[CONTENTS]
[FOOTNOTES]
[TRANSCRIBER'S NOTE]

MY STUDY WINDOWS

BY
JAMES RUSSELL LOWELL

BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
Entered according to Act of Congress, in the year 1871,
By JAMES RUSSELL LOWELL,
in the Office of the Librarian of Congress, at Washington.
Copyright, 1899,
By MABEL LOWELL BURNETT.
All rights reserved.

PREFATORY NOTE.

MY former volume of Essays has been so kindly received that I am emboldened to make another and more miscellaneous collection. The papers here gathered have been written at intervals during the last fifteen years, and I knew no way so effectual to rid my mind of them and make ready for a new departure, as this of shutting them between two covers where they can haunt me, at least, no more. I should have preferred a simpler title, but publishers nowadays are inexorable on this point, and I was too much occupied for happiness of choice. That which I have desperately snatched is meant to imply both the books within and the world without, and perhaps may pass muster in the case of one who has always found his most fruitful study in the open air.

TO
PROFESSOR F. J. CHILD.

My dear Child,—

You were good enough to like my Essay on Chaucer (about whom you know so much more than I), and I shall accordingly so far presume upon our long friendship as to inscribe the volume containing it with your name.

Always heartily yours,

J. R. LOWELL.

Cambridge, Christmas, 1870.

CONTENTS.

Page
[My Garden Acquaintance][1]
[A Good Word for Winter][24]
[On a Certain Condescension in Foreigners][54]
[A Great Public Character][83]
[Carlyle][115]
[Abraham Lincoln][150]
[The Life and Letters of James Gates Percival][178]
[Thoreau][193]
[Swinburne’s Tragedies][210]
[Chaucer][227]
[Library of Old Authors][290]
[Emerson, the Lecturer][375]
[Pope][385]

MY GARDEN ACQUAINTANCE.

ONE of the most delightful books in my father’s library was White’s Natural History of Selborne. For me it has rather gained in charm with years. I used to read it without knowing the secret of the pleasure I found in it, but as I grow older I begin to detect some of the simple expedients of this natural magic. Open the book where you will, it takes you out of doors. In our broiling July weather one can walk out with this genially garrulous Fellow of Oriel and find refreshment instead of fatigue. You have no trouble in keeping abreast of him as he ambles along on his hobby-horse, now pointing to a pretty view, now stopping to watch the motions of a bird or an insect, or to bag a specimen for the Honourable Daines Barrington or Mr. Pennant. In simplicity of taste and natural refinement he reminds one of Walton; in tenderness toward what he would have called the brute creation, of Cowper. I do not know whether his descriptions of scenery are good or not, but they have made me familiar with his neighborhood. Since I first read him, I have walked over some of his favorite haunts, but I still see them through his eyes rather than by any recollection of actual and personal vision. The book has also the delightfulness of absolute leisure. Mr. White seems never to have had any harder work to do than to study the habits of his feathered fellow-townsfolk, or to watch the ripening of his peaches on the wall. His volumes are the journal of Adam in Paradise,

“Annihilating all that’s made
To a green thought in a green shade.”

It is positive rest only to look into that garden of his. It is vastly better than to

“See great Diocletian walk
In the Salonian garden’s noble shade,”

for thither ambassadors intrude to bring with them the noises of Rome, while here the world has no entrance. No rumor of the revolt of the American Colonies seems to have reached him. “The natural term of an hog’s life” has more interest for him than that of an empire. Burgoyne may surrender and welcome; of what consequence is that compared with the fact that we can explain the odd tumbling of rooks in the air by their turning over “to scratch themselves with one claw”? All the couriers in Europe spurring rowel-deep make no stir in Mr. White’s little Chartreuse; but the arrival of the house-martin a day earlier or later than last year is a piece of news worth sending express to all his correspondents.

Another secret charm of this book is its inadvertent humor, so much the more delicious because unsuspected by the author. How pleasant is his innocent vanity in adding to the list of the British, and still more of the Selbornian, fauna! I believe he would gladly have consented to be eaten by a tiger or a crocodile, if by that means the occasional presence within the parish limits of either of these anthropophagous brutes could have been established. He brags of no fine society, but is plainly a little elated by “having considerable acquaintance with a tame brown owl.” Most of us have known our share of owls, but few can boast of intimacy with a feathered one. The great events of Mr. White’s life, too, have that disproportionate importance which is always humorous. To think of his hands having actually been thought worthy (as neither Willoughby’s nor Ray’s were) to hold a stilted plover, the Charadrius himantopus, with no back toe, and therefore “liable, in speculation, to perpetual vacillations”! I wonder, by the way, if metaphysicians have no hind toes. In 1770 he makes the acquaintance in Sussex of “an old family tortoise,” which had then been domesticated for thirty years. It is clear that he fell in love with it at first sight. We have no means of tracing the growth of his passion; but in 1780 we find him eloping with its object in a post-chaise. “The rattle and hurry of the journey so perfectly roused it that, when I turned it out in a border, it walked twice down to the bottom of my garden.” It reads like a Court Journal: “Yesterday morning H. R. H. the Princess Alice took an airing of half an hour on the terrace of Windsor Castle.” This tortoise might have been a member of the Royal Society, if he could have condescended to so ignoble an ambition. It had but just been discovered that a surface inclined at a certain angle with the plane of the horizon took more of the sun’s rays. The tortoise had always known this (though he unostentatiously made no parade of it), and used accordingly to tilt himself up against the garden-wall in the autumn. He seems to have been more of a philosopher than even Mr. White himself, caring for nothing but to get under a cabbage-leaf when it rained, or the sun was too hot, and to bury himself alive before frost,—a four-footed Diogenes, who carried his tub on his back.

There are moods in which this kind of history is infinitely refreshing. These creatures whom we affect to look down upon as the drudges of instinct are members of a commonwealth whose constitution rests on immovable bases. Never any need of reconstruction there! They never dream of settling it by vote that eight hours are equal to ten, or that one creature is as clever as another and no more. They do not use their poor wits in regulating God’s clocks, nor think they cannot go astray so long as they carry their guide-board about with them,—a delusion we often practise upon ourselves with our high and mighty reason, that admirable finger-post which points every way and always right. It is good for us now and then to converse with a world like Mr. White’s, where Man is the least important of animals. But one who, like me, has always lived in the country and always on the same spot, is drawn to his book by other occult sympathies. Do we not share his indignation at that stupid Martin who had graduated his thermometer no lower than 4° above zero of Fahrenheit, so that in the coldest weather ever known the mercury basely absconded into the bulb, and left us to see the victory slip through our fingers just as they were closing upon it? No man, I suspect, ever lived long in the country without being bitten by these meteorological ambitions. He likes to be hotter and colder, to have been more deeply snowed up, to have more trees and larger blown down than his neighbors. With us descendants of the Puritans especially, these weather-competitions supply the abnegated excitement of the race-course. Men learn to value thermometers of the true imaginative temperament, capable of prodigious elations and corresponding dejections. The other day (5th July) I marked 98° in the shade, my high-water mark, higher by one degree than I had ever seen it before. I happened to meet a neighbor; as we mopped our brows at each other, he told me that he had just cleared 100°, and I went home a beaten man. I had not felt the heat before, save as a beautiful exaggeration of sunshine; but now it oppressed me with the prosaic vulgarity of an oven. What had been poetic intensity became all at once rhetorical hyperbole. I might suspect his thermometer (as indeed I did, for we Harvard men are apt to think ill of any graduation but our own); but it was a poor consolation. The fact remained that his herald Mercury, standing a-tiptoe, could look down on mine. I seem to glimpse something of this familiar weakness in Mr. White. He, too, has shared in these mercurial triumphs and defeats. Nor do I doubt that he had a true country-gentleman’s interest in the weathercock; that his first question on coming down of a morning was, like Barabas’s,

“Into what quarter peers my halcyon’s bill?”

It is an innocent and healthful employment of the mind, distracting one from too continual study of himself, and leading him to dwell rather upon the indigestions of the elements than his own. “Did the wind back round, or go about with the sun?” is a rational question that bears not remotely on the making of hay and the prosperity of crops. I have little doubt that the regulated observation of the vane in many different places, and the interchange of results by telegraph, would put the weather, as it were, in our power, by betraying its ambushes before it is ready to give the assault. At first sight, nothing seems more drolly trivial than the lives of those whose single achievement is to record the wind and the temperature three times a day. Yet such men are doubtless sent into the world for this special end, and perhaps there is no kind of accurate observation, whatever its object, that has not its final use and value for some one or other. It is even to be hoped that the speculations of our newspaper editors and their myriad correspondents upon the signs of the political atmosphere may also fill their appointed place in a well-regulated universe, if it be only that of supplying so many more jack-o’-lanterns to the future historian. Nay, the observations on finance of an M. C. whose sole knowledge of the subject has been derived from a lifelong success in getting a living out of the public without paying any equivalent therefor, will perhaps be of interest hereafter to some explorer of our cloaca maxima, whenever it is cleansed.

For many years I have been in the habit of noting down some of the leading events of my embowered solitude, such as the coming of certain birds and the like,—a kind of mémoires pour servir, after the fashion of White, rather than properly digested natural history. I thought it not impossible that a few simple stories of my winged acquaintances might be found entertaining by persons of kindred taste.

There is a common notion that animals are better meteorologists than men, and I have little doubt that in immediate weather-wisdom they have the advantage of our sophisticated senses (though I suspect a sailor or shepherd would be their match), but I have seen nothing that leads me to believe their minds capable of erecting the horoscope of a whole season, and letting us know beforehand whether the winter will be severe or the summer rainless. I more than suspect that the clerk of the weather himself does not always know very long in advance whether he is to draw an order for hot or cold, dry or moist, and the musquash is scarce likely to be wiser. I have noted but two days’ difference in the coming of the song-sparrow between a very early and a very backward spring. This very year I saw the linnets at work thatching, just before a snow-storm which covered the ground several inches deep for a number of days. They struck work and left us for a while, no doubt in search of food. Birds frequently perish from sudden changes in our whimsical spring weather of which they had no foreboding. More than thirty years ago, a cherry-tree, then in full bloom, near my window, was covered with humming-birds benumbed by a fall of mingled rain and snow, which probably killed many of them. It should seem that their coming was dated by the height of the sun, which betrays them into unthrifty matrimony;

“So nature pricketh hem in their corages”;

but their going is another matter. The chimney-swallows leave us early, for example, apparently so soon as their latest fledglings are firm enough of wing to attempt the long rowing-match that is before them. On the other hand, the wild-geese probably do not leave the North till they are frozen out, for I have heard their bugles sounding southward so late as the middle of December. What may be called local migrations are doubtless dictated by the chances of food. I have once been visited by large flights of cross-bills; and whenever the snow lies long and deep on the ground, a flock of cedar-birds comes in midwinter to eat the berries on my hawthorns. I have never been quite able to fathom the local, or rather geographical partialities of birds. Never before this summer (1870) have the king-birds, handsomest of flycatchers, built in my orchard; though I always know where to find them within half a mile. The rose-breasted grosbeak has been a familiar bird in Brookline (three miles away), yet I never saw one here till last July, when I found a female busy among my raspberries and surprisingly bold. I hope she was prospecting with a view to settlement in our garden. She seemed, on the whole, to think well of my fruit, and I would gladly plant another bed if it would help to win over so delightful a neighbor.

The return of the robin is commonly announced by the newspapers, like that of eminent or notorious people to a watering-place, as the first authentic notification of spring. And such his appearance in the orchard and garden undoubtedly is. But, in spite of his name of migratory thrush, he stays with us all winter, and I have seen him when the thermometer marked 15 degrees below zero of Fahrenheit, armed impregnably within, like Emerson’s Titmouse, and as cheerful as he. The robin has a bad reputation among people who do not value themselves less for being fond of cherries. There is, I admit, a spice of vulgarity in him, and his song is rather of the Bloomfield sort, too largely ballasted with prose. His ethics are of the Poor Richard school, and the main chance which calls forth all his energy is altogether of the belly. He never has those fine intervals of lunacy into which his cousins, the catbird and the mavis, are apt to fall. But for a’ that and twice as muckle ’s a’ that, I would not exchange him for all the cherries that ever came out of Asia Minor. With whatever faults, he has not wholly forfeited that superiority which belongs to the children of nature. He has a finer taste in fruit than could be distilled from many successive committees of the Horticultural Society, and he eats with a relishing gulp not inferior to Dr. Johnson’s. He feels and freely exercises his right of eminent domain. His is the earliest mess of green peas; his all the mulberries I had fancied mine. But if he get also the lion’s share of the raspberries, he is a great planter, and sows those wild ones in the woods, that solace the pedestrian and give a momentary calm even to the jaded victims of the White Hills. He keeps a strict eye over one’s fruit, and knows to a shade of purple when your grapes have cooked long enough in the sun. During the severe drought a few years ago, the robins wholly vanished from my garden. I neither saw nor heard one for three weeks. Meanwhile a small foreign grape-vine, rather shy of bearing, seemed to find the dusty air congenial, and, dreaming perhaps of its sweet Argos across the sea, decked itself with a score or so of fair bunches. I watched them from day to day till they should have secreted sugar enough from the sunbeams, and at last made up my mind that I would celebrate my vintage the next morning. But the robins too had somehow kept note of them. They must have sent out spies, as did the Jews into the promised land, before I was stirring. When I went with my basket, at least a dozen of these winged vintagers bustled out from among the leaves, and alighting on the nearest trees interchanged some shrill remarks about me of a derogatory nature. They had fairly sacked the vine. Not Wellington’s veterans made cleaner work of a Spanish town; not Federals or Confederates were ever more impartial in the confiscation of neutral chickens. I was keeping my grapes a secret to surprise the fair Fidele with, but the robins made them a profounder secret to her than I had meant. The tattered remnant of a single bunch was all my harvest-home. How paltry it looked at the bottom of my basket,—as if a humming-bird had laid her egg in an eagle’s nest! I could not help laughing; and the robins seemed to join heartily in the merriment. There was a native grape-vine close by, blue with its less refined abundance, but my cunning thieves preferred the foreign flavor. Could I tax them with want of taste?

The robins are not good solo singers, but their chorus, as, like primitive fire-worshippers, they hail the return of light and warmth to the world, is unrivalled. There are a hundred singing like one. They are noisy enough then, and sing, as poets should, with no afterthought. But when they come after cherries to the tree near my window, they muffle their voices, and their faint pip, pip, pop! sounds far away at the bottom of the garden, where they know I shall not suspect them of robbing the great black-walnut of its bitter-rinded store.[1]

They are feathered Pecksniffs, to be sure, but then how brightly their breasts, that look rather shabby in the sunlight, shine in a rainy day against the dark green of the fringe-tree! After they have pinched and shaken all the life out of an earthworm, as Italian cooks pound all the spirit out of a steak, and then gulped him, they stand up in honest self-confidence, expand their red waistcoats with the virtuous air of a lobby member, and outface you with an eye that calmly challenges inquiry. “Do I look like a bird that knows the flavor of raw vermin? I throw myself upon a jury of my peers. Ask any robin if he ever ate anything less ascetic than the frugal berry of the juniper, and he will answer that his vow forbids him.” Can such an open bosom cover such depravity? Alas, yes! I have no doubt his breast was redder at that very moment with the blood of my raspberries. On the whole, he is a doubtful friend in the garden. He makes his dessert of all kinds of berries, and is not averse from early pears. But when we remember how omnivorous he is, eating his own weight in an incredibly short time, and that Nature seems exhaustless in her invention of new insects hostile to vegetation, perhaps we may reckon that he does more good than harm. For my own part, I would rather have his cheerfulness and kind neighborhood than many berries.

For his cousin, the catbird, I have a still warmer regard. Always a good singer, he sometimes nearly equals the brown thrush, and has the merit of keeping up his music later in the evening than any bird of my familiar acquaintance. Ever since I can remember, a pair of them have built in a gigantic syringa, near our front door, and I have known the male to sing almost uninterruptedly during the evenings of early summer till twilight duskened into dark. They differ greatly in vocal talent, but all have a delightful way of crooning over, and, as it were, rehearsing their song in an undertone, which makes their nearness always unobtrusive. Though there is the most trustworthy witness to the imitative propensity of this bird, I have only once, during an intimacy of more than forty years, heard him indulge it. In that case, the imitation was by no means so close as to deceive, but a free reproduction of the notes of some other birds, especially of the oriole, as a kind of variation in his own song. The catbird is as shy as the robin is vulgarly familiar. Only when his nest or his fledglings are approached does he become noisy and almost aggressive. I have known him to station his young in a thick cornel-bush on the edge of the raspberry-bed, after the fruit began to ripen, and feed them there for a week or more. In such cases he shows none of that conscious guilt which makes the robin contemptible. On the contrary, he will maintain his post in the thicket, and sharply scold the intruder who ventures to steal his berries. After all, his claim is only for tithes, while the robin will bag your entire crop if he get a chance.

Dr. Watts’s statement that “birds in their little nests agree,” like too many others intended to form the infant mind, is very far from being true. On the contrary, the most peaceful relation of the different species to each other is that of armed neutrality. They are very jealous of neighbors. A few years ago, I was much interested in the housebuilding of a pair of summer yellow-birds. They had chosen a very pretty site near the top of a tall white lilac, within easy eye-shot of a chamber window. A very pleasant thing it was to see their little home growing with mutual help, to watch their industrious skill interrupted only by little flirts and snatches of endearment, frugally cut short by the common-sense of the tiny housewife. They had brought their work nearly to an end, and had already begun to line it with fern-down, the gathering of which demanded more distant journeys and longer absences. But, alas! the syringa, immemorial manor of the catbirds, was not more than twenty feet away, and these “giddy neighbors” had, as it appeared, been all along jealously watchful, though silent, witnesses of what they deemed an intrusion of squatters. No sooner were the pretty mates fairly gone for a new load of lining, than

“To their unguarded nest these weasel Scots
Came stealing.”

Silently they flew back and forth, each giving a vengeful dab at the nest in passing. They did not fall-to and deliberately destroy it, for they might have been caught at their mischief. As it was, whenever the yellow-birds came back, their enemies were hidden in their own sight-proof bush. Several times their unconscious victims repaired damages, but at length, after counsel taken together, they gave it up. Perhaps, like other unlettered folk, they came to the conclusion that the Devil was in it, and yielded to the invisible persecutions of witchcraft.

The robins, by constant attacks and annoyances, have succeeded in driving off the blue-jays who used to build in our pines, their gay colors and quaint noisy ways making them welcome and amusing neighbors. I once had the chance of doing a kindness to a household of them, which they received with very friendly condescension. I had had my eye for some time upon a nest, and was puzzled by a constant fluttering of what seemed full-grown wings in it whenever I drew nigh. At last I climbed the tree, in spite of angry protests from the old birds against my intrusion. The mystery had a very simple solution. In building the nest, a long piece of packthread had been somewhat loosely woven in. Three of the young had contrived to entangle themselves in it, and had become full-grown without being able to launch themselves upon the air. One was unharmed; another had so tightly twisted the cord about its shank that one foot was curled up and seemed paralyzed; the third, in its struggles to escape, had sawn through the flesh of the thigh and so much harmed itself that I thought it humane to put an end to its misery. When I took out my knife to cut their hempen bonds, the heads of the family seemed to divine my friendly intent. Suddenly ceasing their cries and threats, they perched quietly within reach of my hand, and watched me in my work of manumission. This, owing to the fluttering terror of the prisoners, was an affair of some delicacy; but erelong I was rewarded by seeing one of them fly away to a neighboring tree, while the cripple, making a parachute of his wings, came lightly to the ground, and hopped off as well as he could with one leg, obsequiously waited on by his elders. A week later I had the satisfaction of meeting him in the pine-walk, in good spirits, and already so far recovered as to be able to balance himself with the lame foot. I have no doubt that in his old age he accounted for his lameness by some handsome story of a wound received at the famous Battle of the Pines, when our tribe, overcome by numbers, was driven from its ancient camping-ground. Of late years the jays have visited us only at intervals; and in winter their bright plumage, set off by the snow, and their cheerful cry, are especially welcome. They would have furnished Æsop with a fable, for the feathered crest in which they seem to take so much satisfaction is often their fatal snare. Country boys make a hole with their finger in the snow-crust just large enough to admit the jay’s head, and, hollowing it out somewhat beneath, bait it with a few kernels of corn. The crest slips easily into the trap, but refuses to be pulled out again, and he who came to feast remains a prey.

Twice have the crow-blackbirds attempted a settlement in my pines, and twice have the robins, who claim a right of pre-emption, so successfully played the part of border-ruffians as to drive them away,—to my great regret, for they are the best substitute we have for rooks. At Shady Hill (now, alas! empty of its so long-loved household) they build by hundreds, and nothing can be more cheery than their creaking clatter (like a convention of old-fashioned tavern-signs) as they gather at evening to debate in mass meeting their windy politics, or to gossip at their tent-doors over the events of the day. Their port is grave, and their stalk across the turf as martial as that of a second-rate ghost in Hamlet. They never meddled with my corn, so far as I could discover.

For a few years I had crows, but their nests are an irresistible bait for boys, and their settlement was broken up. They grew so wonted as to throw off a great part of their shyness, and to tolerate my near approach. One very hot day I stood for some time within twenty feet of a mother and three children, who sat on an elm bough over my head, gasping in the sultry air, and holding their wings half-spread for coolness. All birds during the pairing season become more or less sentimental, and murmur soft nothings in a tone very unlike the grinding-organ repetition and loudness of their habitual song. The crow is very comical as a lover, and to hear him trying to soften his croak to the proper Saint Preux standard, has something the effect of a Mississippi boatman quoting Tennyson. Yet there are few things to my ear more melodious than his caw of a clear winter morning as it drops to you filtered through five hundred fathoms of crisp blue air. The hostility of all smaller birds makes the moral character of the crow, for all his deaconlike demeanor and garb, somewhat questionable. He could never sally forth without insult. The golden robins, especially, would chase him as far as I could follow with my eye, making him duck clumsily to avoid their importunate bills. I do not believe, however, that he robbed any nests hereabouts, for the refuse of the gas-works, which, in our free-and-easy community, is allowed to poison the river, supplied him with dead alewives in abundance. I used to watch him making his periodical visits to the salt-marshes and coming back with a fish in his beak to his young savages, who, no doubt, like it in that condition which makes it savory to the Kanakas and other corvine races of men.

Orioles are in great plenty with me. I have seen seven males flashing about the garden at once. A merry crew of them swing their hammocks from the pendulous boughs. During one of these latter years, when the canker-worms stripped our elms as bare as winter, these birds went to the trouble of rebuilding their unroofed nests, and chose for the purpose trees which are safe from those swarming vandals, such as the ash and the button-wood. One year a pair (disturbed, I suppose, elsewhere) built a second nest in an elm, within a few yards of the house. My friend, Edward E. Hale, told me once that the oriole rejected from his web all strands of brilliant color, and I thought it a striking example of that instinct of concealment noticeable in many birds, though it should seem in this instance that the nest was amply protected by its position from all marauders but owls and squirrels. Last year, however, I had the fullest proof that Mr. Hale was mistaken. A pair of orioles built on the lowest trailer of a weeping elm, which hung within ten feet of our drawing-room window, and so low that I could reach it from the ground. The nest was wholly woven and felted with ravellings of woollen carpet in which scarlet predominated. Would the same thing have happened in the woods? Or did the nearness of a human dwelling perhaps give the birds a greater feeling of security? They are very bold, by the way, in quest of cordage, and I have often watched them stripping the fibrous bark from a honeysuckle growing over the very door. But, indeed, all my birds look upon me as if I were a mere tenant at will, and they were landlords. With shame I confess it, I have been bullied even by a humming-bird. This spring, as I was cleansing a pear-tree of its lichens, one of these little zigzagging blurs came purring toward me, couching his long bill like a lance, his throat sparkling with angry fire, to warn me off from a Missouri-currant whose honey he was sipping. And many a time he has driven me out of a flower-bed. This summer, by the way, a pair of these winged emeralds fastened their mossy acorn-cup upon a bough of the same elm which the orioles had enlivened the year before. We watched all their proceedings from the window through an opera-glass, and saw their two nestlings grow from black needles with a tuft of down at the lower end, till they whirled away on their first short experimental flights. They became strong of wing in a surprisingly short time, and I never saw them or the male bird after, though the female was regular as usual in her visits to our petunias and verbenas. I do not think it ground enough for a generalization, but in the many times when I watched the old birds feeding their young, the mother always alighted, while the father as uniformly remained upon the wing.

The bobolinks are generally chance visitors, tinkling through the garden in blossoming-time, but this year, owing to the long rains early in the season, their favorite meadows were flooded, and they were driven to the upland. So I had a pair of them domiciled in my grass-field. The male used to perch in an apple-tree, then in full bloom, and, while I stood perfectly still close by, he would circle away, quivering round the entire field of five acres, with no break in his song, and settle down again among the blossoms, to be hurried away almost immediately by a new rapture of music. He had the volubility of an Italian charlatan at a fair, and, like him, appeared to be proclaiming the merits of some quack remedy. Opodeldoc-opodeldoc-try-Doctor-Lincoln’s-opodeldoc! he seemed to repeat over and over again, with a rapidity that would have distanced the deftest-tongued Figaro that ever rattled. I remember Count Gurowski saying once, with that easy superiority of knowledge about this country which is the monopoly of foreigners, that we had no singing-birds! Well, well, Mr. Hepworth Dixon has found the typical America in Oneida and Salt Lake City. Of course, an intelligent European is the best judge of these matters. The truth is there are more singing-birds in Europe because there are fewer forests. These songsters love the neighborhood of man because hawks and owls are rarer, while their own food is more abundant. Most people seem to think, the more trees, the more birds. Even Châteaubriand, who first tried the primitive-forest-cure, and whose description of the wilderness in its imaginative effects is unmatched, fancies the “people of the air singing their hymns to him.” So far as my own observation goes, the farther one penetrates the sombre solitudes of the woods, the more seldom does he hear the voice of any singing-bird. Tn spite of Châteaubriand’s minuteness of detail, in spite of that marvellous reverberation of the decrepit tree falling of its own weight, which he was the first to notice, I cannot help doubting whether he made his way very deep into the wilderness. At any rate, in a letter to Fontanes, written in 1804, he speaks of mes chevaux paissant à quelque distance. To be sure Châteaubriand was apt to mount the high horse, and this may have been but an afterthought of the grand seigneur, but certainly one would not make much headway on horseback toward the druid fastnesses of the primæval pine.

The bobolinks build in considerable numbers in a meadow within a quarter of a mile of us. A houseless lane passes through the midst of their camp, and in clear westerly weather, at the right season, one may hear a score of them singing at once. When they are breeding, if I chance to pass, one of the male birds always accompanies me like a constable, flitting from post to post of the rail-fence, with a short note of reproof continually repeated, till I am fairly out of the neighborhood. Then he will swing away into the air and run down the wind, gurgling music without stint over the unheeding tussocks of meadow-grass and dark clumps of bulrushes that mark his domain.

We have no bird whose song will match the nightingale’s in compass, none whose note is so rich as that of the European blackbird; but for mere rapture I have never heard the bobolink’s rival. But his opera-season is a short one. The ground and tree sparrows are our most constant performers. It is now late in August, and one of the latter sings every day and all day long in the garden. Till within a fortnight, a pair of indigo-birds would keep up their lively duo for an hour together. While I write, I hear an oriole gay as in June, and the plaintive may-be of the goldfinch tells me he is stealing my lettuce-seeds. I know not what the experience of others may have been, but the only bird I have ever heard sing in the night has been the chip-bird. I should say he sang about as often during the darkness as cocks crow. One can hardly help fancying that he sings in his dreams.

“Father of light, what sunnie seed,
What glance of day hast thou confined
Into this bird? To all the breed
This busie ray thou hast assigned;
Their magnetism works all night,
And dreams of Paradise and light.”

On second thought, I remember to have heard the cuckoo strike the hours nearly all night with the regularity of a Swiss clock.

The dead limbs of our elms, which I spare to that end, bring us the flicker every summer, and almost daily I hear his wild scream and laugh close at hand, himself invisible. He is a shy bird, but a few days ago I had the satisfaction of studying him through the blinds as he sat on a tree within a few feet of me. Seen so near and at rest, he makes good his claim to the title of pigeon-woodpecker. Lumberers have a notion that he is harmful to timber, digging little holes through the bark to encourage the settlement of insects. The regular rings of such perforations which one may see in almost any apple-orchard seem to give some probability to this theory. Almost every season a solitary quail visits us, and, unseen among the currant-bushes, calls Bob White, Bob White, as if he were playing at hide-and-seek with that imaginary being. A rarer visitant is the turtle-dove, whose pleasant coo (something like the muffled crow of a cock from a coop covered with snow) I have sometimes heard, and whom I once had the good luck to see close by me in the mulberry-tree. The wild-pigeon, once numerous, I have not seen for many years.[2] Of savage birds, a hen-hawk now and then quarters himself upon us for a few days, sitting sluggish in a tree after a surfeit of poultry. One of them once offered me a near shot from my study-window one drizzly day for several hours. But it was Sunday, and I gave him the benefit of its gracious truce of God.

Certain birds have disappeared from our neighborhood within my memory. I remember when the whippoorwill could be heard in Sweet Auburn. The night-hawk, once common, is now rare. The brown thrush has moved farther up country. For years I have not seen or heard any of the larger owls, whose hooting was one of my boyish terrors. The cliff-swallow, strange emigrant, that eastward takes his way, has come and gone again in my time. The bank-swallows, wellnigh innumerable during my boyhood, no longer frequent the crumbly cliff of the gravel-pit by the river. The barn-swallows, which once swarmed in our barn, flashing through the dusty sun-streaks of the mow, have been gone these many years. My father would lead me out to see them gather on the roof, and take counsel before their yearly migration, as Mr. White used to see them at Selborne. Eheu, fugaces! Thank fortune, the swift still glues his nest, and rolls his distant thunders night and day in the wide-throated chimneys, still sprinkles the evening air with his merry twittering. The populous heronry in Fresh Pond meadows has been wellnigh broken up, but still a pair or two haunt the old home, as the gypsies of Ellangowan their ruined huts, and every evening fly over us riverwards, clearing their throats with a hoarse hawk as they go, and, in cloudy weather, scarce higher than the tops of the chimneys. Sometimes I have known one to alight in one of our trees, though for what purpose I never could divine. Kingfishers have sometimes puzzled me in the same way, perched at high noon in a pine, springing their watchman’s rattle when they flitted away from my curiosity, and seeming to shove their top-heavy heads along as a man does a wheelbarrow.

Some birds have left us, I suppose, because the country is growing less wild. I once found a summer duck’s nest within quarter of a mile of our house, but such a trouvaille would be impossible now as Kidd’s treasure. And yet the mere taming of the neighborhood does not quite satisfy me as an explanation. Twenty years ago, on my way to bathe in the river, I saw every day a brace of woodcock, on the miry edge of a spring within a few rods of a house, and constantly visited by thirsty cows. There was no growth of any kind to conceal them, and yet these ordinarily shy birds were almost as indifferent to my passing as common poultry would have been. Since bird-nesting has become scientific, and dignified itself as oölogy, that, no doubt, is partly to blame for some of our losses. But some old friends are constant. Wilson’s thrush comes every year to remind me of that most poetic of ornithologists. He flits before me through the pine-walk like the very genius of solitude. A pair of pewees have built immemorially on a jutting brick in the arched entrance to the ice-house. Always on the same brick, and never more than a single pair, though two broods of five each are raised there every summer. How do they settle their claim to the homestead? By what right of primogeniture? Once the children of a man employed about the place oölogized the nest, and the pewees left us for a year or two. I felt towards those boys as the messmates of the Ancient Mariner did towards him after he had shot the albatross. But the pewees came back at last, and one of them is now on his wonted perch, so near my window that I can hear the click of his bill as he snaps a fly on the wing with the unerring precision a stately Trasteverina shows in the capture of her smaller deer. The pewee is the first bird to pipe up in the morning; and, during the early summer he preludes his matutinal ejaculation of pewee with a slender whistle, unheard at any other time. He saddens with the season, and, as summer declines, he changes his note to eheu, pewee! as if in lamentation. Had he been an Italian bird, Ovid would have had a plaintive tale to tell about him. He is so familiar as often to pursue a fly through the open window into my library.

There is something inexpressibly dear to me in these old friendships of a lifetime. There is scarce a tree of mine but has had, at some time or other, a happy homestead among its boughs, to which I cannot say,

“Many light hearts and wings,
Which now be dead, lodged in thy living bowers.”

My walk under the pines would lose half its summer charm were I to miss that shy anchorite, the Wilson’s thrush, nor hear in haying-time the metallic ring of his song, that justifies his rustic name of scythe-whet. I protect my game as jealously as an English squire. If anybody had oölogized a certain cuckoo’s-nest I know of (I have a pair in my garden every year), it would have left me a sore place in my mind for weeks. I love to bring these aborigines back to the mansuetude they showed to the early voyagers, and before (forgive the involuntary pun) they had grown accustomed to man and knew his savage ways. And they repay your kindness with a sweet familiarity too delicate ever to breed contempt. I have made a Penn-treaty with them, preferring that to the Puritan way with the natives, which converted them to a little Hebraism and a great deal of Medford rum. If they will not come near enough to me (as most of them will), I bring them close with an opera-glass,—a much better weapon than a gun. I would not, if I could, convert them from their pretty pagan ways. The only one I sometimes have savage doubts about is the red squirrel. I think he oölogizes. I know he eats cherries (we counted five of them at one time in a single tree, the stones pattering down like the sparse hail that preludes a storm), and that he gnaws off the small end of pears to get at the seeds. He steals the corn from under the noses of my poultry. But what would you have? He will come down upon the limb of the tree I am lying under till he is within a yard of me. He and his mate will scurry up and down the great black-walnut for my diversion, chattering like monkeys. Can I sign his death-warrant who has tolerated me about his grounds so long? Not I. Let them steal, and welcome. I am sure I should, had I had the same bringing up and the same temptation. As for the birds, I do not believe there is one of them but does more good than harm; and of how many featherless bipeds can this be said?

A GOOD WORD FOR WINTER.

“MEN scarcely know how beautiful fire is,” says Shelley; and I am apt to think there are a good many other things concerning which their knowledge might be largely increased without becoming burdensome. Nor are they altogether reluctant to be taught,—not so reluctant, perhaps, as unable,—and education is sure to find one fulcrum ready to her hand by which to get a purchase on them. For most of us, I have noticed, are not without an amiable willingness to assist at any spectacle or entertainment (loosely so called) for which no fee is charged at the door. If special tickets are sent us, another element of pleasure is added in a sense of privilege and pre-eminence (pitiably scarce in a democracy) so deeply rooted in human nature that I have seen people take a strange satisfaction in being near of kin to the mute chief personage in a funeral. It gave them a moment’s advantage over the rest of us whose grief was rated at a lower place in the procession. But the words “admission free” at the bottom of a handbill, though holding out no bait of inequality, have yet a singular charm for many minds, especially in the country. There is something touching in the constancy with which men attend free lectures, and in the honest patience with which they listen to them. He who pays may yawn or shift testily in his seat, or even go out with an awful reverberation of criticism, for he has bought the right to do any or all of these and paid for it. But gratuitous hearers are anæsthetized to suffering by a sense of virtue. They are performing perhaps the noblest, as it is one of the most difficult, of human functions in getting Something (no matter how small) for Nothing. They are not pestered by the awful duty of securing their money’s worth. They are wasting time, to do which elegantly and without lassitude is the highest achievement of civilization. If they are cheated, it is, at worst, only of a superfluous hour which was rotting on their hands. Not only is mere amusement made more piquant, but instruction more palatable, by this universally relished sauce of gratuity. And if the philosophic observer finds an object of agreeable contemplation in the audience, as they listen to a discourse on the probability of making missionaries go down better with the Feejee-Islanders by balancing the hymn-book in one pocket with a bottle of Worcestershire in the other, or to a plea for arming the female gorilla with the ballot, he also takes a friendly interest in the lecturer, and admires the wise economy of Nature who thus contrives an ample field of honest labor for her bores. Even when the insidious hat is passed round after one of these eleemosynary feasts, the relish is but heightened by a conscientious refusal to disturb the satisfaction’s completeness with the rattle of a single contributory penny. So firmly persuaded am I of this gratis-instinct in our common humanity, that I believe I could fill a house by advertising a free lecture on Tupper considered as a philosophic poet, or on my personal recollections of the late James K. Polk. This being so, I have sometimes wondered that the peep-shows which Nature provides with such endless variety for her children, and to which we are admitted on the bare condition of having eyes, should be so generally neglected. To be sure, eyes are not so common as people think, or poets would be plentier, and perhaps also these exhibitions of hers are cheapened in estimation by the fact that in enjoying them we are not getting the better of anybody else. Your true lovers of nature, however, contrive to get even this solace; and Wordsworth looking upon mountains as his own peculiar sweethearts, was jealous of anybody else who ventured upon even the most innocent flirtation with them. As if such fellows, indeed, could pretend to that nicer sense of what-d’ye-call-it which was so remarkable in him! Marry come up! Mountains, no doubt, may inspire a profounder and more exclusive passion, but on the whole I am not sorry to have been born and bred among more domestic scenes, where I can be hospitable without a pang. I am going to ask you presently to take potluck with me at a board where Winter shall supply whatever there is of cheer.

I think the old fellow has hitherto had scant justice done him in the main. We make him the symbol of old age or death, and think we have settled the matter. As if old age were never kindly as well as frosty; as if it had no reverend graces of its own as good in their way as the noisy impertinence of childhood, the elbowing self-conceit of youth, or the pompous mediocrity of middle life! As if there were anything discreditable in death, or nobody had ever longed for it! Suppose we grant that Winter is the sleep of the year, what then? I take it upon me to say that his dreams are finer than the best reality of his waking rivals.

“Sleep, Silence’ child, the father of soft Rest,”

is a very agreeable acquaintance, and most of us are better employed in his company than anywhere else. For my own part, I think Winter a pretty wide-awake old boy, and his bluff sincerity and hearty ways are more congenial to my mood, and more wholesome for me, than any charms of which his rivals are capable. Spring is a fickle mistress, who either does not know her own mind, or is so long in making it up, whether you shall have her or not have her, that one gets tired at last of her pretty miffs and reconciliations. You go to her to be cheered up a bit, and ten to one catch her in the sulks, expecting you to find enough good-humor for both. After she has become Mrs. Summer she grows a little more staid in her demeanor; and her abundant table, where you are sure to get the earliest fruits and vegetables of the season, is a good foundation for steady friendship; but she has lost that delicious aroma of maidenhood, and what was delicately rounded grace in the girl gives more than hints of something like redundance in the matron. Autumn is the poet of the family. He gets you up a splendor that you would say was made out of real sunset; but it is nothing more than a few hectic leaves, when all is done. He is but a sentimentalist, after all; a kind of Lamartine whining along the ancestral avenues he has made bare timber of, and begging a contribution of good-spirits from your own savings to keep him in countenance. But Winter has his delicate sensibilities too, only he does not make them as good as indelicate by thrusting them forever in your face. He is a better poet than Autumn, when he has a mind, but, like a truly great one as he is, he brings you down to your bare manhood, and bids you understand him out of that, with no adventitious helps of association, or he will none of you. He does not touch those melancholy chords on which Autumn is as great a master as Heine. Well, is there no such thing as thrumming on them and maundering over them till they get out of tune, and you wish some manly hand would crash through them and leave them dangling brokenly forever? Take Winter as you find him, and he turns out to be a thoroughly honest fellow, with no nonsense in him, and tolerating none in you, which is a great comfort in the long run. He is not what they call a genial critic; but bring a real man along with you, and you will find there is a crabbed generosity about the old cynic that you would not exchange for all the creamy concessions of Autumn. “Season of mists and mellow fruitfulness,” quotha? That’s just it; Winter soon blows your head clear of fog and makes you see things as they are; I thank him for it! The truth is, between ourselves, I have a very good opinion of the whole family, who always welcome me without making me feel as if I were too much of a poor relation. There ought to be some kind of distance, never so little, you know, to give the true relish. They are as good company, the worst of them, as any I know, and I am not a little flattered by a condescension from any one of them; but I happen to hold Winter’s retainer, this time, and, like an honest advocate, am bound to make as good a showing as I can for him, even if it cost a few slurs upon the rest of the household. Moreover, Winter is coming, and one would like to get on the blind side of him.

The love of Nature in and for herself, or as a mirror for the moods of the mind, is a modern thing. The fleeing to her as an escape from man was brought into fashion by Rousseau; for his prototype Petrarch, though he had a taste for pretty scenery, had a true antique horror for the grander aspects of nature. He got once to the top of Mont Ventoux, but it is very plain that he did not enjoy it. Indeed, it is only within a century or so that the search after the picturesque has been a safe employment. It is not so even now in Greece or Southern Italy. Where the Anglo-Saxon carves his cold fowl, and leaves the relics of his picnic, the ancient or mediæval man might be pretty confident that some ruffian would try the edge of his knife on a chicken of the Platonic sort, and leave more precious bones as an offering to the genius of the place. The ancients were certainly more social than we, though that, perhaps, was natural enough, when a good part of the world was still covered with forest. They huddled together in cities as well for safety as to keep their minds warm. The Romans had a fondness for country life, but they had fine roads, and Rome was always within easy reach. The author of the Book of Job is the earliest I know of who showed any profound sense of the moral meaning of the outward world; and I think none has approached him since, though Wordsworth comes nearest with the first two books of the “Prelude.” But their feeling is not precisely of the kind I speak of as modern, and which gave rise to what is called descriptive poetry. Chaucer opens his Clerk’s Tale with a bit of landscape admirable for its large style, and as well composed as any Claude.

“There is right at the west end of Itaille,
Down at the root of Vesulus the cold,
A lusty plain abundant of vitaille,
Where many a tower and town thou mayst behold,
That founded were in time of fathers old,
And many an other délectable sight;
And Salucës this noble country hight.”

What an airy precision of touch there is here, and what a sure eye for the points of character in landscape! But the picture is altogether subsidiary. No doubt the works of Salvator Rosa and Gaspar Poussin show that there must have been some amateur taste for the grand and terrible in scenery; but the British poet Thomson (“sweet-souled” is Wordsworth’s apt word) was the first to do with words what they had done partially with colors. He was turgid, no good metrist, and his English is like a translation from one of those poets who wrote in Latin after it was dead; but he was a man of sincere genius, and not only English, but European literature is largely in his debt. He was the inventor of cheap amusement for the million, to be had of All-out-doors for the asking. It was his impulse which unconsciously gave direction to Rousseau, and it is to the school of Jean Jacques that we owe St. Pierre, Cowper, Châteaubriand, Wordsworth, Byron, Lamartine, George Sand, Ruskin,—the great painters of ideal landscape.

So long as men had slender means, whether of keeping out cold or checkmating it with artificial heat, Winter was an unwelcome guest, especially in the country. There he was the bearer of a lettre de cachet, which shut its victims in solitary confinement with few resources but to boose round the fire and repeat ghost-stories, which had lost all their freshness and none of their terror. To go to bed was to lie awake of cold, with an added shudder of fright whenever a loose casement or a waving curtain chose to give you the goose-flesh. Bussy Rabutin, in one of his letters, gives us a notion how uncomfortable it was in the country, with green wood, smoky chimneys, and doors and windows that thought it was their duty to make the wind whistle, not to keep it out. With fuel so dear, it could not have been much better in the city, to judge by Ménage’s warning against the danger of our dressing-gowns taking fire, while we cuddle too closely over the sparing blaze. The poet of Winter himself is said to have written in bed, with his hand through a hole in the blanket; and we may suspect that it was the warmth quite as much as the company that first drew men together at the coffee-house. Coleridge, in January, 1800, writes to Wedgewood: “I am sitting by a fire in a rug greatcoat.... It is most barbarously cold, and you, I fear, can shield yourself from it only by perpetual imprisonment.” This thermometrical view of winter is, I grant, a depressing one; for I think there is nothing so demoralizing as cold. I know of a boy who, when his father, a bitter economist, was brought home dead, said only, “Now we can burn as much wood as we like.” I would not off-hand prophesy the gallows for that boy. I remember with a shudder a pinch I got from the cold once in a railroad-car. A born fanatic of fresh air, I found myself glad to see the windows hermetically sealed by the freezing vapor of our breath, and plotted the assassination of the conductor every time he opened the door. I felt myself sensibly barbarizing, and would have shared Colonel Jack’s bed in the ash-hole of the glass-furnace with a grateful heart. Since then I have had more charity for the prevailing ill-opinion of winter. It was natural enough that Ovid should measure the years of his exile in Pontus by the number of winters.

Ut sumus in Ponto, ter frigore constitit Ister,
Facta est Euxini dura ter unda maris:

Thrice hath the cold bound Ister fast, since I
In Pontus was, thrice Euxine’s wave made hard.

Jubinal has printed an Anglo-Norman piece of doggerel in which Winter and Summer dispute which is the better man. It is not without a kind of rough and inchoate humor, and I like it because old Whitebeard gets tolerably fair play. The jolly old fellow boasts of his rate of living, with that contempt of poverty which is the weak spot in the burly English nature.

Jà Dieu ne place que me avyenge
Que ne face plus honour
Et plus despenz en un soul jour
Que vus en tote vostre vie:

Now God forbid it hap to me
That I make not more great display,
And spend more in a single day
Than you can do in all your life.

The best touch, perhaps, is Winter’s claim for credit as a mender of the highways, which was not without point when every road in Europe was a quagmire during a good part of the year unless it was bottomed on some remains of Roman engineering.

Je su, fet-il, seignur et mestre
Et à bon droit le dey estre,
Quant de la bowe face caucé
Par un petit de geelé:

Master and lord I am, says he,
And of good right so ought to be,
Since I make causeys, safely crost,
Of mud, with just a pinch of frost.

But there is no recognition of Winter as the best of out-door company.

Even Emerson, an open-air man, and a bringer of it, if ever any, confesses,

“The frost-king ties my fumbling feet,
Sings in my ear, my hands are stones,
Curdles the blood to the marble bones,
Tugs at the heartstrings, numbs the sense,
And hems in life with narrowing fence.”

Winter was literally “the inverted year,” as Thomson called him; for such entertainments as could be had must be got within doors. What cheerfulness there was in brumal verse was that of Horace’s dissolve frigus ligna super foco large reponens, so pleasantly associated with the cleverest scene in Roderick Random. This is the tone of that poem of Walton’s friend Cotton, which won the praise of Wordsworth:—

“Let us home,
Our mortal enemy is come;
Winter and all his blustering train
Have made a voyage o’er the main.
. . . . .
“Fly, fly, the foe advances fast;
Into our fortress let us haste.
Where all the roarers of the north
Can neither storm nor starve us forth.

“There underground a magazine
Of sovereign juice is cellared in,
Liquor that will the siege maintain
Should Phœbus ne’er return again.
. . . . .
“Whilst we together jovial sit
Careless, and crowned with mirth and wit,
Where, though bleak winds confine us home
Our fancies round the world shall roam.”

Thomson’s view of Winter is also, on the whole, a hostile one, though he does justice to his grandeur.

“Thus Winter falls,
A heavy gloom oppressive o’er the world,
Through Nature shedding influence malign.”

He finds his consolations, like Cotton, in the house, though more refined:—

“While without
The ceaseless winds blow ice, be my retreat
Between the groaning forest and the shore
Beat by the boundless multitude of waves,
A rural, sheltered, solitary scene,
Where ruddy fire and beaming tapers join
To cheer the gloom. There studious let me sit
And hold high converse with the mighty dead.”

Doctor Akenside, a man to be spoken of with respect, follows Thomson. With him, too, “Winter desolates the year,” and

“How pleasing wears the wintry night
Spent with the old illustrious dead!
While by the taper’s trembling light
I seem those awful scenes to tread
Where chiefs or legislators lie,” &c.

Akenside had evidently been reading Thomson. He had the conceptions of a great poet with less faculty than many a little one, and is one of those versifiers of whom it is enough to say that we are always willing to break him off in the middle with an &c., well knowing that what follows is but the coming-round again of what went before, marching in a circle with the cheap numerosity of a stage-army. In truth, it is no wonder that the short days of that cloudy northern climate should have added to winter a gloom borrowed of the mind. We hardly know, till we have experienced the contrast, how sensibly our winter is alleviated by the longer daylight and the pellucid atmosphere. I once spent a winter in Dresden, a southern climate compared with England, and really almost lost my respect for the sun when I saw him groping among the chimney-pots opposite my windows as he described his impoverished arc in the sky. The enforced seclusion of the season makes it the time for serious study and occupations that demand fixed incomes of unbroken time. This is why Milton said “that his vein never happily flowed but from the autumnal equinox to the vernal,” though in his twentieth year he had written, on the return of spring,—

Fallor? an et nobis redeunt in carmina vires
Ingeniumque mihi munere veris adest?

Err I? or do the powers of song return
To me, and genius too, the gifts of Spring?

Goethe, so far as I remember, was the first to notice the cheerfulness of snow in sunshine. His Harz-reise im Winter gives no hint of it, for that is a diluted reminiscence of Greek tragic choruses and the Book of Job in nearly equal parts. In one of the singularly interesting and characteristic letters to Frau von Stein, however, written during the journey, he says: “It is beautiful indeed; the mist heaps itself together in light snow-clouds, the sun looks through, and the snow over everything gives back a feeling of gayety.” But I find in Cowper the first recognition of a general amiability in Winter. The gentleness of his temper, and the wide charity of his sympathies, made it natural for him to find good in everything except the human heart. A dreadful creed distilled from the darkest moments of dyspeptic solitaries compelled him against his will to see in that the one evil thing made by a God whose goodness is over all his works. Cowper’s two walks in the morning and noon of a winter’s day are delightful, so long as he contrives to let himself be happy in the graciousness of the landscape. Your muscles grow springy, and your lungs dilate with the crisp air as you walk along with him. You laugh with him at the grotesque shadow of your legs lengthened across the snow by the just-risen sun. I know nothing that gives a purer feeling of out-door exhilaration than the easy verses of this escaped hypochondriac. But Cowper also preferred his sheltered garden-walk to those robuster joys, and bitterly acknowledged the depressing influence of the darkened year. In December, 1780, he writes: “At this season of the year, and in this gloomy uncomfortable climate, it is no easy matter for the owner of a mind like mine to divert it from sad subjects, and to fix it upon such as may administer to its amusement.” Or was it because he was writing to the dreadful Newton? Perhaps his poetry bears truer witness to his habitual feeling, for it is only there that poets disenthral themselves of their reserve and become fully possessed of their greatest charm,—the power of being franker than other men. In the Third Book of the Task he boldly affirms his preference of the country to the city even in winter:—

“But are not wholesome airs, though unperfumed
By roses, and clear suns, though scarcely felt,
And groves, if inharmonious, yet secure
From clamor, and whose very silence charms,
To be preferred to smoke?...
They would be, were not madness in the head
And folly in the heart; were England now
What England was, plain, hospitable, kind,
And undebauched.”

The conclusion shows, however, that he was thinking mainly of fireside delights, not of the blusterous companionship of nature. This appears even more clearly in the Fourth Book:—

“O Winter, ruler of the inverted year”;

but I cannot help interrupting him to say how pleasant it always is to track poets through the gardens of their predecessors and find out their likings by a flower snapped off here and there to garnish their own nosegays. Cowper had been reading Thomson, and “the inverted year” pleased his fancy with its suggestion of that starry wheel of the zodiac moving round through its spaces infinite. He could not help loving a handy Latinism (especially with elision beauty added), any more than Gray, any more than Wordsworth,—on the sly. But the member for Olney has the floor:—

“O Winter, ruler of the inverted year,
Thy scattered hair with sleet like ashes filled,
Thy breath congealed upon thy lips, thy cheeks
Fringed with a beard made white with other snows
Than those of age, thy forehead wrapt in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urged by storms along its slippery way,
I love thee all unlovely as thou seem’st,
And dreaded as thou art! Thou hold’st the sun
A prisoner in the yet undawning east,
Shortening his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west, but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gathering at short notice, in one group,
The family dispersed, and fixing thought,
Not less dispersed by daylight and its cares.
I crown thee king of intimate delights,
Fireside enjoyments, homeborn happiness,
And all the comforts that the lowly roof
Of undisturbed Retirement, and the hours
Of long uninterrupted evening know.”

I call this a good human bit of writing, imaginative, too,—not so flushed, not so ... highfaluting (let me dare the odious word!) as the modern style since poets have got hold of a theory that imagination is common-sense turned inside out, and not common-sense sublimed,—but wholesome, masculine, and strong in the simplicity of a mind wholly occupied with its theme. To me Cowper is still the best of our descriptive poets for every-day wear. And what unobtrusive skill he has! How he heightens, for example, your sense of winter-evening seclusion, by the twanging horn of the postman on the bridge! That horn has rung in my ears ever since I first heard it, during the consulate of the second Adams. Wordsworth strikes a deeper note; but does it not sometimes come over one (just the least in the world) that one would give anything for a bit of nature pure and simple, without quite so strong a flavor of W. W.? W. W. is, of course, sublime and all that—but! For my part, I will make a clean breast of it, and confess that I can’t look at a mountain without fancying the late laureate’s gigantic Roman nose thrust between me and it, and thinking of Dean Swift’s profane version of Romanos rerum dominos into Roman nose! a rare un! dom your nose! But do I judge verses, then, by the impression made on me by the man who wrote them? Not so fast, my good friend, but, for good or evil, the character and its intellectual product are inextricably interfused.

If I remember aright, Wordsworth himself (except in his magnificent skating-scene in the “Prelude”) has not much to say for winter out of doors. I cannot recall any picture by him of a snow-storm. The reason may possibly be that in the Lake Country even the winter storms bring rain rather than snow. He was thankful for the Christmas visits of Crabb Robinson, because they “helped him through the winter.” His only hearty praise of winter is when, as Général Février, he defeats the French:—

“Humanity, delighting to behold
A fond reflection of her own decay,
Hath painted Winter like a traveller old,
Propped on a staff, and, through the sullen day,
In hooded mantle, limping o’er the plain
As though his weakness were disturbed by pain:
Or, if a juster fancy should allow
An undisputed symbol of command,
The chosen sceptre is a withered bough
Infirmly grasped within a withered hand.
These emblems suit the helpless and forlorn;
But mighty Winter the device shall scorn.”

The Scottish poet Grahame, in his “Sabbath,” says manfully:—

“Now is the time
To visit Nature in her grand attire”;

and he has one little picture which no other poet has surpassed:—

“High-ridged the whirlëd drift has almost reached
The powdered keystone of the churchyard porch:
Mute hangs the hooded bell; the tombs lie buried.”

Even in our own climate, where the sun shows his winter face as long and as brightly as in central Italy, the seduction of the chimney-corner is apt to predominate in the mind over the severer satisfactions of muffled fields and penitential woods. The very title of Whittier’s delightful “Snow-Bound” shows what he was thinking of, though he does vapor a little about digging out paths. The verses of Emerson, perfect as a Greek fragment (despite the archaism of a dissyllabic fire), which he has chosen for his epigraph, tell us, too, how the

“Housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.”

They are all in a tale. It is always the tristis Hiems of Virgil. Catch one of them having a kind word for old Barbe Fleurie, unless he whines through some cranny, like a beggar, to heighten their enjoyment while they toast their slippered toes. I grant there is a keen relish of contrast about the bickering flame as it gives an emphasis beyond Gherardo della Notte to loved faces, or kindles the gloomy gold of volumes scarce less friendly, especially when a tempest is blundering round the house. Wordsworth has a fine touch that brings home to us the comfortable contrast of without and within, during a storm at night, and the passage is highly characteristic of a poet whose inspiration always has an undertone of bourgeois:—

“How touching, when, at midnight, sweep
Snow-muffled winds, and all is dark,
To hear,—and sink again to sleep!”

J. H., one of those choice poets who will not tarnish their bright fancies by publication, always insists on a snow-storm as essential to the true atmosphere of whist. Mrs. Battles, in her famous rule for the game, implies winter, and would doubtless have added tempest, if it could be had for the asking. For a good solid read also, into the small hours, there is nothing like that sense of safety against having your evening laid waste, which Euroclydon brings, as he bellows down the chimney, making your fire gasp, or rustles snow-flakes against the pane with a sound more soothing than silence. Emerson, as he is apt to do, not only hit the nail on the head, but drove it home, in that last phrase of the “tumultuous privacy.”

But I would exchange this, and give something to boot, for the privilege of walking out into the vast blur of a north-northeast snow-storm, and getting a strong draught on the furnace within, by drawing the first furrows through its sandy drifts. I love those

“Noontide twilights which snow makes
With tempest of the blinding flakes.”

If the wind veer too much toward the east, you get the heavy snow that gives a true Alpine slope to the boughs of your evergreens, and traces a skeleton of your elms in white; but you must have plenty of north in your gale if you want those driving nettles of frost that sting the cheeks to a crimson manlier than that of fire. During the great storm of two winters ago, the most robustious periwig-pated fellow of late years, I waded and floundered a couple of miles through the whispering night, and brought home that feeling of expansion we have after being in good company. “Great things doeth He which we cannot comprehend; for he saith to the snow, ‘Be thou on the earth.’”

There is admirable snow scenery in Judd’s “Margaret,” but some one has confiscated my copy of that admirable book, and, perhaps, Homer’s picture of a snow-storm is the best yet in its large simplicity:—

“And as in winter-time, when Jove his cold sharp javelins throws
Amongst us mortals, and is moved to white the earth with snows,
The winds asleep, he freely pours till highest prominents,
Hill-tops, low meadows, and the fields that crown with most contents
The toils of men, seaports and shores, are hid, and every place,
But floods, that fair snow’s tender flakes, as their own brood, embrace.”

Chapman, after all, though he makes very free with him, comes nearer Homer than anybody else. There is nothing in the original of that fair snow’s tender flakes, but neither Pope nor Cowper could get out of their heads the Psalmist’s tender phrase, “He giveth his snow like wool,” for which also Homer affords no hint. Pope talks of “dissolving fleeces,” and Cowper of a “fleecy mantle.” But David is nobly simple, while Pope is simply nonsensical, and Cowper pretty. If they must have prettiness, Martial would have supplied them with it in his

Densum tacitarum vellus aquarum,

which is too pretty, though I fear it would have pleased Dr. Donne. Eustathius of Thessalonica calls snow ὓὂωρ ἒρίωὂες, woolly water, which a poor old French poet, Godeau, has amplified into this:—

Lorsque la froidure inhumaine
De leur verd ornement depouille les forêts
Sous une neige épaisse il couvre les guérets,
Et la neige a pour eux la chaleur de la laine.

In this, as in Pope’s version of the passage in Homer, there is, at least, a sort of suggestion of snow-storm in the blinding drift of words. But, on the whole, if one would know what snow is, I should advise him not to hunt up what the poets have said about it, but to look at the sweet miracle itself.

The preludings of Winter are as beautiful as those of Spring. In a gray December day, when, as the farmers say, it is too cold to snow, his numbed fingers will let fall doubtfully a few star-shaped flakes, the snow-drops and anemones that harbinger his more assured reign. Now, and now only, may be seen, heaped on the horizon’s eastern edge, those “blue clouds” from forth which Shakespeare says that Mars “doth pluck the masoned turrets.” Sometimes also, when the sun is low, you will see a single cloud trailing a flurry of snow along the southern hills in a wavering fringe of purple. And when at last the real snow-storm comes, it leaves the earth with a virginal look on it that no other of the seasons can rival,—compared with which, indeed, they seem soiled and vulgar.

And what is there in nature so beautiful as the next morning after such confusion of the elements? Night has no silence like this of busy day. All the batteries of noise are spiked. We see the movement of life as a deaf man sees it, a mere wraith of the clamorous existence that inflicts itself on our ears when the ground is bare. The earth is clothed in innocence as a garment. Every wound of the landscape is healed; whatever was stiff has been sweetly rounded as the breasts of Aphrodite; what was unsightly has been covered gently with a soft splendor, as if, Cowley would have said, Nature had cleverly let fall her handkerchief to hide it. If the Virgin (Nôtre Dame de la neige) were to come back, here is an earth that would not bruise her foot nor stain it. It is

“The fanned snow
That’s bolted by the northern blasts twice o’er,”—
Soffiata e stretta dai venti Schiavi,
Winnowed and packed by the Sclavonian winds,—

packed so hard sometimes on hill-slopes that it will bear your weight. What grace is in all the curves, as if every one of them had been swept by that inspired thumb of Phidias’s journeyman!

Poets have fancied the footprints of the wind in those light ripples that sometimes scurry across smooth water with a sudden blur. But on this gleaming hush the aerial deluge has left plain marks of its course; and in gullies through which it rushed torrent-like, the eye finds its bed irregularly scooped like that of a brook in hard beach-sand, or, in more sheltered spots, traced with outlines like those left by the sliding edges of the surf upon the shore. The air, after all, is only an infinitely thinner kind of water, such as I suppose we shall have to drink when the state does her whole duty as a moral reformer. Nor is the wind the only thing whose trail you will notice on this sensitive surface. You will find that you have more neighbors and night visitors than you dreamed of. Here is the dainty footprint of a cat; here a dog has looked in on you like an amateur watchman to see if all is right, slumping clumsily about in the mealy treachery. And look! before you were up in the morning, though you were a punctual courtier at the sun’s levee, here has been a squirrel zigzagging to and fro like a hound gathering the scent, and some tiny bird searching for unimaginable food,—perhaps for the tinier creature, whatever it is, that drew this slender continuous trail like those made on the wet beach by light borderers of the sea. The earliest autographs were as frail as these. Poseidon traced his lines, or giant birds made their mark, on preadamite sea-margins; and the thunder-gust left the tear-stains of its sudden passion there; nay, we have the signatures of delicatest fern-leaves on the soft ooze of æons that dozed away their dreamless leisure before consciousness came upon the earth with man. Some whim of nature locked them fast in stone for us after-thoughts of creation. Which of us shall leave a footprint as imperishable as that of the ornithorhyncus, or much more so than that of these Bedouins of the snow-desert? Perhaps it was only because the ripple and the rain-drop and the bird were not thinking of themselves, that they had such luck. The chances of immortality depend very much on that. How often have we not seen poor mortals, dupes of a season’s notoriety, carving their names on seeming-solid rock of merest beach-sand, whose feeble hold on memory shall be washed away by the next wave of fickle opinion! Well, well, honest Jacques, there are better things to be found in the snow than sermons.

The snow that falls damp comes commonly in larger flakes from windless skies, and is the prettiest of all to watch from under cover. This is the kind Homer had in mind; and Dante, who had never read him, compares the dilatate falde, the flaring flakes, of his fiery rain, to those of snow among the mountains without wind. This sort of snowfall has no fight in it, and does not challenge you to a wrestle like that which drives well from the northward, with all moisture thoroughly winnowed out of it by the frosty wind. Burns, who was more out of doors than most poets, and whose barefoot Muse got the color in her cheeks by vigorous exercise in all weathers, was thinking of this drier deluge, when he speaks of the “whirling drift,” and tells how

“Chanticleer
Shook off the powthery snaw.”

But the damper and more deliberate falls have a choice knack at draping the trees; and about eaves or stonewalls, wherever, indeed, the evaporation is rapid, and it finds a chance to cling, it will build itself out in curves of wonderful beauty. I have seen one of these dumb waves, thus caught in the act of breaking, curl four feet beyond the edge of my roof and hang there for days, as if Nature were too well pleased with her work to let it crumble from its exquisite pause. After such a storm, if you are lucky enough to have even a sluggish ditch for a neighbor, be sure to pay it a visit. You will find its banks corniced with what seems precipitated light, and the dark current down below gleams as if with an inward lustre. Dull of motion as it is, you never saw water that seemed alive before. It has a brightness, like that of the eyes of some smaller animals, which gives assurance of life, but of a life foreign and unintelligible.

A damp snow-storm often turns to rain, and, in our freakish climate, the wind will whisk sometimes into the northwest so suddenly as to plate all the trees with crystal before it has swept the sky clear of its last cobweb of cloud. Ambrose Philips, in a poetical epistle from Copenhagen to the Earl of Dorset, describes this strange confectionery of Nature,—for such, I am half ashamed to say, it always seems to me, recalling the “glorified sugar-candy” of Lamb’s first night at the theatre. It has an artificial air, altogether beneath the grand artist of the atmosphere, and besides does too much mischief to the trees for a philodendrist to take unmixed pleasure in it. Perhaps it deserves a poet like Philips, who really loved Nature and yet liked her to be mighty fine, as Pepys would say, with a heightening of powder and rouge:—

“And yet but lately have I seen e’en here
The winter in a lovely dress appear.
Ere yet the clouds let fall the treasured snow,
Or winds begun through hazy skies to blow,
At evening a keen eastern breeze arose,
And the descending rain unsullied froze.
Soon as the silent shades of night withdrew,
The ruddy noon disclosed at once to view
The face of Nature in a rich disguise,
And brightened every object to my eyes;
For every shrub, and every blade of grass,
And every pointed thorn, seemed wrought in glass;
In pearls and rubies rich the hawthorns show,
And through the ice the crimson berries glow;
The thick-sprung reeds, which watery marshes yield,
Seem polished lances in a hostile field;
The stag in limpid currents with surprise
Sees crystal branches on his forehead rise;
The spreading oak, the beech, the towering pine,
Glazed over in the freezing ether shine;
The frighted birds the rattling branches shun,
Which wave and glitter in the distant sun,
When, if a sudden gust of wind arise,
The brittle forest into atoms flies,
The crackling wood beneath the tempest bends
And in a spangled shower the prospect ends.”

It is not uninstructive to see how tolerable Ambrose is, so long as he sticks manfully to what he really saw. The moment he undertakes to improve on Nature he sinks into the mere court poet, and we surrender him to the jealousy of Pope without a sigh. His “rattling branches” and “crackling forest” are good, as truth always is after a fashion; but what shall we say of that dreadful stag which, there is little doubt, he valued above all the rest, because it was purely his own?

The damper snow tempts the amateur architect and sculptor. His Pentelicus has been brought to his very door, and if there are boys to be had (whose company beats all other recipes for prolonging life) a middle-aged Master of the Works will knock the years off his account and make the family Bible seem a dealer in foolish fables, by a few hours given heartily to this business. First comes the Sisyphean toil of rolling the clammy balls till they refuse to budge farther. Then, if you would play the statuary, they are piled one upon the other to the proper height; or if your aim be masonry, whether of house or fort, they must be squared and beaten solid with the shovel. The material is capable of very pretty effects, and your young companions meanwhile are unconsciously learning lessons in æsthetics. From the feeling of satisfaction with which one squats on the damp floor of his extemporized dwelling, I have been led to think that the backwoodsman must get a sweeter savor of self-reliance from the house his own hands have built than Bramante or Sansovino could ever give. Perhaps the fort is the best thing, for it calls out more masculine qualities and adds the cheer of battle with that dumb artillery which gives pain enough to test pluck without risk of serious hurt. Already, as I write, it is twenty-odd years ago. The balls fly thick and fast. The uncle defends the waist-high ramparts against a storm of nephews, his breast plastered with decorations like another Radetsky’s. How well I recall the indomitable good-humor under fire of him who fell in the front at Ball’s Bluff, the silent pertinacity of the gentle scholar who got his last hurt at Fair Oaks, the ardor in the charge of the gallant gentleman who, with the death-wound in his side, headed his brigade at Cedar Creek! How it all comes back, and they never come! I cannot again be the Vauban of fortresses in the innocent snow, but I shall never see children moulding their clumsy giants in it without longing to help. It was a pretty fancy of the young Vermont sculptor to make his first essay in this evanescent material. Was it a figure of Youth, I wonder? Would it not be well if all artists could begin in stuff as perishable, to melt away when the sun of prosperity began to shine, and leave nothing behind but the gain of practised hands! It is pleasant to fancy that Shakespeare served his apprenticeship at this trade, and owed to it that most pathetic of despairing wishes,—

“O, that I were a mockery-king of snow,
Standing before the sun of Bolingbroke,
To melt myself away in water-drops!”

I have spoken of the exquisite curves of snow surfaces. Not less rare are the tints of which they are capable,—the faint blue of the hollows, for the shadows in snow are always blue, and the tender rose of higher points, as you stand with your back to the setting sun and look upward across the soft rondure of a hillside. I have seen within a mile of home effects of color as lovely as any iridescence of the Silberhorn after sundown. Charles II., who never said a foolish thing, gave the English climate the highest praise when he said that it allowed you more hours out of doors than any other, and I think our winter may fairly make the same boast as compared with the rest of the year. Its still mornings, with the thermometer near zero, put a premium on walking. There is more sentiment in turf, perhaps, and it is more elastic to the foot; its silence, too, is wellnigh as congenial with meditation as that of fallen pine-tassel; but for exhilaration there is nothing like a stiff snow-crust that creaks like a cricket at every step, and communicates its own sparkle to the senses. The air you drink is frappé, all its grosser particles precipitated, and the dregs of your blood with them. A purer current mounts to the brain, courses sparkling through it, and rinses it thoroughly of all dejected stuff. There is nothing left to breed an exhalation of ill-humor, or despondency. They say that this rarefied atmosphere has lessened the capacity of our lungs. Be it so. Quart-pots are for muddier liquor than nectar. To me, the city in winter is infinitely dreary,—the sharp streetcorners have such a chill in them, and the snow so soon loses its maidenhood to become a mere drab,—“doing shameful things,” as Steele says of politicians, “without being ashamed.” I pine for the Quaker purity of my country landscape. I am speaking, of course, of those winters that are not niggardly of snow, as ours too often are, giving us a gravelly dust instead. Nothing can be unsightlier than those piebald fields where the coarse brown hide of Earth shows through the holes of her ragged ermine. But even when there is abundance of snow, I find as I grow older that there are not so many good crusts as there used to be. When I first observed this, I rashly set it to the account of that general degeneracy in nature (keeping pace with the same melancholy phenomenon in man) which forces itself upon the attention and into the philosophy of middle life. But happening once to be weighed, it occurred to me that an arch which would bear fifty pounds could hardly be blamed for giving way under more than three times the weight. I have sometimes thought that if theologians would remember this in their arguments, and consider that the man may slump through, with no fault of his own, where the boy would have skimmed the surface in safety, it would be better for all parties. However, when you do get a crust that will bear, and know any brooklet that runs down a hillside, be sure to go and take a look at him, especially if your crust is due, as it commonly is, to a cold snap following eagerly on a thaw. You will never find him so cheerful. As he shrank away after the last thaw, he built for himself the most exquisite caverns of ice to run through, if not “measureless to man” like those of Alph, the sacred river, yet perhaps more pleasing for their narrowness than those for their grandeur. What a cunning silversmith is Frost! The rarest workmanship of Delhi or Genoa copies him but clumsily, as if the fingers of all other artists were thumbs. Fernwork and lacework and filagree in endless variety, and under it all the water tinkles like a distant guitar, or drums like a tambourine, or gurgles like the Tokay of an anchorite’s dream. Beyond doubt there is a fairy procession marching along those frail arcades and translucent corridors.

“Their oaten pipes blow wondrous shrill,
The hemlock small blow clear.”

And hark! is that the ringing of Titania’s bridle, or the bells of the wee, wee hawk that sits on Oberon’s wrist! This wonder of Frost’s handiwork may be had every winter, but he can do better than this, though I have seen it but once in my life. There had been a thaw without wind or rain, making the air fat with gray vapor. Towards sundown came that chill, the avant-courier of a northwesterly gale. Then, though there was no perceptible current in the atmosphere, the fog began to attach itself in frosty roots and filaments to the southern side of every twig and grass-stem. The very posts had poems traced upon them by this dumb minstrel. Wherever the moist seeds found lodgement grew an inch-deep moss fine as cobweb, a slender coral-reef, argentine, delicate, as of some silent sea in the moon, such as Agassiz dredges when he dreams. The frost, too, can wield a delicate graver, and in fancy leaves Piranesi far behind. He covers your window-pane with Alpine etchings, as if in memory of that sanctuary where he finds shelter even in midsummer.

Now look down from your hillside across the valley. The trees are leafless, but this is the season to study their anatomy, and did you ever notice before how much color there is in the twigs of many of them? And the smoke from those chimneys is so blue it seems like a feeder of the sky into which it flows. Winter refines it and gives it agreeable associations. In summer it suggests cookery or the drudgery of steam-engines, but now your fancy (if it can forget for a moment the dreary usurpation of stoves) traces it down to the fireside and the brightened faces of children. Thoreau is the only poet who has fitly sung it. The wood-cutter rises before day and

“First in the dusky dawn he sends abroad
His early scout, his emissary, smoke,
The earliest, latest pilgrim from his roof,
To feel the frosty air; ...
And, while he crouches, still beside the hearth,
Nor musters courage to unbar the door,
It has gone down the glen with the light wind
And o’er the plain unfurled its venturous wreath.
Draped the tree-tops, loitered upon the hill,
And warmed the pinions of the early bird;
And now, perchance, high in the crispy air,
Has caught sight of the day o’er the earth’s edge,
And greets its master’s eye at his low door
As some refulgent cloud in the upper sky.”

Here is very bad verse and very good imagination. He had been reading Wordsworth, or he would not have made tree-tops an iambus. In the Moretum of Virgil (or, if not his, better than most of his) is a pretty picture of a peasant kindling his winter-morning fire. He rises before dawn,

Sollicitaque manu tenebras explorat inertes
Vestigatque focum læsus quem denique sensit.
Parvulus exusto remanebat stipite fumus,
Et cinis obductæ celabat lumina prunæ.
Admovet his pronam submissa fronte lucernam,
Et producit acu stupas humore carentes,
Excitat et crebris languentem flatibus ignem;
Tandem concepto tenebræ fulgore recedunt,
Oppositaque manu lumen defendit ab aura.

With cautious hand he gropes the sluggish dark,
Tracking the hearth which, scorched, he feels erelong.
In burnt-out logs a slender smoke remained,
And raked-up ashes hid the cinders’ eyes;
Stooping, to these the lamp outstretched he nears.
And, with a needle loosening the dry wick,
With frequent breath excites the languid flame.
Before the gathering glow the shades recede,
And his bent hand the new-caught light defends.

Ovid heightens the picture by a single touch:—

Ipse genu poito flammas exsuscitat aura.

Kneeling, his breath calls back to life the flames.

If you walk down now into the woods, you may find a robin or a blue-bird among the red-cedars, or a nuthatch scaling deviously the trunk of some hardwood tree with an eye as keen as that of a French soldier foraging for the pot-au-feu of his mess. Perhaps a blue-jay shrills cah cah in his corvine trebles, or a chickadee

“Shows feats of his gymnastic play,
Head downward, clinging to the spray.”

But both him and the snow-bird I love better to see, tiny fluffs of feathered life, as they scurry about in a driving mist of snow, than in this serene air.

Coleridge has put into verse one of the most beautiful phenomena of a winter walk:—

“The woodman winding westward up the glen
At wintry dawn, where o’er the sheep-track’s maze
The viewless snow-mist weaves a glistening haze,
Sees full before him, gliding without tread,
An image with a halo round its head.”

But this aureole is not peculiar to winter. I have noticed it often in a summer morning, when the grass was heavy with dew, and even later in the day, when the dewless grass was still fresh enough to have a gleam of its own.

For my own part I prefer a winter walk that takes in the nightfall and the intense silence that erelong follows it. The evening lamps look yellower by contrast with the snow, and give the windows that hearty look of which our secretive fires have almost robbed them. The stars seem

To hang, like twinkling winter lamps,
Among the branches of the leafless trees,

or, if you are on a hill-top (whence it is sweet to watch the home-lights gleam out one by one), they look nearer than in summer, and appear to take a conscious part in the cold. Especially in one of those stand-stills of the air that forebode a change of weather, the sky is dusted with motes of fire of which the summer-watcher never dreamed. Winter, too, is, on the whole, the triumphant season of the moon, a moon devoid of sentiment, if you choose, but with the refreshment of a purer intellectual light,—the cooler orb of middle life. Who ever saw anything to match that gleam, rather divined than seen, which runs before her over the snow, a breath of light, as she rises on the infinite silence of winter night? High in the heavens, also she seems to bring out some intenser property of cold with her chilly polish. The poets have instinctively noted this. When Goody Blake imprecates a curse of perpetual chill upon Harry Gill, she has

“The cold, cold moon above her head”;

and Coleridge speaks of

“The silent icicles,
Quietly gleaming to the quiet moon.”

As you walk homeward,—for it is time that we should end our ramble,—you may perchance hear the most impressive sound in nature, unless it be the fall of a tree in the forest during the hush of summer noon. It is the stifled shriek of the lake yonder as the frost throttles it. Wordsworth has described it (too much, I fear, in the style of Dr. Armstrong):—

“And, interrupting oft that eager game,
From under Esthwaite’s splitting fields of ice,
The pent-up air, struggling to free itself,
Gave out to meadow-grounds and hills a loud
Protracted yelling, like the noise of wolves
Howling in troops along the Bothnic main.”

Thoreau (unless the English lakes have a different dialect from ours) calls it admirably well a “whoop.” But it is a noise like none other, as if Demogorgon were moaning inarticulately from under the earth. Let us get within doors, lest we hear it again, for there is something bodeful and uncanny in it.

ON A CERTAIN CONDESCENSION IN FOREIGNERS.

WALKING one day toward the Village, as we used to call it in the good old days when almost every dweller in the town had been born in it, I was enjoying that delicious sense of disenthralment from the actual which the deepening twilight brings with it, giving as it does a sort of obscure novelty to things familiar. The coolness, the hush, broken only by the distant bleat of some belated goat, querulous to be disburthened of her milky load, the few faint stars, more guessed as yet than seen, the sense that the coming dark would so soon fold me in the secure privacy of its disguise,—all things combined in a result as near absolute peace as can be hoped for by a man who knows that there is a writ out against him in the hands of the printer’s devil. For the moment, I was enjoying the blessed privilege of thinking without being called on to stand and deliver what I thought to the small public who are good enough to take any interest therein. I love old ways, and the path I was walking felt kindly to the feet it had known for almost fifty years. How many fleeting impressions it had shared with me! How many times I had lingered to study the shadows of the leaves mezzotinted upon the turf that edged it by the moon, of the bare boughs etched with a touch beyond Rembrandt by the same unconscious artist on the smooth page of snow! If I turned round, through dusky tree-gaps came the first twinkle of evening lamps in the dear old homestead. On Corey’s hill I could see these tiny pharoses of love and home and sweet domestic thoughts flash out one by one across the blackening salt-meadow between. How much has not kerosene added to the cheerfulness of our evening landscape! A pair of night-herons flapped heavily over me toward the hidden river. The war was ended. I might walk townward without that aching dread of bulletins that had darkened the July sunshine and twice made the scarlet leaves of October seem stained with blood. I remembered with a pang, half-proud, half-painful, how, so many years ago, I had walked over the same path and felt round my finger the soft pressure of a little hand that was one day to harden with faithful grip of sabre. On how many paths, leading to how many homes where proud Memory does all she can to fill up the fireside gaps with shining shapes, must not men be walking in just such pensive mood as I? Ah, young heroes, safe in immortal youth as those of Homer, you at least carried your ideal hence untarnished! It is locked for you beyond moth or rust in the treasure-chamber of Death.

Is not a country, I thought, that has had such as they in it, that could give such as they a brave joy in dying for it, worth something, then? And as I felt more and more the soothing magic of evening’s cool palm upon my temples, as my fancy came home from its revery, and my senses, with reawakened curiosity, ran to the front windows again from the viewless closet of abstraction, and felt a strange charm in finding the old tree and shabby fence still there under the travesty of falling night, nay, were conscious of an unsuspected newness in familiar stars and the fading outlines of hills my earliest horizon, I was conscious of an immortal soul, and could not but rejoice in the unwaning goodliness of the world into which I had been born without any merit of my own. I thought of dear Henry Vaughan’s rainbow, “Still young and fine!” I remembered people who had to go over to the Alps to learn what the divine silence of snow was, who must run to Italy before they were conscious of the miracle wrought every day under their very noses by the sunset, who must call upon the Berkshire hills to teach them what a painter autumn was, while close at hand the Fresh Pond meadows made all oriels cheap with hues that showed as if a sunset-cloud had been wrecked among their maples. One might be worse off than even in America, I thought. There are some things so elastic that even the heavy roller of democracy cannot flatten them altogether down. The mind can weave itself warmly in the cocoon of its own thoughts and dwell a hermit anywhere. A country without traditions, without ennobling associations, a scramble of parvenus, with a horrible consciousness of shoddy running through politics, manners, art, literature, nay, religion itself? I confess, it did not seem so to me there in that illimitable quiet, that serene self-possession of nature, where Collins might have brooded his “Ode to Evening,” or where those verses on Solitude in Dodsley’s Collection, that Hawthorne liked so much, might have been composed. Traditions? Granting that we had none, all that is worth having in them is the common property of the soul,—an estate in gavelkind for all the sons of Adam,—and, moreover, if a man cannot stand on his two feet (the prime quality of whoever has left any tradition behind him), were it not better for him to be honest about it at once, and go down on all fours? And for associations, if one have not the wit to make them for himself out of his native earth, no ready-made ones of other men will avail him much. Lexington is none the worse to me for not being in Greece, nor Gettysburg that its name is not Marathon. “Blessed old fields,” I was just exclaiming to myself, like one of Mrs. Radcliffe’s heroes, “dear acres, innocently secure from history, which these eyes first beheld, may you be also those to which they shall at last slowly darken!” when I was interrupted by a voice which asked me in German whether I was the Herr Professor, Doctor, So-and-so? The “Doctor” was by brevet or vaticination, to make the grade easier to my pocket.

One feels so intimately assured that he is made up, in part, of shreds and leavings of the past, in part of the interpolations of other people, that an honest man would be slow in saying yes to such a question. But “my name is So-and-so” is a safe answer, and I gave it. While I had been romancing with myself, the street-lamps had been lighted, and it was under one of these detectives that have robbed the Old Road of its privilege of sanctuary after nightfall that I was ambushed by my foe. The inexorable villain had taken my description, it appears, that I might have the less chance to escape him. Dr. Holmes tells us that we change our substance, not every seven years, as was once believed, but with every breath we draw. Why had I not the wit to avail myself of the subterfuge, and, like Peter, to renounce my identity, especially, as in certain moods of mind, I have often more than doubted of it myself? When a man is, as it were, his own front-door, and is thus knocked at, why may he not assume the right of that sacred wood to make every house a castle, by denying himself to all visitations? I was truly not at home when the question was put to me, but had to recall myself from all out-of-doors, and to piece my self-consciousness hastily together as well as I could before I answered it.

I knew perfectly well what was coming. It is seldom that debtors or good Samaritans waylay people under gas-lamps in order to force money upon them, so far as I have seen or heard. I was also aware, from considerable experience, that every foreigner is persuaded that, by doing this country the favor of coming to it, he has laid every native thereof under an obligation, pecuniary or other, as the case may be, whose discharge he is entitled-to on demand duly made in person or by letter. Too much learning (of this kind) had made me mad in the provincial sense of the word. I had begun life with the theory of giving something to every beggar that came along, though sure of never finding a native-born countryman among them. In a small way, I was resolved to emulate Hatem Tai’s tent, with its three hundred and sixty-five entrances, one for every day in the year,—I know not whether he was astronomer enough to add another for leap-years. The beggars were a kind of German-silver aristocracy; not real plate, to be sure, but better than nothing. Where everybody was overworked, they supplied the comfortable equipoise of absolute leisure, so æsthetically needful. Besides, I was but too conscious of a vagrant fibre in myself, which too often thrilled me in my solitary walks with the temptation to wander on into infinite space, and by a single spasm of resolution to emancipate myself from the drudgery of prosaic serfdom to respectability and the regular course of things. This prompting has been at times my familiar demon, and I could not but feel a kind of respectful sympathy for men who had dared what I had only sketched out to myself as a splendid possibility. For seven years I helped maintain one heroic man on an imaginary journey to Portland,—as fine an example as I have ever known of hopeless loyalty to an ideal. I assisted another so long in a fruitless attempt to reach Mecklenburg-Schwerin, that at last we grinned in each other’s faces when we met, like a couple of augurs. He was possessed by this harmless mania as some are by the North Pole, and I shall never forget his look of regretful compassion (as for one who was sacrificing his higher life to the fleshpots of Egypt) when I at last advised him somewhat strenuously to go to the D——, whither the road was so much travelled that he could not miss it. General Banks, in his noble zeal for the honor of his country, would confer on the Secretary of State the power of imprisoning, in case of war, all these seekers of the unattainable, thus by a stroke of the pen annihilating the single poetic element in our humdrum life. Alas! not everybody has the genius to be a Bobbin-Boy, or doubtless all these also would have chosen that more prosperous line of life! But moralists, sociologists, political economists, and taxes have slowly convinced me that my beggarly sympathies were a sin against society. Especially was the Buckle doctrine of averages (so flattering to our free-will) persuasive with me; for as there must be in every year a certain number who would bestow an alms on these abridged editions of the Wandering Jew, the withdrawal of my quota could make no possible difference, since some destined proxy must always step forward to fill my gap. Just so many misdirected letters every year and no more! Would it were as easy to reckon up the number of men on whose backs fate has written the wrong address, so that they arrive by mistake in Congress and other places where they do not belong! May not these wanderers of whom I speak have been sent into the world without any proper address at all? Where is our Dead-Letter Office for such? And if wiser social arrangements should furnish us with something of the sort, fancy (horrible thought!) how many a workingman’s friend (a kind of industry in which the labor is light and the wages heavy) would be sent thither because not called for in the office where he at present lies!

But I am leaving my new acquaintance too long under the lamp-post. The same Gano which had betrayed me to him revealed to me a well-set young man of about half my own age, as well dressed, so far as I could see, as I was, and with every natural qualification for getting his own livelihood as good, if not better, than my own. He had been reduced to the painful necessity of calling upon me by a series of crosses beginning with the Baden Revolution (for which, I own, he seemed rather young,—but perhaps he referred to a kind of revolution practised every season at Baden-Baden), continued by repeated failures in business, for amounts which must convince me of his entire respectability, and ending with our Civil War. During the latter, he had served with distinction as a soldier, taking a main part in every important battle, with a rapid list of which he favored me and no doubt would have admitted that, impartial as Jonathan Wild’s great ancestor, he had been on both sides, had I baited him with a few hints of conservative opinions on a subject so distressing to a gentleman wishing to profit by one’s sympathy and unhappily doubtful as to which way it might lean. For all these reasons, and, as he seemed to imply, for his merit in consenting to be born in Germany, he considered himself my natural creditor to the extent of five dollars, which he would handsomely consent to accept in greenbacks, though he preferred specie. The offer was certainly a generous one, and the claim presented with an assurance that carried conviction. But, unhappily, I had been led to remark a curious natural phenomenon. If I was ever weak enough to give anything to a petitioner of whatever nationality, it always rained decayed compatriots of his for a month after. Post hoc ergo propter hoc may not be always safe logic, but here I seemed to perceive a natural connection of cause and effect. Now, a few days before I had been so tickled with a paper (professedly written by a benevolent American clergyman) certifying that the bearer, a hard-working German, had long “sofered with rheumatic paints in his limps,” that, after copying the passage into my note-book, I thought it but fair to pay a trifling honorarium to the author. I had pulled the string of the shower-bath! It had been running shipwrecked sailors for some time, but forthwith it began to pour Teutons, redolent of lager-bier. I could not help associating the apparition of my new friend with this series of otherwise unaccountable phenomena. I accordingly made up my mind to deny the debt, and modestly did so, pleading a native bias towards impecuniosity to the full as strong as his own. He took a high tone with me at once, such as an honest man would naturally take with a confessed repudiator. He even brought down his proud stomach so far as to join himself to me for the rest of my townward walk, that he might give me his views of the American people, and thus inclusively of myself.

I know not whether it is because I am pigeon-livered and lack gall, or whether it is from an overmastering sense of drollery, but I am apt to submit to such bastings with a patience which afterwards surprises me, being not without my share of warmth in the blood. Perhaps it is because I so often meet with young persons who know vastly more than I do, and especially with so many foreigners whose knowledge of this country is superior to my own. However it may be, I listened for some time with tolerable composure as my self-appointed lecturer gave me in detail his opinions of my country and its people. America, he informed me, was without arts, science, literature, culture, or any native hope of supplying them. We were a people wholly given to money-getting, and who, having got it, knew no other use for it than to hold it fast. I am fain to confess that I felt a sensible itching of the biceps, and that my fingers closed with such a grip as he had just informed me was one of the effects of our unhappy climate. But happening just then to be where I could avoid temptation by dodging down a by-street, I hastily left him to finish his diatribe to the lamp-post, which could stand it better than I. That young man will never know how near he came to being assaulted by a respectable gentleman of middle age, at the corner of Church Street. I have never felt quite satisfied that I did all my duty by him in not knocking him down. But perhaps he might have knocked me down, and then?

The capacity of indignation makes an essential part of the outfit of every honest man, but I am inclined to doubt whether he is a wise one who allows himself to act upon its first hints. It should be rather, I suspect, a latent heat in the blood, which makes itself felt in character, a steady reserve for the brain, warming the ovum of thought to life, rather than cooking it by a too hasty enthusiasm in reaching the boiling-point. As my pulse gradually fell back to its normal beat, I reflected that I had been uncomfortably near making a fool of myself,—a handy salve of euphuism for our vanity, though it does not always make a just allowance to Nature for her share in the business. What possible claim had my Teutonic friend to rob me of my composure? I am not, I think, specially thin-skinned as to other people’s opinions of myself, having, as I conceive, later and fuller intelligence on that point than anybody else can give me. Life is continually weighing us in very sensitive scales, and telling every one of us precisely what his real weight is to the last grain of dust. Whoever at fifty does not rate himself quite as low as most of his acquaintance would be likely to put him, must be either a fool or a great man, and I humbly disclaim being either. But if I was not smarting in person from any scattering shot of my late companion’s commination, why should I grow hot at any implication of my country therein? Surely her shoulders are broad enough, if yours or mine are not, to bear up under a considerable avalanche of this kind. It is the bit of truth in every slander, the hint of likeness in every caricature, that makes us smart. “Art thou there, old Truepenny?” How did your blade know its way so well to that one loose rivet in our armor? I wondered whether Americans were over-sensitive in this respect, whether they were more touchy than other folks. On the whole, I thought we were not. Plutarch, who at least had studied philosophy, if he had not mastered it, could not stomach something Herodotus had said of Bœotia, and devoted an essay to showing up the delightful old traveller’s malice and ill-breeding. French editors leave out of Montaigne’s “Travels” some remarks of his about France, for reasons best known to themselves. Pachydermatous Deutschland, covered with trophies from every field of letters, still winces under that question which Père Bouhours put two centuries ago, Si un Allemand peut être bel-esprit? John Bull grew apoplectic with angry amazement at the audacious persiflage of Pückler-Muskau. To be sure, he was a prince,—but that was not all of it, for a chance phrase of gentle Hawthorne sent a spasm through all the journals of England. Then this tenderness is not peculiar to us? Console yourself, dear man and brother, whatever you may be sure of, be sure at least of this, that you are dreadfully like other people. Human nature has a much greater genius for sameness than for originality, or the world would be at a sad pass shortly. The surprising thing is that men have such a taste for this somewhat musty flavor, that an Englishman, for example, should feel himself defrauded, nay, even outraged, when he comes over here and finds a people speaking what he admits to be something like English, and yet so very different from (or, as he would say, to) those he left at home. Nothing, I am sure, equals my thankfulness when I meet an Englishman who is not like every other, or, I may add, an American of the same odd turn.

Certainly it is no shame to a man that he should be as nice about his country as about his sweetheart, and who ever heard even the friendliest appreciation of that unexpressive she that did not seem to fall infinitely short? Yet it would hardly be wise to hold every one an enemy who could not see her with our own enchanted eyes. It seems to be the common opinion of foreigners that Americans are too tender upon this point. Perhaps we are; and if so, there must be a reason for it. Have we had fair play? Could the eyes of what is called Good Society (though it is so seldom true either to the adjective or noun) look upon a nation of democrats with any chance of receiving an undistorted image? Were not those, moreover, who found in the old order of things an earthly paradise, paying them quarterly dividends for the wisdom of their ancestors, with the punctuality of the seasons, unconsciously bribed to misunderstand if not to misrepresent us? Whether at war or at peace, there we were, a standing menace to all earthly paradises of that kind, fatal underminers of the very credit on which the dividends were based, all the more hateful and terrible that our destructive agency was so insidious, working invisible in the elements, as it seemed, active while they slept, and coming upon them in the darkness like an armed man. Could Laius have the proper feelings of a father towards Œdipus, announced as his destined destroyer by infallible oracles, and felt to be such by every conscious fibre of his soul? For more than a century the Dutch were the laughing-stock of polite Europe. They were butter-firkins, swillers of beer and schnaps, and their vrouws from whom Holbein painted the all-but loveliest of Madonnas, Rembrandt the graceful girl who sits immortal on his knee in Dresden, and Rubens his abounding goddesses, were the synonymes of clumsy vulgarity. Even so late as Irving the ships of the greatest navigators in the world were represented as sailing equally well stern-foremost. That the aristocratic Venetians should have

“Riveted with gigantic piles
Thorough the centre their new-catchëd miles,”

was heroic. But the far more marvellous achievement of the Dutch in the same kind was ludicrous even to republican Marvell. Meanwhile, during that very century of scorn, they were the best artists, sailors, merchants, bankers, printers, scholars, jurisconsults, and statesmen in Europe, and the genius of Motley has revealed them to us, earning a right to themselves by the most heroic struggle in human annals. But, alas! they were not merely simple burghers who had fairly made themselves High Mightinesses, and could treat on equal terms with anointed kings, but their commonwealth carried in its bosom the germs of democracy. They even unmuzzled, at least after dark, that dreadful mastiff, the Press, whose scent is, or ought to be, so keen for wolves in sheep’s clothing and for certain other animals in lions’ skins. They made fun of Sacred Majesty, and, what was worse, managed uncommonly well without it. In an age when periwigs made so large a part of the natural dignity of man, people with such a turn of mind were dangerous. How could they seem other than vulgar and hateful?

In the natural course of things we succeeded to this unenviable position of general butt. The Dutch had thriven under it pretty well, and there was hope that we could at least contrive to worry along. And we certainly did in a very redoubtable fashion. Perhaps we deserved some of the sarcasm more than our Dutch predecessors in office. We had nothing to boast of in arts or letters, and were given to bragging overmuch of our merely material prosperity, due quite as much to the virtue of our continent as to our own. There was some truth in Carlyle’s sneer, after all. Till we had succeeded in some higher way than this, we had only the success of physical growth. Our greatness, like that of enormous Russia, was greatness on the map,—barbarian mass only; but had we gone down, like that other Atlantis, in some vast cataclysm, we should have covered but a pin’s point on the chart of memory, compared with those ideal spaces occupied by tiny Attica and cramped England. At the same time, our critics somewhat too easily forgot that material must make ready the foundation for ideal triumphs, that the arts have no chance in poor countries. But it must be allowed that democracy stood for a great deal in our shortcoming. The Edinburgh Review never would have thought of asking, “Who reads a Russian book?” and England was satisfied with iron from Sweden without being impertinently inquisitive after her painters and statuaries. Was it that they expected too much from the mere miracle of Freedom? Is it not the highest art of a Republic to make men of flesh and blood, and not the marble ideals of such? It may be fairly doubted whether we have produced this higher type of man yet. Perhaps it is the collective, not the individual, humanity that is to have a chance of nobler development among us. We shall see. We have a vast amount of imported ignorance, and, still worse, of native ready-made knowledge, to digest before even the preliminaries of such a consummation can be arranged. We have got to learn that statesmanship is the most complicated of all arts, and to come back to the apprenticeship-system too hastily abandoned. At present, we trust a man with making constitutions on less proof of competence than we should demand before we gave him our shoe to patch. We have nearly reached the limit of the reaction from the old notion, which paid too much regard to birth and station as qualifications for office, and have touched the extreme point in the opposite direction, putting the highest of human functions up at auction to be bid for by any creature capable of going upright on two legs. In some places, we have arrived at a point at which civil society is no longer possible, and already another reaction has begun, not backwards to the old system, but towards fitness either from natural aptitude or special training. But will it always be safe to let evils work their own cure by becoming unendurable? Every one of them leaves its taint in the constitution of the body-politic, each in itself, perhaps, trifling, yet all together powerful for evil.

But whatever we might do or leave undone, we were not genteel, and it was uncomfortable to be continually reminded that, though we should boast that we were the Great West till we were black in the face, it did not bring us an inch nearer to the world’s West-End. That sacred enclosure of respectability was tabooed to us. The Holy Alliance did not inscribe us on its visiting-list. The Old World of wigs and orders and liveries would shop with us, but we must ring at the area-bell, and not venture to awaken the more august clamors of the knocker. Our manners, it must be granted, had none of those graces that stamp the caste of Vere de Vere, in whatever museum of British antiquities they may be hidden. In short, we were vulgar.

This was one of those horribly vague accusations, the victim of which has no defence. An umbrella is of no avail against a Scotch mist. It envelops you, it penetrates at every pore, it wets you through without seeming to wet you at all. Vulgarity is an eighth deadly sin, added to the list in these latter days, and worse than all the others put together, since it perils your salvation in this world,—far the more important of the two in the minds of most men. It profits nothing to draw nice distinctions between essential and conventional, for the convention in this case is the essence, and you may break every command of the decalogue with perfect good-breeding, nay, if you are adroit, without losing caste. We, indeed, had it not to lose, for we had never gained it. “How am I vulgar?” asks the culprit, shudderingly. “Because thou art not like unto Us,” answers Lucifer, Son of the Morning, and there is no more to be said. The god of this world may be a fallen angel, but he has us there! We were as clean,—so far as my observation goes, I think we were cleaner, morally and physically, than the English, and therefore, of course, than everybody else. But we did not pronounce the diphthong ou as they did, and we said eether and not eyther, following therein the fashion of our ancestors, who unhappily could bring over no English better than Shakespeare’s; and we did not stammer as they had learned to do from the courtiers, who in this way flattered the Hanoverian king, a foreigner among the people he had come to reign over. Worse than all, we might have the noblest ideas and the finest sentiments in the world, but we vented them through that organ by which men are led rather than leaders, though some physiologists would persuade us that Nature furnishes her captains with a fine handle to their faces that Opportunity may get a good purchase on them for dragging them to the front.

This state of things was so painful that excellent people were not wanting who gave their whole genius to reproducing here the original Bull, whether by gaiters, the cut of their whiskers, by a factitious brutality in their tone, or by an accent that was forever tripping and falling flat over the tangled roots of our common tongue. Martyrs to a false ideal, it never occurred to them that nothing is more hateful to gods and men than a second-rate Englishman, and for the very reason that this planet never produced a more splendid creature than the first-rate one, witness Shakespeare and the Indian Mutiny. Witness that truly sublime self-abnegation of those prisoners lately among the bandits of Greece, where average men gave an example of quiet fortitude for which all the stoicism of antiquity can show no match. If we could contrive to be not too unobtrusively our simple selves, we should be the most delightful of human beings, and the most original; whereas, when the plating of Anglicism rubs off, as it always will in points that come to much wear, we are liable to very unpleasing conjectures about the quality of the metal underneath. Perhaps one reason why the average Briton spreads himself here with such an easy air of superiority may be owing to the fact that he meets with so many bad imitations as to conclude himself the only real thing in a wilderness of shams. He fancies himself moving through an endless Bloomsbury, where his mere apparition confers honor as an avatar of the court-end of the universe. Not a Bull of them all but is persuaded he bears Europa upon his back. This is the sort of fellow whose patronage is so divertingly insufferable. Thank Heaven he is not the only specimen of cater-cousinship from the dear old Mother Island that is shown to us! Among genuine things, I know nothing more genuine than the better men whose limbs were made in England. So manlytender, so brave, so true, so warranted to wear, they make us proud to feel that blood is thicker than water.

But it is not merely the Englishman; every European candidly admits in himself some right of primogeniture in respect to us, and pats this shaggy continent on the back with a lively sense of generous unbending. The German who plays the bass-viol has a well-founded contempt, which he is not always nice in concealing, for a country so few of whose children ever take that noble instrument between their knees. His cousin, the Ph.D. from Göttingen, cannot help despising a people who do not grow loud and red over Aryans and Turanians, and are indifferent about their descent from either. The Frenchman feels an easy mastery in speaking his mother tongue, and attributes it to some native superiority of parts that lifts him high above us barbarians of the West. The Italian prima donna sweeps a courtesy of careless pity to the over-facile pit which unsexes her with the bravo! innocently meant to show a familiarity with foreign usage. But all without exception make no secret of regarding us as the goose bound to deliver them a golden egg in return for their cackle. Such men as Agassiz, Guyot, and Goldwin Smith come with gifts in their hands; but since it is commonly European failures who bring hither their remarkable gifts and acquirements, this view of the case is sometimes just the least bit in the world provoking. To think what a delicious seclusion of contempt we enjoyed till California and our own ostentatious parvenus, flinging gold away in Europe that might have endowed libraries at home, gave us the ill repute of riches! What a shabby downfall from the Arcadia which the French officers of our Revolutionary War fancied they saw here through Rousseau-tinted spectacles! Something of Arcadia there really was, something of the Old Age; and that divine provincialism were cheaply repurchased could we have it back again in exchange for the tawdry upholstery that has taken its place.

For some reason or other, the European has rarely been able to see America except in caricature. Would the first Review of the world have printed the niaiseries of Mr. Maurice Sand as a picture of society in any civilized country? Mr. Sand, to be sure, has inherited nothing of his famous mother’s literary outfit, except the pseudonyme. But since the conductors of the Revue could not have published his story because it was clever, they must have thought it valuable for its truth. As true as the last-century Englishman’s picture of Jean Crapaud! We do not ask to be sprinkled with rosewater, but may perhaps fairly protest against being drenched with the rinsings of an unclean imagination. The next time the Revue allows such ill-bred persons to throw their slops out of its first-floor windows, let it honestly preface the discharge with a gare de l’eau! that we may run from under in season. And Mr. Duvergier d’Hauranne, who knows how to be entertaining! I know le Français est plutôt indiscret que confiant, and the pen slides too easily when indiscretions will fetch so much a page; but should we not have been tant-soit-peu more cautious had we been writing about people on the other side of the Channel? But then it is a fact in the natural history of the American long familiar to Europeans, that he abhors privacy, knows not the meaning of reserve, lives in hotels because of their greater publicity, and is never so pleased as when his domestic affairs (if he may be said to have any) are paraded in the newspapers. Barnum, it is well known, represents perfectly the average national sentiment in this respect. However it be, we are not treated like other people, or perhaps I should say like people who are ever likely to be met with in society.

Is it in the climate? Either I have a false notion of European manners, or else the atmosphere affects them strangely when exported hither. Perhaps they suffer from the sea-voyage like some of the more delicate wines. During our Civil War an English gentleman of the highest description was kind enough to call upon me, mainly, as it seemed, to inform me how entirely he sympathized with the Confederates, and how sure he felt that we could never subdue them,—“they were the gentlemen of the country, you know.” Another, the first greetings hardly over, asked me how I accounted for the universal meagreness of my countrymen. To a thinner man than I, or from a stouter man than he, the question might have been offensive. The Marquis of Hartington[3] wore a secession badge at a public ball in New York. In a civilized country he might have been roughly handled; but here, where the biensèances are not so well understood, of course nobody minded it. A French traveller told me he had been a good deal in the British colonies, and had been astonished to see how soon the people became Americanized. He added, with delightful bonhomie, and as if he were sure it would charm me, that “they even began to talk through their noses, just like you!” I was naturally ravished with this testimony to the assimilating power of democracy, and could only reply that I hoped they would never adopt our democratic patent-method of seeming to settle one’s honest debts, for they would find it paying through the nose in the long-run. I am a man of the New World, and do not know precisely the present fashion of May-Fair, but I have a kind of feeling that if an American (mutato nomine, de te is always frightfully possible) were to do this kind of thing under a European roof, it would induce some disagreeable reflections as to the ethical results of democracy. I read the other day in print the remark of a British tourist who had eaten large quantities of our salt, such as it is (I grant it has not the European savor), that the Americans were hospitable, no doubt, but that it was partly because they longed for foreign visitors to relieve the tedium of their dead-level existence, and partly from ostentation. What shall we do? Shall we close our doors? Not I, for one, if I should so have forfeited the friendship of L. S., most lovable of men. He somehow seems to find us human, at least, and so did Clough, whose poetry will one of these days, perhaps, be found to have been the best utterance in verse of this generation. And T. H. the mere grasp of whose manly hand carries with it the pledge of frankness and friendship, of an abiding simplicity of nature as affecting as it is rare!

The fine old Tory aversion of former times was not hard to bear. There was something even refreshing in it, as in a northeaster to a hardy temperament. When a British parson, travelling in Newfoundland while the slash of our separation was still raw, after prophesying a glorious future for an island that continued to dry its fish under the ægis of Saint George, glances disdainfully over his spectacles in parting at the U. S. A., and forebodes for them a “speedy relapse into barbarism,” now that they have madly cut themselves off from the humanizing influences of Britain, I smile with barbarian self-conceit. But this kind of thing became by degrees an unpleasant anachronism. For meanwhile the young giant was growing, was beginning indeed to feel tight in his clothes, was obliged to let in a gore here and there in Texas, in California, in New Mexico, in Alaska, and had the scissors and needle and thread ready for Canada when the time came. His shadow loomed like a Brocken-spectre over against Europe,—the shadow of what they were coming to, that was the unpleasant part of it. Even in such misty image as they had of him, it was painfully evident that his clothes were not of any cut hitherto fashionable, nor conceivable by a Bond Street tailor,—and this in an age, too, when everything depends upon clothes, when, if we do not keep up appearances, the seeming-solid frame of this universe, nay, your very God, would slump into himself, like a mockery king of snow, being nothing, after all, but a prevailing mode. From this moment the young giant assumed the respectable aspect of a phenomenon, to be got rid of if possible, but at any rate as legitimate a subject of human study as the glacial period or the silurian what-d’ye-call-ems. If the man of the primeval drift-heaps is so absorbingly interesting, why not the man of the drift that is just beginning, of the drift into whose irresistible current we are just being sucked whether we will or no? If I were in their place, I confess I should not be frightened. Man has survived so much, and contrived to be comfortable on this planet after surviving so much! I am something of a protestant in matters of government also, and am willing to get rid of vestments and ceremonies and to come down to bare benches, if only faith in God take the place of a general agreement to profess confidence in ritual and sham. Every mortal man of us holds stock in the only public debt that is absolutely sure of payment, and that is the debt of the Maker of this Universe to the Universe he has made. I have no notion of selling out my stock in a panic.

It was something to have advanced even to the dignity of a phenomenon, and yet I do not know that the relation of the individual American to the individual European was bettered by it; and that, after all, must adjust itself comfortably before there can be a right understanding between the two. We had been a desert, we became a museum. People came hither for scientific and not social ends. The very cockney could not complete his education without taking a vacant stare at us in passing. But the sociologists (I think they call themselves so) were the hardest to bear. There was no escape. I have even known a professor of this fearful science to come disguised in petticoats. We were cross-examined as a chemist cross-examines a new substance. Human? yes, all the elements are present, though abnormally combined. Civilized? Hm! that needs a stricter assay. No entomologist could take a more friendly interest in a strange bug. After a few such experiences, I, for one, have felt as if I were merely one of those horrid things preserved in spirits (and very bad spirits, too) in a cabinet. I was not the fellow-being of these explorers: I was a curiosity; I was a specimen. Hath not an American organs, dimensions, senses, affections, passions even as a European hath? If you prick us, do we not bleed? If you tickle us, do we not laugh? I will not keep on with Shylock to his next question but one.

Till after our Civil War it never seemed to enter the head of any foreigner, especially of any Englishman, that an American had what could be called a country, except as a place to eat, sleep, and trade in. Then it seemed to strike them suddenly. “By Jove, you know, fellahs don’t fight like that for a shop-till!” No, I rather think not. To Americans America is something more than a promise and an expectation. It has a past and traditions of its own. A descent from men who sacrificed everything and came hither, not to better their fortunes, but to plant their idea in virgin soil, should be a good pedigree. There was never colony save this that went forth, not to seek gold, but God. Is it not as well to have sprung from such as these as from some burly beggar who came over with Wilhelmus Conquestor, unless, indeed, a line grow better as it runs farther away from stalwart ancestors? And for history, it is dry enough, no doubt, in the books, but, for all that, is of a kind that tells in the blood. I have admitted that Carlyle’s sneer had a show of truth in it. But what does he himself, like a true Scot, admire in the Hohenzollerns? First of all, that they were canny, a thrifty, forehanded race. Next, that they made a good fight from generation to generation with the chaos around them. That is precisely the battle which the English race on this continent has been carrying doughtily on for two centuries and a half. Doughtily and silently, for you cannot hear in Europe “that crash, the death-song of the perfect tree,” that has been going on here from sturdy father to sturdy son, and making this continent habitable for the weaker Old World breed that has swarmed to it during the last half-century. If ever men did a good stroke of work on this planet, it was the forefathers of those whom you are wondering whether it would not be prudent to acknowledge as far-off cousins. Alas, man of genius, to whom we owe so much, could you see nothing more than the burning of a foul chimney in that clash of Michael and Satan which flamed up under your very eyes?

Before our war we were to Europe but a huge mob of adventurers and shop-keepers. Leigh Hunt expressed it well enough when he said that he could never think of America without seeing a gigantic counter stretched all along the seaboard. Feudalism had by degrees made commerce, the great civilizer, contemptible. But a tradesman with sword on thigh and very prompt of stroke was not only redoubtable, he had become respectable also. Few people, I suspect, alluded twice to a needle in Sir John Hawkwood’s presence, after that doughty fighter had exchanged it for a more dangerous tool of the same metal. Democracy had been hitherto only a ludicrous effort to reverse the laws of nature by thrusting Cleon into the place of Pericles. But a democracy that could fight for an abstraction, whose members held life and goods cheap compared with that larger life which we call country, was not merely unheard-of, but portentous. It was the nightmare of the Old World taking upon itself flesh and blood, turning out to be substance and not dream. Since the Norman crusader clanged down upon the throne of the porphyro-geniti, carefully-draped appearances had never received such a shock, had never been so rudely called on to produce their titles to the empire of the world. Authority has had its periods not unlike those of geology, and at last comes Man claiming kingship in right of his mere manhood. The world of the Saurians might be in some respects more picturesque, but the march of events is inexorable, and it is bygone.

The young giant had certainly got out of long-clothes. He had become the enfant terrible of the human household. It was not and will not be easy for the world (especially for our British cousins) to look upon us as grown up. The youngest of nations, its people must also be young and to be treated accordingly, was the syllogism,—as if libraries did not make all nations equally old in all those respects, at least, where age is an advantage and not a defect. Youth, no doubt, has its good qualities, as people feel who are losing it, but boyishness is another thing. We had been somewhat boyish as a nation, a little loud, a little pushing, a little braggart. But might it not partly have been because we felt that we had certain claims to respect that were not admitted? The war which established our position as a vigorous nationality has also sobered us. A nation, like a man, cannot look death in the eye for four years, without some strange reflections, without arriving at some clearer consciousness of the stuff it is made of, without some great moral change. Such a change, or the beginning of it, no observant person can fail to see here. Our thought and our politics, our bearing as a people, are assuming a manlier tone. We have been compelled to see what was weak in democracy as well as what was strong. We have begun obscurely to recognize that things do not go of themselves, and that popular government is not in itself a panacea, is no better than any other form except as the virtue and wisdom of the people make it so, and that when men undertake to do their own kingship, they enter upon the dangers and responsibilities as well as the privileges of the function. Above all, it looks as if we were on the way to be persuaded that no government can be carried on by declamation. It is noticeable also that facility of communication has made the best English and French thought far more directly operative here than ever before. Without being Europeanized, our discussion of important questions in statesmanship, political economy, in æsthetics, is taking a broader scope and a higher tone. It had certainly been provincial, one might almost say local, to a very unpleasant extent. Perhaps our experience in soldiership has taught us to value training more than we have been popularly wont. We may possibly come to the conclusion, one of these days, that self-made men may not be always equally skilful in the manufacture of wisdom, may not be divinely commissioned to fabricate the higher qualities of opinion on all possible topics of human interest.

So long as we continue to be the most common-schooled and the least cultivated people in the world, I suppose we must consent to endure this condescending manner of foreigners toward us. The more friendly they mean to be the more ludicrously prominent it becomes. They can never appreciate the immense amount of silent work that has been done here, making this continent slowly fit for the abode of man, and which will demonstrate itself, let us hope, in the character of the people. Outsiders can only be expected to judge a nation by the amount it has contributed to the civilization of the world; the amount, that is, that can be seen and handled. A great place in history can only be achieved by competitive examinations, nay, by a long course of them. How much new thought have we contributed to the common stock? Till that question can be triumphantly answered, or needs no answer, we must continue to be simply interesting as an experiment, to be studied as a problem, and not respected as an attained result or an accomplished solution. Perhaps, as I have hinted, their patronizing manner toward us is the fair result of their failing to see here anything more than a poor imitation, a plaster-cast of Europe. And are they not partly right? If the tone of the uncultivated American has too often the arrogance of the barbarian, is not that of the cultivated as often vulgarly apologetic? In the America they meet with is there the simplicity, the manliness, the absence of sham, the sincere human nature, the sensitiveness to duty and implied obligation, that in any way distinguishes us from what our orators call “the effete civilization of the Old World”? Is there a politician among us daring enough (except a Dana here and there) to risk his future on the chance of our keeping our word with the exactness of superstitious communities like England? Is it certain that we shall be ashamed of a bankruptcy of honor, if we can only keep the letter of our bond? I hope we shall be able to answer all these questions with a frank yes. At any rate, we would advise our visitors that we are not merely curious creatures, but belong to the family of man, and that, as individuals, we are not to be always subjected to the competitive examination above mentioned, even if we acknowledged their competence as an examining board. Above all, we beg them to remember that America is not to us, as to them, a mere object of external interest to be discussed and analyzed, but in us, part of our very marrow. Let them not suppose that we conceive of ourselves as exiles from the graces and amenities of an older date than we, though very much at home in a state of things not yet all it might be or should be, but which we mean to make so, and which we find both wholesome and pleasant for men (though perhaps not for dilettanti) to live in. “The full tide of human existence” may be felt here as keenly as Johnson felt it at Charing Cross, and in a larger sense. I know one person who is singular enough to think Cambridge the very best spot on the habitable globe. “Doubtless God could have made a better, but doubtless he never did.”

It will take England a great while to get over her airs of patronage toward us, or even passably to conceal them. She cannot help confounding the people with the country, and regarding us as lusty juveniles. She has a conviction that whatever good there is in us is wholly English, when the truth is that we are worth nothing except so far as we have disinfected ourselves of Anglicism. She is especially condescending just now, and lavishes sugar-plums on us as if we had not outgrown them. I am no believer in sudden conversions, especially in sudden conversions to a favorable opinion of people who have just proved you to be mistaken in judgment and therefore unwise in policy. I never blamed her for not wishing well to democracy,—how should she?—but Alabamas are not wishes. Let her not be too hasty in believing Mr. Reverdy Johnson’s pleasant words. Though there is no thoughtful man in America who would not consider a war with England the greatest of calamities, yet the feeling towards her here is very far from cordial, whatever our Minister may say in the effusion that comes after ample dining. Mr. Adams, with his famous “My Lord, this means war,” perfectly represented his country. Justly or not, we have a feeling that we have been wronged, not merely insulted. The only sure way of bringing about a healthy relation between the two countries is for Englishmen to clear their minds of the notion that we are always to be treated as a kind of inferior and deported Englishman whose nature they perfectly understand, and whose back they accordingly stroke the wrong way of the fur with amazing perseverance. Let them learn to treat us naturally on our merits as human beings, as they would a German or a Frenchman, and not as if we were a kind of counterfeit Briton whose crime appeared in every shade of difference, and before long there would come that right feeling which we naturally call a good understanding. The common blood, and still more the common language, are fatal instruments of misapprehension. Let them give up trying to understand us, still more thinking that they do, and acting in various absurd ways as the necessary consequence, for they will never arrive at that devoutly-to-be-wished consummation, till they learn to look at us as we are and not as they suppose us to be. Dear old long-estranged mother-in-law, it is a great many years since we parted. Since 1660, when you married again, you have been a step-mother to us. Put on your spectacles, dear madam. Yes, we have grown, and changed likewise. You would not let us darken your doors, if you could help it. We know that perfectly well. But pray, when we look to be treated as men, don’t shake that rattle in our faces, nor talk baby to us any longer.

“Do, child, go to it grandam, child;
Give grandam kingdom, and it grandam will
Give it a plum, a cherry, and a fig!”

A GREAT PUBLIC CHARACTER.[4]

IT is the misfortune of American biography that it must needs be more or less provincial, and that, contrary to what might have been predicted, this quality in it predominates in proportion as the country grows larger. Wanting any great and acknowledged centre of national life and thought, our expansion has hitherto been rather aggregation than growth; reputations must be hammered out thin to cover so wide a surface, and the substance of most hardly holds out to the boundaries of a single State. Our very history wants unity, and down to the Revolution the attention is wearied and confused by having to divide itself among thirteen parallel threads, instead of being concentred on a single clew. A sense of remoteness and seclusion comes over us as we read, and we cannot help asking ourselves, “Were not these things done in a corner?” Notoriety may be achieved in a narrow sphere, but fame demands for its evidence a more distant and prolonged reverberation. To the world at large we were but a short column of figures in the corner of a blue-book, New England exporting so much salt-fish, timber, and Medford rum, Virginia so many hogsheads of tobacco, and buying with the proceeds a certain amount of English manufactures. The story of our early colonization had a certain moral interest, to be sure, but was altogether inferior in picturesque fascination to that of Mexico or Peru. The lives of our worthies, like that of our nation, are bare of those foregone and far-reaching associations with names, the divining-rods of fancy, which the soldiers and civilians of the Old World get for nothing by the mere accident of birth. Their historians and biographers have succeeded to the good-will, as well as to the long-established stand, of the shop of glory. Time is, after all, the greatest of poets, and the sons of Memory stand a better chance of being the heirs of Fame. The philosophic poet may find a proud solace in saying,

“Avia Pieridum peragro loca nullius ante
Trita solo”;

but all the while he has the splendid centuries of Greece and Rome behind him, and can begin his poem with invoking a goddess from whom legend derived the planter of his race. His eyes looked out on a landscape saturated with glorious recollections; he had seen Cæsar, and heard Cicero. But who shall conjure with Saugus or Cato Four Corners,—with Israel Putnam or Return Jonathan Meigs? We have been transplanted, and for us the long hierarchical succession of history is broken. The Past has not laid its venerable hands upon us in consecration, conveying to us that mysterious influence whose force is in its continuity. We are to Europe as the Church of England to her of Rome. The latter old lady may be the Scarlet Woman, or the Beast with ten horns, if you will, but hers are all the heirlooms, hers that vast spiritual estate of tradition, nowhere yet everywhere, whose revenues are none the less fruitful for being levied on the imagination. We may claim that England’s history is also ours, but it is a de jure, and not a de facto property that we have in it,—something that may be proved indeed, yet is a merely intellectual satisfaction, and does not savor of the realty. Have we not seen the mockery crown and sceptre of the exiled Stuarts in St. Peter’s? the medal struck so lately as 1784 with its legend, Hen IX Mag Brit et Hib Rex, whose contractions but faintly typify the scantness of the fact?

As the novelist complains that our society wants that sharp contrast of character and costume which comes of caste, so in the narrative of our historians we miss what may be called background and perspective, as if the events and the actors in them failed of that cumulative interest which only a long historical entail can give. Relatively, the crusade of Sir William Pepperell was of more consequence than that of St. Louis, and yet forgive us, injured shade of the second American baronet, if we find the narrative of Joinville more interesting than your despatches to Governor Shirley. Relatively, the insurrection of that Daniel whose Irish patronymic Shea was euphonized into Shays, as a set-off for the debasing of French chaise into shay, was more dangerous than that of Charles Edward; but for some reason or other (as vice sometimes has the advantage of virtue) the latter is more enticing to the imagination, and the least authentic relic of it in song or story has a relish denied to the painful industry of Minot. Our events seem to fall short of that colossal proportion which befits the monumental style. Look grave as we will, there is something ludicrous in Counsellor Keane’s pig being the pivot of a revolution. We are of yesterday, and it is to no purpose that our political augurs divine from the flight of our eagles that to-morrow shall be ours, and flatter us with an all-hail hereafter. Things do really gain in greatness by being acted on a great and cosmopolitan stage, because there is inspiration in the thronged audience, and the nearer match that puts men on their mettle. Webster was more largely endowed by nature than Fox, and Fisher Ames not much below Burke as a talker; but what a difference in the intellectual training, in the literary culture and associations, in the whole social outfit, of the men who were their antagonists and companions! It should seem that, if it be collision with other minds and with events that strikes or draws the fire from a man, then the quality of those might have something to do with the quality of the fire,—whether it shall be culinary or electric. We have never known the varied stimulus, the inexorable criticism, the many-sided opportunity of a great metropolis, the inspiring reinforcement of an undivided national consciousness. In everything but trade we have missed the invigoration of foreign rivalry. We may prove that we are this and that and the other,—our Fourth-of-July orators have proved it time and again,—the census has proved it; but the Muses are women, and have no great fancy for statistics, though easily silenced by them. We are great, we are rich, we are all kinds of good things; but did it never occur to you that somehow we are not interesting, except as a phenomenon? It may safely be affirmed that for one cultivated man in this country who studies American, there are fifty who study European history, ancient or modern.

Till within a year or two we have been as distant and obscure to the eyes of Europe as Ecuador to our own. Every day brings us nearer, enables us to see the Old World more clearly, and by inevitable comparison to judge ourselves with some closer approach to our real value. This has its advantage so long as our culture is, as for a long time it must be, European; for we shall be little better than apes and parrots till we are forced to measure our muscle with the trained and practised champions of that elder civilization. We have at length established our claim to the noblesse of the sword, the first step still of every nation that would make its entry into the best society of history. To maintain ourselves there, we must achieve an equality in the more exclusive circle of culture, and to that end must submit ourselves to the European standard of intellectual weights and measures—That we have made the hitherto biggest gun might excite apprehension (were there a dearth of iron), but can never exact respect. That our pianos and patent reapers have won medals does but confirm us in our mechanic and material measure of merit. We must contribute something more than mere contrivances for the saving of labor, which we have been only too ready to misapply in the domain of thought and the higher kinds of invention. In those Olympic games where nations contend for truly immortal wreaths, it may well be questioned whether a mowing-machine would stand much chance in the chariot-races,—whether a piano, though made by a chevalier, could compete successfully for the prize of music.

We shall have to be content for a good while yet with our provincialism, and must strive to make the best of it. In it lies the germ of nationality, and that is, after all, the prime condition of all thorough-bred greatness of character. To this choicest fruit of a healthy life, well rooted in native soil, and drawing prosperous juices thence, nationality gives the keenest flavor. Mr. Lincoln was an original man, and in so far a great man; yet it was the Americanism of his every thought, word, and act which not only made his influence equally at home in East and West, but drew the eyes of the outside world, and was the pedestal that lifted him where he could be seen by them. Lincoln showed that native force may transcend local boundaries, but the growth of such nationality is hindered and hampered by our division into so many half-independent communities, each with its objects of county ambition, and its public men great to the borders of their district. In this way our standard of greatness is insensibly debased. To receive any national appointment, a man must have gone through precisely the worst training for it; he must have so far narrowed and belittled himself with State politics as to be acceptable at home. In this way a man may become chairman of the Committee on Foreign Affairs, because he knows how to pack a caucus in Catawampus County, or be sent ambassador to Barataria, because he has drunk bad whiskey with every voter in Wildcat City. Should we ever attain to a conscious nationality, it will have the advantage of lessening the number of our great men, and widening our appreciation to the larger scale of the two or three that are left,—if there should be so many. Meanwhile we offer a premium to the production of great men in a small way, by inviting each State to set up the statues of two of its immortals in the Capitol. What a niggardly percentage! Already we are embarrassed, not to find the two, but to choose among the crowd of candidates. Well, seventy-odd heroes in about as many years is pretty well for a young nation. We do not envy most of them their eternal martyrdom in marble, their pillory of indiscrimination. We fancy even native tourists pausing before the greater part of the effigies, and, after reading the names, asking desperately, “Who was he?” Nay, if they should say, “Who the devil was he?” it were a pardonable invocation, for none so fit as the Prince of Darkness to act as cicerone among such palpable obscurities. We recall the court-yard of the Uffizj at Florence. That also is not free of parish celebrities; but Dante, Galileo, Michael Angelo, Macchiavelli,—shall the inventor of the sewing-machine, even with the button-holing improvement, let us say, match with these, or with far lesser than these? Perhaps he was more practically useful than any one of these, or all of them together, but the soul is sensible of a sad difference somewhere. These also were citizens of a provincial capital; so were the greater part of Plutarch’s heroes. Did they have a better chance than we moderns,—than we Americans? At any rate they have the start of us, and we must confess that

“By bed and table they lord it o’er us,
Our elder brothers, but one in blood.”

Yes, one in blood; that is the hardest part of it. Is our provincialism then in some great measure due to our absorption in the practical, as we politely call it, meaning the material,—to our habit of estimating greatness by the square mile and the hundred weight? Even during our war, in the midst of that almost unrivalled stress of soul, were not our speakers and newspapers so enslaved to the vulgar habit as to boast ten times of the thousands of square miles it covered with armed men, for once that they alluded to the motive that gave it all its meaning and its splendor? Perhaps it was as well that they did not exploit that passion of patriotism as an advertisement in the style of Barnum or Perham. “I scale one hundred and eighty pounds, but when I’m mad I weigh two ton,” said the Kentuckian, with a true notion of moral avoirdupois. That ideal kind of weight is wonderfully increased by a national feeling, whereby one man is conscious that thirty millions of men go into the balance with him. The Roman in ancient, and the Englishman in modern times, have been most conscious of this representative solidity, and wherever one of them went there stood Rome or England in his shoes. We have made some advance in the right direction. Our civil war, by the breadth of its proportions and the implacability of its demands, forced us to admit a truer valuation, and gave us, in our own despite, great soldiers and sailors, allowed for such by all the world. The harder problems it has left behind may in time compel us to have great statesmen, with views capable of reaching beyond the next election. The criticism of Europe alone can rescue us from the provincialism of an over or false estimate of ourselves. Let us be thankful, and not angry, that we must accept it as our touchstone. Our stamp has so often been impressed upon base metal, that we cannot expect it to be taken on trust, but we may be sure that true gold will be equally persuasive the world over. Real manhood and honest achievement are nowhere provincial, but enter the select society of all time on an even footing.

Spanish America might be a good glass for us to look into. Those Catharine-wheel republics, always in revolution while the powder lasts, and sure to burn the fingers of whoever attempts intervention, have also their great men, as placidly ignored by us as our own by jealous Europe. The following passage from the life of Don Simon Bolivar might allay many motus animorum, if rightly pondered. Bolivar, then a youth, was travelling in Italy, and his biographer tells us that “near Castiglione he was present at the grand review made by Napoleon of the columns defiling into the plain large enough to contain sixty thousand men. The throne was situated on an eminence that overlooked the plain, and Napoleon on several occasions looked through a glass at Bolivar and his companions, who were at the base of the hill. The hero Cæsar could not imagine that he beheld the liberator of the world of Columbus!” And small blame to him, one would say. We are not, then, it seems, the only foundling of Columbus, as we are so apt to take for granted. The great Genoese did not, as we supposed, draw that first star-guided furrow across the vague of waters with a single eye to the future greatness of the United States. And have we not sometimes, like the enthusiastic biographer, fancied the Old World staring through all its telescopes at us, and wondered that it did not recognize in us what we were fully persuaded we were going to be and do?

Our American life is dreadfully barren of those elements of the social picturesque which give piquancy to anecdote. And without anecdote, what is biography, or even history, which is only biography on a larger scale? Clio, though she take airs on herself, and pretend to be “philosophy teaching by example,” is, after all, but a gossip who has borrowed Fame’s speaking-trumpet, and should be figured with a tea-cup instead of a scroll in her hand. How much has she not owed of late to the tittle-tattle of her gillflirt sister Thalia? In what gutters has not Macaulay raked for the brilliant bits with which he has put together his admirable mosaic picture of England under the last two Stuarts? Even Mommsen himself, who dislikes Plutarch’s method as much as Montaigne loved it, cannot get or give a lively notion of ancient Rome, without running to the comic poets and the anecdote-mongers. He gives us the very beef-tea of history, nourishing and even palatable enough, excellently portable for a memory that must carry her own packs, and can afford little luggage; but for our own part, we prefer a full, old-fashioned meal, with its side-dishes of spicy gossip, and its last relish, the Stilton of scandal, so it be not too high. One volume of contemporary memoirs, stuffed though it be with lies, (for lies to be good for anything must have a potential probability, must even be true so far as their moral and social setting is concerned,) will throw more light into the dark backward of time than the gravest Camden or Thuanus. If St. Simon is not accurate, is he any the less essentially true? No history gives us so clear an understanding of the moral condition of average men after the restoration of the Stuarts as the unconscious blabbings of the Puritan tailor’s son, with his two consciences, as it were,—an inward, still sensitive in spots, though mostly toughened to India-rubber, and good rather for rubbing out old scores than retaining them, and an outward, alert, and termagantly effective in Mrs. Pepys. But we can have no St. Simons or Pepyses till we have a Paris or London to delocalize our gossip and give it historic breadth. All our capitals are fractional, merely greater or smaller gatherings of men, centres of business rather than of action or influence. Each contains so many souls, but is not, as the word “capital” implies, the true head of a community and seat of its common soul.

Has not life itself perhaps become a little more prosaic than it once was? As the clearing away of the woods scants the streams, may not our civilization have dried up some feeders that helped to swell the current of individual and personal force? We have sometimes thought that the stricter definition and consequent seclusion from each other of the different callings in modern times, as it narrowed the chance of developing and giving variety to character, lessened also the interest of biography. Formerly arts and arms were not divided by so impassable a barrier as now. There was hardly such a thing as a pékin. Cæsar gets up from writing his Latin Grammar to conquer Gaul, change the course of history, and make so many things possible,—among the rest our English language and Shakespeare. Horace had been a colonel; and from Æschylus, who fought at Marathon, to Ben Jonson, who trailed a pike in the Low Countries, the list of martial civilians is a long one. A man’s education seems more complete who has smelt hostile powder from a less æsthetic distance than Goethe. It raises our confidence in Sir Kenelm Digby as a physicist, that he is able to illustrate some theory of acoustics in his Treatise of Bodies by instancing the effect of his guns in a sea-fight off Scanderoon. One would expect the proportions of character to be enlarged by such variety and contrast of experience. Perhaps it will by and by appear that our own Civil War has done something for us in this way. Colonel Higginson comes down from his pulpit to draw on his jack-boots, and thenceforth rides in our imagination alongside of John Bunyan and Bishop Compton. To have stored moral capital enough to meet the drafts of Death at sight, must be an unmatched tonic. We saw our light-hearted youth come back with the modest gravity of age, as if they had learned to throw out pickets against a surprise of any weak point in their temperament. Perhaps that American shiftiness, so often complained of, may not be so bad a thing, if, by bringing men acquainted with every humor of fortune and human nature, it puts them in fuller possession of themselves.

But with whatever drawbacks in special circumstances, the main interest of biography must always lie in the amount of character or essential manhood which the subject of it reveals to us, and events are of import only as means to that end. It is true that lofty and far-seen exigencies may give greater opportunity to some men, whose energy is more sharply spurred by the shout of a multitude than by the grudging Well done! of conscience. Some theorists have too hastily assumed that, as the power of public opinion increases, the force of private character, or what we call originality, is absorbed into and diluted by it. But we think Horace was right in putting tyrant and mob on a level as the trainers and tests of a man’s solid quality. The amount of resistance of which one is capable to whatever lies outside the conscience, is of more consequence than all other faculties together; and democracy, perhaps, tries this by pressure in more directions, and with a more continuous strain, than any other form of society. In Josiah Quincy we have an example of character trained and shaped, under the nearest approach to a pure democracy the world has ever seen, to a firmness, unity, and self-centred poise that recall the finer types of antiquity, in whom the public and private man were so wholly of a piece that they were truly everywhere at home, for the same sincerity of nature that dignified the hearth carried also a charm of homeliness into the forum. The phrase “a great public character,” once common, seems to be going out of fashion, perhaps because there are fewer examples of the thing. It fits Josiah Quincy exactly. Active in civic and academic duties till beyond the ordinary period of man, at fourscore and ten his pen, voice, and venerable presence were still efficient in public affairs. A score of years after the energies of even vigorous men are declining or spent, his mind and character made themselves felt as in their prime. A true pillar of house and state, he stood unflinchingly upright under whatever burden might be laid upon him. The French Revolutionists aped what was itself but a parody of the elder republic, with their hair à la Brutus and their pedantic moralities à la Cato Minor, but this man unconsciously was the antique Roman they laboriously went about to be. Others have filled places more conspicuous, few have made the place they filled so conspicuous by an exact and disinterested performance of duty.

In the biography of Mr. Quincy by his son there is something of the provincialism of which we have spoken as inherent in most American works of the kind. His was a Boston life in the strictest sense. But provincialism is relative, and where it has a flavor of its own, as in Scotland, it is often agreeable in proportion to its very intensity. The Massachusetts in which Mr. Quincy’s habits of thought were acquired was a very different Massachusetts from that in which we of later generations have been bred. Till after he had passed middle life, Boston was more truly a capital than any other city in America, before or since, except possibly Charleston. The acknowledged head of New England, with a population of wellnigh purely English descent, mostly derived from the earlier emigration, with ancestral traditions and inspiring memories of its own, it had made its name familiar in both worlds, and was both historically and politically more important than at any later period. The Revolution had not interrupted, but rather given a freer current to the tendencies of its past. Both by its history and position, the town had what the French call a solidarity, an almost personal consciousness, rare anywhere, rare especially in America, and more than ever since our enormous importation of fellow-citizens to whom America means merely shop, or meat three times a day. Boston has been called the “American Athens.” Æsthetically, the comparison is ludicrous, but politically it was more reasonable. Its population was homogeneous, and there were leading families; while the form of government by town-meeting, and the facility of social and civic intercourse, gave great influence to popular personal qualities and opportunity to new men. A wide commerce, while it had insensibly softened the asperities of Puritanism and imported enough foreign refinement to humanize, not enough foreign luxury to corrupt, had not essentially qualified the native tone of the town. Retired sea-captains (true brothers of Chaucer’s Shipman), whose exploits had kindled the imagination of Burke, added a not unpleasant savor of salt to society. They belonged to the old school of Gilbert, Hawkins, Frobisher, and Drake, parcel-soldiers all of them, who had commanded armed ships and had tales to tell of gallant fights with privateers or pirates, truest representatives of those Vikings who, if trade in lumber or peltry was dull, would make themselves Dukes of Dublin or Earls of Orkney. If trade pinches the mind, commerce liberalizes it; and Boston was also advantaged with the neighborhood of the country’s oldest College, which maintained the wholesome traditions of culture,—where Homer and Horace are familiar there is a certain amount of cosmopolitanism,—and would not allow bigotry to become despotism. Manners were more self-respectful, and therefore more respectful of others, and personal sensitiveness was fenced with more of that ceremonial with which society armed itself when it surrendered the ruder protection of the sword. We had not then seen a Governor in his chamber at the State-House with his hat on, a cigar in his mouth, and his feet upon the stove. Domestic service, in spite of the proverb, was not seldom an inheritance, nor was household peace dependent on the whim of a foreign armed neutrality in the kitchen. Servant and master were of one stock; there was decent authority and becoming respect; the tradition of the Old World lingered after its superstition had passed away. There was an aristocracy such as is healthful in a well-ordered community, founded on public service, and hereditary so long as the virtue which was its patent was not escheated. The clergy, no longer hedged by the reverence exacted by sacerdotal caste, were more than repaid by the consideration willingly paid to superior culture. What changes, many of them for the better, some of them surely for the worse, and all of them inevitable, did not Josiah Quincy see in that wellnigh secular life which linked the war of independence to the war of nationality! We seemed to see a type of them the other day in a colored man standing with an air of comfortable self-possession while his boots were brushed by a youth of catholic neutral tint, but whom nature had planned for white. The same eyes that had looked on Gage’s red-coats, saw Colonel Shaw’s negro regiment march out of Boston in the national blue. Seldom has a life, itself actively associated with public affairs, spanned so wide a chasm for the imagination. Oglethorpe’s offers a parallel,—the aide-de-camp of Prince Eugene calling on John Adams, American Ambassador to England. Most long lives resemble those threads of gossamer, the nearest approach to nothing unmeaningly prolonged, scarce visible pathway of some worm from his cradle to his grave; but Quincy’s was strung with seventy active years, each one a rounded bead of usefulness and service.

Mr. Quincy was a Bostonian of the purest type. Since the settlement of the town, there had been a colonel of the Boston regiment in every generation of his family. He lived to see a grandson brevetted with the same title for gallantry in the field. Only child of one among the most eminent advocates of the Revolution, and who but for his untimely death would have been a leading actor in it, his earliest recollections belonged to the heroic period in the history of his native town. With that history his life was thenceforth intimately united by offices of public trust, as Representative in Congress, State Senator, Mayor, and President of the University, to a period beyond the ordinary span of mortals. Even after he had passed ninety, he would not claim to be emeritus, but came forward to brace his townsmen with a courage and warm them with a fire younger than their own. The legend of Colonel Goffe at Deerfield became a reality to the eyes of this generation. The New England breed is running out, we are told! This was in all ways a beautiful and fortunate life,—fortunate in the goods of this world,—fortunate, above all, in the force of character which makes fortune secondary and subservient. We are fond in this country of what are called self-made men (as if real success could ever be other); and this is all very well, provided they make something worth having of themselves. Otherwise it is not so well, and the examples of such are at best but stuff for the Alnaschar dreams of a false democracy. The gist of the matter is, not where a man starts from, but where he comes out. We are glad to have the biography of one who, beginning as a gentleman, kept himself such to the end,—who, with no necessity of labor, left behind him an amount of thoroughly done work such as few have accomplished with the mighty help of hunger. Some kind of pace may be got out of the veriest jade by the near prospect of oats; but the thorough-bred has the spur in his blood.

Mr. Edmund Quincy has told the story of his father’s life with the skill and good taste that might have been expected from the author of “Wensley.” Considering natural partialities, he has shown a discretion of which we are oftener reminded by missing than by meeting it. He has given extracts enough from speeches to show their bearing and quality,—from letters, to recall bygone modes of thought and indicate many-sided friendly relations with good and eminent men; above all, he has lost no opportunity to illustrate that life of the past, near in date, yet alien in manners, whose current glides so imperceptibly from one generation into another that we fail to mark the shiftings of its bed or the change in its nature wrought by the affluents that discharge into it on all sides,—here a stream bred in the hills to sweeten, there the sewerage of some great city to corrupt. We cannot but lament that Mr. Quincy did not earlier begin to keep a diary. “Miss not the discourses of the elders,” though put now in the Apocrypha, is a wise precept, but incomplete unless we add, “Nor cease from recording whatsoever thing thou hast gathered therefrom,”—so ready is Oblivion with her fatal shears. The somewhat greasy heap of a literary rag-and-bone-picker, like Athenæus, is turned to gold by time. Even the Virgilium vidi tantum of Dryden about Milton, and of Pope again about Dryden, is worth having, and gives a pleasant fillip to the fancy. There is much of this quality in Mr. Edmund Quincy’s book, enough to make us wish there were more. We get a glimpse of President Washington, in 1795, who reminded Mr. Quincy “of the gentlemen who used to come to Boston in those days to attend the General Court from Hampden or Franklin County, in the western part of the State. A little stiff in his person, not a little formal in his manners, not particularly at ease in the presence of strangers. He had the air of a country-gentleman not accustomed to mix much in society, perfectly polite, but not easy in his address and conversation, and not graceful in his gait and movements.” Our figures of Washington have been so long equestrian, that it is pleasant to meet him dismounted for once. In the same way we get a card of invitation to a dinner of sixty covers at John Hancock’s, and see the rather light-weighted great man wheeled round the room (for he had adopted Lord Chatham’s convenient trick of the gout) to converse with his guests. In another place we are presented, with Mr. Merry, the English Minister, to Jefferson, whom we find in an unofficial costume of studied slovenliness, intended as a snub to haughty Albion. Slippers down at the heel and a dirty shirt become weapons of diplomacy and threaten more serious war. Thus many a door into the past, long irrevocably shut upon us, is set ajar, and we of the younger generation on the landing catch peeps of distinguished men, and bits of their table-talk. We drive in from Mr. Lyman’s beautiful seat at Waltham (unique at that day in its stately swans and half-shy, half-familiar deer) with John Adams, who tells us that Dr. Priestley looked on the French monarchy as the tenth horn of the Beast in Revelation,—a horn that has set more sober wits dancing than that of Huon of Bordeaux. Those were days, we are inclined to think, of more solid and elegant hospitality than our own,—the elegance of manners, at once more courtly and more frugal, of men who had better uses for wealth than merely to display it. Dinners have more courses now, and, like the Gascon in the old story, who could not see the town for the houses, we miss the real dinner in the multiplicity of its details. We might seek long before we found so good cheer, so good company, or so good talk as our fathers had at Lieutenant-Governor Winthrop’s or Senator Cabot’s.

We shall not do Mr. Edmund Quincy the wrong of picking out in advance all the plums in his volume, leaving to the reader only the less savory mixture that held them together,—a kind of filling unavoidable in books of this kind, and too apt to be what boys at boarding-school call stick-jaw, but of which there is no more than could not be helped here, and that light and palatable. But here and there is a passage where we cannot refrain, for there is a smack of Jack Horner in all of us, and a reviewer were nothing without it. Josiah Quincy was born in 1772. His father, returning from a mission to England, died in sight of the dear New England shore three years later. His young widow was worthy of him, and of the son whose character she was to have so large a share in forming. There is something very touching and beautiful in this little picture of her which Mr. Quincy drew in his extreme old age.

“My mother imbibed, as was usual with the women of the period, the spirit of the times. Patriotism was not then a profession, but an energetic principle beating in the heart and active in the life. The death of my father, under circumstances now the subject of history, had overwhelmed her with grief. She viewed him as a victim in the cause of freedom, and cultivated his memory with veneration, regarding him as a martyr, falling, as did his friend Warren, in the defence of the liberties of his country. These circumstances gave a pathos and vehemence to her grief, which, after the first violence of passion had subsided, sought consolation in earnest and solicitous fulfilment of duty to the representative of his memory and of their mutual affections. Love and reverence for the memory of his father was early impressed on the mind of her son, and worn into his heart by her sadness and tears. She cultivated the memory of my father in my heart and affections, even in my earliest childhood, by reading to me passages from the poets, and obliging me to learn by heart and repeat such as were best adapted to her own circumstances and feelings. Among others, the whole leave-taking of Hector and Andromache, in the sixth book of Pope’s Homer, was one of her favorite lessons, which she made me learn and frequently repeat. Her imagination, probably, found consolation in the repetition of lines which brought to mind and seemed to typify her own great bereavement.

‘And think’st thou not how wretched we shall be,—
A widow I, a helpless orphan he?’

These lines, and the whole tenor of Andromache’s address and circumstances, she identified with her own sufferings, which seemed relieved by the tears my repetition of them drew from her.”

Pope’s Homer is not Homer, perhaps; but how many noble natures have felt its elation, how many bruised spirits the solace of its bracing, if monotonous melody! To us there is something inexpressibly tender in this instinct of the widowed mother to find consolation in the idealization of her grief by mingling it with those sorrows which genius has turned into the perennial delight of mankind. This was a kind of sentiment that was healthy for her boy, refining without unnerving, and associating his father’s memory with a noble company unassailable by time. It was through this lady, whose image looks down on us out of the past, so full of sweetness and refinement, that Mr. Quincy became of kin with Mr. Wendell Phillips, so justly eminent as a speaker. There is something nearer than cater-cousinship in a certain impetuous audacity of temper common to them both.

When six years old, Mr. Quincy was sent to Phillips Academy at Andover, where he remained till he entered college. His form-fellow here was a man of thirty, who had been a surgeon in the Continental Army, and whose character and adventures might almost seem borrowed from a romance of Smollett. Under Principal Pearson, the lad, though a near relative of the founder of the school, seems to have endured all that severity of the old a posteriori method of teaching which still smarted in Tusser’s memory when he sang,

“From Paul’s I went, to Eton sent,
To learn straightways the Latin phrase,
Where fifty-three stripes given to me
At once I had.”

The young victim of the wisdom of Solomon was boarded with the parish minister, in whose kindness he found a lenitive for the scholastic discipline he underwent. This gentleman had been a soldier in the Colonial service, and Mr. Quincy afterwards gave as a reason for his mildness, that, “while a sergeant at Castle William, he had seen something of mankind.” This, no doubt, would be a better preparative for successful dealing with the young than is generally thought. However, the birch was then the only classic tree, and every round in the ladder of learning was made of its inspiring wood. Dr. Pearson, perhaps, thought he was only doing justice to his pupil’s claims of kindred by giving him a larger share of the educational advantages which the neighboring forest afforded. The vividness with which this system is always remembered by those who have been subjected to it would seem to show that it really enlivened the attention, and thereby invigorated the memory, nay, might even raise some question as to what part of the person is chosen by the mother of the Muses for her residence. With an appetite for the classics quickened by “Cheever’s Accidence,” and such other preliminary whets as were then in vogue, young Quincy entered college, where he spent the usual four years, and was graduated with the highest honors of his class. The amount of Latin and Greek imparted to the students of that day was not very great. They were carried through Horace, Sallust, and the De Oratoribus of Cicero, and read portions of Livy, Xenophon, and Homer. Yet the chief end of classical studies was perhaps as often reached then as now, in giving young men a love for something apart from and above the more vulgar associations of life. Mr. Quincy, at least, retained to the last a fondness for certain Latin authors. While he was President of the College, he told a gentleman, from whom we received the story, that, “if he were imprisoned, and allowed to choose one book for his amusement, that should be Horace.”

In 1797 Mr. Quincy was married to Miss Eliza Susan Morton of New York, a union which lasted in unbroken happiness for more than fifty years. His case might be cited among the leading ones in support of the old poet’s axiom, that

“He never loved, that loved not at first sight”;

for he saw, wooed, and won in a week. In later life he tried in a most amusing way to account for this rashness, and to find reasons of settled gravity for the happy inspiration of his heart. He cites the evidence of Judge Sedgwick, of Mr. and Mrs. Oliver Wolcott, of the Rev. Dr. Smith, and others, to the wisdom of his choice. But it does not appear that he consulted them beforehand. If love were not too cunning for that, what would become of the charming idyl, renewed in all its wonder and freshness for every generation? Let us be thankful that in every man’s life there is a holiday of romance, an illumination of the senses by the soul, that makes him a poet while it lasts. Mr. Quincy caught the enchantment through his ears, a song of Burns heard from the next room conveying the infection,—a fact still inexplicable to him after lifelong meditation thereon, as he “was not very impressible by music”! To us there is something very characteristic in this rapid energy of Mr. Quincy, something very delightful in his naïve account of the affair. It needs the magic of no Dr. Heidegger to make these dried roses, that drop from between the leaves of a volume shut for seventy years, bloom again in all their sweetness. Mr. Edmund Quincy tells us that his mother was “not handsome”; but those who remember the gracious dignity of her old age will hardly agree with him. She must always have had that highest kind of beauty which grows more beautiful with years, and keeps the eyes young, as if with the partial connivance of Time.

We do not propose to follow Mr. Quincy closely through his whole public life, which, beginning with his thirty-second, ended with his seventy-third year. He entered Congress as the representative of a party privately the most respectable, publicly the least sagacious, among all those which under different names have divided the country. The Federalists were the only proper tories our politics have ever produced, whose conservatism truly represented an idea, and not a mere selfish interest,—men who honestly distrusted democracy, and stood up for experience, or the tradition which they believed for such, against empiricism. During his Congressional career, the government was little more than an attaché of the French legation, and the opposition to which he belonged a helpless revenant from the dead and buried Colonial past. There are some questions whose interest dies the moment they are settled; others, into which a moral element enters that hinders them from being settled, though they may be decided. It is hard to revive any enthusiasm about the Embargo, though it once could inspire the boyish Muse of Bryant, or in the impressment quarrel, though the Trent difficulty for a time rekindled its old animosities. The stars in their courses fought against Mr. Quincy’s party, which was not in sympathy with the instincts of the people, groping about for some principle of nationality, and finding a substitute for it in hatred of England. But there are several things which still make his career in Congress interesting to us, because they illustrate the personal character of the man. He prepared himself honestly for his duties, by a thorough study of whatever could make him efficient in them. It was not enough that he could make a good speech; he wished also to have something to say. In Congress, as everywhere else, quod voluit valde voluit; and he threw a fervor into the most temporary topic, as if his eternal salvation depended upon it. He had not merely, as the French say, the courage of his opinions, but his opinions became principles, and gave him that gallantry of fanaticism which made him always ready to head a forlorn hope,—the more ready, perhaps, that it was a forlorn hope. This is not the humor of a statesman,—no, unless he holds a position like that of Pitt, and can charge a whole people with his own enthusiasm, and then we call it genius. Mr. Quincy had the moral firmness which enabled him to decline a duel without any loss of personal prestige. His opposition to the Louisiana purchase illustrates that Roman quality in him to which we have alluded. He would not conclude the purchase till each of the old thirteen States had signified its assent. He was reluctant to endow a Sabine city with the privilege of Roman citizenship. It is worth noting, that while in Congress, and afterwards in the State Senate, many of his phrases became the catch-words of party politics. He always dared to say what others deemed it more prudent only to think, and whatever he said he intensified with the whole ardor of his temperament. It is this which makes Mr. Quincy’s speeches good reading still, even when the topics they discussed were ephemeral. In one respect he is distinguished from the politicians, and must rank with the far-seeing statesmen of his time. He early foresaw and denounced the political danger with which the Slave Power threatened the Union. His fears, it is true, were aroused for the balance of power between the old States, rather than by any moral sensitiveness, which would, indeed, have been an anachronism at that time. But the Civil War justified his prescience.

It was as Mayor of his native city that his remarkable qualities as an administrator were first called into requisition and adequately displayed. He organized the city government, and put it in working order. To him we owe many reforms in police, in the management of the poor, and other kindred matters,—much in the way of cure, still more in that of prevention. The place demanded a man of courage and firmness, and found those qualities almost superabundantly in him. His virtues lost him his office, as such virtues are only too apt to do in peaceful times, where they are felt more as a restraint than a protection. His address on laying down the mayoralty is very characteristic. We quote the concluding sentences:—

“And now, gentlemen, standing as I do in this relation for the last time in your presence and that of my fellow-citizens, about to surrender forever a station full of difficulty, of labor and temptation, in which I have been called to very arduous duties, affecting the rights, property, and at times the liberty of others; concerning which the perfect line of rectitude—though desired—was not always to be clearly discerned; in which great interests have been placed within my control, under circumstances in which it would have been easy to advance private ends and sinister projects;—under these circumstances, I inquire, as I have a right to inquire,—for in the recent contest insinuations have been cast against my integrity,—in this long management of your affairs, whatever errors have been committed,—and doubtless there have been many,—have you found in me anything selfish, anything personal, anything mercenary? In the simple language of an ancient seer, I say, ‘Behold, here I am; witness against me. Whom have I defrauded? Whom have I oppressed? At whose hands have I received any bribe?’

“Six years ago, when I had the honor first to address the City Council, in anticipation of the event which has now occurred, the following expressions were used: ‘In administering the police, in executing the laws, in protecting the rights and promoting the prosperity of the city, its first officer will be necessarily beset and assailed by individual interests, by rival projects, by personal influences, by party passions. The more firm and inflexible he is in maintaining the rights and in pursuing the interests of the city, the greater is the probability of his becoming obnoxious to the censure of all whom he causes to be prosecuted or punished, of all whose passions he thwarts, of all whose interests he opposes.’

“The day and the event have come. I retire—as in that first address I told my fellow-citizens, ‘If, in conformity with the experience of other republics, faithful exertions should be followed by loss of favor and confidence,’ I should retire—‘rejoicing, not, indeed, with a public and patriotic, but with a private and individual joy’; for I shall retire with a consciousness weighed against which all human suffrages are but as the light dust of the balance.”

Of his mayoralty we have another anecdote quite Roman in color. He was in the habit of riding early in the morning through the various streets that he might look into everything with his own eyes. He was once arrested on a malicious charge of violating the city ordinance against fast driving. He might have resisted, but he appeared in court and paid the fine, because it would serve as a good example “that no citizen was above the law.”

Hardly had Mr. Quincy given up the government of the city, when he was called to that of the College. It is here that his stately figure is associated most intimately and warmly with the recollections of the greater number who hold his memory dear. Almost everybody looks back regretfully to the days of some Consul Plancus. Never were eyes so bright, never had wine so much wit and good-fellowship in it, never were we ourselves so capable of the various great things we have never done. Nor is it merely the sunset of life that casts such a ravishing light on the past, and makes the western windows of those homes of fancy we have left forever tremble with a sentiment of such sweet regret. We set great store by what we had, and cannot have again, however indifferent in itself, and what is past is infinitely past. This is especially true of college life, when we first assume the titles without the responsibilities of manhood, and the President of our year is apt to become our Plancus very early. Popular or not while in office, an ex-president is always sure of enthusiastic cheers at every college festival. Mr. Quincy had many qualities calculated to win favor with the young,—that one above all which is sure to do it, indomitable pluck. With him the dignity was in the man, not in the office. He had some of those little oddities, too, which afford amusement without contempt, and which rather tend to heighten than diminish personal attachment to superiors in station. His punctuality at prayers, and in dropping asleep there, his forgetfulness of names, his singular inability to make even the shortest off-hand speech to the students,—all the more singular in a practised orator,—his occasional absorption of mind, leading him to hand you his sand-box instead of the leave of absence he had just dried with it,—the old-fashioned courtesy of his, “Sir, your servant,” as he bowed you out of his study,—all tended to make him popular. He had also a little of what is somewhat contradictorily called dry humor, not without influence in his relations with the students. In taking leave of the graduating class, he was in the habit of paying them whatever honest compliment he could. Who, of a certain year which shall be nameless, will ever forget the gravity with which he assured them that they were “the best-dressed class that had passed through college during his administration”? How sincerely kind he was, how considerate of youthful levity, will always be gratefully remembered by whoever had occasion to experience it. A visitor not long before his death found him burning some memoranda of college peccadilloes, lest they should ever rise up in judgment against the men eminent in Church and State who had been guilty of them. One great element of his popularity with the students was his esprit de corps. However strict in discipline, he was always on our side as respected the outside world. Of his efficiency, no higher testimony could be asked than that of his successor, Dr. Walker. Here also many reforms date from his time. He had that happiest combination for a wise vigor in the conduct of affairs,—he was a conservative with an open mind.

One would be apt to think that, in the various offices which Mr. Quincy successively filled, he would have found enough to do. But his indefatigable activity overflowed. Even as a man of letters, he occupies no inconsiderable place. His “History of Harvard College” is a valuable and entertaining treatment of a subject not wanting in natural dryness. His “Municipal History of Boston,” his “History of the Boston Athenæum,” and his “Life of Colonel Shaw” have permanent interest and value. All these were works demanding no little labor and research, and the thoroughness of their workmanship makes them remarkable as the by-productions of a busy man. Having consented, when more than eighty, to write a memoir of John Quincy Adams, to be published in the “Proceedings” of the Massachusetts Historical Society, he was obliged to excuse himself. On account of his age? Not at all, but because the work had grown to be a volume under his weariless hand. Ohne Hast ohne Rast, was as true of him as of Goethe. We find the explanation of his accomplishing so much in a rule of life which he gave, when President, to a young man employed as his secretary, and who was a little behindhand with his work: “When you have a number of duties to perform, always do the most disagreeable one first.” No advice could have been more in character, and it is perhaps better than the great German’s, “Do the duty that lies nearest thee.”

Perhaps the most beautiful part of Mr. Quincy’s life was his old age. What in most men is decay, was in him but beneficent prolongation and adjournment. His interest in affairs unabated, his judgment undimmed, his fire unchilled, his last years were indeed “lovely as a Lapland night.” Till within a year or two of its fall, there were no signs of dilapidation in that stately edifice. Singularly felicitous was Mr. Winthrop’s application to him of Wordsworth’s verses:—

“The monumental pomp of age
Was in that goodly personage.”

Everything that Macbeth foreboded the want of, he had in deserved abundance,—the love, the honor, the obedience, the troops of friends. His equanimity was beautiful. He loved life, as men of large vitality always do, but he did not fear to lose life by changing the scene of it. Visiting him in his ninetieth year with a friend, he said to us, among other things: “I have no desire to die, but also no reluctance. Indeed, I have a considerable curiosity about the other world. I have never been to Europe, you know.” Even in his extreme senescence there was an April mood somewhere in his nature “that put a spirit of youth in everything.” He seemed to feel that he could draw against an unlimited credit of years. When eighty-two, he said smilingly to a young man just returned from a foreign tour, “Well, well, I mean to go myself when I am old enough to profit by it.” We have seen many old men whose lives were mere waste and desolation, who made longevity disreputable by their untimely persistence in it; but in Mr. Quincy’s length of years there was nothing that was not venerable. To him it was fulfilment, not deprivation; the days were marked to the last for what they brought, not for what they took away.

The memory of what Mr. Quincy did will be lost in the crowd of newer activities; it is the memory of what he was that is precious to us. Bonum virum facile crederes, magnum libenter. If John Winthrop be the highest type of the men who shaped New England, we can find no better one of those whom New England has shaped than Josiah Quincy. It is a figure that we can contemplate with more than satisfaction,—a figure of admirable example in a democracy as that of a model citizen. His courage and high-mindedness were personal to him; let us believe that his integrity, his industry, his love of letters, his devotion to duty, go in some sort to the credit of the society which gave him birth and formed his character. In one respect he is especially interesting to us, as belonging to a class of men of whom he was the last representative, and whose like we shall never see again. Born and bred in an age of greater social distinctions than ours, he was an aristocrat in a sense that is good even in a republic. He had the sense of a certain personal dignity inherent in him, and which could not be alienated by any whim of the popular will. There is no stouter buckler than this for independence of spirit, no surer guaranty of that courtesy which, in its consideration of others, is but paying a debt of self-respect. During his presidency, Mr. Quincy was once riding to Cambridge in a crowded omnibus. A colored woman got in, and could nowhere find a seat. The President instantly gave her his own, and stood the rest of the way, a silent rebuke of the general rudeness. He was a man of quality in the true sense,—of quality not hereditary, but personal. Position might be taken from him, but he remained where he was. In what he valued most, his sense of personal worth, the world’s opinion could neither help nor hinder. We do not mean that this was conscious in him; if it had been, it would have been a weakness. It was an instinct, and acted with the force and promptitude proper to such. Let us hope that the scramble of democracy will give us something as good; anything of so classic dignity we shall not look to see again.

Josiah Quincy was no seeker of office; from first to last he and it were drawn together by the mutual attraction of need and fitness, and it clung to him as most men cling to it. The people often make blunders in their choice; they are apt to mistake presence of speech for presence of mind; they love so to help a man rise from the ranks, that they will spoil a good demagogue to make a bad general; a great many faults may be laid at their door, but they are not fairly to be charged with fickleness. They are constant to whoever is constant to his real self, to the best manhood that is in him, and not to the mere selfishness, the antica lupa so cunning to hide herself in the sheep’s fleece even from ourselves. It is true, the contemporary world is apt to be the gull of brilliant parts, and the maker of a lucky poem or picture or statue, the winner of a lucky battle, gets perhaps more than is due to the solid result of his triumph. It is time that fit honor should be paid also to him who shows a genius for public usefulness, for the achievement of character, who shapes his life to a certain classic proportion, and comes off conqueror on those inward fields where something more than mere talent is demanded for victory. The memory of such men should be cherished as the most precious inheritance which one generation can bequeath to the next. However it might be with popular favor, public respect followed Mr. Quincy unwaveringly for seventy years, and it was because he had never forfeited his own. In this, it appears to us, lies the lesson of his life, and his claim upon our grateful recollection. It is this which makes him an example, while the careers of so many of our prominent men are only useful for warning. As regards history, his greatness was narrowly provincial; but if the measure of deeds be the spirit in which they are done, that fidelity to instant duty, which, according to Herbert, makes an action fine, then his length of years should be very precious to us for its lesson. Talleyrand, whose life may be compared with his for the strange vicissitude which it witnessed, carried with him out of the world the respect of no man, least of all his own; and how many of our own public men have we seen whose old age but accumulated a disregard which they would gladly have exchanged for oblivion! In Quincy the public fidelity was loyal to the private, and the withdrawal of his old age was into a sanctuary,—a diminution of publicity with addition of influence.

“Conclude we, then, felicity consists
Not in exterior fortunes....
Sacred felicity doth ne’er extend
Beyond itself....
The swelling of an outward fortune can
Create a prosperous, not a happy man.”

CARLYLE.[5]

A FEELING of comical sadness is likely to come over the mind of any middle-aged man who sets himself to recollecting the names of different authors that have been famous, and the number of contemporary immortalities whose end he has seen since coming to manhood. Many a light, hailed by too careless observers as a fixed star, has proved to be only a short-lived lantern at the tail of a newspaper kite. That literary heaven which our youth saw dotted thick with rival glories, we find now to have been a stage-sky merely, artificially enkindled from behind; and the cynical daylight which is sure to follow all theatrical enthusiasms shows us ragged holes where once were luminaries, sheer vacancy instead of lustre. Our earthly reputations, says a great poet, are the color of grass, and the same sun that makes the green bleaches it out again. But next morning is not the time to criticise the scene-painter’s firmament, nor is it quite fair to examine coldly a part of some general illusion in the absence of that sympathetic enthusiasm, that self-surrender of the fancy, which made it what it was. It would not be safe for all neglected authors to comfort themselves in Wordsworth’s fashion, inferring genius in an inverse proportion to public favor, and a high and solitary merit from the world’s indifference. On the contrary, it would be more just to argue from popularity a certain amount of real value, though it may not be of that permanent quality which insures enduring fame. The contemporary world and Wordsworth were both half right. He undoubtedly owned and worked the richest vein of his period; but he offered to his contemporaries a heap of gold-bearing quartz where the baser mineral made the greater show, and the purchaser must do his own crushing and smelting, with no guaranty but the bare word of the miner. It was not enough that certain bolder adventurers should now and then show a nugget in proof of the success of their venture. The gold of the poet must be refined, moulded, stamped with the image and superscription of his time, but with a beauty of design and finish that are of no time. The work must surpass the material. Wordsworth was wholly void of that shaping imagination which is the highest criterion of a poet.

Immediate popularity and lasting fame, then, would seem to be the result of different qualities, and not of mere difference in degree. It is safe to prophesy a certain durability of recognition for any author who gives evidence of intellectual force, in whatever kind, above the average amount. There are names in literary history which are only names; and the works associated with them, like acts of Congress already agreed on in debate, are read by their titles and passed. What is it that insures what may be called living fame, so that a book shall be at once famous and read? What is it that relegates divine Cowley to that remote, uncivil Pontus of the “British Poets,” and keeps garrulous Pepys within the cheery circle of the evening lamp and fire? Originality, eloquence, sense, imagination, not one of them is enough by itself, but only in some happy mixture and proportion. Imagination seems to possess in itself more of the antiseptic property than any other single quality; but, without less showy and more substantial allies, it can at best give only deathlessness, without the perpetual youth that makes it other than dreary. It were easy to find examples of this Tithonus immortality, setting its victims apart from both gods and men; helpless duration, undying, to be sure, but sapless and voiceless also, and long ago deserted by the fickle Hemera. And yet chance could confer that gift on Glaucus, which love and the consent of Zeus failed to secure for the darling of the Dawn. Is it mere luck, then? Luck may, and often does, have some share in ephemeral successes, as in a gambler’s winnings spent as soon as got, but not in any lasting triumph over time. Solid success must be based on solid qualities and the honest culture of them.

The first element of contemporary popularity is undoubtedly the power of entertaining. If a man have anything to tell, the world cannot be expected to listen to him unless he have perfected himself in the best way of telling it. People are not to be argued into a pleasurable sensation, nor is taste to be compelled by any syllogism, however stringent. An author may make himself very popular, however, and even justly so, by appealing to the passion of the moment, without having anything in him that shall outlast the public whim which he satisfies. Churchill is a remarkable example of this. He had a surprising extemporary vigor of mind; his phrase carries great weight of blow; he undoubtedly surpassed all contemporaries, as Cowper says of him, in a certain rude and earth-born vigor; but his verse is dust and ashes now, solemnly inurned, of course, in the Chalmers columbarium, and without danger of violation. His brawn and muscle are fading traditions, while the fragile, shivering genius of Cowper is still a good life on the books of the Critical Insurance Office. “Is it not, then, loftiness of mind that puts one by the side of Virgil?” cries poor old Cavalcanti at his wits’ end. Certainly not altogether that. There must be also the great Mantuan’s art; his power, not only of being strong in parts, but of making those parts coherent in an harmonious whole, and tributary to it. Gray, if we may believe the commentators, has not an idea, scarcely an epithet, that he can call his own; and yet he is, in the best sense, one of the classics of English literature. He had exquisite felicity of choice; his dictionary had no vulgar word in it, no harsh one, but all culled from the luckiest moods of poets, and with a faint but delicious aroma of association; he had a perfect sense of sound, and one idea without which all the poetic outfit (si absit prudentia) is of little avail,—that of combination and arrangement, in short, of art. The poets from whom he helped himself have no more claim to any of his poems as wholes, than the various beauties of Greece (if the old story were true) to the Venus of the artist.

Imagination, as we have said, has more virtue to keep a book alive than any other single faculty. Burke is rescued from the usual doom of orators, because his learning, his experience, his sagacity are rimmed with a halo by this bewitching light behind the intellectual eye from the highest heaven of the brain. Shakespeare has impregnated his common sense with the steady glow of it, and answers the mood of youth and age, of high and low, immortal as that dateless substance of the soul he wrought in. To have any chance of lasting, a book must satisfy, not merely some fleeting fancy of the day, but a constant longing and hunger of human nature; and it needs only a superficial study of literature to be convinced that real fame depends rather on the sum of an author’s powers than on any brilliancy of special parts. There must be wisdom as well as wit, sense no less than imagination, judgment in equal measure with fancy, and the fiery rocket must be bound fast to the poor wooden stick that gives it guidance if it would mount and draw all eyes. There are some who think that the brooding patience which a great work calls for belonged exclusively to an earlier period than ours. Others lay the blame on our fashion of periodical publication, which necessitates a sensation and a crisis in every number, and forces the writer to strive for startling effects, instead of that general lowness of tone which is the last achievement of the artist. The simplicity of antique passion, the homeliness of antique pathos, seem not merely to be gone out of fashion, but out of being as well. Modern poets appear rather to tease their words into a fury, than to infuse them with the deliberate heats of their matured conception, and strive to replace the rapture of the mind with a fervid intensity of phrase. Our reaction from the decorous platitudes of the last century has no doubt led us to excuse this, and to be thankful for something like real fire, though of stubble; but our prevailing style of criticism, which regards parts rather than wholes, which dwells on the beauty of passages, and, above all, must have its languid nerves pricked with the expected sensation at whatever cost, has done all it could to confirm us in our evil way. Passages are good when they lead to something, when they are necessary parts of the building, but they are not good to dwell in. This taste for the startling reminds us of something which happened once at the burning of a country meeting-house. The building stood on a hill, and, apart from any other considerations, the fire was as picturesque as could be desired. When all was a black heap, licking itself here and there with tongues of fire, there rushed up a farmer gasping anxiously, “Hez the bell fell yit?” An ordinary fire was no more to him than that on his hearthstone; even the burning of a meeting-house, in itself a vulcanic rarity, (so long as he was of another parish,) could not tickle his outworn palate; but he had hoped for a certain tang in the downcome of the bell that might recall the boyish flavor of conflagration. There was something dramatic, no doubt, in this surprise of the brazen sentinel at his post, but the breathless rustic has always seemed to us a type of the prevailing delusion in æsthetics. Alas! if the bell must fall in every stanza or every monthly number, how shall an author contrive to stir us at last, unless with whole Moscows, crowned with the tintinnabulary crash of the Kremlin? For ourselves, we are glad to feel that we are still able to find contentment in the more conversational and domestic tone of our old-fashioned wood-fire. No doubt a great part of our pleasure in reading is unexpectedness, whether in turn of thought or of phrase; but an emphasis out of place, an intensity of expression not founded on sincerity of moral or intellectual conviction, reminds one of the underscorings in young ladies’ letters, a wonder even to themselves under the colder north-light of matronage. It is the part of the critic, however, to keep cool under whatever circumstances, and to reckon that the excesses of an author will be at first more attractive to the many than that average power which shall win him attention with a new generation of men. It is seldom found out by the majority, till after a considerable interval, that he was the original man who contrived to be simply natural,—the hardest lesson in the school of art and the latest learned, if, indeed, it be a thing capable of acquisition at all. The most winsome and wayward of brooks draws now and then some lover’s foot to its intimate reserve, while the spirt of a bursting water-pipe gathers a gaping crowd forthwith.

Mr. Carlyle is an author who has now been so long before the world, that we may feel toward him something of the unprejudice of posterity. It has long been evident that he had no more ideas to bestow upon us, and that no new turn of his kaleidoscope would give us anything but some variation of arrangement in the brilliant colors of his style. It is perhaps possible, then, to arrive at some not wholly inadequate estimate of his place as a writer, and especially of the value of the ideas whose advocate he makes himself, with a bitterness and violence that increase, as it seems to us, in proportion as his inward conviction of their truth diminishes.

The leading characteristics of an author who is in any sense original, that is to say, who does not merely reproduce, but modifies the influence of tradition, culture, and contemporary thought upon himself by some admixture of his own, may commonly be traced more or less clearly in his earliest works. This is more strictly true, no doubt, of poets, because the imagination is a fixed quantity, not to be increased by any amount of study and reflection. Skill, wisdom, and even wit are cumulative; but that diviner faculty, which is the spiritual eye, though it may be trained and sharpened, cannot be added to by taking thought. This has always been something innate, unaccountable, to be laid to a happy conjunction of the stars. Goethe, the last of the great poets, accordingly takes pains to tell us under what planets he was born; and in him it is curious how uniform the imaginative quality is from the beginning to the end of his long literary activity. His early poems show maturity, his mature ones a youthful freshness. The apple already lies potentially in the blossom, as that may be traced also in the ripened fruit. With a mere change of emphasis, Goethe might be called an old boy at both ends of his career.

In the earliest authorship of Mr. Carlyle we find some not obscure hints of the future man. Nearly fifty years ago he contributed a few literary and critical articles to the Edinburgh Encyclopædia. The outward fashion of them is that of the period; but they are distinguished by a certain security of judgment remarkable at any time, remarkable especially in one so young. British criticism has been always more or less parochial; has never, indeed, quite freed itself from sectarian cant, and planted itself honestly on the æsthetic point of view. It cannot quite persuade itself that truth is of immortal essence, totally independent of all assistance from quarterly journals or the British army and navy. Carlyle, in these first essays, already shows the influence of his master, Goethe, the most widely receptive of critics. In a compact notice of Montaigne, there is not a word as to his religious scepticism. The character is looked at purely from its human and literary sides. As illustrating the bent of the author’s mind, the following passage is most to our purpose: “A modern reader will not easily cavil at the patient and good-natured, though exuberant egotism which brings back to our view ‘the form and pressure’ of a time long past. The habits and humors, the mode of acting and thinking, which characterized a Gascon gentleman in the sixteenth century, cannot fail to amuse an inquirer of the nineteenth; while the faithful delineation of human feelings, in all their strength and weakness, will serve as a mirror to every mind capable of self-examination.” We find here no uncertain indication of that eye for the moral picturesque, and that sympathetic appreciation of character, which within the next few years were to make Carlyle the first in insight of English critics and the most vivid of English historians. In all his earlier writing he never loses sight of his master’s great rule, Den Gegenstand fest zu halten. He accordingly gave to Englishmen the first humanly possible likeness of Voltaire, Diderot, Mirabeau, and others, who had hitherto been measured by the usual British standard of their respect for the geognosy of Moses and the historic credibility of the Books of Chronicles. What was the real meaning of this phenomenon? what the amount of this man’s honest performance in the world? and in what does he show that family-likeness, common to all the sons of Adam, which gives us a fair hope of being able to comprehend him? These were the questions which Carlyle seems to have set himself honestly to answer in the critical writings which fill the first period of his life as a man of letters. In this mood he rescued poor Boswell from the unmerited obloquy of an ungrateful generation, and taught us to see something half-comically beautiful in the poor, weak creature, with his pathetic instinct of reverence for what was nobler, wiser, and stronger than himself. Everything that Mr. Carlyle wrote during this first period thrills with the purest appreciation of whatever is brave and beautiful in human nature, with the most vehement scorn of cowardly compromise with things base; and yet, immitigable as his demand for the highest in us seems to be, there is always something reassuring in the humorous sympathy with mortal frailty which softens condemnation and consoles for shortcoming. The remarkable feature of Mr. Carlyle’s criticism (see, for example, his analysis and exposition of Goethe’s “Helena”) is the sleuth-hound instinct with which he presses on to the matter of his theme,—never turned aside by a false scent, regardless of the outward beauty of form, sometimes almost contemptuous of it, in his hunger after the intellectual nourishment which it may hide. The delicate skeleton of admirably articulated and related parts which underlies and sustains every true work of art, and keeps it from sinking on itself a shapeless heap, he would crush remorselessly to come at the marrow of meaning. With him the ideal sense is secondary to the ethical and metaphysical, and he has but a faint conception of their possible unity.

By degrees the humorous element in his nature gains ground, till it overmasters all the rest. Becoming always more boisterous and obtrusive, it ends at last, as such humor must, in cynicism. In “Sartor Resartus” it is still kindly, still infused with sentiment; and the book, with its mixture of indignation and farce, strikes one as might the prophecies of Jeremiah, if the marginal comments of the Rev. Mr. Sterne in his wildest mood had by some accident been incorporated with the text. In “Sartor” the marked influence of Jean Paul is undeniable, both in matter and manner. It is curious for one who studies the action and reaction of national literatures on each other, to see the humor of Swift and Sterne and Fielding, after filtering through Richter, reappear in Carlyle with a tinge of Germanism that makes it novel, alien, or even displeasing, as the case may be, to the English mind. Unhappily the bit of mother from Swift’s vinegar-barrel has had strength enough to sour all the rest. The whimsicality of “Tristram Shandy,” which, even in the original, has too often the effect of forethought, becomes a deliberate artifice in Richter, and at last a mere mannerism in Carlyle.

Mr. Carlyle in his critical essays had the advantage of a well-defined theme, and of limits both in the subject and in the space allowed for its treatment, which kept his natural extravagance within bounds, and compelled some sort of discretion and compactness. The great merit of these essays lay in a criticism based on wide and various study, which, careless of tradition, applied its standard to the real and not the contemporary worth of the literary or other performance to be judged, and in an unerring eye for that fleeting expression of the moral features of character, a perception of which alone makes the drawing of a coherent likeness possible. Their defect was a tendency, gaining strength with years, to confound the moral with the æsthetic standard, and to make the value of an author’s work dependent on the general force of his nature rather than on its special fitness for a given task. In proportion as his humor gradually overbalanced the other qualities of his mind, his taste for the eccentric, amorphous, and violent in men became excessive, disturbing more and more his perception of the more commonplace attributes which give consistency to portraiture. His “French Revolution” is a series of lurid pictures, unmatched for vehement power, in which the figures of such sons of earth as Mirabeau and Danton loom gigantic and terrible as in the glare of an eruption, their shadows swaying far and wide grotesquely awful. But all is painted by eruption-flashes in violent light and shade. There are no half-tints, no gradations, and we find it impossible to account for the continuance in power of less Titanic actors in the tragedy like Robespierre, on any theory whether of human nature or of individual character supplied by Mr. Carlyle. Of his success, however, in accomplishing what he aimed at, which was to haunt the mind with memories of a horrible political nightmare, there can be no doubt.

Goethe says, apparently thinking of Richter, “The worthy Germans have persuaded themselves that the essence of true humor is formlessness.” Heine had not yet shown that a German might combine the most airy humor with a sense of form as delicate as Goethe’s own, and that there was no need to borrow the bow of Philoctetes for all kinds of game. Mr. Carlyle’s own tendency was toward the lawless, and the attraction of Jean Paul made it an overmastering one. Goethe, we think, might have gone farther, and affirmed that nothing but the highest artistic sense can prevent humor from degenerating into the grotesque, and thence downwards to utter anarchy. Rabelais is a striking example of it. The moral purpose of his book cannot give it that unity which the instinct and forethought of art only can bring forth. Perhaps we owe the masterpiece of humorous literature to the fact that Cervantes had been trained to authorship in a school where form predominated over substance, and the most convincing proof of the supremacy of art at the highest period of Greek literature is to be found in Aristophanes. Mr. Carlyle has no artistic sense of form or rhythm, scarcely of proportion. Accordingly he looks on verse with contempt as something barbarous,—a savage ornament which a higher refinement will abolish, as it has tattooing and nose-rings. With a conceptive imagination vigorous beyond any in his generation, with a mastery of language equalled only by the greatest poets, he wants altogether the plastic imagination, the shaping faculty, which would have made him a poet in the highest sense. He is a preacher and a prophet,—anything you will,—but an artist he is not, and never can be. It is always the knots and gnarls of the oak that he admires, never the perfect and balanced tree.

It is certainly more agreeable to be grateful for what we owe an author, than to blame him for what he cannot give us. But it is sometimes the business of a critic to trace faults of style and of thought to their root in character and temperament,—to show their necessary relation to, and dependence on, each other,—and to find some more trustworthy explanation than mere wantonness of will for the moral obliquities of a man so largely moulded and gifted as Mr. Carlyle. So long as he was merely an exhorter or dehorter, we were thankful for such eloquence, such humor, such vivid or grotesque images, and such splendor of illustration as only he could give; but when he assumes to be a teacher of moral and political philosophy, when he himself takes to compounding the social panaceas he has made us laugh at so often, and advertises none as genuine but his own, we begin to inquire into his qualifications and his defects, and to ask ourselves whether his patent pill differs from others except in the larger amount of aloes, or has any better recommendation than the superior advertising powers of a mountebank of genius. Comparative criticism teaches us that moral and æsthetic defects are more nearly related than is commonly supposed. Had Mr. Carlyle been fitted out completely by nature as an artist, he would have had an ideal in his work which would have lifted his mind away from the muddier part of him, and trained him to the habit of seeking and seeing the harmony rather than the discord and contradiction of things. His innate love of the picturesque, (which is only another form of the sentimentalism he so scoffs at, perhaps as feeling it a weakness in himself,) once turned in the direction of character, and finding its chief satisfaction there, led him to look for that ideal of human nature in individual men which is but fragmentarily represented in the entire race, and is rather divined from the aspiration, forever disenchanted to be forever renewed, of the immortal part in us, than found in any example of actual achievement. A wiser temper would have found something more consoling than disheartening in the continual failure of men eminently endowed to reach the standard of this spiritual requirement, would perhaps have found in it an inspiring hint that it is mankind, and not special men, that are to be shaped at last into the image of God, and that the endless life of the generations may hope to come nearer that goal of which the short-breathed threescore years and ten fall too unhappily short.

But Mr. Carlyle has invented the Hero-cure, and all who recommend any other method, or see any hope of healing elsewhere, are either quacks and charlatans or their victims. His lively imagination conjures up the image of an impossible he, as contradictorily endowed as the chief personage in a modern sentimental novel, and who, at all hazards, must not lead mankind like a shepherd, but bark, bite, and otherwise worry them toward the fold like a truculent sheep-dog. If Mr. Carlyle would only now and then recollect that men are men, and not sheep,—nay, that the farther they are from being such, the more well grounded our hope of one day making something better of them! It is indeed strange that one who values Will so highly in the greatest, should be blind to its infinite worth in the least of men; nay, that he should so often seem to confound it with its irritable and purposeless counterfeit, Wilfulness. The natural impatience of an imaginative temperament, which conceives so vividly the beauty and desirableness of a nobler manhood and a diviner political order, makes him fret at the slow moral processes by which the All-Wise brings about his ends, and turns the very foolishness of men to his praise and glory. Mr. Carlyle is for calling down fire from Heaven whenever he cannot readily lay his hand on the match-box. No doubt it is somewhat provoking that it should be so easy to build castles in the air, and so hard to find tenants for them. It is a singular intellectual phenomenon to see a man, who earlier in life so thoroughly appreciated the innate weakness and futile tendency of the “storm and thrust” period of German literature, constantly assimilating, as he grows older, more and more nearly to its principles and practice. It is no longer the sagacious and moderate Goethe who is his type of what is highest in human nature, but far rather some Götz of the Iron Hand, some assertor of the divine legitimacy of Faustrecht. It is odd to conceive the fate of Mr. Carlyle under the sway of any of his heroes,—how Cromwell would have scorned him as a babbler more long-winded than Prynne, but less clear and practical,—how Friedrich would have scoffed at his tirades as dummes Zeug not to be compared with the romances of Crébillon fils, or possibly have clapped him in a marching regiment as a fit subject for the cane of the sergeant. Perhaps something of Mr. Carlyle’s irritability is to be laid to the account of his early schoolmastership at Ecclefechan. This great booby World is such a dull boy, and will not learn the lesson we have taken such pains in expounding for the fiftieth time. Well, then, if eloquence, if example, if the awful warning of other little boys who neglected their accidence and came to the gallows, if none of these avail, the birch at least is left, and we will try that. The dominie spirit has become every year more obtrusive and intolerant in Mr. Carlyle’s writing, and the rod, instead of being kept in its place as a resource for desperate cases, has become the alpha and omega of all successful training, the one divinely-appointed means of human enlightenment and progress,—in short, the final hope of that absurd animal who fancies himself a little lower than the angels. Have we feebly taken it for granted that the distinction of man was reason? Never was there a more fatal misconception. It is in the gift of unreason that we are unenviably distinguished from the brutes, whose nobler privilege of instinct saves them from our blunders and our crimes.

But since Mr. Carlyle has become possessed with the hallucination that he is head-master of this huge boys’ school which we call the world, his pedagogic birch has grown to the taller proportions and more ominous aspect of a gallows. His article on Dr. Francia was a panegyric of the halter, in which the gratitude of mankind is invoked for the self-appointed dictator who had discovered in Paraguay a tree more beneficent than that which produced the Jesuits’ bark. Mr. Carlyle seems to be in the condition of a man who uses stimulants, and must increase his dose from day to day as the senses become dulled under the spur. He began by admiring strength of character and purpose, and the manly self-denial which makes a humble fortune great by steadfast loyalty to duty. He has gone on till mere strength has become such washy weakness that there is no longer any titillation in it; and nothing short of downright violence will rouse his nerves now to the needed excitement. At first he made out very well with remarkable men; then, lessening the water and increasing the spirit, he took to Heroes: and now he must have downright inhumanity, or the draught has no savor;—so he gets on at last to Kings, types of remorseless Force, who maintain the political views of Berserkers by the legal principles of Lynch. Constitutional monarchy is a failure, representative government is a gabble, democracy a birth of the bottomless pit; there is no hope for mankind except in getting themselves under a good driver who shall not spare the lash. And yet, unhappily for us, these drivers are providential births not to be contrived by any cunning of ours, and Friedrich II. is hitherto the last of them. Meanwhile the world’s wheels have got fairly stalled in mire and other matter of every vilest consistency and most disgustful smell. What are we to do? Mr. Carlyle will not let us make a lever with a rail from the next fence, or call in the neighbors. That would be too commonplace and cowardly, too anarchical. No; he would have us sit down beside him in the slough, and shout lustily for Hercules. If that indispensable demigod will not or cannot come, we can find a useful and instructive solace, during the intervals of shouting, in a hearty abuse of human nature, which, at the long last, is always to blame.

Since “Sartor Resartus” Mr. Carlyle has done little but repeat himself with increasing emphasis and heightened shrillness. Warning has steadily heated toward denunciation, and remonstrance soured toward scolding. The image of the Tartar prayer-mill, which he borrowed from Richter and turned to such humorous purpose, might be applied to himself. The same phrase comes round and round, only the machine, being a little crankier, rattles more, and the performer is called on for a more visible exertion. If there be not something very like cant in Mr. Carlyle’s later writings, then cant is not the repetition of a creed after it has become a phrase by the cooling of that white-hot conviction which once made it both the light and warmth of the soul. We do not mean intentional and deliberate cant, but neither is that which Mr. Carlyle denounces so energetically in his fellow-men of that conscious kind. We do not mean to blame him for it, but mention it rather as an interesting phenomenon of human nature. The stock of ideas which mankind has to work with is very limited, like the alphabet, and can at best have an air of freshness given it by new arrangements and combinations, or by application to new times and circumstances. Montaigne is but Ecclesiastes writing in the sixteenth century, Voltaire but Lucian in the eighteenth. Yet both are original, and so certainly is Mr. Carlyle, whose borrowing is mainly from his own former works. But he does this so often and so openly, that we may at least be sure that he ceased growing a number of years ago, and is a remarkable example of arrested development.

The cynicism, however, which has now become the prevailing temper of his mind, has gone on expanding with unhappy vigor. In Mr. Carlyle it is not, certainly, as in Swift, the result of personal disappointment, and of the fatal eye of an accomplice for the mean qualities by which power could be attained that it might be used for purposes as mean. It seems rather the natural corruption of his exuberant humor. Humor in its first analysis is a perception of the incongruous, and in its highest development, of the incongruity between the actual and the ideal in men and life. With so keen a sense of the ludicrous contrast between what men might be, nay, wish to be, and what they are, and with a vehement nature that demands the instant realization of his vision of a world altogether heroic, it is no wonder that Mr. Carlyle, always hoping for a thing and always disappointed, should become bitter. Perhaps if he expected less he would find more. Saul seeking his father’s asses found himself turned suddenly into a king; but Mr. Carlyle, on the lookout for a king, always seems to find the other sort of animal. He sees nothing on any side of him but a procession of the Lord of Misrule, in gloomier moments, a Dance of Death, where everything is either a parody of whatever is noble, or an aimless jig that stumbles at last into the annihilation of the grave, and so passes from one nothing to another. Is a world, then, which buys and reads Mr. Carlyle’s works distinguished only for its “fair, large ears”? If he who has read and remembered so much would only now and then call to mind the old proverb, Nec deus, nec lupus, sed homo! If he would only recollect that, from the days of the first grandfather, everybody has remembered a golden age behind him!

The very qualities, it seems to us, which came so near making a great poet of Mr. Carlyle, disqualify him for the office of historian. The poet’s concern is with the appearances of things, with their harmony in that whole which the imagination demands for its satisfaction, and their truth to that ideal nature which is the proper object of poetry. History, unfortunately, is very far from being ideal, still farther from an exclusive interest in those heroic or typical figures which answer all the wants of the epic and the drama and fill their utmost artistic limits. Mr. Carlyle has an unequalled power and vividness in painting detached scenes, in bringing out in their full relief the oddities or peculiarities of character; but he has a far feebler sense of those gradual changes of opinion, that strange communication of sympathy from mind to mind, that subtile influence of very subordinate actors in giving a direction to policy or action, which we are wont somewhat vaguely to call the progress of events. His scheme of history is purely an epical one, where only leading figures appear by name and are in any strict sense operative. He has no conception of the people as anything else than an element of mere brute force in political problems, and would sniff scornfully at that unpicturesque common-sense of the many, which comes slowly to its conclusions, no doubt, but compels obedience even from rulers the most despotic when once its mind is made up. His history of Frederick is, of course, a Fritziad; but next to his hero, the cane of the drill-sergeant and iron ramrods appear to be the conditions which to his mind satisfactorily account for the result of the Seven Years War. It is our opinion, which subsequent events seem to justify, that, had there not been in the Prussian people a strong instinct of nationality, Protestant nationality too, and an intimate conviction of its advantages, the war might have ended quite otherwise. Frederick II. left the machine of war which he received from his father even more perfect than he found it, yet within a few years of his death it went to pieces before the shock of French armies animated by an idea. Again a few years, and the Prussian soldiery, inspired once more by the old national fervor, were victorious. Were it not for the purely picturesque bias of Mr. Carlyle’s genius, for the necessity which his epical treatment lays upon him of always having a protagonist, we should be astonished that an idealist like him should have so little faith in ideas and so much in matter.

Mr. Carlyle’s manner is not so well suited to the historian as to the essayist. He is always great in single figures and striking episodes, but there is neither gradation nor continuity. He has extraordinary patience and conscientiousness in the gathering and sifting of his material, but is scornful of commonplace facts and characters, impatient of whatever will not serve for one of his clever sketches, or group well in a more elaborate figure-piece. He sees history, as it were, by flashes of lightning. A single scene, whether a landscape or an interior, a single figure or a wild mob of men, whatever may be snatched by the eye in that instant of intense illumination, is minutely photographed upon the memory. Every tree and stone, almost every blade of grass; every article of furniture in a room; the attitude or expression, nay, the very buttons and shoe-ties of a principal figure; the gestures of momentary passion in a wild throng,—everything leaps into vision under that sudden glare with a painful distinctness that leaves the retina quivering. The intervals are absolute darkness. Mr. Carlyle makes us acquainted with the isolated spot where we happen to be when the flash comes, as if by actual eyesight, but there is no possibility of a comprehensive view. No other writer compares with him for vividness. He is himself a witness, and makes us witnesses of whatever he describes. This is genius beyond a question, and of a very rare quality, but it is not history. He has not the cold-blooded impartiality of the historian and while he entertains us, moves us to tears or laughter, makes us the unconscious captives of his ever-changeful mood, we find that he has taught us comparatively little. His imagination is so powerful that it makes him the contemporary of his characters, and thus his history seems to be the memoirs of a cynical humorist, with hearty likes and dislikes, with something of acridity in his partialities whether for or against, more keenly sensitive to the grotesque than the simply natural, and who enters in his diary, even of what comes within the range of his own observation, only so much as amuses his fancy, is congenial with his humor, or feeds his prejudice. Mr. Carlyle’s method is accordingly altogether pictorial, his hasty temper making narrative wearisome to him. In his Friedrich, for example, we get very little notion of the civil administration of Prussia; and when he comes, in the last volume, to his hero’s dealings with civil reforms, he confesses candidly that it would tire him too much to tell us about it, even if he knew anything at all satisfactory himself.

Mr. Carlyle’s historical compositions are wonderful prose poems, full of picture, incident, humor, and character, where we grow familiar with his conception of certain leading personages, and even of subordinate ones, if they are necessary to the scene, so that they come out living upon the stage from the dreary limbo of names; but this is no more history than the historical plays of Shakespeare. There is nothing in imaginative literature superior in its own way to the episode of Voltaire in the Fritziad. It is delicious in humor, masterly in minute characterization. We feel as if the principal victim (for we cannot help feeling all the while that he is so) of this mischievous genius had been put upon the theatre before us by some perfect mimic like Foote, who had studied his habitual gait, gestures, tones, turn of thought, costume, trick of feature, and rendered them with the slight dash of caricature needful to make the whole composition tell. It is in such things that Mr. Carlyle is beyond all rivalry, and that we must go back to Shakespeare for a comparison. But the mastery of Shakespeare is shown perhaps more strikingly in his treatment of the ordinary than of the exceptional. His is the gracious equality of Nature herself. Mr. Carlyle’s gift is rather in the representation than in the evolution of character; and it is a necessity of his art, therefore, to exaggerate slightly his heroic, and to caricature in like manner his comic parts. His appreciation is less psychological than physical and external. Grimm relates that Garrick, riding once with Préville, proposed to him that they should counterfeit drunkenness. They rode through Passy accordingly, deceiving all who saw them. When beyond the town Préville asked how he had succeeded. “Excellently,” said Garrick, “as to your body; but your legs were not tipsy.” Mr. Carlyle would be as exact in his observation of nature as the great actor, and would make us see a drunken man as well; but we doubt whether he could have conceived that unmatchable scene in Antony and Cleopatra, where the tipsiness of Lepidus pervades the whole metaphysical no less than the physical part of the triumvir. If his sympathies bore any proportion to his instinct for catching those traits which are the expression of character, but not character itself, we might have had a great historian in him instead of a history-painter. But that which is a main element in Mr. Carlyle’s talent, and does perhaps more than anything else to make it effective, is a defect of his nature. The cynicism, which renders him so entertaining precludes him from any just conception of men and their motives, and from any sane estimate of the relative importance of the events which concern them. We remember a picture of Hamon’s, where before a Punch’s theatre are gathered the wisest of mankind in rapt attention. Socrates sits on a front bench, absorbed in the spectacle, and in the corner stands Dante making entries in his note-book. Mr. Carlyle as an historian leaves us in somewhat such a mood. The world is a puppet-show, and when we have watched the play out, we depart with a half-comic consciousness of the futility of all human enterprise, and the ludicrousness of all man’s action and passion on the stage of the world. Simple, kindly, blundering Oliver Goldsmith was after all wiser, and his Vicar, ideal as Hector and not less immortal, is a demonstration of the perennial beauty and heroism of the homeliest human nature. The cynical view is congenial to certain moods, and is so little inconsistent with original nobleness of mind, that it is not seldom the acetous fermentation of it; but it is the view of the satirist, not of the historian, and takes in but a narrow arc in the circumference of truth. Cynicism in itself is essentially disagreeable. It is the intellectual analogue of the truffle; and though it may be very well in giving a relish to thought for certain palates, it cannot supply the substance of it. Mr. Carlyle’s cynicism is not that polished weariness of the outsides of life which we find in Ecclesiastes. It goes much deeper than that to the satisfactions, not of the body or the intellect, but of the very soul itself. It vaunts itself; it is noisy and aggressive. What the wise master puts into the mouth of desperate ambition, thwarted of the fruit of its crime, as the fitting expression of passionate sophistry, seems to have become an article of his creed. With him

“Life is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.”

He goes about with his Diogenes dark-lantern, professing to seek a man, but inwardly resolved to find a monkey. He loves to flash it suddenly on poor human nature in some ridiculous or degrading posture. He admires still, or keeps affirming that he admires, the doughty, silent, hard-working men who, like Cromwell, go honestly about their business; but when we come to his later examples, we find that it is not loyalty to duty or to an inward ideal of high-mindedness that he finds admirable in them, but a blind unquestioning vassalage to whomsoever it has pleased him to set up for a hero. He would fain replace the old feudalism with a spiritual counterpart, in which there shall be an obligation to soul-service. He who once popularized the word flunkey by ringing the vehement changes of his scorn upon it, is at last forced to conceive an ideal flunkeyism to squire the hectoring Don Belianises of his fancy about the world. Failing this, his latest theory of Divine government seems to be the cudgel. Poets have sung all manner of vegetable loves; Petrarch has celebrated the laurel, Chaucer the daisy, and Wordsworth the gallows-tree; it remained for the ex-pedagogue of Ecclefechan to become the volunteer laureate of the rod, and to imagine a world created and directed by a divine Dr. Busby. We cannot help thinking that Mr. Carlyle might have learned something to his advantage by living a few years in the democracy which he scoffs at as heartily a priori as if it were the demagogism which Aristophanes derided from experience. The Hero, as Mr. Carlyle understands him, was a makeshift of the past; and the ideal of manhood is to be found hereafter in free communities, where the state shall at length sum up and exemplify in itself all those qualities which poets were forced to imagine and typify because they could not find them in the actual world.

In the earlier part of his literary career, Mr. Carlyle was the denouncer of shams, the preacher up of sincerity, manliness, and of a living faith, instead of a droning ritual. He had intense convictions, and he made disciples. With a compass of diction unequalled by any other public performer of the time, ranging as it did from the unbooked freshness of the Scottish peasant to the most far-sought phrase of literary curiosity, with humor, pathos, and eloquence at will, it was no wonder that he found eager listeners in a world longing for a sensation, and forced to put up with the West-End gospel of “Pelham.” If not a profound thinker, he had what was next best,—he felt profoundly, and his cry came out of the depths. The stern Calvinism of his early training was rekindled by his imagination to the old fervor of Wishart and Brown, and became a new phenomenon as he reproduced it subtilized by German transcendentalism and German culture. Imagination, if it lays hold of a Scotchman, possesses him in the old demoniac sense of the word, and that hard logical nature, if the Hebrew fire once gets fair headway in it, burns unquenchable as an anthracite coal-mine. But to utilize these sacred heats, to employ them, as a literary man is always tempted, to keep the domestic pot a-boiling,—is such a thing possible? Only too possible, we fear; and Mr. Carlyle is an example of it. If the languid public long for a sensation, the excitement of making one becomes also a necessity of the successful author, as the intellectual nerves grow duller and the old inspiration that came unbidden to the bare garret grows shier and shier of the comfortable parlor. As he himself said thirty years ago of Edward Irving, “Unconsciously, for the most part in deep unconsciousness, there was now the impossibility to live neglected,—to walk on the quiet paths where alone it is well with us. Singularity must henceforth succeed singularity. O foulest Circean draught, thou poison of Popular Applause! madness is in thee and death; thy end is Bedlam and the grave.” Mr. Carlyle won his first successes as a kind of preacher in print. His fervor, his oddity of manner, his pugnacious paradox, drew the crowd; the truth, or, at any rate, the faith that underlay them all, brought also the fitter audience, though fewer. But the curse was upon him; he must attract, he must astonish. Thenceforth he has done nothing but revamp his telling things; but the oddity has become always odder, the paradoxes more paradoxical. No very large share of truth falls to the apprehension of any one man; let him keep it sacred, and beware of repeating it till it turn to falsehood on his lips by becoming ritual. Truth always has a bewitching savor of newness in it, and novelty at the first taste recalls that original sweetness to the tongue; but alas for him who would make the one a substitute for the other! We seem to miss of late in Mr. Carlyle the old sincerity. He has become the purely literary man, less concerned about what he says than about how he shall say it to best advantage. The Muse should be the companion, not the guide, says he whom Mr. Carlyle has pronounced “the wisest of this generation.” What would be a virtue in the poet is a vice of the most fatal kind in the teacher, and, alas that we should say it! the very Draco of shams, whose code contained no penalty milder than capital for the most harmless of them, has become at last something very like a sham himself. Mr. Carlyle continues to be a voice crying in the wilderness, but no longer a voice with any earnest conviction behind it. Hearing him rebuke us for being humbugs and impostors, we are inclined to answer, with the ambassador of Philip II., when his master reproached him with forgetting substance in ceremony, “Your Majesty forgets that you are only a ceremony yourself.” And Mr. Carlyle’s teaching, moreover,—if teaching we may call it,—belongs to what the great German, whose disciple he is, condemned as the “literature of despair.” An apostle to the gentiles might hope for some fruit of his preaching; but of what avail an apostle who shouts his message down the mouth of the pit to poor lost souls, whom he can positively assure only that it is impossible to get out? Mr. Carlyle lights up the lanterns of his Pharos after the ship is already rolling between the tongue of the sea and the grinders of the reef. It is very brilliant, and its revolving flashes touch the crests of the breakers with an awful picturesqueness; but in so desperate a state of things, even Dr. Syntax might be pardoned for being forgetful of the picturesque. The Toryism of Scott sprang from love of the past; that of Carlyle is far more dangerously infectious, for it is logically deduced from a deep disdain of human nature.

Browning has drawn a beautiful picture of an old king sitting at the gate of his palace to judge his people in the calm sunshine of that past which never existed outside a poet’s brain. It is the sweetest of waking dreams, this of absolute power and perfect wisdom in one supreme ruler; but it is as pure a creation of human want and weakness, as clear a witness of mortal limitation and incompleteness, as the shoes of swiftness, the cloak of darkness, the purse of Fortunatus, and the elixir vitæ. It is the natural refuge of imaginative temperaments impatient of our blunders and shortcomings, and, given a complete man, all would submit to the divine right of his despotism. But alas! to every the most fortunate human birth hobbles up that malign fairy who has been forgotten, with her fatal gift of imperfection! So far as our experience has gone, it has been the very opposite of Mr. Carlyle’s. Instead of finding men disloyal to their natural leader, nothing has ever seemed to us so touching as the gladness with which they follow him, when they are sure they have found him at last. But a natural leader of the ideal type is not to be looked for nisi dignus vindice nodus. The Divine Forethought had been cruel in furnishing one for every petty occasion, and thus thwarting in all inferior men that priceless gift of reason, to develop which, and to make it one with free-will, is the highest use of our experience on earth. Mr. Carlyle was hard bestead and very far gone in his idolatry of mere pluck, when he was driven to choose Friedrich as a hero. A poet—and Mr. Carlyle is nothing else—is unwise who yokes Pegasus to a prosaic theme which no force of wing can lift from the dull earth. Charlemagne would have been a wiser choice, far enough in the past for ideal treatment, more manifestly the Siegfried of Anarchy, and in his rude way the refounder of that empire which is the ideal of despotism in the Western world.

Friedrich was doubtless a remarkable man, but surely very far below any lofty standard of heroic greatness. He was the last of the European kings who could look upon his kingdom as his private patrimony; and it was this estate of his, this piece of property, which he so obstinately and successfully defended. He had no idea of country as it was understood by an ancient Greek or Roman, as it is understood by a modern Englishman or American; and there is something almost pitiful in seeing a man of genius like Mr. Carlyle fighting painfully over again those battles of the last century which settled nothing but the continuance of the Prussian monarchy, while he saw only the “burning of a dirty chimney” in the war which a great people was waging under his very eyes for the idea of nationality and orderly magistrature, and which fixed, let us hope forever, a boundary-line on the map of history and man’s advancement toward self-conscious and responsible freedom. The true historical genius, to our thinking, is that which can see the nobler meaning of events that are near him, as the true poet is he who detects the divine in the casual; and we somewhat suspect the depth of his insight into the past, who cannot recognize the godlike of to-day under that disguise in which it always visits us. Shall we hint to Mr. Carlyle that a man may look on an heroic age, as well as an heroic master, with the eyes of a valet, as misappreciative certainly, though not so ignoble?

What Goethe says of a great poet, that he must be a citizen of his age as well as of his country, may be said inversely of a great king. He should be a citizen of his country as well as of his age. Friedrich was certainly the latter in its fullest sense; whether he was, or could have been, the former, in any sense, may be doubted. The man who spoke and wrote French in preference to his mother-tongue, who, dying when Goethe was already drawing toward his fortieth year, Schiller toward his thirtieth, and Lessing had been already five years in his grave, could yet see nothing but barbarism in German literature, had little of the old Teutonic fibre in his nature. The man who pronounced the Nibelungen Lied not worth a pinch of priming, had little conception of the power of heroic traditions in making heroic men, and especially in strengthening that instinct made up of so many indistinguishable associations which we call love of country. Charlemagne, when he caused the old songs of his people to be gathered and written down, showed a truer sense of the sources of national feeling and a deeper political insight. This want of sympathy points to the somewhat narrow limits of Friedrich’s nature. In spite of Mr. Carlyle’s adroit statement of the case, and the whole book has an air of being the plea of a masterly advocate in mitigation of sentence, we feel that his hero was essentially hard, narrow, and selfish. His popularity will go for little with any one who has studied the trifling and often fabulous elements that make up that singular compound. A bluntness of speech, a shabby uniform, a frugal camp equipage, a timely familiarity, may make a man the favorite of an army or a nation,—above all, if he have the knack of success. Moreover, popularity is much more easily won from above downward, and is bought at a better bargain by kings and generals than by other men. We doubt if Friedrich would have been liked as a private person, or even as an unsuccessful king. He apparently attached very few people to himself, fewer even than his brutal old Squire Western of a father. His sister Wilhelmina is perhaps an exception. We say perhaps, for we do not know how much the heroic part he was called on to play had to do with the matter, and whether sisterly pride did not pass even with herself for sisterly affection. Moreover she was far from him; and Mr. Carlyle waves aside, in his generous fashion, some rather keen comments of hers on her brother’s character when she visited Berlin after he had become king. Indeed, he is apt to deal rather contemptuously with all adverse criticism of his hero. We sympathize with his impulse in this respect, agreeing heartily as we do in Chaucer’s scorn of those who “gladlie demen to the baser end” in such matters. But we are not quite sure if this be a safe method with the historian. He must doubtless be the friend of his hero if he would understand him, but he must be more the friend of truth if he would understand history. Mr. Carlyle’s passion for truth is intense, as befits his temper, but it is that of a lover for his mistress. He would have her all to himself, and has a lover’s conviction that no one is able, or even fit, to appreciate her but himself. He does well to despise the tittle-tattle of vulgar minds, but surely should not ignore all testimony on the other side. For ourselves, we think it not unimportant that Goethe’s friend Knebel, a man not incapable of admiration, and who had served a dozen years or so as an officer of Friedrich’s guard, should have bluntly called him “the tyrant.”

Mr. Carlyle’s history traces the family of his hero down from its beginnings in the picturesque chiaro-scuro of the Middle Ages. It was an able and above all a canny house, a Scotch version of the word able, which implies thrift and an eye to the main chance, the said main chance or chief end of man being altogether of this world. Friedrich, inheriting this family faculty in full measure, was driven, partly by ambition, partly by necessity, to apply it to war. He did so, with the success to be expected where a man of many expedients has the good luck to be opposed by men with few. He adds another to the many proofs that it is possible to be a great general without a spark of that divine fire which we call genius, and that good fortune in war results from the same prompt talent and unbending temper which lead to the same result in the peaceful professions. Friedrich had certainly more of the temperament of genius than Marlborough or Wellington; but not to go beyond modern instances, he does not impress us with the massive breadth of Napoleon, nor attract us with the climbing ardor of Turenne. To compare him with Alexander or Cæsar were absurd. The kingship that was in him, and which won Mr. Carlyle to be his biographer, is that of will merely, of rapid and relentless command. For organization he had a masterly talent; but he could not apply it to the arts of peace, both because he wanted experience and because the rash decision of the battle-field will not serve in matters which are governed by natural laws of growth. He seems, indeed, to have had a coarse, soldier’s contempt for all civil distinction, altogether unworthy of a wise king, or even of a prudent one. He confers the title of Hofrath on the husband of a woman with whom his General Walrave is living in what Mr. Carlyle justly calls “brutish polygamy,” and this at Walrave’s request, on the ground that “a general’s drab ought to have a handle to her name.” Mr. Carlyle murmurs in a mild parenthesis that “we rather regret this”! (Vol. III. p. 559.) This is his usual way of treating unpleasant matters, sidling by with a deprecating shrug of the shoulders. Not that he ever wilfully suppresses anything. On the contrary, there is no greater proof of his genius than the way in which, while he seems to paint a character with all its disagreeable traits, he contrives to win our sympathy for it, nay, almost our liking. This is conspicuously true of his portrait of Friedrich’s father; and that he does not succeed in making Friedrich himself attractive is a strong argument with us that the fault is in the subject and not the artist.

The book, we believe, has been comparatively unsuccessful as a literary venture. Nor do we wonder at it. It is disproportionately long, and too much made up of those descriptions of battles to read which seems even more difficult than to have won the victory itself, more disheartening than to have suffered the defeat. To an American, also, the warfare seemed Liliputian in the presence of a conflict so much larger in its proportions and significant in its results. The interest, moreover, flags decidedly toward the close, where the reader cannot help feeling that the author loses breath somewhat painfully under the effort of so prolonged a course. Mr. Carlyle has evidently devoted to his task a labor that may be justly called prodigious. Not only has he sifted all the German histories and memoirs, but has visited every battle-field, and describes them with an eye for country that is without rival among historians. The book is evidently an abridgment of even more abundant collections, and yet as it stands the matter overburdens the work. It is a bundle of lively episodes rather than a continuous narrative. In this respect it contrasts oddly with the concinnity of his own earlier Life of Schiller. But the episodes are lively, the humor and pathos spring from a profound nature, the sketches of character are masterly, the seizure of every picturesque incident infallible, and the literary judgments those of a thorough scholar and critic. There is, of course, the usual amusing objurgation of Dryasdust and his rubbish-heaps, the usual assumption of omniscience, and the usual certainty of the lively French lady of being always in the right; yet we cannot help thinking that a little of Dryasdust’s plodding exactness would have saved Fouquet eleven years of the imprisonment to which Mr. Carlyle condemns him, would have referred us to St. Simon rather than to Voltaire for the character of the brothers Belle-Ile, and would have kept clear of a certain ludicrous etymology of the name Antwerp, not to mention some other trifling slips of the like nature. In conclusion, after saying, as honest critics must, that “The History of Friedrich II. called Frederick the Great” is a book to be read in with more satisfaction than to be read through, after declaring that it is open to all manner of criticism, especially in point of moral purpose and tendency, we must admit with thankfulness, that it has the one prime merit of being the work of a man who has every quality of a great poet except that supreme one of rhythm which shapes both matter and manner to harmonious proportion, and that where it is good, it is good as only genius knows how to be.

With the gift of song, Carlyle would have been the greatest of epic poets since Homer. Without it, to modulate and harmonize and bring parts into their proper relation, he is the most amorphous of humorists, the most shining avatar of whim the world has ever seen. Beginning with a hearty contempt for shams, he has come at length to believe in brute force as the only reality, and as little sense of justice as Thackeray allowed to women. We say brute force because, though the theory is that this force should be directed by the supreme intellect for the time being, yet all inferior wits are treated rather as obstacles to be contemptuously shoved aside than as ancillary forces to be conciliated through their reason. But, with all deductions, he remains the profoundest critic and the most dramatic imagination of modern times. Never was there a more striking example of that ingenium perfervidum long ago said to be characteristic of his countrymen. His is one of the natures, rare in these latter centuries, capable of rising to a white heat; but once fairly kindled, he is like a three-decker on fire, and his shotted guns go off, as the glow reaches them, alike dangerous to friend or foe. Though he seems more and more to confound material with moral success, yet there is always something wholesome in his unswerving loyalty to reality, as he understands it. History, in the true sense, he does not and cannot write, for he looks on mankind as a herd without volition, and without moral force; but such vivid pictures of events, such living conceptions of character, we find nowhere else in prose. The figures of most historians seem like dolls stuffed with bran, whose whole substance runs out through any hole that criticism may tear in them, but Carlyle’s are so real in comparison, that, if you prick them, they bleed. He seems a little wearied, here and there, in his Friedrich, with the multiplicity of detail, and does his filling-in rather shabbily; but he still remains in his own way, like his hero, the Only, and such episodes as that of Voltaire would make the fortune of any other writer. Though not the safest of guides in politics or practical philosophy, his value as an inspirer and awakener cannot be over-estimated. It is a power which belongs only to the highest order of minds, for it is none but a divine fire that can so kindle and irradiate. The debt due him from those who listened to the teachings of his prime for revealing to them what sublime reserves of power even the humblest may find in manliness, sincerity, and self-reliance, can be paid with nothing short of reverential gratitude. As a purifier of the sources whence our intellectual inspiration is drawn, his influence has been second only to that of Wordsworth, if even to his.

ABRAHAM LINCOLN.
1864.

THERE have been many painful crises since the impatient vanity of South Carolina hurried ten prosperous Commonwealths into a crime whose assured retribution was to leave them either at the mercy of the nation they had wronged, or of the anarchy they had summoned but could not control, when no thoughtful American opened his morning paper without dreading to find that he had no longer a country to love and honor. Whatever the result of the convulsion whose first shocks were beginning to be felt, there would still be enough square miles of earth for elbow-room; but that ineffable sentiment made up of memory and hope, of instinct and tradition, which swells every man’s heart and shapes his thought, though perhaps never present to his consciousness, would be gone from it, leaving it common earth and nothing more. Men might gather rich crops from it, but that ideal harvest of priceless associations would be reaped no longer; that fine virtue which sent up messages of courage and security from every sod of it would have evaporated beyond recall. We should be irrevocably cut off from our past, and be forced to splice the ragged ends of our lives upon whatever new conditions chance might leave dangling for us.

We confess that we had our doubts at first whether the patriotism of our people were not too narrowly provincial to embrace the proportions of national peril We felt an only too natural distrust of immense public meetings and enthusiastic cheers.

That a reaction should follow the holiday enthusiasm with which the war was entered-on, that it should follow soon, and that the slackening of public spirit should be proportionate to the previous over-tension, might well be foreseen by all who had studied human nature or history. Men acting gregariously are always in extremes; as they are one moment capable of higher courage, so they are liable, the next, to baser depression, and it is often a matter of chance whether numbers shall multiply confidence or discouragement. Nor does deception lead more surely to distrust of men, than self-deception to suspicion of principles. The only faith that wears well and holds its color in all weathers is that which is woven of conviction and set with the sharp mordant of experience. Enthusiasm is good material for the orator, but the statesman needs something more durable to work in,—must be able to rely on the deliberate reason and consequent firmness of the people, without which that presence of mind, no less essential in times of moral than of material peril, will be wanting at the critical moment. Would this fervor of the Free States hold out? Was it kindled by a just feeling of the value of constitutional liberty? Had it body enough to withstand the inevitable dampening of checks, reverses, delays? Had our population intelligence enough to comprehend that the choice was between order and anarchy, between the equilibrium of a government by law and the tussle of misrule by pronunciamiento? Could a war be maintained without the ordinary stimulus of hatred and plunder, and with the impersonal loyalty of principle? These were serious questions, and with no precedent to aid in answering them.

At the beginning of the war there was, indeed, occasion for the most anxious apprehension. A President known to be infected with the political heresies, and suspected of sympathy with the treason, of the Southern conspirators, had just surrendered the reins, we will not say of power, but of chaos, to a successor known only as the representative of a party whose leaders, with long training in opposition, had none in the conduct of affairs; an empty treasury was called on to supply resources beyond precedent in the history of finance; the trees were yet growing and the iron unmined with which a navy was to be built and armored; officers without discipline were to make a mob into an army; and, above all, the public opinion of Europe, echoed and reinforced with every vague hint and every specious argument of despondency by a powerful faction at home, was either contemptuously sceptical or actively hostile. It would be hard to over-estimate the force of this latter element of disintegration and discouragement among a people where every citizen at home, and every soldier in the field, is a reader of newspapers. The pedlers of rumor in the North were the most effective allies of the rebellion. A nation can be liable to no more insidious treachery than that of the telegraph, sending hourly its electric thrill of panic along the remotest nerves of the community, till the excited imagination makes every real danger loom heightened with its unreal double.

And even if we look only at more palpable difficulties, the problem to be solved by our civil war was so vast, both in its immediate relations and its future consequences; the conditions of its solution were so intricate and so greatly dependent on incalculable and uncontrollable contingencies; so many of the data, whether for hope or fear, were, from their novelty, incapable of arrangement under any of the categories of historical precedent, that there were moments of crisis when the firmest believer in the strength and sufficiency of the democratic theory of government might well hold his breath in vague apprehension of disaster. Our teachers of political philosophy, solemnly arguing from the precedent of some petty Grecian, Italian, or Flemish city, whose long periods of aristocracy were broken now and then by awkward parentheses of mob, had always taught us that democracies were incapable of the sentiment of loyalty, of concentrated and prolonged effort, of far-reaching conceptions; were absorbed in material interests; impatient of regular, and much more of exceptional restraint; had no natural nucleus of gravitation, nor any forces but centrifugal; were always on the verge of civil war, and slunk at last into the natural almshouse of bankrupt popular government, a military despotism. Here was indeed a dreary outlook for persons who knew democracy, not by rubbing shoulders with it lifelong, but merely from books, and America only by the report of some fellow-Briton, who, having eaten a bad dinner or lost a carpet-bag here, had written to the Times demanding redress, and drawing a mournful inference of democratic instability. Nor were men wanting among ourselves who had so steeped their brains in London literature as to mistake Cockneyism for European culture, and contempt of their country for cosmopolitan breadth of view, and who, owing all they had and all they were to democracy, thought it had an air of high-breeding to join in the shallow epicedium that our bubble had burst.

But beside any disheartening influences which might affect the timid or the despondent, there were reasons enough of settled gravity against any over-confidence of hope. A war—which, whether we consider the expanse of the territory at stake, the hosts brought into the field, or the reach of the principles involved, may fairly be reckoned the most momentous of modern times—was to be waged by a people divided at home, unnerved by fifty years of peace, under a chief magistrate without experience and without reputation, whose every measure was sure to be cunningly hampered by a jealous and unscrupulous minority, and who, while dealing with unheard-of complications at home, must soothe a hostile neutrality abroad, waiting only a pretext to become war. All this was to be done without warning and without preparation, while at the same time a social revolution was to be accomplished in the political condition of four millions of people, by softening the prejudices, allaying the fears, and gradually obtaining the co-operation, of their unwilling liberators. Surely, if ever there were an occasion when the heightened imagination of the historian might see Destiny visibly intervening in human affairs, here was a knot worthy of her shears. Never, perhaps, was any system of government tried by so continuous and searching a strain as ours during the last three years; never has any shown itself stronger; and never could that strength be so directly traced to the virtue and intelligence of the people,—to that general enlightenment and prompt efficiency of public opinion possible only under the influence of a political framework like our own. We find it hard to understand how even a foreigner should be blind to the grandeur of the combat of ideas that has been going on here,—to the heroic energy, persistency, and self-reliance of a nation proving that it knows how much dearer greatness is than mere power; and we own that it is impossible for us to conceive the mental and moral condition of the American who does not feel his spirit braced and heightened by being even a spectator of such qualities and achievements. That a steady purpose and a definite aim have been given to the jarring forces which, at the beginning of the war, spent themselves in the discussion of schemes which could only become operative, if at all, after the war was over; that a popular excitement has been slowly intensified into an earnest national will; that a somewhat impracticable moral sentiment has been made the unconscious instrument of a practical moral end; that the treason of covert enemies, the jealousy of rivals, the unwise zeal of friends, have been made not only useless for mischief, but even useful for good; that the conscientious sensitiveness of England to the horrors of civil conflict has been prevented from complicating a domestic with a foreign war;—all these results, any one of which might suffice to prove greatness in a ruler, have been mainly due to the good sense, the good-humor, the sagacity, the large-mindedness, and the unselfish honesty of the unknown man whom a blind fortune, as it seemed, had lifted from the crowd to the most dangerous and difficult eminence of modern times. It is by presence of mind in untried emergencies that the native metal of a man is tested; it is by the sagacity to see, and the fearless honesty to admit, whatever of truth there may be in an adverse opinion, in order more convincingly to expose the fallacy that lurks behind it, that a reasoner at length gains for his mere statement of a fact the force of argument; it is by a wise forecast which allows hostile combinations to go so far as by the inevitable reaction to become elements of his own power, that a politician proves his genius for state-craft; and especially it is by so gently guiding public sentiment that he seems to follow it, by so yielding doubtful points that he can be firm without seeming obstinate in essential ones, and thus gain the advantages of compromise without the weakness of concession; by so instinctively comprehending the temper and prejudices of a people as to make them gradually conscious of the superior wisdom of his freedom from temper and prejudice,—it is by qualities such as these that a magistrate shows himself worthy to be chief in a commonwealth of freemen. And it is for qualities such as these that we firmly believe History will rank Mr. Lincoln among the most prudent of statesmen and the most successful of rulers. If we wish to appreciate him, we have only to conceive the inevitable chaos in which we should now be weltering, had a weak man or an unwise one been chosen in his stead.

“Bare is back,” says the Norse proverb, “without brother behind it”; and this is, by analogy, true of an elective magistracy. The hereditary ruler in any critical emergency may reckon on the inexhaustible resources of prestige, of sentiment, of superstition, of dependent interest, while the new man must slowly and painfully create all these out of the unwilling material around him, by superiority of character, by patient singleness of purpose, by sagacious presentiment of popular tendencies and instinctive sympathy with the national character. Mr. Lincoln’s task was one of peculiar and exceptional difficulty. Long habit had accustomed the American people to the notion of a party in power, and of a President as its creature and organ, while the more vital fact, that the executive for the time being represents the abstract idea of government as a permanent principle superior to all party and all private interest, had gradually become unfamiliar. They had so long seen the public policy more or less directed by views of party, and often even of personal advantage, as to be ready to suspect the motives of a chief magistrate compelled, for the first time in our history, to feel himself the head and hand of a great nation, and to act upon the fundamental maxim, laid down by all publicists, that the first duty of a government is to defend and maintain its own existence. Accordingly, a powerful weapon seemed to be put into the hands of the opposition by the necessity under which the administration found itself of applying this old truth to new relations. Nor were the opposition his only nor his most dangerous opponents.

The Republicans had carried the country upon an issue in which ethics were more directly and visibly mingled with politics than usual. Their leaders were trained to a method of oratory which relied for its effect rather on the moral sense than the understanding. Their arguments were drawn, not so much from experience as from general principles of right and wrong. When the war came, their system continued to be applicable and effective, for here again the reason of the people was to be reached and kindled through their sentiments. It was one of those periods of excitement, gathering, contagious, universal, which, while they last, exalt and clarify the minds of men, giving to the mere words country, human rights, democracy, a meaning and a force beyond that of sober and logical argument. They were convictions, maintained and defended by the supreme logic of passion. That penetrating fire ran in and roused those primary instincts that make their lair in the dens and caverns of the mind. What is called the great popular heart was awakened, that indefinable something which may be, according to circumstances, the highest reason or the most brutish unreason. But enthusiasm, once cold, can never be warmed over into anything better than cant,—and phrases, when once the inspiration that filled them with beneficent power has ebbed away, retain only that semblance of meaning which enables them to supplant reason in hasty minds. Among the lessons taught by the French Revolution there is none sadder or more striking than this, that you may make everything else out of the passions of men except a political system that will work, and that there is nothing so pitilessly and unconsciously cruel as sincerity formulated into dogma. It is always demoralizing to extend the domain of sentiment over questions where it has no legitimate jurisdiction; and perhaps the severest strain upon Mr. Lincoln was in resisting a tendency of his own supporters which chimed with his own private desires while wholly opposed to his convictions of what would be wise policy.

The change which three years have brought about is too remarkable to be passed over without comment, too weighty in its lesson not to be laid to heart. Never did a President enter upon office with less means at his command, outside his own strength of heart and steadiness of understanding, for inspiring confidence in the people, and so winning it for himself, than Mr. Lincoln. All that was known of him was that he was a good stump-speaker, nominated for his availability,—that is, because he had no history,—and chosen by a party with whose more extreme opinions he was not in sympathy. It might well be feared that a man past fifty, against whom the ingenuity of hostile partisans could rake up no accusation, must be lacking in manliness of character, in decision of principle, in strength of will; that a man who was at best only the representative of a party, and who yet did not fairly represent even that, would fail of political, much more of popular, support. And certainly no one ever entered upon office with so few resources of power in the past, and so many materials of weakness in the present, as Mr. Lincoln. Even in that half of the Union which acknowledged him as President, there was a large, and at that time dangerous minority, that hardly admitted his claim to the office, and even in the party that elected him there was also a large minority that suspected him of being secretly a communicant with the church of Laodicea. All that he did was sure to be virulently attacked as ultra by one side; all that he left undone, to be stigmatized as proof of lukewarmness and backsliding by the other. Meanwhile he was to carry on a truly colossal war by means of both; he was to disengage the country from diplomatic entanglements of unprecedented peril undisturbed by the help or the hinderance of either, and to win from the crowning dangers of his administration, in the confidence of the people, the means of his safety and their own. He has contrived to do it, and perhaps none of our Presidents since Washington has stood so firm in the confidence of the people as he does after three years of stormy administration.

Mr. Lincoln’s policy was a tentative one, and rightly so. He laid down no programme which must compel him to be either inconsistent or unwise, no cast-iron theorem to which circumstances must be fitted as they rose, or else be useless to his ends. He seemed to have chosen Mazarin’s motto, Le temps et moi. The moi, to be sure, was not very prominent at first; but it has grown more and more so, till the world is beginning to be persuaded that it stands for a character of marked individuality and capacity for affairs. Time was his prime-minister, and, we began to think, at one period, his general-in-chief also. At first he was so slow that he tired out all those who see no evidence of progress but in blowing up the engine; then he was so fast, that he took the breath away from those who think there is no getting on safely while there is a spark of fire under the boilers. God is the only being who has time enough; but a prudent man, who knows how to seize occasion, can commonly make a shift to find as much as he needs. Mr. Lincoln, as it seems to us in reviewing his career, though we have sometimes in our impatience thought otherwise, has always waited, as a wise man should, till the right moment brought up all his reserves. Semper nocuit differre paratis, is a sound axiom, but the really efficacious man will also be sure to know when he is not ready, and be firm against all persuasion and reproach till he is.

One would be apt to think, from some of the criticisms made on Mr. Lincoln’s course by those who mainly agree with him in principle, that the chief object of a statesman should be rather to proclaim his adhesion to certain doctrines, than to achieve their triumph by quietly accomplishing his ends. In our opinion, there is no more unsafe politician than a conscientiously rigid doctrinaire, nothing more sure to end in disaster than a theoretic scheme of policy that admits of no pliability for contingencies. True, there is a popular image of an impossible He, in whose plastic hands the submissive destinies of mankind become as wax, and to whose commanding necessity the toughest facts yield with the graceful pliancy of fiction; but in real life we commonly find that the men who control circumstances, as it is called, are those who have learned to allow for the influence of their eddies, and have the nerve to turn them to account at the happy instant. Mr. Lincoln’s perilous task has been to carry a rather shaky raft through the rapids, making fast the unrulier logs as he could snatch opportunity, and the country is to be congratulated that he did not think it his duty to run straight at all hazards, but cautiously to assure himself with his setting-pole where the main current was, and keep steadily to that. He is still in wild water, but we have faith that his skill and sureness of eye will bring him out right at last.

A curious, and, as we think, not inapt parallel, might be drawn between Mr. Lincoln and one of the most striking figures in modern history,—Henry IV. of France. The career of the latter may be more picturesque, as that of a daring captain always is; but in all its vicissitudes there is nothing more romantic than that sudden change, as by a rub of Aladdin’s lamp, from the attorney’s office in a country town of Illinois to the helm of a great nation in times like these. The analogy between the characters and circumstances of the two men is in many respects singularly close. Succeeding to a rebellion rather than a crown, Henry’s chief material dependence was the Huguenot party, whose doctrines sat upon him with a looseness distasteful certainly, if not suspicious, to the more fanatical among them. King only in name over the greater part of France, and with his capital barred against him, it yet gradually became clear to the more far-seeing even of the Catholic party that he was the only centre of order and legitimate authority round which France could reorganize itself. While preachers who held the divine right of kings made the churches of Paris ring with declamations in favor of democracy rather than submit to the heretic dog of a Béarnois,—much as our soi-disant Democrats have lately been preaching the divine right of slavery, and denouncing the heresies of the Declaration of Independence,—Henry bore both parties in hand till he was convinced that only one course of action could possibly combine his own interests and those of France. Meanwhile the Protestants believed somewhat doubtfully that he was theirs, the Catholics hoped somewhat doubtfully that he would be theirs, and Henry himself turned aside remonstrance, advice, and curiosity alike with a jest or a proverb (if a little high, he liked them none the worse), joking continually as his manner was. We have seen Mr. Lincoln contemptuously compared to Sancho Panza by persons incapable of appreciating one of the deepest pieces of wisdom in the profoundest romance ever written; namely, that, while Don Quixote was incomparable in theoretic and ideal statesmanship, Sancho, with his stock of proverbs, the ready money of human experience, made the best possible practical governor. Henry IV. was as full of wise saws and modern instances as Mr. Lincoln, but beneath all this was the thoughtful, practical, humane, and thoroughly earnest man, around whom the fragments of France were to gather themselves till she took her place again as a planet of the first magnitude in the European system. In one respect Mr. Lincoln was more fortunate than Henry. However some may think him wanting in zeal, the most fanatical can find no taint of apostasy in any measure of his, nor can the most bitter charge him with being influenced by motives of personal interest. The leading distinction between the policies of the two is one of circumstances. Henry went over to the nation; Mr. Lincoln has steadily drawn the nation over to him. One left a united France; the other, we hope and believe, will leave a reunited America. We leave our readers to trace the further points of difference and resemblance for themselves, merely suggesting a general similarity which has often occurred to us. One only point of melancholy interest we will allow ourselves to touch upon. That Mr. Lincoln is not handsome nor elegant, we learn from certain English tourists who would consider similar revelations in regard to Queen Victoria as thoroughly American in their want of bienséance. It is no concern of ours, nor does it affect his fitness for the high place he so worthily occupies; but he is certainly as fortunate as Henry in the matter of good looks, if we may trust contemporary evidence. Mr. Lincoln has also been reproached with Americanism by some not unfriendly British critics; but, with all deference, we cannot say that we like him any the worse for it, or see in it any reason why he should govern Americans the less wisely.

People of more sensitive organizations may be shocked, but we are glad that in this our true war of independence, which is to free us forever from the Old World, we have had at the head of our affairs a man whom America made, as God made Adam, out of the very earth, unancestried, unprivileged, unknown, to show us how much truth, how much magnanimity, and how much statecraft await the call of opportunity in simple manhood when it believes in the justice of God and the worth of man. Conventionalities are all very well in their proper place, but they shrivel at the touch of nature like stubble in the fire. The genius that sways a nation by its arbitrary will seems less august to us than that which multiplies and reinforces itself in the instincts and convictions of an entire people. Autocracy may have something in it more melodramatic than this, but falls far short of it in human value and interest.

Experience would have bred in us a rooted distrust of improvised statesmanship, even if we did not believe politics to be a science, which, if it cannot always command men of special aptitude and great powers, at least demands the long and steady application of the best powers of such men as it can command to master even its first principles. It is curious, that, in a country which boasts of its intelligence, the theory should be so generally held that the most complicated of human contrivances, and one which every day becomes more complicated, can be worked at sight by any man able to talk for an hour or two without stopping to think.

Mr. Lincoln is sometimes claimed as an example of a ready-made ruler. But no case could well be less in point; for, besides that he was a man of such fair-mindedness as is always the raw material of wisdom, he had in his profession a training precisely the opposite of that to which a partisan is subjected. His experience as a lawyer compelled him not only to see that there is a principle underlying every phenomenon in human affairs, but that there are always two sides to every question, both of which must be fully understood in order to understand either, and that it is of greater advantage to an advocate to appreciate the strength than the weakness of his antagonist’s position. Nothing is more remarkable than the unerring tact with which, in his debate with Mr. Douglas, he went straight to the reason of the question; nor have we ever had a more striking lesson in political tactics than the fact, that, opposed to a man exceptionally adroit in using popular prejudice and bigotry to his purpose, exceptionally unscrupulous in appealing to those baser motives that turn a meeting of citizens into a mob of barbarians, he should yet have won his case before a jury of the people. Mr. Lincoln was as far as possible from an impromptu politician. His wisdom was made up of a knowledge of things as well as of men; his sagacity resulted from a clear perception and honest acknowledgment of difficulties, which enabled him to see that the only durable triumph of political opinion is based, not on any abstract right, but upon so much of justice, the highest attainable at any given moment in human affairs, as may be had in the balance of mutual concession. Doubtless he had an ideal, but it was the ideal of a practical statesman,—to aim at the best, and to take the next best, if he is lucky enough to get even that. His slow, but singularly masculine, intelligence taught him that precedent is only another name for embodied experience, and that it counts for even more in the guidance of communities of men than in that of the individual life. He was not a man who held it good public economy to pull down on the mere chance of rebuilding better. Mr. Lincoln’s faith in God was qualified by a very well-founded distrust of the wisdom of man. Perhaps it was his want of self-confidence that more than anything else won him the unlimited confidence of the people, for they felt that there would be no need of retreat from any position he had deliberately taken. The cautious, but steady, advance of his policy during the war was like that of a Roman army. He left behind him a firm road on which public confidence could follow; he took America with him where he went; what he gained he occupied, and his advanced posts became colonies. The very homeliness of his genius was its distinction. His kingship was conspicuous by its workday homespun. Never was ruler so absolute as he, nor so little conscious of it; for he was the incarnate common-sense of the people. With all that tenderness of nature whose sweet sadness touched whoever saw him with something of its own pathos, there was no trace of sentimentalism in his speech or action. He seems to have had but one rule of conduct, always that of practical and successful politics, to let himself be guided by events, when they were sure to bring him out where he wished to go, though by what seemed to unpractical minds, which let go the possible to grasp at the desirable, a longer road.

Undoubtedly the highest function of statesmanship is by degrees to accommodate the conduct of communities to ethical laws, and to subordinate the conflicting self-interests of the day to higher and more permanent concerns. But it is on the understanding, and not on the sentiment, of a nation that all safe legislation must be based. Voltaire’s saying, that “a consideration of petty circumstances is the tomb of great things,” may be true of individual men, but it certainly is not true of governments. It is by a multitude of such considerations, each in itself trifling, but all together weighty, that the framers of policy can alone divine what is practicable and therefore wise. The imputation of inconsistency is one to which every sound politician and every honest thinker must sooner or later subject himself. The foolish and the dead alone never change their opinion. The course of a great statesman resembles that of navigable rivers, avoiding immovable obstacles with noble bends of concession, seeking the broad levels of opinion on which men soonest settle and longest dwell, following and marking the almost imperceptible slopes of national tendency, yet always aiming at direct advances, always recruited from sources nearer heaven, and sometimes bursting open paths of progress and fruitful human commerce through what seem the eternal barriers of both. It is loyalty to great ends, even though forced to combine the small and opposing motives of selfish men to accomplish them; it is the anchored cling to solid principles of duty and action, which knows how to swing with the tide, but is never carried away by it,—that we demand in public men, and not sameness of policy, or a conscientious persistency in what is impracticable. For the impracticable, however theoretically enticing, is always politically unwise, sound statesmanship being the application of that prudence to the public business which is the safest guide in that of private men.

No doubt slavery was the most delicate and embarrassing question with which Mr. Lincoln was called on to deal, and it was one which no man in his position, whatever his opinions, could evade; for, though he might withstand the clamor of partisans, he must sooner or later yield to the persistent importunacy of circumstances, which thrust the problem upon him at every turn and in every shape.

It has been brought against us as an accusation abroad, and repeated here by people who measure their country rather by what is thought of it than by what it is, that our war has not been distinctly and avowedly for the extinction of slavery, but a war rather for the preservation of our national power and greatness, in which the emancipation of the negro has been forced upon us by circumstances and accepted as a necessity. We are very far from denying this; nay, we admit that it is so far true that we were slow to renounce our constitutional obligations even toward those who had absolved us by their own act from the letter of our duty. We are speaking of the government which, legally installed for the whole country, was bound, so long as it was possible, not to overstep the limits of orderly prescription, and could not, without abnegating its own very nature, take the lead in making rebellion an excuse for revolution. There were, no doubt, many ardent and sincere persons who seemed to think this as simple a thing to do as to lead off a Virginia reel. They forgot what should be forgotten least of all in a system like ours, that the administration for the time being represents not only the majority which elects it, but the minority as well,—a minority in this case powerful, and so little ready for emancipation that it was opposed even to war. Mr. Lincoln had not been chosen as general agent of an antislavery society, but President of the United States, to perform certain functions exactly defined by law. Whatever were his wishes, it was no less duty than policy to mark out for himself a line of action that would not further distract the country, by raising before their time questions which plainly would soon enough compel attention, and for which every day was making the answer more easy.

Meanwhile he must solve the riddle of this new Sphinx, or be devoured. Though Mr. Lincoln’s policy in this critical affair has not been such as to satisfy those who demand an heroic treatment for even the most trifling occasion, and who will not cut their coat according to their cloth, unless they can borrow the scissors of Atropos, it has been at least not unworthy of the long-headed king of Ithaca. Mr. Lincoln had the choice of Bassanio offered him. Which of the three caskets held the prize that was to redeem the fortunes of the country? There was the golden one whose showy speciousness might have tempted a vain man; the silver of compromise, which might have decided the choice of a merely acute one; and the leaden,—dull and homely-looking, as prudence always is,—yet with something about it sure to attract the eye of practical wisdom. Mr. Lincoln dallied with his decision perhaps longer than seemed needful to those on whom its awful responsibility was not to rest, but when he made it, it was worthy of his cautious but sure-footed understanding. The moral of the Sphinx-riddle, and it is a deep one, lies in the childish simplicity of the solution. Those who fail in guessing it, fail because they are over-ingenious, and cast about for an answer that shall suit their own notion of the gravity of the occasion and of their own dignity, rather than the occasion itself.

In a matter which must be finally settled by public opinion, and in regard to which the ferment of prejudice and passion on both sides has not yet subsided to that equilibrium of compromise from which alone a sound public opinion can result, it is proper enough for the private citizen to press his own convictions with all possible force of argument and persuasion; but the popular magistrate, whose judgment must become action, and whose action involves the whole country, is bound to wait till the sentiment of the people is so far advanced toward his own point of view, that what he does shall find support in it, instead of merely confusing it with new elements of division. It was not unnatural that men earnestly devoted to the saving of their country, and profoundly convinced that slavery was its only real enemy, should demand a decided policy round which all patriots might rally,—and this might have been the wisest course for an absolute ruler. But in the then unsettled state of the public mind, with a large party decrying even resistance to the slaveholders’ rebellion as not only unwise, but even unlawful; with a majority, perhaps, even of the would-be loyal so long accustomed to regard the Constitution as a deed of gift conveying to the South their own judgment as to policy and instinct as to right, that they were in doubt at first whether their loyalty were due to the country or to slavery; and with a respectable body of honest and influential men who still believed in the possibility of conciliation,—Mr. Lincoln judged wisely, that, in laying down a policy in deference to one party, he should be giving to the other the very fulcrum for which their disloyalty had been waiting.

It behooved a clear-headed man in his position not to yield so far to an honest indignation against the brokers of treason in the North as to lose sight of the materials for misleading which were their stock in trade, and to forget that it is not the falsehood of sophistry which is to be feared, but the grain of truth mingled with it to make it specious,—that it is not the knavery of the leaders so much as the honesty of the followers they may seduce, that gives them power for evil. It was especially his duty to do nothing which might help the people to forget the true cause of the war in fruitless disputes about its inevitable consequences.

The doctrine of State rights can be so handled by an adroit demagogue as easily to confound the distinction between liberty and lawlessness in the minds of ignorant persons, accustomed always to be influenced by the sound of certain words, rather than to reflect upon the principles which give them meaning. For, though Secession involves the manifest absurdity of denying to a State the right of making war against any foreign power while permitting it against the United States; though it supposes a compact of mutual concessions and guaranties among States without any arbiter in case of dissension; though it contradicts common-sense in assuming that the men who framed our government did not know what they meant when they substituted Union for Confederation; though it falsifies history, which shows that the main opposition to the adoption of the Constitution was based on the argument that it did not allow that independence in the several States which alone would justify them in seceding;—yet, as slavery was universally admitted to be a reserved right, an inference could be drawn from any direct attack upon it (though only in self-defence) to a natural right of resistance, logical enough to satisfy minds untrained to detect fallacy, as the majority of men always are, and now too much disturbed by the disorder of the times, to consider that the order of events had any legitimate bearing on the argument. Though Mr. Lincoln was too sagacious to give the Northern allies of the Rebels the occasion they desired and even strove to provoke, yet from the beginning of the war the most persistent efforts have been made to confuse the public mind as to its origin and motives, and to drag the people of the loyal States down from the national position they had instinctively taken to the old level of party squabbles and antipathies. The wholly unprovoked rebellion of an oligarchy proclaiming negro slavery the corner-stone of free institutions, and in the first flush of over-hasty confidence venturing to parade the logical sequence of their leading dogma, “that slavery is right in principle, and has nothing to do with difference of complexion,” has been represented as a legitimate and gallant attempt to maintain the true principles of democracy. The rightful endeavor of an established government, the least onerous that ever existed, to defend itself against a treacherous attack on its very existence, has been cunningly made to seem the wicked effort of a fanatical clique to force its doctrines on an oppressed population.

Even so long ago as when Mr. Lincoln, not yet convinced of the danger and magnitude of the crisis, was endeavoring to persuade himself of Union majorities at the South, and to carry on a war that was half peace in the hope of a peace that would have been all war,—while he was still enforcing the Fugitive Slave Law, under some theory that Secession, however it might absolve States from their obligations, could not escheat them of their claims under the Constitution, and that slaveholders in rebellion had alone among mortals the privilege of having their cake and eating it at the same time,—the enemies of free government were striving to persuade the people that the war was an Abolition crusade. To rebel without reason was proclaimed as one of the rights of man, while it was carefully kept out of sight that to suppress rebellion is the first duty of government. All the evils that have come upon the country have been attributed to the Abolitionists, though it is hard to see how any party can become permanently powerful except in one of two ways,—either by the greater truth of its principles, or the extravagance of the party opposed to it. To fancy the ship of state, riding safe at her constitutional moorings, suddenly engulfed by a huge kraken of Abolitionism, rising from unknown depths and grasping it with slimy tentacles, is to look at the natural history of the matter with the eyes of Pontoppidan. To believe that the leaders in the Southern treason feared any danger from Abolitionism, would be to deny them ordinary intelligence, though there can be little doubt that they made use of it to stir the passions and excite the fears of their deluded accomplices. They rebelled, not because they thought slavery weak, but because they believed it strong enough, not to overthrow the government, but to get possession of it; for it becomes daily clearer that they used rebellion only as a means of revolution, and if they got revolution, though not in the shape they looked for, is the American people to save them from its consequences at the cost of its own existence? The election of Mr. Lincoln, which it was clearly in their power to prevent had they wished, was the occasion merely, and not the cause, of their revolt. Abolitionism, till within a year or two, was the despised heresy of a few earnest persons, without political weight enough to carry the election of a parish constable; and their cardinal principle was disunion, because they were convinced that within the Union the position of slavery was impregnable. In spite of the proverb, great effects do not follow from small causes,—that is, disproportionately small,—but from adequate causes acting under certain required conditions. To contrast the size of the oak with that of the parent acorn, as if the poor seed had paid all costs from its slender strong-box, may serve for a child’s wonder; but the real miracle lies in that divine league which bound all the forces of nature to the service of the tiny germ in fulfilling its destiny. Everything has been at work for the past ten years in the cause of antislavery, but Garrison and Phillips have been far less successful propagandists than the slaveholders themselves, with the constantly-growing arrogance of their pretensions and encroachments. They have forced the question upon the attention of every voter in the Free States, by defiantly putting freedom and democracy on the defensive. But, even after the Kansas outrages, there was no wide-spread desire on the part of the North to commit aggressions, though there was a growing determination to resist them. The popular unanimity in favor of the war three years ago was but in small measure the result of antislavery sentiment, far less of any zeal for abolition. But every month of the war, every movement of the allies of slavery in the Free States, has been making Abolitionists by the thousand. The masses of any people, however intelligent, are very little moved by abstract principles of humanity and justice, until those principles are interpreted for them by the stinging commentary of some infringement upon their own rights, and then their instincts and passions, once aroused, do indeed derive an incalculable reinforcement of impulse and intensity from those higher ideas, those sublime traditions, which have no motive political force till they are allied with a sense of immediate personal wrong or imminent peril. Then at last the stars in their courses begin to fight against Sisera. Had any one doubted before that the rights of human nature are unitary, that oppression is of one hue the world over, no matter what the color of the oppressed,—had any one failed to see what the real essence of the contest was,—the efforts of the advocates of slavery among ourselves to throw discredit upon the fundamental axioms of the Declaration of Independence and the radical doctrines of Christianity, could not fail to sharpen his eyes.

While every day was bringing the people nearer to the conclusion which all thinking men saw to be inevitable from the beginning, it was wise in Mr. Lincoln to leave the shaping of his policy to events. In this country, where the rough and ready understanding of the people is sure at last to be the controlling power, a profound common-sense is the best genius for statesmanship. Hitherto the wisdom of the President’s measures has been justified by the fact that they have always resulted in more firmly uniting public opinion. One of the things particularly admirable in the public utterances of President Lincoln is a certain tone of familiar dignity, which, while it is perhaps the most difficult attainment of mere style, is also no doubtful indication of personal character. There must be something essentially noble in an elective ruler who can descend to the level of confidential ease without losing respect, something very manly in one who can break through the etiquette of his conventional rank and trust himself to the reason and intelligence of those who have elected him. No higher compliment was ever paid to a nation than the simple confidence, the fireside plainness, with which Mr. Lincoln always addresses himself to the reason of the American people. This was, indeed, a true democrat, who grounded himself on the assumption that a democracy can think. “Come, let us reason together about this matter,” has been the tone of all his addresses to the people; and accordingly we have never had a chief magistrate who so won to himself the love and at the same time the judgment of his countrymen. To us, that simple confidence of his in the right-mindedness of his fellow-men is very touching, and its success is as strong an argument as we have ever seen in favor of the theory that men can govern themselves. He never appeals to any vulgar sentiment, he never alludes to the humbleness of his origin; it probably never occurred to him, indeed, that there was anything higher to start from than manhood; and he put himself on a level with those he addressed, not by going down to them, but only by taking it for granted that they had brains and would come up to a common ground of reason. In an article lately printed in “The Nation,” Mr. Bayard Taylor mentions the striking fact, that in the foulest dens of the Five Points he found the portrait of Lincoln. The wretched population that makes its hive there threw all its votes and more against him, and yet paid this instinctive tribute to the sweet humanity of his nature. Their ignorance sold its vote and took its money, but all that was left of manhood in them recognized its saint and martyr.

Mr. Lincoln is not in the habit of saying, “This is my opinion, or my theory,” but, “This is the conclusion to which, in my judgment, the time has come, and to which, accordingly, the sooner we come the better for us.” His policy has been the policy of public opinion based on adequate discussion and on a timely recognition of the influence of passing events in shaping the features of events to come.

One secret of Mr. Lincoln’s remarkable success in captivating the popular mind is undoubtedly an unconsciousness of self which enables him, though under the necessity of constantly using the capital I, to do it without any suggestion of egotism. There is no single vowel which men’s mouths can pronounce with such difference of effect. That which one shall hide away, as it were, behind the substance of his discourse, or, if he bring it to the front, shall use merely to give an agreeable accent of individuality to what he says, another shall make an offensive challenge to the self-satisfaction of all his hearers, and an unwarranted intrusion upon each man’s sense of personal importance, irritating every pore of his vanity, like a dry northeast wind, to a goose-flesh of opposition and hostility. Mr. Lincoln has never studied Quinctilian; but he has, in the earnest simplicity and unaffected Americanism of his own character, one art of oratory worth all the rest. He forgets himself so entirely in his object as to give his I the sympathetic and persuasive effect of We with the great body of his countrymen. Homely, dispassionate, showing all the rough-edged process of his thought as it goes along, yet arriving at his conclusions with an honest kind of every-day logic, he is so eminently our representative man, that, when he speaks, it seems as if the people were listening to their own thinking aloud. The dignity of his thought owes nothing to any ceremonial garb of words, but to the manly movement that comes of settled purpose and an energy of reason that knows not what rhetoric means. There has been nothing of Cleon, still less of Strepsiades striving to underbid him in demagogism, to be found in the public utterances of Mr. Lincoln. He has always addressed the intelligence of men, never their prejudice, their passion, or their ignorance.


On the day of his death, this simple Western attorney, who according to one party was a vulgar joker, and whom the doctrinaires among his own supporters accused of wanting every element of statesmanship, was the most absolute ruler in Christendom, and this solely by the hold his good-humored sagacity had laid on the hearts and understandings of his countrymen. Nor was this all, for it appeared that he had drawn the great majority, not only of his fellow-citizens, but of mankind also, to his side. So strong and so persuasive is honest manliness without a single quality of romance or unreal sentiment to help it! A civilian during times of the most captivating military achievement, awkward, with no skill in the lower technicalities of manners, he left behind him a fame beyond that of any conqueror, the memory of a grace higher than that of outward person, and of a gentlemanliness deeper than mere breeding. Never before that startled April morning did such multitudes of men shed tears for the death of one they had never seen, as if with him a friendly presence had been taken away from their lives, leaving them colder and darker. Never was funeral panegyric so eloquent as the silent look of sympathy which strangers exchanged when they met on that day. Their common manhood had lost a kinsman.

THE LIFE AND LETTERS OF JAMES GATES PERCIVAL.

THIS is an interesting and in many respects instructive book. Mr. Ward has done his work, as is fitting, in a loving spirit; and if he over-estimates both what Percival was and what he did, he enables us to form our own judgment by letting him so far as possible speak for himself. The book gives a rather curious picture of what the life of a man of letters is likely to be in a country not yet ripe for literary production, especially if he be not endowed with the higher qualities which command and can wait for that best of all successes which comes slowly. In a generation where everybody can write verses, and where certain modes of thought and turns of phrase have become so tyrannous that it is as hard to distinguish between the productions of one minor poet and another as among those of so many Minnesingers or Troubadours, there is a demand for only two things,—for what chimes with the moment’s whim of popular sentiment and is forgotten when that has changed, or for what is never an anachronism, because it slakes or seems to slake the eternal thirst of our nature for those ideal waters that glimmer before us and still before us in ever-renewing mirage. Percival met neither of these conditions. With a nature singularly unplastic, unsympathetic, and self-involved, he was incapable of receiving into his own mind the ordinary emotions of men and giving them back in music; and with a lofty conception of the object and purposes of poesy, he had neither the resolution nor the power which might have enabled him to realize it. He offers as striking an example as could be found of the poetic temperament unballasted with those less obvious qualities which make the poetic faculty. His verse carries every inch of canvas that diction and sentiment can crowd, but the craft is cranky, and we miss that deep-grasping keel of reason which alone can steady and give direction. His mind drifts, too waterlogged to answer the helm, and in his longer poems, like “Prometheus,” half the voyage is spent in trying to make up for a leeway which becomes at last irretrievable. If he had a port in view when he set out, he seems soon to give up all hope of ever reaching it; and wherever we open the log-book, we find him running for nowhere in particular, as the wind happens to lead, or lying-to in the merest gale of verbiage. The truth is, that Percival was led to the writing of verse by a sentimental desire of the mind, and not by that concurring instinct of all the faculties which is a self-forgetting passion of the entire man. Too excitable to possess his subject fully, as a man of mere talent may often do, he is not possessed by it as the man of genius is, and seems helplessly striving, the greater part of the time, to make out what, in the name of common or uncommon sense, he is after. With all the stock properties of verse whirling and dancing about his ears puffed out to an empty show of life, the reader of much of his blank verse feels as if a mob of well-draperied clothes-lines were rioting about him in all the unwilling ecstasy of a thunder-gust.

Percival, living from 1795 to 1856, arrived at manhood just as the last war with England had come to an end. Poor, shy, and proud, there is nothing in his earlier years that might not be paralleled in those of hundreds of sensitive boys who gradually get the nonsense shaken out of them in the rough school of life. The length of the schooling needful in his case is what makes it peculiar. Not till after he was fifty, if even then, did he learn that the world never takes a man at his own valuation, and never pays money for what it does not want, or think it wants. It did not want his poetry, simply because it was not, is not, and by no conceivable power of argument can be made, interesting,—the first duty of every artistic product. Percival, who would have thought his neighbors mad if they had insisted on his buying twenty thousand refrigerators merely because they had been at the trouble of making them, and found it convenient to turn them into cash, could never forgive the world for taking this business view of the matter in his own case. He went on doggedly, making refrigerators of every possible pattern, and comforted himself with the thought of a wiser posterity, which should have learned that the purpose of poetry is to cool and not to kindle. His “Mind,” which is on the whole perhaps the best of his writings, vies in coldness with the writings of his brother doctor, Akenside, whose “Pleasures of Imagination” are something quite other than pleasing in reality. If there be here and there a semblance of pale fire, it is but the reflection of moonshine upon ice. Akenside is respectable, because he really had something new to say, in spite of his pompous, mouthing way of saying it; but when Percival says it over again, it is a little too much. In his more ambitious pieces,—and it is curious how literally the word “pieces” applies to all he did,—he devotes himself mainly to telling us what poetry ought to be, as if mankind were not always more than satisfied with any one who fulfils the true office of poet, by showing them, with the least possible fuss, what it is. Percival was a professor of poetry rather than a poet, and we are not surprised at the number of lectures he reads us, when we learn that in early life he was an excellent demonstrator of anatomy, whose subject must be dead before his business with it begins. His interest in poetry was always more or less scientific. He was forever trying experiments in matter and form, especially the latter. And these were especially unhappy, because it is plain that he had no musical ear, or at best a very imperfect one. His attempts at classical metres are simply unreadable, whether as verse or prose. He contrives to make even the Sapphic so, which when we read it in Latin moves featly to our modern accentuation. Let any one who wishes to feel the difference between ear and no ear compare Percival’s specimens with those in the same kind of Coleridge, who had the finest metrical sense since Milton. We take this very experimenting to be a sufficient proof that Percival’s faculty, such as it was, and we do not rate it highly, was artificial, and not innate. The true poet is much rather experimented upon by life and nature, by joy and sorrow, by beauty and defect, till it be found out whether he have any hidden music in him that can sing them into an accord with the eternal harmony which we call God.

It is easy to trace the literary influences to which the mind of Percival was in turn subjected. Early in life we find a taint of Byronism, which indeed does not wholly disappear to the last. There is among his poems “An Imprecation,” of which a single stanza will suffice as a specimen:—

“Wrapped in sheets of gory lightning,
While cursed night-hags ring thy knell,
May the arm of vengeance bright’ning,
O’er thee wave the sword of hell!”

If we could fancy Laura Matilda shut up tipsy in the watch-house, we might suppose her capable of this melodious substitute for swearing. We confess that we cannot read it without laughing, after learning from Mr. Ward that its Salmoneus-thunderbolts were launched at the comfortable little city of Hartford, because the poet fancied that the inhabitants thereof did not like him or his verses so much as he himself did. There is something deliciously ludicrous in the conception of night-hags ringing the orthodox bell of the Second Congregational or First Baptist Meeting-house to summon the parishioners to witness these fatal consequences of not reading Percival’s poems. Nothing less than the fear of some such catastrophe could compel the perusal of the greater part of them. Next to Byron comes Moore, whose cloying sentimentalism and too facile melody are recalled by the subject and treatment of very many of the shorter lyrics of Percival. In “Prometheus” it is Shelley who is paramount for the time, and Shelley at his worst period, before his unwieldy abundance of incoherent words and images, that were merely words and images without any meaning of real experience to give them solidity, had been compressed in the stricter moulds of thought and study. In the blank verse again, we encounter Wordsworth’s tone and sentiment. These were no good models for Percival, who always improvised, and who seems to have thought verse the great distinction between poetry and prose. Percival got nothing from Shelley but the fatal copiousness which is his vice, nothing from Wordsworth but that tendency to preach at every corner about a sympathy with nature which is not his real distinction, and which becomes a wearisome cant at second-hand. Shelley and Wordsworth are both stilted, though in different ways. Shelley wreathed his stilts with flowers; while Wordsworth, protesting against the use of them as sinful, mounts his solemnly at last, and stalks away conscientiously eschewing whatever would serve to hide the naked wood,—nay, was it not Gray’s only that were scandalous, and were not his own, modelled upon those of the sainted Cowper, of strictly orthodox pattern after all? Percival, like all imitators, is caught by the defects of what he copies, and exaggerates them. With him the stilts are the chief matter; and getting a taller pair than either of his predecessors, he lifts his commonplace upon them only to make it more drearily conspicuous. Shelley has his gleams of unearthly wildfire, Wordsworth is by fits the most deeply inspired man of his generation; but Percival has no lucid interval. He is pertinaciously and unappeasably dull,—as dull as a comedy of Goethe. He never in his life wrote a rememberable verse. We should not have thought this of any consequence now, for we need not try to read him, did not Mr. Ward with amusing gravity all along assume that he was a great poet. There was scarce timber enough in him for the making of a Tiedge or a Hagedorn, both of whom he somewhat resembles.

Percival came to maturity at an unfortunate time for a man so liable to self-delusion. Leaving college with so imperfect a classical training (in spite of the numerous “testimonials” cited by Mr. Ward) that he was capable of laying the accent on the second syllable of Pericles, he seems never to have systematically trained even such faculty as was in him, but to have gone on to the end mistaking excitability of brain for wholesome exercise of thought. The consequence is a prolonged immaturity, which makes his latest volume, published in 1843, as crude and as plainly wanting in enduring quality as the first number of his “Clio.” We have the same old complaints of neglected genius,—as if genius could ever be neglected so long as it has the perennial consolation of its own divine society,—the same wilted sentiment, the same feeling about for topics of verse in which he may possibly find that inspiration from without which the true poet cannot flee from in himself. These tedious wailings about heavenly powers suffocating in the heavy atmosphere of an uncongenial, unrecognizing world, and Percival is profuse of them, are simply an advertisement to whoever has ears of some innate disability in the man who utters them. Heavenly powers know very well how to take care of themselves. The poor “World,” meaning thereby that small fraction of society which has any personal knowledge of an author or his affairs, has had great wrong done it in such matters. It is not, and never was, the powers of a man that it neglects,—it could not if it would,—but his weaknesses, and especially the publication of them, of which it grows weary. It can never supply any man with what is wanting in himself, and the attempt to do it only makes bad worse. If a man can find the proof of his own genius only in public appreciation, still worse, if his vanity console itself with taking it as an evidence of rare qualities in himself that his fellow-mortals are unable to see them, it is all up with him. The “World” resolutely refused to find Wordsworth entertaining, and it refuses still, on good grounds; but the genius that was in him bore up unflinchingly, would take no denial, got its claim admitted on all hands, and impregnated at last the literature of an entire generation, though habitans in sicco, if ever genius did. But Percival seems to have satisfied himself with a syllogism something like this: Men of genius are neglected; the more neglect, the more genius; I am altogether neglected,—ergo, wholly made up of that priceless material.

The truth was that he suffered rather from over-appreciation; and “when,” says a nameless old Frenchman, “I see a man go up like a rocket, I expect before long to see the stick come down.” The times were singularly propitious to mediocrity. As in Holland one had only to

“Invent a shovel and be a magistrate,”

so here to write a hundred blank verses was to be immortal, till somebody else wrote a hundred and fifty blanker ones. It had been resolved unanimously that we must and would have a national literature. England, France, Spain, Italy, each already had one, Germany was getting one made as fast as possible, and Ireland vowed that she once had one far surpassing them all. To be respectable, we must have one also, and that speedily. That we were not yet, in any true sense, a nation; that we wanted that literary and social atmosphere which is the breath of life to all artistic production; that our scholarship, such as it was, was mostly of that theological sort which acts like a prolonged drouth upon the brain; that our poetic fathers were Joel Barlow and Timothy Dwight,—was nothing to the purpose; a literature adapted to the size of the country was what we must and would have. Given the number of square miles, the length of the rivers, the size of the lakes, and you have the greatness of the literature we were bound to produce without further delay. If that little dribble of an Avon had succeeded in engendering Shakespeare, what a giant might we not look for from the mighty womb of Mississippi! Physical Geography for the first time took her rightful place as the tenth and most inspiring Muse. A glance at the map would satisfy the most incredulous that she had done her best for us, and should we be wanting to the glorious opportunity? Not we indeed! So surely as Franklin invented the art of printing, and Fulton the steam-engine, we would invent us a great poet in time to send the news by the next packet to England, and teach her that we were her masters in arts as well as arms.

Percival was only too ready to be invented, and he forthwith produced his bale of verses from a loom capable of turning off a hitherto unheard-of number of yards to the hour, and perfectly adapted to the amplitude of our territory, inasmuch as it was manufactured on the theory of covering the largest surface with the least possible amount of meaning that would hold words together. He was as ready to accept the perilous emprise, and as loud in asserting his claim thereto, as Sir Kay used to be, and with much the same result. Our critical journals—and America certainly has led the world in a department of letters which of course requires no outfit but the power to read and write, gratuitously furnished by our public schools—received him with a shout of welcome. Here came the true deliverer at last, mounted on a steed to which he himself had given the new name of “Pegāsus,”—for we were to be original in everything,—and certainly blowing his own trumpet with remarkable vigor of lungs. Solitary enthusiasts, who had long awaited this sublime avatar, addressed him in sonnets which he accepted with a gravity beyond all praise. (To be sure, even Mr. Ward seems to allow that his sense of humor was hardly equal to his other transcendent endowments.) His path was strewn with laurel—of the native variety, altogether superior to that of the Old World, at any rate not precisely like it. Verses signed “P.,” as like each other as two peas, and as much like poetry as that vegetable is like a peach, were watched for in the corner of a newspaper as an astronomer watches for a new planet. There was never anything so comically unreal since the crowning in the Capitol of Messer Francesco Petrarca, Grand Sentimentalist in Ordinary at the Court of King Robert of Naples. Unhappily, Percival took it all quite seriously. There was no praise too ample for the easy elasticity of his swallow. He believed himself as gigantic as the shadow he cast on these rolling mists of insubstantial adulation, and life-long he could never make out why his fine words refused to butter his parsnips for him, nay, to furnish both parsnips and sauce. While the critics were debating precisely how many of the prime qualities of the great poets of his own and preceding generations he combined in his single genius, and in what particular respects he surpassed them all,—a point about which he himself seems never to have had any doubts,—the public, which could read Scott and Byron with avidity, and which was beginning even to taste Wordsworth, found his verses inexpressibly wearisome. They would not throng and subscribe for a collected edition of those works which singly had been too much for them. With whatever dulness of sense they may be charged, they have a remarkably keen scent for tediousness, and will have none of it unless in a tract or sermon, where, of course, it is to be expected. Percival never forgave the public; but it was the critics that he never should have forgiven, for of all the maggots that can make their way into the brains through the ears, there is none so disastrous as the persuasion that you are a great poet. There is surely something in the construction of the ears of small authors which lays them specially open to the inroads of this pest. It tickles pleasantly while it eats away the fibre of will, and incapacitates a man for all honest commerce with realities. Unhappily its insidious titillation seems to have been Percival’s one great pleasure during life.

We began by saying that the book before us was interesting and instructive; but we meant that it was so not so much from any positive merits of its own as by the lesson which almost every page of it suggests. To those who have some knowledge of the history of literature, or some experience in life, it is from beginning to end a history of weakness mistaking great desires for great powers. If poetry, in Bacon’s noble definition of it, “adapt the shows of things to the desires of the mind,” sentimentalism is equally skilful in making realities shape themselves to the cravings of vanity. The theory that the poet is a being above the world and apart from it is true of him as an observer only who applies to the phenomena about him the test of a finer and more spiritual sense. That he is a creature divinely set apart from his fellow-men by a mental organization that makes them mutually unintelligible to each other, is in flat contradiction with the lives of those poets universally acknowledged as greatest. Dante, Shakespeare, Cervantes, Calderon, Milton, Molière, Goethe,—in what conceivable sense is it true of them that they wanted the manly qualities which made them equal to the demands of the world in which they lived? That a poet should assume, as Victor Hugo used to do, that he is a reorganizer of the moral world, and that works cunningly adapted to the popular whim of the time form part of some mysterious system which is to give us a new heaven and a new earth, and to remodel laws of art which are as unchangeable as those of astronomy, can do no very great harm to any one but the author himself, who will thereby be led astray from his proper function, and from the only path to legitimate and lasting success. But when the theory is carried a step further, and we are asked to believe, as in Percival’s case, that, because a man can write verses, he is exempt from that inexorable logic of life and circumstance to which all other men are subjected, and to which it is wholesome for them that they should be, then it becomes mischievous, and calls for a protest from all those who have at heart the interests of good morals and healthy literature. It is the theory of idlers and dilettanti, of fribbles in morals and declaimers in verse, which a young man of real power may dally with during some fit of mental indigestion, but which when accepted by a mature man, and carried along with him through life, is a sure mark of feebleness and of insincere dealing with himself. Percival is a good example of a class of authors unhappily too numerous in these latter days. In Europe the natural growth of a world ill at ease with itself and still nervous with the frightful palpitation of the French Revolution, they are but feeble exotics in our healthier air. Without faith or hope, and deprived of that outward support in the habitual procession of events and in the authoritative limitations of thought which in ordinary times gives steadiness to feeble and timid intellects, they are turned inward, and forced, like Hudibras’s sword,

“To eat into themselves, for lack
Of other thing to hew and hack.”

Compelled to find within them that stay which had hitherto been supplied by creeds and institutions, they learned to attribute to their own consciousness the grandeur which belongs of right only to the mind of the human race, slowly endeavoring after an equilibrium between its desires and the external conditions under which they are attainable. Hence that exaggeration of the individual, and depreciation of the social man, which has become the cant of modern literature. Abundance of such phenomena accompanied the rise of what was called Romanticism in Germany and France, reacting to some extent even upon England, and consequently America. The smaller poets erected themselves into a kind of guild, into which all were admitted who gave proof of a certain feebleness of character which rendered them superior to their grosser fellow-men. It was a society of cripples undertaking to teach the new generation how to walk. Meanwhile, the object of their generous solicitude, what with clinging to Mother Past’s skirts, and helping itself by every piece of household furniture it could lay hands on, learned, after many a tumble, to get on its legs, and to use them as other generations had done before it. Percival belonged to this new order of bards, weak in the knees, and thinking it healthy exercise to climb the peaks of Dreamland. To the vague and misty views attainable from those sublime summits into his own vast interior, his reports in blank verse and otherwise did ample justice, but failed to excite the appetite of mankind. He spent his life, like others of his class, in proclaiming himself a neglected Columbus, ever ready to start on his voyage when the public would supply the means of building his ships. Meanwhile, to be ready at a moment’s warning, he packs his mind pellmell like a carpet-bag, wraps a geologist’s hammer in a shirt with a Byron collar, does up Volney’s “Ruins” with an odd volume of Wordsworth, and another of Bell’s “Anatomy” in a loose sheet of Webster’s Dictionary, jams Moore’s poems between the leaves of Bopp’s Grammer,—and forgets only such small matters as combs and brushes. It never seems to have entered his head that the gulf between genius and its new world is never too wide for a stout swimmer. Like all sentimentalists, he reversed the process of nature, which makes it a part of greatness that it is a simple thing to itself, however much of a marvel it may be to other men. He discovered his own genius, as he supposed,—a thing impossible had the genius been real. Donne never wrote a profounder verse than

“Who knows his virtue’s name and place, hath none.”

Percival’s life was by no means a remarkable one, except, perhaps, in the number of chances that seem to have been offered him to make something of himself, if anything were possibly to be made. He was never without friends, never without opportunities, if he could have availed himself of them. It is pleasant to see Mr. Ticknor treating him with that considerate kindness which many a young scholar can remember as shown so generously to himself. But nothing could help Percival, whose nature had defeat worked into its very composition. He was not a real, but an imaginary man. His early attempt at suicide (as Mr. Ward seems to think it) is typical of him. He is not the first young man who, when crossed in love, has spoken of “loupin o’er a linn,” nor will he be the last. But that any one who really meant to kill himself should put himself resolutely in the way of being prevented, as Percival did, is hard to believe. Châteaubriand, the arch sentimentalist of these latter days, had the same harmless velleity of self-destruction,—enough to scare his sister and so give him a smack of sensation,—but a very different thing from the settled will which would be really perilous. Shakespeare, always true to Nature, makes Hamlet dally with the same exciting fancy. Alas! self is the one thing the sentimentalist never truly wishes to destroy! One remarkable gift Percival seems to have had, which may be called memory of the eye. What he saw he never forgot, and this fitted him for a good geological observer. How great his power of combination was, which alone could have made him a great geologist, we cannot determine. But he seems to have shown but little in other directions. His faculty of acquiring foreign tongues we do not value so highly as Mr. Ward. We have known many otherwise inferior men who possessed it. Indeed, the power to express the same nothing in ten different languages is something to be dreaded rather than admired. It gives a horrible advantage to dulness. The best thing to be learned from Percival’s life is that he was happy for the first time when taken away from his vague pursuit of the ideal, and set to practical work.

THOREAU.

WHAT contemporary, if he was in the fighting period of his life, (since Nature sets limits about her conscription for spiritual fields, as the state does in physical warfare,) will ever forget what was somewhat vaguely called the “Transcendental Movement” of thirty years ago? Apparently set astirring by Carlyle’s essays on the “Signs of the Times,” and on “History,” the final and more immediate impulse seemed to be given by “Sartor Resartus.” At least the republication in Boston of that wonderful Abraham à Sancta Clara sermon on Lear’s text of the miserable forked radish gave the signal for a sudden mental and moral mutiny. Ecce nunc tempus acceptabile! was shouted on all hands with every variety of emphasis, and by voices of every conceivable pitch, representing the three sexes of men, women, and Lady Mary Wortley Montagues. The nameless eagle of the tree Ygdrasil was about to sit at last, and wild-eyed enthusiasts rushed from all sides, each eager to thrust under the mystic bird that chalk egg from which the new and fairer Creation was to be hatched in due time. Redeunt Saturnia regna,—so far was certain, though in what shape, or by what methods, was still a matter of debate. Every possible form of intellectual and physical dyspepsia brought forth its gospel. Bran had its prophets, and the presartorial simplicity of Adam its martyrs, tailored impromptu from the tar-pot by incensed neighbors, and sent forth to illustrate the “feathered Mercury,” as defined by Webster and Worcester. Plainness of speech was carried to a pitch that would have taken away the breath of George Fox; and even swearing had its evangelists, who answered a simple inquiry after their health with an elaborate ingenuity of imprecation that might have been honorably mentioned by Marlborough in general orders. Everybody had a mission (with a capital M) to attend to everybody-else’s business. No brain but had its private maggot, which must have found pitiably short commons sometimes. Not a few impecunious zealots abjured the use of money (unless earned by other people), professing to live on the internal revenues of the spirit. Some had an assurance of instant millennium so soon as hooks and eyes should be substituted for buttons. Communities were established where everything was to be common but common-sense. Men renounced their old gods, and hesitated only whether to bestow their furloughed allegiance on Thor or Budh. Conventions were held for every hitherto inconceivable purpose. The belated gift of tongues, as among the Fifth Monarchy men, spread like a contagion, rendering its victims incomprehensible to all Christian men; whether equally so to the most distant possible heathen or not was unexperimented, though many would have subscribed liberally that a fair trial might be made. It was the pentecost of Shinar. The day of utterances reproduced the day of rebuses and anagrams, and there was nothing so simple that uncial letters and the style of Diphilus the Labyrinth could not turn into a riddle. Many foreign revolutionists out of work added to the general misunderstanding their contribution of broken English in every most ingenious form of fracture. All stood ready at a moment’s notice to reform everything but themselves. The general motto was:

“And we’ll talk with them, too,
And take upon ’s the mystery of things
As if we were God’s spies.”

Nature is always kind enough to give even her clouds a humorous lining. We have barely hinted at the comic side of the affair, for the material was endless. This was the whistle and trailing fuse of the shell, but there was a very solid and serious kernel, full of the most deadly explosiveness. Thoughtful men divined it, but the generality suspected nothing. The word “transcendental” then was the maid of all work for those who could not think, as “Pre-Raphaelite” has been more recently for people of the same limited housekeeping. The truth is, that there was a much nearer metaphysical relation and a much more distant æsthetic and literary relation between Carlyle and the Apostles of the Newness, as they were called in New England, than has commonly been supposed. Both represented the reaction and revolt against Philisterei, a renewal of the old battle begun in modern times by Erasmus and Reuchlin, and continued by Lessing, Goethe, and, in a far narrower sense, by Heine in Germany, and of which Fielding, Sterne, and Wordsworth in different ways have been the leaders in England. It was simply a struggle for fresh air, in which, if the windows could not be opened, there was danger that panes would be broken, though painted with images of saints and martyrs. Light colored by these reverend effigies was none the more respirable for being picturesque. There is only one thing better than tradition, and that is the original and eternal life out of which all tradition takes its rise. It was this life which the reformers demanded, with more or less clearness of consciousness and expression, life in politics, life in literature, life in religion. Of what use to import a gospel from Judæa, if we leave behind the soul that made it possible, the God who keeps it forever real and present? Surely Abana and Pharpar are better than Jordan, if a living faith be mixed with those waters and none with these.

Scotch Presbyterianism as a motive of spiritual progress was dead; New England Puritanism was in like manner dead; in other words, Protestantism had made its fortune and no longer protested; but till Carlyle spoke out in the Old World and Emerson in the New, no one had dared to proclaim, Le roi est mort: vive le roi! The meaning of which proclamation was essentially this: the vital spirit has long since departed out of this form once so kingly, and the great seal has been in commission long enough; but meanwhile the soul of man, from which all power emanates and to which it reverts, still survives in undiminished royalty; God still survives, little as you gentlemen of the Commission seem to be aware of it,—nay, may possibly outlive the whole of you, incredible as it may appear. The truth is, that both Scotch Presbyterianism and New England Puritanism made their new avatar in Carlyle and Emerson, the heralds of their formal decease, and the tendency of the one toward Authority and of the other toward Independency might have been prophesied by whoever had studied history. The necessity was not so much in the men as in the principles they represented and the traditions which overruled them. The Puritanism of the past found its unwilling poet in Hawthorne, the rarest creative imagination of the century, the rarest in some ideal respects since Shakespeare; but the Puritanism that cannot die, the Puritanism that made New England what it is, and is destined to make America what it should be, found its voice in Emerson. Though holding himself aloof from all active partnership in movements of reform, he has been the sleeping partner who has supplied a great part of their capital.

The artistic range of Emerson is narrow, as every well-read critic must feel at once; and so is that of Æschylus, so is that of Dante, so is that of Montaigne, so is that of Schiller, so is that of nearly every one except Shakespeare; but there is a gauge of height no less than of breadth, of individuality as well as of comprehensiveness, and, above all, there is the standard of genetic power, the test of the masculine as distinguished from the receptive minds. There are staminate plants in literature, that make no fine show of fruit, but without whose pollen, quintessence of fructifying gold, the garden had been barren. Emerson’s mind is emphatically one of these, and there is no man to whom our æsthetic culture owes so much. The Puritan revolt had made us ecclesiastically, and the Revolution politically independent, but we were still socially and intellectually moored to English thought, till Emerson cut the cable and gave us a chance at the dangers and the glories of blue water. No man young enough to have felt it can forget, or cease to be grateful for, the mental and moral nudge which he received from the writings of his high-minded and brave-spirited countryman. That we agree with him, or that he always agrees with himself, is aside from the question; but that he arouses in us something that we are the better for having awakened, whether that something be of opposition or assent, that he speaks always to what is highest and least selfish in us, few Americans of the generation younger than his own would be disposed to deny. His oration before the Phi Beta Kappa Society at Cambridge, some thirty years ago, was an event without any former parallel in our literary annals, a scene to be always treasured in the memory for its picturesqueness and its inspiration. What crowded and breathless aisles, what windows clustering with eager heads, what enthusiasm of approval, what grim silence of foregone dissent! It was our Yankee version of a lecture by Abelard, our Harvard parallel to the last public appearances of Schelling.

We said that the Transcendental Movement was the protestant spirit of Puritanism seeking a new outlet and an escape from forms and creeds which compressed rather than expressed it. In its motives, its preaching, and its results, it differed radically from the doctrine of Carlyle. The Scotchman, with all his genius, and his humor gigantesque as that of Rabelais, has grown shriller and shriller with years, degenerating sometimes into a common scold, and emptying very unsavory vials of wrath on the head of the sturdy British Socrates of worldly common-sense. The teaching of Emerson tended much more exclusively to self-culture and the independent development of the individual man. It seemed to many almost Pythagorean in its voluntary seclusion from commonwealth affairs. Both Carlyle and Emerson were disciples of Goethe, but Emerson in a far truer sense; and while the one, from his bias toward the eccentric, has degenerated more and more into mannerism, the other has clarified steadily toward perfection of style,—exquisite fineness of material, unobtrusive lowness of tone and simplicity of fashion, the most high-bred garb of expression. Whatever may be said of his thought, nothing can be finer than the delicious limpidness of his phrase. If it was ever questionable whether democracy could develop a gentleman, the problem has been affirmatively solved at last. Carlyle, in his cynicism and his admiration of force in and for itself, has become at last positively inhuman; Emerson, reverencing strength, seeking the highest outcome of the individual, has found that society and politics are also main elements in the attainment of the desired end, and has drawn steadily manward and worldward. The two men represent respectively those grand personifications in the drama of Æschylus, Βία and Κράτος.