From a Swedish
Homestead

From a SWEDISH

Homestead

By

Selma Lagerlöf

Translated by

Jessie Brochner

Garden City New York

DOUBLEDAY, PAGE & COMPANY
1916

Copyright, 1901, by
Doubleday, Page & Company

A LIST of the STORIES

I.[The Story of a Country House]

From a Swedish

Homestead

I

The Story of a Country House

The Story of a Country House

I

It was a beautiful autumn day towards the end of the thirties. There was in Upsala at that time a high, yellow, two-storied house, which stood quite alone in a little meadow on the outskirts of the town. It was a rather desolate and dismal-looking house, but was rendered less so by the Virginia-creepers which grew there in profusion, and which had crept so high up the yellow wall on the sunny side of the house that they completely surrounded the three windows on the upper story.

At one of these windows a student was sitting, drinking his morning coffee. He was a tall, handsome fellow, of distinguished appearance. His hair was brushed back from his forehead; it curled prettily, and a lock was continually falling into his eyes. He wore a loose, comfortable suit, but looked rather smart all the same.

His room was well furnished. There was a good sofa and comfortable chairs, a large writing-table, a capital bookcase, but hardly any books.

Before he had finished his coffee another student entered the room. The new-comer was a totally different-looking man. He was a short, broad-shouldered fellow, squarely built and strong, ugly, with a large head, thin hair, and coarse complexion.

'Hede,' he said, 'I have come to have a serious talk with you.'

'Has anything unpleasant happened to you?'

'Oh no, not to me,' the other answered; 'it is really you it concerns.' He sat silent for a while, and looked down. 'It is so awfully unpleasant having to tell you.'

'Leave it alone, then,' suggested Hede.

He felt inclined to laugh at his friend's solemnity.

'I can't leave it alone any longer,' said his visitor. 'I ought to have spoken to you long ago, but it is hardly my place. You understand? I can't help thinking you will say to yourself: "There's Gustaf Alin, son of one of our cottagers, thinks himself such a great man now that he can order me about."'

'My dear fellow,' Hede said, 'don't imagine I think anything of the kind. My father's father was a peasant's son.'

'Yes, but no one thinks of that now,' Alin answered. He sat there, looking awkward and stupid, resuming every moment more and more of his peasant manners, as if that could help him out of his difficulty. 'When I think of the difference there is between your family and mine, I feel as if I ought to keep quiet; but when I remember that it was your father who, by his help in days gone by, enabled me to study, then I feel that I must speak.'

Hede looked at him with a pleasant smile.

'You had better speak out and have done with it,' he said.

'The thing is,' Alin said, 'I have heard people say that you don't do any work. They say you have hardly opened a book during the four terms you have been at the University. They say you don't do anything but play on the violin the whole day; and that I can quite believe, for you never wanted to do anything else when you were at school in Falu, although there you were obliged to work.'

Hede straightened himself a little in his chair. Alin grew more and more uncomfortable, but he continued with stubborn resolution:

'I suppose you think that anyone owning an estate like Munkhyttan ought to be able to do as he likes—work if he likes, or leave it alone. If he takes his exam., good; if he does not take his exam., what does it matter? for in any case you will never be anything but a landed proprietor and iron-master. You will live at Munkhyttan all your life. I understand quite well that is what you must think.'

Hede was silent, and Alin seemed to see him surrounded by the same wall of distinction which in Alin's eyes had always surrounded his father, the Squire, and his mother.

'But, you see, Munkhyttan is no longer what it used to be when there was iron in the mine,' he continued cautiously. 'The Squire knew that very well, and that was why it was arranged before his death that you should study. Your poor mother knows it, too, and the whole parish knows it. The only one who does not know anything is you, Hede.'

'Don't you think I know,' Hede said a little irritably, 'that the iron-mine cannot be worked any longer?'

'Oh yes,' Alin said, 'I dare say you know that much, but you don't know that it is all up with the property. Think the matter over, and you will understand that one cannot live from farming alone at Vesterdalarne. I cannot understand why your mother has kept it a secret from you. But, of course, she has the sole control of the estate, so she need not ask your advice about anything. Everybody at home knows that she is hard up. They say she drives about borrowing money. I suppose she did not want to disturb you with her troubles, but thought that she could keep matters going until you had taken your degree. She will not sell the estate before you have finished, and made yourself a new home.'

Hede rose, and walked once or twice up and down the floor. Then he stopped opposite Alin.

'But what on earth are you driving at, Alin? Do you want to make me believe that we are not rich?'

'I know quite well that, until lately, you have been considered rich people at home,' Alin said. 'But you can understand that things must come to an end when it is a case of always spending and never earning anything. It was a different thing when you had the mine.'

Hede sat down again.

'My mother would surely have told me if there were anything the matter,' he said. 'I am grateful to you, Alin; but you have allowed yourself to be frightened by some silly stories.'

'I thought that you did not know anything,' Alin continued obstinately. 'At Munkhyttan your mother saves and works in order to get the money to keep you at Upsala, and to make it cheerful and pleasant for you when you are at home in the vacations. And in the meantime you are here doing nothing, because you don't know there is trouble coming. I could not stand any longer seeing you deceiving each other. Her ladyship thought you were studying, and you thought she was rich. I could not let you destroy your prospects without saying anything.'

Hede sat quietly for a moment, and meditated. Then he rose and gave Alin his hand with rather a sad smile.

'You understand that I feel you are speaking the truth, even if I will not believe you? Thanks.'

Alin joyfully shook his hand.

'You must know, Hede, that if you will only work no harm is done. With your brains, you can take your degree in three or four years.'

Hede straightened himself.

'Do not be uneasy, Alin,' he said; 'I am going to work hard now.'

Alin rose and went towards the door, but hesitated. Before he reached it he turned round.

'There was something else I wanted,' he said. He again became embarrassed. 'I want you to lend me your violin until you have commenced reading in earnest.'

'Lend you my violin?'

'Yes; pack it up in a silk handkerchief, and put it in the case, and let me take it with me, or otherwise you will read to no purpose. You will begin to play as soon as I am out of the room. You are so accustomed to it now you cannot resist if you have it here. One cannot get over that kind of thing unless someone helps one; it gets the mastery over one.'

Hede appeared unwilling.

'This is madness, you know,' he said.

'No, Hede, it is not. You know you have inherited it from the Squire. It runs in your blood. Ever since you have been your own master here in Upsala you have done nothing else but play. You live here in the outskirts of the town simply not to disturb anyone by your playing. You cannot help yourself in this matter. Let me have the violin.'

'Well,' said Hede, 'before I could not help playing, but now Munkhyttan is at stake; I am more fond of my home than of my violin.'

But Alin was determined, and continued to ask for the violin.

'What is the good of it?' Hede said. 'If I want to play, I need not go many steps to borrow another violin.'

'I know that,' Alin replied, 'but I don't think it would be so bad with another violin. It is your old Italian violin which is the greatest danger for you. And besides, I would suggest your locking yourself in for the first few days—only until you have got fairly started.'

He begged and begged, but Hede resisted; he would not stand anything so unreasonable as being a prisoner in his own room.

Alin grew crimson.

'I must have the violin with me,' he said, 'or it is no use at all.' He spoke eagerly and excitedly. 'I had not intended to say anything about it, but I know that it concerns more than Munkhyttan. I saw a young girl at the Promotion Ball in the spring who, people said, was engaged to you. I don't dance, you know, but I liked to watch her when she was dancing, looking radiant like one of the lilies of the field. And when I heard that she was engaged to you, I felt sorry for her.'

'Why?'

'Because I knew that you would never succeed if you continued as you had begun. And then I swore that she should not have to spend her whole life waiting for one who never came. She should not sit and wither whilst waiting for you. I did not want to meet her in a few years with sharpened features and deep wrinkles round her mouth——'

He stopped suddenly; Hede's glance had rested so searchingly upon him.

But Gunnar Hede had already understood that Alin was in love with his fiancée. It moved him deeply that Alin under these circumstances tried to save him, and, influenced by this feeling, he yielded and gave him the violin.

When Alin had gone, Hede read desperately for a whole hour, but then he threw away his book.

It was not of much good his reading. It would be three or four years before he could be finished, and who could guarantee that the estate would not be sold in the meantime?

He felt almost with terror how deeply he loved the old home. It was like witchery. Every room, every tree, stood clearly before him. He felt he could not part with any of it if he were to be happy. And he was to sit quietly with his books whilst all this was about to pass away from him.

He became more and more restless; he felt the blood beating in his temples as if in a fever. And then he grew quite beside himself because he could not take his violin and play himself calm again.

'My God!' he said, 'Alin will drive me mad. First to tell me all this, and then to take away my violin! A man like I must feel the bow between his fingers in sorrow and in joy. I must do something; I must get money, but I have not an idea in my head. I cannot think without my violin.'

He could not endure the feeling of being locked in. He was so angry with Alin, who had thought of this absurd plan, that he was afraid he might strike him the next time he came.

Of course he would have played, if he had had the violin, for that was just what he needed. His blood rushed so wildly, that he was nearly going out of his mind.

Just as Hede was longing most for his violin a wandering musician began to play outside. It was an old blind man. He played out of tune and without expression, but Hede was so overcome by hearing a violin just at this moment that he listened with tears in his eyes and with his hands folded.

The next moment he flung open the window and climbed to the ground by the help of the creepers. He had no compunction at leaving his work. He thought the violin had simply come to comfort him in his misfortune.

Hede had probably never before begged so humbly for anything as he did now, when he asked the old blind man to lend him his violin. He stood the whole time with his cap in his hand, although the old man was blind.

The musician did not seem to understand what he wanted. He turned to the young girl who was leading him. Hede bowed to the poor girl and repeated his request. She looked at him, as if she must have eyes for them both. The glance from her big eyes was so steady that Hede thought he could feel where it struck him. It began with his collar, and it noticed that the frills of his shirt were well starched, then it saw that his coat was brushed, next that his boots were polished.

Hede had never before been subjected to such close scrutiny. He saw clearly that he would not pass muster before those eyes.

But it was not so, all the same. The young girl had a strange way of smiling. Her face was so serious, that one had the impression when she smiled that it was the first and only time she had ever looked happy; and now one of these rare smiles passed over her lips. She took the violin from the old man and handed it to Hede.

'Play the waltz from "Freischütz," then,' she said.

Hede thought it was strange that he should have to play a waltz just at that moment, but, as a matter of fact, it was all the same to him what he played, if he could only have a bow in his hand. That was all he wanted. The violin at once began to comfort him; it spoke to him in faint, cracked tones.

'I am only a poor man's violin,' it said; 'but such as I am, I am a comfort and help to a poor blind man. I am the light and the colour and the brightness in his life. It is I who must comfort him in his poverty and old age and blindness.'

Hede felt that the terrible depression that had cowed his hopes began to give way.

'You are young and strong,' the violin said to him. 'You can fight and strive; you can hold fast that which tries to escape you. Why are you downcast and without courage?'

Hede had played with lowered eyes; now he threw back his head and looked at those who stood around him. There was quite a crowd of children and people from the street, who had come into the yard to listen to the music. It appeared, however, that they had not come solely for the sake of the music. The blind man and his companion were not the only ones in the troupe.

Opposite Hede stood a figure in tights and spangles, and with bare arms crossed over his chest. He looked old and worn, but Hede could not help thinking that he looked a devil of a fellow with his high chest and long moustaches. And beside him stood his wife, little and fat, and not so very young either, but beaming with joy over her spangles and flowing gauze skirts.

During the first bars of the music they stood still and counted, then a gracious smile passed over their faces, and they took each other's hands and began to dance on a small carpet. And Hede saw that during all the equilibristic tricks they now performed the woman stood almost still, whilst her husband did all the work. He sprang over her, and twirled round her, and vaulted over her. The woman scarcely did anything else but kiss her hand to the spectators.

But Hede did not really take much notice of them. His bow began to fly over the strings. It told him that there was happiness in fighting and overcoming. It almost deemed him happy because everything was at stake for him. Hede stood there, playing courage and hope into himself, and did not think of the old tight-rope dancers.

But suddenly he saw that they grew restless. They no longer smiled; they left off kissing their hands to the spectators; the acrobat made mistakes, and his wife began to sway to and fro in waltz time.

Hede played more and more eagerly. He left off 'Freischütz' and rushed into an old 'Nixie Polka,' one which generally sent all the people mad when played at the peasant festivals.

The old tight-rope dancers quite lost their heads. They stood in breathless astonishment, and at last they could resist no longer. They sprang into each other's arms, and then they began to dance a waltz in the middle of the carpet.

How they danced! dear me, how they danced! They took small, tripping steps, and whirled round in a small circle; they hardly went outside the carpet, and their faces beamed with joy and delight. There was the happiness of youth and the rapture of love over these two old people.

The whole crowd was jubilant at seeing them dance. The serious little companion of the blind man smiled all over her face, and Hede grew much excited.

Just fancy what an effect his violin could have! It made people quite forget themselves. It was a great power to have at his disposal. Any moment he liked he could take possession of his kingdom. Only a couple of years' study abroad with a great master, and he could go all over the world, and by his playing earn riches and honour and fame.

It seemed to Hede that these acrobats must have come to tell him this. That was the road he should follow; it lay before him clear and smooth. He said to himself: 'I will—I will become a musician! I must be one! This is better than studying. I can charm my fellow-men with my violin; I can become rich.'

Hede stopped playing. The acrobats at once came up and complimented him. The man said his name was Blomgren. That was his real name; he had other names when he performed. He and his wife were old circus people. Mrs. Blomgren in former days had been called Miss Viola, and had performed on horseback; and although they had now left the circus, they were still true artists—artists body and soul. That he had probably already noticed; that was why they could not resist his violin.

Hede walked about with the acrobats for a couple of hours. He could not part with the violin, and the old artists' enthusiasm for their profession appealed to him. He was simply testing himself. 'I want to find out whether there is the proper stuff for an artist in me. I want to see if I can call forth enthusiasm. I want to see whether I can make children and idlers follow me from house to house.'

On their way from house to house Mr. Blomgren threw an old threadbare mantle around him, and Mrs. Blomgren enveloped herself in a brown cloak. Thus arrayed, they walked at Hede's side and talked.

Mr. Blomgren would not speak of all the honour he and Mrs. Blomgren had received during the time they had performed in a real circus; but the directeur had given Mrs. Blomgren her dismissal under the pretence that she was getting too stout. Mr. Blomgren had not been dismissed: he had himself resigned his position. Surely no one could think that Mr. Blomgren would remain with a directeur who had dismissed his wife!

Mrs. Blomgren loved her art, and for her sake Mr. Blomgren had made up his mind to live as a free artist, so that she could still continue to perform. During the winter, when it was too cold to give performances in the street, they performed in a tent. They had a very comprehensive repertoire. They gave pantomimes, and were jugglers and conjurers.

The circus had cast them off, but Art had not, said Mr. Blomgren. They served Art always. It was well worth being faithful to Art, even unto death. Always artists—always. That was Mr. Blomgren's opinion, and it was also Mrs. Blomgren's.

Hede walked quietly and listened. His thoughts flew restlessly from plan to plan. Sometimes events happen which become like symbols, like signs, which one must obey. There must be some meaning in what had now happened to him. If he could only understand it rightly, it might help him towards arriving at a wise resolution.

Mr. Blomgren asked the student to notice the young girl who was leading the blind man. Had he ever before seen such eyes? Did he not think that such eyes must mean something? Could one have those eyes without being intended for something great?

Hede turned round and looked at the little pale girl. Yes, she had eyes like stars, set in a sad and rather thin face.

'Our Lord knows always what He is about,' said Mrs. Blomgren; 'and I also believe that He has some reason for letting such an artist as Mr. Blomgren perform in the street. But what was He thinking about when He gave that girl those eyes and that smile?'

'I will tell you something,' said Mr. Blomgren; 'she has not the slightest talent for Art. And with those eyes!'

Hede had a suspicion that they were not talking to him, but simply for the benefit of the young girl. She was walking just behind them, and could hear every word.

'She is not more than thirteen years old, and not by any means too old to learn something; but, impossible—impossible, without the slightest talent! If one does not want to waste one's time, sir, teach her to sew, but not to stand on her head. Her smile makes people quite mad about her,' Mr. Blomgren continued. 'Simply on account of her smile she has had many offers from families wishful to adopt her. She could grow up in a well-to-do home if she would only leave her grandfather. But what does she want with a smile that makes people mad about her, when she will never appear either on horseback or on a trapeze?'

'We know other artists,' said Mrs. Blomgren, 'who pick up children in the street and train them for the profession when they cannot perform any longer themselves. There is more than one who has been lucky enough to create a star and obtain immense salaries for her. But Mr. Blomgren and I have never thought of the money; we have only thought of some day seeing Ingrid flying through a hoop whilst the whole circus resounded with applause. For us it would have been as if we were beginning life over again.'

'Why do we keep her grandfather?' said Mr. Blomgren. 'Is he an artist fit for us? We could, no doubt, have got a previous member of a Hofkapell if we had wished. But we love that child; we cannot do without her; we keep the old man for her sake.'

'Is it not naughty of her that she will not allow us to make an artist of her?' they said.

Hede turned round. The little girl's face wore an expression of suffering and patience. He could see that she knew that anyone who could not dance on the tight-rope was a stupid and contemptible person.

At the same moment they came to another house, but before they began their performance Hede sat down on an overturned wheelbarrow and began to preach. He defended the poor little girl. He reproached Mr. and Mrs. Blomgren for wishing to hand her over to the great, cruel public, who would love and applaud her for a time, but when she grew old and worn out, they would let her trudge along the streets in rain and cold. No; he or she was artist enough, who made a fellow-being happy. Ingrid should only have eyes and smiles for one, should keep them for one only; and this one should never leave her, but give her a safe home as long as he lived.

Tears came into Hede's eyes whilst he spoke. He spoke more to himself than to the others. He felt it suddenly as something terrible to be thrust out into the world, to be severed from the quiet home-life. He saw that the great, star-like eyes of the girl began to sparkle. It seemed as if she had understood every single word. It seemed as if she again felt the right to live.

But Mr. Blomgren and his wife had become very serious. They pressed Hede's hand and promised him that they would never again try and persuade the little girl to become an artist. She should be allowed to lead the life she wished. He had touched them. They were artists—artists body and soul; they understood what he meant when he spoke of love and faithfulness.

Then Hede parted from them and went home. He no longer tried to find any secret meaning in his adventure. After all, it had meant nothing more than that he should save this poor sorrowful child from always grieving over her incapacity.

II

Munkhyttan, the home of Gunnar Hede, was situated in a poor parish in the forests of Vesterdalarne. It was a large, thinly-populated parish, with which Nature had dealt very stingily. There were stony, forest-covered hills, and many small lakes. The people could not possibly have earned a livelihood there had they not had the right to travel about the country as pedlars. But to make up for it, the whole of this poor district was full of old tales of how poor peasant lads and lassies had gone into the world with a pack of goods on their backs, to return in gilded coaches, with the boxes under the seats filled with money.

One of the very best stories was about Hede's grandfather. He was the son of a poor musician, and had grown up with his violin in his hand, and when he was seventeen years old he had gone out into the world with his pack on his back. But wherever he went his violin had helped him in his business. He had by turns gathered people together by his music and sold them silk handkerchiefs, combs, and pins. All his trading had been brought about with music and merriment, and things had gone so well with him that he had at last been able to buy Munkhyttan, with its mine and ironworks, from the poverty-stricken Baron who then owned the property. Then he became the Squire, and the pretty daughter of the Baron became his wife.

From that time the old family, as they were always called, had thought of nothing else but beautifying the place. They removed the main building on to the beautiful island which lay on the edge of a small lake, round which lay their fields and their mines. The upper story had been added in their time, for they wanted to have plenty of room for their numerous guests; and they had also added the two large flights of steps outside. They had planted ornamental trees all over the fir-covered island. They had made small winding pathways in the stony soil, and on the most beautiful spots they had built small pavilions, hanging like large birds'-nests over the lake. The beautiful French roses that grew on the terrace, the Dutch furniture, the Italian violin, had all been brought to the house by them. And it was they who had built the wall protecting the orchard from the north wind, and the conservatory.

The old family were merry, kind-hearted, old-fashioned people. The Squire's wife certainly liked to be a little aristocratic; but that was not at all in the old Squire's line. In the midst of all the luxury which surrounded him he never forgot what he had been, and in the room where he transacted his business, and where people came and went, the pack and the red-painted, home-made violin were hung right above the old man's desk.

Even after his death the pack and the violin remained in the same place. And every time the old man's son and grandson saw them their hearts swelled with gratitude. It was these two poor implements that had created Munkhyttan, and Munkhyttan was the best thing in the world.

Whatever the reason might be—and it was probably because it seemed natural to the place that one lived a good, genial life there, free from trouble—Hede's family clung to the place with greater love than was good for it. And more especially Gunnar Hede was so strongly attached to it that people said that it was incorrect to say of him that he owned an estate. On the contrary, it was an old estate in Vesterdalarne that owned Gunnar Hede.

If he had not made himself a slave of an old rambling manor-house and some acres of land and forest, and some stunted apple-trees, he would probably have continued his studies, or, better still, gone abroad to study music, which, after all, was no doubt his proper vocation in this world. But when he returned from Upsala, and it became clear to him that they really would have to sell the estate if he could not soon earn a lot of money, he decided upon giving up all his other plans, and made up his mind to go out into the world as a pedlar, as his grandfather before him had done.

His mother and his fiancée besought him rather to sell the place than to sacrifice himself for it in this manner, but he was not to be moved. He put on peasant's attire, bought goods, and began to travel about the country as a pedlar. He thought that if he only traded a couple of years he could earn enough to pay the debt and save the estate.

And as far as the latter was concerned he was successful enough. But he brought upon himself a terrible misfortune.

When he had walked about with his pack for a year or so he thought that he would try and earn a large sum of money at one stroke. He went far north and bought a large flock of goats, about a couple of hundred. And he and a comrade intended to drive them down to a large fair in Vermland, where goats cost twice as much as in the north. If he succeeded in selling all his goats, he would do a very good business.

It was in the beginning of November, and there had not yet been any snow, when Hede and his comrade set out with their goats. The first day everything went well with them, but the second day, when they came to the great Fifty-Mile Forest, it began to snow. Much snow fell, and it stormed and blew severely. It was not long before it became difficult for the animals to make their way through the snow. Goats are certainly both plucky and hardy animals, and the herd struggled on for a considerable time; but the snow-storm lasted two days and two nights, and it was terribly cold.

Hede did all he could to save the animals, but after the snow began to fall he could get them neither food nor water. And when they had worked their way through deep snow for a whole day they became very footsore. Their feet hurt them, and they would not go any longer. The first goat that threw itself down by the roadside and would not get up again and follow the herd Hede lifted on to his shoulder so as not to leave it behind. But when another and again another lay down he could not carry them. There was nothing to do but to look the other way and go on.

Do you know what the Fifty-Mile Forest is like? Not a farmhouse, not a cottage, mile after mile, only forest; tall-stemmed fir-trees, with bark as hard as wood, and high branches; no young trees with soft bark and soft twigs that the animals could eat. If there had been no snow, they could have got through the forest in a couple of days; now they could not get through it at all. All the goats were left there, and the men too nearly perished. They did not meet a single human being the whole time. No one helped them.

Hede tried to throw the snow to one side so that the goats could eat the moss; but the snow fell so thickly, and the moss was frozen fast to the ground. And how could he get food for two hundred animals in this way?

He bore it bravely until the goats began to moan. The first day they were a lively, rather noisy herd. He had had hard work to make them all keep together, and prevent them from butting each other to death. But when they seemed to understand that they could not be saved their nature changed, and they completely lost their courage. They all began to bleat and moan, not faintly and peevishly, as goats usually do, but loudly, louder and louder as the danger increased. And when Hede heard their cries he felt quite desperate.

They were in the midst of the wild, desolate forest; there was no help whatever obtainable. Goat after goat dropped down by the roadside. The snow gathered round them and covered them. When Hede looked back at this row of drifts by the wayside, each hiding the body of an animal, of which one could still see the projecting horns and the hoofs, then his brain began to give way.

He rushed at the animals, which allowed themselves to be covered by the snow, swung his whip over them, and hit them. It was the only way to save them, but they did not stir. He took them by the horns and dragged them along. They allowed themselves to be dragged, but they did not move a foot themselves. When he let go his hold of their horns, they licked his hands, as if beseeching him to help them. As soon as he went up to them they licked his hands.

All this had such a strong effect upon Hede that he felt he was on the point of going out of his mind.

It is not certain, however, that things would have gone so badly with him had he not, after it was all over in the forest, gone to see one whom he loved dearly. It was not his mother, but his sweetheart. He thought himself that he had gone there because he ought to tell her at once that he had lost so much money that he would not be able to marry for many years. But no doubt he went to see her solely to hear her say that she loved him quite as much in spite of his misfortunes. He thought that she could drive away the memory of the Fifty-Mile Forest.

She could, perhaps, have done this, but she would not. She was already displeased because Hede went about with a pack and looked like a peasant; she thought that for that reason alone it was difficult to love him as much as before. Now, when he told her that he must still go on doing this for many years, she said that she could no longer wait for him. This last blow was too much for Hede; his mind gave way.

He did not grow quite mad, however; he retained so much of his senses that he could attend to his business. He even did better than others, for it amused people to make fun of him; he was always welcome at the peasants' houses. People plagued and teased him, but that was in a way good for him, as he was so anxious to become rich. And in the course of a few years he had earned enough to pay all his debts, and he could have lived free from worry on his estate. But this he did not understand; he went about half-witted and silly from farm to farm, and he had no longer any idea to what class of people he really belonged.

III

Raglanda was the name of a parish in the north of East Vermland, near the borders of Dalarne, where the Dean had a large house, but the pastor only a small and poor one. But poor as they were at the small parsonage, they had been charitable enough to adopt a poor girl. She was a little girl, Ingrid by name, and she had come to the parsonage when she was thirteen years old.

The pastor had accidentally seen her at a fair, where she sat crying outside the tent of some acrobats. He had stopped and asked her why she was crying, and she had told him that her blind grandfather was dead, and that she had no relatives left. She now travelled with a couple of acrobats, and they were good to her, but she cried because she was so stupid that she could never learn to dance on the tight-rope and help to earn any money.

There was a sorrowful grace over the child which touched the pastor's heart. He said at once to himself that he could not allow such a little creature to go to the bad amongst these wandering tramps. He went into the tent, where he saw Mr. and Mrs. Blomgren, and offered to take the child home with him. The old acrobats began to weep, and said that although the girl was entirely unfitted for the profession, they would so very much like to keep her; but at the same time they thought she would be happier in a real home with people who lived in the same place all the year round, and therefore they were willing to give her up to the pastor if he would only promise them that she should be like one of his own children.

This he had promised, and from that time the young girl had lived at the parsonage. She was a quiet, gentle child, full of love and tender care for those around her. At first her adopted parents loved her very dearly, but as she grew older she developed a strong inclination to lose herself in dreams and fancies. She lived in a world of visions, and in the middle of the day she could let her work fall and be lost in dreams. But the pastor's wife, who was a clever and hard-working woman, did not approve of this. She found fault with the young girl for being lazy and slow, and tormented her by her severity so that she became timid and unhappy.

When she had completed her nineteenth year, she fell dangerously ill. They did not quite know what was the matter with her, for this happened long ago, when there was no doctor at Raglanda, but the girl was very ill. They soon saw she was so ill that she could not live.

She herself did nothing but pray to God that He would take her away from this world. She would so like to die, she said.

Then it seemed as if our Lord would try whether she was in earnest. One night she felt that she grew stiff and cold all over her body, and a heavy lethargy fell upon her. 'I think this must be death,' she said to herself.

But the strange thing was that she did not quite lose consciousness. She knew that she lay as if she were dead, knew that they wrapped her in her shroud and laid her in her coffin, but she felt no fear of being buried, although she was still alive. She had but the one thought that she was happy because she was about to die and leave this troublesome life.

The only thing she was uneasy about was lest they should discover that she was not really dead and would not bury her. Life must have been very bitter to her, inasmuch as she felt no fear of death whatever.

But no one discovered that she was living. She was conveyed to the church, carried to the churchyard, and lowered into the grave.

The grave, however, was not filled in; she had been buried before the service on Sunday morning, as was the custom at Raglanda. The mourners had gone into church after the funeral, and the coffin was left in the open grave; but as soon as the service was over they would come back, and help the grave-digger to fill in the grave.

The young girl knew everything that happened, but felt no fear. She had not been able to make the slightest movement to show that she was alive, even if she had wanted to; but even if she had been able to move, she would not have done so; the whole time she was happy because she was as good as dead.

But, on the other hand, one could hardly say that she was alive. She had neither the use of her mind nor of her senses. It was only that part of the soul which dreams dreams during the night that was still living within her.

She could not even think enough to realize how terrible it would be for her to awake when the grave was filled in. She had no more power over her mind than has one who dreams.

'I should like to know,' she thought, 'if there is anything in the whole wide world that could make me wish to live.'

As soon as that thought rushed through her it seemed to her as if the lid of the coffin, and the handkerchief which had been placed over her face, became transparent, and she saw before her riches and beautiful raiment, and lovely gardens with delicious fruits.

'No, I do not care for any of these things,' she said, and she closed her eyes for their glories.

When she again looked up they had disappeared, but instead she saw quite distinctly a little angel of God sitting on the edge of the grave.

'Good-morning, thou little angel of God,' she said to him.

'Good-morning, Ingrid,' the angel said. 'Whilst thou art lying here doing nothing, I would like to speak a little with thee about days gone by.'

Ingrid heard distinctly every word the angel said; but his voice was not like anything she had ever heard before. It was more like a stringed instrument; it was not like singing, but like the tones of a violin or the clang of a harp.

'Ingrid,' the angel said, 'dost thou remember, whilst thy grandfather was still living, that thou once met a young student, who went with thee from house to house playing the whole day on thy grandfather's violin?'

The girl's face was lighted by a smile.

'Dost thou think I have forgotten this?' she said. 'Ever since that time no day has passed when I have not thought of him.'

'And no night when thou hast not dreamt of him?'

'No, not a night when I have not dreamt of him.'

'And thou wilt die, although thou rememberest him so well,' said the angel. 'Then thou wilt never be able to see him again.'

When he said this it was as if the dead girl felt all the happiness of love, but even that could not tempt her.

'No, no,' she said; 'I am afraid to live; I would rather die.'

Then the angel waved his hand, and Ingrid saw before her a wide waste of desert. There were no trees, and the desert was barren and dry and hot, and extended in all directions without any limits. In the sand there lay, here and there, objects which at the first glance looked like pieces of rock, but when she examined them more closely, she saw they were the immense living animals of fairy tales, with huge claws and great jaws, with sharp teeth; they lay in the sand, watching for prey. And between these terrible animals the student came walking along. He went quite fearlessly, without suspecting that the figures around him were living.

'But warn him! do warn him!' Ingrid said to the angel in unspeakable fear. 'Tell him that they are living, and that he must take care.'

'I am not allowed to speak to him,' said the angel with his clear voice; 'thou must thyself warn him.'

The apparently dead girl felt with horror that she lay powerless, and could not rush to save the student. She made one futile effort after the other to raise herself, but the impotence of death bound her. But then at last, at last, she felt her heart begin to beat, the blood rushed through her veins, the stiffness of death was loosened in her body. She arose and hastened towards him.

IV

It is quite certain the sun loves the open places outside the small village churches. Has no one ever noticed that one never sees so much sunshine as during the morning service outside a small, whitewashed church? Nowhere else does one see such radiant streams of light, nowhere else is the air so devoutly quiet. The sun simply keeps watch that no one remains on the church hill gossiping. It wants them all to sit quietly in church and listen to the sermon—that is why it sends such a wealth of sunny rays on to the ground outside the church wall.

Perhaps one must not take it for granted that the sun keeps watch outside the small churches every Sunday; but so much is certain, that the morning Ingrid had been placed in the grave in the churchyard at Raglanda, it spread a burning heat over the open space outside the church. Even the flint stones looked as if they might take fire as they lay and sparkled in the wheel-ruts. The short, down-trodden grass curled, so that it looked like dry moss, whilst the yellow dandelions which grew amongst the grass spread themselves out on their long stems, so that they became as large as asters.

A man from Dalarne came wandering along the road—one of those men who go about selling knives and scissors. He was clad in a long, white sheep-skin coat, and on his back he had a large black leather pack. He had been walking with this burden for several hours without finding it too hot, but when he had left the highroad, and came to the open place outside the church, he stopped and took off his hat in order to dry the perspiration from his forehead.

As the man stood there bare-headed, he looked both handsome and clever. His forehead was high and white, with a deep wrinkle between the eyebrows; the mouth was well formed, with thin lips. His hair was parted in the middle; it was cut short at the back, but hung over his ears, and was inclined to curl. He was tall, and strongly, but not coarsely, built; in every respect well proportioned. But what was wrong about him was his glance, which was unsteady, and the pupils of his eyes rolled restlessly, and were drawn far into the sockets, as if to hide themselves. There was something drawn about the mouth, something dull and heavy, which did not seem to belong to the face.

He could not be quite right, either, or he would not have dragged that heavy pack about on a Sunday. If he had been quite in his senses, he would have known that it was of no use, as he could not sell anything in any case. None of the other men from Dalarne who walked about from village to village bent their backs under this burden on a Sunday, but they went to the house of God free and erect as other men.

But this poor fellow probably did not know it was a holy day until he stood in the sunshine outside the church and heard the singing. He was sensible enough at once to understand that he could not do any business, and then his brain began to work as to how he should spend the day.

He stood for a long time and stared in front of him. When everything went its usual course, he had no difficulty in managing. He was not so bad but that he could go from farm to farm all through the week and attend to his business, but he never could get accustomed to the Sunday—that always came upon him as a great, unexpected trouble.

His eyes became quite fixed, and the muscles of his forehead swelled.

The first thought that took shape in his brain was that he should go into the church and listen to the singing, but he would not accept this suggestion. He was very fond of singing, but he dared not go into the church. He was not afraid of human beings, but in some churches there were such quaint, uncanny pictures, which represented creatures of which he would rather not think.

At last his brain worked round to the thought that, as this was a church, there would probably also be a churchyard, and when he could take refuge in a churchyard all was well. One could not offer him anything better. If on his wanderings he saw a churchyard, he always went in and sat there awhile, even if it were in the middle of a workaday week.

Now that he wanted to go to the churchyard a new difficulty suddenly arose. The burial-place at Raglanda does not lie quite near the church, which is built on a hill, but on the other side of the road; and he could not get to the entrance of the churchyard without passing along the road where the horses of the church-goers were standing tied up.

All the horses stood with their heads deep in bundles of hay and nosebags, chewing. There was no question of their being able to do the man any harm, but he had his own ideas as to the danger of going past such a long row of animals.

Two or three times he made an attempt, but his courage failed him, so that he was obliged to turn back. He was not afraid that the horses would bite or kick. It was quite enough for him that they were so near that they could see him. It was quite enough that they could shake their bridles and scrape the earth with their hoofs.

At last a moment came when all the horses were looking down, and seemed to be eating for a wager. Then he began to make his way between them. He held his sheepskin cloak tightly around him so that it should not flap and betray him, and he went on tiptoe as lightly as he could. When a horse raised its eyelid and looked at him, he at once stopped and curtsied. He wanted to be polite in this great danger, but surely animals were amenable to reason, and could understand that he could not bow when he had a pack full of hardware upon his back; he could only curtsy.

He sighed deeply, for in this world it was a sad and troublesome thing to be so afraid of all four-footed animals as he was. He was really not afraid of any other animals than goats, and he would not have been at all afraid of horses and dogs and cats had he only been quite sure that they were not a kind of transformed goats. But he never was quite sure of that, so as a matter of fact it was just as bad for him as if he had been afraid of all kinds of four-footed animals.

It was no use his thinking of how strong he was, and that these small peasant horses never did any harm to anyone: he who has become possessed of such fears cannot reason with himself. Fear is a heavy burden, and it is hard for him who must always carry it.

It was strange that he managed to get past all the horses. The last few steps he took in two long jumps, and when he got into the churchyard he closed the gate after him, and began to threaten the horses with his clenched fist.

'You wretched, miserable, accursed goats!'

He did that to all animals. He could not help calling them goats, and that was very stupid of him, for it had procured him a name which he did not like. Everyone who met him called him the 'Goat.' But he would not own to this name. He wanted to be called by his proper name, but apparently no one knew his real name in that district.

He stood a little while at the gate, rejoicing at having escaped from the horses, but he soon went further into the churchyard. At every cross and every stone he stopped and curtsied, but this was not from fear: this was simply from joy at seeing these dear old friends. All at once he began to look quite gentle and mild. They were exactly the same crosses and stones he had so often seen before. They looked just as usual. How well he knew them again! He must say 'Good-morning' to them.

How nice it was in the churchyard! There were no animals about there, and there were no people to make fun of him. It was best there, when it was quite quiet as now; but even if there were people, they did not disturb him. He certainly knew many pretty meadows and woods which he liked still better, but there he was never left in peace. They could not by any means compare with the churchyard. And the churchyard was better than the forest, for in the forest the loneliness was so great that he was frightened by it. Here it was quiet, as in the depths of the forest; but he was not without company. Here people were sleeping under every stone and every mound; just the company he wanted in order not to feel lonely and strange.

He went straight to the open grave. He went there partly because there were some shady trees, and partly because he wanted company. He thought, perhaps, that the dead who had so recently been laid in the grave might be a better protection against his loneliness than those who had passed away long ago.

He bent his knees, with his back to the great mound of earth at the edge of the grave, and succeeded in pushing the pack upwards, so that it stood firmly on the mound, and he then loosened the heavy straps that fastened it. It was a great day—a holiday. He also took off his coat. He sat down on the grass with a feeling of great pleasure, so close to the grave that his long legs, with the stockings tied under the knee, and the heavy laced shoes dangled over the edge of the grave.

For a while he sat still, with his eyes steadily fixed upon the coffin. When one was possessed by such fear as he was, one could not be too careful. But the coffin did not move in the least; it was impossible to suspect it of containing any snare.

He was no sooner certain of this than he put his hand into a side-pocket of the pack and took out a violin and bow, and at the same time he nodded to the dead in the grave. As he was so quiet he should hear something pretty.

This was something very unusual for him. There were not many who were allowed to hear him play. No one was ever allowed to hear him play at the farms, where they set the dogs at him and called him the 'Goat'; but sometimes he would play in a house where they spoke softly, and went about quietly, and did not ask him if he wanted to buy any goat-skins. At such places he took out his violin and treated them to some music; and this was a great favour—the greatest he could bestow upon anybody.

As he sat there and played at the edge of the grave it did not sound amiss; he did not play a wrong note, and he played so softly and gently that it could hardly be heard at the next grave. The strange thing about it was that it was not the man who could play, but it was his violin that could remember some small melodies. They came forth from the violin as soon as he let the bow glide over it. It might not, perhaps, have meant so much to others, but for him, who could not remember a single tune, it was the most precious gift of all to possess such a violin that could play by itself.

Whilst he played he sat with a beaming smile on his face. It was the violin that spoke and spoke; he only listened. Was it not strange that one heard all these beautiful things as soon as one let the bow glide over the strings? The violin did that. It knew how it ought to be, and the Dalar man only sat and listened. Melodies grew out of that violin as grass grows out of the earth. No one could understand how it happened. Our Lord had ordered it so.

The Dalar man intended to remain sitting there the whole day, and let the dear tunes grow out of the violin like small white and many-coloured flowers. He would play a whole meadowful of flowers, play a whole long valleyful, a whole wide plain.

But she who lay in the coffin distinctly heard the violin, and upon her it had a strange effect. The tones had made her dream, and what she had seen in her dreams caused her such emotion that her heart began to beat, her blood to flow, and she awoke.

But all she had lived through while she lay there, apparently dead, the thoughts she had had, and also her last dream—everything vanished in the same moment she awoke to consciousness. She did not even know that she was lying in her coffin, but thought she was still lying ill at home in her bed. She only thought it strange that she was still alive. A little while ago, before she fell asleep, she had been in the pangs of death. Surely, all must have been over with her long ago. She had taken leave of her adopted parents, and of her brothers and sisters, and of the servants. The Dean had been there himself to administer the last Communion, for her adopted father did not think he could bear to give it to her himself. For several days she had put away all earthly thoughts from her mind. It was incomprehensible that she was not dead.

She wondered why it was so dark in the room where she lay. There had been a light all the other nights during her illness. And then they had let the blankets fall off the bed. She was lying there getting as cold as ice. She raised herself a little to pull the blankets over her. In doing so she knocked her head against the lid of the coffin, and fell back with a little scream of pain. She had knocked herself rather severely, and immediately became unconscious again. She lay as motionless as before, and it seemed as if life had again left her.

The Dalar man, who had heard both the knock and the cry, immediately laid down his violin and sat listening; but there was nothing more to be heard—nothing whatever. He began again to look at the coffin as attentively as before. He sat nodding his head, as if he would say 'Yes' to what he was himself thinking about, namely, that nothing in this world was to be depended upon. Here he had had the best and most silent of comrades, but had he not also been disappointed in him?

He sat and looked at the coffin, as if trying to see right through it. At last, when it continued quite still, he took his violin again and began to play. But the violin would not play any longer. However gently and tenderly he drew his bow, there came forth no melody. This was so sad that he was nearly crying. He had intended to sit still and listen to his violin the whole day, and now it would not play any more.

He could quite understand the reason. The violin was uneasy and afraid of what had moved in the coffin. It had forgotten all its melodies, and thought only of what it could be that had knocked at the coffin-lid. That is how it is one forgets everything when one is afraid. He saw that he would have to quiet the violin if he wanted to hear more.

He had felt so happy, more so than for many years. If there was really anything bad in the coffin, would it not be better to let it out? Then the violin would be glad, and beautiful flowers would again grow out of it.

He quickly opened his big pack, and began to rummage amongst his knives and saws and hammers until he found a screw-driver. In another moment he was down in the grave on his knees and unscrewing the coffin-lid. He took out one screw after the other, until at last he could raise the lid against the side of the grave; at the same moment the handkerchief fell from off the face of the apparently dead girl. As soon as the fresh air reached Ingrid, she opened her eyes. Now she saw that it was light. They must have removed her. Now she was lying in a yellow chamber with a green ceiling, and a large chandelier was hanging from the ceiling. The chamber was small, but the bed was still smaller. Why had she the sensation of her arms and legs being tied? Was it because she should lie still in the little narrow bed? It was strange that they had placed a hymn-book under her chin; they only did that with corpses. Between her fingers she had a little bouquet. Her adopted mother had cut a few sprigs from her flowering myrtle, and laid them in her hands. Ingrid was very much surprised. What had come to her adopted mother? She saw that they had given her a pillow with broad lace, and a fine hem-stitched sheet. She was very glad of that; she liked to have things nice. Still, she would rather have had a warm blanket over her. It could surely not be good for a sick person to lie without a blanket. Ingrid was nearly putting her hands to her eyes and beginning to cry, she was so bitterly cold. At the same moment she felt something hard and cold against her cheek. She could not help smiling. It was the old, red wooden horse, the old three-legged Camilla, that lay beside her on the pillow. Her little brother, who could never sleep at night without having it with him in his bed, had put it in her bed. It was very sweet of her little brother. Ingrid felt still more inclined to cry when she understood that her little brother had wanted to comfort her with his wooden horse.

But she did not get so far as crying. The truth all at once flashed upon her. Her little brother had given her the wooden horse, and her mother had given her her white myrtle flowers, and the hymn-book had been placed under her chin, because they had thought she was dead.

Ingrid took hold of the sides of the coffin with both hands and raised herself. The little narrow bed was a coffin, and the little narrow chamber was a grave. It was all very difficult to understand. She could not understand that this concerned her, that it was she who had been swathed like a corpse and placed in the grave. She must be lying all the same in her bed, and be seeing or dreaming all this. She would soon find out that this was no reality, but that everything was as usual.

All at once she found the explanation of the whole thing—'I often have such strange dreams. This is only a vision'—and she sighed, relieved and happy. She laid herself down in her coffin again; she was so sure that it was her own bed, for that was not very wide either.

All this time the Dalar man stood in the grave, quite close to the foot of the coffin. He only stood a few feet from her, but she had not seen him; that was probably because he had tried to hide himself in the corner of the grave as soon as the dead in the coffin had opened her eyes and begun to move. She could, perhaps, have seen him, although he held the coffin-lid before him as a screen, had there not been something like a white mist before her eyes so that she could only see things quite near her distinctly. Ingrid could not even see that there were earthen walls around her. She had taken the sun to be a large chandelier, and the shady lime-trees for a roof. The poor Dalar man stood and waited for the thing that moved in the coffin to go away. It did not strike him that it would not go unrequested. Had it not knocked because it wanted to get out? He stood for a long time with his head behind the coffin-lid and waited, that it should go. He peeped over the lid when he thought that now it must have gone. But it had not moved; it remained lying on its bed of shavings.

He could not put up with it any longer; he must really make an end of it. It was a long time since his violin had spoken so prettily as to-day, he longed to sit again quietly with it. Ingrid, who had nearly fallen asleep again, suddenly heard herself addressed in the sing-song Dalar dialect:

'Now, I think it is time you got up.'

As soon as he had said this he hid his head. He shook so much over his boldness that he nearly let the lid fall.

But the white mist which had been before Ingrid's eyes disappeared completely when she heard a human being speaking. She saw a man standing in the corner, at the foot of the coffin, holding a coffin-lid before him. She saw at once that she could not lie down again and think it was a vision. Surely he was a reality, which she must try and make out. It certainly looked as if the coffin were a coffin, and the grave a grave, and that she herself a few minutes ago was nothing but a swathed and buried corpse. For the first time she was terror-stricken at what had happened to her. To think that she could really have been dead that moment! She could have been a hideous corpse, food for worms. She had been placed in the coffin for them to throw earth upon her; she was worth no more than a piece of turf; she had been thrown aside altogether. The worms were welcome to eat her; no one would mind about that.

Ingrid needed so badly to have a fellow-creature near her in her great terror. She had recognized the Goat directly he put up his head. He was an old acquaintance from the parsonage; she was not in the least afraid of him. She wanted him to come close to her. She did not mind in the least that he was an idiot. He was, at any rate, a living being. She wanted him to come so near to her that she could feel she belonged to the living and not to the dead.

'Oh, for God's sake, come close to me!' she said, with tears in her voice.

She raised herself in the coffin and stretched out her arms to him.

But the Dalar man only thought of himself. If she were so anxious to have him near her, he resolved to make his own terms.

'Yes,' he said, 'if you will go away.'

Ingrid at once tried to comply with his request, but she was so tightly swathed in the sheet that she found it difficult to get up.

'You must come and help me,' she said.

She said this, partly because she was obliged to do it, and partly because she was afraid that she had not quite escaped death. She must be near someone living.

He actually went near her, squeezing himself between the coffin and the side of the grave. He bent over her, lifted her out of the coffin, and put her down on the grass at the side of the open grave.

Ingrid could not help it. She threw her arms round his neck, laid her head on his shoulder and sobbed. Afterwards she could not understand how she had been able to do this, and that she was not afraid of him. It was partly from joy that he was a human being—a living human being—and partly from gratitude, because he had saved her.

What would have become of her if it had not been for him? It was he who had raised the coffin-lid, who had brought her back to life. She certainly did not know how it had all happened, but it was surely he who had opened the coffin. What would have happened to her if he had not done this? She would have awakened to find herself imprisoned in the black coffin. She would have knocked and shouted; but who would have heard her six feet below the ground? Ingrid dared not think of it; she was entirely absorbed with gratitude because she had been saved. She must have someone she could thank. She must lay her head on someone's breast and cry from gratitude.

The most extraordinary thing, almost, that happened that day was, that the Dalar man did not repulse her. But it was not quite clear to him that she was alive. He thought she was dead, and he knew it was not advisable to offend anyone dead. But as soon as he could manage, he freed himself from her and went down into the grave again. He placed the lid carefully on the coffin, put in the screws and fastened it as before. Then he thought the coffin would be quite still, and the violin would regain its peace and its melodies.

In the meantime Ingrid sat on the grass and tried to collect her thoughts. She looked towards the church and discovered the horses and the carriages on the hillside. Then she began to realize everything. It was Sunday; they had placed her in the grave in the morning, and now they were in church.

A great fear now seized Ingrid. The service would, perhaps, soon be over, and then all the people would come out and see her. And she had nothing on but a sheet! She was almost naked. Fancy, if all these people came and saw her in this state! They would never forget the sight. And she would be ashamed of it all her life.

Where should she get some clothes? For a moment she thought of throwing the Dalar man's fur coat round her, but she did not think that that would make her any more like other people.

She turned quickly to the crazy man, who was still working at the coffin-lid.

'Oh,' she said, 'will you let me creep into your pack?'

In a moment she stood by the great leather pack, which contained goods enough to fill a whole market-stall, and began to open it.

'You must come and help me.'

She did not ask in vain. When the Dalar man saw her touching his wares he came up at once.

'Are you touching my pack?' he asked threateningly.

Ingrid did not notice that he spoke angrily; she considered him to be her best friend all the time.

'Oh, dear good man,' she said, 'help me to hide, so that people will not see me. Put your wares somewhere or other, and let me creep into the pack, and carry me home. Oh, do do it! I live at the Parsonage, and it is only a little way from here. You know where it is.'

The man stood and looked at her with stupid eyes. She did not know whether he had understood a word of what she said. She repeated it, but he made no sign of obeying her. She began again to take the things out of the pack. Then he stamped on the ground and tore the pack from her.

However should Ingrid be able to make him do what she wanted?

On the grass beside her lay a violin and a bow. She took them up mechanically—she did not know herself why. She had probably been so much in the company of people playing the violin that she could not bear to see an instrument lying on the ground.

As soon as she touched the violin he let go the pack, and tore the violin from her. He was evidently quite beside himself when anyone touched his violin. He looked quite malicious.

What in the world could she do to get away before people came out of church?

She began to promise him all sorts of things, just as one promises children when one wants them to be good.

'I will ask father to buy a whole dozen of scythes from you. I will lock up all the dogs when you come to the Parsonage. I will ask mother to give you a good meal.'

But there was no sign of his giving way. She bethought herself of the violin, and said in her despair:

'If you will carry me to the Parsonage, I will play for you.'

At last a smile flashed across his face. That was evidently what he wanted.

'I will play for you the whole afternoon; I will play for you as long as you like.'

'Will you teach the violin new melodies?' he asked.

'Of course I will.'

But Ingrid now became both surprised and unhappy, for he took hold of the pack and pulled it towards him. He dragged it over the graves, and the sweet-williams and southernwood that grew on them were crushed under it as if it were a roller. He dragged it to a heap of branches and wizened leaves and old wreaths lying near the wall round the churchyard. There he took all the things out of the pack, and hid them well under the heap. When it was empty he returned to Ingrid.

'Now you can get in,' he said.

Ingrid stepped into the pack, and crouched down on the wooden bottom. The man fastened all the straps as carefully as when he went about with his usual wares, bent down so that he nearly went on his knees, put his arms through the braces, buckled a couple of straps across his chest, and stood up. When he had gone a few steps he began to laugh. His pack was so light that he could have danced with it.

It was only about a mile from the church to the Parsonage. The Dalar man could walk it in twenty minutes. Ingrid's only wish was that he would walk so quickly that she could get home before the people came back from church. She could not bear the idea of so many people seeing her. She would like to get home when only her mother and the maid-servants were there.

Ingrid had taken with her the little bouquet of flowers from her adopted mother's myrtle. She was so pleased with it that she kissed it over and over again. It made her think more kindly of her adopted mother than she had ever done before. But in any case she would, of course, think kindly of her now. One who has come straight from the grave must think kindly and gently of everything living and moving on the face of the earth.

She could now understand so well that the Pastor's wife was bound to love her own children more than her adopted daughter. And when they were so poor at the Parsonage that they could not afford to keep a nursemaid, she could see now that it was quite natural that she should look after her little brothers and sisters. And when her brothers and sisters were not good to her, it was because they had become accustomed to think of her as their nurse. It was not so easy for them to remember that she had come to the Parsonage to be their sister.

And, after all, it all came from their being poor. When father some day got another living, and became Dean, or even Rector, everything would surely come right. Then they would love her again, as they did when she first came to them. The good old times would be sure to come back again. Ingrid kissed her flowers. It had not been mother's intention, perhaps, to be hard; it was only worry that had made her so strange and unkind.

But now it would not matter how unkind they were to her. In the future nothing could hurt her, for now she would always be glad, simply because she was alive. And if things should ever be really bad again, she would only think of mother's myrtle and her little brother's horse.

It was happiness enough to know that she was being carried along the road alive. This morning no one had thought that she would ever again go over these roads and hills. And the fragrant clover and the little birds singing and the beautiful shady trees, which had all been a source of joy for the living, had not even existed for her. But she had not much time for reflection, for in twenty minutes the Dalar man had reached the Parsonage.

No one was at home but the Pastor's wife and the maid-servants, just as Ingrid had wished. The Pastor's wife had been busy the whole morning cooking for the funeral feast. She soon expected the guests, and everything was nearly ready. She had just been into the bedroom to put on her black dress. She glanced down the road to the church, but there were still no carriages to be seen. So she went once again into the kitchen to taste the food.

She was quite satisfied, for everything was as it ought to be, and one cannot help being glad for that, even if one is in mourning. There was only one maid in the kitchen, and that was the one the Pastor's wife had brought with her from her old home, so she felt she could speak to her in confidence.

'I must confess, Lisa,' she said, 'I think anyone would be pleased with having such a funeral.'

'If she could only look down and see all the fuss you make of her,' Lisa said, 'she would be pleased.'

'Ah!' said the Pastor's wife, 'I don't think she would ever be pleased with me.'