DADDY DO-FUNNY'S
WISDOM JINGLES

BY

RUTH McENERY STUART

ILLUSTRATED BY G. H. CLEMENTS

NEW YORK
THE CENTURY CO.
1916

Copyright, 1910, 1911, 1912, 1913, by
The Century Co.
Published, October, 1913


[DADDY'S WEATHER PRAYER]
[THE OLD ROOSTER]
[THE BUTTERFLY]
[THE WREN]
[THE WATERMELON]
[THE GOURD]
[JUDGE OWL]
[THE MOSQUITO]
[CONFESSION]
[THE GAME-COCK]
[THE EPICURE]
[THE MULE]
[THE GRUBWORM]
[RAIN OR SHINE?]
[LITTLE GREEN TREE-TOAD]
[SPARROWS]
[THE FLY]
[THE LITTLE CHICKEN]
[THE SCARE-CROW]
[THE YELLOW ROSE]
[THE AMBITIOUS COW]
[TRIED BY FIRE]
[JACK-O'LANTERN]
[THE FLEA]
[WILL O' THE WISP]
[THE MOLE]
[THE RUNT]
[THE MONKEY]
[THE ARISTOCRAT]
[THE CRAWFISH]
[THE ANGLEWORM]
[THE CHIMNEY-SWALLOW]
[CATCHING DOODLE-BUGS]
[THE PORCUPINE]
[ANTS]
[THE PARROT]
[THE RATTLE-SNAKE]
[THE PERSIMMON]
[IN HARNESS]
[THE CANARY]
[ANSWERING BACK]
[DAT'S DE WAY MY LADY'LL DO]
[THE MAMMY ALLIGATOR]
[THE NEW RICH]
[THE WIBBLY WABBLY CALF]
[THE TURKEY-GOBBLER]
[THE CAULIFLOWER]
[THE STEPMOTHER]
[THE FROG]
[THE RAT]
[THE MOCKING-BIRD]
[THE MUSHROOM]
[THE MEASURING WORM]
[THE TOP-KNOT HEN]
[TOO FAMILIAR]
[THE 'POSSUM]
[THE OWL]
[THE CHAMELEON]
[THE CATERPILLAR]
[DR. DRAKE]
[THE PEACOCK]
[THE ALLIGATOR]
[THE TERRAPIN]
[THE DANDELION]
[THE CUD]
[THE MIRROR]
[GOSLINGS]
[THE PET]
[THE GUINEA-HEN]
[THE MOON]
[THE HEN-ROOST MAN]
[A GUILTY CONSCIENCE]
[THE BAT]
[INCUBATOR CHICKENS]
[THE FIREFLY]
[THE THISTLE]
[THE GRAY SQUIRREL]
[LOOK OUT FOR MISTER BEE]
[THE ROSE]
[THE LOCOMOTIVE]
[THE GOAT]
[THE FIG]
[THE FRIZZLED CHICKEN]
[THE ENDLESS SONG]
[THE EEL]
[THE RAIN-CROW]
[THE GIRAFFE]
[THE BLACK SHEEP]
[THE PRIZE-WINNER]
[THE DOG]


To the Memory of those faithful brown slave-men of the plantations throughout the South, Daddy's contemporaries all, who during the war while their masters were away fighting in a cause opposed to their emancipation, brought their blankets and slept outside their mistresses' doors, thus keeping night-watch over otherwise unprotected women and children—a faithful guardianship of which the annals of those troublous times record no instance of betrayal.


FOREWORD

In presenting a loyal and venerable ex-slave as an artless exponent of freedom, freedom of conduct as well as of speech, the author of this trivial volume is perhaps not composing an individual so truly as individualizing a composite, if the expression will pass.

The grizzled brown dispenser of homely admonitions is a figure not unfamiliar to those who have "moved in plantation circles" in the cotton and sugar country, and touched hands with the kindly dark survivors of the old regime.

If the man, Daddy Do-funny, was unique as an individual, perhaps in the very fact of an individuality unembarrassed by the limitations of convention, of education and of precedent, he becomes in a sense typical of his people and of his time.

Of course, a man is not called Do-funny for nothing, not even playfully and in the free vernacular of rusticity at its freest.

One of a small community of superannuated pensioners upon the bounty of their former owners, Daddy was easily first citizen of Evergreen annex on Crepe Myrtle plantation, which is to say he was therein a personage of place and of privilege, coming and going at will, doing as he pleased, and as, with uplifted eye, he reverently boasted, "sponsible to nobody but Almighty Gord for manners and behavior."

Even so late as this year of grace, a full half century after "emancipation," there are still to be found on many of the larger plantations in the far South a few such members of the order of the Rocking-chair, whose records of "good and honorable service" reach back through periods of bondage, even such kindergartners as septuagenarians in the privileged class, having clear title to nearly a quarter of a century of slave memories; not to mention the occasional centenarian with even his semi-occasional uncle or father poking around, toothless and white-plumed dignitaries, these, sometimes with leaders, being blind, but ever important in pride of association and memory.

It is something even if one is bent double and may never again behold the light of day, to be able to reach back into a dim and forgotten past and to say, "I remember," especially when the memory recalls days of brilliance and of importance.

But Daddy's place among the gentle Knights and Ladies of the Rocking-chair was far and away above such as these whose thoughts, alert though they were and loyal, travelled forever backward to the sweet but worn fields of memory where every pleasure is a recognition and fashions do not change—a restful retreat for dreamers whose days of activity are done.

But Daddy's mind worked forward and upward and although he did not know the alphabet excepting by rote, a common ante-bellum plantation accomplishment, and while professing high contempt for what he called "cold shelf-knowledge," his reputation for wisdom, wisdom as gleaned in observation and experience and "ripened by insight," was supreme, while his way of casually tossing it off in bits in playful epigram finally gave the word its plural form so that the expression "Do-Funny Wisdoms" came into familiar use.

As an example of his rambling talk, much of which seems at least semivagarious on transcription, I recall one of his meandering dissertations on the value of experience as superior to observation.

Several of the old people, his neighbors, had joined the listening children who surrounded him under the fig-tree, and perhaps he unconsciously deferred to them in his accent of their common possession in length of days, although he gave no sign of heed to any audience, when he said:

"Dey's mighty few facts de same behind an' befo', not to say inside an' outside, and a man can go roun' an' roun' de blackberry bush an' not git nowhar. 'Spe'unce is a thorny bramble, an' yer 'bleeged to go th'ough it, to draw blood, an', I tell yer, de blood is de life!"

Although this tribute brought grunts of approval from the gray heads, Daddy was soon off at a tangent in playful fancy, hitting off a foible or "celebrating truth and justice" in one of the unconscious epigrams which it is sought herein to preserve, even when having occasionally to hammer them into shape, for, while Daddy was almost unerring in rhyme, his rhythm, never at fault in delivery, was strictly a temperamental matter, not adequately renderable in cold print.

But more than as philosopher, satirist or seer was the old man distinguished as a social factor on the place. Wherever his chair was set, there were the children gathered together, both black and white, eager listeners to his quaint pictorial recitals, even seeming to cherish the "Wisdoms" which fell from his tongue, as is not a common way with children, who seem instinctively to spurn the obviously didactic.

But Daddy's moralizing, besides its saving grace of imagery, was generally sequential and convincing; while his repartee, to use a word which seems almost a misfit in this rural setting, had a way of hitting the mark and striking fire, as when, in reply to the question from a forth-putting youngster on one occasion, "Where do you keep all your wisdoms, Daddy?" he snapped:

"In my ole toof holes, dat's whar! Wisdoms don't ripen good tel yo' toofs is ready to drap out. Ev'rybody knows dat Gord A'mighty ain't nuver is set but one live Wisdom-toof in a man's mouf—an' dat comes late an' goes early."

And then he added with a mischievous smile:

"You-all smarty undergrowth, you ain't chawed life yit. You jes 'speramintin' wid yo' milk-toofs.

"Now's yo' havin' time, chillen, but to have an' to lose, dat's life!

"Study wisdom now an' minch on it good wid yo yo'ng baby toofs an' hol' fas' to it, so's it'll meller down ripe, time de caverns opens for it.

"But look out! I knows a lot o' ole vacant wisdom caves for rent behin' dis crepe myrtle hedge—so, I say, watch and pray! Pray for insight an' outsight! An' even so, dey's some wisdoms so fine you can't see 'em tel you nearin' Home an' livin' on de far side o' life!"

Daddy lived alone in a tiny vine-clad cabin and there were times when he seemed frail and to need care, and the doctor said he was rheumatic. This, however, he denied, declining companionship while he insisted that the sharp pains which occasionally twisted his brow were only growing pains which he was glad to endure as not having got his growth in his first childhood, he was "'bleeged to wrastle wid it in de second," and, "of course," he added, "it comes harder when a man's bones is set."

On days when his pains were bad, he would propel himself around in a roller-chair, which he called his chariot; and although evidently suffering, he was never heard to complain. Once, when he seemed almost helpless, some one asked him how he had got into the chair, and was quickly silenced by his ready answer, "Gord lifted me in!"

Now, to Daddy clothes were clothes. In dress as in manners, he knew no obligation of precedent; and as to fashion, the word made him chuckle.

When his pains were unusually severe and it was difficult for him to get into his own garments, he did not hesitate to clothe himself in one of the flowing wrappers which his old wife, Judy, long since dead, had worn.

And thus it happened that while on some days an aged man might have been seen hobbling about, working among his plants, on others there appeared to be an old woman propelling herself around in a rolling chair; and seeing her, his neighbors, with perhaps a chuckle, would remark, "I see Daddy Do-funny is laid up ag'in!"

Another peculiar habit of the old man was the way in which he took his bath—a dangerous process, one would think, for a rheumatic, but harmless, no doubt, to growing pains. Seeing the rain coming, he would exclaim: "Gord sendeth de rain! He's offerin' me a bath—just or unjust!" Then donning his "bath-slip," an old wool wrapper of Judy's and getting into his roller-chair, he would wheel out and sit calmly in the shower, often closing his eyes and lifting his face as he exclaimed: "Bless Gord for de sweet drops! Bless Gord for de rain!" and when he had had bath enough, he would either put up his umbrella or roll his chair indoors as he felt inclined.

But perhaps we cannot get nearer the soul of the old man than by recalling a conversation which occurred during an invasion of the children, a conversation between him and his guests which is thrown into a sort of rhyme for easy memorizing, passing from one speaker to another without more than the natural pause for reply.

Obviously, the children began it:

"Ol' Daddy Do-funny,
How do you come on?"
"Po'ly, thank Gord, honey,
Po'ly dis morn.
My ol' spine it's sort o' stiff,
An' my arms dey 'fuze to lif'.
An' de miz'ry 's in my breas',
An' I got some heart-distress.
An' de growin' pains dey lingers,
In my knee-j'ints an' my fingers,
But I'm well, praise Gord, dis mornin'."
"Ol' Daddy Do-funny,
What cuyus talk!
How is you well, when you
Can't even walk?"
"Hush, you foolish chillen, hush!
What's dat singin' in de brush?
Ain't dat yonder blue de sky?
Feel de cool breeze passin' by!
Dis ol' painful back an' knee,
Laws-a-mussy, dey ain't me!
I'm well, praise Gord, dis mornin'!"

RUTH McENERY STUART.


DADDY DO-FUNNY'S WISDOM JINGLES


DADDY'S WEATHER PRAYER

One asks for sun, an' one for rain,
An' sometimes bofe together;
I prays for sunshine in my heart,
An' den forgits de weather


THE OLD ROOSTER

Ef de hoa'se ol' rooster wouldn't crow so loud
He mought pass for yo'ng in de barn-yard crowd;
But he strives so hard an' he steps so spry
Dat de pullets all winks whilst he marches by.
An' he ain't by 'isself in dat, in dat--
An' he ain't by 'isself in dat.


THE BUTTERFLY

Sis' Butterfly aimed to work all right,
But 'er wings dey was heavy, an' 'er head too light;
So she riz in de air, 'ca'ze she see she was made
Jes' to fly in de sun in de beauty parade.
An' she ain't by 'erself in dat, in dat--
An' she ain't by 'erself in dat.


THE WREN

She's a citizen-bird, Sis little brown Wren,
She nests in de spring an' de fall again;
"Race suicide" talk nuver fazes her,
'Ca'ze she's good for 'er ten little wrens a year.
An' she ain't by 'erself, my ladies, in dat—
No, she ain't by 'erself in dat.


THE WATERMELON

Oh, Watermilion sho' is good to eat!
But de darkie rates it twice-t mo' sweet,
'Ca'ze it's ap' to b'long to de yether man,
An' it's mighty hard to lif' by sleight o' han'.
An' it ain't by itself, made sweet like dat—
No, it ain't by itself like dat.


THE GOURD

De green gou'd on de sunny shed
Was mighty proud of his pethy head,
So he nuver pondered or studied or trained,
An' now he's ol' an' rattle-brained.
An' he ain't by 'isself in dat, in dat--
An' he ain't by 'isself in dat.


JUDGE OWL


Jedge Owl 's so pompious on 'is limb,
You'd s'pose dey was nobody roun' but him;
He's afeard ef he was too polite
You'd ax 'im whar he spent de night.
An' he ain't by 'isself in dat, in dat--
An' he ain't by 'isself in dat.


THE MOSQUITO

Wid so much Christian blood in 'is veins,
You'd think Br'er 'Skitty would take some pains
To love 'is neighbor an' show good will,
But he's p'izenin' an' back-bitin' still.
An' he ain't by 'isself in dat, in dat—
No, he ain't by 'isself in dat.


CONFESSION

Dat whale wha' gulped Br'er Jonah down
Was bleeged to swim close-t to de groun'
Ontel he riz up an' confessed
He'd swallered mo' 'n he could digest.
But you ain't by yo'self, Br'er Whale, in dat—
No, you ain't by yo'self in dat.


THE GAME-COCK

Dey's some things square an' some things round,
An' little game cocks ain't sol' by de pound;
Dey's weighed by sand an' pluck an' grit
An' de number o' dead dey leave in de pit.
An' dey ain't by deyselves in rank like dat—
No, dey ain't by deyselves in dat.


THE EPICURE

Ef you keep yo' eyes on Br'er Carrion Crow,
You'll wonder huccome he kin carry on so!
He flies in high circles an' chooses meat
Dat no honest workin'-man would eat.
An' he ain't no new high-flyer in dat—
No, he ain't by 'isself in dat.


THE MULE

Ef you quiz Br'er Mule, you'll find dat he
Gits mixed on de subjec' of 'is fam'ly tree;
He'll brag about 'is mammy with a noble neigh,
An' deny 'is own daddy wid a ginuine bray.
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.





THE GRUBWORM

Br'er Grubworm wrops 'isself in twine
An' swings in 'is shroud on a evergreen vine,
Becaze it's mortal death dat brings
His on'iest chance to git 'is wings.
But you ain't by yo'self, Br'er Worm, in dat—
Oh, you ain't by yo'self in dat.


RAIN OR SHINE?

Ol' Mingo, on 'is knees, he say:
"Lord, teach dis nigger how to pray,
Else riconcile two kinds o' weather
For craps an' rheumatiz together!"
But you ain't by yo'self, ol' man, in dat—
Oh, you ain't by yo'self in dat.


LITTLE GREEN TREE-TOAD






Little green tree-toad on banana leaf,
Plenty po' relations all aroun' 'im in de bog;
But he'd ruther be blind an' dumb an' deef
Dan to hold a conversation wid a "low-life" frog!
But he ain't no lonesome toady in dat—
No, he ain't by 'isself in dat.


SPARROWS

Dey say dem Sparrers come crost de seas
To eat our surplus grubs an' fleas;
But dey's whupped our birds off'n dis plantation,
Tell we craves to constric' dey immigration.
An' dey ain't by deyselves in dat, in dat—
An' dey ain't by deyselves in dat.


THE FLY

Wid dem suctious foots, seem lak Br'er Fly
Mought draw down health ef he trod de sky;
But he's so onpartic'lar whar he roams
Dat he's got 'isself screened out o' quality homes.
An' he ain't by 'isself outcas' like dat—
No, he ain't by 'isself in dat.


THE LITTLE CHICKEN

Little yaller fluff-ball, one day out,
Steps mighty high while he picks all about;
Never sees de egg-shell layin' in 'is track,
Much less the little piece stickin' on 'is back.
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.


THE SCARE-CROW

Br'er Scare-crow's built to suit 'is job
Wid flappin' legs an' arms dat bob;
He ain't got brains for discontent
So he works widout no argument.
An' he ain't by 'isself in dat, in dat—
No, he ain't by 'isself in dat.


THE YELLOW ROSE

Dey's a sweet plantation, yaller-buff rose
Dat in my ricollection grows;
In my ol' dreams she seems to wait
Whar she stood an' bloomed by de love-vine gate
An' I ain't by myself in dreams like dat—
No, I ain't by myself in dat.


THE AMBITIOUS COW

Sis' Twis'-horn Brindle is a bothersome cow,
She's boun' to raise a ruction an' she don't keer how;
She craves to be de bell-cow an' lead off wid a clang,
So it's all a man kin do to make 'er gallup wid de gang.
An' she ain't by 'erself in dat, in dat—
An' she ain't by 'erself in dat.


TRIED BY FIRE

De sugar-cane stands so proud an' smart,
You'd nuver suspicion it sweet at de heart,
But to prove its sweets it yields its will
To be tried by fire an' ground in de mill.
An' it ain't by itself in dat, in dat—
No, it ain't by itself in dat.


JACK-O'LANTERN

Sence he los' 'is brains to git 'is smile,
Brer Jack-o-lantern grins lak a wilderin' chile
Widout no secrets out or in;
An' de lighter in de head de broader 'is grin
An' he ain't by 'isself in dat, in dat—
An' he ain't by 'isself in dat.


THE FLEA








Look out for Mr. Po'-trash Flea!
Ef you let 'im come in, he'll make too free;
He'll chase yo' dog till he makes 'im pant,
An' he'll take yo' skin for a restaurant.
An' he ain't by isself in dat, in dat—
An' he ain't by 'isself in dat.


WILL O' THE WISP

Ef de Wul o' de Wust would cuss an' swear
An' take some shape, an' rip an' tear,
It wouldn't sen' col' chills down a nigger's spine
Like de changeable expression of a mystery shine.
An' it ain't by its ghostly self in dat—
No, it ain't by itself in dat.


THE MOLE

De blind mole tunnels straight ahead,
An' he gits whar he gwine wid a trustful tread,
But he nuver is yit got nowhar else,
An' he'll nuver view de skies whar glory melts.
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.


THE RUNT

You'll sometimes trace de loudes' grunt
In de horg-lot down to de littles' runt,
Lak as ef he'd 'nounce whilst he gulps 'is swill,
"A pompious horg is as big as 'is will."
An' he ain't by 'isself in dat, in dat—
No, he ain't by 'isself in dat.


THE MONKEY

De organ plays an' Br'er Monkey struts,
An' he takes high pride in de capers he cuts,
While folks draps picayunes into 'is han'
For fallin' so short o' bein' a man.
An' he ain't by 'isself, misled like dat—
No, he ain't by 'isself in dat.


THE ARISTOCRAT

Dat three-name chicken wid de feathery legs
Wha' 'merged f'om de ten dollar settin' of eggs,
Is a lonesome bird an' I s'picion he frets
'Ca'ze he can't outgrow dem pantalettes.
An' he ain't by 'isself in dat, in dat—
An' he ain't by 'isself in dat.


THE CRAWFISH

Br'er Crawfish th'ows a racklass bluff,
An' he sho do look like fightin' stuff;
But turn 'im loose on a battle-groun',
An' he'll bow 'isself out, an' nuver turn roun'.
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.


THE ANGLEWORM

"I could stand de hook," says de angleworm,
"An' a lily-brook wouldn't make me squirm,
But I can't help wrigglin' ag'in' my fate;
It breaks me all up to be used for bait."
An' he ain't by 'isself in dat, in dat—
An' he ain't by 'isself in dat.


THE CHIMNEY-SWALLOW

Wid 'is nest in de flue whar de suctions blow,
Storms due above an' fire below,
No wonder Br'er Swaller sags an' sways
Like a pusson ableeged to dodge bofe ways.
An' he ain't by 'isself in dat, in dat—
An' he ain't by 'isself in dat.


CATCHING DOODLE-BUGS

Little picaninnies, fishin' in de doodle-bug holes.
Wid a "spit for luck," an' straws for poles,
Show pyore delight in de fisherman's aim
All disp'opo'tioned to de game.
An' dey ain't by deyselves in dat, in dat—
An' dey ain't by deyselves in dat.


THE PORCUPINE

Sis' Porcupine, wid 'er bristles all set
In a pompado' style, is waitin' yet,
An' she can't understan', whilst she puckers 'er mug,
De sca'city o' kisses an' de absent hug.
But she ain't by 'er lonesome self in dat—
No, she ain't by 'erself in dat.


ANTS








Dem Ants is sho' got savin' ways
An' even de Scripture 'lows 'em praise;
But dey hoa'ds for deyselves f'om day to day
An' dey stings any man wha' gits in de way.
An' dey ain't no new co'poration in dat—
No, dey ain't by deyselves in dat.


THE PARROT

Sis' Tin-cage Polly wid de roamin' nose
Dat roams f'om 'er eyes tel it p'ints to 'er toes,
She keeps up a ratlin' talkin' pace
To turn off attention f'om de shape of 'er face.
An' you ain't by yo'self, Sis' Polly, in dat—
No, you ain't by yo'self in dat.


THE RATTLE-SNAKE

Br'er Rattle-snake rattles befo' he springs,
But he warns too late to 'scape 'is stings;
His high-class manners don't count for much
'Ca'ze dey grafted on to a sarpent's touch.
An' he ain't by 'isself in dat, in dat—
An' he ain't by 'isself in dat.


THE PERSIMMON

Is you little gals, growin' into women,
Ever tasted a snappy young persimmin?
It takes a hard frost to make it sweet,
An' it's ol' an' swiveled 'fo' it's fit to eat!
But it ain't by itself, sharp chillen, in dat—
No, it ain't by itself in dat.


IN HARNESS

Dat flee-bitten mule an' my bay mare
In de hay-wagon, sho is a mixtious pair;
But dey's pulled so long th'ough wind an' weather
Dat out in de field dey graze together.
An' dey ain't by deyselves in dat, in dat—
An' dey ain't by deyselves in dat.


THE CANARY

De little yaller cage-bird preems 'is wings
An' he mounts 'is pyerch an' sings an' sings;
He feels 'is cage, but I s'pec' he 'low
To take what comes an' sing anyhow!
An' you ain't by yo'self, little bird, in dat—
No, you ain't by yo'self in dat.


ANSWERING BACK

Br'er Pole-cat's got a s'ciety smile
An' he sho is dressed in scrumptious style,
But he keeps 'is own hat off de quality rack
By de scan'lous way he answers back.
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.


DAT'S DE WAY MY LADY'LL DO

It ain't how many eyes you got,
'Les' needles could see an' potatoes, too;
An' "hookin' a' eye," as like as not,
Would be classed as a sin dat no lady'd do.
But it's keepin' yo' eyes turned to'des de right,
An' to'des de wrong jes' shettin' 'em tight—
Lookin' out for ways to be polite—
Dat's de way my lady'd do!
It ain't how many ears you got
Dat makes you listen an' learn an' do;
Else a hill o' corn in a garden plot
Would be 'way ahead o' me an' you;
But it's shettin' yo' ears to heartless speech,
An' listenin' whilst de teachers teach,
An' strivin' to practise mo' 'n to preach—
Dat's de way my lady'll do!
It ain't how many tongues you got,
'Les' shoes would talk an' wagons, too;
An' all de bells would gabble a lot,
An' tattle an' brag de long day th'ough;
But it's gyardin' yo' tongue f'om talk dat's wrong,
An' passin' a helpful word along,
An' maybe singin' a hopeful song—
Dat's de way my lady'll do!


THE MAMMY ALLIGATOR

Said de mammy alligator, wid a motherly grin:
"I nuver liked babies wid dey dimples tucked in,
But our little pet, wid its horny hide,
Like its mammy's an' its daddy's, is de fam'ly pride."
An' dey ain't by deyselves in dat, in dat—
An' dey ain't by deyselves in dat.


THE NEW RICH

Sis' Mush A. Roon sprung up over night
An' to name whar she sprung f'om ain't polite;
But she spreads 'erself wuss'n me or you,
An' wid on'y one foot to stan' on, too.
An she ain't by er new-come self in dat—
No, she ain't by 'erself in dat.


THE WIBBLY WABBLY CALF

Cunnin' little donkey-baby—
"Ye-haw! Ye-haw!" What a funny laugh!
Soun' jes like a creaky, cranky
Seesaw—seesaw!
Wasn't nothin' funny roun' dat
We saw—we saw!
'Tel we glimpsed de stagger-gait dat
He saw—he saw!
Brindle strikin' swagger-gait when
She saw—she saw—her wibbly wabbly calf!

Den we j'ined wid Mister Donkey,
"He-haw! He-haw!" How we-all did laugh!
But we laughed at some'h'n' mo' dan
He saw—he saw!
Donkey couldn't see de ears dat
We saw—we saw!
Rabbit lopin' down de road, we
Three saw—three saw!
Wagged his ears an' called him daddy!
"Haw-haw! Haw-haw!" How dat—who dat laugh?
An' de last to see de joke was wibbly wabbly calf!


THE TURKEY-GOBBLER

Ol' Gobbly struts aroun' de stable
An' th'ows out hints o' de rich man's table,
An' he h'ists his tail an' spreads it wide,
To display his cuyus graveyard pride.
But he ain't by 'isself in pride like dat—
But he ain't by 'isself in dat.


THE CAULIFLOWER

When de cabbage got ambitiom, in a uppish hour
An' lost 'is head an' bu'st into flower
Wid 'is brains outside, an addled, at dat—
He sot 'isself up for a 'ristocrat.
An' he ain't by 'isself in dat, in dat—
An' he ain't by 'isself in dat.


THE STEPMOTHER

Sis' Dominick follers her brood o' ducks
To de bayou's edge, an' she clucks an' clucks:
'Dis stepmammy job, oh me, oh me!
Ain't all dat it's quacked up to be!"
But she ain't by 'erself in dat, in dat—
But she ain't by 'erself in dat.


THE FROG

Ol' Br'er Frog ain't much to sing,
But he clairs a log in a single spring,
An' jedgin' 'im by his bigoty ways,
He's clean forgot 'is tadpole days!
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.


THE RAT

Br'er Rat in de corn-bin over-fed
An' under-worked, an' now he's dead;
He craved to live lak a bloated chief,
An' now he ain't nothin' but a ol' dead thief.
An' he ain't by 'isself in dat, in dat—
No, he ain't by 'isself in dat.


THE MOCKING-BIRD

Br'er mockin'-bird sings in de live-oak shade,
A secon'-hand chant or a serenade;
He'll take off a pa'tridge, a robin, or a jay,
But he'd nuver make a name no other way.
But he ain't by 'isself in dat, in dat—
But he ain't by 'isself in dat.







THE MUSHROOM

Dey's many a musharoon good to de tas'e
An' rich for de table, dat goes to was'e
'Ca'ze folks don't dast to gether it in
For de way it favors its dung-hill kin.
An' it ain't by itself condemned like dat—
No, it ain't by itself in dat


THE MEASURING WORM

When Br'er Measurin'-worm strikes out so brave,
Makin' tend he kin measure you for yo grave,
Wid all 'is stride an' all 'is stren'th
He can't measure mo'n 'is own little len'th.
An' he ain't by 'isself made cheap like dat—
No, he ain't by 'isself like dat.


THE TOP-KNOT HEN

Hit's a proper pride in Sis' Top-knot's breast
Dat makes 'er step to march 'er crest;
Yit jalousy follers 'er 'roun' de shed
On de count o' dat innercent tufted head.
An' she ain't by 'erself pursued lak dat—
No, she ain't by 'erself in dat.


TOO FAMILIAR

De cantelope gits mighty bilious
F'om runnin' wid punkins too familias,
So it's banished out for its sociable sin
Along wid its yaller kitchen kin.
An' it ain't by itself in dat, in dat—
An' it ain't by itself in dat.


THE 'POSSUM

Br'er 'Possum makes pertend he's dead
Whilst shots goes whizzin' over 'is head.
But time de hounds is out o' sight,
He's up an' "hongry for a fight!"
An' he ain't by 'isself in a bluff like dat—
No, he ain't by 'isself in dat.