GABRIEL TOLLIVER

Prelude

"Cephas! here is a letter for you, and it is from Shady Dale! I know you will be happy now."

For several years Sophia had listened calmly to my glowing descriptions of Shady Dale and the people there. She was patient, but I could see by the way she sometimes raised her eyebrows that she was a trifle suspicious of my judgment, and that she thought my opinions were unduly coloured by my feelings. Once she went so far as to suggest that I was all the time looking at the home people through the eyes of boyhood—eyes that do not always see accurately. She had said, moreover, that if I were to return to Shady Dale, I would find that the friends of my boyhood were in no way different from the people I meet every day. This was absurd, of course—or, rather, it would have been absurd for any one else to make the suggestion; for at that particular time, Sophia was a trifle jealous of Shady Dale and its people. Nevertheless, she was really patient. You know how exasperating a man can be when he has a hobby. Well, my hobby was Shady Dale, and I was not ashamed of it. The man or woman who cannot display as much of the homing instinct as a cat or a pigeon is a creature to be pitied or despised. Sophia herself was a tramp, as she often said. She was born in a little suburban town in New York State, but never lived there long enough to know what home was. She went to Albany, then to Canada, and finally to Georgia; so that the only real home she ever knew is the one she made herself—out of the raw material, as one might say.

Well, she came running with the letter, for she is still active, though a little past the prime of her youth. I returned the missive to her with a faint show of dignity. "The letter is for you," I said. She looked at the address more carefully, and agreed with me. "What in the world have I done," she remarked, "to receive a letter from Shady Dale?"

"Why, it is the simplest thing in the world," I replied. "You have been fortunate enough to marry me."

"Oh, I see!" she cried, dropping me a little curtsey; "and I thank you kindly!"

The letter was from an old friend of mine—a school-mate—and it was an invitation to Sophia, begging her to take a day off, as the saying is, and spend it in Shady Dale.

"Your children," the letter said, "will be glad to visit their father's old home, and I doubt not we can make it interesting for the wife." The letter closed with some prettily turned compliments which rather caught Sophia. But her suspicions were still in full play.

"I know the invitation is sent on your account, and not on mine," she said, holding the letter at arm's length.

"Well, why not? If my old friend loves me well enough to be anxious to give my wife and children pleasure, what is there wrong about that?"

"Oh, nothing," replied Sophia. "I've a great mind to go."

"If you do, my dear, you will make a number of people happy—yourself and the children, and many of my old friends."

"He declares," said Sophia, "that he writes at the request of his wife. You know how much of that to believe."

"I certainly do. Imagine me, for instance, inviting to visit us a lady whom you had never met."

Whereupon Sophia laughed. "I believe you'd endorse any proposition that came from Shady Dale," she declared.

She accepted the invitation more out of curiosity than with any expectation of enjoying herself; but she stayed longer than she had intended; and when she came back her views and feelings had undergone a complete change. "Cephas, you ought to be ashamed of yourself for not going to see those people," she declared. "Why, they are the salt of the earth. I never expected to be treated as they treated me. If it wasn't for your business, I would beg you to go back there and live. They are just like the people you read about in the books—I mean the good people, the ideal characters—the men and women you would like to meet." Here she paused and sighed. "Oh, I wouldn't have missed that visit for anything. But what amazes me, Cephas, is that you've never put in your books characters such as you find in Shady Dale."

The suggestion was a fertile one; it had in it the active principle of a germ; and it was not long before the ferment began to make itself felt. The past began to renew itself; the sun shone on the old days and gave them an illumination which they lacked when they were new. Time's perspective gave them a mellower tone, and they possessed, at least for me, that element of mystery which seems to attach to whatever is venerable. It was as if the place, the people, and the scenes had taken the shape of a huge picture, with just such a lack of harmony and unity as we find in real life.

Let those who can do so continue to import harmony and unity into their fabrications and call it art. Whether it be art or artificiality, the trick is beyond my powers. I can only deal with things as they were; on many occasions they were far from what I would have had them to be; but as I was powerless to change them, so am I powerless to twist individuals and events to suit the demands or necessities of what is called art.

Such a feat might be possible if I were to tell the simple story of Nan and Gabriel and Tasma Tid during the days when they roamed over the old Bermuda hills, and gazed, as it were, into the worlds that existed only in their dreams: for then the story would be both fine and beautiful. It would be a wonderful romance indeed, with just a touch of tragic mystery, gathered from the fragmentary history of Tasma Tid, a child-woman from the heart of Africa, who had formed a part of the cargo of the yacht Wanderer, which landed three hundred slaves on the coast of Georgia in the last months of 1858. You may find the particulars of the case of the Wanderer in the files of the Savannah newspapers, and in the records of the United States Court for that district; but the tragic history of Tasma Tid can be found neither in the newspapers nor in the court records.

But for this one touch of mystery and tragedy, this chronicle, supposing it to deal only with the childhood and early youth of Nan and Gabriel, would resolve itself into a marvellous fairy tale, made up of the innocent dreams and hopes and beliefs, and all the extraordinary inventions and imaginings of childhood. And even mystery and tragedy have their own particular forms of simplicity, so that, with Tasma Tid in the background the tale would be artless enough to satisfy the most artful. For, even if the reader, seated on the magic cloak of some competent story-teller, were transported to the heart of Africa, where the mountains, with their feet in the jungle, reach up and touch the moon, or to China, or the Islands of the Sea, the hero of the tale would be the same. His name is Dilly Bal, and he carries on his operations wherever there are stars in the sky. He is a restless and a roving creature, flitting to and fro between all points of the compass.

When King Sun crawls into his trundle bed and begins to snore, Dilly Bal creeps forth from Somewhere, or maybe from Nowhere, which is just on the other side, fetching with him a long broom, which he swishes about to such purpose that the katydids hear it and are frightened. They hide under the leaves and are heard no more that night. That is why you never hear them crying and disputing when you chance to be awake after midnight.

But Dilly Bal knows nothing of the katydids; he has his own duties to perform, and his own affairs to attend to; and these, as you will presently see, are very pressing. It is his business, as well as his pleasure, to be the Housekeeper of the Sky, which he dusts and tidies and puts in order. It is a part of his duty to see that the stars are safely bestowed against the moment when old King Sun shall emerge from his tent, and begin his march over the world. And then, in the dusk of the evening, Dilly Bal must take each star from the bag in which he carries it, polish it bright, and put it in its proper place.

Sometimes, as you may have observed, a star will fall while Dilly Bal is handling it. This happens when he is nervous for fear that King Sun, instead of going to bed in his tent, has crept back and is watching from behind the cloud mountains. Sometimes a star falls quite by accident, as when Lucindy or Patience drops a plate in the kitchen. You will be sure to know Dilly Bal when you see him, for, in handling the stars and dusting the sky, his clothes get full of yellow cobwebs, which he never bothers himself to brush off.

But Dilly Bal's most difficult job is with the Moon. Regularly the Moon blackens her face in a vain effort to hide from King Sun. If she used smut or soot, Dilly Bal's task would not be so difficult; but she has found a lake of pitch somewhere in Africa, and in this lake she smears her face till it is so black her best friends wouldn't know her. The pitch is such sticky stuff that it is days and days before it can be rubbed off. The truth is, Dilly Bal never does succeed in getting all the pitch off. At her brightest, the Moon shows signs of it. So said Tasma Tid, and so we all firmly believed.

Yes, indeed! If this chronicle could be confined to the childhood and youth of those children, Dilly Bal would be the hero first and last. He was so real to all of us that we used to wander out to the old Bermuda fields almost every fine afternoon, and sit there until the light had faded from the sky, watching Dilly Bal hanging the stars on their pegs. The Evening Star was such a large and heavy one that Dilly Bal always replaced it before dark, so as to be sure not to drop it.

Once when we stayed out in the Bermuda fields later than usual, a big star fell from its place, and went flying across the sky, leaving a long and brilliant streamer behind it. At first, Nan thought that Dilly Bal had tried to hang the Evening Star on the wrong peg, but when she looked in the west, there was the big star winking at her and at all of us as hard as it could.

The pity of it was that Nan and Gabriel, and all their young friends, had finally to come in contact with the hard practical affairs of the world. As for Tasma Tid, contact had no special influence on her. She was to all appearance as unchangeable as the pyramids, and as mysterious as the Sphinx. But it was different with Nan and Gabriel, and, indeed, with all the rest. Their story soon ceased to be a simple one. In some directions, it appeared to be a hopeless tangle, catching a great many other persons in its loops and meshes; so that, instead of a simple, entrancing story, all aglow with the glamour of romance, they had troubles that were grievous, and their full share of dulness and tediousness, which are the essential ingredients of everyday life.

After all, it is perhaps fortunate that the marvellous dreams of Nan and Gabriel, and the quaint imaginings of Tasma Tid are not to be chronicled. The spinning of this glistening gossamer once begun would have no end, for Nan was an expert dreamer both night and day, and in the practice of this art, Gabriel was not far behind her; while Tasma Tid, who was Nan's maid and bodyguard, could frame her face in her hands, and tell you stories from sunrise to sundown and far into the night.

Tasma Tid, though she was only a child in stature and nature, was growner in years, as she said, than some of the grownest grown folks that they knew. She was a dwarf by race, and always denied bitterly, sometimes venomously, that she was a negro, declaring that in her country the people were always at war with the blacks. Her color was dark brown, light enough for the blood tints to show in her face, and her hair was straight and glossy black. From the Wanderer, she soon found herself in the slave market at Malvern, and there she fell under the eye of Dr. Randolph Dorrington, Nan's father, who bought her forthwith. He thought that a live doll would please his daughter. The dwarf said that her name was Tasma Tid in her country, and she would answer to no other.

It was a very fortunate bargain all around, especially for Nan, for in the African woman she found both a playmate and a protector. Tasma Tid was far above the average negro in intelligence, in courage and in cunning. She was as obstinate as a mule, and no matter what obstacles were thrown in her way, her own desires always prevailed in the end, a fact that will explain her early appearance in the slave market. Those of her owners who failed to understand her were not willing to see her spoil on their hands, like a barrel of potatoes or a basket of shrimps. The African was uncanny when she chose to be, outspoken, vicious, and tender-hearted, her nature being compounded of the same qualities and contradictions as those which belong to the great ladies of the earth, who, with opportunity always at their elbows, have contrived to create a great stir in the world.

When Dr. Dorrington fetched Tasma Tid home, he called out to Nan from his gig: "I have brought you a live doll, daughter; come and see how you like it."

Nan went running—she never learned how to walk until she was several years older—and regarded Tasma Tid with both surprise and sympathy. The African, seeing only the sympathy, leaped from the gig, seized Nan around the waist, lifted her from the ground, ran this way and that, and then released her with a loud and joyous laugh.

"What do you mean by that?" cried Nan, somewhat taken aback.

"She stan' fer we howdy," the African answered.

"Well, let's see you tell popsy howdy," suggested Nan, indicating her father.

"Uh-uh! he we buckra."

From that hour Tasma Tid attached herself to Nan, following her everywhere with the unquestioning fidelity of a dog. She sat on the floor of the dining-room while Nan ate her meals, and slept on a pallet by the child's bed at night. If the African was sweeping the yard, a task she sometimes consented to perform, she would fling the brushbroom away and go with Nan if the child started out at the gate. At first this constant attendance was somewhat annoying to Nan, for she was an independent lass; but presently, when she found that Tasma Tid was a most accomplished and versatile playfellow, as well as the depositary of hundreds of curious fables and quaint tales of the wildwood, Nan's irritation disappeared.

As for Gabriel—Gabriel Tolliver—he was almost as indispensable as the African woman. Children learn a good many things, as they grow older, and I have heard that Nan and Gabriel were thought to be queer, and that all who were much in their company were also thought to be queer. No one knows why. It was a simple statement, and simple statements are readily believed, because no one takes the trouble to inquire into them. A man who has views different from those of the majority is called eccentric; if he insists on promulgating them, he is known as a crank. In the case of Nan and Gabriel, it may be said by one who knows, that, while they were different from the majority of children, they were neither queer nor eccentric.

They, and those whom they chose as companions, were children at a time when the demoralisation of war was about to begin—when it was already casting its long shadow before it—and when their elders were discussing as hard as ever they could the questions of State rights, the true interpretation of the Constitution, squatter sovereignty, the right of secession—every question, in short, except the one at issue. In this way, and for this reason, the two children and their companions were thrown back upon themselves.

Of those who formed this merry little company, not one went to the academies that had been established in the town early enough to be its most ancient institutions. Nan was taught by her father, Randolph Dorrington, and Gabriel and I said our lessons to his grandmother, Mrs. Lucy Lumsden. Thus it happened that we were through with our school tasks before the children in the two academies had begun their morning recess.

"We would never have been such good friends," said Nan on one occasion, "if I hadn't wanted to go to your house, Gabriel, to see how your grandmother wavies her hair. I saw Cephas, and asked him to go along with me." Child as she was, Nan had her little vanities. She desired above all things that her hair should fall away from her brow in little rippling waves, like those that shone in the silver-grey hair of Gabriel's grandmother.

"Why, my grandmother doesn't wavie her hair at all," protested Gabriel.

"Of course not," replied Nan, with a toss of the hand; "I found that out for myself. And I was very sorry; I want my hair to wavie like hers and yours."

"Well, if your hair was to wavie like mine," said Gabriel, "you'd have a mighty hard time combing it in the morning."

"Don't you remember," Nan went on in a reminiscent way, "that she made you shake hands with me that day? It was funny the way you came up and held out your arm. If I had jumped at you and said Boo! I don't know what would have happened." Gabriel grew very red at this, but Nan ignored his embarrassment. "You had syrup on your fingers, you know, and then we all had some in a saucer. Yes, and we all sopped our bread in the same saucer, and Cephas here got the syrup on his face and in his hair."

It never occurred to me in those days that Nan was beautiful, or that Gabriel was handsome, but looking back in the light of experience, it is easy to remember that they had in their features all the promises that the long and slow-moving years were to fulfil. I was struck, however, by one peculiarity of Nan's face. When her countenance was at rest, it gave out a hint of melancholy, and there was an appealing look in her brown eyes; but when she smiled or laughed, the sombre face broke up into numberless dimples. Apart from her countenance, there was a charm about her which I have never been able to trace to its source, and which of course is beyond description; and this charm remained, and made itself felt whether the appearance of melancholy had its dwelling-place in her eyes, which were large, and lustrous, and full of tenderness, or whether her face was brilliant with smiles. She had a deserved reputation as a tomboy, but she carried off her tricksy whims with a daintiness that preserved them from all hint of coarseness; and if sometimes she was rude, she had a way of righting herself that none could resist.

As for Gabriel, he was always large for his age. He was strong and healthy, possessing every physical excuse for roughness and boisterousness; but association with his grandmother, who was one of the gentlest of gentlewomen, had toned him down and smoothed the rough edges. His hair was dark and curly, and his face gave promise of great strength of character—a promise which, it may be said here, was fulfilled to the letter. He was as whimsical as Nan, and, in addition, had moods to which she was a stranger.

These things did not occur to Cephas the Child, but are the fruits of his memory and experience. He only knew at that time that Nan and Gabriel were both very good to him. He was considerably younger than either of them, and he often wondered then, and has wondered since, why they were such good friends of his, and why they were constantly hunting him up if he failed to make his appearance. Perhaps because he was so full of unadulterated mischief. Gabriel, with all his gravity, was full of a quaint humour, and Nan hunted for cause for laughter in everything; and she was never more beautiful than when this same laughter had shaken her tawny hair about her face.

We had travelled widely. Nan had been to Malvern with her father, and had seen sights—railway trains, omilybuses, as she called them, a great big hotel, and "oodles" of crippled persons; yes, and besides the crippled persons, there was a blind man standing on the corner with a big card hanging from his neck; and that very day, she had eaten "reesins" until she never wanted 'em any more, as she said. Gabriel and Cephas had not gone so far; but once upon a time, they went to Halcyondale, and, among other things, had seen Major Tomlin Perdue kill sparrows with a pistol. Nan had been anxious to go with them at the time, but when she heard about the slaughter of the sparrows, she was very glad she had stayed at home, for what did a grown man as old as Major Perdue want to kill the poor little brown sparrows for? Nan's question was never answered. Gabriel and Cephas had only seen in the transaction the enviable skill of the Major; whereas Nan thought of nothing but the poor little birds that had been slain for a holiday show. "They may have been singing sparrows, or snow-birds," mourned Nan. True enough; but Gabriel and Cephas had thought of nothing but the skill of the marksman with his duelling pistols. Tasma Tid also had her point of view. "Wey you no fetcha dem lil bud home fer we supper?" She was hardly satisfied when she was told that the little birds, all put together, would have made hardly more than a mouthful.

CHAPTER ONE

Kettledrum and Fife

The serene repose of Shady Dale no doubt stood for dulness and lack of progress in that day and time. In all ages of the world, and in all places, there are men of restless but superficial minds, who mistake repose and serenity for stagnation. No doubt then, as now, the most awful sentence to be passed on a community was to say that it was not progressive. But when you examine into the matter, what is called progress is nothing more nor less than the multiplication of the resources of those who, by means of dicker and barter, are trying all the time to overreach the public and their fellows, in one way and another. This sort of thing now has a double name; it is called civilisation, as well as progress, and those who take things as they find them in their morning newspaper, without going to the trouble to reflect for themselves, are no doubt duly impressed by terms that are large enough to fill both the ear and mouth at one and the same time.

Well, whatever serene repose stands for, Shady Dale possessed it in an eminent degree, and the people there had their full share of the sorrows and troubles of this world, as Madame Awtry, or Miss Puella Gillum, or Neighbour Tomlin, or even that cheerful philosopher, Mr. Billy Sanders, could have told you; but of these Nan and Gabriel and Cephas knew nothing except in a vague, indefinite way. They heard hints of rumours, and sometimes they saw their elders shaking their heads as they gossiped together, but the youngsters lived in a world of their own, a world apart, and the vague rumours were no more interesting to them than the reports of canals on Mars are to the average person to-day. He reads in his newspaper that the markings in Mars are supposed to be canals; whereat he smiles and reflects that these canals can do him no harm. Nan and Gabriel and Cephas were as far from contemporary troubles as we are from Mars. The most serious trouble they had was not greater than that which they discovered one day on the Bermuda hill. As they were sitting on the warm grass, wondering how long before peaches would be ripe, they saw a field mouse cutting up some queer capers. Nan was not very friendly with mice, and she instinctively gathered up her skirts; but she did not run; her curiosity was ever greater than her fear. Presently we found that the troubles of Mother Mouse were very real. A tremendous black beetle had invaded her nest, and had seized one of her children, a little bit of a thing, naked and red and about the size of a half-ripe mulberry. We tried hard to rescue the mouse from the beetle, but soon found that it was quite dead. Cephas crushed the beetle, which was as venomous-looking a bug as they had ever seen. Was the beetle preparing to eat the mouse? Tasma Tid said yes, but Gabriel thought not. His idea was that the Mother Mouse had attacked the beetle, which was blindly crawling about, and had fallen in the nest accidentally. The beetle, striving to defend itself, had seized the mouse between its pinchers, and held it there until it was quite dead.

But the Bermuda fields were not the only resource of the children. There were seasons when Uncle Plato, who was Meriwether Clopton's carriage-driver, came to town with the big waggon to haul home the supplies necessary for the plantation; loads of bagging and rope; cases of brogan shoes, and hats for the negroes; and bales on bales of osnaburgs and blankets. The appearance of the Clopton waggon on the public square was hailed by these youngsters with delight. They always made a rush for it, and, in riding back and forth with Uncle Plato, they spent some of the most delightful moments of their lives.

And then in the fall season, there was the big gin running at the Clopton place, with old Beck, the blind mule, going round and round, turning the cogged and pivoted post that set the machinery in motion. But the youngsters rarely grew tired of riding back and forth with Uncle Plato. He was the one person in the world who catered most completely to their whims, who was most responsive to their budding and eager fancies, and who entered most enthusiastically into the regions created and peopled by Nan's skittish and fantastic imagination.

These children had their critics, as may well be supposed, especially Nan, who did not always conform to the rules and theories which have been set up for the guidance of girls; but Uncle Plato, along with Gabriel and Cephas, accepted her as she was, with all her faults, and took as much delight in her tricksy and capricious behaviour, as if he were responsible for it all. She and her companions furnished Uncle Plato with what all story-tellers have most desired since hairy man began to shave himself with pumice-stone, and squat around a common hearth—a faithful and believing audience. Uncle Æsop, it may be, cared less for his audience than for the opportunity of lugging in a dismal and perfunctory moral. Uncle Plato, like Uncle Remus, concealed his behind text and adventure, conveying it none the less completely on that account. Not one of his vagaries was too wild for the acceptance of his small audience, and the elusiveness of his methods was a perpetual delight to Nan, as hers was to Uncle Plato, though he sometimes shook his head, and pretended to sigh over her innocent evasions.

Once when we were all riding back and forth from the Clopton Place to Shady Dale, Nan asked Uncle Plato if he could spell.

"Tooby sho I kin, honey. What you reckon I been doin' all deze long-come-shorts ef I dunner how ter spell? How you speck I kin git 'long, haulin' an' maulin', ef I dunner how ter spell? Why, I could spell long 'fo' I know'd my own name."

"Long-come-shorts, what are they?" asked Nan.

"Rainy days an' windy nights," responded Uncle Plato, throwing his head back, and closing his eyes.

"Let's hear you spell, then," said Nan.

"Dee-o-egg, dog," was the prompt response. Nan looked at Uncle Plato to see if he was joking, but he was solemnity itself. "E-double-egg, egg!" he continued.

"Now spell John A. Murrell," said Nan. Murrell, the land pirate, was one of her favourite heroes at this time.

Uncle Plato pretended to be very much shocked. "Why, honey, dat man wuz rank pizen. En spozen he wa'nt, how you speck me ter spell sump'n er somebody which I ain't never laid eyes on? How I gwineter spell Johnny Murrell, an' him done dead dis many a long year ago?"

"Well, spell goose, then," said Nan, seeing a flock of geese marching stiffly in single file across a field near the road.

Uncle Plato looked at them carefully enough to take their measure, and then shook his head solemnly. "Deyer so many un um, honey, dey'd be monstus hard fer ter spell."

"Well, just spell one of them then," Nan suggested.

"Which un, honey?"

"Any one you choose."

Uncle Plato studied over the matter a moment, and again shook his head. "Uh-uh, honey; dat ain't nigh gwine ter do. Ef you speck me fer ter spell goose, you got ter pick out de one you want me ter spell."

"Well, spell the one behind all the rest."

Again Uncle Plato shook his head. "Dat ar goose got half-grown goslin's, an' I ain't never larnt how ter spell goose wid half-grown goslin's. You ax too much, honey."

"Then spell the one next to head." Nan was inexorable.

"Dat ar ain't no goose," replied Uncle Plato, with an air of triumph; "she's a gander."

"I don't believe you know how to spell goose," said Nan, with something like scorn.

"Don't you fool yo'se'f, honey," remarked Uncle Plato in a tone of confidence. "You git me a great big fat un, not too ol', an' not too young, an' fill 'er full er stuffin', an' bake 'er brown in de big oven, an' save all de drippin's, an' put 'er on de table not fur fum whar I mought be settin' at, an' gi' me a pone er corn bread, an' don't have no talkin' an' laughin' in de game—an' ef I don't spell dat goose, I'll come mighty nigh it, I sholy will. Ef I don't spell 'er, dey won't be nuff lef' fer de nex' man ter spell. You kin 'pen' on dat, honey."

Nan suddenly called Uncle Plato's attention to the carriage horses, which were hitched to the waggon. She said she knew their names well enough when they were pulling the carriage, but now—

"Haven't you changed the horses, Uncle Plato?" she asked.

"How I gwine change um, honey?"

"I mean, haven't you changed their places?"

"No, ma'am!" he answered with considerable emphasis. "No, ma'am; ef I wuz ter put dat off hoss in de lead, you'd see some mighty high kickin'; you sho would."

"Oh, let's try it!" cried Nan, with real eagerness.

"Dem may try it what choosen ter try it," responded Uncle Plato, dryly, "but I'll ax um fer ter kindly le' me git win' er what deyer gwine ter do, an' den I'll make my 'rangerments fer ter be somers out'n sight an' hearin'."

"Well, if you haven't made the horses swap places," remarked Nan, "I'll bet you a thrip that the right-hand horse is named Waffles, and the left-hand one Battercakes."

At once Uncle Plato became very dignified. "Well-'um, I'm mighty glad fer ter hear you sesso, kaze ef dey's any one thing what I want mo' dan anudder, it's a thrip's wuff er mannyfac terbacker. Ez fer de off hoss, dat's his name—Waffles—you sho called it right. But when it comes ter de lead hoss, anybody on de plantation, er off'n it, I don't keer whar dey live at, ef dey yever so much ez hear er dat lead hoss, will be glad fer ter tell you dat he goes by de name er Muffins." He held out his hand for the thrip.

"Well, what is the difference?" said Nan, drawing back as if to prevent him from taking the thrip.

"De diffunce er what?" inquired Uncle Plato.

"And you expect me to give you money you haven't won," declared Nan. "What's the difference between Battercakes and Muffins? A muffin is a battercake if you pour three big spoonfuls in a pan and spread it out, and a battercake is a muffin if you pen it up in a tin-thing like a napkin ring. Anybody can tell you that, Uncle Plato—yes, anybody."

What reply the old negro would have made to this bit of home-made casuistry will never be known. That it would have been reasonable, if not entirely adequate, may well be supposed, but just as he had given his head a preliminary shake, the rattle of a kettle-drum was heard, and above the rattle a fife was shrilling.

The shrilling fife, and the roll and rattle of the drums! These were sounds somewhat new to Shady Dale in 1860; but presently they were to be heard all over the land.

"I can see dem niggers right now!" exclaimed Uncle Plato, as we hustled out of his waggon. "Riley playin' de fife, Green beatin' on de kittledrum, an' Ike Varner bangin' on de big drum. Ef de white folks pay much 'tention ter dem niggers, dey won't be no livin' in de same county wid um. But dey better not come struttin' 'roun' me!"

The drums were beating the signal for calling together the men whose names had been signed to the roll of a company to be called the Shady Dale Scouts, and the meeting was for the purpose of organizing and electing officers. All this was accomplished in due time; but meanwhile Nan and Gabriel and Cephas, as well as Tasma Tid and all the rest of the children in the town, went tagging after the fife and drums listening to Riley play the beautiful marching tunes that set Nan's blood to tingling. Riley was a master hand with the fife, and we had never known it, had never even suspected it! Nan thought it was very mean in Riley not to tell somebody that he could play so beautifully.

Well, in a very short time, the company was rigged out in the finest uniforms the children had even seen. All the men, even the privates, had plumes in their hats and epaulettes of gold on their shoulders; and on their coats they wore stripes of glowing red, and shiny brass buttons without number. And at least twice a week they marched through the streets and out into the Bermuda fields, where they had their drilling grounds. These were glorious days for the youngsters. Nan was so enthusiastic that she organised a company of little negroes, and insisted on being the captain. Gabriel was the first lieutenant, and Cephas was the second. When the company was ready to take the field, it was discovered that Nan would also have to be orderly sergeant and color-bearer. But she took on herself the duties and responsibilities of these positions without a murmur. She wore a paper hat of the true Napoleonic cut, and carried in one hand her famous sword-gun, and the colors in the other. The oldest private in Nan's company was nine; the youngest was four, and had as much as he could do to keep up with the rest. The uniforms of these sun-seasoned troops was the regulation plantation fatigue dress—a shirt coming to the knees. Two or three of the smaller privates had evidently fallen victims to the pot-liquor and buttermilk habits, for their bellies stuck out black and glistening from rents in their shirts.

Their accoutrements prefigured in an absurd way the resources of the Confederacy at a later date. They were armed with broomsticks, and what-not. The file-leader had an old pair of tongs, which he snapped viciously when Nan gave the word to fire. The famous sword-gun, with which Nan did such execution, had once seen service as an umbrella handle.

One afternoon, as Nan was drilling her troops, she chanced to glance down the road, and saw a waggon coming along. Deploying her company across the highway, she went forward in person to reconnoitre. She soon discovered that the waggon was driven by Uncle Plato. Running back to her veterans, she placed herself in front of them, and calmly awaited events. Slowly the fat horses dragged the waggon along, when suddenly Nan cried "Halt!" whereupon the drummer, obeying previous instructions, began to belabour his tin-pan, while Nan levelled her famous sword-gun at Uncle Plato. "Bang!" she exclaimed, and then, "Why didn't you fall off the waggon?" she cried, as Uncle Plato remained immovable. "Why, you don't know any more about real war than a baby," she said scornfully.

If the truth must be told, Uncle Plato had been dozing, and when he awoke he viewed the scene before him with astonishment. There was no need to cry "Halt!" or exclaim "Bang!" for as soon as the drummer began to beat his tin-pan, the horses stood still and craned their necks forward, with a warning snort, trying to see what this strange and unnatural proceeding meant. Uncle Plato had involuntarily tightened the reins when he was so rudely awakened, and the horses took this for a hint that they must avoid the danger, and, as the shortest way is the best way, they began to back, and had the waggon nearly turned around before Uncle Plato could tell them a different tale.

"Ef I'd 'a' fell out'n de waggon, honey, who gwine ter pick me up?" he asked, laughing.

"Why, no one is picked up in war!"

"Is dis war, honey?"

"Of course it is," Nan declared.

"Does bofe sides hafter take part in de rucus?" asked Uncle Plato, making a terrible face at the little negroes.

"Why, of course," said Nan.

Seeing the scowl, Nan's veteran troops began to edge slowly toward the nearest breach in the fence. Uncle Plato seized his whip and pretended to be clambering from the waggon. At this a panic ensued, and Nan's army dispersed in a jiffy. The seasoned troops dropped their arms and fled. The four-year-old became lost or entangled in a thick growth of jimson weed, seeing which, Uncle Plato cried out in terrible voice, "Ketch um dar! Fetch um here!"

Then and there ensued a wild scene of demoralisation and anarchy; loud shrieks and screams filled the air; the dogs barked, the hens cackled, and the neighbours began to put their heads out of the windows. Mrs. Absalom, who had charge of the Dorrington household, and who had raised Nan from a baby, came to the door—the defeat of the troops occurred right at Nan's own home—crying, "My goodness gracious! has the yeth caved in?" Then, seeing the waggon crosswise the road, and mistaking Nan's shrieks of laughter for cries of pain, she bolted from the house with a white face.

Mrs. Absalom's reactions from her daily alarms about Nan usually resulted in bringing her into open and direct war with everybody in sight or hearing, except the child; but on this occasion, her fright had been so serious that when Nan, somewhat sobered, ran to her the good woman was shaking.

"Why, Nonny!" cried Nan, hugging her, "you are all trembling."

"No wonder," said Mrs. Absalom in a subdued voice; "I saw you under them waggon wheels as plain as I ever saw anything in my life. I'm gittin' old, I reckon."

And yet there were some people who wondered how Nan could endure such a foster-mother as Mrs. Absalom.

But the complete rout of Nan's army made no change in the general complexion of affairs. The Shady Dale Scouts continued to perfect themselves in the tactics of war, and after awhile, when the great controversy began to warm up—the children paid no attention to the passage of time—the company went into camp. This was a great hour for the youngsters. Here at last was something real and tangible. The marching and the countermarching through the streets and in the old field were very well in their way, but Nan and Gabriel and the rest had grown used to these man[oe]uvres, and they longed for something new. This was furnished by the camp, with its white tents, and the grim sentinels pacing up and down with fixed bayonets. No one, not even an officer, could pass the sentinels without giving the password, or calling for the officer of the guard.

All this, from the children's point of view, was genuine war; but to the members of the company it was a veritable picnic. The citizens of the town, especially the ladies, sent out waggon loads of food every day—boiled ham, barbecued shote, chicken pies, and cake; yes, and pickles. Nan declared she didn't know there were as many pickles in the world, as she saw unloaded at the camp.

Mr. Goodlett, who was Mrs. Absalom's husband, went out to the camp, looked it over with the eye of an expert, and turned away with a groan. This citizen had served both in the Mexican and the Florida wars, and he knew that these gallant young men would have a rude awakening, when it came to the real tug of war.

"Doesn't it look like war, Mr. Ab?" Nan asked, running after the veteran.

Mr. Goodlett looked at the bright face lifted up to his, and frowned, though a smile of pity showed itself around his grizzled mouth. He was a very deliberate man, and he hesitated before he spoke. "You think that looks like war?" he asked.

"Why, of course. Isn't that the way they do when there's a war?"

"What! gormandise, an' set in the shade? Why, it ain't no more like war than sparrergrass is like jimson weed—not one ioter." With that, he sighed and went on his way.

But when did the precepts of age and experience ever succeed in chilling the enthusiasm of youth? With the children, it was "O to be a soldier boy!" and Nan and her companions continued to linger around the edges of the spectacle, taking it all in, and enjoying every moment. And the Scouts themselves continued to live like lords, eating and drilling, and dozing during the day, and at night dancing to the sweet music of Flavian Dion's violin. Nan and Gabriel thought it was fine, and, as well as can be remembered, Cephas was of the same opinion. As for Tasma Tid, she thought that the fife and drums, and the general glare and glitter of the affair were simply grand, very much nicer than war in her country, where the Arab slave-traders crept up in the night and seized all who failed to escape in the forest, killing right and left for the mere love of killing. Compared with the jungle war, this pageant was something to be admired.

And many of the older citizens held views not very different from those of the children, for enthusiasm ran high. The Shady Dale Scouts went away arrayed in their holiday uniforms. Many of them never returned to their homes again, but those that did were arrayed in rags and tatters. Their gallantry was such that the Shady Dale Scouts, disguised as Company B, were always at the head of their regiment when trouble was on hand. But all this is to anticipate.

CHAPTER TWO

A Town with a History

Before, during, and after the war, Shady Dale presented always the same aspect of serene repose. It was, as you may say, a town with a history. Then, as now, there were towns all about that had no such fortunate appendage behind them to explain their origin. No one could tell what they were begun for; no one could say whether they had for their nucleus an old field or a cross-roads grocery, or whether a party of immigrants pitched their tents there because the grass was fine and the water abundant. There is one city in Georgia, and it is the most prosperous of all, that was built on the idea that the cattle-paths and the old government roads afford the most convenient and picturesque contours for the streets; and to this day, the thoroughfares of that city afford a most interesting study to those who are interested in either topography or human nature; for it is possible to go to that city, and, with half an eye, discover the places where the waggons and other vehicles turned aside nearly a hundred years ago to avoid the mudholes, the fallen trees, and other temporary obstructions. They have been preserved in the conformation of the streets.

Shady Dale is no city, and it may be that its public-spirited citizens stretch the meaning of the term when they call it a town. Nevertheless, the community has a well-defined history. When Raleigh Clopton, shortly after the signing of the treaty of peace between the United States and Great Britain, crossed the Oconee, and settled on the lands of the hostile Creeks, his friends declared that he was tempting Providence; and so it seemed; but the event proved that from first to last, his adventure was under the direct guidance of Providence. He demonstrated anew the truth of two ancient maxims: he who risks nothing, gains nothing; heaven helps those who help themselves. Raleigh Clopton risked everything and gained the most beautiful domain in all the land. He had, indeed, one stormy interview with General McGillivray, the great Creek chief and statesman, but after that all was peace and prosperity.

General McGillivray was one of the most remarkable men of his time, and his time was during an era of remarkable men. He possessed a genius that enabled him to cope successfully with the ablest statesmen of his day. He drew Washington into a secret treaty with the Creek Nation, and when McGillivray died, the Father of his country referred to him as "my friend," and deplored his taking off. Courageous and adventurous himself, McGillivray was no doubt attracted by the attitude and personality of the fearless Virginian. He became the warm friend of Raleigh Clopton, and marked that friendship by deeding to the first white settler two thousand acres of land lying between the Little River hills on one side, and the meadows of Murder Creek on the other. Moreover, he named the estate Shady Dale, and aided Raleigh Clopton to establish a trading-post where the court-house of the town now stands; and on a pine near by, he caused to be made the semblance of a broken arrow, a token that between the Creeks and the Master of Shady Dale a lasting peace had been established.

This was the beginning. When the multifarious and long-disputed treaties between the United States and the Creek Nation had been signed, and a general peace was assured, Raleigh Clopton communicated with his friends in Wilkes, Burke, Columbia and Richmond counties—the choice spirits who had fought by his side in the bloodiest battles of the War for Independence—informed them of his good fortune, and invited them to share it. The response was all that he could have desired. His old friends and comrades lost no time in joining him—the Dorringtons, the Tomlins, the Gaithers, the Awtrys, the Terrells, the Odoms, the Lumsdens, and, later, the friends and relatives of these. For the most part they were men of substance and character.

Well, perhaps not all. There are black sheep in every flock, and wherever the nature of Adam survives, there we may behold wisdom and folly dancing to the same tune, and sin and repentance occupying the same couch. So it has been from the first, and so it will be to the end. But, take them all in all, making due allowance for the tendencies of human nature, the men and women who responded to the invitation of Raleigh Clopton may be described as the salt of the earth. They had all, women and men, been subjected to the trials and hardships of a war in which no quarter was asked or given; and their experiences had given them a strength of character, and a versatility in dealing with unexpected events, that could hardly be matched elsewhere. To each of those who responded to his invitation, Raleigh Clopton gave a part of his domain, and laid out their settlement for them.

This was the origin of Shady Dale. But to set forth its origin is not to describe its beauty, which is of a character that refuses to submit to description. You go down to the old town from the city, and you say to yourself and your friends that you are enjoying the delights of the country. You visit it from the plantations, and you feel that you are breathing the kind of atmosphere that should be found in the social life of a large, refined and perfectly homogeneous community. But whether you go there from the city, or from the plantations, you are inevitably impressed with a sense of the attractiveness of the place; you fall under the spell of the old town—it was old even in the old times of the sixties. And yet if you were called upon to define the nature of the spell, what could you say? What name could you give to the tremulous beauty that hovers about and around the place, when the fresh green leaves of the great trees are fluttering in the cool wind, and everything is touched and illumined by the tender colours of spring? Under what heading in the catalogue of things would you place the vivid richness which animates the town and the landscape all around when the summer is at its height? And how could you describe the harmony that time has brought about between the fine old houses and the setting in which they are grouped?

All these things are elusive; they make themselves keenly felt, but they do not lend themselves to analysis.

It is a pity that those who are interested in traditions that are truer than history could not have all the facts in regard to Shady Dale from the lips of Mr. Obadiah Tutwiler, who had constituted himself the oral historian of the community. Mr. Tutwiler was alive as late as 1869, and had at his fingers'-ends all the essential facts relating to the origin and growth of the town, and he related the story with a fluency, an accuracy, and a relish quite surprising in so old a man.

As was fitting, the old court-house, the temple of justice, had been reared in the centre of the town, and the square that surrounds it took the shape of a park of considerable dimensions. On two sides were some of the more pretentious dwellings; the tavern, with a few of the more modest houses took up a third side; while the fourth side was taken up by the shops and stores; and so careful had the early settlers been with the trees, that it was possible to stand in a certain upper window of the court-house, and look out upon the town with not a house in sight.

Naturally, the most interesting feature of Shady Dale was the Clopton Place. It had been the home of the First Settler, and in 1860, when Nan and Gabriel were enjoying their happiest days, it was owned and occupied by the son, Meriwether Clopton.

From the time of the First Settler, the Clopton Place had been dedicated and set apart to the uses of hospitality. The deed in which General McGillivray, in the name of the Creek Nation, conveyed the domain to Raleigh Clopton, distinctly sets forth the condition that the Clopton Place was to be an asylum and a place of refuge for the unfortunate and for those who needed succour. During the long and bloody contests between the white settlers and the Creeks, it was the pleasure of the Creek chief to pay out of his own private fortune, which was a large one for those days, the ransoms which, under the rules of the tribal organisations, each Indian town demanded for the prisoners captured by its warriors. Such was the poverty of the whites in general that only occasionally was General McGillivray reimbursed for his expenditures in this direction.

But no matter by whom the ransoms were paid, the prisoners were one and all forwarded to the Clopton Place, where they were cared for until such time as they could be transferred to the white settlements. In this way hospitality became a habit at the Place, and in the years that followed, no wayfarer was ever turned away from those wide doors.

In the pleasant weather, it was a familiar spectacle to see Meriwether Clopton sitting on the wide lawn, reading Virgil and Horace, two volumes of which he never tired. His favourite seat was in the shade of a silver maple, through the branches of which a grapevine had been trained. This silver maple, with the vine running through it, and the seat in the shade, were a realisation, he once told Gabriel and Cephas, of one of the most beautiful poems in one of the volumes, but whether Virgil or Horace, the aforesaid Cephas is unable to remember.

There were days long to be remembered when the Master of Clopton Place read aloud to the children, translating as he went along, and smacking his lips over the choice of words as though he were tasting a fine quality of wine. And the children felt the charm of these ancient verses; and they soon came to understand why words written down centuries ago, had power to take possession of the mind. They were charged with the qualities that brought them home to the modern hour; and for all that was foreign in them, they might have been composed at Shady Dale. It is no wonder that the common people in the Middle Ages clothed Virgil with the gift and power of a prophet or a magician.

Something of the charm that dwelt all about the place had its origin and centre in Meriwether Clopton himself. His years sat lightly upon him. He had led an active and a temperate life, and a hale and hearty old age was the fruit thereof. He had had his flings, and something more, perhaps, for there were traditions of some very serious troubles in which he had been engaged shortly after reaching his majority. But Gabriel's grandmother, who knew—none better—declared that these troubles were not of Meriwether Clopton's seeking. They were the results of a legacy of feuds which Raleigh Clopton, through no desire of his own, had left to his son. It was said of Raleigh Clopton that his sense of justice was as strong as his temper, which was a stormy one. He espoused the cause of young Eli Whitney, who had been despoiled of his rights in the cotton-gin in Georgia, and this led him into a series of difficulties without parallel in the history of the State. Raleigh Clopton's attitude in this contest brought him in conflict with some of the most powerful men and interests in the commonwealth. It was a contest in which knavery, fraud and corruption, the courts, and considerable private capital, were all combined against Whitney, who appeared to be without a strong friend until Raleigh Clopton became his champion.

The collusion of the courts with this high-handed robbery was so ill-concealed that Raleigh Clopton soon discovered the fact, and his indignation rose to such a white heat that it drove him to excesses. He dragged one judge from a buggy, and plied him with a rawhide, he slapped the face of another in a public house, and posted a dozen prominent men as thieves and corruptionists, with the result that the State fairly swarmed with his enemies, men who were able to keep him busy in the way of troubles and difficulties. It was the day of private feuds, and it was not surprising that some of these enemies should attack the father through the son. Thus it fell out that Meriwether Clopton's experience for half a score of years after he came of age was anything but peaceful. But he came out of all these difficulties with head erect, clean hands and a clear conscience. He was neither hardened nor embittered by the violence with which he had to deal. On the contrary, his character was strengthened and his temper sweetened; so that when the lads who listened to his mellifluous translations from the Latin poets, were old enough to appreciate the qualities that go to make up a good man and an influential citizen, the fact dawned upon their minds that Meriwether Clopton was the finest gentleman they had ever seen.

CHAPTER THREE

The Return of Two Warriors

When the great contest began, Nan was close to thirteen, and Gabriel was fourteen. Cephas was younger; he had lived hardly as many months as he had freckles on his face, otherwise he would have been an aged citizen. They wandered about together, always accompanied by Tasma Tid, all of them being children in every sense of the word. Occasionally they were joined by some of the other boys and girls; but they were always happier when they were left to themselves.

In the late afternoons they could always be found in the Bermuda fields, but at other times, especially on a warm day, their favourite playground was under the wide-spreading elms in front of the post-office. Amusing themselves there in the fine weather, they could see the people come and go, many of them looking for letters that never came. When the conflict at the front became warm and serious, and when the very newspapers, as Mrs. Absalom said, smelt of blood, there was always a large crowd of men, old and young, gathered at the post-office when the mail-coach came from Malvern. As few of the people subscribed for a daily newspaper, Judge Odom (he was Judge of the Inferior Court, now called the Court of Ordinary) took upon himself to mount a chair or a dry-goods box, and read aloud the despatches printed in the Malvern Recorder. This enterprising journal had a number of volunteer correspondents at the front who made it a point to send with their letters the lists of the killed and wounded in the various Georgia regiments; and these lists grew ominously long as the days went by.

And then, in the course of time, came the collapse of the Confederacy, an event that blew away with a breath, as it were, the hopes and dreams of those who had undertaken to build a new government in the South; and this march of time brought about a gradual change in the relations between Nan and Gabriel. It was almost as imperceptible in its growth as the movement of the shadow on the sun-dial. Somehow, and to her great disgust, Nan awoke one morning and was told that she was a young woman, or dreamt that she was told. Anyhow, she realised, all of a sudden, that she was now too tall for short dresses, and too old to be playing with the boys as if she were one of them; and the consciousness of this change gave her many a bad quarter of an hour, and sometimes made her a trifle irritable; for, sweet as she was, she had a temper.

She asked herself a thousand times why she should now begin to feel shy of Gabriel, and why she should be so self-conscious, she who had never thought of herself with any degree of seriousness until now. It was all a puzzle to her. As it was with Nan, so it was with Gabriel. As Nan grew shy and shyer, so the newly-awakened Gabriel grew more and more and more timid, and the two soon found themselves very far apart without knowing why. For a long time Cephas was the only connecting link between them. He was a sly little rascal, this same Cephas, and he found in the situation food for both curiosity and amusement. He had not the least notion why the two friends and comrades were inclined to avoid each other. He only knew that he was not having as pleasant a time as fell to his portion when they were all going about together with no serious notions of life or conduct.

Cephas got no satisfaction from either Nan or Gabriel when he asked them what the trouble was. Nan tried to explain matters, but her explanation was a very lame one. "I am getting old enough to be serious, Cephas; and I must begin to make myself useful. That's what Miss Polly Gaither says, and she's old enough to know. Oh, I hate it all!" said Nan.

"Is Miss Polly Gaither useful?" inquired Cephas.

"I'm sure I don't know," replied Nan; "but that's what she told me, and then she held up her ear-trumpet for me to talk in it; but I just couldn't, she looked so very much in earnest. It was all I could do to keep from laughing. Did you ever notice, Cephas, how funny people are when they are really in earnest?"

Alas! Cephas had often pinched himself in Sunday-school to keep from laughing at old Mrs. Crafton, his teacher. She was so dreadfully in earnest that she kept her face in a pucker the whole time. Outside of the Sunday-school she was a very pleasant old lady.

Gabriel had no explanation to make whatever. He simply told Cephas that Nan was becoming vain. This Cephas denied with great emphasis, but Gabriel only shook his head and looked wise, as much as to say that he knew what he knew, and would continue to know it for some time to come. The truth is, however, that Gabriel was as ignorant of the feminine nature as it is possible for a young fellow to be; whereas, Nan, by means of the instinct or intuition which heaven has conferred on her sex for their protection, knew Gabriel a great deal better than she knew herself.

When the war came to a close, Gabriel was nearly eighteen, and Nan was seventeen, though she appeared to be a year or two younger. She was still childish in her ways and tastes, and carried with her an atmosphere of simplicity and sweetness in which very few girls of her age are fortunate enough to move. Simplicity was a part of her nature, though some of her young lady friends used to whisper to one another that it was all assumed. She was even referred to as Miss Prissy, a term that was probably intended to be an abbreviation of Priscilla.

Regularly, she used to hunt Cephas up and carry him home with her for the afternoon; and on the other hand, Gabriel manifested a great fondness for the little fellow, who enjoyed his enviable popularity with a clear conscience. It was years and years afterwards before the secret of his popularity dawned on him. If he had suspected it at the time, his pride, such as he had, would have had a terrible fall.

One day, it was the year of Appomattox, and the month was June, Cephas heard his name called, and answered very promptly, for the voice was the voice of Gabriel, and it was burdened with an invitation to visit the woods and fields that surrounded the town. The weather itself was burdened with the same invitation. The birds sang it, and it rustled in the leaves of the trees. And Cephas leaped from the house, glad of any excuse to escape from the domestic task at which he had been set. They wandered forth, and became a part and parcel of the wild things. The hermit thrush, with his silver bell, was their brother, and the cat-bird, distressed for the safety of her young, was their sister. Yea, and the gray squirrel was their playmate, a shy one, it is true, but none the less a genuine one for all that. They roamed about the green-wood, and over the hills and fields, and finally found themselves in the public highway that leads to Malvern.

Cephas found a cornstalk, and with hardly an effort of his mind, changed it into a fine saddle-horse. The contagion seized Gabriel, and though he was close upon his eighteenth birthday, he secured a cornstalk, which at once became a saddle-horse at his bidding. The magical powers of youth are wonderful, and for a little while the cornstalk horses were as real as any horses could be. The steed that Cephas bestrode was comparatively gentle, but Gabriel's horse developed a desire to take fright at everything he saw. A creature more skittish and nervous was never seen, and his example was soon followed by the steed that Cephas rode. The two boys were so busily engaged in trying to control their perverse horses, that they failed to see a big covered waggon that came creeping up the hill behind them. So, while they were cutting up their queer capers, the big waggon, drawn by two large mules, was plumb upon them. As for Cephas, he didn't care, being at an age when such capers are permissible, but Gabriel blushed when he discovered that his childish pranks had witnesses; and he turned a shade redder when he saw that the occupants of the waggon were, of all the persons in the world, Mr. Billy Sanders and Francis Bethune.

Both of the boys would have passed on but for the compelling voice of Mr. Sanders. "Why, it's little Gabe, and he's little Gabe no longer. And Cephas ain't growed a mite. Hello, Gabe! Hello, Cephas! Howdy, howdy?"

Francis Bethune's salutation was somewhat constrained, or if that be too large a word, was lacking in cordiality. "What is the matter with Gabriel?" he asked.

"It's a thousand pities, Frank," remarked Mr. Sanders, "that Sarah Clopton wouldn't let you be a boy along with the other boys; but she coddled you up jest like you was a gal. Be jigged ef I don't believe you've got on pantalettes right now."

Bethune blushed hotly, while Gabriel and Cephas fairly yelled with laughter—and there was a little resentment in Gabriel's mirth. "But I don't see what could possess Tolliver," Bethune insisted.

"Shucks, Frank! you wouldn't know ef he was to write it down for you, an' Nan Dorrin'ton would know wi'out any tellin'. You ain't a bit brighter about sech matters than you was the day Nan give you a thumpin'."

At this Gabriel laughed again, for he had been an eye-witness to the episode to which Mr. Sanders referred. A boy has his prejudices, as older persons have theirs. Bethune had always had the appearance of being too fond of himself; when other boys of his age were playing and pranking, he would be primping, and in the afternoon, before he went off to the war, he would strut around town in the uniform of a cadet, and seemed to think himself better than any one else. These things count with boys as much as they do with older persons.

"Climb in the waggin, Gabe an' Cephas, an' tell us about ever'thing an' ever'body. The Yanks didn't take the town off, did they?"

The boys accepted the invitation without further pressing, for they were both fond of Mr. Sanders, and proceeded to give their old friend all the information he desired. Francis Bethune asked no questions, and Gabriel was very glad of it. At bottom, Bethune was a very clever fellow, but the boys are apt to make up their judgments from what is merely superficial. Francis had a very handsome face, and he could have made himself attractive to a youngster on the lookout for friends, but he had chosen a different line of conduct, and as a result, Gabriel had several scores against the young man. And so had Cephas; for, on one occasion, the latter had gone to the Clopton Place for some wine for his mother, who was something of an invalid, and, coming suddenly on Sarah Clopton, found her in tears. Cephas never had a greater shock than the sight gave him, for he had never connected this self-contained, gray-haired woman with any of the tenderer emotions. In the child's mind, she was simply a sort of superintendent of affairs on the Clopton Place, who, in the early mornings, stood on the back porch of the big house, and, in a voice loud enough to be heard a considerable distance, gave orders to the domestics, and allotted to the field hands their tasks for the day.

Sarah Clopton must have seen how shocked the child was, for she dried her eyes and tried to laugh, saying, "You never expected to see me crying, did you, little boy?" Cephas had no answer for this, but when she asked if he could guess why she was crying, the child remembered what he had heard Nan and Gabriel say, and he gave an answer that was both prompt and blunt. "I reckon Frank Bethune has been making a fool of himself again," said he.

"But how did you know, child?" she asked, placing her soft white fingers under his chin, and lifting his face toward the light. "You are a wise lad for your years," she said, when he made no reply, "and I am sure you are sensible enough to do me a favour. Please say nothing about what you have seen. An old woman's tears amount to very little. And don't be too hard on Frank. He has simply been playing some college prank, and they are sending him home."

The most interesting piece of news that Gabriel had in his budget related to the hanging of Mr. Absalom Goodlett by some of Sherman's men, when that commander came marching through Georgia. It seems that a negro had told the men that Mr. Goodlett knew where the Clopton silver had been concealed, and they took him in hand and tried to frighten him into giving them information which he did not possess. Threats failing, they secured a rope and strung him up to a tree. They strung him up three times, and the third time, they went off and left him hanging; and but for the promptness of the negro who was the cause of the trouble, and who had been an interested spectator of the proceedings, Mr. Goodlett would never have opened his eyes on the affairs of this world again. The negro cut him down in the nick of time, and as soon as he recovered, he sent the darkey with instructions to go after the men, and tell them where they could find the plate, indicating an isolated spot. Whereupon Mr. Goodlett took his gun, and went to the point indicated. The negro carried out his instructions to the letter. He found the men, who had not gone far, pointed out the spot from a safe distance, and then waited to see what would happen. If he saw anything unusual, he never told of it; but the men were never seen again. Some of their companions returned to search for them, but the search was a futile one. The negro went about with a frightened face for several days, and then he settled down to work for Mr. Goodlett, in whom he seemed to have a strange interest. He showed this in every way.

"You keep yo' eye on 'im," he used to say to his coloured acquaintances, in speaking of Mr. Goodlett; "keep yo' eye on 'im, an' when you see his under-jaw stickin' out, des turn you' back, an' put yo' fingers in yo' ears."

"You never know," said Mr. Sanders, in commenting on the story, "what a man will do ontell he gits rank pizen mad, or starvin' hongry, or in love."

"What would you do, Mr. Sanders, if you were in love?" Gabriel asked innocently enough.

"Maybe I'd do as Frank does," replied Mr. Sanders, smiling blandly; "shed scaldin' tears one minnit, an' bite my finger-nails the next; maybe I would, but I don't believe it."

"Now, I'll swear you ought not to tell these boys such stuff as that!" exclaimed Francis Bethune angrily. "I don't know about Cephas, but Tolliver doesn't like me any way."

"How do you know?" inquired Gabriel.

"Because you used to make faces at me," replied Bethune, half laughing.

"Why, so did Nan," Gabriel rejoined. "Mine must have been terrible ones for you to remember them so well."

The reference to Nan struck Bethune, and he began to gnaw at the end of his thumb, whereupon Mr. Sanders smiled broadly. The young man reflected a moment and then remarked, his face a trifle redder than usual; "Isn't the young lady old enough for you to call her Miss Dorrington?"

"She is," replied Gabriel; "but if she permits me to call her Nan, why should any one else object?"

There was no answer to this, but presently Bethune turned to Gabriel and said: "Why do you dislike me, Tolliver?"

For a little time the lad was silent; he was trying to formulate his prejudices into something substantial and sufficient, but the effort was a futile one. While he was silent, Bethune regarded him with a curious stare. "Honestly," said Gabriel, "I can give no reason; and I'm not sure I dislike you. But you always held your head so high that I kept away from you. I had an idea that you felt yourself above me because my grandmother is not as rich as the Cloptons."

The statement seemed to amaze Bethune. "You couldn't have been more than ten or twelve when I left here for the war," he remarked.

"Yes, I was more than thirteen," Gabriel replied.

"Well, I never thought that a boy so young could have such thoughts," Bethune declared.

"Pooh!" exclaimed Mr. Sanders; "a fourteen-year-old boy can have some mighty deep thoughts, specially ef he' been brung up in a house full of books, as Gabriel was. I hope, Gabriel," he went on, "that you'll stick to your cornstalk hoss as long as you want to. You'll live longer for it, an' your friends will love you jest the same. Frank here has never been a boy. Out of bib an' hippin, he jumped into long britches an' a standin' collar, an' the only fun he ever had in his life he got kicked out of college for, an' served him right, too. I'll bet you a thrip to a pint of pot-licker that Nan'll ride a stick hoss tomorrer ef she takes a notion—an' she's seventeen. Don't you forgit, Gabriel, that you'll never be a boy but once, an' you better make the most on it whilst you can."

The waggon came just then to the brow of the hill that overlooked Shady Dale, and here Mr. Sanders brought his team to a standstill. It had been many long months since his eyes or Bethune's had gazed on the familiar scene. "I'll tell you what's the fact, boys," he said, drawing in a long breath—"the purtiest place this side of Paradise lies right yander before our eyes. Ef I had some un to give out the lines, I'd cut loose and sing a hime. Yes, sirs! you'd see me break out an' howl jest like my old coon dog, Louder, used to do when he struck a hot track. The Lord has picked us out of the crowd, Frank, an' holp us along at every turn an' crossin'. But before the week's out, we'll forgit to be thankful. J'inin' the church wouldn't do us a grain of good. By next Sunday week, Frank, you'll be struttin' around as proud as a turkey gobbler, an' you'll git wuss an' wuss less'n Nan takes a notion for to frail you out ag'in."

Bethune relished the remark so little that he chirped to the mules, but Mr. Sanders seized the reins in his own hands. "We've fit an' we've fout, an' we've got knocked out," he went on, "an' now, here we are ready for to take a fresh start. The Lord send that it's the right start." He would have driven on, but at that moment, a shabby looking vehicle drew up alongside the waggon. Gabriel and Cephas knew at once that the outfit belonged to Mr. Goodlett. His mismatched team consisted of a very large horse and a very small mule, both of them veterans of the war. They had been left by the Federals in a broken-down condition, and Mr. Goodlett found them grazing about, trying to pick up a living. He appropriated them, fed them well, and was now utilising them not only for farm purposes, but for conveying stray travellers to and from Malvern, earning in this way many a dollar that would have gone elsewhere.

Mr. Goodlett drew rein when he saw Mr. Sanders and Francis Bethune, and gave them as cordial a greeting as he could, for he was a very undemonstrative and reticent man. At that time both Gabriel and Cephas thought he was both sour and surly, but, in the course of events, their opinions in regard to that and a great many other matters underwent a considerable change.

CHAPTER FOUR

Mr. Goodlett's Passengers

The vehicle that Mr. Goodlett was driving was an old hack that had been used for long years to ply between Shady Dale and Malvern. On this occasion, Mr. Goodlett had for his passengers a lady and a young woman apparently about Nan's age. There was such a contrast between the two that Gabriel became absorbed in contemplating them; so much so that he failed to hear the greetings that passed between Mr. Goodlett and Mr. Sanders, who were old-time friends. The elder of the two women was emaciated to a degree, and her face was pale to the point of ghastliness; but in spite of her apparent weakness, there was an ease and a refinement in her manner, a repose and a self-possession that reminded Gabriel of his grandmother, when she was receiving the fine ladies from a distance who sometimes called on her. The younger of the two women, on the other hand, was the picture of health. The buoyancy of youth possessed her. She had an eager, impatient way of handling her fan and handkerchief, and there was a twinkle in her eye that spoke of humour; but her glance never fell directly on the men in the waggon; all her attention was for the invalid.

Mr. Goodlett, his greeting over, was for pushing on, but the voice of the invalid detained him. "Can you tell me," she said, turning to Mr. Sanders, "whether the Gaither Place is occupied? Oh, but I forgot; you are just returning from that horrible, horrible war." She had lifted herself from a reclining position, but fell back hopelessly.

"Why, Ab thar ought to be able to tell you that," responded Mr. Sanders, his voice full of sympathy.

"Well, I jest ain't," declared Mr. Goodlett, with some show of impatience. "I tell you, William, I been so worried an' flurried, an' so disqualified an' mortified, an' so het up wi' fust one thing an' then another, that I ain't skacely had time for to scratch myself on the eatchin' places, much less gittin' up all times er night for to see ef the Gaither Place is got folks or ha'nts in it. When you've been through what I have, William, you won't come a-axin' me ef the Gaither house is whar it mought be, or whar it oughter be, or ef it's popylated or dispopylated."

The young lady stroked the invalid's hand and smiled. Something in the frowning face and fractious tone of the old man evidently appealed to her sense of humour. "Don't you think it is absurd," said the pale lady, again appealing to Mr. Sanders, "that a person should live in so small a town, and not know whether one of the largest houses in the place is occupied—a house that belongs to a family that used to be one of the most prominent of the county? Why, of course it is absurd. There is something uncanny about it. I haven't had such a shock in many a day."

"But, mother," protested the young lady, "why worry about it? A great many strange things have happened to us, and this is the least important of all."

"Why, dearest, this is the strangest of all strange things. The driver here says he lives at Dorringtons', and the Gaither house is not so very far from Dorringtons'."

"Everybody knows," said Gabriel, "that Miss Polly Gaither lives in the Gaither house." He spoke before he was aware, and began to blush. Whereupon the young lady gave him a very bright smile.

"Humph!" grunted Mr. Goodlett, giving the lad a severe look. He started to climb into his seat, but turned to Gabriel. "Is she got a wen?" he asked, with something like a scowl.

"Yes, she has a wen," replied the lad, blushing again, but this time for Mr. Goodlett.

"Well, then, ef she's got a wen, ef Polly Gaithers is got a wen, she's livin' in that house, bekaze, no longer'n last Sat'day, she come roun' for to borry some meal; an' whatsomever she use to have, an' whatsomever she mought have herearter, she's got a wen now, an' I'll tell you so on a stack of Bibles as high as the court-house."

The young lady laughed, but immediately controlled herself with a half-petulant "Oh dear!" Laughter became her well, for it smoothed away a little frown of perplexity that had established itself between her eyebrows.

"Oh, we'll take the young man's word for it," said the invalid, "and we are very much obliged to him. What is your name?" When Gabriel had told her, she repeated the name over again. "I used to know your grandmother very well," she said. "Tell her Margaret Bridalbin has returned home, and would be delighted to see her."

"Then, ma'am, you must be Margaret Gaither," remarked Mr. Sanders.

"Yes, I was Margaret Gaither," replied the invalid. "I used to know you very well, Mr. Sanders, and if I had changed as little as you have, I could still boast of my beauty."

"Yet nobody hears me braggin' of mine, Margaret," said Mr. Sanders with a smile that found its reflection in the daughter's face; "but I hope from my heart that home an' old friends will be a good physic for you, an' git you to braggin' ag'in. Anyhow, ef you don't brag on yourself, you can take up a good part of the time braggin' on your daughter."

"Oh, thank you, sir, for the clever joke. My mother has told me long ago how full of fun you are," said the young lady, blushing sufficiently to show that she did not regard the compliment as altogether a joke. "You may drive on now," she remarked to Mr. Goodlett. Whereupon that surly-looking veteran slapped his mismatched team with the loose ends of the reins, and the shabby old hack moved off toward Shady Dale. Mr. Sanders waited for the vehicle to get some distance ahead, and then he too urged his team forward.

"The word is Home," he said; "I reckon Margaret has had her sheer of trouble, an' a few slices more. She made her own bed, as the sayin' is, an' now she's layin' on it. Well, well, well! when time an' occasions take arter you, it ain't no use to run; you mought jest as well set right flat on the ground an' see what they've got ag'in you."

The remark was not original, nor very deep, but it recurred to Gabriel when trouble plucked at his own sleeve, or when he saw disaster run through a family like a contagion.

In no long time the waggon reached the outskirts of the town, where the highway became a part of the wide street that ran through the centre of Shady Dale, flowing around the old court-house in the semblance of a wide river embracing a small island. Gabriel and Cephas were on the point of leaving the waggon here, but Mr. Sanders was of another mind.

"Ride on to Dorrin'tons' wi' us," he said. "I want to swap a joke or two wi' Mrs. Ab."

"She's sure to get the best of it," Gabriel warned him.

"Likely enough, but that won't spile the fun," responded Mr. Sanders.

Mrs. Absalom, as she was called, was the wife of Mr. Goodlett, and was marked off from the great majority of her sex by her keen appreciation of humour. Her own contributions were spoiled for some, for the reason that she gave them the tone of quarrelsomeness; whereas, it is to be doubted whether she ever gave way to real anger more than once or twice in her life. She was Dr. Randolph Dorrington's housekeeper, and was a real mother to Nan, who was motherless before she had drawn a dozen breaths of the poisonous air of this world.

By the time the waggon reached Dorrington's, Gabriel, acting on the instructions of Mr. Sanders, had crawled under the cover of the waggon, and was holding out a pair of old shoes, so that a passer-by would imagine that some one was lying prone in the waggon with his feet sticking out.

When the waggon reached the Dorrington Place, Mr. Sanders drew rein, and hailed the house, having signed to Cephas to make himself invisible. Evidently Mrs. Absalom was in the rear, or in the kitchen, which was a favourite resort of hers, for the "hello" had to be repeated a number of times before she made her appearance. She came wiping her face on her ample apron, and brushing the hair from her eyes. She was always a busy housekeeper.

"We're huntin', ma'am, for a place called Cloptons'," said Mr. Sanders in a falsetto voice, his hat pulled down over his eyes; "an' we'd thank you might'ly ef you'd put us on the right road. About four mile back, we picked up a' old snoozer who calls himself William H. Sanders, an' he keeps on talkin' about the Clopton Place."

"Why, the Clopton Place is right down the road a piece. What in the world is the matter wi' old Billy?" she inquired with real solicitude. "Was he wounded in the war, or is he jest up to some of his old-time devilment?"

"Well, ma'am, from the looks of the jimmyjon we found by his side, he must 'a' shot hisself in the neck. He complains of cold feet, an' he's got 'em stuck out from under the kiver."

"Don't you worry about that," said Mrs. Absalom; "the climate will never strike in on old Billy's feet till he gits better acquainted wi' soap an' water."

"An' he talks in his sleep about a Mrs. Absalom," Mr. Sanders went on, "an' he cries, an' says she used to be his sweetheart, but he had to jilt her bekaze she can't cook a decent biscuit."

"The old villain!" exclaimed Mrs. Absalom, with well simulated indignation; "he can't tell the truth even when he's drunk. If he ever sobers up in this world, I'll give him a long piece of my mind. Jest drive on the way you've started, an' ef you can keep in the middle of the road wi' that drunken old slink in the waggin, you'll come to Cloptons' in a mighty few minutes."

At this juncture Mr. Sanders was obliged to laugh, whereupon, Mrs. Absalom, looking narrowly at the travellers, had no difficulty in recognising them. "Well, my life!" she exclaimed, raising her hands above her head in a gesture of amazement. "Why, that's old Billy, an' him sober; and Franky Bethune, an' him not a primpin'! Well, well! I'd 'a' never believed it ef I hadn't 'a' seed it. I vow I'm beginnin' to believe that war's a real good thing; it's like a revival meetin' for some folks. I'm sorry Ab didn't take his gun an' jine in—maybe he'd 'a' shed his stinginess. But I declare to gracious, I'm glad to see you all; the sight of you is good for the sore eyes. An' Frank tryin' to raise a beard! Well, honey, I'll send you a bottle of bergamot grease to rub on it."

Mrs. Absalom came out to the waggon and shook hands with the returned warriors very heartily, and, sharp as her tongue was, there were tears in her eyes as she greeted them; for in that region, nearly all had feelings of kinship for their neighbours and friends, and in that day and time, people were not ashamed of their emotions.

"Margaret Gaither has come back," remarked Mr. Sanders. "Ab fetched her in his hack."

"Well, the poor creetur'!" exclaimed Mrs. Absalom; "they say she's had trouble piled on her house-high."

"She won't have much more in this world ef looks is any sign," Mr. Sanders replied. "She ain't nothin' but a livin' skeleton, but she's got a mighty lively gal."

The waggon moved on and left Mrs. Absalom leaning on the gate, a position that she kept for some little time. Farther down the road, Gabriel, whose example was followed by Cephas, bade Mr. Sanders good-bye, nodded lightly to Francis Bethune, and jumped from the waggon.

"Wait a moment, Tolliver," said Bethune. "I want you to come to see me—and bring Cephas with you. I am going to make you like me if I can. The home folks have been writing great things about you. Oh, you must come," he insisted, seeing that Gabriel was hesitating. "I want to show you what a good fellow I can be when I try right hard."

"Yes, you boys must come," said Mr. Sanders; "an' ef Frank is off courtin' that new gal—I ketched him cuttin' his eye at her—you can hunt me up, an' I'll tell you some old-time tales that'll make your hair stan' on end."

CHAPTER FIVE

The Story of Margaret Gaither

Gabriel and Cephas started toward their homes, which lay in the same direction. Instead of going around by road or street, they cut across the fields and woods. Before they had gone very far, they heard a rustling, swishing sound in the pine-thicket through which they were passing, but gave it little attention, both being used to the noises common to the forest. In their minds it was either a rabbit or a grey fox scuttling away; or a poree scratching in the bushes, or a ground-squirrel running in the underbrush.

But a moment later, Nan Dorrington, followed by Tasma Tid, burst from the pine-thicket, crying, "Oh, you walk so fast, you two!" She was panting and laughing, and as she stood before the lads, one little hand at her throat, and the other vainly trying to control her flying hair, a delicious rosiness illuminating her face, Gabriel knew that he had just been doing her a gross injustice. As he walked along the path, followed by his faithful Cephas, he had been mentally comparing her to a young woman he had just seen in Mr. Goodlett's hack; and had been saying to himself that the new-comer was, if possible, more beautiful than Nan.

But now here was Nan herself in person, and Gabriel's comparisons appeared to be shabby indeed. With Nan before his eyes, he could see what a foolish thing it was to compare her with any one in this world except herself. There was a flavour of wildness in her beauty that gave it infinite charm and variety. It was a wildness that is wedded to grace and vivacity, such as we see embodied in the form and gestures of the wood-dove, or the partridge, or the flying squirrel, when it is un-awed by the presence of man. The flash of her dark brown eyes, her tawny hair blowing free, and her lithe figure, with the dark green pines for a background, completed the most charming picture it is possible for the mind to conceive. All that Gabriel was conscious of, beyond a dim surprise that Nan should be here—the old Nan that he used to know—was a sort of dawning thrill of ecstasy as he contemplated her. He stood staring at her with his mouth open.

"Why do you look at me like that, Gabriel?" she cried; "I am no ghost. And why do you walk so fast? I have been running after you as hard as I can. And, wasn't that Francis Bethune in the waggon with Mr. Sanders?"

"Did you run hard just to ask me that? Mrs. Absalom could have saved you all this trouble." The mention of Bethune's name had brought Gabriel to earth, and to commonplace thoughts again. "Yes, that was Master Bethune, and he has grown to be a very handsome young man."

"Oh, he was always good-looking," said Nan lightly. "Where are you and Cephas going?"

"Straight home," replied Gabriel.

"Well, I'm going there, too. I heard Nonny" (this was Mrs. Absalom) "say that Margaret Gaither has come home again, and then I remembered that your grandmother promised to tell me a story about her some day. I'm going to tease her to-day until she tells it."

"And didn't Mrs. Absalom tell you that Bethune was in the waggon with Mr. Sanders?" Gabriel inquired, in some astonishment.

"Oh, Gabriel! you are so—" Nan paused as if hunting for the right term or word. Evidently she didn't find it, for she turned to Gabriel with a winning smile, and asked what Mr. Sanders had had to say. "I'm so glad he's come I don't know what to do. I wouldn't live in a town that didn't have its Mr. Sanders," she declared.

"Well, about the first thing he said was to remind Bethune of the time when you whacked him over the head with a cudgel."

"And what did Master Francis say to that?" inquired Nan, with a laugh.

"Why, what could he say? He simply turned red. Now, if it had been me, I——"

The path was so narrow, that Nan, the two lads, and Tasma Tid were walking in Indian file. Nan stopped so suddenly and unexpectedly that Gabriel fell against her. As he did so, she turned and seized him by the arm, and emphasised her words by shaking him gently as each was uttered. "Now—Gabriel—don't—say—disagreeable—things!"

What she meant he had not the least idea, and it was not the first nor the last time that his wit lacked the nimbleness to follow and catch her meaning.

"Disagreeable!" he exclaimed. "Why, I was simply going to say that if I had been in Bethune's shoes to-day, I should have declared that you did the proper thing."

Nan dropped a low curtsey, saying, "Oh, thank you, sir—what was the gentleman's name, Cephas—the gentleman who was such a cavalier?"

"Was he a Frenchman?" asked Cephas.

"Oh, Cephas! you should be ashamed. You have as little learning as I." With that she turned and went along the path at such a rapid pace that it was as much as the lads could do to keep up with her, without breaking into an undignified trot.

Nan went home with Gabriel; was there before him indeed, for he paused a moment to say something to Cephas. She ran along the walk, took the steps two at a time, and as she ran skipping along the hallway, she cried out: "Grandmother Lumsden! where are you? Oh, what do you think? Margaret Gaither has come home!" When Gabriel entered the room, Nan had fetched a footstool, and was already sitting at Mrs. Lumsden's feet, holding one of the old lady's frail, but beautiful white hands.

Here was another picture, the beauty of which dawned on Gabriel later—youth and innocence sitting at the feet of sweet and wholesome old age. The lad was always proud of his grandmother, but never more so than at that moment when her beauty and refinement were brought into high relief by her attitude toward Nan Dorrington. Gabriel was very happy to be near those two. Not for a weary time had Nan been so friendly and familiar as she was now, and he felt a kind of exaltation.

"Margaret Gaither! Margaret Gaither!" Gabriel's grandmother repeated the name as if trying to summon up some memory of the past. "Poor girl! Did you see her, Gabriel? And how did she look?" With a boy's bluntness, he described her physical condition, exaggerating, perhaps, its worst features, for these had made a deep impression on him. "Oh, I'm so sorry for her! and she has a daughter!" said Mrs. Lumsden softly. "I will call on them as soon as possible. And then if poor Margaret is unable to return the visit, the daughter will come. And you must be here, Nan; Gabriel will fetch you. And you, Gabriel—for once you must be polite and agreeable. Candace shall brush up your best suit, and if it is to be mended, I will mend it."

Nan and Gabriel laughed at this. Both knew that this famous best suit would not reach to the lad's ankles, and that the sleeves of the coat would end a little way below the elbow.

"I can't imagine what you are laughing at," said Mrs. Lumsden, with a faint smile. "I am sure the suit is a very respectable one, especially when you have none better."

"No, Grandmother Lumsden; Gabriel will have to take his tea in the kitchen with Aunt Candace."

However, the affair never came off. The dear old lady, in whom the social instinct was so strong, had no opportunity to send the invitation until long afterward. Nan was compelled to beg very hard for the story of Margaret Gaither. It was never the habit of Gabriel's grandmother to indulge in idle gossip; she could always find some excuse for the faults of those who were unfortunate; but Nan had the art of persuasion at her tongue's end. Whether it was this fact or the fact that Mrs. Lumsden believed that the story carried a moral that Nan would do well to digest, it would be impossible to say. At any rate, the youngsters soon had their desire. The story will hardly bear retelling; it can be compressed into a dozen lines, and be made as uninteresting as a newspaper paragraph; but, as told by Gabriel's grandmother, it had the charm which sympathy and pity never fail to impart to a narrative. When it came to an end, Nan was almost in tears, though she could never tell why.

"It happened, Nan, before you and Gabriel were born," said Mrs. Lumsden. "Margaret Gaither was one of the most beautiful girls I have ever seen, and at that time Pulaski Tomlin was one of the handsomest young men in all this region. Naturally these two were drawn together. They were in love with each other from the first, and, finally, a day was set for the wedding. They were to have been married in November, but one night in October, the Tomlin Place was found to be on fire. The flames had made considerable headway before they were discovered, and, to me, it was a most horrible sight. Yet, horrible as it was, there was a fascination about it. The sweeping roar of the flames attracted me and held me spellbound, but I hope I shall never be under such a spell again.

"Well, it was impossible to save the house, and no one attempted such a preposterous feat. It was all that the neighbours could do to prevent the spread of the flames to the nearby houses. Some of the furniture was saved, but the house was left to burn. All of a sudden, Fanny Tomlin——"

"You mean Aunt Fanny?" interrupted Nan.

"Yes, my dear. All of a sudden Fanny Tomlin remembered that her mother's portrait had been left hanging on the wall. Without a word to any one she ran into the house. How she ever passed through the door safely, I never could understand, for every instant, it seemed to me, great tongues and sheets of flame were darting across it and lapping and licking inward, as if trying to force an entrance. You may be sure that we who were looking on, helpless, held our breaths when Fanny Tomlin disappeared through the doorway. Pulaski Tomlin was not a witness to this performance, but he was quickly informed of it; and then he ran this way and that, like one distraught. Twice he called her name, and his voice must have been heard above the roar of the flames, for presently she appeared at an upper window, and cried out, 'What is it, brother?' 'Come down! Come out!' he shouted. 'I'm afraid I can't,' she answered; and then she waved her hand and disappeared, after trying vainly to close the blinds.

"But no sooner had Pulaski Tomlin caught a glimpse of his sister, and heard her voice, than he lowered his head like an angry bull, and rushed through the flames that now had possession of the door. I, for one, never expected to see him again; and I stood there frightened, horrified, fascinated, utterly helpless. Oh, when you go through a trial like that, my dear," said Mrs. Lumsden, stroking Nan's hair gently, "you will realise how small and weak and contemptible human beings are when they are engaged in a contest with the elements. There we stood, helpless and horror-stricken, with two of our friends in the burning house, which was now almost completely covered with the roaring flames. What thoughts I had I could never tell you, but I wondered afterward that I had not become suddenly grey.

"We waited an age, it seemed to me. Major Tomlin Perdue, of Halcyondale, who happened to be here at the time, was walking about wringing his hands and crying like a child. Up to that moment, I had thought him to be a hard and cruel man, but we can never judge others, not even our closest acquaintances, until we see them put to the test. Suddenly, I heard Major Perdue cry, 'Ah!' and saw him leap forward as a wild animal leaps.

"Through the doorway, which was now entirely covered with a roaring flame, a blurred and smoking figure had rushed—a bulky, shapeless figure, it seemed—and then it collapsed and fell, and lay in the midst of the smoke, almost within reach of the flames. But Major Perdue was there in an instant, and he dragged the shapeless mass away from the withering heat and stifling smoke. After this, he had more assistance than was necessary or desirable.

"'Stand back!' he cried; and his voice had in it the note that men never fail to obey. 'Stand back there! Where is Dorrington? Why isn't he here?' Your father, my dear, had gone into the country to see a patient. He was on his way home when he saw the red reflection of the flames in the sky, and he hastened as rapidly as his horse could go. He arrived just in the nick of time. He heard his name called as he drove up, and was prompt to answer. 'Make way there!' commanded Major Perdue; 'make way for Dorrington. And you ladies go home! There's nothing you can do here.' Then I heard Fanny Tomlin call my name, and Major Perdue repeated in a ringing voice, 'Lucy Lumsden is wanted here!'

"I don't know how it was, but every command given by Major Perdue was obeyed promptly. The crowd dispersed at once, with the exception of two or three, who were detailed to watch the few valuables that had been saved, and a few men who lingered to see if they could be of any service.

"Pulaski Tomlin had been kinder to his sister than to himself. Only the hem of her dress was scorched. It may be absurd to say so, but that was the first thing I noticed; and, in fact, that was all the injury she had suffered. Her brother had found her unconscious on a bed, and he simply rolled her in the quilts and blankets, and brought her downstairs, and out through the smoke and flame to the point where he fell. Fanny has not so much as a scar to show. But you can look at her brother's face and see what he suffered. When they lifted him into your father's buggy, his outer garments literally crumbled beneath the touch, and one whole side of his face was raw and bleeding.

"But he never thought of himself, though the agony he endured must have been awful. His first word was about his sister: 'Is Fanny hurt?' And when he was told that she was unharmed, he closed his eyes, saying, 'Don't worry about me.' We brought him here—it was Fanny's wish—and by the time he had been placed in bed, the muscles of his mouth were drawn as you see them now. There was nothing to do but to apply cold water, and this was done for the most part by Major Perdue, though both Fanny and I were anxious to relieve him. I never saw a man so devoted in his attentions. He was absolutely tireless; and I was so struck with his tender solicitude that I felt obliged to make to him what was at once a confession and an apology. 'I once thought, Major Perdue, that you were a hard and cruel man,' said I, 'but I'll never think so again.'

"'But why did you think so in the first place?' he asked.

"'Well, I had heard of several of your shooting scrapes,' I replied.

"He regarded me with a smile. 'There are two sides to everything, especially a row,' he said. 'I made up my mind when a boy that turn-about is fair play. When I insult a man, I'm prepared to take the consequences; yet I never insulted a man in my life. The man that insults me must pay for it. Women may wipe their feet on me, and children may spit on me; but no man shall insult me, not by so much as the lift of an eyelash, or the twitch of an upper-lip. Pulaski here has done me many a favour, some that he tried to hide, and I'd never get through paying him if I were to nurse him night and day for the rest of my natural life. In some things, Ma'am, you'll find me almost as good as a dog.'

"I must have given him a curious stare," continued Mrs. Lumsden, "for he laughed softly, and remarked, 'If you'll think it over, Ma'am, you'll find that a dog has some mighty fine qualities.' And it is true."

"But what about Margaret Gaither?" inquired Nan, who was determined that the love-story should not be lost in a wilderness of trifles—as she judged them to be.

"Poor Margaret!" murmured Gabriel's grandmother. "I declare! I had almost forgotten her. Well, bright and early the next morning, Margaret came and asked to see Pulaski Tomlin. I left her in the parlour, and carried her request to the sick-room.

"'Brother,' said Fanny, 'Margaret is here, and wants to see you. Shall she come in?'

"I saw Pulaski clench his hands; his bosom heaved and his lips quivered. 'Not for the world!' he exclaimed; 'oh, not for the world!'

"'I can't tell her that,' said I. 'Nor I,' sobbed Fanny, covering her face with her hands. 'Oh, it will kill her!'

"Major Perdue turned to me, his eyes wet. 'Do you know why he doesn't want her to see him?' I could only give an affirmative nod. 'Do you know, Fanny?' She could only say, 'Yes, yes!' between her sobs. 'It is for her sake alone; we all see that,' declared Major Perdue. 'Now, then,' he went on, touching me on the arm, 'I want you to see how hard a hard man can be. Show me where the poor child is.'

"I led him to the parlour door. He stood aside for me to enter first, but I shook my head and leaned against the door for support. 'This is Miss Gaither?' he said, as he entered alone. 'My name is Perdue—Tomlin Perdue. We are very sorry, but no one is permitted to see Pulaski, except those who are nursing him.' 'That is what I am here for,' she said, 'and no one has a better right. I am to be his wife; we are to be married next month.' 'It is not a matter of right, Miss Gaither. Are you prepared to sustain a very severe shock?' 'Why, what—what is the trouble?' 'Can you not conceive a reason why you should not see him now—at this time, and for many days to come?' 'I cannot,' she replied haughtily. 'That, Miss Gaither, is precisely the reason why you are not to see him now,' said Major Perdue. His tone was at once humble and tender. 'I don't understand you at all,' she exclaimed almost violently. 'I tell you I will see him; I'll beat upon the wall; I'll lie across the door, and compel you to open it. Oh, why am I treated so and by his friends!' She flung herself upon a sofa, weeping wildly; and there I found her, when, a moment later, I entered the room in response to a gesture from Major Perdue.

"Whether she glanced up and saw me, or whether she divined my presence, I could never guess," Gabriel's grandmother went on, "but without raising her face, she began to speak to me. 'This is your house, Miss Lucy,' she said—she always called me Miss Lucy—'and why can't I, his future wife, go in and speak to Pulaski; or, at the very least, hold his hand, and help you and Fanny minister to his wants?' I made her no answer, for I could not trust myself to speak; I simply sat on the edge of the sofa by her, and stroked her hair, trying in this mute way to demonstrate my sympathy. She seemed to take some comfort from this, and finally put her request in a different shape. Would I permit her to sit in a chair near the door of the room in which Pulaski lay, until such time as she could see him? 'I will give you no trouble whatever,' she said. 'I am determined to see him,' she declared; 'he is mine, and I am his.' I gave a cordial assent to this proposition, carried a comfortable chair and placed it near the door, and there she stationed herself.

"I went into the room where the others were, and was surprised to see Fanny Tomlin looking so cheerful. Even Major Perdue appeared to be relieved. Fanny asked me a question with her eyes, and I answered it aloud. 'She is sitting by the door, and says she will remain there until she can see Pulaski.' He beat his hand against the headboard of the bed, his mental agony was so great, and kept murmuring to himself. Major Perdue turned his back on his friend's writhings, and went to the window. Presently he returned to the bedside, his watch in his hand. 'Pulaski,' he said, 'if she's there fifteen minutes from now, I shall invite her in.' Pulaski Tomlin made no reply, and we continued our ministrations in perfect silence.

"A few minutes later, I had occasion to go into my own room for a strip of linen, and to my utter amazement, the chair I had placed for Margaret Gaither was empty. Had she gone for a drink of water, or for a book? I went from room to room, calling her name, but she had gone; and I have never laid eyes on her from that day to this. She went away to Malvern on a visit, and while there eloped with a Louisiana man named Bridalbin, whose reputation was none too savoury, and we never heard of her again. Even her Aunt Polly lost all trace of her."

"What did Mr. Tomlin say when you told him she was gone?" Nan inquired.

"We never told him. I think he understood that she was gone almost as soon as she went, for his spiritual faculties are very keen. I remember on one occasion, and that not so very long ago, when he refused to retire at night, because he had a feeling that he would be called for; and his intuitions were correct. He was summoned to the bedside of one of his friends in the country, and, as he went along, he carried your father with him. Margaret Gaither, such as she was, was the sum and the substance of his first and last romance. He suffered, but his suffering has made him strong.

"Yes," Mrs. Lumsden went on, "it has made him strong and great in the highest sense. Do you know why he is called Neighbour Tomlin? It is because he loves his neighbours as he loves himself. There is no sacrifice that he will not make for them. The poorest and meanest person in the world, black or white, can knock at Neighbour Tomlin's door any hour of the day or night, and obtain food, money or advice, as the case may be. If his wife or his children are ill, Neighbour Tomlin will get out of bed and go in the cold and rain, and give them the necessary attention. To me, there never was a more beautiful countenance in the world than Neighbour Tomlin's poor scarred face. But for that misfortune we should probably never have known what manner of man he is. The Providence that urged Margaret Gaither to fly from this house was arranging for the succour of many hundreds of unfortunates, and Pulaski Tomlin was its instrument."

"If I had been Margaret Gaither," said Nan, clenching her hands together, "I never would have left that door. Never! They couldn't have dragged me away. I've never been in love, I hope, but I have feelings that tell me what it is, and I never would have gone away."

"Well, we must not judge others," said Gabriel's grandmother gently. "Poor Margaret acted according to her nature. She was vain, and lacked stability, but I really believe that Providence had a hand in the whole matter."

GABRIEL TOLLIVER

A Story of Reconstruction

By JOEL CHANDLER HARRIS

Author of "Uncle Remus," "The Making of a Statesman," etc.

McCLURE, PHILLIPS & CO.NEW YORK1902

Copyright, 1902, byJOEL CHANDLER HARRIS

Published, October, 1902 R

ToJames Whitcomb Riley

CONTENTS