him—not all, but many things. She was back in the Boston of the sixties, when she was a young girl, when that town was the literary center of America, when high literature was in the air, when the poets had great fame and every one, even the business man, was a poet. She had seen or met some of the great men. Once Whittier was pointed out to her, at a time when his lines on slavery were burning in her brain. She had seen the clear-eyed Lowell walking under the elms of Cambridge, and she justly felt that she was one of those

"Who dare to be
In the right with two or three."

Once, even, a relative of hers, a writer then well known and now forgotten, had taken her out to see "the white Mr. Longfellow." It was one of the dream-days of her life—the large, spacious, square Colonial house where once Washington had lived; the poet's square room with its round table and its high standing desk in which he sometimes wrote; the sloping lawn; the great trees; and, better than anything, the simple, white-haired, white-bearded poet who took her hand so warmly and spoke so winningly and simply. He even gave her a scrap of paper on which were written some of his anti-slavery lines.

Those were great days—days when America, the world's experiment in democracy, was thrown into those fires that consume or purify. The great test was on, whether such a nation could live, and Boston was athrob with love of country and eagerness to sacrifice. The young, beautiful, clear-eyed girl did not hesitate a moment to urge Henry Blaine to give up all and go to the front. It was like tearing her own heart in two, and, possibly at a word, Blaine would have remained in Boston and helped in some other way. But she fought it out with him one night on Boston Commons, and she wished then that she was a man and could go herself. On that clear, mild night, the blue luminous tinge of whose moon she remembered so vividly, they walked up and down, they passionately embraced, they felt the end of life and the mystery of death, and then at last when the young man said: "I'll go! It's little enough to do in this crisis!" she clung to him with pride and sacred joy and knew that life was very great and that it had endless possibilities.

And so Henry Blaine went with his regiment, and the black and terrible years set in—years in which so often she saw what Walt Whitman had seen:

"I saw askant the armies,
I saw as in noiseless dreams hundreds of battle-flags,
Borne through the smoke of the battles and pierced with missiles I saw
them,
And carried hither and yon through the smoke, and torn and bloody,
And at last but a few shreds left on the staffs (and all in silence),
And the staffs all splinter'd and broken.
I saw battle-corpses, myriads of them,
And the white skeletons of young men, I saw them.
I saw the débris and débris of all the slain soldiers of the war,

But I saw they were not as was thought.
They themselves were fully at rest, they suffered not,
The living remain'd and suffer'd, the mother suffer'd,
And the wife and the child and the musing comrade suffer'd,
And the armies that remain'd suffer'd."

Terrible years, years of bulletins, years of want, hard times, years when all the future was at stake, until finally that day in New York when she saw the remnant returning, marching up Broadway between the black crowds and the bunting, the drums beating, the fifes playing,

"Returning, with thinned ranks, young, yet very old, worn, marching, noticing nothing."

Henry Blaine was one of these and he came to her a cripple, an emaciated and sick man. Then had followed, as Joe knew, the marriage, the hard pioneer life in the shanty on the stony hill, the death, and the long widowhood….

Had she not a right to speak to him?

"Understand?" she ended. "I think, Joe, I ought to understand…. I sent your father into the war…."

Depth beneath depth he was discovering her. He was amazed and awed. He asked himself where he had been all these years, and how he had been so blind. He felt very young then. It was she who actually knew what the word social and the word patriotism meant.

He looked down on the floor, and spoke in a whisper:

"And … would you send me off, too? The new war?"

She could scarcely speak.

"Whereto?"

"I … oh, I'll have to go down in a tenement somewhere—the slums…."

"Well, then," she said, quietly, "I'll go with you."

"But you—" he exclaimed, almost adding, "an old woman"—"it's impossible, mother."

She answered him with the same quietness.

"You forget the shanty."

And then it was clear to him. Like an electric bolt it shot him, thrilling, stirring his heart and soul. She would go with him; more than that, she should. It was her right, won by years of actual want and struggle and service. More, it was her escape from a flat, stale, meaningless boarding-house existence. Suddenly he felt that she was really his mother, knit to him by ties unbreakable, a terrible thing in its miraculousness.

But he only said, in a strained voice,

"All right, mother!"

And she laughed, and mused, and murmured:

"How does the world manage to keep so new and young?"

V

MYRA AND JOE

Myra Craig used to dream at night that the fifty-seven members of her class arose from their desks with wild shrieks and danced a war-dance about her. This paralyzed her throat, her hands, and her feet, and she could only stand, flooded with horror, awaiting the arrival of the school principal and disgrace. Out of this teacher's dream she always awoke disgusted with school-work.

Myra came from Fall River—her parents still lived there—came when she was ten years younger, to seek her fortune in the great city. New York had drawn her as it draws all the youth of the land, for youth lusts for life and rushes eagerly to the spot where life is most intense and most exciting. The romance of crowds, of wealth, of art, of concentrated pleasure and concentrated vice, of immense money-power, the very architecture of the world-city, the maelstrom of people, drew the young Fall River woman irresistibly. She did not want the even and smooth future of a little town; she wanted to plunge into the hazardous interweaving of the destinies of millions of people. She wanted to grasp at some of the magic opportunities of the city. She wanted a career.

And so she came. Early that June morning she left her cabin on the Sound steamboat and went out on deck, and then she had unfolded to her the most thrilling scene of the earth. Gazing, almost panting with excitement, it seemed to her that the nature she had known—the hills and fields of New England—shrank to littleness. First there was all about her the sway of the East River, golden—flecked with the morning sun, which glowed through a thin haze. From either shore a city climbed, topped with steeples and mill chimneys—floods of tenements and homes. Then the boat swept under the enormous steel bridges which seemed upheld by some invisible power and throbbed with life above them. And then, finally, came the Vision of the City. The wide expanse of rolling, slapping water was busy with innumerable harbor craft, crowded ferries, puffing tugs, each wafting its plume of smoke and white steam; but from those waters rose tier after tier of square-set skyscrapers climbing in an irregular hill to the thin peak of the highest tower. In the golden haze, shot with sun, the whole block of towers loomed distant, gigantic, shadowy, unreal—a magic city floating on the waters of the morning. Windows flashed, spirals of white smoke spun thin from the far roofs. Myra thought of those skyscrapers as the big brothers of the island gazing out over the Atlantic.

The boat rounded the tip of the island, furrowing the broad surface of the bay, which seemed as the floor of a stage before that lifting huge sky-lost amphitheater. Every advance changed the many-faceted beauty of New York, and Myra, gazing, had one glimpse across little green Battery Park up the deep twilit cañon of Broadway, the city's spine. The young woman was moved to tears. She seemed to slough off at that moment the church of her youth, averring that New York was too big for a creed. It was the great human outworking; the organism of the mighty many. It seemed a miracle that all this splendor and wonder had been wrought by human hands. Surely human nature was great—greater than she had dreamed. If creatures like herself had wrought this, then she was more than she had dared to imagine, "deeper than ever plummet had sounded." She felt new courage, new faith. She wanted to leave the boat and merge with those buildings and those swarming streets. She was proud of the great captains who had engineered this masswork, proud of the powers that ruled this immensity.

But beyond all she felt the city's livingness. The air seemed charged with human activity, with toil-pulsations. She was all crowded about with human beings, and felt the mystery of what might be termed crowd-touch. Here, surely, was life—life thick, happy, busy, daring, ideal. Here was pioneering—a reaching forth to a throbbing future. So, as the boat landed, she mentally identified herself with this city, labeled herself New-Yorker, and became one of its millions.

Her rapture lasted throughout her first stay. She tasted romance glancing in shop windows or moving in a crowd or riding in an elevated train. A letter of introduction to a friend of her mother's secured her a companion, who "showed her the sights" and helped her choose her boarding-house in East Eightieth Street. And then came the examinations for public-school teaching; and after these she went home for the summer, returning to New York in the fall.

Then her new life began, the rapture ceased, and Myra Craig, like so many others, found that her existence in the city was just as narrow as it had been in the town. In some ways, more narrow. She was quite without friends, quite without neighborhood. Her day consisted in teaching from 9 A.M. to 3 P.M., correcting papers and planning lessons and making reports until well into the evening, sometimes until late in the night, and meeting at meals unfriendly people that she disliked. Her class was composed of rather stupid, rather dirty children. They smelled—a thing she never forgave them. And what could one woman do with fifty or sixty children? The class was at least three times too big for real teaching, and so almost inevitably a large part of the work became routine—a grind that spoiled her temper and embittered her heart. Her fellow-teachers were an ignorant lot; the principal himself she thought the biggest lump of stupidity she had ever met—a man demanding letter-perfection and caring not one rap for the growth of children. Her week-ends were her only relief, and she used these partly for resting and partly in going to theater and concert.

Such for ten years—with summers spent at home—was Myra's life. It was bounded by a few familiar streets; it was largely routine; it was hard and bitter; and it had no future. It was anything but what she had dreamed. New York was anything but what she had dreamed. She never saw again that Vision of the City; never felt again that throb of life, that sense of pioneering and of human power. And yet in those years Myra had developed. She was thrown back on books for friendship, and through these and through hard work and through very routine she developed personality—grew sensitive, mentally quick, metropolitan. She had, as it were, her own personal flavor—one felt in her presence a difference, a uniqueness quite precious and exquisite.

And then one day she had gone to the printery and met a man, who was homely, rough, simple, and, in spite of her revulsion from these qualities, was immensely drawn to him. Something deeper than the veneer of her culture overpowered her. She had almost forgotten sex in the aridity of those ten years; she had almost become a dried old maid; but now by the new color in her cheeks, the sparkle in her eyes, the fresh rapidity of her blood, and through the wonder of the world having become more light, as if there were two suns in the sky instead of one—yes, through the fact that she lived now at ten human-power instead of one—her heart told her exultingly, "You are a woman."

Girlhood had come again, but girlhood made all woman by immense tenderness, by the up-rush of a wild love, and by the awakening of all her instincts of home and mating and child-bearing. And then had come that mad, wind-blown twilight at the riverside when the spirit of life had drenched her and she had become grave, tender, and wrought of all lovely power. Joe was just a boy then to her, and her great woman-heart drew him in and sheltered him in the sacred warmth of her being. In that moment she had reached the highest point of her womanhood, a new unfolding, a new release. And then had come horror, and he had been swept away from her—one glimpse of his numb, ghastly face, and he was gone.

It was Fannie Lemick that took her home. She only knew that she was being led away, while crashing through her mind went flames, smoke, the throbbing of the engines, and the words: "I may never see you again … dead girls…." All that night she tossed about in a horror, and in the morning she feverishly read the terrible news until she thought she must swoon away. She became sick; the landlady had to come up and help her; the doctor had to be sent for, and he had told her that this nervous breakdown had been long overdue; she had been working under too great a strain; it only needed some shock to break her.

But while she lay in a sick fever her heart went out to Joe. If she only could be at his side, nerve him to the fight, protect him and soothe him. She knew that his whole old life had been consumed in that fire, and lay in ruins, and she felt subtly that he had been taken from her. By one blow, at the very moment of the miracle of their love, they had been torn from each other. She did not want to live; she hoped that she had some serious disease that would kill her.

But she did live; she became better, and then in a mood of passionate tenderness she wrote her first little love-letter to Joe. She went about, doing her school-work and bearing the weight of intolerable lonely days, and he had written twice, just a word to her, a word of delay. What kept him? What was he doing? She read of his testimony at the inquest and became indignant because he blamed himself. Who was to blame for such an accident? It was not his cigarette that had started the blaze. In her overwrought condition she passed from a terrible love to a sharp hate, and back and forth. Was he a fool or was he more noble than she could fathom? He should have seen her sooner, he should not have left her a prey to her morbid thoughts. Time and again she became convinced that he had ceased to love her, that he was more concerned over his burnt printery. She twisted his letters against him. She would sit in her room trying to work at her school papers, and suddenly she would clench her fists, turn pale, and stare despairingly at the blank wall.

Day after day she waited, starting up every time she heard the postman's whistle and the ringing of the bell. And then at last one night, as she paced up and down the narrow white little room, she heard the landlady climbing the stairs, advancing along the hall, and there was a sharp rap. She felt faint and dizzy, flung open the door, took the letter, and sank down on the bed, hardly daring to open it.

It was brief and cold:

Dear Myra,—I know you are up early, so I am coming around at seven to-morrow morning—I'll be out in the street and wait for you. We can go to the Park. I have some serious problems to lay before you.

Joe.

"Serious problems!" She understood. He was paving the way for renouncing her. Perhaps it was a money matter—he thought he ought not marry on a reduced income. Or perhaps he found he didn't love her. For hours she sat there with the letter crumpled in her hand, frozen, inert, until she was incapable of feeling or thinking. So he was coming at seven. He took it for granted that she would be ready to see him—would be eager to walk in the Park with him. Well, what if she didn't go? A fine letter that, after that half-hour at the riverside. A love-letter! She laughed bitterly. And then her heart seemed to break within her. Life was too hard. Why had she ever left the peace and quiet of Fall River? Why had she come down to the cruel, careless, vicious city to be ground up in a wholesale school system and then to break her heart for an uncouth, half-educated printer? It was all too hard, too cruel. Why had she been born to suffer so? Why must she tingle now with pain, when in a few years she would be unfeeling dust again? Among all the millions of the people of the earth, among all the life of earth and the circling million scattered worlds, she felt utterly isolated, defrauded, betrayed. Life was a terrible gift, and she did not want it. This whirl of emotion rose and rose in her, went insanely through her brain, and, becoming intolerable, suddenly ceased and left her careless, numb, and hard.

She arose mechanically and looked in the glass at herself. Her face was haggard.

"I'm getting homely," she thought, and quietly went to bed.

But in the night she awoke to a swift frenzy of joy. He was coming. After all, he was coming. She would see him. She would be near him again. Yes, how she loved him! loved with all her nature. It was the intensity of her love that made her hate. And she lay throbbing with joy, her whole being quivering with desire for him. He was hers, after all. It was the woman's part to forgive and forget.

But when the morning broke, and she arose in her nightgown and sat on the chair at the window, smoothing out and rereading the letter, her doubts returned. He was coming to renounce her. He would make all sorts of plausible excuses, he would be remorseful and penitent, but it all came to the same end. Why should she go and meet him to be humiliated in this way? She would not go.

Yet she rose and dressed with unusual care and tried to smile back the radiance of her face, and fixed her hair this way and that in a pitiful attempt to take away the sharpness of her expression, and when her little clock showed seven she put on hat and coat with trembling hands and went swiftly down and out at the front door. She was shaking with terrible emotions, fire filled and raged in her breast, and she had to bite her lip to keep it still.

The city flashed before her in all the sparkle of October, the air tingled, and in the early morning light the houses, the street, looked as bright and fresh as young school-children washed, combed, bright-eyed, new with sleep, and up from roofs went magic veilings of flimsy smoke. Down the avenues clanged cars black with mechanics, clerks, and shop-girls on the way to work; people streamed hurrying to their day's toil. The city was awake, shaking in every part of her with glad breakfast and the rush to activity. What colossal forces swinging in, swinging out of the metropolis in long pulsations of freight and ship and electricity! Wall Street would roar, the skyscrapers swarm, the schools drone and murmur and sing, the mills grind and rattle, and the six continents and the seven seas would pulse their blood into the city and be flushed by her radiating tides. Into this hidden activity Myra stepped, deaf and blind to all but the clamor of her heart and a single man walking like a black pawn aureoled in the low early sunlight.

She came down slowly, as he came up. She glanced at his face. She was shocked by its suffering, its gray age. He looked quite shabby in his long frayed coat, his unpolished shoes, his gray slouch hat—shabby and homely, and ill-proportioned, stooping a little, his rough shock of hair framing the furrowed face and sunken melancholy eyes. And it was for this man that she had been breaking her heart! Yet, at the moment there swept over her an awful surge of passion, so strong that she could have seized him in her arms and died in his embrace.

He, in turn, saw how white and set her face was, how condemnatory. He had come to her almost ready to throw his plans overboard and cleave to her—for a day and a night that side of his nature had dominated, expunging all else, driving him to her, demanding that he grasp her magic presence, her womanly splendor. This alone was real, and all the rest fantastic. And he had walked up and down the street with all the October morning singing in his blood; the world was glorious again and he was young; he would take her, he would forget all else, and they would go off somewhere in the wilderness and really live. He had never lived yet. He thirsted for life, he thirsted for all this woman could give him. And now the condemnation in her face choked him off, made her a stranger, separated them, made it hard to speak to her.

He cried in a low voice:

"Myra!"

The word was charged with genuine passion, and she became more pale, and stood unable to find her tongue, her lips quivering painfully.

Then suddenly there was a nervous overflow.

"You wanted to walk in the Park," she blurted in a cold, uneven voice. "We'd better be going then. I won't have much time. I've got to be at school early."

She started off, and he strode beside her. They walked in a strange slow silence, each charged with inexpressible, conflicting emotions, and each waiting for the other. This strain was impossible, and finally Joe began speaking in low tones.

"I know it seems queer that I haven't been to see you … but you'll understand, I couldn't. There was so much to do…."

He stopped, and then again came the cold, uneven voice:

"You could have found a moment."

They went on in silence, and entered the Park, following the walk where it swept its curve alongside the tree-arched roadway, past low green hills to the right and the sinking lawns to the left, crossed the roadway, and climbed the steep path that gave on to the Ramble—that twisty little wilderness in the heart of the city, that remote, wild, magic tangle.

A little pond lay in the very center of it, all deep with the blue sky, and golden October gloried all about it—swaying in wild-tinted treetops, blowing in dry leaves, sparkling on every spot of wet, and all suffused and splashed and strangely fresh with the low, red, radiant sunlight. There was splendor in the place, and the air dripped with glorious life, and through it all went the lovers, silent, estranged, pitiable.

"We can sit here," said Joe.

It was a bench under a tree, facing the pond. They sat down, each gazing on the ground, and the leaves dropped on them, and squirrels ran up to them, tufted their tails and begged for peanuts with lustrous beady eyes, and now and then some early walker or some girl or man on the way to work swung lustily past and disappeared in foliage and far low vistas of tree trunks.

The suspense became intolerable again. Joe turned a little to her.

"Myra!"

She was trembling; a moment more she would be in his arms, sobbing, forgiving him. But she hurried on in an unnatural way.

"You wanted to speak to me—I'm waiting. Why don't you speak?"

It was a blow in the face; his own voice hardened then.

"You're making it very hard for me."

She said nothing, and he had to go on.

"After the fire—" his voice snapped, and it was a space before he went on, "I felt I was guilty…. I went to a mass-meeting and one of the speakers accused the … class I belong to … of failing in their duty…. She said …"

Myra spoke sharply:

"Who said?"

"Miss Heffer."

"Oh!"

Joe felt suddenly silenced. Something unpleasant was creeping in between them. He did not know enough of women, either, to divine how Myra was suffering, to know that she had reached a nervous pitch where she was hardly responsible for what she thought and said. He went on blunderingly:

"I felt that I was accused… I felt that I had to make reparation to the toilers, … had to spend my life making conditions better…. You see this country has reached a crisis …"

It was all gibberish to her.

"Exactly what do you mean?" she asked, sharply.

"I mean"—he fumbled for words—"I must go and live among the poor and arouse them and teach them of the great change that is taking place…."

She laughed strangely.

"Oh—an uplifter, settlement work, charity work—"

He was stupefied.

"Myra, can't you see—"

"Yes, I see," she said, raising her voice a little; "you're going to live in the slums and you want me to release you. I do. Anything else?"

She was making something sordid of his beautiful dream, and she was startlingly direct. He was cut to the heart.

"You're making it impossible," he began.

She laughed a little, stroking down her muff.

"So you're going to live among the poor … and you didn't dare come and tell me…."

"I had no right to involve you until I was sure…."

"And now you're sure…."

"No," he cried.

She raised her voice a little again:

"And I wrote asking if I couldn't help you. Women are fools…."

He sat searching about for something to say. His heart was like cold lead in his breast; his head ached. He felt her side of the case very vividly, and how could she ever understand?

Then, as she sat there her head seemed to explode, and she spoke hurriedly, incoherently:

"It's time to get to school. I want to go alone. Good-by."

She rose and went off rapidly.

"Myra!" he cried, leaping up, but she only accelerated her pace….

Instead of going to school she went straight home, flung herself full-length on the bed, buried her face in the pillow, and shook for a long time with terrible tearless sobs. Her life was ruined within her.

VI

MARTY BRIGGS

Joe went home in a distraught condition. He was angry, amazed, and passion-shaken. He had had a look into that strange mixture which is woman—and he was repelled, and yet attracted as he had never been before. He felt that all was over between them, that somehow she had convicted him of being brutal, selfish, and unmanly, and in the light of her condemnation he saw in his delay to meet her only cowardice and harsh indifference. And yet all along he had acted on the conclusion that he had no right to ask a woman to go into the danger of his work with him.

Pacing up and down his narrow room, he began lashing himself again, excusing, forgiving Myra everything. He had never really understood her nature; he should have gone to her in the beginning and trusted to her love and her insight; he should have let her share the aftermath of the fire; that fierce experience would have taught her that he was forever mortgaged to a life of noble reparation, and even the terror of it all would have been better than shutting her out, to brood morbidly alone.

Yet, what could he do? He must be strong, be wise, keep his head. He had pledged himself, sworn himself into the service of the working class movement. There was no escape. He tried to bury himself in his books, regain for a moment his splendid dream of the future state, feel again those strange throes of world-building, of social service.

And out of it all grew a letter, a letter to Myra. He wrote it in a strange haste, the sentences coming too rapidly for his pen. It ran:

DEAR MYRA,—I must make you understand! I hurt you when I wanted to help you; I wronged you when I wanted only to do right by you. Why didn't you listen to me this morning?

It was at the fire there, at that moment you tugged at my sleeve and I spoke to you, that I saw clearly that my life was no longer my own, that I could not even give it to you, whom I loved, whom I love now with every bit of my existence. I told you I belonged to those dead girls. Have you forgotten? Sixty of them—and three of my men. It was as if I had killed them myself. I am a guilty man, and I must expiate this guilt. There is no use fooling myself with pleasant phrases, no use thinking others to blame. It was I who was responsible.

And through the death of those girls I learned of the misery of the world, of the millions in want, the women wrenched from their homes to toil in the mills, the little children—fresh, sweet bodies, bubbling hearts, and tender, whimsical minds—slaving in factories, tiny boys and girls laboring like men and women in cotton and knitting mills, in glass factory and coal-mine, and on the streets of cities, upon whose frail little spirits is thrust the responsibility, the wage burden, the money, and family trouble, the care and drudgery and mortal burden we grown people ourselves not seldom find too hard. I have learned of a world gone wrong; I have learned of a new slavery on earth; and I as a member of the master class share the general guilt for the suffering of the poor…I must help to free them from the very conditions that killed the sixty girls…

And when I think of those girls and their families (some of them were the sole support of their mothers and sisters and brothers) the least I can do is to render up my life for the, lives that were lost—the least I can do is to fill myself with the spirit of the dead and go forth, not to avenge them, but to help build a world where the living will not be sacrificed as they were.

This country is facing a great crisis; civilization is facing a great crisis. Shall we go forward or be drawn backward? There is a call to arms and every man must offer his life in the great fight—that fight for democracy, that fight for lifting up the millions to new levels of life, that fight for a better earth and a superber race of human beings; and in that fight I am with the pioneers, heart and soul; I am ringing with the joy and struggle of it; I am for it, with all my strength and all my power. It demands everything; its old cry, "Arise, arise, and follow me;" means giving up possessions, giving away all, making every sacrifice. Before this issue our little lives shrink into nothingness, and we must sink our happiness into the future of the world.

How can I ask you to go into the peril, the dirt, and disease of this struggle? And how can I refrain from going in myself? Let me see you once more. Do not deny me that. And understand that through life my love will follow you … a love greatened, I trust, by what little I do in the great cause….

Ever yours, JOE

He waited for an answer and none came, and he felt during those days that the life was being dragged out of him. Feverishly then he buried himself in his tasks and his books, he went on cramming himself with theories until he reached the bursting-point and wanted to go out on fire with mission, almost a fanatic, an Isaiah to shake the city with invective and prophesy change. What could he do to spread the tidings, the news? The time had come to find an outlet for the overbearing flood within him. And then one evening in the Park like a flash came the plan. He must go among the poor, he must get to know them—not in this neighborhood, "a prophet is not without honor, etc."—but in some new place where he was unknown. He thought of Greenwich Village. Did not Fannie Lemick tell him that Sally Heffer lived in Greenwich Village? Well, he would look into the matter. He was a printer; why not then print a little weekly newspaper directly for the toilers, for his neighbors? He could tell all that way, pour out his enlightenment, stir them, stand by them, take part in their activities, their troubles and their strikes and lead them forth to a new life. He was sure they were ripe for the facts, powder awaiting the spark; he would go down among them and make his paper the center of their disorganized life.

The more he thought of the plan the more it thrilled him. What was greater than the power of the press? What more direct? He was done with palliatives, finding men jobs, giving Christmas turkeys, paying for coal. What the people needed was education so that they could get justice—all else would follow.

But even at that perfervid period of his life Joe was saved from being a John Brown by his sense of humor. This was the imp in him that always poked a little doubt into his heart and laughed at his ignorance and innocence. By next morning Joe was smiling at himself. Nevertheless, he was driven ahead.

He called for Marty Briggs and they went to lunch together. Third Avenue lay naked to the rain, which swept forward in silvery gusts, dripping, dripping from the elevated structure, and the pattering liquid sound had a fresh mellow music. Here and there a man or woman, mush-roomed by an umbrella, dashed quickly for a car, and the trolleys, gray and crowded, seemed to duck hurriedly under the downpour. The faces of Joe and Marty were fresh-washed and spattering drops; they laughed together as they walked.

"I've some business to talk over with you," explained Joe, and they finally went into a little restaurant on Third Avenue. The stuffy little place, warm and damp with the excluded rain, and odorous with sizzling lard and steaming coffee and boiling cabbage, was crowded with people, but Joe and Marty took a little table to themselves in the darkest corner. They sat against the dirty rear wall, whose white paint was finger-marked, fly-specked, and food-spotted, and in which a shelf-aperture furnished the connection with the kitchen. To this hole in the wall hurried the three waitresses, shrieking their orders above the din of many voices and the clatter and clash of plates and utensils.

"One ham—and!"

A monstrous greasy cook peered forth, shoving out a plate of fried eggs and echoing huskily:

"Ham—and!"

"Corn-beef-an'-cabbage!" "One harf-an'-harf!" "Make a sunstroke on the hash!" and other pleasing chants of the noon.

"What'll yer have?"

A thin and nervous young woman swooped between them and mopped off the sloppy, crumby table with her apron.

"What's good?" asked Joe.

The waitress regarded Joe with half-shut eyes.

"You want veal cutlets."

And she wafted the information to the cook.

"Well, Joe," said the practical Briggs, unable to hold in his excitement any longer, "let's get down to business."

Joe leaned forward.

"I'm thinking of starting up the printery, Marty."

Marty flushed, choked, and could hardly speak.

"I knew you would, Joe."

"Yes," Joe went on, "but I'm not going to go on with it."

Marty spoke sharply:

"Why not?"

"I'll tell you later, Marty."

"Not—lost your nerve? The fire?"

Joe laughed softly.

"Other reasons—Marty."

"Retire?" Marty's appetite was spoiled. He pushed the veal cutlet from him. He was greatly agitated. "Retire—you? I can see you doing nothing, blamed if I can't. Gettin' sporty, Joe, in your old age, aren't you? You'll be wearing one of these dress-suits next and a flasher in yer chest. Huh!" he snorted, "you'd make a good one on the shelf!"

Joe laughed with joy.

"With my flunkies and my handmaids. No, Marty, I'm going into another business."

"What business?"

"Editing a magazine."

"And what do you know about editing a magazine?"

"What do most of the editors know?" queried Joe. "You don't have to know anything. Everybody's editing magazines nowadays."

"A magazine!" Marty was disgusted. "You're falling pretty low, Joe. Why don't you stick to an honest business? Gosh! you'd make a queer fist editing a magazine!"

Joe was delighted.

"Well, there are reasons, Marty."

"What reasons?"

So Joe in a shaking voice unfolded his philosophy, and as he did so Marty became dazed and aghast, gazing at his boss as if Joe had turned into some unthinkable zoological oddity. Into Marty's prim-set life, with its definite boundaries and unmysterious exactness, was poured a vapor of lunacy. Finally Joe wound up with:

"So you see I've got to do what little I can to help straighten things. You see, Marty? Now, what do you think of it? Give me your honest opinion."

Marty spoke sharply:

"You want to know what I really think?"

"Every word of it!"

"Now see here, Joe," Marty burst out, "you and I grew up in the business together, and we know each other well enough to speak out, even if you are my boss, don't we?"

"We do, Marty!"

Marty leaned over.

"Joe, I think you're a blamed idiot!"

Joe laughed.

"Well, Marty, if it weren't for the blamed idiots—like Columbus and Tom Watts and the prophets and Abe Lincoln—this world would be in a pretty mess."

But Marty refused to be convinced, even averring that the world is in a pretty mess, and that probably the aforementioned "idiots" had caused it to be so. Then finally he spoke caressingly:

"Ah, Joe, tell me it's a joke."

"No," said Joe, earnestly, "it's what I've got to face, Marty, and I need your backing."

Marty mused miserably.

"So the game's up, and you've changed, and we men can go to the dogs.
Why, we can't run that printery without you. We'd go plumb to hell!"

Joe changed his voice—it became more commanding.

"Never mind now, Marty. I want your help to figure things out."

So Marty got out his little pad and the two drew close together.

"I want to figure on a weekly newspaper—I'm figuring big on the future—just want to see what it will come to. Say an edition of twenty thousand copies, an eight-page paper, eight by twelve, no illustrations."

Marty spoke humbly:

"As you say, Joe. Cheap paper?"

"Yes."

"Do your own printing?"

"Yes."

"Well, you'll need a good cylinder press for a starter."

"How much help?"

"Make-up man—pressman—feeder—that's on the press. Will you set up the paper yourself?"

"No, I'll have it set up outside."

"Who'll bind it, fold, and address?"

"The bindery—give that out, too."

"And who'll distribute?"

"Outside, too."

"The news company?"

"No, I won't deal with any news company. I want to go direct to the people. Say I get a hundred newsmen to distribute in their neighborhood?"

"But who'll get the paper to the newsmen?"

"Hire a truck company—so much a week."

"And how much will you charge for the paper?"

"Cent a copy."

"Can't do it," said Marty.

"Why not?"

Marty did some figuring, so they raised the price to two cents. And then they put in twenty minutes and worked out the scheme. It summed up as follows:

Paper sells at 2 cts., 20,000 $400
Expenses 340
——
Profit $ 60

Joe was exultant.

"Sixty profit! Well, I'm hanged."

"Not so fast, Joe," said Marty, drily. "They say no one ever started a magazine without getting stuck, and anyway, you just reckon there'll be expenses that will run you into debt right along. But of course there'll be the ads."

"I don't know about the ads," said Joe. "But the figures please me just the same."

Marty squirmed in his chair.

"Joe," he burst out, "how the devil is the printery going to run without you?"

Their eyes met, and Joe laughed.

"Will it be worth twenty-five thousand dollars when it's rebuilt and business booming again?" he asked, shrewdly.

"More than that!" said Marty Briggs.

"Then," said Joe, "I want you to take it."

"Me?" Marty was stunned.

"You can do it easily. I'll take a mortgage and you pay it off two thousand a year and five per cent. interest. That will still leave you a tidy profit."

"Me?" Then Marty laughed loud. "Listen, my ears! Did you hear that?"

"Think it over!" snapped Joe. "Now come along."

VII

LAST OF JOE BLAINE AND HIS MEN

So the printery was rehabilitated, and one gray morning Joe, with a queer tremor at his heart, went down the street and met many of his men in the doorway. They greeted him with strange, ashamed emotion.

"Morning, Mr. Joe…. It's been a long spell…. Good to see the old place again…. Bad weather we're having…. How've you been?"

The loft seemed strangely the same, strangely different—fresh painted, polished, smelling new and with changed details. For a few moments Joe felt the sharp shock of the fire again, especially when he heard the trembling of the hat factory overhead … and that noon the bright faces and laughter in the hallway! It seemed unreal; like ghosts revisiting; and he learned later that the first morning the hat factory had set to work, some of the girls had become hysterical.

But as he stood in his private office, looking out into the gray loft, and feeling how weird and swift are life's changes, the men turned on the electrics, and the floors and walls began their old trembling and the presses clanked and thundered. He could have wept. To Joe this moment of starting up had always been precious: it had seemed to bring him something he had missed; something that fitted like an old shoe and was friendly and familiar. All at once he felt as if he could not leave this business, could not leave these men.

And yet he had only three days with them to wind up the business and install Marty Briggs. And then there was a last supper of Joe Blaine and his men. Those days followed one another with ever-deepening gloom, in which the trembling printery and all the human beings that were part of it seemed steeped in a growing twilight. Do what Joe would and could in the matter of good-fellowship, loud laughter, and high jocularity, the darkness thickened staggeringly. Hardly had Joe settled the transfer of the printery to Marty, when the rumor of the transaction swept the business. At noon men gathered in groups and whispered together as if some one had died, and one after another approached Joe with a:

"Mr. Joe, is it true what the fellows say?"

"Yes, Tom."

"Going to leave us, Mr. Joe?"

"Going, Tom."

"Got to go?"

"I'm afraid I have to."

"I'll hate to go home and tell my wife, Mr. Joe. She'll cry her head off."

"Oh, come! come!"

"Say—we men, Mr. Joe—"

But Tom would say no more, and go off miserably; only to be replaced by Eddie or Mack or John, and then some such dialogue would be repeated. Under the simple and inadequate words lurked that sharp tragedy of life, the separation of comrades, that one event which above all others darkens the days and gives the sense of old age. And the men seemed all the closer to Joe because of the tragedy of the fire. All these conversations told on Joe. He went defiantly about the shop, but invariably his spoken orders were given in a humble, almost affectionate tone, as (with one arm loosely about the man):

"Say, Sam, don't you think you'd better use a little benzine on that?"

And Sam would answer solemnly:

"I've always done as you've said, Mr. Joe—since the very first."

His men succeeded in this way in making Joe almost as miserable as when he had parted from Myra; and indeed a man's work is blood of his blood, heart of his heart.

Possibly one thing that hurt Joe as much as anything else was a curious change in Marty Briggs. That big fellow, from the moment that Joe had handed over the business, began to unfold hitherto unguessed bits of personality. He ceased to lament Joe's going; he went about the shop with a certain jaunty air of proprietorship; and the men, for some unknown reason, began to call him Mr. Briggs. He even grew a bit cool toward Joe. Joe watched him with a sad sort of mirth, and finally called him into the office one morning. He put his hands on the big man's shoulders and looked in his face.

"Marty," he said, "I hope you're not going to make an ass of yourself."

"What do you mean?" murmured Marty.

Joe brought his face a little nearer.

"I want to know something."

"What?"

Joe spoke slowly:

"Are you Marty Briggs now or are you Martin Briggs?"

Marty tried to laugh; tried to look away.

"What's the difference?" he muttered.

"Difference?" Joe's voice sank. "Marty, I thought you were a bigger man. It's only the little peanut fellows who want to be bossy and holier-than-thou. Don't make any mistake!"

"I guess," muttered Marty, "I can steer things O.K."

"You'd better!" Joe spoke a little sharply. "Our men here are as big as you and I, every one of them. My God! you'll have to pay the price of being a high muck-a-muck, Marty! So, don't forget it!"

Marty tried to laugh again.

"You're getting different lately," he suggested.

"I?" Joe laughed harshly. "What if it's you? But don't let's quarrel.
We've been together too long. Only, let's both remember. That's all,
Marty!"

All of which didn't mend matters. It was that strangest of all the twists of human nature—the man rising from the ranks turning against his fellows.

On Friday night Joe climbed the three flights of the stuffy Eightieth Street tenement and had supper with the Ranns. That family of five circled him with such warmth of love that the occasion burst finally into good cheer. The two girls, seated opposite him, sent him smiling and wordless messages of love. Not a word was said of the fire, but John kept serving him with large portions of the vegetables and the excellent and expensive steak which had been bought in his honor; and John's wife kept spurring him on.

"I'm sure Mr. Joe could stand just a weeny sliver more."

"Mrs. Rann"—Joe put down knife and fork—"do you want me to burst?"

"A big man like you? Give him the sliver, John."

"John, spare me!"

"Mr. Joe"—John waved his hand with an air of finality—"in the shop what you says goes, but in this here home I take my orders from the old lady. See?"

"Nellie—Agnes—" he appealed, despairingly, to his little loves, "you save me! Don't you love me any more?"

This set Nellie and Agnes giggling with delight.

"Give him a pound, a whole pound!" cried Agnes, who was the elder.

A nice sliver was waved dripping on Joe's plate, which Joe proceeded to eat desperately, all in one mouthful. Whereupon the Ranns were convulsed with joy, and John kept "ha-ha-ing" as he thumped the table, and went to such excesses that he seemed to put his life in peril and Mrs. Rann and the girls had to rise and pound him until their hands hurt.

"Serves you right, John," said Joe, grimly. "Try it again, and you'll get a stroke."

"Ain't he the limit?" queried John, gasping.

Then Mrs. Rann went mysteriously to the cupboard, and the girls began to whisper together and giggle. And then Mrs. Rann brought something covered with a napkin, and then the napkin was removed. It was pie.

Joe pretended that he didn't know the secret, and leaned far over and gazed at it.

"It's—well, what is it?"

Mrs. Rann's voice rang with exultation.

"Your favorite, Mr. Joe."

"Not—raisin pie?"

A shout went up from all. Then real moisture came stealthily to Joe's eyes, and he looked about on those friendly faces, and murmured:

"Thoughtful, mightily thoughtful!"

There was a special bottle of wine—rather cheap, it is true, but then it was served with raisin pie and with human love, which made it very palatable. Mrs. Rann fixed John with a sharp glance through her glasses and cleared her throat several times, and finally Agnes gave him a poke in the ribs, whispering:

"Hurry up, dad!"

John blushed and rose to his feet.

"Mr. Joe, I ain't a talker, anyway on my feet. But, Mr. Joe, you've been my boss six years. And, Mr. Joe—" He paused, stuck, and gazed appealingly at Joe.

Joe rose to the occasion.

"So it's, here's to good friends, isn't it, John?"

John beamed.

"That's it—you took the words out of my mouth! Toast!"

So they drank.

Then Joe rose, and spoke musingly, tenderly:

"There's a trifle I want to say to you to-night—to every one of you. I can't do without you. Now it happens that I'm going to put a press in my new business and I'm looking for a first-class crackerjack of a pressman. Do you happen to know any one in this neighborhood who could take the job?"

He sat down. There was profound silence. And then Mrs. Rann took off her spectacles and sobbed. John reached over and took Joe's hand, and his voice was husky with tears.

"Mr. Joe! Mr. Joe! Ah, say, you make me feel foolish!"

Joe stayed with them late that night, and when he left, the kisses of the two girls moist on his cheeks, he had no doubt of his life-work. But next day, Saturday—the last day—was downright black. Things went wrong, and the men steered clear of Joe.

"Don't bother him," they said, meaning to spare him, and thereby increasing his pain. Men spoke in hushed tones, as soldiers might on the eve of a fatal battle, and even Marty Briggs dropped his new mannerisms and was subdued and simple.

Then Joe went off into a state of mind which might be described as the "hazes"—a thing he did now and then. At such times the word went round:

"The old man's got 'em again!"

And he was left well alone, for the good reason that he was unapproachable. He seemed not to listen to spoken words, nor to pay any attention to the world about him. The men, however, appreciated these spells, for, as a rule, something came of them—they bore good practical fruit, the sure test of all sanity.

The day finally wore away, to every one's relief. Joe took a last look around at all the familiar scene, shut his desk, handed over the keys to Marty (who could not speak because he was half-choked), sang out, "See you later, boys!" heard for the last time the sharp ring of the door-bell and the slam of the door, and hurried away. Then at last night came, and with night the last supper (as already announced) of Joe Blaine and His Men.

By Monday there would be painted an addition on that door, namely:

MARTIN BRIGGS SUCCESSOR TO

The supper was held in the large hall, upstairs, of Pfaff's, on East
Eighty-sixth Street. The large table was a dream of green and white, of
silver and glass, and the men hung about awkwardly silent in their
Sunday best. Then Joe cried:

"Start the presses!"

There came a good laugh then to break the icy air, and they sat down and were served by flying waiters, who in this instance had the odd distinction of appearing to be the "upper classes" serving the "lower"—a distinction, up to date, not over-eagerly coveted by society. For the waiters wore the conventional dress of "gentlemen" and the diners were in plain and common clothes.

At first the diners were in a bit of a funk, but Pfaff's excellent meats and cool, sparkling wines soon set free in each a scintillant human spirit, and the banquet took on almost an air of gaiety.

Finally there came the coffee and the ice-cream in forms, and Martin Briggs rose. There was a stamping of feet, a clanking of knives on glasses, a cry of "Hear! Hear!"

Martin Briggs knew it by heart and launched it with the aid of two swallows of water. His voice boomed big.

"Fellow-workers, friends, and the Old Man!"

This produced tumults of applause.

"We are met to-night on a solemn occasion. Ties are to be severed, friends parted. Such is life. Mr. Blaine—" (Cries from the far end of the table, "Say, Joe! say, Joe!") "Mr. Joe has been our friend, through all these long years. He has been our friend, our boss, our co-worker. Never did he spare himself; often he spared us. He had created an important business, a profitable business, a business which has brought a good living to every one of us. It is not for us to talk of the catastrophe—this is not the occasion for that. Enough to say that to-night Mr. Joe leaves that business. Others must carry it on. My sentiment is that these others must continue in the same spirit of Mr. Joe. That's my sentiment." (Roars of applause, stamping of feet, but one voice heard in talk with a neighbor, "Say, I guess his wife wrote that, Bill.") "So I propose a toast. To Mr. Joe, now and forever!"

They rose, they clanked glasses, they drank. Then they sat down and felt that something was wrong. Marty surely had missed fire.

Whereupon John Rann, blushing, rose to his feet, and began to stammer:

"Say, fellers, do you mind if I put in a word?" (Cries: "Not a bit!" "Soak it him, Johnny.") "Well, I want to say," his voice rose, "Joe Blaine is it." (Applause, laughter, stamping.) "He's jest one of us." (Cries: "You bet!" "You've hit it, Johnny!" "Give us more!") "He's a friend." (Cries: "That's the dope!") "He never did a mean thing in his life." (One loud cry: "Couldn't if he wanted to!") "Say," (Cries: "Go ahead!" "Nobody 'll stop yer!" "Give him hell!" Laughter.) "We fellers never appreciated this here Joe Blaine, did we?" (Cries: "Gosh no!") "But we do now!" (Uproarious and prolonged applause.) "Say, fellers, he's been like a regular father to us kids." (A strange silence.) "He's been—Oh, hell!" (Speaker wipes his eyes with a red handkerchief. Strange silence prolonged. Then one voice: "Tell him to his face, John. 'Bout time he knew.") "Joe Blaine" (speaker faces Mr. Blaine, and tries not to choke), "if any one tries to say that you had anything to do with the fire—he's a damned liar!"

A thrill charged the men; they became pale; they gazed on Joe, who looked as white as linen; and suddenly they burst forth in a wildness, a shouting, a stamping, a cry of: "Mr. Joe! Mr. Joe! Mr. Joe!"

Joe arose; he leaned a little forward; he trembled visibly, his rising hand shaking so that he dropped it. Then at last he spoke:

"Yes—John is my friend. And you—are my friends. Yes. But—you're wrong. I was to blame." He paused. "I was to blame. Here, to-night, I want to say this: Those girls, those comrades of ours—all that went to waste with them—well," his voice broke, "I'm going to try to make good for them…."

For a moment he stood there, his face working strangely as if he were going to break down, and the men looked away from him. Then he went on in a voice warmly human and tender:

"You and I, boys, we grew up together. I know your wives and children. You've given me happy hours. I've made you stand for a lot—your old man was considerable boy—had his bad habits, his queer notions. Once in awhile went crazy. But we managed along, quarreling just enough to hit it off together. Remember how I fired Tommy three times in one week? Couldn't get rid of him. Oh, Tommy, what 'pi' you made of things! Great times we've had, great times. It hurts me raw." He paused, looking round at them. They were glancing at him furtively with shining eyes. "Hurts me raw to think those times are over—for me. But the dead have called me. I go out into another world. I go out into a great fight. I may fail—quite likely I will. But I shall be backed. Your love goes with me, and I've got a big job ahead." Again he paused, overcome. Then he tried to smile, tried to smooth out the tragic with a forced jocularity. "Now, boys, behave. Mind you don't work too much. And don't all forget the old man. And—but that's enough, I guess."

The silence was terrible. Some of those big men were crying softly like stricken children. It was the last requiem over the dead, the last flare-up of the tragic fire. They crowded round Joe. He was blind himself with tears, though he felt a strange quiet in his heart.

And then he was out in the starry autumn night, walking home, murmuring:

"It's all over. That's out of my life."

And he felt as if something had died within him.

VIII

THE WIND IN THE OAKS

Early Monday evening there came a note from Myra:

I wanted you to know that I am leaving for the country—to-morrow—to get a rest.

MYRA.

Joe at once put on his hat and coat and went out. The last meeting with his men had given him a new strength, a heightened manhood. Like a man doomed to death, he felt beyond despair now. He only knew he must go to Myra and set straight their relationship as a final step before he plunged into the great battle. No more weakness! No more quarreling! But clear words and definite understanding!

He went up the stoop and rang the bell. A servant opened the door, showed him into the dimly lighted parlor, and went up the stairs with his name. He heard her footsteps, light, hesitant. She appeared before him, pale and sick and desperate.

"What do you want?" she asked in a tortured voice.

He arose and came close to her. He spoke authoritatively:

"Myra, get on your things. We must take a walk."

Her shifting eyes glanced up, gave him their full luminous gray and all the trouble of her heart.

"Myra," his voice deepened, and struck through her, "you must go with me to-night. It's our last chance."

She turned and was gone. He heard her light footsteps ascending; he waited, wondering, hoping; and then she came down again, showing her head at the door. She had on the little rounded felt hat, and she carried her muff.

They went out together, saying nothing, stepping near one another under the lamps and over the avenues, and into the Park. It was a strange, windy night, touched with the first bleakness of winter, tinged with the moaning melancholy of the tossing oak-trees, and with streaks of faint reflected city lights in the far heavens.

It was their last night together. Both knew it. There was no help for it. The great issues of life were sweeping them away into black gulfs of the future, where there might never be meeting again, never hand-touch nor sound of each other's voice. And strangely life deepened in their hearts, and they were swept by the mystery of being alive … alive in the star-streaked darkness of space, alive with so many other brief creatures that brightened for a moment in the gloom and then sank away into the stormy heart of nature. And Love contended with Death, and the little labors of man helped Death to crush Love; and so that moment of existence, that brief span, became a mere brute struggle, a clash, a fight, a thing sordid and worse than death.

Out of the mystery, each, from some unimaginable distance, had come forth and met here on the earth, met for a wild moment, a moment that gave them lightning-lit glimpses of that mystery, only to part from each other now, each to return into the darkness.

They felt in unison more than they could ever say. And it was the last night together.

They sat down on a bench, under those mournful boughs, under the lamentations of the oaks.

"Myra," said Joe.

She murmured, "Yes."

His voice was charged with some of the strangeness of the night, some significance of the mystery of life and death.

"You read my letter …"

"Yes."

"And you understand … at last?"

"I don't know … I can't tell."

He paused; he leaned nearer.

"Why are you going away?"

"I've been sick," she whispered. "The doctor told me to go."

"For long?"

"For a rest."

"And you go to-morrow?"

"I go to-morrow."

"Without forgiving me?" He leaned very near.

There was a palpitating silence, a silence that searched their souls, and sharply then Myra cried out:

"Oh, Joe! Joe! This is killing me!"

"Myra!" he cried.

He drew her close, very close, stroking her cheek, and the tears ran over his fingers.

"Oh, don't you see," he went on, brokenly, "I can't ask you to come with me? And yet I must go?"

"I don't know," she sobbed. "I must go away and rest … and think … and try to understand…."

"And may I write to you?…"

"Yes," she murmured.

"And I am forgiven?"

"Forgive me!" she sobbed.

They could say no more, but sat in the wild darkness, clasping each other as if they could not let one another go…. How could they send each other forth to go in loneliness and homelessness to the ends of the earth? The hours passed as they talked brokenly together, words of remorse, of love, of forgiveness.

And then finally they arose—it was very late—and Myra whispered, clinging to him:

"We must say good-by here!"

"Good-by!" he cried … and they kissed.

"Joe," she exclaimed, "take care of yourself! Do just that for me!"

"I will," he said huskily, "but you must do the same for me. Promise."

"I promise!"

"Oh, Joe!" she cried out, "what is life doing with us?"

And they went back, confused and strange, through the lighted streets.
They stood before her house.

"Till you come back!" he whispered.

She flashed about then, a look of a new wonder in her eyes.

"If only I thought you were right in your work!" she cried.

"You will! You will, Myra! And in that hope, we will go on!"

She was gone; the door shut him out of her life. And all alone, strong, bitter, staring ahead, Joe stepped off to begin the new life … to plunge into the battle.

* * * * *

PART II—THE TEST

I

BEGINNINGS

It was in that red gash of crosstown brick—West Tenth Street—that the new life began. The neighborhood was quaint and poor, a part of that old Greenwich Village which at one time was a center of quiet and chaste respectability, with its winding streets, its old-fashioned low brick houses, its trees, its general air of detachment and hushed life. Now it was a scene of slovenliness and dust, of miserable lives huddled thickly in inadequate houses, of cheap roomers and boarders, of squalid poverty—a mix of many nations well-sprinkled with saloons.

But the house was quite charming—three stories, red brick, with a stoop of some ten steps, and long French windows on the first floor. Behind those French windows was a four-room flat; beneath them, in the basement, a room with iron-grated windows. Into that flat Joe and his mother moved.

The invasion was unostentatious. No one could have dreamed that the tall, homely man, dashing in and out in his shirt-sleeves between the rooms and the moving-van drawn up at the curb, had come down with the deliberate purpose of making a neighborhood out of a chaos, of organizing that jumble of scattered polyglot lives…. In the faded sunshine of the unusually warm winter afternoon, with its vistas of gold-dusty air, and its noise of playing children and on-surging trolleys and trucks and all the minute life of the saloons and the stores—women hanging out of windows to get the recreation of watching the confused drama of the streets, neighbors meeting in doorways, young men laughing and chatting in clusters about lamp-posts—Joe toiled valiantly and happily. He would rapidly glance at the thickly peopled street and wonder, with a thrill, how soon he would include these lives in his own, how soon he would grip and rouse and awaken the careless multitude….

All was strange, all was new. Everything that was deep in his life—all the roots he had put down through boyhood, youth, and manhood into the familiar life of Yorkville—was torn up and transplanted to this fresh and unfriendly soil…. He felt as if he were in an alien land, under new skies, in a new clime, and there was all the romance of the mysterious and all the fear of the untried. Beginnings always have the double quality of magic and timidity—the dreaded, delicious first plunge into cold water, the adventurous striking out into unknown perils…. Did it not at moments seem like madness to dare single-handed into this vast and careless population? Was he not merely a modern Don Quixote tilting at windmills? Well, so be it, he thought; the goal might be unreachable, but the quest was life itself.

He had an inkling of the monstrous size of New York. All his days he had lived within a half-hour's ride of Greenwich Village, and yet it was a new world to him. So the whole city was but a conglomeration of nests of worlds, woven together by a few needs and the day's work, worlds as yet undiscovered in every direction, huge tracts of peoples of all races leading strange and unassimilated lives. He felt lost in the crowded immensity, a helpless, obscure unit in the whirl of life.

He had fallen in love with Greenwich Village from the first day he had explored it for a promising dwelling-place. Here, he knew, lived Sally Heffer, and here doubtless he would meet her and she would help shape his fight, perhaps be the woman to gird on his armor, put sword in his hand, and send him forth. For he needed her, needed her as a child needs a teacher, as a recruit needs a disciplined veteran. It was she who had first revealed the actual world to him; it was she who had first divined his power and his purpose; it was she who had released him from guilt by showing him a means of expiation.

And yet, withal, he feared to meet her. There had been something terrible about her that afternoon at Carnegie Hall, and something that awed him that evening at the Woman's League. Until she had broken down and wept, she had hardly seemed a woman—rather a voice crying in the wilderness, a female Isaiah, the toilers become articulate. And he could not think of her as a simple, vivacious young woman. How would she greet him? Would her eyes remember his part in the fire?

At least, so he told himself, he would not seek her out (he had her address from Fannie Lemick) until he had something to show for his new life—until, possibly, he had a copy of that magazine which was still a hypothesis and a chimera. Then he would nerve himself and go to her and she should judge him as she pleased.

That first supper with his mother had a sweetness new to their lives. He ran out to the butcher, the grocer, and the delicatessen man, and came home laden with packages. The stove in the rear kitchen was set alight; the wooden table in the center was spread with cloth and cutlery; and they sat down opposite each other, utterly alone … no boarding—house flutter and gossip and noise, no unpleasant jarring personalities, no wholesale cookery. All was quiet and peace—a brooding, tinkling silence. They both smiled and smiled, their eyes moist, and the food tasted so good. Blessed bread that they broke together, the cup that they shared between them! The moment became sacred, human, stirred by all the old, old miraculousness of home, that deepest need of humanity, that rich relationship that cuts so much deeper than the light touch-and-go of the world.

Joe spoke awkwardly.

"So we're here, mother … and it's ripping, isn't it?"

She could hardly speak, but her eyes seemed to sparkle with a second youth.

"Yes," she murmured, "it's the first time we've had anything like this since you were a boy."

They both thought of his father, and the vanished days of the shanty on the hillside, and his mother thought:

"People must live out their own lives in their own homes."

There was something that fed the roots of her woman-nature to have this place apart, this quiet shelter where she ruled. It would be a joy to go marketing, it would be a delight to cook, and it was charming to live so intimately with her son. They were a family again.

After supper they washed the dishes together, laughing and chatting. There were a hundred pleasing details to consider—where to place furniture, what to buy, whether to have a servant or not (Joe insisted on one), and all the incidents of the day to go over.

And then after the dish-washing they stopped work, and sat down in the front office amid the packing-cases and the trunks and the litter and débris. The gas was lighted above them, and the old-fashioned stove which stood in the center and sprouted up a pipe nearly to the ceiling and then at right angles into the wall was made red-hot with wood and coal. Joe smoked and his mother sewed, and a hush seemed to fall on the city, broken only by the echo of passing footsteps and the mellowed thunder of the intermittent trolley-cars.

"And they call this a slum," muttered Joe.

In fact, save possibly for less clear air and in the summer a noise of neighbors, they might have been living in New York's finest neighborhood—almost a disappointment to two people prepared to plunge into dirt, danger, and disease…. Later Joe learned that some of the city's magazine writers had settled in the district on purpose, not because they were meeting a crisis, but because they liked it, liked its quaint old flavor, its colorful life, its alien charm, and not least, its cheaper rents.

But this evening all was unknown save the joy and peace of a real home. They went to bed early, Joe in the room next the office, his mother in the adjoining room next the kitchen, but neither slept for a long time. They lay awake tingling with a strange happiness, a fine freedom, a freshness of re-created life. Only to the pioneer comes this thrill of a new-made Eden, only to those who tear themselves from the easy ruts and cut hazardous clearings in the unventured wilderness. It is like being made over, like coming with fresh heart and eyes upon the glories of the earth; it is the only youth of the world.

The night grew late and marvelously hushed, a silence almost oppressive, where every noise seemed like an invader, and Joe, lying there keenly awake, seemed to feel the throb of the world, the pauseless pulsations of that life that beats in every brain and every heart of the earth; that life that, more intense than human love and thought, burns in the suns that swing about heaven rolling the globe of earth among them; that life that enfolds with tremendous purpose the little human creature in the vastness, that somehow expresses itself and heightens and changes itself in human lives and all the dreams and doings of men. Joe felt that life, thrilling to it, opening his heart to it, letting it surcharge and overflow his being with strength and joy. And he knew then that he lay as in a warm nest of the toilers and the poor, that crowded all about him in every direction were sleeping men and women and little children, all recently born, all soon to die, he himself shortly to be stricken out of these scenes and these sensations. It was all mystery unplumbable, unbelievable … that this breath was not to go on forever, that this brain was to be stopped off, this heart cease like a run-down clock, this exultation and sorrow to leave like a mist, scattered in that life that bore it…. That he, Joe Blaine, was to die!

Surely life was marvelous and sacred; it was not to be always a selfish scramble, a money rush, a confusion and jumble, but rather something of harmony and mighty labors and mingled joys. He felt great strength; he felt equal to his purposes; he was sure he could help in the advancing processes…. Even as he was part of the divine mystery, so he could wield that divineness in him to lift life to new levels, while the breath was in his body, while the glow was in his brain.

And he thought of Myra, his mate in the mystery, and in the night he yearned for her, hungered through all his being. She had written him a note; it came to him from the mountains. It ran:

DEAR JOE,—You will be glad to know that I am getting back to myself. The peace and stillness of the white winter over the hills is healing me. It seems good merely to exist, to sleep and eat and exercise and read. I can't think now how I behaved so unaccountably those last few weeks, and I wonder if you will ever understand. I have been reading over and over again your long letter, trying hard to puzzle out its meanings, but I fear I am very ignorant. I know nothing of the crisis you speak of. I know that "ye have the poor always with you," I know that there is much suffering in the world—I have suffered myself—but I cannot see that living among the poor is going to help vitally. Should we not all live on the highest level possible? Level up instead of leveling down. Ignorance, dirt, and sickness do not attract me … and now here among the hills the terrible city seems like a fading nightmare. It would be better if people lived in the country. I feel that the city is a mistake. But of one thing I am sure. I understand that you cannot help doing what you are doing, and I know that it would have been a wrong if I had interfered with your life. I would have been a drag on you and defeated your purposes, and in the end we would both have been very unhappy. It seems to me most marriages are. Write me what you are doing, where you are living, and how you are.

Yours,

MYRA.

He had smiled over some of the phrases in this letter, particularly, "I feel that the city is a mistake." Would Myra ever know that her very personality and all of her life were interwoven inextricably with the industrial city—that the clothes she wore, the food she ate, the books she studied, the letter she wrote him, even down to ink, pen, and paper, the education and advantages she enjoyed, were all wrought in the mills, the mines, the offices, and by the interchange and inweaving and mighty labors of industrialism? The city teacher is paid by taxes levied on the commerce and labors of men, and the very farmer cannot heighten his life without exchange with the city.

And so her letter made him smile. Yet at the same time it stirred him mightily. All through it he could read renunciation; she was giving him up; she was loosening her hold over him; she was nobly sacrificing her love to his life-work. And she announced herself as teachable and receptive. She could not yet understand, but understanding might come in time.

So in the night he tried to send his thought over the hills, flash his spirit into hers, in the great hope that she would thrill with a new comprehension, a new awakening…. In a world so mysterious, in an existence so strange, so impossible, so unbelievable, might such a miracle be stranger than the breath he breathed and the passions he felt?

And so in that hope, that great wild hope, he fell asleep in the uneventful beginnings of the battle. And all through those unconscious hours forces were shaping about him and within him to bear his life through strange ways and among strange people. His theories, so easy as he drank them out of books, were to be tested in the living world of men and women, in that reality that hits back when we strike it, and that batters us about like driftwood in the whirlpool.

II

THE NINE-TENTHS

Standing on Washington Heights—that hump on northwestern Manhattan Island—gazing, say, from a window of the City College whose gray and quaint cluster fronts the morn as on a cliff above the city—one sees, at seven of a sharp morning, a low-hung sun in the eastern skies, a vast circle and lift of mild blue heavens, and at one's feet, down below, the whole sweep of New York from the wooded ridges of the Bronx to the Fifty-ninth Street bridge and the golden tip of the Metropolitan Tower. It is a flood of roofs sweeping south to that golden, flashing minaret, a flood bearing innumerable high mill chimneys, church steeples, school spires, and the skeleton frames of gas-works. Far in the east the Harlem River lies like a sheet of dazzling silver, dotted with boats; every skylight, every point of glass or metal on the roofs, flashes in the sun, and, gazing down from that corner in the sky, one sees the visible morning hymn of the city—a drift from thousands of house chimneys of delicate unraveling skeins of white-blue smoke lifting from those human dwellings like aerial spirits. It is the song of humanity rising, the song of the ritual of breaking bread together, of preparation for the day of toil, the song of the mothers sending the men to work, the song of the mothers kissing and packing to school the rosy, laughing children.

It might be hard to imagine that far to the south in that moving human ocean, a certain Joe Blaine, swallowed in the sea, was yet as real a fact as the city contained—that to himself he was far from being swallowed, that he was, in fact, so real to himself that the rest of the city was rather shadowy and unreal, and that he was immensely concerned in a thousand-flashing torrent of thoughts, in a mix-up of appetite and desires, and in the condition and apparel of his body. That as he sat at his desk, for instance, it was important to him to discover how he could break himself of a new habit of biting the end of his pen-holder.

And yet, under that flood of roofs, Joe was struggling with that crucial problem. He finally settled it by deciding to smoke lots of cigars, and proceeded to light one as a beginning. He smoked one, then a second, then a third—which was certainly bad for his health. He was in the throes of a violent reaction.

Several days of relentless activity had followed the moving in. There was much to do. The four rooms became immaculately clean—sweetened up with soap and water, with neat wallpaper, with paint and furniture. Even the dark inner bedrooms contrived to look cozy and warm and inviting. Joe's mother was a true New England housekeeper, which meant scrupulous order, cleanliness, and brightness. The one room exempt from her rule was Joe's. After the first clean-up, his mother did not even try to begin on it.

"You're hopeless, Joe," she laughed, "and you'll ruin faster than I can set right."

And so that editorial office soon became a nest of confusion. The walls were lined with bookshelves and a quaint assortment of books, old and new, populated not only these, but the floor, the two tables, the roll-top desk, and here and there a chair. White paper began to heap up in the corners. Magazines—"my contemporaries," said the proud editor—began their limitless flood. And the matting on the floor was soon worn through by Joe's perpetual pacing.

The whole home, however, began to have atmosphere—personality. There was something open, hospitable, warm about it—something comfortable and livable.

Among the first things Joe did was to procure two assistants. One was the bookkeeper, Nathan Slate, a lean and dangling individual, who collapsed over his high desk in the corner like a many-bladed penknife. He was thin and cadaverous, and spoke in a meek and melancholy voice, studied and slow. He dressed in black and tried to suppress his thin height by stooping low and hanging his head. The other addition was Billy, the office-boy, a sharp, bright youth with red hair and brilliant blue eyes.

There was much else to do. For instance, there were the money affairs to get in shape. Joe secured a five-per-cent mortgage with his capital. Marty Briggs paid down two thousand cash and was to pay two thousand a year and interest. So Joe could figure his income at somewhat over six thousand dollars, and, as he hoped that he and his mother would use not more than fifteen hundred a year, or, at the most, two thousand, he felt he had plenty to throw into his enterprise.

Among the first things that Joe discovered was a gift of his own temperament. He was a born crowd-man, a "mixer." He found he could instantly assume the level of the man he talked with, and that his tongue knew no hindrance. Thought flowed easily into speech. This gave him a freedom among men, a sense of belonging anywhere, and singled him out from the rest. It gave him, too, the joy of expression—the joy of throwing out his thought and getting its immediate reaction in other lives. Yet he understood perfectly the man who seemed shy and recluse, who was choked-off before strangers, and who yet burned to be a democrat, to give and take, to share alien lives, to be of the moving throng of life. Such a man was the victim either of a wrong education, an education of repression that discouraged any personal display, or he had a twist in his temperament. Joe, who began to be well aware of his gift, used it without stint and found that it had a contagious quality—it loosened other people up; it unfolded their shy and secret petals like sun heat on a bud; it made the desert of personality blossom like the rose. He warmed the life about him because he could express himself.

So it was not hard for Joe to shift to this new neighborhood and become absorbed in its existence. Tradespeople, idlers, roomers and landlady in the house accepted him at once and felt as if they had known him all their lives. By a power almost of intuition he probed their obscure histories and entered into their destinies.

However, in spite of these activities and all the bustle and stir of fresh beginnings, Joe, that sunny morning, was suffering a sharp reaction. In the presence of Nathan Slate and Billy he was pretending to work, but his brain was as dry as a soda-cracker. It was that natural revulsion of the idealist following the first glow. Here he was, up against a reality, and yet with no definite plan, not even a name for his paper, and he had not even begun to penetrate the life about him. The throbbing moment had arrived when he must set his theories into motion, drive them out into the lives of the people, and get reactions. But how? In what way? His brain refused to think, and he felt nothing save a misery and poverty of the spirit that were unendurable.

It seemed to him suddenly as if he had hastily embarked on a search for the fountain of eternal youth—a voyage that followed mirages, and was hollow and illusory. Beginnings, after the first flush, always have this quality of fake, and Joe was standing in the shadow-land between two lives. The old life was receding in the past; the new life had not yet appeared. Without training, without experience, without definite knowledge of the need to be met, with only a strong desire and a mixed ideal, and almost without his own volition, he found himself now sitting at a desk in West Tenth Street, with two employees, and nothing to do. How out of this emptiness was he to create something vital?

This naturally brought a pang he might have anticipated. He had a sudden powerful hankering for the old life. That at least was man-size—his job had been man's work. He looked back at those fruitful laborious days, with their rich interest and absorbing details, their human companionships, and had an almost irrepressible desire to rush out, take the elevated train, go down East Eighty-first Street, ascend the elevator, ring the bell, and enter his dominion of trembling, thundering presses. He could smell the old smells, he could see the presses and the men, he could hear the noise. That was where he belonged. Voluntarily he had exiled himself from happiness and use. He wanted to go back—wanted it hard, almost groaned with homesickness.

Such struggles are death throes or birth throes. They are as real as two men wrestling. Joe could sit still no longer, could mask no longer the combat within him. So he rose hastily and went out and wandered about the shabby, unfriendly neighborhood. He had a mad desire, almost realized, to take the car straight to Eighty-first Street, and only the thought of Marty Briggs in actual possession held him back. Finally he went back and took lunch, and again tried the vain task of pretending to work.

It was three o'clock when he surrendered. He strode in to his mother.

"Mother," he said, "isn't there something we can do together?"

"In what way?"

"Any way. I've been idling all day and I'm half dead." He laughed strangely. "I believe I'm getting nerves, mother."

"Nerves!" She looked at him sharply. "What is it, Joe?"

"Oh! It's in-betweenness."

"I see." She smiled. "Well, there's some shopping to do—"

"Thank Heaven!"

So they went out together and took the Sixth Avenue car to Thirty-fourth Street. Their shopping took them to Fifth Avenue, and then, later, up Broadway to Forty-second Street. It was a different New York they saw—in fact, the New York best known to the stranger. The gorgeous palaces of trade glittered and sparkled, shimmered and flashed, with jewels and silver, with silks and knick-knacks. The immense and rich plenty of earth, the products of factories and mills, were lavishly poured here, gathered in isles, about which a swarming sea of well-dressed women pushed and crowded. The high ceilings were hung with glowing moons of light; the atmosphere was magic with confused talk, shuffling footsteps, and all the hum and stir of a human hive. Up and down Fifth Avenue swept a black thick stream of motors and carriages in which women and men lounged and stared. The great hotels sucked in and poured out tides of jeweled and lace-wrapped creatures, and in the lighted interiors of restaurants were rouged cheeks and kindled eyes.

As Joe and his mother reached Forty-second Street, that whirlpool of theaters released its matinee crowds, a flood of youth, beauty, brightness, and luxury.

And it seemed to Joe, seeing all this life from a Tenth Street viewpoint, that here was a great city of wealth and idleness. Evidently a large population had nothing to do save shop and motor, eat and idle. How could he from shabby Tenth Street send out a sheet of paper that would compete with these flashing avenues?

The sight depressed him. He said as much to his mother.

"This is New York," he said, "barbaric, powerful, luxuriant. These people are the power of the city—the mighty few—these are the owners. What can we do with them?"

His mother sensed then the struggle in his mind.

"Joe," she cried, "isn't there any place where we can see—the other people?"

There was. They took the car down to Eighth Street, they walked east, and entered little Washington Park, with its monumental arch, and its shadowy trees, its wide and curving walks—its general sense of being a green breathing-space in the sweep of streets. As they walked through the sharp wintry air in the closing sunlight, what time the blue electric lights gleamed out among the almost naked boughs, the six-o'clock whistles began blowing from factories all about them—a glad shriek that jumped from street to street over the city—and at once across the eastern plaza of the park streamed the strange torrent of the workers—a mighty, swift march of girls and boys, women and men, homeward bound, the day's work ended—a human stream, in the gray light, steeped in an atmosphere of accomplishment, sweet peace, solution. All life seemed to touch a moment of harvest.

Joe's mother was thrilled, and in spite of himself Joe felt his heart clutched, as it were, in a vise. He felt the strange, strong, human grip. It was a marvelous spectacle, though common, daily, and cheap as life.

Joe's mother whispered, in a low voice:

"Joe, this is the real New York!"

And then again:

"Those others are only a fraction—these are the people."

"Yes," murmured Joe, his blood surging to his cheeks, "these are the nine-tenths."

They went closer to that mighty marching host—they saw the cheap garments—baggy trousers, torn shoes, worn shirts; they saw the earnest, tired faces, the white and toil-shrunk countenances, the poverty, the reality of pain and work, all pressing on in an atmosphere of serious progress, as if they knew what fires roared, what sinews ached down in the foundations of the world where the future is created. And Joe realized, as never before, that upon these people and their captains, their teachers and interpreters, rested the burdens of civilization; that the mighty city was wrought by their hands and those who dreamed with them, that the foam and sparkle of Broadway and Fifth Avenue bubbled up from that strong liquor beneath. And he believed that the second-generation idlers had somehow expropriated the toilers and were living like drones in the hive, and he felt that this could not be forever, and he was seized by the conviction that a change could only come through the toilers themselves. Could these pale people but know their power, know their standing, know the facts of this strange double life, and then use their might wisely and well, constructively, creatively, to build up a better and fairer world, a finer justice, a more splendid day's work, a happier night's home! These that created a great city could, if trained, create a higher life in that city!

Surely the next few ages of the future had their work cut out for them—the most stupendous task the race had ever undertaken.

Then, after all, he was right. All who could must be dedicated to the work of sowing enlightenment, of yeasting the crowds with knowledge and love and light—all who could. Then he, too, could do his share; he, too, could reach this crowd. And these people—they were reachable. No theaters and restaurants competed with him here. Their hearts and minds were open. He could step in and share their lives. He had done so in his shop, and these were of the same human nature.

Power returned to him.

"Mother," he said, his eyes flashing, "it's all right. Now I'm ready to begin! I'm for the nine-tenths."

They turned, walking home in silence, and as they went the phrase "nine-tenths," which Joe must have picked up in some book on socialism or some sociological study, kept haunting his mind. The new power released in him made his brain work like lightning—creatively. Thoughts crowded, combinations sprung up; he began to actively dream and scheme.

"I've got it!" he cried. "Why not call my paper The Nine-Tenths?"

"Good!"

He began to plan aloud as the quick thoughts flashed.

"An eight-page paper—weekly. An editorial, giving some of the plain facts about civilization—simple stuff to teach the people what industry means, what their work means, what they ought to be doing. Then news—news about all movements toward freedom—labor, strikes, reform, new laws, schools—news of all the forces working for betterment—a concrete statement of where the world stands to-day and what it is doing. But a fair sheet, mother. No railing, no bitterness, no bomb-throwing. Plenty of horse sense, plenty of banking the fires, of delaying wisely. No setting class against class. No under-rating of leaders and captains. Justice, but plenty of mercy. Facts, but plenty of philosophy to cool 'em off. Progress all the time, but no French revolutions. And when sides must be taken, no dishonest compromises, no cowardly broad—mindedness—but always with the weakest, the under dog, whenever their cause is good. That's my programme; that's The Nine-Tenths."

"Of course," said his mother, "you'll see things clearer as you do them.
There'll be changes."

"Surely!" His mind was already miles ahead. "Mother, I've got it now, for sure!"

"What now?" She laughed, enthusiastically.

"Isn't this a whopper? No ads."

"But why not, Joe? That would support the paper."

"No, not a line. I don't expect the paper to pay. That's where our money comes in. We mustn't carry a line. Don't you see? There's hardly a paper in the land that is free. They're influenced by their advertising—that's their bread and butter. And even if they're not influenced, people suspect they are. We must be free even of that suspicion. We can be free—utterly so—say what we please—speak our minds out—and nothing to hinder us. That will be unique—that will be something new in magazines. We'll go the limit, mother."

His mother laughed.

"I guess you're right, Joe. It's worth trying. But how are you going to circulate the paper?"

"How?" Again his mind jumped forward. "House-to-house canvass—labor unions—street corners. I'm going to dig in now, get acquainted with the people round about, spread it any old way. And I'm going to start with the idea of a big future—twenty thousand copies finally. You see, it'll be a sort of underground newspaper—no publicity—but spreading from group to group among the workers. Broadway and up-town will never see a copy."

So the new life started, started in full swing. Joe worked late that very night putting his plans on paper, and the next morning there was plenty of activity for everybody. Joe bought a rebuilt cylinder press for fifteen hundred dollars and had it installed in the basement. Then he had the basement wired, and got an electric motor to furnish the power. John Rann and his family were moved down to a flat farther west on Tenth Street, and a feeder, a compositor, and a make-up man were hired along with him. In the press-room (the basement) was placed a stone—a marble-top table—whereon the make-up man could take the strips of type as they came from the compositors, arrange them into pages, and "lock them up" in the forms, ready to put on the presses.

Then Joe arranged with a printery to set up the type weekly; with a bindery to bind, fold, bundle, and address the papers; and with Patrick Flynn, truckman, to distribute the papers to newsdealers.

Next Joe made a tour of the neighborhood, spoke with the newsdealers, told them that all they would have to do was to deliver the papers to the addresses printed upon them. He found them willing to thus add to their income.

Thus he made ready. But he was not yet prepared to get subscriptions (one dollar a year or twenty-five cents a quarter), feeling that first he must have a sample paper to show.

The labor on that first number was a joy to him. He would jump up in the middle of the night, rush into the office, light the gas, and get to work in his nightgown. He was at it at all hours. And it proved to be an enormous task. Eight pages eight by twelve do not read like a lot, but they write like a very great deal. There was an editorial, "Greetings to You," in which Joe set forth in plain words the ideas and ideals of the paper, and in which he made clear the meaning of the phrase "nine-tenths." Then he found that there were two great strikes in progress in the city. This amazed him, as there was no visible sign of such a condition. The newspapers said nothing of it, and peace seemed to brood over the city's millions. Yet there were thousands of cloak-makers out, and over in Brooklyn the toilers in the sugar refineries were having little pitched battles with strike-breakers in the streets. Three men had been killed and a score wounded.

Joe dug into these strikes, called at the union headquarters, spoke with the men, even called on some of the cloak-makers' bosses and learned their grievances. Then he wrote accounts of the strike without taking sides, merely reporting the facts as fairly as he could.

In this way, and with the aid of clippings, and by printing that poem by Lowell which was his mother's favorite, wherein was the couplet already quoted,

"They are slaves who dare not be
In the right with two or three,"

he made up a hodge-podge of a magazine.

Up in the corner of the editorial page he ran the following, subject to change:

THE NINE-TENTHS

A WEEKLY WORD ABOUT MEN, WOMEN, AND CHILDREN

* * * * *

MY MOTTO

I ACCEPT LIFE LARGELY, BUT NOT IN DETAILS

* * * * *

SOME OF THE DETAILS NOT ACCEPTED ARE

Anything that prevents a child from being well born
and from fulfilling its possibilities.

Anything that prevents a woman or man from using
every good side of her or his nature.

ABOUT THESE DETAILS NO DOUBT:

DISEASE EXCESS WANT OVERWORK CHILD LABOR

And let's avoid jealousy, quarrels, ridicule, meanness,
and the rest of the mosquito things.

Otherwise: what a glorious world.

This didn't please him altogether, but he wanted to be definite and simple, and he wanted to show that he wasn't a narrow partisan.

Thus the first number came to be. As he turned it out, Billy rushed it in batches to the compositors, and when finally it all came back in strips of type, it was hurried down to the idlers in the basement. At ten-thirty that chilly, dust-blowing morning, when the sun-stricken air glittered with eddies of motes, Joe, sitting at his desk, had the exquisite rapture of feeling the building tremble.

He rushed to his mother, and exulted.

"Can't you feel the press going? Listen!"

Truly the new life had begun—the vision was beginning to crystallize in daily living.

"We're in the fight now, mother!" he cried. "There's something doing!"

And later, when Joe stood at the back of the press and that first complete sheet came through, he picked it up as if it were a new-born child, as indeed it was, wet, drippy, forlorn, and weird, and yet a wonder and a miracle. Joe looked on his own creation—the little sheets—the big, black The Nine-Tenths—the clear, good type. He was awed and reduced almost to tears.

He mailed a copy to Myra with a brief note:

DEAR MYRA,—Here's the answer to your question.
I'm doing the inclosed, and doing it in West Tenth
Street. Do you know the neighborhood? Old Greenwich
Village, red, shabby, shoddy, common, and vulgar.
Mother and I are as happy as children. How are you?
Your letter is splendid. I am sure you will come to
understand. When are you returning to New York?

As ever,

JOE BLAINE.

And he thought, "Now I have something to show Sally Heffer!"

III

OTHERS: AND SALLY HEFFER

Joe filled a stiff cloth portfolio with a batch of 9/10s (abbreviation for home use), pulled his gray hat over his bushy hair, and went over and tapped the collapsible Slate on the shoulder.

"Yes, Mr. Joe."

"Nathan," cried Joe, excitedly, "if there's a rush of subscribers while I'm gone, make 'em stand in line, and each wait his turn. But don't let them block the car tracks—string 'em around the corner."

Nathan gazed at Joe like a lost soul.

"But I think, Mr. Joe," he said, slowly, "you place your hopes too high. I don't like to be too gloomy, Mr. Joe, but I have my doubts about a rush."

"Slate," cried Joe, slapping the tragic bookkeeper a whack, "you're inspiring!"

And he swung out to the street in the brilliant morning sunshine, ready to begin his canvass.

"Next door," he mused, "is the place to start."

There was a woman sitting on the stoop, a two-year-old girl in her arms. Joe paused and looked at the baby.

"Hello, you."

The baby looked at him a little doubtfully, and then laughed.

"Girl or boy?" asked Joe of the mother.

"Girl."

"How old?"

"Two."

"She's a darling! What's her name?"

"Name's Annie."

"Named after you?"

"Sure!"

"You wouldn't mind if I gave her a peppermint to suck?"

"Would you mind some candy, Annie?"

"Candy!" shrieked the child.

Joe dove into his bulging pocket and produced a good hard white one.
Annie snatched it up and sucked joyously.

"Thank the man, Annie."

"Thank you."

"Is this your only one, Mrs.—"

"Cassidy's my name! No, I've buried two others."

"From this house?"

"No, we keep movin'—" Mrs. Cassidy laughed a little.

Joe made a grim face.

"Jump your rent, eh?"

Mrs. Cassidy shrugged her shoulders.

"What can poor people do?"

"But hasn't Mr. Cassidy a job?"

"He has when he has it—but it's bum work. Slave like a nigger and then laid off for six months, maybe."

"What kind of work is that?"

"'Longshore—he's a 'longshoreman."

"And when he's unemployed you have a hard time, don't you?"

"Hard?" Mrs. Cassidy's voice broke. "What can we do? There's the insurance every week—fifteen cents for my man, ten cents for me, and five cents for Annie. We couldn't let that go; it's buryin'-money, and there ain't a Cassidy isn't going to have as swell a funeral as any in the ward. And then we've got to live. I've found one thing in this world—the harder you work the less you get."

Joe spoke emphatically.

"Mrs. Cassidy, when your husband's out of work, through no fault of his own, he ought to get a weekly allowance to keep you going."

"And who's to give it to him?"

"Who? Do you know what they do in Germany?"

"What do they do in Germany?"

"They have insurance for the unemployed, and when a man's out he gets so-and-so-much a week. We ought to have it in America."

"How can we get it? Who listens to the poor?"

"Your man belongs to a union, doesn't he?"

"Sure!"

"Well, the trouble is our people here don't know these things. If they knew them, they'd get together and make the bosses come round. It's ignorance holding us all back."

"I've often told Tim he ought to study something. There's grand lectures in the schools every Tuesday and Thursday night. But Tim don't put stock in learning. He says learning never bought a glass of beer."

Joe laughed.

"Mrs. Cassidy, that's not what I mean. Listen. I'm a neighbor of yours—live next door—"

"Sure! Didn't I see you move in? When my friend, Mrs. Leupp, seen your iron beds, she up and went to Macy's and bought one herself. What yer doing in there, anyway, with that printing-press? It gives me the trembles."

Joe laughed heartily.

"You feel the press in this house?"

"First time, I thought it was an earthquake, Mr. Blaine."

Joe was abashed.

"How'd you know my name?"

"Ast it off your landlady."

"Well, you're wrong—I'm Mr. Joe."

Mrs. Cassidy was hugely amused.

"You're one grand fellow, let me tell you. But, oh, that black, thin one—he's creepy, Mr. Joe. But your mother—she's all right. I was telling Mrs. Rann so myself."

Joe sighed tragically.

"I suppose the whole neighborhood knows all my family secrets."

"Pretty near," laughed Mrs. Cassidy.

"Well, there's one thing you didn't know."

"What's that?"

"About my newspaper."

"What about it?"

"What paper do you take?"

Mrs. Cassidy mentioned a daily penny paper.

"Let's see," said Joe, "that's eleven cents a week, isn't it? Will you spend two cents more, and take The Nine-Tenths?"

"Yours?"

"It's a paper that tells about the rich and the poor, and what the poor ought to do to get more out of life. Here, take this copy, keep it; make Tim read it."

Mrs. Cassidy was handed a neat little sheet, eight by twelve inches, clearly printed. There was something homely and inviting about it, something hospitable and honest. The woman fingered it curiously.

"Ain't it cute?" she cried.

"It's all written for just such people as you, and I want you to take it."

"How much is it?"

"Well, you pay twenty-five cents and get it for three months, once a week, and let Tim read it out loud. Say, don't you think Annie'd like to see the printing-press?"

"'Deed she would!"

And then Joe did the one thing that won. He seized up little Annie himself, and bore her down to the press-room, Mrs. Cassidy following, and mentally concluding that there was no one in the ward like Mr. Joe.

Result: first subscription, and Joe elated with victory. All of which shows, it must be confessed, that Joe was considerable of a politician, and did not hesitate to adopt the methods of Tammany Hall.

It was the next day, at a street corner, that, quite accidentally, Joe met Michael Dunan, truckman.

"I've got a cigar," said Joe, "but I haven't a match."

"I've got a match," said Michael, easily, "but I haven't a cigar."

"My name's Joe Blaine," said Joe, handing over a panetela.

"Mine's Mike Dunan," said Michael, passing a match.

They lit up together.

"The drinks are on me," murmured Michael.

They stepped into the saloon at the corner—a bright, mirrory place, whose tiled floor was covered with sawdust, and whose bar shone like mahogany.

"Two beers, Donovan."

"Dark or light, Mike?"

"Dark."

They drank. Michael pounded the bar.

"Joe Blaine, the times are hard."

"How so, Michael?"

"The rich are too rich, and the poor too poor. I'm tired of it!"

"Then look this over."

Michael looked it over, and bubbled with joy.

"That's great. Did you spiel it out? Did you say this little piece? Joe,
I want to join your union!"

Joe laughed; he sized up the little man, with his sparkling eyes, his open face, his fiery, musical voice, his golden hair. And he had an inspiration.

"Mike," he said, "I'm getting out this paper up the street. Have a press there and an office. Run in and see my mother. If you like her, tell me, and you can join the Stove Circle."

"And what may the Stove Circle be?"