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Books by Julian Street

Abroad at Home

After Thirty

American Adventures

The Need of Change

The Most Interesting American
(A close-range study of Theodore Roosevelt)

Paris à la Carte

Ship-Bored

Welcome to Our City

The Goldfish
(For Children)

Sunbeams, Inc.

Mysterious Japan

Photo. by Marguerite Leonard At the top of the temple steps, above Lake Biwa

COPYRIGHT, 1921, BY

JULIAN STREET

ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION

INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN

COPYRIGHT, 1920, 1921, BY MCCLURE'S MAGAZINE, INCORPORATED

ALL RIGHTS RESERVED

COPYRIGHT, 1921, BY THE CENTURY COMPANY, THE OUTLOOK COMPANY,

P. F. COLLIER & SON COMPANY, AND THE NEW YORK TIMES

PRINTED AT GARDEN CITY, N. Y., U. S. A.

First Edition

TO

FRANK A. VANDERLIP

"To see once is better than
to hear a hundred times"
--Mencius

CONTENTS

page

CHAPTER PAGE

I. Discussing Curious Traits of the Pacific Ocean [1]

II. The Road to Tokyo [16]

III. The Capital and Costumes [26]

IV. Earthquakes and Burglars [38]

V. Inversions and the Oriental Mind [48]

VI. The Isles of Complexities [63]

PART II

VII. The Gentlest of the Gentler Sex [81]

VIII. More About Women [93]

IX. The National Sport [103]

X. On Saké and Its Effects [115]

XI. Diet and Dancing [127]

XII. Geisha Parties [137]

XIII. The Nightless City [154]

XIV. In a Garden [163]

XV. An Explosive Philosopher [172]

PART III

XVI. Grand Old Men [183]

XVII. Recollections of Viscount Shibusawa [201]

XVIII. Viscount Kaneko's Memories of Roosevelt [212]

XIX. Are the Japanese Efficient? [228]

XX. Japanese-American Relations [242]

XXI. Courtesy and Diplomacy [258]

PART IV

XXII. A Rural Railroad [273]

XXIII. Adventures in a Bath at Kamogawa [284]

XXIV. A Night at an Inn [295]

XXV. Pretty Gen Tajima [306]

XXVI. Superstitions and Yuki's Eyes [315]

XXVII. "Japanned English" and Art [321]

XXVIII. Sayonara [335]

LIST OF ILLUSTRATIONS

At the top of the temple steps, above Lake Biwa

[Frontispiece]

FACING PAGE

Peasants of the region speak of Fuji as O Yama, the "Honourable Mountain" [15]

With his drum and his monkey he is Japan's nearest equivalent for our old-style organ-grinder [23]

The Japanese is not a slave to his possessions [40]

The bath of the proletariat consists of a large barrel [47]

Sawing and planing are accomplished with a pulling instead of a driving motion [49]

Nor is the potency of Ceremonial Tea diminished by the fact that it is served by a lovely little Japanese hand [75]

You cannot understand Japan without understanding the Japanese woman [75]

A laundry on the river's brim [94]

No one without a sweet nature could smile the smile of one of these tea-house maids. [117]

Cocoons--Five thousand silk worms make one kimono [118]

Family luncheon à la Japonaise [120]

The theatre street in Kyoto is one of the most interesting highways in the world [137]

Digging clams at low-tide in Tokyo Bay [138]

Kimi-chiyo was at almost every Japanese-style party I attended [142]

A bill from the Kanetanaka teahouse [151]

It takes two hours to do a geisha's hair [162]

Mrs. Charles Burnett in a 15th-Century Japanese Court costume [170]

A teahouse garden, Tokyo [177]

Viscount Kentaro Kaneko [197]

Viscount Shibusawa [211]

The film was not large enough to hold the family of this youngish fisherman at Nabuto [231]

Tai-no-ura [285]

The gates of the Tanjo-ji temple [287]

Nor could a grande dame in an opera box have exhibited more aplomb [294]

Pretty Gen was between the shafts [307]

The middle-aged coolie hurriedly seated himself on the bank [310]

Asakusa, the great popular temple of Tokyo [318]

While Yuki's fortune was being told I photographed her [319]

Saki, the housekeeper, obligingly posed for me [336]

PART I

MYSTERIOUS JAPAN

Far lie the Isles of Mystery,
With never a port between;
Green on the yellow of Asia's breast,
Like a necklace of tourmaline.

CHAPTER I

A Day Goes Overboard—A Sunday Schism—A Desert Island—Water, Water Everywhere—Men with Tails—Anecdotes of the Emperor of Korea—Korean Reforms—Cured by Brigands—The Man who Went to Florida—The Black Current—White Cliffs and Coloured Sails—Fuji Ahoy!

A peculiar ocean, the Pacific. A large and lonely ocean with few ships and many rutty spots that need mending. Ploughing westward over its restless surface for a week, you come to the place where East meets West with a bump that dislocates the calendar. It is as though a date-pad in your hand were knocked to pieces and the days distributed about the deck. You pick them up and reassemble them, but one is missing. Poor little lost day! It became entangled with the 180th meridian and was dragged overboard never to be seen again.

With us, aboard the admirable Kashima Maru, the lost day happened to be Sunday, which caused a schism on the ship. In the smokeroom, where poker was a daily pastime, resignation was expressed, the impression being that with the lost day went the customary Sunday services. But in reaching this conclusion the smokeroom group had failed to reckon with the fact that missionaries were aboard. The missionaries held a hasty conference in the social hall, and ignoring the irreverent pranks of longitude and time, announced a service for the day that followed Saturday. Upon this a counter-conference was held around the poker table, whereat were reached the following conclusions:

That aboard ship the captain's will is, and of a right ought to be, absolute; that the captain had pronounced the day Monday; that in the eyes of this law-abiding though poker-playing group, it therefore was Monday; that the proposal to hold church services on Monday constituted an attempt upon the part of certain passengers to set their will above that of the captain; that such action was, in the opinion of the smokeroom group, subversive to the ship's discipline, if indeed it did not constitute actual mutiny on the high seas; that members of this group could not, therefore, be party to the action proposed; that, upon the contrary, they deemed it their clear duty in this crisis to stand back of the captain; and finally, that in pursuance of this duty they should and would remain in the smokeroom throughout the entire day, carrying on their regular Monday game, even though others might see fit to carry on their regular Sunday game elsewhere in the vessel.

Had this been the Atlantic crossing we should by now have landed on the other side; yet here we were, pitching upon a cold gray waste a few miles south of Behring Sea, with Yokohama a full week away.

Yet land—land of a kind—was not so distant as I had imagined. Early one morning in the middle of the voyage my steward, Sugimoto, came to my cabin and woke me up to see it. (A splendid fellow, Sugimoto; short and round of body, with flesh solid and resilient as a hard rubber ball, and a circular sweet face that Raphael might have painted for a cherub, had Raphael been Japanese.)

"Good morning, gentleman," said he. "Gentleman look porthole, he see land."

I arose and looked.

A flounce of foam a mile or two away across the water edged the skirt of a dark mountain jutting abruptly from the sea. Through a mist, like a half-raised curtain of gray gauze, I saw a wintry peak from which long tongues of snow trailed downward, marking seams and gorges. It was, in short, just such an island as is discovered in the nick of time by a shipwrecked whaler who, famished and freezing in an open boat, has drifted for days through the storm-tossed pages of a sea story. He would land in a sheltered cove and would quickly discover a spring and a cave. He would devise a skilful means of killing seals, would dress himself in their skins, and subsist upon their meat—preceded by the customary clam and fish courses. For three years he would live upon the island, believing himself alone. Then suddenly would come to him the knowledge that life in this place was no longer safe. About the entrance to his cave he would find the tracks of a predatory animal—fresh prints of French heels in the snow!

Austere though the island looked, my heart warmed at the sight of it; for there is no land so miserable that it is not to be preferred above the sea. Moreover I saw in this land a harbinger. The Empire of Japan, I knew, consisted of several large islands—to the chief one of which we were bound—and some four thousand smaller ones stretching out in a vast chain. This island, then, must be the first one of the chain. From now on we would no doubt be passing islands every little while. The remainder of the voyage would be like a trip down the St. Lawrence River.

Soothed and encouraged by this pleasant thought, and wishing always to remember this outpost of the Island Empire, I asked its name of Sugimoto.

"That Araska, gentleman," he answered.

"Are you glad to see Japan again, Sugimoto?"

"That Araska," he repeated.

"Yes. A part of Japan, isn't it?"

Sugimoto shook his head.

"No, gentleman. Araska American land."

"That island belongs to the United States?"

"Yes, gentleman. That Araska."

I had never heard of an island of that name. Surely Sugimoto was mistaken in thinking it an American possession.

"Could you show it to me on the map?" I asked.

From my dresser he took a folder of the steamship company and opening to a map of the Pacific, pointed to one of many little dots. "Aleutian Islands," they were marked. They dangled far, far out from the end of that peninsula which resembles a long tongue hanging from the mouth of a dog, the head of which is rudely suggested by the cartographic outlines of our northernmost territory. We had sailed directly away from our native land for a week, only to find ourselves, at the end of that time, still in sight of its outskirts. Like many another of his fellow countrymen, good Sugimoto had difficulties with his l's and r's. He had been trying to inform me that the island—the name of which proved to be Amatisnok—belonged to Alaska.

I began to study the map and look up statistics concerning the Pacific Ocean. It was a great mistake. It is not pleasant to discover that three quarters of the world is worse than wasted, being entirely given over to salt water. Nor is it pleasant to discover, when far out on the Pacific, that more than a third of the surface of the earth is taken up by this one ocean. Any thought of getting General Goethals to remedy this matter by filling up the Pacific is, moreover, hopeless, for all the land in the world, if spread over the Pacific's surface, would only make an island surrounded by twenty million square miles of sea.

Feeling depressed over these facts I now began to look for points of merit; for we are told to try to find the good in everything, and though I fear I pay but scant attention to this canon when in my normal state ashore, at sea I become another man.

On land I have a childish feeling that the Creator has not time to pay attention to me, having so many other people to look after; but a ship far out at sea is a conspicuous object. I feel that it must catch His eye. I feel Him looking at me. And though I hope He likes me, I see no special reason why He should. I am so full of faults, so critical, so prejudiced. Consider, for instance, the way I used to go on about President Wilson and Josephus Daniels and W. J. Bryan. I am afraid that was very wrong in me. Instead of studying their failings I should have remedied my own. I should have given more to charity. I should have been more gentle in expressing my opinions. I should have written often to my sister, who so enjoys getting letters from me. I should have looked for good in everything.

Immediately I begin to run about the ship looking for it. And lo! I find it. The ship is comfortable. It seems to be designed to stay on top of the water. The table is beyond criticism. The passengers are interesting. The very vastness of this ocean tends to make them so. Instead of being all of a pattern, as would be one's fellow passengers on an Atlantic liner, they are a heterogeneous lot, familiar with strange corners of the globe and full of curious tales and bits of information. Instead of talking always of hotels in London, Paris, Venice, Rome and Naples, they speak familiarly of Seoul, Shanghai, Peking, Hongkong, Saigon and Singapore. And amongst them are a few having intimate acquaintance with islands and cities so remote that their names sing in the ears like fantastic songs. Fragrant names. The Celebes and Samarkand!

There was a little Englishman who hunted butterflies for a museum. He told me of great spiders as big as your two hands, that build their webs between the trees in the jungles of Borneo—I think he said Borneo. But whatever the name of the place, he found there natives having tails from two to four inches long—I think he said two to four inches. But whatever the length of the tails, he had photographs to prove that tails there were. The latest theory of man's evolution, he told me, is not the theory of Darwin, but holds that there existed long ago an intermediary creature between man and ape, from which both are derived—the ape having, I take it, evolved upward into the treetops, while man evolved downward—down, down, down, until at last came jazz and Lenine and Trotzky.

Another man had lived for years in Korea. In the old days before it was taken over by Japan, he said, it was a perfect comic-opera country with the Emperor as chief comedian. He knew and liked the Emperor, and told me funny stories about him. Once when His Majesty's teeth required filling the work had to wait until the American dentist in Seoul could have a set of instruments made of gold, that being the only metal permitted within the sacred confines of the Imperial mouth.

The concession to build an electric street railway in Seoul was given to Americans on the understanding that they should import motormen from the United States and that these should be held in readiness to fly to the Emperor's aid in case of trouble. A private wire connected the Imperial bedchamber with that of the manager of the street-car company, so that the latter might be quickly notified if help was needed. For more than a year the wire stood unused, but at last late one night the bell rang. The manager leaped from his bed and rushed to the special telephone. But it was not a revolution. The Emperor had just heard about a certain office building in New York and wished to know if it had, in fact, as many stories as had been reported to him.

In his fear of revolution or invasion the Emperor built a palace adjoining the American legation. And when, as happened now and then, there came a coup d'état, threatening his personal safety, he would get a ladder and climb over the wall separating the back yard of the palace from that of the American minister. This occurring frequently, so embarrassed the latter, that in order to put an end to His Majesty's habit of informal calling, he caused the top of the wall to be covered with inhospitable broken glass.

Up to the time of the annexation of Korea by Japan, my informant said, the Koreans were entirely without patriotism, but the Japanese so oppressed them that a strong national feeling was engendered after it was too late. That the Japanese had been harsh and brutal in Korea, he said, was indisputable, but this was the work of militarists, and was contrary to the will of the people of Japan who, when they learned what had been going on, protested with such violence that newspapers had to be suppressed in Japanese cities, and there was clubbing of rioters in the streets by the police. This caused immediate reform in Korea. The brutal Governor General was recalled and was replaced by Admiral Baron Saito, a humane and enlightened statesman who has earnestly striven to improve conditions, with the result that Koreans are to-day being better educated and better governed than they have been within the memory of man. Also they are prospering. First steps are now being taken toward allowing them to participate in their own government, and if conditions seem to justify the extension of their privileges, it is hoped that they may ultimately have home rule.

From another passenger I got a story about an American who was captured by brigands in China. The victim was a civil engineer, very skilful at laying out railroad lines. The American International Corporation wished to send him to China to plan a railroad, but he demurred because he was in bad health. Finally, on being pressed by the company, he consented to go if his private physician was sent with him. This was agreed to.

In China brigands caught the civil engineer but not the doctor. They kept him for a long time. He was taken from place to place over the roughest country, walking all night, sleeping by day in damp caves, eating coarse and insufficient food. At last he was released. He returned in rugged health. The life of the brigand was just the thing that he had needed.

"Out here on the seas, without home newspapers," one thoughtful traveller remarked to me, "we lose touch with the world and never quite make up all that we have lost. When we land we hear about some of the things that have happened, but there are minor events of which we never hear, or of which the news comes to us long after, as a great surprise. I recall one example from my own experience.

"In the New England town in which I live there was a banker, a prominent old citizen with a reputation for being very close, and none too scrupulous in the means he sometimes took for making money.

"It had for years been his habit to go every winter to Florida, but his daughter, who kept house for him, liked the northern winter and remained at home.

"Some years ago, while I was in the Far East, this old man died, but I was gone for a long time and heard nothing of it. When I got back it was winter. One day I met the daughter and stopped to speak to her. It was snowing and a cold wind was whistling down the street. We had been having trouble with the furnace at our house and my mind was full of that. So when I met her I said:

"'One good thing—on a day like this you don't have to worry about your father. Furnaces don't get out of order down there where he is.'

"Now, when I am away, I have the newspapers saved, and on my return I read them all if it takes me a whole week."

Somewhere in those seas that lie between the islands of Formosa and Luzon there arises a wide tepid current, known as the Black Current which, flowing northward, tempers the climate of Hondo, the main island of Japan. "To this beneficent stream," remarks the guidebook, "the shores of Nippon owe their luxuriant greenness."

As we crossed the Black Current a certain greenness likewise was revealed upon my countenance. I did not find the stream beneficent at all. It was only about two hundred miles wide, however, and by morning the worst of it was past. I came on deck to find the Kashima Maru riding like a placid bulky water-fowl upon a friendly sunlit sea. And far away on the horizon lay a streak of mist that was Japan.

In an hour or two the mist attained more substance. It was like a coloured lantern-slide coming slowly into focus. Someone showed me a white dot upon the shadow of a hill and said it was a lighthouse, and some one else discerned a village in a little smudge of buff where land and water met. Gulls were circling around us—gulls with dark serrated margins to their wings; smaller than those we had seen on Puget Sound. Foreign gulls!

Since leaving Victoria we had sighted only one ship, but now an unladen freighter, pointing high and showing a broad strip of red underbody, reeled by like a gay drunkard, and was no sooner gone astern than we picked up on the other bow a wallowing stubby caravel with a high-tilted poop like that of the Santa Maria—a vessel such as I had never dreamed of seeing asail in sober earnest. And she was hardly gone when we overhauled a little fleet of fishing boats having the lovely colour of unpainted wood, and the slender graceful lines of viking ships. All of them but one carried a square white sail on either mast, but that one had three masts and three sails, two of which were yellow, while the third was of a tender faded indigo. It promised things, that boat with coloured sails!

Distant white cliffs, tall and ghostly like those of Dover, brought memories of another island kingdom, far away through the cheek of the world, whose citizens were at this moment sleeping their midnight sleep—last night. Presently the white cliffs vanished, giving place to a wall of hills with conical tops and bright green sides splattered with blue-green patches of pine woods. And when I saw the brushwork on those wrinkled cone-shaped hills, so unlike any other hills that I had seen, I knew that Hokusai and Hiroshige, far from being merely decorative artists, had "painted nature as they saw it."

The villages along the shore could now be seen more plainly—rows of one-story houses taking their colour from the yellow wood of which they were constructed, and the yellow thatch of their roofs, both tempered by the elements.

Then, as I was looking at a village on a promontory reaching out to meet us, some one cried:

"Fuji! Come and look at Fujiyama!" and I ran forward and gazed with straining eyes across the sea and the hilltops to where, shimmering white in the far-off sky, there hung—was it indeed the famous fan-shaped cone, or only a luminous patch of cloud? Or was it anything at all?

"Where's Fuji?"

"Right there. Don't you see?"

"No. Yes, now I think——"

"It's gone. No! There it is again!"

So must the chorus ever go. For Fuji, most beautiful of mountains, is also the most elusive. Later, in Tokyo, when some one called me to come and see it, it disappeared while I was on the way upstairs.

Splendid as Vesuvius appears when she floats in opalescent mist above the Bay of Naples with her smoke plume lowering above her, she is, by comparison with Fuji, but a tawny little ruffian. Vesuvius rises four thousand feet while Fuji stands three times as high. And although the top of Pike's Peak is higher than the sacred mountain of Japan by some two thousand feet, the former, starting from a plain one mile above sea-level, has an immense handicap, whereas the latter starts at "scratch." Thus it comes about that when you look at Pike's Peak from the plains what you actually see is a mountain rising nine thousand feet; whereas when you look at Fuji from the sea the whole of its twelve thousand and more feet is visible.

Aside from Fuji's size, the things which make it more beautiful than Vesuvius are the perfection of its contour, the snow upon its cone, and the atmospheric quality of Japan—that source of so much disappointment to snapshotting travellers who time their pictures as they would at home.

A Japanese friend on the ship told me that though Fuji had been quiescent for considerably longer than a century there was heat enough in some of its steaming fissures to permit eggs to be boiled. Eighteen or twenty thousand persons make the climb each year, he said, and some devout women of seventy years and over struggle slowly up the slope, taking a week or more to the ascent, which is made by able-bodied men in half a day or less.

Peasants of the region speak of Fuji not by name but merely as O Yama, "the Honourable Mountain," but my Japanese friend added that though the honorific O, used so much by his countrymen, was translated literally into English as "honourable," it did not have, in the Japanese ear, any such elaborate and ponderous value, but was spoken automatically and often only for the sake of cadence.

Peasants of the region speak of Fuji not by name but merely as O Yama, the "Honourable Mountain"

"We say O without thinking," he explained, "just as you begin with 'dear sir,' in writing to a stranger who is not dear to you at all."

For Fuji, however, I like the full English polysyllabic of respect. It is indeed an "honourable mountain." The great volcanic cone hanging, as it sometimes seems, in thin blue air, has an ethereal look suggesting purity and spirituality, so that it is not difficult for the beholder from another land to sense its quality of sacredness, and to perceive its fitness to be the abiding place of that beautiful goddess whose Japanese name means "Princess-who-makes-the-Blossoms-of-the-Trees-to-Flower."

"There are two kinds of fools," says a Japanese proverb: "—those who have never ascended Fuji and those who have ascended twice." To this category I would add a third kind of fool, the greatest of them all: the fool who fails to appreciate the spectacle of Fuji. A creature who would be disappointed in Fuji would be disappointed in any spectacle, however grand—be it the Grand Cañon, the Grand Canal, or the Grand Central Station.

CHAPTER II

The Pier at Yokohama—The Flower-People—A Celestial Suburb—French Cooking and Frock Coats—From a Car-Window—Elfin Gardens—"The Land of Little Children"

The satisfying thing about Japan is that it always looks exactly like Japan. It could not possibly be any other place. The gulls are Japanese gulls, the hills are Japanese hills, Tokyo Bay is a Japanese bay, and if the steamers anchored off the port of Yokohama are not all of them Japanese, many of them have, at least, an exotic look, with their preposterously fat red funnels or their slender blue ones. Even the little launches from which the port authorities board you as you lie in the harbour are not quite like the launches seen elsewhere, and though the great stone pier, to which at last you are warped in, might of itself fit the picture of a British seaport, the women and children waiting on the pier, trotting along beside the ship as she moves slowly to her berth, waving and smiling up at friends on deck, are costumed in inevitable suggestion of great brilliant flower-gardens agitated by the wind. Amongst these women and children in their bright draperies, the dingy European dress of the male is almost lost, so that, for all its pantaloons and derby hats, Japan is still Japan.

Through this garden of chattering, laughing, fluttering human flowers we made our way to—score one for New Japan—a limousine, and in this vehicle were whirled off through the crowd: a jumble of blue-clad coolies wearing wide mushroom hats and the insignia of their employers stamped upon their backs, of rickshas, and touring cars, and motor-trucks, and skirted schoolboys riding bicycles, and curious little drays with tiny wheels, drawn by shaggy little horses which are always led, and which, when left to stand, have their front legs roped. Over a bridge we went, above the peaked rice-straw awnings of countless wooden cargo boats; then up a narrow road, surfaced with brown sand, between rows of delightful little wooden houses, terraced one above the other, with fences of board or bamboo only partly concealing infinitesimal gardens, and sliding front doors of paper and wood-lattice, some of which, pushed back, revealed straw-matted floors within, with perhaps more flower-like women and children looking out at us—the women and the larger children having babies tied to their backs. By some of the doors stood pots containing dwarf trees or flowering shrubs, by others were hung light wooden birdcages from which a snatch of song would come, and in front of every door was a low flat stone on which stood rows of little wooden clogs. Dogs of breeds unknown to me sat placidly before their masters' doors—brown dogs to match the houses, black and white dogs, none of them very large, all of them plump and benignant in expression. Not one of them left its place to run and bark at our car. They were the politest dogs I have ever seen. They simply sat upon their haunches, smiling. And the women smiled, and the children smiled, and the cherry blossoms smiled from branches overhead, and the sun smiled through them, casting over the brown roadway and brown houses and brown people a lovely splattering of light and shadow.

And what with all these things, and a glimpse of a torii and a shrine, and the musical sound of scraping wooden clogs upon the pavement and the faint pervasive fragrance, suggesting blended odours of new pine wood, incense, and spice—which is to me the smell of Japan; though hostile critics will be quick to remind me of the odour of paddy fields—what with all these sights and sounds and smells, so alluring and antipodal, I began to think we must be motoring through a celestial suburb, toward the gates of Paradise itself.

But instead of climbing onward up the hill to heaven we swung off through a garden blooming with azaleas white, purple, pink, and salmon-colour, and drew up at a pleasant clubhouse. There we had luncheon; and it is worth remarking that, though prepared by Japanese, both the menu and the cooking were in faultless French. The Japanese gentlemen at this club were financiers, officials and prominent business men of Yokohama. One or two of them wore the graceful and dignified hakama and haori—the silk skirt and coat of formal native dress—but by far the larger number were habited in European style: some of the younger men in cutaways, but the majority in frock-coats, garments still widely favoured in Japan, as are also congress gaiter shoes—a most convenient style of footwear in a land where shoes are shed on entering a house.

Luncheon over, we drove to the station of the electric railroad that parallels the steam railroad from the seaport to the capital—which, by the way, will itself become a seaport when the proposed channel has been dredged up Tokyo Bay, now navigable only by small boats.

From the car window we continued our observations as we rushed along. The gage of the steam railway is narrower than that of railways in America and Europe; the locomotives resemble European locomotives and the cars are small and light by comparison with ours. The engine whistles are shrill, and instead of two men, three are carried in each cab. This we shall presently discover, is characteristic of Japan. They employ more people than we do on a given piece of work—a discovery rather surprising after all that we have heard of Japanese efficiency. But Japan's reputation for efficiency is after all based largely on her military exploits. Perhaps her army is efficient. Perhaps her navy is. Certainly the discipline and service on the Kashima Maru would bear comparison with those on a first-rate English ship. Yet why three men on a locomotive? Why several conductors on a street car? Why three servants in an ordinary middle-class home which in America or Europe would be run by one or two? Why fifteen servants in a house which we would run with six or eight? Why so many motor cars with an assistant sitting on the seat beside the chauffeur? Why so few motors? Why men and women drawing heavy carts that might so much better be drawn by horses or propelled by gasolene? Why these ill-paved narrow roads? Why this watering of streets with dippers or with little hand-carts pulled by men? Why a dozen or more coolies operating a hand-driven pile-driver, lifting the weight with ropes, when two men and a little steam would do the work so much faster and better? Why, for the matter of that, these delightful rickshas which some jester of an earlier age dubbed "pull-man" cars? Why this waste of labour everywhere?

Can it be that in this densely populated little country there are more willing hands than there is work for willing hands to do? Must work be spread thin in order to provide a task and a living for everyone? But again, if that was it, would people work as hard as these people seem to? Would women be at work beside their husbands, digging knee deep in the mud and water of the rice fields, dragging heavy-laden carts, handling bulky boats? And would the working hours be so long? Here is something to be looked into. But not now.

It is a hand-embroidered country, Japan, though the embroidery is done in fine stitches of an unfamiliar kind. The rural landscape is so formed and trimmed and cultivated that sometimes it achieves the look of a lovely little garden, just as the English landscape sometimes has the look of a great park. Here, much more than in England, every available inch of land is put to use. Where hillsides are so steep that they would wash away if not protected, tidy walls of diamond-shaped stone are laid dry against them; but whenever possible the hillsides are terraced up in a way to remind one of vineyards along the Rhine and the Moselle, making a series of shelf-like little fields, each doing its utmost to help solve the food problem.

It is hard to say whether the towns along this line of railroad are separated by groups of farms, or whether the groups of farms are separated by towns, so even is the division. The farms are very small so that the open country is dotted over with little houses—the same low dainty houses of wood and paper that delighted us when we first saw them, and which will always delight us when, from the other side of the world, we think of them. For there is something in the sight of a neat little Japanese house with its few feet of garden which appeals curiously to one's imagination and one's sentiment. It is all so light and lovely, yet all so carefully contrived, so highly finished. To the Western eye—at least to mine—it has a quality of fantasy. I feel that it cannot be quite real, and that the people who live in it cannot be quite real: that they are part—say a quarter—fairy. And I ask you: who but people having in their veins at least a little fairy blood would take the trouble to plant a row of iris along the ridges of their roofs?

The houses, too, are often set in elfin situations. One will stand at the crest of a little precipice with a minute table-land of garden back of it; another will nestle, half concealed, in a small sheltered basin where it seems to have grown from the ground, along with the trees and shrubbery surrounding it—the flowering hedges and the pines with branches like extended arms in drooping green kimono sleeves; still another rises at the border of a pond so small that in a land less toylike it would hardly be a pond; yet here it is adorned with grotesquely lovely rocks and overhanging leaves and blooms, and in the middle of it, like as not, will be an island hardly larger than a cartwheel, and on that island a stone lantern with a mushroom top, and reaching to it from the shore a delicate arched bridge of wood beneath which drowsy carp and goldfish cruise, with trading fins and rolling ruminative eyes.

Just as one better understands Hokusai and Hiroshige for having seen the coastal hills, one understands them better for having seen these magic little houses with their settings resembling so charmingly those miniature landscapes made with moss, gravel, small rocks, and dwarf trees, arranged in china basins by a Japanese gardener, who is sometimes so kind as to let us see his productions in a window on Fifth Avenue. Often one feels that Japan herself is hardly more than such a garden on a larger scale. Over and over again one encounters in the larger, the finish and fantastic beauty of the smaller garden. And when one does encounter it, one is happy to forget the politics and problems of Japan, and to think of the whole country as a curiously perfect table decoration for the parlour of the world.

And the children! Children everywhere! Children of the children Kipling wrote of thirty years ago, when he called Japan

"... the land of Little Children, where the
Babies are the Kings."

With his drum and his monkey he is Japan's nearest equivalent for our old-style organ-grinder

Of course we had heard about the children. Everyone who writes about Japan, or comes home and talks about Japan, tells you about them. Yet somehow you must witness the phenomenon before you grasp the fact of their astonishing profusion. Even the statistics, showing that the population of Japan increases at the rate of from 400,000 to 700,000 every year, don't begin to make the picture, though they do make apparent the fact that there are several million children of ten years or younger—about two thirds of whom go clattering about in wooden clogs, while the remainder ride on the backs of their parents and grandparents and brothers and sisters. All in a country smaller than the State of California.

Children alone, children in groups of three or four, children in dozen lots. Children in all sizes, colourings, attitudes, and conditions. Children blocking the roads, playing under the trees or in them, romping along paths, swarming over little piles of earth like bees on bell-shaped hives. Children watching the passing cars, children in tiny skiffs, children wading in ponds. Children glimpsed through the open wood and paper shoji of their matchbox houses, scampering on clean matted floors or placidly supping—the larger of them squatting before trays and operating nimble chopsticks, the smaller nursing at the mother's breast. (Sometimes those children nursed at the breast are not so very small—which is the reason why so many Japanese have over-prominent teeth.) Children brown and naked, ragged children, children in indigo or in bright flowered kimonos and white aprons. Demure children, wild rampageous children, children with shaved heads, children with jet-black manes bobbing about their ears and faces as they run. Chubby children with merry eyes and cheeks like rosy russet apples. Children achieving the impossible: delighting the eye despite their dirty little noses.

Can it be that they pile the children on each others' backs, making two layers of them, because there isn't room upon the ground for all of them at once? Babies riding on their mothers' backs travel in comparative dignity and safety. Under their soft little mushroom hats they sleep through many things—street-car trips, shopping expeditions and gabbling parties in the tea-rooms of department stores. But those who ride the shoulders of their elder brothers lead lives of wild adventure. Their presence is not allowed to interfere with the progress of young masculine life. The brother will climb trees, walk on stilts and even play baseball, seemingly unconscious of the weight and the fragility of the little charge attached to him by ties of blood and cotton. If the drowsy baby head drops over, getting in the way, the brother alters its position with a bump from the back of his own head. When the small rider slips down too far, whether on the back of child or adult, its bearer stoops and bucks like a broncho, tossing baby into place again. Through all of which the infant generally sleeps. Are its dreams disturbed, one wonders, when big brother slides for second-base? I doubt it. Knowing no cradle, no easy-riding baby carriage, the Japanese baby is from the first accustomed to a life of action. It seems to be a fatalist. And indeed it would appear that some special god protects the baby, for it always seems to go unscathed.

Sometimes in the streets the children outnumber their elders by two or three to one. Contemplating them one can easily fall into the way of looking upon adults as mere adjuncts, existing only to wash the children, see that they wear aprons, and give them their meals.

CHAPTER III

Growing Tokyo—Architecture and Statuary—The Westernization of Japan—The Story of Costumes—Women's Dress Advantages of Standardized Styles—Selection and Rejection

As you reach the outskirts of Tokyo you think you are coming to another little town, but the town goes on and on, and finally as the train draws near the city's heart large buildings, bulking here and there above the general two-story tile roofline, inform you in some measure of the importance of the place. In 1917 Tokyo ranked fifth among the cities of the world, with a population almost equal to Berlin's, and it seems likely that when reliable statistics for the world become available again we shall find that the population of Berlin has at most remained stationary, while that of Tokyo has grown even more rapidly than usual, owing to exceptional industrial activity and to the influx of Russian refugees, whose presence in large numbers in Japan has created a housing problem. Nor shall I be surprised to hear that Tokyo has passed Chicago in the population race, becoming third city of the world.

The central railroad station exhibits the capital's modern architectural trend. It is conveniently arranged and impressive in its magnitude as seen across the open space on which it faces, but there its merit stops. Like most large foreign-style buildings in Japan, it is architecturally an ugly thing. Standing at the gate of Japan's chief city, it has about it nothing Japanese. Its façade is grandiose and meaningless, and as one turns one's back upon it and sees other large new public structures, one is saddened by the discovery that the Japanese, skilful at adaptation though they have often shown themselves, have signally failed to adapt the requirements, methods, and materials of modern building to their old national architectural lines. One thing is certain, however: there will be no new public buildings more unsightly than those already standing. This style of architecture in Japan has touched bottom.

In twenty years or so I believe the ugliness of these modern piles will have become apparent to the Japanese. It will dawn upon them that they need not go to Europe and America for architectural themes, but to the castle of Nagoya, the watch-towers above the moat of the Imperial Palace, the palace gates, and the temples and pagodas everywhere.

When this time comes the Japanese will also realize how very bad are most of the bronze statues of statesmen and military leaders throughout the world, and how particularly bad are their own adventures in this field of art.

Until I saw Tokyo I was under the impression that the world's worst bronzes were to be found in the region of the Mall in Central Park, New York; but there is in Tokyo a statue of a statesman in a frock coat, with a silk hat in his hand, which surpasses any other awfulness in bronze that I have ever seen.

Looking at such things one marvels that they can be created and tolerated in a land which has produced and still produces so much minute loveliness in pottery, ivory, and wood. How can these people, who still know flowing silken draperies, endure to see their heroes cast in Prince Albert coats and pantaloons? And how can they adopt the European style of statuary, when in so many places they have but to look at the roadside to see an ancient monument consisting of a single gigantic stone with unhewn edges and a flat face embellished only with an inscription—simple, dignified, impressive.

All nations, however, have their periods of innovation-worship, and if Japan has sometimes erred in her selections, her excuse is a good one. She did not take up Western ways because she wanted to. She wished to remain a hermit nation. She asked of the world nothing more than that it leave her alone. She even fired on foreign ships to drive them from her shores—which, far from accomplishing her purpose, only cost her a bombardment. Then, in 1853, came our Commodore Perry and, as we now politely phrase it, "knocked at Japan's door." To the Japanese this "knocking" backed by a fleet of "big black ships," had a loud and ominous sound. The more astute of their statesmen saw that the summons was not to be ignored. Japan must become a part of the world, and if she would save herself from the world's rapacity she must quickly learn to play the world's game. Fourteen years after Perry's visit the Shogunate, which for seven centuries had suppressed the Imperial family, and itself ruled the land, fell, and the late Emperor, now known as Meiji Tenno—meaning "Emperor of Enlightenment"—came from his former capital in the lovely old city of Kyoto, the Boston of Japan, and took up the reins of government in Yedo—later renamed Tokyo, or "Eastern Capital"—occupying the former Shogun's palace which is the Imperial residence to-day.

The Meiji Era will doubtless go down as the greatest of all eras in Japanese history, and as one of the greatest eras in the history of any nation. To Viscount Kaneko, who is in charge of the work of preparing the official record of the reign for publication, President Roosevelt wrote his opinion of what such a book should be.

"No other emperor in history," he declared, "saw his people pass through as extraordinary a transformation, and the account of the Emperor's part in this transformation, of his own life, of the public lives of his great statesmen who were his servants and of the people over whom he ruled, would be a work that would be a model for all time."

Under the Emperor Meiji, Japan made breathless haste to westernize herself, for she was determined to save herself from falling under foreign domination. Small wonder, then, if in her haste she snatched blindly at any innovation from abroad. Small wonder if she sometimes snatched the wrong thing. Small wonder if she sometimes does it to this day. For she is still a nation in a state of flux; you seem to feel her changing under your very feet.

But because Japan has accepted a thing it does not mean that she has accepted it for ever. In great affairs and small, her history illustrates this fact. A case in point is the story of European dress.

More than thirty years ago, when the craze for everything foreign was at its height, when the whole fabric of social life in the upper world was in process of radical change, European dress became fashionable not only for men but for women. When great ladies had worn it for a time their humbler sisters took it up, and one might have thought that the national costume, which is so charming, was destined entirely to disappear.

Men attached to government offices, banks, and institutions tending to the European style in the construction and equipment of their buildings, had some excuse for the change, since the fine silks of Japan do not wear so well as tough woollen fabrics, and the loose sleeves tend to catch on door-knobs and other projections not to be found in the Japanese style of building.

But in Japan more than in any other country, "woman's place is in the home," and just as the Japanese costume is not well suited to the European style of building, so the European costume is not well suited to the Japanese house and its customs. For in the Japanese house instead of sitting on a chair one squats upon a cushion, and corsets, stockings and tight skirts were not designed to squat in. Equally important, clogs and shoes are left outside the door of the Japanese house in winter and summer, and as in the winter the house is often very cold, having no cellar and only small braziers, called hibachi, to give warmth, the covering afforded the feet by the skirts of a Japanese costume is very comforting. Moreover, the Japanese themselves declare that European dress is not becoming to their women, being neither suited to their figures nor to the little pigeon-toed shuffle which is so fetching beneath the skirts of a kimono.

What was the result of all this?

The men who found foreign dress useful continued to wear it for business, although those who could afford to do so kept a Japanese wardrobe as well. But the women, to whom European dress was only an encumbrance, discarded it completely, so that to-day no sight is rarer in Japan than that of a Japanese woman dressed in other than the native costume.

If a Japanese lady be cursed with atrocious taste, there is practically no way to find it out, no matter how much money she may spend on personal adornment. The worst that she may do is to carry her clothes less prettily than other women of her class. The lines she cannot change. The fabrics are prescribed. The colours are restricted in accordance with her age. Her dress, like almost every other detail of her daily life, is regulated by a rigid code. If she be middle-aged and fat she cannot make herself absurd by dressing as a débutante. If she be thin she cannot wear an evening gown cut down in back to show a spinal column like a string of wooden beads. Nor can she spend a fortune upon earrings, bracelets, necklaces. She may have some pretty ornamental combs for her black lacquer hair, a bar pin for her obi, a watch, and perhaps, if she be very much Americanized, a ring and a mesh bag. A hairdresser she must have, both to accomplish that amazing and effective coif she wears, and to tell her all the latest gossip (for in Japan, as elsewhere, the hairdresser is famed as a medium for the transmission of spicy items which ought not to be transmitted); but her pocketbook is free from the assaults of milliners; hats she has none; only a draped hood when the cold weather comes.

The feminine costume is regulated by three things: first, by the age of the wearer; second, by the season; third, by the requirements of the occasion. The brightest colours are worn by children; the best kimonos of children of prosperous families are of silk in brilliant flowered patterns. Their pendant sleeves are very long. Young unmarried women also wear bright colours and sleeves a yard in length. But the young wife, though not denied the use of colour, uses it more sparingly and in shades relatively subdued; and the pocket-like pendants of her sleeves are but half the length of those of her younger unmarried sister. The older she grows the shorter the sleeve pendants become, and the darker and plainer grows her dress.

In hot weather a kimono of light silk, often white with a coloured pattern, is worn by well-dressed women. Beneath this there will be another light kimono which is considered underwear—though other underwear is worn beneath it. Japanese underwear is not at all like ours, but one notices that many gentlemen in the national costume adopt the Occidental flannel undershirt, wearing it beneath their silks when the weather is cold—a fact revealed by a glimpse of the useful but unlovely garment rising up into the V-shaped opening formed by the collar of the kimono where it folds over at the throat.

As with us, the temperature is not the thing that marks the time for changing from the attire of one season to that of another. Summer arrives on June first, whatever the weather may be. On that date the Tokyo policeman blossoms out in white trousers and a white cap, and on June fifteenth he confirms the arrival of summer by changing his blue coat for a white one. So with ladies of fashion. Their summer is from June first to September thirtieth; their autumn from October first to November thirtieth; their winter from December first to March thirty-first; their spring from April first to May thirty-first. In spring the brightest colours are worn. Those for autumn and winter are generally more subdued.

Young ladies wear brilliant kimonos for ceremonial dress, but ceremonial dress for married women consists of three kimonos, the outer one of black, though those beneath, revealed only where they show a V-shaped margin at the neck, may be of lighter coloured silk. On the exterior kimono the family crest—some emblem generally circular in form, such as a conventionalized flower or leaf design, about an inch in diameter—appears five times in white: on the breast at either side, on the back of either sleeve at a point near the elbow, and at the centre of the back, between the shoulder-blades. Because of these crests the goods from which the kimono is made have to be dyed to order, the crests being blocked out in wax on the original white silk so that the dye fails to penetrate. Even the under-kimonos of fashionable ladies will have crests made in this way.

With the kimono a Japanese lady always wears a neck-piece called an eri (pronounced "airy"), a long straight band revealed in a narrow V-shaped margin inside the neck of the inner kimono. The eri varies in colour, material, and design according to the wearer's age, the occasion and the season, and it may be remarked that embroidered or stencilled eri in bright colourings make attractive souvenirs to be brought home as gifts to ladies, who can wear them as belts or as bands for summer hats.

If the weather be cold the haori, an interlined silk coat hanging to the knees or a little below, is worn over the kimono. This is black, with crests, or of some solid colour, not too gay. A young lady's haori is sometimes made of flowered silk. Men also wear the haori, but the man's haori is always black; and while a man will wear a crested haori on the most formal occasions, a woman en grande tenue will avoid wearing hers whenever possible for the reason that it conceals all but a tiny portion of the article of raiment which is her chief pride: namely the sash or obi.

The best obi of a fashionable woman consists of a strip of heavy brocaded or hand-embroidered silk, folded lengthwise and sewn at the edges making a stiff double band about thirteen inches wide and three and one third yards long. This is wrapped twice around the waist and tied in a large flat knot in back, the mode of tying varying in accordance with the age of the wearer, and differing somewhat in divers localities. The average cost of a fine new obi is, I believe, about two hundred dollars, and I have heard of obi costing as much as a thousand dollars. Some of the less expensive ones are very pretty also, and many a poor woman will have as her chief treasure an obi worth forty or fifty dollars which she will wear only on great occasions, with her best silk kimono.

A Tokyo lady notable for the invariable loveliness of her costumes gives me the following information in response to an inquiry as to the cost of dressing.

"As our style never changes," she writes, "we don't have to buy new dresses every season, as our American sisters do. When a girl marries, her parents supply her, according to their means, with complete costumes for all seasons. Sometimes these sets will include several hundred kimonos, and they may cost anywhere from two thousand to twenty thousand yen. [A yen is about equal to half a dollar.]

"So if a girl is well fitted out she need not spend a great deal on dress after her marriage. A couple of hundred yen may represent her whole year's outlay for dress, though of course if she is rich and cares a great deal for dress, she may spend several thousand.

"Our fashions vary only in colour and such figures as may be displayed in the goods. Therefore they are not nearly so 'busy' as your fashions. And we can always rip a kimono to pieces, dye it, and make it over."

Some other items I get from this lady: When a Japanese girl is married it is customary for the bride's family to present obi to the ladies of the groom's family. For a funeral the entire costume including the obi, is black, save for the white crests. Ladies of the family of the deceased wear white silk kimonos without crests, and white silk obi. The Japanese ladies' costume, put on to the best advantage, is not so comfortable as it looks. It is fitted as tight as possible over the chest, to give a flat appearance, and is also bound tight at the waist to hold it in position. The obi, moreover, is very stiff, and to look well must also be tight.

The more select geisha are said to attain the greatest perfection of style; which probably means merely that, being professional entertainers whose sole business it is to please men, they make more of a study of dress, and spend more time before their mirrors than other women do.

The speed with which women reverted to the lovely kimono after their brief experiment with foreign fashions, may have been due in part to a lurking fear in Japanese male minds that along with the costume their women might adopt pernicious foreign ways, becoming aggressive and intractable, like American women who, according to the Japanese idea, are spoiled by their men—precisely as, according to our idea, Japanese men are spoiled by their women.

But whatever the reasons, the fact remains that the Japanese revealed good practical judgment. They kept what they needed and discarded the rest. It is their avowed purpose to follow this rule in all situations involving the acceptance or rejection of western innovations, their object being to preserve the national customs wherever these do not conflict with the requirements of the hideous urge we are pleased to term "modern progress." This is a good rule to follow, and if we but knew the story of the period when Chinese civilization was brought to Japan, nearly fourteen centuries ago, we might perhaps find interesting parallels between the two eras of change.

CHAPTER IV

Quakes and the Building Problem—Big Quakes—Democracy in Architecture—Narrow Streets and Tiny Shops—The Majestic Little Policeman—The Dread of Burglars—What to Do in a Quake—The Man Who Went Home—"Fire!"—A Ricksha Ride to the Wrong Address—A Front-Porch Bath

Have I given the impression that Tokyo is a disappointing city to one in search of things purely Japanese? If so it was because I tarried too long in the district of railroad stations and big business. Moreover, to the practical commercial eye, this portion of the city must look promising indeed, because of the wide streets and the new building going on. And it is building of a kind to be approved by the man of commerce, for in her new edifices Tokyo is adopting steel-frame construction.

That she is only now beginning to build in this way is not due to inertia, but to the fact that earthquakes complicate her building problem. The tallest of her present office buildings is, I believe, but seven stories high, and I have heard that twice as much steel was employed in its construction as would have been employed in a similar building where earthquakes did not enter into the calculations of the architect.

It would be difficult to overestimate the part that earthquakes play in establishing the character of Japanese cities. There will never be skyscrapers in Japan, or apartment buildings with families piled high in air. The family, not the individual, is the social unit of the land, and the private house is the symbol of the family. Even in the congested slums of Japanese cities, or in the quarters given over to the pitiful outcast class called eta, each family has its house, though the house may consist only of a single room no larger than a woodshed and may harbour an appalling number of people, as miserable and as crowded as those of the poorest slums in the United States.

Though the seismograph records an average of about four earthquakes a day, most of the shocks are too slight to be felt. Tokyo is however, conscious of about fifty shocks a year. But she has not had a destructive earthquake since 1894, nor a great disaster since 1855, when most of the city was shaken down or burned, and 100,000 persons perished.

Minor shocks receive but little attention. In fact by many they are regarded with favour, on the assumption that they tend to reduce pressure in the boiler-room, preventing savage visitations. However, these do occasionally occur and on the seacoast they are sometimes accompanied by tidal waves which ravage long stretches of shore, wiping out towns and villages.

Earthquake shocks are sometimes accompanied by terrifying subterranean sounds. Scientists have their ways of accounting for all these things, but the man who really knows is the old peasant of the seacoast village. He can tell you what really causes the earth to tremble. It is the wrigglings of a pair of giant fish called Namazu, whiskered creatures somewhat resembling catfish, which inhabit the bowels of the earth and support upon their backs the Islands of Japan.

Even though the quakes are slight, they serve to keep in people's minds certain unpleasant possibilities; and these possibilities are, as I have said, acknowledged in the structure of Japanese houses. Two stories is the maximum height for a residence, and even tea-houses and hotels are seldom more than three stories high. This, together with the fact that everyone who can afford it has a garden, causes Japanese cities to spread enormously.

On the other hand, the Japanese requires fewer rooms than we do; his home life is simple and he is less a slave to his possessions than any other civilized human being. The average family can move its household goods in a hand-cart. Even the houses of the rich are not blatant except in a few cases in which florid European architecture has been attempted. The difference between the houses of the rich and of the poor is in degree, not in kind. As with the Japanese costume, the essential lines do not vary.

The Japanese is not a slave to his possessions. The average family can move its household goods in a hand-cart

This democracy in architecture is restful to the eye and to the senses. It gives the streets of Tokyo—excepting the important thoroughfares—a sort of small-town look. Nor is a great metropolis suggested by the old narrow streets, with their bazaar-like open shop fronts, their banner-like awnings of blue and white, and their colourful displays of fish, fresh vegetables, fruits, wooden clogs, curios, and many other objects less definable, the possible uses of which entice the alien wayfarer to speculation or investigation.

I never got enough of prowling in the narrow streets of Tokyo, staring into shops (and sometimes, I fear, into houses), watching various artisans carrying on home industries, wondering what were the legends displayed in Chinese characters on awnings, banners and lacquered signs; stumbling now upon an ancient wayside shrine, now upon a shop full of "two-and-a-half-puff pipes," tobacco pouches for the male and female users of such pipes, and netsuke (large buttons for attaching pipe-cases and pouches to the sash) carved in delightfully fantastic forms; now upon a tea-shop full of tall coloured earthenware urns, shaped like the amphoræ of ancient Rome and marked with baffling black ideographs. Now I would discover a tea-house on the brink of a stream, its balconies abloom with little geisha, its portals protected from impurity by three small piles of salt; now it would be a geisha quarter I was in, and I would hear the drum and flute and samisen; or again I would discover a little shop with Japanese prints for sale, and would enter and drink green tea with the silk-robed proprietor, bagging the knees of my trousers and cramping my legs by squatting for an hour to look at his wares.

Heavy wheeled traffic was not contemplated when the narrow streets of Tokyo were laid out. From the most attenuated of them, automobiles and carriages are automatically excluded by their size, while from others they are excluded by the policeman who inhabits the white kiosk on the corner. The policeman has discretionary power, and if you have good reason for wishing to drive down a narrow street he will sometimes let you do so, granting the permission coldly. He is a majestic little figure. He wears a sword and is treated as a personage.

Naturally, the first consideration in the construction of a Japanese house is flexibility. In an earthquake a house should sway. Earthquakes are thus responsible for the general use of wood, which is in turn responsible for the frequency of fires. And next to earthquakes, fires are regarded by the Japanese as their greatest menace.

Third on the list of things feared and abhorred comes the burglar. I doubt that there are more burglars in Japan than elsewhere, or that the Japanese burglar is more murderous than the average gentleman of his profession in other lands, but for some reason he is more thought about. This may be because of the vicious knife he carries, or it may be because Japanese houses are so easy to get into. In the daytime one would only have to push a hand through the paper shoji and undo the catch—which is about as strong as a hairpin. At night one might need a cigar-box opener. At all events, it is for fear of burglars that the Japanese householder barricades himself, after dark, behind a layer of unperforated wooden shutters, which are slid into place in grooves outside those in which the shoji slide. If the shutters keep out burglars they also keep out air; and even though you may be willing to risk the entrance of the former with the latter, the police will not permit you to leave your shutters open—not if they catch you at it.

I made some inquiries as to the course to be pursued in the event of burglary, fire, or severe earthquakes.

In earthquakes people act differently. I asked our maid, Yuki, what she did, and found that, when in a foreign-style house, she would crouch beside a wardrobe or other heavy piece of furniture which she thought would protect her if the ceiling should come down.

"But what if the wardrobe should fall over on you?" I asked.

Yuki, however, was not planning for that kind of an earthquake.

In a Japanese house one need not worry about the ceiling, as it is of wood; and as a matter of fact most of the ceilings in foreign-style houses are of sheet metal.

It seems to me that the most intelligent thing to do in an earthquake is to stand in the arch of a doorway; certainly it is a bad plan to try to run out of the house, as many people, attempting that, have been killed by falling fragments.

One night I got a letter from a friend at home. "Try to be in a little earthquake," he wrote. "They build their houses for them, don't they?"

In the middle of that same night a little earthquake came, as though on invitation. The bed-springs swung; the doors and windows rattled.

At breakfast next morning I asked my hostess, an American lady who has lived most of her life in Japan, whether she had felt the tremor.

"I always feel them," she said. "They bother me more and more. In the last few years I have got into the habit of waking up a minute or two before the shocks begin."

"What do you do then?" I asked.

"I lie still," she said, "until the shaking stops. Then I wake my husband and scold him."

The husband of this lady told me of a man he knew, an American, who came out to Japan some years ago on business, intending to stay for a considerable time. On landing in Yokohama he went directly to the office of the company with which he was connected, and had hardly stepped in when the city was violently shaken.

By the time the shocks were over he had changed all his plans.

"Nothing could induce me to stay in a country where this sort of things goes on," he said. "I shall take the next boat back to San Francisco."

He did—and arrived just in time for the great San Francisco quake.

The course to take in case of fire is the same the world over. Shout "Fire!" in the language of the country and try to put the fire out.

But if you find a burglar in your room don't shout the Japanese word for "burglars," even if you know it—which I do not. The thing to shout is "Fire!"—so I am advised by a Japanese friend, who, I am sure, has my best interests at heart. For if you shout "Fire!" in the middle of the night, the neighbours, fearing that the fire will spread to their own houses, rush to your assistance; whereas if you cry "Burglars!" it merely gives them gooseflesh as they lie abed.

Many times it happened in Tokyo that when I was bound on a definite errand somewhere, the chauffeur or the ricksha coolie would land me miles from my intended destination. There are three reasons why this happened so often. First, Tokyo is a very difficult place in which to find one's way about. Second, addresses in Tokyo are not always given by street number, but by wards and districts, and there are tricks about some addresses, as, for instance, the fact that 22 Shiba Park isn't on Shiba Park at all, but is a block or two distant from the park's margin. And third, though the language in which I told the chauffeur or the kurumaya where to go, was offered in good faith as Japanese, it was nine times out of ten not Japanese, but a dead language—a language that was dead because I myself had murdered it.

In some other city I might have felt annoyance over being delivered at the wrong address. But in Tokyo I never really cared where I was going, I found it all so charming.

Once a kurumaya trotted with me for three hours around the city to reach a place he should have reached in one. I knew I would be hours late for my appointment. I knew I ought to fret. But did I? No! Because of all the things that I was seeing.

I saw the bean-curd man jogging along the street with a long rod over his shoulder, at each end of which was suspended a box of tofu, which he announced at intervals by a blast on a little brass horn: "Ta—ta: teeya; tee-e-e—ta!" I saw a thicket of bamboo. I saw a diminutive farmhouse, with mud walls and a deep straw thatch, and in the doorway was a bent old white-haired woman seated at a wooden loom, weaving plaid silk. And behind the bamboo fence and the flowering hedge, stood a cherry tree in blossom.

It began to rain. In any other land I might have felt annoyance over so much rain as we were having. But not so in Japan. Japan could not look gloomy if it tried. Rain makes the landscape greener and the flowers fresher. It makes the coolies put on bristling capes of straw which shed the water as a bird's feathers do, and transform the wearer into a gigantic yellow porcupine. It makes the people leave off the little cotton shoes, called tabi, and go barefoot in their clogs. It makes them change their usual clogs for tall ones lifted up on four-inch stilts; and these as they scrape along the pavement give off a musical "clotch-clotch," which is sometimes curiously tuned in two keys, one for either foot. It brings out huge coloured Japanese umbrellas of bamboo and oiled paper, with black bull's-eyes at their centres, and a halo of little points around their outside edges. And as you go splashing by them with your kurumaya ringing his little bell, the women turn their great umbrellas sidewise, resting the margins of them in the road to keep their kimonos from being splattered. And even then they do not look at you severely. They understand that you can't help it. And are you not, moreover, that lordly creature, Man, whereas they are merely women?

All these things I saw while I was lost, that afternoon. Then, just when I might have begun to wonder if I was ever going to reach my destination, what did I see?

Under the eaves of a thatched house beside the way a bronze young mother and three children, all innocent of clothing and self-consciousness, preparing to get into a great wooden barrel of a bathtub. You never saw a sweeter family picture!... Yes, the Japanese are peculiarly a clean race. It is not merely hearsay. It is a front-porch fact.

The bath of the proletariat consists of a large barrel with a charcoal stove attached. Frequently it stands out of doors

Could any man lose patience with a kurumaya who can get him lost and make him like it?

CHAPTER V

Reversed Ideas—Some Advantages of Old Age—Morbidity and Suicide—High Necks and Long Skirts—Language—Chinese Characters and Kana—Calligraphy as a Fine Art—The Oriental Mind—False Hair—The Mystery of the Bamboo Screens—A Note on Cats at Cripple Creek—The Occidental Mind

On the day of my arrival in Japan I started a list of things which according to our ideas the Japanese do backwards—or which according to their ideas we do backwards. I suppose that every traveller in Japan has kept some such record. My list, beginning with the observation that their books commence at what we call the back, that the lines of type run down the page instead of across, and that "foot-notes" are printed at the top of the page, soon grew to considerable proportions. Almost every day I had been able to add an item or two, and every time I did so I found myself playing with the fancy that such contrarieties ought in some way to be associated with the fact that we stand foot-to-foot with the Japanese upon the globe.

The Japanese method of beckoning would, to us, signify "go away"; boats are beached stem foremost; horses are backed into their stalls; sawing and planing are accomplished with a pulling instead of a driving motion; keys turn in their locks in a reverse direction from that customary with us. In the Japanese game of Go, played on a sort of checkerboard, the pieces are placed not within the squares but over the points of linear intersection. During the day Japanese houses, with their sliding walls of wood and paper, are wide open, but at night they are enclosed with solid board shutters and people sleep practically without ventilation. At the door of a theatre or a restaurant the Japanese check their shoes instead of their hats; their sweets, if they come at all, are served early in the meal instead of toward the end; men do their saké drinking before rather than after the meal, and instead of icing the national beverage they heat it in a kettle. Action in the theatre is modelled not on life but on the movements of dolls in marionette shows, and in the classic No drama the possibility of showing emotion by facial expression is eliminated by the use of carved wooden masks.