POEMS
JOHN W. DRAPER
THE POET LORE COMPANY
BOSTON
Copyright, 1913, by John W. Draper
All Rights Reserved
The Gorham Press, Boston, U. S. A.
PREFACE
Most of the poems collected in this volume have already seen the light of print in the Colonnade, the monthly publication of the Andiron Club of New York University. The effort of the author has not been to write verses especially adapted to the taste of the modern public, but rather to create "a thing of beauty" from the theme that filled his mind at the time. Often he has been led into somewhat bold innovations such as the invention of the miniature ode, and the associating of an idea with a rime-motiv in the metrical short-stories. While he hopes that the new forms will justify themselves, he realizes that after all, the poems must stand or fall in proportion to the amount of pure artistic beauty contained within them.
CONTENTS
| PAGE | |
| From a Grecian Myth | [9] |
| "Carpe Diem" | [10] |
| The Song of Lorenzo | [12] |
| The Song of Wo Hou | [14] |
| The Aurora | [15] |
| The Will o' the Wisp | [16] |
| When on the Shore Grates My Barge's Keel | [18] |
| To Shelley | [20] |
| Thomas de Quincey | [21] |
| The Vision of Dante | [22] |
| The Spirit of Schopenhauer | [24] |
| Arthur To Guenever | [26] |
| The Death of Thomas Chatterton | [27] |
| A Spring Song | [28] |
| After the Neo-Platonists | [29] |
| What Wouldst Thou Be? | [30] |
| The Prophecy of David | [31] |
| The Prophecy of Saint Mark | [39] |
| The Æolian Harp | [47] |
| The Maid That I Wooed | [48] |
| In a Minor Chord | [49] |
| A Glass of Absinthe | [51] |
| The Palace of Pain | [53] |
[POEMS]
FROM A GRECIAN MYTH
|
A palace he built him in the west, A palace of vermeil fringed with gold; And fain would he lie him down to rest In the palace he built him in the west Which every heavenly hue had dressed With halcyon harmonies untold: That palace, the sun built in the west, A palace of vermeil fringed with gold. January 3, 1911. |
"CARPE DIEM"
THE SONG OF LORENZO
THE SONG OF WO HOU
From the Second Act of Kwang Hsu
|
List, O list to the song I sing To the varying note of the sighing breeze Blowing in cool, refreshing waves From the endless realm of the seven seas: Waste not life in pursuit of war, Holding the nations for one short day, For the death of the king destroys the realm Which vanishes like the great Mongol's sway. Nor hoard up silver in thy vaults, For the silver once spent, the pleasure is passed, Or before it is spent, we will mourn thy death: In the world, neither conquest nor silver last. Seek, O seek but an hour's joy; Pleasure and love though they may not endure Will soothe life's sorrow and bitterness— The present alone of all time is sure! Live in the circle of mine arms; Live in the light of the love in mine eye; Live in the music of my song; And, as the music of my song—die! October 22, 1911. |
THE AURORA
|
Night in purple fringed with the faintest crimson Conquered the slowly paling glow of sunset; Softly the western light expired; and yet Came there no stars forth— O'er the tow'ring cliffs and the vales and waters, O'er the whisp'ring woodland of swaying hemlocks, O'er the streamlets trickling down on the crag-rocks, Came there no moon forth. Rose in distance, a dim and fearful spectre; Rose, accompanied by the forest's singing, An omen of evil, certainty bringing Of the divine wroth— Far from northern forests descends some army; Far in the heavens, their fires are reflected; Waver the lights in an archway collected, Sign of divine wroth— Shines the arch in a flick'ring wavy brilliance; Lighting earth from its quivering span of silver; Shines the Aurora soft o'er lake and river, Shines from the far north. December 8, 1911. |
THE WILL O' THE WISP
WHEN ON THE SHORE GRATES MY BARGE'S KEEL
TO SHELLEY
|
Shelley, thy spirit is set among the stars; Exalted from the earth, thy soul sprang high From these drab pavements to the star-lit sky; In one grand ecstasy, frail mortal bars Gave 'way; thy soul purged pure of earthly scars— No more to languish here with lingering sigh— Rose from the foaming gulf where thou didst lie, Rose from the ragged sail and splintered spars, Rose to Elysium's fairest bowers serene; There thine Ideal is ever at thy side; And soft Apollo's hand doth strike the strings; And Philomel, behind a bowery screen, Pours forth Anacreon's blessings on thy bride Who to thine ear unceasing rapture sings. July 29, 1911. |
THOMAS DE QUINCEY
|
Through life he strove to reach his longed-for goal, Living secluded in a forest dell; It was his wish to learn himself so well As to command the secrets of the soul; He studied, wrote, and fashioned out life's scroll Until the spirit's instincts could he spell; And then at last diapason swell, Burst forth his writings, 'round the world to roll! As organ music sighs through cloistered aisle, As mighty calms upon the waters steal, As raging, shrieking tempest-blasts assail; So doth his magic word our minds beguile Until, swept onward by each peal on peal, Our souls are lured beyond this mortal veil. February 4, 1912. |
THE VISION OF DANTE
THE SPIRIT OF SCHOPENHAUER
ARTHUR TO GUENEVER
|
O Guenever, O Guenever once mine, God may assoil thy failing, but can I Whose quivering soul is blasted, and whose sky Is tempest-rent in agony?—Ah, thine, Thine might have been the fire that should refine My table round to silver chastity, Lofty ensample to mine Hall. Oh, why Should thy soft light no longer purely shine For my parched soul to bathe in? Guenever, My Guenever, yet thou wert only mortal— So too am I; and shall thy every tear Of anguish well, and I not mark? O hear, And help me, God, to open wide the portal Of pardon in my heart for Guenever— April 10, 1912. |
THE DEATH OF THOMAS CHATTERTON
|
A gutted wick, still flutteringly aflame Upon a roughened bench—bare walls, bare floor, And glimmering gray of sunrise—yes, and more— Ah, brother, for I call thee by that name— Mine eyes tear-blinded to thy figure came, Thy figure fallen like a flower when hoar Frosts blight. Thy soul wont like the lark to soar The light-flushed dawn, now takes a loftier aim. Thy funeral chant, the slow-entoning wind; Thy churchèd tomb, the pillared vault of morn; Thy requiem, the birds: Thus art thou dead, Pale, spectred want, thy tribute from thy kind; But God, himself, thy dirges shall adorn With sighing psalms of every wind that's sped. May 8, 1912. |
A SPRING SONG
|
The air is vibrant with a sensuous charm; The grasses nod, and drowse beneath the sun; Dim, swelling tones upon the breezes run. In soft security from dread alarm, The doves are cooing; and the wind with warm Caress, bears the arbutus' missive, one Love-wrought line of scented rapture, none Subtler to woo the honey-hunting swarm. Let me sigh out my soul in ecstasy, And breathe forth all the fragrance of my being Upon the slowly-stirring summer air; Let me no longer merely scent, hear, see; But one with Nature, in that Law agreeing— That God-willed Law that tincts the Beauty there— May 18, 1912. |
AFTER THE NEO-PLATONISTS
|
Night wove her web across the sun that died In crimson colors; velvet-falling gloom Hung curtain-wise, and, like some rich perfume, Formed the soft essence of each wind that sighed. Out of my casement through the dark, I spied The moon afloat in tide of golden spume Like some fair flower opening into bloom; The earth lay dim; the Heavens starry-eyed; And breezes softer than a maiden's breath Hushed all the air. O night, how sweet thy charm! Yet not thy moon, nor stars, nor wind, each one Of these shall pass when we are changed by death— But rather sleep, thou death-in-life, more warm Yet not so sweet as sweet oblivion. September 18, 1912. |
WHAT WOULDST THOU BE?
|
What wouldst thou be? A cloud upon the air Of summer skies afloat in sunlit charm, And drinking azure bliss, all free from care, And nestling near the sun's breast rich and warm? What wouldst thou be? A comet, trailing eyes Of thousand terrors through the throbbing night, And filling earth with fear and vague surprise To gaze upon thy bright, liquescent light? What wouldst thou be? A sullen, stalwart cliff Immovable upon a grassy plain, Kissed by no clouds, and cold, and stark, and stiff, Unmelted by the gentle tears of rain? I ask nor to be gay, nor great nor strong— Make me a thought incarnate in some song. May 24, 1912. |
THE PROPHECY OF DAVID
A METRICAL SHORT-STORY
I
II
III
THE PROPHECY OF SAINT MARK
A METRICAL SHORT-STORY
THE ÆOLIAN HARP
|
Into my wildly whispering heart, His song the warm sirocco sings, Whirring, whirring— And all the artifice of mine art Comes on the wind by the wind to part, Part from my whirring strings— Sometimes I sing a wild, weird tale That like a wandering phantom wings Whirring, whirring— And sometimes only a lonely wail Wells as an echo all wildly frail, Frail as my whirring sings— My notes are like the willow-wands That lightly wave before, behind.— Whirring, whirring— Each whispering harp-string ever responds, Slave of the breeze in his servile bonds, Slave of the whirring wind— Soft the sirocco sighs his tune, And a waning, funeral chant it wings— Whirring, whirring— The song shall die as joys die—soon, Whelming its melody into a swoon, Swoon of the whirring strings— October 24 & 25, 1912. |
THE MAID THAT I WOOED
AN ODE IN MINIATURE
|
I lie upon my couch by night, And dream, and dream— Until the quavering shadow-light Her portraiture doth seem— Until the breeze's moaning saith In limpid-lapping stream, The same denial she answereth. I lie upon my couch by night, And yearn, and yearn— Until the flickering breeze's flight Bring kisses that would burn— Until my soul could moan with pain— Oh, wherefore should she spurn My love again, and yet again? I toss upon my couch by night; I yearn; I yearn— Until I see the glimmering light Upon the east return— Until with passion-pulsing breath, I pray my lady stern: "Oh, let me win thee, sweetest Death—" December 27, 1912. |
IN A MINOR CHORD
AN ODE IN MINIATURE
[A GLASS OF ABSINTHE]
AN ODE IN MINIATURE
THE PALACE OF PAIN
A CYCLE
I
|
A soul was once incarnate in a man; And this unseen, incarnate thing was mine; And, as my body grew, the soul began To sip more fondly of the scented wine And sugared blisses life can give at call. It languished amid luxuries divine Showering richly like the leaves that fall Upon the sensuous-silent autumn air. Pale, fleeting Pleasure took my thoughtless all; For love, unselfish, passion-fervid, rare, Vibrated through the discords of dull time, Blending them into harmony; for where Life jangled harsh, a mother's care would chime More blissful chords than can be told in rime. |
II
|
The gentle harmonies of love declined, And swooned into a dull, funereal moan, And faintly floated onward with the wind. The symphony was gone; I stayed alone In all-enshrouding, opiate sadness bound. I did not scream; I did not weep nor groan. My soul was locked in stupor whence it found Only barred gates across dim vaults; and jangling, Discordant chaos stung me like a wound. I could not think; I could not hope; the wrangling Of jarring sounds oppressed me till my brain Was lost within a labyrinth, all-entangling— But this I learned although my powers did wane; That Love through Death transmutes itself to pain. |
III
|
I sank my soul upon a sea of dreams; I floated through aërial heights divine Where saffron clouds a-glint with amber beams Shimmering strangely, stretched in shining line. I winged my way to Heaven's very dome, And on Hell's portal read the horrid sign; I danced upon the wavelet's crested foam, And swept tempestuous on the stormy wind. On earth like some vague terror, did I roam While moaning misery pursued behind. Whene'er I sang, my song had one refrain With anxious care and artifice refined, Until my soul's accompaniment would wane And wax to one motiv: unending pain. |
IV
|
I broke my dungeon-sepulchre of dreams; I climbed the winding stair to palace halls Where all the air was soothed by incense-streams; And every sight within those magic walls Was bright with radiant, opalescent sheen While lulling on the ear, light music falls Of such a melody as ne'er has been Unless by fays on fairy lyres played. There Pleasure gowned in iridescent green, Reclines upon her couch with gems inlaid, And gently beckons with a sinuous arm— But all the sumptuous excesses fade; The walls seem dim; the music has no charm, For Pleasure's Palace is a place of harm. |
V
|
I plunged through rooms of deepest Tyrian dye; I tore the veils from mysteries aside; But grinning pleasure ever met mine eye. In anguished ecstasy of bliss, I cried; And through the halls, I heard the echo wane Until the last, most distant answer sighed: "The spirit of the world is pain, pain, pain—" Then from the drowsy distance, there did well A voice as of a witch before her fane, Soft-muttering, some Heaven-blasting spell: "The world is all in vain, the merest tool Of accident, an anteroom to Hell, A counterfeit but fairly glinting pool— Snatch all the joy thou canst, thou human fool!" |
VI
|
And then I searched within myself to find The how and why of all I heard and saw. I found but silent Nothing. Wearied, blind, I strove to learn the omnipresent Law On whose foundation all these chambers lean. I found within the artifice no flaw; And not the slightest secret could I glean. I searched the winding, labyrinthine halls, And scanned colossal colonnades between Whose rows unending space is seen that palls The straining sight, yet thither lures the eye With fairy sheen. Through all the outer walls, No doorway pierced to water, earth or sky: Is there an answer to the how and why? |
VII
|
And yet I am condemned to live, to be. What horrid Fate decreed it? Life is blind, And cannot see the Truth. Oh, but for me To know, to solve this riddle of the mind! And yet no whisper through the age's gloom Has taught the latent answer that I pined; And finally in a sombre-tinted room, I sank in languor on the marble floor, And faintly wondered at my destined doom. Upon my weary spirit, came once more A faint remembrance of a former time, A faint remembrance, I had known before, That clung about me like an ancient rime: Death is to the soul but a change of clime. |
VIII
|
Then from the body tear this soul away! Let me seek death; I'll force the hand of Fate! I will not suffer more. The game I play Is held against Creation, and the weight Of all the ages hangs with Fate. Serene, Stands Death in sable gossamer bedight, And with maternal arms would intervene, And seeks to press me silent to her breast. Quick, let me free my soul from pain! The scene Is fair—Oh, let this weariness be blest! But hold—I still may keep this bitter strain Of self-tormenting torment e'en in rest— Death summons up the things of life again; And pain of life transmutes all death to pain. |
IX
|
Oh, but to float away upon the night, To lose my soul upon her silent dark, To feel myself a Nothing, a frail, light, Aërial Emptiness, a fleeing spark Of sunshine seeking on the endless void, Some rest, some painless silence as its mark. Like an oblivion-destined asteroid, So would I that my soul should haste away From all the ordinary, earthly, cloyed, From all the tawdriness of living day; But still I know I cannot cease to be, Though I condemn my body back to clay— O thrice accursèd immortality That dooms me life through all Eternity! |
X
|
O maddening horror in a smiling guise! Alive or dead, I am a slave to life. The later torment with the former vies To wring my still-undying soul with strife. I have a debt; the creditor is Time: "My bond, my bond," he cries, and holds the knife To wound yet never kill. But what my crime? I fled those pleasure-haunted halls where vile, Sweet-scented blisses soothed to pain. A clime More active came within my ken. The dial Of hours hurried round. The rich, new wine Of busy life, I found. A steady file Swept past of mortal things with souls like mine— Yet what the purpose of their streaming line? |
XI
|
With nervous yearning, haste they on their way: A few direct and rule the work of all; But most are bringing mortar, stone and clay— (And some there are that rise, and others fall; And they are seen no more—we know not why.) But all are working on the palace wall; And some invent designs to please the eye; And some would fain extend the rooms to win New-fashioned blisses. A soft-moaning cry Is vibrant in the air. High-pitched and thin, It quavers dimly, then descends again, And echoes aimless through the busy din: Mankind would add to pleasure, but in vain— For Pleasure's Palace is a house of pain. |
XII
|
They strive; they strive, heap luxury on bliss, And worship Pleasure as their goddess-queen. Ah, take who will the subtle harlot's kiss! Yes, seize thy moment's sweetness—then, I ween, A pageantry of pain, such throbbing throes As rive the soul, and cut the quick with keen, Imprisoned edges till the life-blood flows. Man little knows it; but two aims has he: By present anguish, store up future woes, By present anguish, pain posterity. The quest for pleasure is a quest in vain; Pleasure is Nothing in Eternity. Men rather act than think, for thought is pain, And action is the opiate of the brain. |
XIII
|
Shall I play Roman, face and fight these ills, Pretend that I can fight and still may win? A child his dozen mimic soldiers drills, And six with six, the battle they begin. Some victors, and some vanquished; some he slays— But then the soldiers are mere toys of tin— And carelessly upon the ground, he lays Vanquished and victors on one common plane; And takes some other toy and laughs and plays— Yes, like that soldier, may I fight, and gain Great victories. Oh, I may stare my Fate Between the eyes, and drink whole draughts of pain; With Stoic-strength, may struggle, and may hate; But where's the payment that I vainly wait? |
XIV
|
I dare not ponder on humanity; Myself, I dare not ponder, nor my goal. Oh, would that I were lost upon that sea Into whose silence, Lethe's currents roll. Upon its bosom, would that I pressed mine, Then might some kindly power transform this soul Into forgetfulness. Or would some wine Were brewed with musk or attar of the rose And colored with a tint incarnadine, And so compounded that a dreamless doze Would come from one red, richly-scented draught. Or would that some unmoving glacier froze My soul within its crystal mine.—No craft Can save me from this cup of pain unquaffed. |
XV
|
Oh, every soul is only pain embalmed; And every torment is but bliss's sting. Humanity lies gasping and becalmed Upon a torrid ocean; and no wing Of albatross is seen—nor e'er was seen— Our worldly hope is dead—yet rules as king. Dust, ashes, ashes, dust, upon these lean All of the upward struggle of mankind; And pain, unending pain, is all they glean. Goddess of pain, O mistress of the mind, Art thou the Soul of life? Or hast thou palmed Thyself on men once happy? Have we pined Forever? Can our spirits e'er be calmed; Or is the spirit only pain embalmed? |
XVI
|
But what of art? Can art no solace hold, No soothing spikenard, soporose drug or wine To woo the wounded soul? Must men grow old In agony? Or has some thought divine Slipped down upon us, cool, compassionate? But what of art? Can art's frail power refine Our souls into that Oversoul, and mate The each with All in one, sublime design? Art is the vision of that Truth innate In man. A soul, prismatic, crystalline, May show each glow of being with each strife At once reflected and becalmed, and twine Then into some new, inward world all rife With spirit blisses of a spirit life. |
XVII
|
Eternal art can triumph over pain; And once we breathe the lotus-fragrance deep, The world may scream with iron tongue in vain, For all the argosy is soothed to sleep. The ships may rot forever on the sand; And far off Greece may wait and faintly weep. More rare than spice from silken Samarkand, More sorrow-sweet than young Francesca's tears, More fair than yearning night upon the strand, And more majestic than Anchises' years: Beauty's the image, not the thing. 'Tis shod With rainbow lightnings of the hopes and fears, And knows each step humanity may plod. Art is the Beauty of the face of God. |
XVIII
|
But still I live within this place of pain; And still I seek for an eternal aim, For, after death, mere Beauty is in vain. What is there deeper flowing from this same Unceasing spring? Quick, let me tear the veil! There sat a statue on an ebon frame— A statue in that house of pain. So pale The brow and still the nostrils, Death it seemed; But in the face, I read that holy tale That lay on the Madonna's face where gleamed The Heavenly light from the young Christ's aureole. Through all the halls of pain, the brilliance beamed; And every discord out of chaos stole To swell the throbbing organ's thunderous roll. |
XIX
|
Faith is the master-spirit of the mind. All else is vanity, the preacher saith; And worldly knowledge painful is and blind. Oh, be thyself, and trust thyself. The breath Of God is breathed on thee. Believe, and will; And all that thou wouldst have in life, in death, Is thine. I heard a rustling like a rill Upon its leafy bed—just such a sound As tincts the shadow of a song with skill More intricate than arabesques, and bound With tender, faintly-flowing melodies— But whence the choir sang, I never found. Mayhap at last, myself may learn the ties Wherewith are bound those lingering harmonies. |
XX
|
And when the soul has torn the fleshly veil, And moves majestic to that monotone, When echo-like upon the air I sail Whither the wingèd skylark, Faith, has flown, And borne me fainting upward; then my soul May seek the God of art which silent, lone, Broods on a crystal-argent sea, the goal Of all humanity. Incarnate pain Is calmed to everlasting peace. There roll No waves upon the sea. Charmed has it lain Through incommensurate time; charmed will it lie Through all eternity; and there again Upon my soul in silence wrapped, shall sigh, Most beautiful—a mother's lullaby. December, 1912. January, 1913. |