THE
GAY COCKADE
BY
TEMPLE BAILEY

AUTHOR OF
THE TRUMPETER SWAN,
THE TIN SOLDIER, Etc.

FRONTISPIECE BY
C. E. CHAMBERS

GROSSET & DUNLAP
PUBLISHERS NEW YORK

Made in the United States of America

Manufacturing
Plant
Camden, N. J.

Made in U.S.A.

The Gay Cockade

For permission to reprint some of the stories in this volume, the author is indebted to the courtesy of the editors of Harper's Magazine, Scribner's Magazine, Collier's Magazine, Ladies' Home Journal, Saturday Evening Post, Good Housekeeping, and Harper's Bazar.

The Gay Cockade [7]
The Hidden Land [33]
White Birches [84]
The Emperor's Ghost [118]
The Red Candle [132]
Returned Goods [149]
Burned Toast [165]
Petronella [187]
The Canopy Bed [205]
Sandwich Jane [223]
Lady Crusoe [272]
A Rebellious Grandmother [310]
Wait—for Prince Charming [327]
Beggars on Horseback [351]

THE GAY COCKADE

From the moment that Jimmie Harding came into the office, he created an atmosphere. We were a tired lot. Most of us had been in the government service for years, and had been ground fine in the mills of departmental monotony.

But Jimmie was young, and he wore his youth like a gay cockade. He flaunted it in our faces, and because we were so tired of our dull and desiccated selves, we borrowed of him, remorselessly, color and brightness until, gradually, in the light of his reflected glory, we seemed a little younger, a little less tired, a little less petrified.

In his gay and gallant youth there was, however, a quality which partook of earlier times. He should, we felt, have worn a feather in his cap—and a cloak instead of his Norfolk coat. He walked with a little swagger, and stood with his hand on his hip, as if his palm pressed the hilt of his sword. If he ever fell in love, we told one another, he would, without a doubt, sing serenades and apostrophize the moon.

He did fall in love before he had been with us a year. His love-affair was a romance for the whole office. He came among us every morning glorified; he left us in the afternoon as a knight enters upon a quest.

He told us about the girl. We pictured her perfectly before we saw her, as a little thing, with a mop of curled brown hair; an oval face, pearl-tinted; wide, blue eyes. He dwelt on all her small perfections—the brows that swept across her forehead in a thin black line, the transparency of her slender hands, the straight set of her head on her shoulders, the slight halt in her speech like that of an enchanting child.

Yet she was not in the least a child. "She holds me up to my best, Miss Standish," Jimmie told me; "she says I can write."

We knew that Jimmie had written a few things, gay little poems that he showed us now and then in the magazines. But we had not taken them at all seriously. Indeed, Jimmie had not taken them seriously himself.

But now he took them seriously. "Elise says that I can do great things. That I must get out of the Department."

To the rest of us, getting out of the government service would have seemed a mad adventure. None of us would have had the courage to consider it. But it seemed a natural thing that Jimmie should fare forth on the broad highway—a modern D'Artagnan, a youthful Quixote, an Alan Breck—!

We hated to have him leave. But he had consolation. "Of course you'll come and see us. We're going back to my old house in Albemarle. It's a rotten shack, but Elise says it will be a corking place for me to write. And you'll all come down for week-ends."

We felt, I am sure, that it was good of him to ask us, but none of us expected that we should ever go. We had a premonition that Elise wouldn't want the deadwood of Jimmie's former Division. I know that for myself, I was content to think of Jimmie happy in his old house. But I never really expected to see it. I had reached the point of expecting nothing except the day's work, my dinner at the end, a night's sleep, and the same thing over again in the morning.

Yet Jimmie got all of us down, not long after he was married, to what he called a housewarming. He had inherited a few pleasant acres in Virginia, and the house was two hundred years old. He had never lived in it until he came with Elise. It was in rather shocking condition, but Elise had managed to make it habitable by getting it scrubbed very clean, and by taking out everything that was not in keeping with the oldness and quaintness. The resulting effect was bare but beautiful. There were a great many books, a few oil-portraits, mahogany sideboards and tables and four-poster beds, candles in sconces and in branched candlesticks. They were married in April, and when we went down in June poppies were blowing in the wide grass spaces, and honeysuckle rioting over the low stone walls. I think we all felt as if we had passed through purgatory and had entered heaven. I know I did, because this was the kind of thing of which I had dreamed, and there had been a time when I, too, had wanted to write.

The room in which Jimmie wrote was in a little detached house, which had once been the office of his doctor grandfather. He had his typewriter out there, and a big desk, and from the window in front of his desk he could look out on green slopes and the distant blue of mountain ridges.

We envied him and told him so.

"Well, I don't know," Jimmie said. "Of course I'll get a lot of work done. But I'll miss your darling old heads bending over the other desks."

"You couldn't work, Jimmie," Elise reminded him, "with other people in the room."

"Perhaps not. Did I tell you old dears that I am going to write a play?"

That was, it seems, what Elise had had in mind for him from the beginning—a great play!

"She wouldn't even, have a honeymoon"—Jimmie's arm was around her; "she brought me here, and got this room ready the first thing."

"Well, he mustn't be wasting time," said Elise, "must he? Jimmie's rather wonderful, isn't he?"

They seemed a pair of babies as they stood there together. Elise had on a childish one-piece pink frock, with sleeves above the elbow, and an organdie sash. Yet, intuitively, the truth came to me—she was ages older than Jimmie in spite of her twenty years to his twenty-four. Here was no Juliet, flaming to the moon—no mistress whose steed would gallop by wind-swept roads to midnight trysts. Here was, rather, the cool blood that had sacrificed a honeymoon—and, oh, to honeymoon with Jimmie Harding!—for the sake of an ambitious future.

She was telling us about it "We can always have a honeymoon, Jimmie and I. Some day, when he is famous, we'll have it. But now we must not."

"I picked out the place"—Jimmie was eager—"a dip in the hills, and big pines—And then Elise wouldn't."

We went in to lunch after that. The table was lovely and the food delicious. There was batter-bread, I remember, and an omelette, and peas from the garden.

Duncan Street and I talked all the way home of Jimmie and his wife. He didn't agree with me in the least about Elise. "She'll be the making of him. Such wives always are."

But I held that he would lose something,—that he would not be the same Jimmie.

Jimmie wrote plays and plays. In between he wrote pot-boiling books. The pot-boilers were needed, because none of his plays were accepted. He used to stop in our office and joke about it.

"If it wasn't for Elise's faith in me, Miss Standish, I should think myself a poor stick. Of course, I can make money enough with my books and short stuff to keep things going, but it isn't just money that either of us is after."

Except when Jimmie came into the office we saw very little of him. Elise gathered about her the men and women who would count in Jimmie's future. The week-ends in the still old house drew not a few famous folk who loathed the commonplaceness of convivial atmospheres. Elise had old-fashioned flowers in her garden, delectable food, a library of old books. It was a heavenly change for those who were tired of cocktail parties, bridge-madness, illicit love-making. I could never be quite sure whether Elise really loved dignified living for its own sake, or whether she was sufficiently discriminating to recognize the kind of bait which would lure the fine souls whose presence gave to her hospitality the stamp of exclusiveness.

They had a small car, and it was when Jimmie motored up to Washington that we saw him. He had a fashion of taking us out to lunch, two at a time. When he asked me, he usually asked Duncan Street. Duncan and I have worked side by side for twenty-five years. There is nothing in the least romantic about our friendship, but I should miss him if he were to die or to resign from office. I have little fear of the latter contingency. Only death, I feel, will part us.

In our moments of reunion Jimmie always talked a great deal about himself. The big play was, he said, in the back of his mind. "Elise says that I can do it," he told us one day over our oysters, "and I am beginning to think that I can. I say, why can't you old dears in the office come down for Christmas, and I'll read you what I've written."

We were glad to go. There were to be no other guests, and I found out afterward that Elise rarely invited any of their fashionable friends down in winter. The place showed off better in summer with the garden, and the vines hiding all deficiencies.

We arrived in a snow-storm on Christmas Eve, and when we entered the house there was a roaring fire on the hearth. I hadn't seen a fire like that for thirty years. You may know how I felt when I knelt down in front of it and warmed my hands.

The candles in sconces furnished the only other illumination. Elise, moving about the shadowy room, seemed to draw light to herself. She wore a flame-colored velvet frock and her curly hair was tucked into a golden net. I think that she had planned the medieval effect deliberately, and it was a great success. As she flitted about like a brilliant bird, our eyes followed her. My eyes, indeed, drank of her, like new wine. I have always loved color, and my life has been drab.

I spoke of her frock when she showed me my room.

"Oh, do you like it?" she asked. "Jimmie hates to see me in dark things. He says that when I wear this he can see his heroine."

"Is she like you?"

"Not a bit. She is rather untamed. Jimmie does her very well. She positively gallops through the play."

"And do you never gallop?"

She shook her head. "It's a good thing that I don't. If I did, Jimmie would never write. He says that I keep his nose to the grindstone. It isn't that, but I love him too much to let him squander his talent. If he had no talent, I should love him without it. But, having it, I must hold him up to it."

She was very sure of herself, very sure of the rightness of her attitude toward Jimmie. "I know how great he is," she said, as we went down, "and other people don't. So I've got to prove it."

It was at dinner that I first noticed a change in Jimmie. It was a change which was hard to define. Yet I missed something in him—the enthusiasm, the buoyancy, the almost breathless radiance with which he had rekindled our dying fires. Yet he looked young enough and happy enough as he sat at the table in his velvet studio coat, with his crisp, burnt-gold hair catching the light of the candles. He and his wife were a handsome pair. His manner to her was perfect. There could be no question of his adoration.

After dinner we had the tree. It was a young pine set up at one end of the long dining-room, and lighted in the old fashion by red wax candles. There were presents on it for all of us. Jimmie gave me an adorably illustrated Mother Goose.

"You are the only other child here, Miss Standish," he said, as he handed it to me. "I saw this in a book-shop, and couldn't resist it."

We looked over the pictures together. They were enchanting. All the bells of old London rang out for a wistful Whittington in a ragged jacket; Bo-Peep in panniers and pink ribbons wailed for her historic sheep; Mother Hubbard, quaint in a mammoth cap, pursued her fruitless search for bones. There was, too, an entrancing Boy Blue who wound his horn, a sturdy darling with his legs planted far apart and distended rosy cheeks.

"That picture is worth the price of the whole book," said Jimmie, and hung over it. Then suddenly he straightened up. "There should be children in this old house."

I knew then what I had missed from the tree. Elise had a great many gifts—exquisite trifles sent to her by sophisticated friends—a wine-jug of seventeenth-century Venetian glass, a bag of Chinese brocade with handles of carved ivory, a pair of ancient silver buckles, a box of rare lacquer filled with Oriental sweets, a jade pendant, a crystal ball on a bronze base—all of them lovely, all to be exclaimed over; but the things I wanted were drums and horns and candy canes, and tarletan bags, and pop-corn chains, and things that had to be wound up, and things that whistled, and things that squawked, and things that sparkled. And Jimmie wanted these things, but Elise didn't. She was perfectly content with her elegant trifles.

It was late when we went out finally to the studio. There was snow everywhere, but it was a clear night with a moon above the pines. A great log burned in the fireplace, a shaded lamp threw a circle of gold on shining mahogany. It seemed to me that Jimmie's writing quarters were even more attractive in December than in June.

Yet, looking back, I can see that to Jimmie the little house was a sort of prison. He loved men and women, contact with his own kind. He had even liked our dingy old office and our dreary, dried-up selves. [And here, day after day, he sat alone]—as an artist must sit if he is to achieve—es bildet ein Talent sich in der Stille.

We sat around the fire in deep leather chairs, all except Elise, who had a cushion on the floor at Jimmie's feet.

He read with complete absorption, and when he finished he looked at me. "What do you think of it?"

I had to tell the truth. "It isn't your masterpiece."

He ran his fingers through his hair with a nervous gesture. "I told Elise that it wasn't."

"But the girl"—Elise's gaze held hot resentment—"is wonderful. Surely you can see that."

"She doesn't seem quite real."

"Then Jimmie shall make her real." Elise laid her hand lightly on her husband's shoulder. Her gown and golden net were all flame and sparkle, but her voice was cold. "He shall make her real."

"No"—it seemed to me that as he spoke Jimmie drew away from her hand—"I am not going to rewrite it, Elise. I'm tired of it."

"Jimmie!"

"I'm tired of it—"

"Finish it, and then you'll be free—"

"Shall I ever be free?" He stood up and turned his head from side to side, as if he sought some way of escape. "Shall I ever be free? I sometimes think that you and I will stick to this old house until we grow as dry as dust. I want to live, Elise! I want to live—!"

But Elise was not ready to let Jimmie live. To her, Jimmie the artist was more than Jimmie the lover. I may have been unjust, but she seemed to me a sort of mental vampire, who was sucking Jimmie's youth. Duncan Street snorted when I told him what I thought. Elise was a pretty woman, and a pretty woman in the eyes of men can do no wrong.

"You'll see," I said, "what she'll do to him."

The situation was to me astounding. Here was Life holding out its hands to Elise, glory of youth demanding glorious response, and she, incredibly, holding back. In spite of my gray hair and stiff figure, I am of the galloping kind, and my soul followed Jimmie Harding's in its quest for freedom.

But there was one thing that Elise could not do. She could not make Jimmie rewrite his play. "I'll come to it some day," he said, "but not yet. In the meantime I'll see what I can do with books."

He did a great deal with books, so that he wrote several best-sellers. This eased the financial situation and they might have had more time for things. But Elise still kept him at it. She wanted to be the wife of a great man.

Yet as the years went on, Duncan and I began to wonder if her hopes would be realized. Jimmie wrote and wrote. He was successful in a commercial sense, but fame did not come to him. There was gray in his burnt-gold hair; his shoulders acquired a scholarly droop, and he wore glasses on a black ribbon. It was when he put on glasses that I began to feel a thousand years old. Yet always when he was away from me I thought of him as the Jimmie whose youth had shone with blinding radiance.

His constancy to Duncan and to me began to take on a rather pathetic quality. The others in the office drifted gradually out of his life. Some of them died, some of them resigned, some of them worked on, plump or wizened parodies of their former selves. I was stouter than ever, and stiffer, and the top of Duncan's head was a shining cone. And the one interesting thing in our otherwise dreary days was Jimmie.

"You're such darling old dears," was his pleasant way of putting it.

But Duncan dug up the truth for me. "We knew him before he wrote. He gets back to that when he is with us."

I had grown to hate Elise. It was not a pleasant emotion, and I am not sure that she really deserved it. But Duncan hated her, too. "You're right," he said one day when we had lunched with Jimmie; "she's sucked him dry." Jimmie had been unusually silent. He had laughed little. He had tapped the table with his finger, and had kept his eyes on his finger. He had been absent-minded. "She has sucked him dry," said Duncan, with great heat.

But she hadn't. That was the surprising thing. Just as we were all giving up hope of Jimmie's proving himself something more than a hack, he did the great thing and the wonderful thing that years ago Elise had prophesied. His play, "The Gay Cockade," was accepted by a New York manager, and after the first night the world went wild about it.

I had helped Jimmie with the name. I had spoken once of youth as a gay cockade. "That's a corking title," Jimmie had said, and had written it in his note-book.

When his play was put in rehearsal, Duncan and I were there to see. We took our month's leave, traveled to New York, and stayed at an old-fashioned boarding-house in Washington Square. Every day we went to the theatre. Elise was always there, looking younger than ever in the sables bought with Jimmie's advance royalty, and with various gowns and hats which were the by-products of his best-sellers.

The part of the heroine of "The Gay Cockade" was taken by Ursula Simms. She was, as those of you who have seen her know, a Rosalind come to life. With an almost boyish frankness she combined feminine witchery. She had glowing red hair, a voice that was gay and fresh, a temper that was hot. She galloped through the play as Jimmie had meant that she should gallop in that first poor draft which he had read to us in Albemarle, and it was when I saw Ursula in rehearsal that I realized what Jimmie had done—he had embodied in his heroine all the youth that he had lost—she stood for everything that Elise had stolen from him—for the wildness, the impetuosity, the passion which swept away prudence and went neck to nothing to fulfilment.

Indeed, the whole play partook of the madness of youth. It bubbled over. Everybody galloped to a rollicking measure. We laughed until we cried. But there was more than laughter in it. There was the melancholy which belongs to tender years set in exquisite contrast to the prevailing mirth.

Jimmie had a great deal to do with the rehearsals. Several times he challenged Ursula's reading of the part.

"You must not give your kisses with such ease," he told her upon one occasion; "the girl in the play has never been kissed."

She shrugged her shoulders and ignored him. Again he remonstrated. "She's frank and free," he said. "Make her that. Make her that. Men must fight for her favors."

She came to it at last, helped by that Rosalind-like quality in herself. She was young, as he had wanted Elise to be, clean-hearted, joyous—girlhood at its best.

Gradually Jimmie ceased to suggest. He would sit beside us in the dimness of the empty auditorium, and watch her as if he drank her in. Now and then he would laugh a little, and say, under his breath: "How did I ever write it? How did it ever happen?"

Elise, on the other side of him, said, at last, "I knew you could do it, Jimmie."

"You thought I could do great things. You never knew I could do—this—"

It was toward the end of the month that Duncan said to me one night as we rode home on the top of a 'bus, "You don't suppose that he—"

"Elise thinks it," I said. "It's waking her up."

Elise and Jimmie had been married fifteen years, and had never had a honeymoon, not in the sense that Jimmie wanted it—an adventure in romance, to some spot where they could forget the world of work, the world of sordid things, the world that was making Jimmie old. Every summer Jimmie had asked for it, and always Elise had said, "Wait."

But now it was Elise who began to plan. "When your play is produced, we'll run away somewhere. Do you remember the place you always talked about—up in the hills?"

He looked at her through his round glasses. "I can't get away from this"—he waved his hand toward the stage.

"If it's a success you can, Jimmie."

"It will be a success. Ursula Simms is a wonder. Look at her, Elise. Look at her!"

Duncan and I could look at nothing else. As many times as I had seen her in the part, I came to it always eagerly. It was her great scene—where the girl, breaking free from all that has bound her, takes the hand of her vagabond lover and goes forth, leaving behind wealth and a marriage of distinction, that she may wander across the moors and down on the sands, with the wild wind in her face, the stars for a canopy!

It tugged at our hearts. It would tug, we knew, at the heart of any audience. It was the human nature in us all which responded. Not one of us but would have broken bonds. Oh, youth, youth! Is there anything like it in the whole wide world?

I do not think that it tugged at the heart of Elise. Her heart was not like that. It was a stay-at-home heart. A workaday-world heart. Elise would never under any circumstance have gone forth with a vagabond on a wild night.

But here was Ursula doing it every day. On the evening of the first dress-rehearsal she wore clothes that showed her sense of fitness. As if in casting off conventional restraints, she renounced conventional attire; she came down to her lover wrapped in a cloak of the deep-purple bloom of the heather of the moor, and there was a pheasant's feather in her cap.

"May you never regret it, my dear, my dear," said the lover on the stage.

"I shall love you for a million years," said Ursula, and we felt that she would, and that love was eternal, and that any woman might have it if she would put her hand in her lover's and run away with him on a wild night!

And it was the genius of Jimmie Harding that made us feel that the thing could be done. He sat forward in his chair, his arms on the back of the seat in front of him. "Jove!" he kept saying under his breath. "It's the real thing. It's the real thing—"

When the scene was over, he went on the stage and stood by Ursula. Elise from her seat watched them. Ursula had taken off the cap with the pheasant's feather. Her glorious hair shone like copper, her hand was on her hip, her little swagger matched the swagger that we remembered in the old Jimmie. I wondered if Elise remembered.

I am not sure what made Ursula care for Jimmie Harding. He was no longer a figure for romance. But she did care. It was, perhaps, that she saw in him the fundamental things which belonged to both of them, and which did not belong to Elise.

As the days went on I was sorry for Elise. I should never have believed that I could be sorry, but I was. Jimmie was always punctiliously polite to her. But he was only that.

"She's getting what she deserves," Duncan said, but I felt that she was, perhaps, getting more than she deserved. For, after all, it was she who had kept Jimmie at it, and it was her keeping him at it which had brought success.

Neither Duncan nor I could tell how Jimmie felt about Ursula. But the thought of her troubled my sleep. Stripped of her art, she was not in the least the heroine of Jimmie's play. She was of coarser clay, commoner. And Jimmie was fine. The fear I had was that he might clothe her with the virtues which he had created, and the thought, as I have said, troubled me.

At last Duncan and I had to go home, although we promised to return for the opening night. Ursula gave a farewell supper for us. She lived alone with a housekeeper and maid. Her apartment was furnished in good taste, with, perhaps, a touch of over-emphasis. The table had unshaded purple candles and heather in glass dishes. Ursula wore woodland green, with a chaplet of heather about her glorious hair. Elise was in white with pearls. She was thirty-five, but she did not look it. Ursula was older, but she would always be in a sense ageless, as such women are—one would thrill to Sara Bernhardt were she seventeen or seventy.

Jimmie seemed to have dropped the years from him. He was very confident of the success of his play. "It can't fail," he said, "with Ursula to make it sure—"

I wondered whether it was Ursula or Elise who had made it sure. Could he ever have written it if Elise had not kept him at it? Yet she had stolen his youth!

And now Ursula was giving his youth back to him! As I saw the cock of his head, heard the ring of his gay laughter, I felt that it might be so. And suddenly I knew that I didn't want Jimmie to be young again. Not if he had to take his youth from the hands of Ursula Simms!

There were many toasts before the supper ended—and the last one Jimmie drank "To Ursula"! As he stood up to propose it, his glasses dangled from their ribbon, his shoulders were squared. In the soft and shaded light we were spared the gray in his hair—it was the old Jimmie, gay and gallant!

"To Ursula!" he said, and the words sparkled. "To Ursula!"

I looked at Elise. She might have been the ghost of the woman who had flamed in the old house in Albemarle. In her white and pearls she was shadowy, unsubstantial, almost spectral, but she raised her glass. "To Ursula!" she said.

All the way home on the train Duncan and I talked about it. We were scared to death. "Oh, he mustn't, he must not," I kept saying, and Duncan snorted.

"He's a young fool. She's not the woman for him—"

"Neither of them is the woman," I said, "but Elise has made him—"

"No man was ever held by gratitude."

"He'd hate Ursula in a year."

"He thinks he'd live—"

"And lose his soul—"

Jimmie's play opened to a crowded house. There had been extensive advertising, and Ursula had a great following.

Elise and Duncan and I had seats in an upper box. Elise sat where she was hidden by the curtains. Jimmie came and went unseen by the audience. Between acts he was behind the scenes. Elise had little to say. Once she reached over and laid her hand on mine.

"I—I think I'm frightened," she said, with a catch of her breath.

"It can't fail, my dear—"

"No, of course. But it's very different from what I expected."

"What is different?"

"Success."

As the great scene came closer, I seemed to hold my breath. I was so afraid that the audience might not see it as we had seen it at rehearsal. But they did see it, and it was a stupendous thing to sit there and watch the crowd, and know that Jimmie's genius was making its heart beat fast and faster. When Ursula in her purple cloak and pheasant's feather spoke her lines at the end of the third act, "I shall love you for a million years," the house went wild. Men and women who had never loved for a moment roared for this woman who had made them think they could love until eternity. They wanted her back and they got her. They wanted Jimmie and they got him. Ursula made a speech; Jimmie made a speech. They came out for uncounted curtain-calls, hand-in-hand. The play was a success!

The last act was, of course, an anti-climax. Before it was finished, Elise said to me, in a, stifled voice, "I've got to get back to Jimmie."

It seemed significant that Jimmie had not come to her. Surely he had not forgotten the part she had played. For fifteen years she had worked for this.

We found ourselves presently behind the scenes. The curtain was down, the audience was still shouting, everybody was excited, everybody was shaking hands. The stage-people caught at Elise as she passed, and held her to offer congratulations. I was not held and went on until I came to where Jimmie and Ursula stood, a little separate from the rest. Although I went near enough to touch them, they were so absorbed in each other that they did not see me. Ursula was looking up at Jimmie and his head was bent to her.

"Jimmie," she said, and her rich voice above the tumult was clear as a bell, "do you know how great you are?"

"Yes," he said. "I—I feel a little drunk with it, Ursula."

"Oh," she said, and now her words stumbled, "I—I love you for it. Oh, Jimmie, Jimmie, let's run away and love for a million years—"

All that he had wanted was in her words—the urge of youth, the beat of the wind, the song of the sea. My heart stood still.

He drew back a little. He had wanted this. But he did not want it now—with Ursula. I saw it and she saw it.

"What a joke it would be," he said, "but we have other things to do, my dear."

"What things?"

The roar of the crowd came louder to their ears. "Harding, Harding! Jimmie Harding!"

"Listen," he said, and the light in his eyes was not for her. "Listen, Ursula, they're calling me."

She stood alone after he had left her. I am sure that even then she did not quite believe it was the end. She did not know how, in all the years, his wife had molded him.

When he had satisfied the crowd, Jimmie fought his way to where Elise and Duncan and I stood together.

Elise was wrapped in a great cloak of silver brocade. There was a touch of silver, too, in her hair. But she had never seemed to me so small, so childish.

"Oh, Jimmie," she said, as he came up, "you've done it!"

"Yes"—he was flushed and laughing, his head held high—"you always said I could do it. And I shall do it again. Did you hear them shout, Elise?"

"Yes."

"Jove! I feel like the old woman in the nursery rhyme, 'Alack-a-daisy, do this be I?'" He was excited, eager, but it was not the old eagerness. There was an avidity, a greediness.

She laid her hand on his arm. "You've earned a rest, dearest. Let's go up in the hills."

"In the hills? Oh, we're too old, Elise."

"We'll grow young."

"To-night I've given youth to the world. That's enough for me"—the light in his eyes was not for her—"that's enough for me. We'll hang around New York for a week or two, and then we'll go back to Albemarle. I want to get to work on another play. It's a great game, Elise. It's a great game!"

She knew then what she had done. Here was a monster of her own making. She had sacrificed her lover on the altar of success. Jimmie needed her no longer.

I would not have you think this an unhappy ending. Elise has all that she had asked, and Jimmie, with fame for a mistress, is no longer an unwilling captive in the old house. The prisoner loves his prison, welcomes his chains.

But Duncan and I talk at times of the young Jimmie who came years ago into our office. The Jimmie Harding who works down in Albemarle, and who struts a little in New York when he makes his speeches, is the ghost of the boy we knew. But he loves us still.

THE HIDDEN LAND

The mystery of Nancy Greer's disappearance has never been explained. The man she was to have married has married another woman. For a long time he mourned Nancy. He has always held the theory that she was drowned while bathing, and the rest of Nancy's world agrees with him. She had left the house one morning for her usual swim. The fog was coming in, and the last person to see her was a fisherman returning from his nets. He had stopped and watched her flitting wraith-like through the mist. He reported later that Nancy wore a gray bathing suit and cap and carried a blue cloak.

"You are sure she carried a cloak?" was the question which was repeatedly asked. For no cloak had been found on the sands, and it was unlikely that she had worn it into the water. The disappearance of the blue cloak was the only point which seemed to contradict the theory of accidental drowning. There were those who held that the cloak might have been carried off by some acquisitive individual. But it was not likely; the islanders are, as a rule, honest, and it was too late in the season for "off-islanders."

I am the only one who knows the truth. And as the truth would have been harder for Anthony Peak to bear than what he believed had happened, I have always withheld it.

There was, too, the fear that if I told they might try to bring Nancy back. I think Anthony would have searched the world for her. Not, perhaps, because of any great and passionate need of her, but because he would have thought her unhappy in what she had done, and would have sought to save her.

I am twenty years older than Nancy, her parents are dead, and it was at my house that she always stayed when she came to Nantucket. She has island blood in her veins, and so has Anthony Peak. Back of them were seafaring folk, although in the foreground was a generation or two of cosmopolitan residence. Nancy had been educated in France, and Anthony in England. The Peaks and the Greers owned respectively houses in Beacon Street and in Washington Square. They came every summer to the island, and it was thus that Anthony and Nancy grew up together, and at last became engaged.

As I have said, I am twenty years older than Nancy, and I am her cousin. I live in the old Greer house on Orange Street, for it is mine by inheritance, and was to have gone to Nancy at my death. But it will not go to her now. Yet I sometimes wonder—will the ship which carried her away ever sail back into the harbor? Some day, when she is old, will she walk up the street and be sorry to find strangers in the house?

I remember distinctly the day when the yacht first anchored within the Point. It was a Sunday morning and Nancy and I had climbed to the top of the house to the Captain's Walk, the white-railed square on the roof which gave a view of the harbor and of the sea.

Nancy was twenty-five, slim and graceful. She wore that morning a short gray-velvet coat over white linen. Her thick brown hair was gathered into a low knot and her fine white skin had a touch of artificial color. Her eyes were a clear blue. She was really very lovely, but I felt that the gray coat deadened her—that if she had not worn it she would not have needed that touch of color in her cheeks.

She lighted a cigarette and stood looking off, with her hand on the rail. "It is a heavenly morning, Ducky. And you are going to church?"

I smiled at her and said, "Yes."

Nancy did not go to church. She practiced an easy tolerance. Her people had been, originally, Quakers. In later years they had turned to Unitarianism. And now in this generation, Nancy, as well as Anthony Peak, had thrown off the shackles of religious observance.

"But it is worth having the churches just for the bells," Nancy conceded on Sunday mornings when their music rang out from belfry and tower.

It was worth having the churches for more than the bells. But it was useless to argue with Nancy. Her morals and Anthony's were irreproachable. That is, from the modern point of view. They played cards for small stakes, drank when they pleased, and, as I have indicated, Nancy smoked. She was, also, not unkissed when Anthony asked her to marry him. These were not the ideals of my girlhood, but Anthony and Nancy felt that such small vices as they cultivated saved them from the narrow-mindedness of their forebears.

"Anthony and I are going for a walk," she said. "I will bring you some flowers for your bowls, Elizabeth."

It was just then that the yacht steamed into the harbor—majestically, like a slow-moving swan. I picked out the name with my sea-glasses, The Viking.

I handed the glasses to Nancy. "Never heard of it," she said. "Did you?"

"No," I answered. Most of the craft which came in were familiar, and I welcomed them each year.

"Some new-rich person probably," Nancy decided. "Ducky, I have a feeling that the owner of The Viking bought it from the proceeds of pills or headache powders."

"Or pork."

I am not sure that Nancy and I were justified in our disdain—whale-oil has perhaps no greater claim to social distinction than bacon and ham or—pills.

The church bells were ringing, and I had to go down. Nancy stayed on the roof.

"Send Anthony up if he's there," she said; "we will sit here aloft like two cherubs and look down on you, and you will wish that you were with us."

But I knew that I should not wish it; that I should be glad to walk along the shaded streets with my friends and neighbors, to pass the gardens that were yellow with sunlight, and gay with larkspur and foxglove and hollyhocks, and to sit in the pew which was mine by inheritance.

Anthony was down-stairs. He was a tall, perfectly turned out youth, and he greeted me in his perfect manner.

"Nancy is on the roof," I told him, "and she wants you to come up."

"So you are going to church? Pray for me, Elizabeth."

Yet I knew he felt that he did not need my prayers. He had Nancy, more money than he could spend, and life was before him. What more, he would ask, could the gods give?

I issued final instructions to my maids about the dinner and put on my hat. It was a rather superlative hat and had come from Fifth Avenue. I spend the spring and fall in New York and buy my clothes at the smartest places. The ladies of Nantucket have never been provincial in their fashions. Our ancestors shopped in the marts of the world. When our captains sailed the seas they brought home to their womenfolk the treasures of loom and needle from Barcelona and Bordeaux, from Bombay and Calcutta, London and Paris and Tokio.

And perhaps because of my content in my new hat, perhaps because of the pleasant young pair of lovers which I had left behind me in the old house, perhaps because of the shade and sunshine, and the gardens, perhaps because of the bells, the world seemed more than ever good to me as I went on my way.

My pew in the church is well toward the middle. My ancestors were modest, or perhaps they assumed that virtue. They would have neither the highest nor the lowest seat in the synagogue.

It happens, therefore, that strangers who come usually sit in front of me. I have a lively curiosity, and I like to look at them. In the winter there are no strangers, and my mind is, I fancy, at such times, more receptive to the sermon.

I was early and sat almost alone in the great golden room whose restraint in decoration suggests the primitive bareness of early days. Gradually people began to come in, and my attention was caught by the somewhat unusual appearance of a man who walked up the aisle preceded by the usher.

He was rather stocky as to build, but with good, square military shoulders and small hips. He wore a blue reefer, white trousers, and carried a yachtsman's cap. His profile as he passed into his pew showed him young, his skin slightly bronzed, his features good, if a trifle heavy.

Yet as he sat down and I studied his head, what seemed most significant about him was his hair. It was reddish-gold, thick, curled, and upstanding, like the hair on the head of a lovely child, or in the painting of a Titian or a Tintoretto.

In a way he seemed out of place. Young men of his type so rarely came to church alone. Indeed, they rarely came to church at all. He seemed to belong to the out-of-doors—to wide spaces. I was puzzled, too, by a faint sense of having seen him before.

It was in the middle of the sermon that it all connected up. Years ago a ship had sailed into the harbor, and I had been taken down to see it. I had been enchanted by the freshly painted figurehead—a strong young god of some old Norse tale, with red-gold hair and a bright blue tunic. And now in the harbor was The Viking, and here, in the shadow of a perfectly orthodox pulpit, sat that strong young god, more glorious even than my memory of his wooden prototype.

He seemed to be absolutely at home—sat and stood at the right places, sang the hymns in a delightful barytone which was not loud, but which sounded a clear note above the feebler efforts of the rest of us.

It has always been my custom to welcome the strangers within our gates, and I must confess to a preference for those who seem to promise something more than a perfunctory interchange.

So as my young viking came down the aisle, I held out my hand. "We are so glad to have you with us."

He stopped at once, gave me his hand, and bent on me his clear gaze. "Thank you." And then, immediately: "You live here? In Nantucket?"

"Yes."

"All the year round?"

"Practically."

"That is very interesting." Again his clear gaze appraised me. "May I walk a little way with you? I have no friends here, and I want to ask a lot of questions about the island."

The thing which struck me most as we talked was his utter lack of self-consciousness. He gave himself to the subject in hand as if it were a vital matter, and as if he swept all else aside. It is a quality possessed by few New Englanders; it is, indeed, a quality possessed by few Americans. So when he offered to walk with me, it seemed perfectly natural that I should let him. Not one man in a thousand could have made such a proposition without an immediate erection on my part of the barriers of conventionality. To have erected any barrier in this instance would have been an insult, to my perception of the kind of man with whom I had to deal.

He was a gentleman, individual, and very much in earnest; and more than all, he was immensely attractive. There was charm in that clear blue gaze of innocence. Yet it was innocence plus knowledge, plus something which as yet I could not analyze.

He left me at my doorstep. I found that he had come to the island not to play around for the summer at the country clubs and on the bathing beach, but to live in the past—see it as it had once been—when its men went down to the sea in ships. And because there was still so much that we had to say to each other, I asked him to have a cup of tea with me, "this afternoon at four."

He accepted at once, with his air of sweeping aside everything but the matter in hand. I entered the house with a sense upon me of high adventure. I could not know that I was playing fate, changing in that moment the course of Nancy's future.

Dinner was at one o'clock. It seems an impossible hour to people who always dine at night. But on the Sabbath we Nantucketers eat our principal meal when we come home from church.

Nancy and Anthony protested as usual. "Of course you can't expect us to dress."

Nancy sat down at the table with her hat on, and minus the velvet coat. She was a bit disheveled and warm from her walk. She had brought in a great bunch of blue vetch and pale mustard, and we had put it in the center of the table in a bowl of gray pottery. My dining-room is in gray and white and old mahogany, and Nancy had had an eye to its coloring when she picked the flowers. They would not have fitted in with the decorative scheme of my library, which is keyed up, or down, to an antique vase of turquoise glaze, or to the drawing-room, which is in English Chippendale with mulberry brocade.

We had an excellent dinner, served by my little Portuguese maid. Nancy praised the lobster bisque and Anthony asked for a second helping of roast duck. They had their cigarettes with their coffee.

Long before we came to the coffee, however, Anthony had asked in his pleasant way of the morning service.

"Tell us about the sermon, Elizabeth."

"And the text," said Nancy.

I am apt to forget the text, and they knew it. It was always a sort of game between us at Sunday dinner, in which they tried to prove that my attention had strayed, and that I might much better have stayed at home, and thus have escaped the bondage of dogma and of dressing up.

I remembered the text, and then I told them about Olaf Thoresen.

Nancy lifted her eyebrows. "The pills man? Or was it—pork?"

"It was probably neither. Don't be a snob, Nancy."

She shrugged her shoulders. "It was you who said 'pork,' Elizabeth."

"He is coming to tea."

"To-day?"

"Yes."

"Sorry," said Nancy. "I'd like to see him, but I have promised to drive Bob Needham to 'Sconset for a swim."

Anthony had made the initial engagement—to play tennis with Mimi Sears, "Provided, of course, that you have no other plans for me," he had told Nancy, politely.

She had no plans, nor would she, under the circumstances, have urged them. That was their code—absolute freedom. "We'll be a lot happier if we don't tie each other up."

It was to me an amazing attitude. In my young days lovers walked out on Sunday afternoons to the old cemetery, or on the moor, or along the beach, and came back at twilight together, and sat together after supper, holding hands.

I haven't the slightest doubt that Anthony held Nancy's hands, but there was nothing fixed about the occasions. They had done away with billing and cooing in the old sense, and what they had substituted seemed to satisfy them.

Anthony left about three, and I went up to get into something thin and cool, and to rest a bit before receiving my guest. I heard Nancy at the telephone making final arrangements with the Drakes. After that I fell asleep, and knew nothing more until Anita came up to announce that Mr. Thoresen was down-stairs.

Tea was served in the garden at the back of the house, where there were some deep wicker chairs, and roses in a riot of bloom.

"This is—enchanting—" said Olaf. He did not sit down at once. He stood looking about him, at the sun-dial, and the whale's jaw lying bleached on a granite pedestal, and at the fine old houses rising up around us. "It is enchanting. Do you know, I have been thinking myself very fortunate since you spoke to me in church this morning."

After that it was all very easy. He asked and I answered. "You see," he explained, finally, "I am hungry for anything that tells me about the sea. Three generations back we were all sailors—my great-grandfather and his fathers before him in Norway—and far back of that—the vikings." He drew a long breath. "Then my grandfather came to America. He settled in the West—in Dakota, and planted grain. He made money, but he was a thousand miles away from the sea. He starved for it, but he wanted money, and, as I have said, he made it. And my father made more money. Then I came. The money took me to school in the East—to college. My mother died and my father. And now the money is my own. I bought a yacht, and I have lived on the water. I can't get enough of it. I think that I am making up for all that my father and my grandfather denied themselves."

I can't in the least describe to you how he said it. There was a tenseness, almost a fierceness, in his brilliant blue eyes. Yet he finished up with a little laugh. "You see," he said, "I am a sort of Flying Dutchman—sailing the seas eternally, driven not by any sinister force but by my own delight in it."

"Do you go alone?"

"Oh, I have guests—at times. But I am often my own—good company—"

He stopped and rose. Nancy had appeared in the doorway. She crossed the porch and came down toward us. She was in her bathing suit and cap, gray again, with a line of green on the edges, and flung over her shoulders was a gray cloak. She was on her way to the stables—it was before the day of motor-cars on the island, those halcyon, heavenly days. The door was open and her horse harnessed and waiting for her. She could not, of course, pass us without speaking, and so I presented Olaf.

Anita had brought the tea, and Nancy stayed to eat a slice of thin bread and butter. "In this air one is always hungry," she said to Olaf, and smiled at him.

He did not smile back. He was surveying her with a sort of frowning intensity. She spoke of it afterward, "Does he always stare like that?" But I think that, in a way, she was pleased.

She drove her own horse, wrapped in her cloak and with an utter disregard to the informality of her attire. She would, I knew, gather up the Drakes and Bob Needham, likewise attired in bathing costumes, and they would all have tea on the other side of the island, naiad-like and utterly unconcerned. I did not approve of it, but Nancy did not cut her life to fit my pattern.

When she had gone, Olaf said to me, abruptly, "Why does she wear gray?"

"Oh, she has worked out a theory that repression in color is an evidence of advanced civilization. The Japanese, for example—"

"Why should civilization advance? It has gone far enough—too far—And she should wear a blue cloak—sea-blue—the color of her eyes—"

"And of yours." I smiled at him.

"Yes. Are they like hers?"

They were almost uncannily alike. I had noticed it when I saw them together. But there the resemblance stopped.

"She belongs to the island?"

"She lives in New York. But every drop of blood in her is seafaring blood."

"Good!" He sat for a moment in silence, then spoke of something else. But when he was ready to go, he included Nancy in an invitation. "If you and Miss Greer could lunch with me to-morrow on my yacht—"

I was not sure about Nancy's engagements, but I thought we might. "You can call us up in the morning."

Nancy brought the Drakes and Bob Needham back with her for supper, and Mimi Sears was with Anthony. Supper on Sunday is an informal meal—everything on the table and the servants out.

Nancy, clothed in something white and exquisite, served the salad. "So your young viking didn't stay, Elizabeth?"

"I didn't ask him."

It was then that she spoke of his frowning gaze. "Does he always stare like that?"

Anthony, breaking in, demanded, "Did he stare at Nancy?"

I nodded. "It was her eyes."

They all looked at me. "Her eyes?"

"Yes. He said that her cloak should have matched them."

Anthony flushed. He has a rather captious code for outsiders. Evidently Olaf had transgressed it.

"Is the man a dressmaker?"

"Of course not, Anthony."

"Then why should he talk of Nancy's clothes?"

"Well," Nancy remarked, "perhaps the less said about my clothes the better. I was in my bathing suit."

Anthony was irritable. "Well, why not? You had a right to wear what you pleased, but he did not have a right to make remarks about it."

I came to Olaf's defense. "You would understand better if you could see him. He is rather different, Anthony."

"I don't like different people," and in that sentence was a summary of Anthony's prejudices. He and Nancy mingled with their own kind. Anthony's friends were the men who had gone to the right schools, who lived in the right streets, belonged to the right clubs, and knew the right people. Within those limits, humanity might do as it pleased; without them, it was negligible, and not to be considered.

After supper the five of them were to go for a sail. There was a moon, and all the wonder of it.

Anthony was not keen about the plan. "Oh, look here, Nancy," he complained, "we have done enough for one day—"

"I haven't."

Of course that settled it. Anthony shrugged his shoulders and submitted. He did not share Nancy's almost idolatrous worship of the sea. It was the one fundamental thing about her. She bathed in it, swam in it, sailed on it, and she was never quite happy away from it.

I heard Anthony later in the hall, protesting. I had gone to the library for a book, and their voices reached me.

"I thought you and I might have one evening without the others."

"Oh, don't be silly, Anthony."

I think my heart lost a beat. Here was a lover asking his mistress for a moment—and she laughed at him. It did not fit in with my ideas of young romance.

Yet late that night I heard the murmur of their voices and looked out into the white night. They stood together by the sun-dial, and his arm was about her, her head on his shoulder. And it was not the first time that a pair of lovers had stood by that dial under the moon.

I went back to bed, but I could not sleep. I lighted my bedside lamp, and read Vanity Fair. I find Thackeray an excellent corrective when I am emotionally keyed up.

Nancy, too, was awake; I could see her light shining across the hall. She came in, finally, and sat on the foot of my bed.

"Your viking was singing as we passed his boat—"

"Singing?"

"Yes, hymns, Elizabeth. The others laughed, Anthony and Mimi, but I didn't laugh. His voice is—wonderful—"

She had on a white-crêpe peignoir, and there was no color in her cheeks. Her skin had the soft whiteness of a rose petal. Her eyes were like stars. As I lay there and looked at her I wondered if it was Anthony's kisses or the memory of Olaf's singing which had made her eyes shine like that.

I had heard him sing, and I said so, "in church."

Her arms clasped her knees. "Isn't it queer that he goes to church and sings hymns?"

"Why queer? I go to church."

"Yes. But you are different. You belong to another generation, Elizabeth, and he doesn't look it."

I knew what she meant. I had thought the same thing when I first saw him walking up the aisle. "He has asked us to lunch with him to-morrow on his boat."

It was the first time that I had mentioned it. Somehow I had not cared to speak of it before Anthony.

She showed her surprise. "So soon? Doesn't that sound a little—pushing?"

"It sounds as if he goes after a thing when he wants it."

"Yes, it does. I believe I should like to accept. But I can't to-morrow. There's a clambake, and I have promised the crowd."

"He will ask you again."

"Will he? You can say 'yes' for Wednesday then. And I'll keep it."

"I am not sure that we had better accept."

"Why not?"

"Well, there's Anthony."

She slid from the bed and stood looking down at me. "You think he wouldn't like it?"

"I am afraid he wouldn't. And, after all, you are engaged to him, Nancy."

"Of course I am, but he is not my jailer. He does as he pleases and I do as I please."

"In my day lovers pleased to do the same thing."

"Did they? I don't believe it. They just pretended, and there is no pretense between Anthony and me"—she stooped and kissed me—"they just pretended, Elizabeth, and the reason that I love Anthony is because we don't pretend."

After that I felt that I need fear nothing. Nancy and Anthony—freedom and self-confidence—why should I try to match their ideals with my own of yesterday? Yet, as I laid my book aside, I resolved that Olaf should know of Anthony.

I had my opportunity the next day. Olaf came over to sit in my garden and again we had tea. He was much pleased when he knew that Nancy and I would be his guests on Wednesday.

"Come early. Do you swim? We can run the launch to the beach—or, better still, dive in the deeper water near my boat."

"Nancy swims," I told him. "I don't. And I am not sure that we can come early. Nancy and Anthony usually play golf in the morning."

"Who is Anthony?"

"Anthony Peak. The man she is going to marry."

He hesitated a moment, then said, "Bring him, too." His direct gaze met mine, and his direct question followed. "Does she love him?"

"Of course."

"It is not always 'of course.'" He stopped and talked of other things, but in some subtle fashion I was aware that my news had been a shock to him, and that he was trying to adjust himself to it, and to the difference that it must make in his attitude toward Nancy.

When I told Nancy that Anthony had been invited, she demanded, "How did Olaf Thoresen know about him?"

"I told him you were engaged."

"But why, Elizabeth? Why shout it from the housetops?"

"Well, I didn't want him to be hurt."

"You are taking a lot for granted."

I shrugged my shoulders. "We won't quarrel, and a party of four is much nicer than three."

As it turned put, however, Anthony could not go. He was called back to Boston on business. That was where Fate again stepped in. It was, I am sure, those three days of Anthony's absence which turned the scale of Nancy's destiny. If he had been with us that first morning on the boat Olaf would not have dared....

Nancy wore her white linen and her gray-velvet coat, and a hat with a gull's wing. She carried her bathing suit. "He intends, evidently, to entertain us in his own way."

Olaf's yacht was modern, but there was a hint of the barbaric in its furnishings. The cabin into which we were shown and in which Nancy was to change was in strangely carved wood, and there was a wolfskin on the floor in front of the low bed. The coverlet was of a fine-woven red-silk cloth, weighed down by a border of gold and silver threads. On the wall hung a square of tapestry which showed a strange old ship with sails of blue and red and green, and with golden dragon-heads at stem and stern.

Nancy, crossing the threshold, said to Olaf, who had opened the door for us, "It is like coming into another world; as if you had set the stage, run up the curtain, and the play had begun."

"You like it? It was a fancy of mine to copy a description I found in an old book. King Olaf, the Thick-set, furnished a room like this for his bride."

Olaf, the Thick-set! The phrase fitted perfectly this strong, stocky, blue-eyed man, who smiled radiantly upon us as he shut the door and left us alone.

Nancy stood in the middle of the room looking about her. "I like it," she said, with a queer shake in her voice. "Don't you, Elizabeth?"

I liked it so much that I felt it wise to hide my pleasure in a pretense of indifference. "Well, it is original to say the least."

But it was more than original, it was poetic. It was—Melisande in the wood—one of Sinding's haunting melodies, an old Saga caught and fixed in color and carving.

In this glowing room Nancy in her white and gray was a cold and incongruous figure, and when at last she donned her dull cap, and the dull cloak that she wore over her swimming costume, she seemed a ghostly shadow of the bright bride whom that other Olaf had brought—a thousand years before—to his strange old ship.

I realize that what comes hereafter in this record must seem to the unimaginative overdrawn. Even now, as I look back upon it, it has a dream quality, as if it might never have happened, or as if, as Nancy had said, it was part of a play, which would be over when the curtain was rung down and the actors had returned to the commonplace.

But the actors in this drama have never returned to the commonplace. Or have they? Shall I ever know? I hope I may never know, if Nancy and Olaf have lost the glamour of their dreams.

Well, we found Olaf on deck waiting for us. In a sea-blue tunic, with strong white arms, and the dazzling fairness of his strong neck, he was more than ever like the figurehead on the old ship that I had seen in my childhood. He carried over his arm a cloak of the same sea-blue. It was this cloak which afterward played an important part in the mystery of Nancy's disappearance.

His quick glance swept Nancy—the ghostly Nancy in gray, with only the blue of her eyes, and that touch of artificial pink in her cheeks to redeem her from somberness. He shook his head with a gesture of impatience.

"I don't like it," he said, abruptly. "Why do you deaden your beauty with dull colors?"

Nancy's eyes challenged him. "If it is deadened, how do you know it is beauty?"

"May I show you?" Again there was that tense excitement which I had noticed in the garden.

"I don't know what you mean," yet in that moment the color ran up from her neck to her chin, the fixed pink spots were lost in a rush of lovely flaming blushes.

For with a sudden movement he had snatched off her cap, and had thrown the cloak around her. The transformation was complete. It was as if he had waved a wand. There she stood, the two long, thick braids, which she had worn pinned close under her cap, falling heavily like molten metal to her knees, the blue cloak covering her—heavenly in color, matching her eyes, matching the sea, matching the sky, matching the eyes of Olaf.

I think I must have uttered some sharp exclamation, for Olaf turned to me. "You see," he said, triumphantly, "I have known it all the time. I knew it the first time that I saw her in the garden."

Nancy had recovered herself. "But I can't stalk around the streets in a blue cloak with my hair down."

He laughed with her. "Oh, no, no. But the color is only a symbol. Modern life has robbed you of vivid things. Even your emotions. You are—afraid—" He caught himself up. "We can talk of that after our swim. I think we shall have a thousand things to talk about."

Nancy held out her hand for her cap, but he would not give it to her. "Why should you care if your hair gets wet? The wind and the sun will dry it—"

I was amazed when I saw that she was letting him have his way. Never for a moment had Anthony mastered her. For the first time in her life Nancy was dominated by a will that was stronger than her own.

I sat on deck and watched them as they swam like two young sea gods, Nancy's bronze hair bright under the sun. Olaf's red-gold crest....

The blue cloak lay across my knee. Nancy had cast it off as she had descended into the launch. I had examined it and had found it of soft, thick wool, with embroidery of a strange and primitive sort in faded colors. Yet the material of the cloak had not faded, or, if it had, there remained that clear azure, like the Virgin's cloak in old pictures.

I knew now why Olaf had wanted Nancy on board, why he had wanted to swim with her in the sea which was as blue as her eyes and his own. It was to reveal her to himself as the match of the women of the Sagas. I found this description later in one of the old books in the ship's library:

Then Hallgerd was sent for, and came with two women. She wore a blue woven mantle ... her hair reached down to her waist on both sides, and she tucked it under her belt.

And there was, too, this account of a housewife in her "kyrtil":

The dress-train was trailing,
The skirt had a blue tint;
Her brow was brighter,
Her neck was whiter
Than pure new fallen snow.

In other words, that one glance at Nancy in the garden, when he had risen at her entrance, had disclosed to Olaf the fundamental in her. He had known her as a sea-maiden. And she had not known it, nor I, nor Anthony.

Luncheon was served on deck. We were waited on by fair-haired, but very modern Norsemen. The crew on The Viking were all Scandinavians. Most of them spoke English, and there seemed nothing uncommon about any of them. Yet, in the mood of the moment, I should have felt no surprise had they served us in the skins of wild animals, or had set sail like pirates with the two of us captive on board.

I will confess, also, to a feeling of exaltation which clouded my judgment. I knew that Olaf was falling in love with Nancy, and I half guessed that Nancy might be falling in love with Olaf, yet I sat there and let them do it. If Anthony should ever know! Yet how can he know? As I weigh it now, I am not sure that I have anything with which to reproach myself, for the end, at times, justifies the means, and the Jesuitical theory had its origin, perhaps, in the profound knowledge that Fate does not always use fair methods in gaining her ends.

I can't begin to tell you what we talked about. Nancy had dried her hair, and it was wound loosely, high on her head. The blue cloak was over her shoulders, and she was the loveliest thing that I ever hope to see. By the flame in her cheeks and the light in her eyes, I was made aware of an exaltation which matched my own. She, too, was caught up into the atmosphere of excitement which Olaf created. He could not take his eyes from her. I wondered what Anthony would have said could he have visioned for the moment this blue-and-gold enchantress.

When coffee was served there were no cigarettes or cigars. Nancy had her own silver case hanging at her belt. I knew that she would smoke, and I did not try to stop her. She always smoked after her meals and she was restless without it.

It was Olaf who stopped her. "You will hate my bad manners," he said, with his gaze holding hers, "but I wish you wouldn't."

She was lighting her own little wax taper and she looked her surprise.

"My cigarette?"

He nodded. "You are too lovely."

"But surely you are not so—old-fashioned."

"No. I am perhaps so—new-fashioned that my reason might take your breath away." He laughed but did not explain.

Nancy sat undecided while the taper burned out futilely. Then she said, "Of course you are my host—"

"Don't do it for that reason. Do it because"—he stopped, laughed again, and went on—"because you are a goddess—a woman of a new race—"

With parted lips she looked at him, then tried to wrench herself back to her attitude of light indifference.

"Oh, we've grown beyond all that."

"All what?"

"Goddess-women. We are just nice and human together."

"You are nice and human. But you are more than that."

Nancy put her unlighted cigarette back in its case. "I'll keep it for next time," she said, with a touch of defiance.

"There will be no next time," was his secure response, and his eyes held hers until, with an effort, she withdrew her gaze.

Then he rose, and his men placed deep chairs for us in a sheltered corner, where we could look out across the blue to the low hills of the moor. There was a fur rug over my chair, and I sank gratefully into the warmth of it.

"With a wind like this in the old days," Olaf said, as he stood beside me looking out over the sparkling water, "how the sails would have been spread, and now there is nothing but steam and gasoline and electricity."

"Why don't you have sails then," Nancy challenged him, "instead of steam?"

"I have a ship. Shall I show you the picture of it?"

He left to get it, and Nancy said to me, "Ducky, will you pinch me?"

"You mean that it doesn't seem real?"

She nodded.

"Well, maybe it isn't. He said he was a sort of Flying Dutchman."

"I should hate to think that he wasn't real, Elizabeth. He is as alive as a—burning coal."

Olaf came back with the pictures of his ship, a clean-cut, beautiful craft, very up-to-date, except for the dragon-heads at prow and stem.

"If I could have had my way," he told us, "I should have built it like the ship on the tapestry in there—but it wasn't practical—we haven't manpower for the oars in these days."

He had other pictures—of a strange house, or, rather, of a collection of buildings set in the form of a quadrangle, and inclosed by low walls. There were great gateways of carved wood with ironwork and views of the interior—a wide hall with fireplaces—a raised platform, with carved seats that gave a throne-like effect. The house stood on a sort of high peninsula with a forest back of it, and the sea spreading out beyond.

"The house looks old," Olaf said, "but I planned it."

He had, he explained, during one of his voyages, come upon a hidden harbor. "There is only a fishing village and a few small boats at the landing place, but the people claim to be descendants of the vikings. They are utterly isolated, but a God-fearing, hardy folk.

"It is strangely cut off from the rest of the world. I call it 'The Hidden Land.' It is not on any map. I have looked and have not found it."

"But why," was Nancy's demand, "did you build there?"

It was a question, I think, for which he had waited. "Some day I may tell you, but not now, except this—that I love the sea, and I shall end my days where, when I open my gates, my eyes may rest upon it ... where its storms may beat upon my roof, and where the men about me shall sail it, and get their living from it.

"I have told your cousin," he went on, "something of the life of my grandfather and of my father. With all of their sea-blood, they were shut away for two generations from the sea. Can you grasp the meaning of that to me?—the heritage of suppressed longings? I think my father must have felt it as I did, for he drank heavily before he died. My grandfather sought an outlet in founding the family fortunes. But when I came, there was not the compelling force of poverty to make me work, and I had before me the warning of my father's excesses. But this sea-madness! It has driven me on and on, and at last it has driven me here." He stopped, then took up the theme again in his tense, excited fashion, "It will drive me on again."

"Why should it drive you on?"

When Nancy asked that question, I knew what had happened. The thrill of her voice was the answer of a bird to its mate. When I think of her, I see her always as she was then, the blue cloak falling about her, her hair blowing, her cheeks flaming with lovely color.

I saw his fingers clench the arm of his chair as if in an effort of self-control. Then he said: "Perhaps I shall tell you that, too. But not now." He rose abruptly. "It is warmer inside, and we can have some music. I am sure you must be tired of hearing me talk about myself."

He played for us, in masterly fashion, the Peer Gynt suite, and after that a composition of his own. At last he sang, with all the swing of the sea in voice and accompaniment, and the song drew our hearts out of us.

Nancy was very quiet as we drove from the pier, and it was while I was dressing for dinner that she came into my room.

"Elizabeth," she said, "I am not sure whether we have been to a Methodist revival or to a Wagner music-drama—"

"Neither," I told her. "There's nothing artificial about him. You asked me back there if he was real. I believe that he is utterly real, Nancy. It is not a pose. I am convinced that it is not a pose."

"Yes," she said, "that's the queer thing. He's not—putting it on—and he makes everybody else seem—stale and shallow—like ghosts—or—shadow-shapes—"

I read Vanity Fair late into the night, and the morning was coming on before I tried to sleep. I waked to find Nancy standing by my bed.

"His boat is gone."

"Gone?"

"Yes. It went an hour ago. I saw it from the roof."

"From the roof?"

"Yes. I got up—early. I—I could not sleep. And when I looked—it was gone—your glasses showed it almost out of sight."

She was wrapped in the blue cloak. Olaf had made her bring it with her. She had protested. But he had been insistent.

"I found this in the pocket," Nancy said, and held out a card on which Olaf had written, "When she lifted her arms, opening the door, a light shone on them from the sea, and the air and all the world were brightened for her."

"What does it mean, Elizabeth?"

"I think you know, my dear."

"That he cares?"

"What do you think?"

Her eyes were like stars. "But how can he? He has seen me—twice—"

"Some men are like that."

"If you only hadn't told him about Anthony."

"I am glad that I told him."

"Oh, but he might have stayed."

"Well?"

"And I might have loved him." She was still glowing with the fires that Olaf had lighted in her.

"But you are going to marry Anthony."

"Yes," she said, "I am going to marry Anthony. I am going to flirt and smoke cigarettes and let him—flirt—when I might have been a—goddess."

It was after breakfast on the same day that a letter came to me, delivered into my own hands by messenger. It was from Olaf, and he left it to me whether Nancy should see it. It covered many pages and it shook my soul, but I did not show it to Nancy.

There were nights after that when I found it hard to sleep, nights in which I thought of Olaf sailing toward the hidden land, holding in his heart a hope which it was in my power to crown with realization or dash to the ground. Yet I had Nancy's happiness to think of, and, in a sense, Anthony's. It seemed almost incredible that I must carry, too, on my heart, the burden of the happiness of Olaf Thoresen.

When Anthony came back, he and Nancy were caught in a net of engagements, and I saw very little of them. Of course they romped in now and then with their own particular crowd, and treated me, as it were, to a cross-section of modern life. Except for two things, I should have judged that Nancy had put away all thoughts of Olaf, but these two things were significant. She had stopped smoking, and she no longer touched her cheeks with artificial bloom.

Anthony's amazement, when he offered her a cigarette and she refused, had in it a touch of irritation. "But, my dear girl, why not?"

"Well, I have to think of my complexion, Tony."

I think he knew it was not that and was puzzled. "I never saw you looking better in my life."

She was wearing a girdle of blue with her clear, crisp white, and her fairness was charming. She had, indeed, the look which belongs to young Catholic girls dedicated to the Virgin who wear her colors.

It was not, however, until Anthony had been home for a week that he saw the blue cloak. We were all on the beach—Mimi Sears and Bob Needham and the Drakes, myself and Anthony. Nancy was late, having a foursome to finish on the golf grounds. She came at last, threading her way gayly through the crowd of bathers. She was without her cap, and her hair was wound in a thick braid about her head. I saw people turning to look at her as they had never turned to look when she had worn her shadowy gray.

"Great guns!" said a man back of me. "What a beauty!"

A deep flush stained Anthony's face, and I knew at once that he did not like it. It was as if, having attuned his taste to the refinement of a Japanese print, he had been called upon to admire a Fra Angelico. He hated the obvious, and Nancy's loveliness at this moment was as definite as the loveliness of the sky, the sea, the moon, the stars. Later I was to learn that Anthony's taste was for a sophisticated Nancy, a mocking Nancy, a slim, mysterious creature, with charms which were caviar to the mob.

But Bob Needham spoke from the depths of his honest and undiscriminating soul. "Heavens! Nancy. Where did you get it?"

"Get what?"

"That cloak."

"Do you like it?"

"Like it—! I wish Tony would run away while I tell you."

Anthony, forcing a smile, asked, "Where did you get it, Nan?"

"It was given to me." She sat down on the sand and smiled at him.

Mrs. Drake, feeling the thickness and softness, exclaiming over the embroidery, said finally: "It is a splendid thing. Like a queen's robe."

"You haven't told us yet," Anthony persisted, "where you got it."

"No? Well, Elizabeth will tell you. It's rather a long story. I am going into the water. Come on, Bob."

She left the cloak with me. Anthony followed her and the others. I sat alone under a great orange umbrella and wondered if Anthony would ask me about the cloak.

He did not, and when Nancy came back finally with her hair down and blowing in the wind to dry, Anthony was with her. The cloud was gone from his face, in the battle with the wares he had forgotten his vexation.

But he remembered when he saw the cloak. "Tell me about it, Nancy."

"I got it from Elizabeth's viking."

That was the calm way in which she put it.

"He isn't my viking," I told her.

"Well, you were responsible for him."

"Do you mean to say," Anthony demanded, "that you accepted a gift like that from a man you didn't know?"

Nancy, hugging herself in the cloak, said, "I felt that I knew him very well."

"How long was he here?"

"Three days. I saw him twice."

"I don't think I quite like the—idea—" Anthony began, then broke off. "Of course you have a right to do as you please."

"Of course," said Nancy, with a flame in her cheek.

"But it would please me very much if you would send it back to him."

"If I wanted to," she told him, "I couldn't."

"Why not?"

"Can you mail parcel post packages to the—Flying Dutchman? Or express things to—to Odin?"

"I don't in the least know what you are talking about, Nancy."

"Well, he sailed in and he sailed out. He didn't leave any address. He left the cloak—and a rather intriguing memory, Anthony."

That was all the satisfaction she would give him. And I am not sure that he deserved more at her hands. The agreement between them had been—absolute freedom.

I am convinced that if it had not been for the garden party I should never have shown Olaf's letter to Nancy. The garden party is an annual event. We always hold it in August, when the "off-islanders" crowd the hotels, and when money is more plentiful than at any other time during the year.

Nancy had charge of the fish pond. I had helped her to make the fish, which were gay objects of painted paper, numbered to indicate a corresponding prize package, and to be caught with a dangling line from a lily-wreathed artificial pool.

The day of the garden party was a glorious one—with the air so clear that the flying pennants of the decorated booths, and the gowns of the women, gained brilliancy and beauty from the shining atmosphere.

Nancy wore a broad blue hat which matched her eyes, one of her clear white dresses, and a silken scarf of the same blue as her hat. She loved children, and as she stood in a circle of them all the afternoon, untiring, eager—bending down to them, hooking the fish on the dangling line—handing out the prizes, smiling into the flushed eager faces, helping the very littlest ones to achieve a catch, I sat in a chair not far away from her and watched. I saw Anthony come and go, urging her to let some one else take her place, pressing a dozen reasons upon her for desertion of her task, and coming back, when she refused, to complain to me:

"Such things are a deadly bore."

"Not to Nancy."

"But they used to be. She's changed, Elizabeth."

"Beautifully changed."

"I am not sure. She was always such, a good sport."

"And isn't she now?"

"She is different," he caught himself up, "but of course—adorable."

Mimi Sears joined us, and she and Anthony went off together. Bob Needham hung around Nancy until she sent him away. At last the hour arrived for the open-air play which was a special attraction, and the crowds surged toward the inclosure. The booths were deserted, and only one rapturous child remained by the fish pond.

Nancy sat down and lifted the baby to her lap. She had taken off her hat, and her blue scarf fell about her. Something tugged at my heart as I looked at her. With that little head in the hollow of her arm she was the eternal mother.

I saw Anthony approaching. He stopped, and I caught his words. "You must come now, Nancy. I am saving a seat for you."

She shook her head, and looked down at the child. "I told his nurse to go and he is almost asleep."

He flung himself away from her and came over to me. "I have good seats for both of you in the enclosure. But Nancy won't go."

I rose and went with him, although I should have been content to sit there by the fish pond and feast my eyes on Nancy.

"It is perfectly silly of her to stay," Anthony fumed as we walked on together.

"But she loves the children."

"I hate children."

I am sure that he did not mean it. What he hated was the fact that the child had for the moment held Nancy from him. It was as if, looking forward into the future, he could see like moments, and set himself against the thought of any interruption of what might be otherwise an untrammeled and independent partnership. He had, I think, little jealousy where men were concerned. He was willing to give Nancy the reins and let her go, believing that she would inevitably come back to him. He was not, perhaps, so willing to trust her with ties which might prove more absorbing than himself.

If I had not had Olaf's letter, I might not have weighed Anthony's attitude so carefully, but against those burning words and their comprehension of the divinity and beauty of my Nancy's nature, Anthony's querulous complaint struck cold.

I think it was then, as we walked toward the inclosure, that I made up my mind to let Nancy hear what Olaf had to say to her.

She stayed out late that night—there was a dinner and a dance—and Anthony brought her home. I confess that I felt like a traitor as I heard the murmur of his voice in the hall.

But when he had gone, and Nancy passed my door on her way to her room, I called her, and she came in.

I was in bed, and I had the letter in my hand. "I want you to read it," I said. "It is from Olaf Thoresen."

She looked at it, and asked, "When did it come?"

"Two months ago. The day that he left."

"Why haven't you shown it to me?"

"I couldn't make up my mind. I do not know even now that I am right in letting you see it. But I feel that you have a right to see it. It is you who must answer it. Not I."

When she had gone, I turned to the chapter in my book where Becky weeps crocodile tears over poor Rawdon Crawley on the night before Waterloo. There is no scene in modern literature to match it. But I couldn't get my mind on it. Nancy was reading Olaf's letter!

I kept a copy of it, and here it is:

"I knew when I first saw her in the garden that she was the One Woman. I had wanted sea-blood, and when she came, ready for a dip in the sea, it seemed a sign. One knows these things somehow, and I knew. I shan't attempt to explain it.

"When you told me of her lover, I felt that Fate had played a trick on me. I could not now with honor pursue the woman who was promised to another. Yet I permitted myself that one day—the day on my boat.

"I learned in those hours that I spent with her that she had been molded by the man she is to marry and that in the years to come she will shrink to the measure of his demands upon her. She is feminine enough to be swayed by masculine will. That is at once her strength and her weakness. Loving a man who will love her for the wonder of her womanhood, she will fulfill her greatest destiny. Loving, on the other hand, one who aspires only to fit her into some attenuated social scheme, she will wither and fade. I think you know that this is true, that you will not accuse me of being unfair to any one.

"And now may I tell you what my dreams have been for her?

"I am not young. I mean I am past those hot and early years when men play—Romeo. The dream that is mine is one which has come to a man of thirty, who, having seen the world, has weighed it and wants—something more.

"I have told you of my house in that hidden land which is washed by the sea. I want to spend the rest of my days there, and I had hoped that some woman might be found whose love of life, whose love of adventure, whose love of me, might be so strong that she would see nothing strange in my demand that she forsake all others and cleave only to me.

"By forsaking all others, I mean, literally, what I say. I should want to cut her off entirely from all former ties. To let any one into our secret, to reveal that hidden land to a gaping world, would be to destroy it. We should be followed, tracked by the newspapers, written up, judged eccentric—mad. And I do not wish to be judged at all. My separation from my kind would have in it more than a selfish whim, an obsession for solitude. I want to get back to primitive civilization. I want my children to face a simpler world than the one I faced. Do you know what it means for a man to inherit money, with nothing back of it for two generations but hard work, although back of that there were, perhaps, kings? It means that I had, unaided, to fit myself into a social scheme so complex that I have not yet mastered its intricacies. I do not want to master them. I do not want my sons to master them. I want them to find life a thing of the day's work, the day's worship, the day's out-of-door delights. I want them to have time to think and to dream. And then some day they shall come back if they wish to challenge civilization—young prophets, perhaps, out of the wilderness—seeing a new vision of God and man because of their detachment from all that might have blinded them.

"I have a feeling that your Nancy might, if she knew this, dream with me of a new race, rising to the level of the needs of a new world. She might see herself as the mother of such a race—sheltered in my hidden land, sailing the seas with me, held close to my heart. I think I am a masterful man, but I should be masterful only to keep her to her best. If she faltered I should strengthen her. And I should make her happy. I know that I could make her happy. And for me there will never be another.

"I am leaving it to you to decide whether you will show her this. I want her to see it, because it seems to me that she has a right to decide between the life that I can offer her and the life she must live if she marries Anthony Peak. But it all involves a point of honor which I feel that I am not unprejudiced enough to decide. So to-morrow I shall go away. I shall sail far in the two months that I shall give myself before I come back. And when I come, you will let me know whether I am to turn once more to the trackless seas, or stay to find my happiness."

This letter when I had first read it had stirred me profoundly, as I think it must have stirred any man or woman who has yearned amid the complexities of modern existence to find some land of dreams. Even to my island, comparatively untouched by the problems of existence in crowded centers, come the echoes of discord, of social unrest, of political upheavals, of commercial greed. In this hidden land of Olaf's would be life stripped of its sordidness, love free from the blight of cynicism and disillusion—faith, firm in its nearness to God and the wonder of His works. I envied Olaf his hidden land as I envied Nancy her opportunity. My blood is the same as Nancy's, and I love the sea. And as we grow older our souls adventure!

When Nancy came in to me, she had put on her white peignoir, and she had Olaf's letter in her hand.

"Ducky," she said, and her voice shook, "I have read it twice—and—I shouldn't dare to think he was in earnest."

"Why not?"

"I should want to go, Elizabeth."

"And leave the world behind you?"

"Oh, I haven't any world. It might be different if mother were alive, or daddy. There'd be only you, Ducky, my dear, dear Ducky." She caught my hand and held it.

"And Anthony—"

"Anthony would get over it"—sharply. "Wouldn't he, Elizabeth? You know he would."

"My dear, I don't know."

"But I know. If I hadn't been in his life, Mimi Sears would have been, just as Bob Needham would have been in my life if it hadn't been for Anthony. There isn't any question between Anthony and me of—one woman for one man. You know that, Elizabeth. But with Olaf—if he doesn't have me, there will be no one else—ever. He—he will go sailing on—alone—"

"My dear, how do you know?"

She flung herself down beside me, a white rose, all fragrance. "I don't know"—she began to cry. "How silly I am," she sobbed against my shoulder. "I—I don't know anything about him, do I, Elizabeth—? But it would be wonderful to be loved—like that."

All through the night she slept on my arm, with her hand curled in the hollow of my neck as she had slept as a child. But I did not sleep. My mind leaped forward into the future, and I saw my world without her.

Nancy stayed with me through September. Anthony's holiday was up the day after the garden party, and he went back to Boston, keeping touch with Nancy in the modern way by wire, special delivery, and long-distance telephone.

It was on a stormy night with wind and beating rain that Nancy told me Anthony was insisting that she marry him in December.

"But I can't, Elizabeth. I am going to write to him to-night."

"When will it be?"

"Who knows? I—I'm not ready. If he can't wait—he can let me go."

She did not stay to listen to my comment on her mutiny—she swept out of the library and sat down at the piano in the other room, making a picture of herself between the tall white candles which illumined the dark mahogany and the mulberry brocades.

I leaned back in my chair and watched her, her white fingers straying over the keys, her thin blue sleeves flowing back from her white arms. Now and then I caught a familiar melody among the chords, and once I was aware of the beat and the swing of the waves in the song which Olaf had once sung.

She did not finish it. She rose and wandered to the window, parting the curtain and looking out into the streaming night.

"It's an awful storm, Ducky."

"Yes, my dear. On nights like this I always think of the old days when the men were on the sea, and the women waited."

"I'd rather think of my man on the sea, even if I had to wait for him, Ducky, than shut up in office, stagnating."

The door-bell rang suddenly. It was a dreadful night for any one to be out, but Anita, undisturbed and crisp in her white apron and cap, came through the hall. A voice asked a question, and the blood began to pound in my body. Things were blurred for a bit, and when my vision cleared—I saw Olaf in the shine of the candles in the room beyond, with Nancy crushed to him, his bright head bent, the sheer blue of her frock infolding him—the archway of the door framing them like the figures of saints in the stained glass of a church window!

I knew then that I had lost her. But she did not yield at once.

"I love him, of course. But a woman couldn't do a thing like that," was the way she put it to me the next morning.

I felt, however, that Olaf would master her. Will was set against will, mind against mind. And at last she showed him the way. "A thousand years ago you would have carried me off."

I can see him now as he caught the idea and laughed at her. "Whether you go of your own accord or I carry you, you will be happy." He lifted her in his strong hands as if she were a feather, held her, kissed her, and flashed a glance at me. "You see how easy it would be, and there's a chaplain on board."

There is not much more to tell. Nancy went down one morning to the beach for her bath—and the fog swallowed her up. I have often wondered whether she planned it, or whether, knowing that she would be there, he had come in his launch and had borne her away struggling, but not, I am sure, unwilling. However it happened, the cloak went with her, and I like to think that she was held in his arms, wrapped in it, when they reached the ship.

I like to think, too, of my Nancy in the glowing room with the wolfskins and the strange old tapestry—and the storms beating helpless against her happiness.

I like to think of her as safe in that hidden land, where most of us fain would follow her—the mistress of that guarded mansion, the wife of a young sea god, the mother of a new race.

But, most of all, I like to think of the children. And I have but one wish for a long life, which might otherwise weigh upon me, that the years may bring back to the world those prophets from a hidden land, those young voices crying from the wilderness—the children of Olaf and of Nancy Greer.

WHITE BIRCHES

I

A woman, who under sentence of death could plan immediately for a trip to the circus, might seem at first thought incredibly light-minded.

You had, however, to know Anne Dunbar and the ten years of her married life to understand. Her husband was fifteen years her senior, and he had few illusions. He had fallen in love with Anne because of a certain gay youth in her which had endured throughout the days of a dreadful operation and a slow convalescence. He had been her surgeon, and, propped up in bed, Anne's gray eyes had shone upon him, the red-gold curls of her cropped hair had given her a look of almost boyish beauty, and this note of boyishness had been emphasized by the straight slenderness of the figure outlined beneath the white covers.

Anne had married Ridgeley Dunbar because she loved him. And love to Anne had been all fire and flame and spirit. It did not take her long to learn that her husband looked upon love and life as matters of flesh and blood—and bones. By degrees his materialism imposed itself upon Anne. She admired Ridgeley immensely. She worshiped, in fact, the wonder of his day's work. He healed the sick, he cured the halt and blind, and he scoffed at Anne's superstitions—"I can match every one of your Bible miracles. There's nothing to it, my dear. Death is death and life is life—so make the most of it."

Anne tried to make the most of it. But she found it difficult. In the first place her husband was a very busy man. He seemed to be perfectly happy with his cutting people up, and his medical books, and the articles which he wrote about the intricate clockwork inside of us which ticks off the hours from birth to death. Now and then he went out to the theatre with his wife or to dine with friends. But, as a rule, she went alone. She had a limousine, a chauffeur, a low swung touring car—and an electric. Her red hair was still wonderful, and she dressed herself quite understanding in grays and whites and greens. If she did not wear habitually her air of gay youth, it was revived in her now and then when something pleased or excited her. And her eyes would shine as they had shone in the hospital when Ridgeley Dunbar had first bent over her bed.

They shone on Christopher Carr when he came home from the war. He was a friend of her husband. Or rather, as a student in the medical school, he had listened to the lectures of the older man, and had made up his mind to know him personally, and had thus, by sheer persistence, linked their lives together.

Anne had never met him. He had been in India When she had married Ridgeley, and then there had been a few years in Egypt where he had studied some strange germ, of which she could never remember the name. He had plenty of money, hence he was not tied to a practice. But when the war began, he had offered his services, and had made a great record. "He is one of the big men of the future," Ridgeley Dunbar had said.

But when Christopher came back with an infected arm, which might give him trouble, it was not the time to talk of futures. He was invited to spend July at the Dunbars' country home in Connecticut, and Ridgeley brought him out at the week-end.

The Connecticut estate consisted of a rambling stone house, an old-fashioned garden, and beyond the garden a grove of white birches.

"What a heavenly place," Christopher said, toward the end of dinner; "how did you happen to find it?"

"Oh, Anne did it. She motored for weeks, and she bought it because of the birches."

Anne's eyes were shining. "I'll show them to you after dinner."

She had decided at once that she liked Christopher. He still wore his uniform, and had the look of a soldier. But it wasn't that—it was the things he had been saying ever since the soup was served. No one had talked of the war as he talked of it. There had been other doctors whose minds had been on arms and legs—amputated; on wounds and shell shock—And there had been a few who had sentimentalized. But Christopher had seemed neither to resent the frightfulness nor to care about the moral or spiritual consequences. He had found in it all a certain beauty of which he spoke with enthusiasm—"A silver dawn, and a patch of Blue Devils like smoke against it—;" ... "A blood-red sunset, and a lot of airmen streaming across—"

He painted pictures, so that Anne saw battles as if a great brush had splashed them on an invisible canvas. There were just four at the table—the two men, Anne, and her second cousin, Jeanette Ware, who lived the year round in the Connecticut house, and was sixty and slightly deaf, but who wore modern clothes and had a modern mind.

It was not yet dark, and the light of the candles in sconces and on the table met the amethyst light that came through, the wide-flung lattice. Anne's summer gown was something very thin in gray, and she wore an Indian necklace of pierced silver beads. Christopher had sent it to her as a wedding-present and she had always liked it.

When they rose from the table, Christopher said, "Now for the birches."

Somewhere in the distance the telephone rang, and a maid came in to say that Dr. Dunbar was wanted. "Don't wait for me," he said, "I'll follow you."

Jeanette Ware hated the night air, and took her book to the lamp on the screened porch, and so it happened that Anne and Christopher came alone to the grove where the white bodies of the birches shone like slender nymphs through the dusk. A little wind shook their leaves.

"No wonder," said Christopher, looking down at Anne, "that you wanted this—but tell me precisely why."

She tried to tell him, but found it difficult. "I seem to find something here that I thought I had lost."

"What things?"

"Well—guardian angels—do you believe in them?" She spoke lightly, as if it were not in the least serious, but he felt that it was serious.

"I believe in all beautiful things—"

"I used to think when I was a little girl that they were around me when I was asleep—

'Matthew, Mark, Luke, and John—
Bless the bed that I lie on—'"

her laugh was a bit breathless—"but I don't believe in them any more. Ridgeley doesn't, you know. And it does seem silly—"

"Oh, no, it isn't—"

"Ridgeley feels that it is a bit morbid—and perhaps he is right. He says that we must eat and drink and—be merry," she flung out her hands with a little gesture of protest, "but he really isn't merry—"

"I see. He just eats and drinks?" He smiled at her.

"And works. And his work is—wonderful."

They sat down on a stone bench which had been hewn out of solid gray rock. "I wish Ridgeley had time to play," Anne said; "it would be nice for both of us—"

The amethyst light had gone, and the dusk descended. Anne's gray dress was merged into the gray of the rock. She seemed just voice, and phantom outline, and faint rose fragrance. Christopher recognized the scent. He had sent her a precious vial in a sandalwood box. Nothing had seemed too good for the wife of his old friend Dunbar.

"Life for you and Ridgeley," he told her, "should be something more than work or play—it should be infinite adventure."

"Yes. But Ridgeley hasn't time for adventure."

"Oh, he thinks he hasn't—"

As Christopher talked after that, Anne was not sure that he was in earnest. He complained that romance had fallen into disrepute. "With all the modern stories—you know the formula—an ounce of sordidness, a flavor of sensationalism, a dash of sex—" One had to look back for the real thing—Aucassin and Nicolette, and all the rest. "That's why I haven't married."

"Well, I have often wondered."

"If I loved a woman, I should want to make her life all glow and color—and mine—with her—"

Anne's eyes were shining. What a big pleasant boy he was. He seemed so young. He had a way of running his fingers up through his hair. She was aware of the gesture in the dark. Yes, she liked him. And she felt suddenly gay and light-hearted, as she had felt in the days when she first met Ridgeley.

They talked until the stars shone in the tips of the birch trees. Ridgeley did not come, and when they went back to the house, they found that he had been called to New York on an urgent case. He would not return until the following Friday.

Anne and Christopher were thus left together for a week to get acquainted. With only old Jeanette Ware to play propriety.

II

It did not take Christopher long to decide that Ridgeley was no longer in love with his wife. "Of course he would call it love. But he could live just as well without her. He has made a machine of himself."

He spoke to Dunbar one night about Anne. "Do you think she is perfectly well?"

"Why not?"

"There's a touch of breathlessness when we walk. Are you sure about her heart?"

"She has never been strong—" and that had seemed to be the end of it.

But it was not the end of it for Christopher. He watched Anne closely, and once when they climbed a hill together and she gave out, he carried her to the top. He managed to get his ear against her heart, and what he heard drained the blood from his face.

As for Anne, she thought how strong he was—and how fair his hair was with the sun upon it, for he had tucked his cap in his pocket.

That night Christopher again spoke to Ridgeley. "Anne's in a bad way." He told of the walk to the top of the hill.

Ridgeley listened this time, and the next day he took Anne down into his office, and did things to her. "But I don't see why you are doing all this," she complained, as he stuck queer instruments in his ears, and made her draw long breaths while he listened.

"Christopher says you get tired when you walk."

"Well, I do. But there's nothing really the matter, is there?"

There was a great deal the matter, but there was no hint of it in his manner. If she had not been his wife, he would probably have told her the truth—that she had a few months, perhaps a few years ahead of her. He was apt to be frank with his patients. But he was not frank with Anne. He had intended to tell Christopher at once. But Christopher was away for a week.

In the week that he was separated from her, Christopher learned that he loved Anne; that he had been in love with her from the moment that she had stood among the birches—like one of them in her white slenderness—and had talked to him of guardian angels;—"Matthew, Mark, Luke, and John!"

He did not believe in saints, nor in the angels whose wings seemed to enfold Anne, but he believed in beauty—and Anne's seemed lighted from within, like an alabaster lamp.

Yet she was very human—and the girl in her and the boy in him had met in the weeks that he had spent with her. They had found a lot of things to do—they had fished in shallow brown streams, they had ridden through miles of lovely country. They had gone forth in search of adventure, and they had found it; in cherries on a tree by the road, and he had climbed the tree and had dropped them down to her, and she had hung them over her ears—He had milked a cow in a pasture as they passed, and they had drunk it with their sandwiches, and had tied up a bill in Anne's fine handkerchief and had knotted it to the halter of the gentle, golden-eared Guernsey.

But they had found more than adventure—they had found romance—shining upon them everywhere. "If I were a gipsy to follow the road, and she could follow it with me," Christopher meditated as he sat in the train on his way back to Anne.

But there was Anne's husband, and Christopher's friend—and more than all there were all the specters of modern life—all the hideous wheels which must turn if Anne were ever to be his—treachery to Ridgeley—the divorce court—and then, himself and Anne, living the aftermath, of it all, facing, perhaps, disillusion—

"Oh, not that," Christopher told himself, "she'd never grow less—never anything less than she is—if she could once—care—"

For he did not know whether Anne cared or not. He might guess as he pleased—but there had not been a word between them.

Once more the thought flashed, "If I were a gipsy to follow the road—"

As his train sped through the countryside, he became aware of flaming bill-boards—a circus was showing in the towns—the fences fairly blazed with golden chariots, wild beasts, cheap gods and goddesses, clowns in frilled collars and peaked hats. He remembered a glorious day that he had spent as a boy!

"I'll take Anne," was his sudden decision.

He laughed to himself, and spent the rest of the way in seeing her at it. They would drink pink lemonade, and there would be pop-corn balls—the entrancing smell of sawdust—the beat of the band. He hoped there would be a tom-tom, and some of the dark people from the Far East.

He reached his destination at seven o'clock. Dunbar met him at the station. Anne sat with her husband, and Jeanette was in the back seat. Christopher had, therefore, a side view of Anne as she turned a little that she might talk to him. The glint of her bright hair under her gray sports hat, the light of welcome in her eyes—!

"I am going to take you to the circus to-morrow. Ridgeley, you'll go too?"

Dunbar shook his head. "I've got to get back to town in the morning. And I'm not sure that the excitement will be good for Anne."

"Why not?" quickly. "Aren't you well, Anne?"

She shrugged her shoulders. "Ridgeley seems to think I'm not. But the circus can't hurt me."

Nothing more was said about it. Christopher decided to ask Ridgeley later. But the opportunity did not come until Anne had gone up-stairs, and Dunbar and Christopher were smoking a final cigar on the porch.

"What's the matter with her?" Christopher asked.

Dunbar told him, "She can't get well."

III

Anne, getting ready for bed, on the evening of Christopher's arrival, felt unaccountably tired. His presence had been, perhaps, a bit over-stimulating. It was good to have him back. She scarcely dared admit to herself how good. After dinner she and Ridgeley and Christopher had walked down to the grove of birches. There had been a new moon, and she and Ridgeley had sat on the stone bench with Christopher at their feet. She had leaned her head against her husband's shoulder, and he had put his arm about her in the dark and had drawn her to him. He was rarely demonstrative, and his tenderness had to-night for some reason hurt her. She had learned to do without it.

She had talked very little, but Christopher had talked a great deal. She had been content to listen. He really told such wonderful things—he gave her to-night the full story of her silver beads, and how they had been filched from an ancient temple—and he had bought them from the thief. "Until I saw you wear them, I always had a feeling that they ought to go back to the temple—to the god who had perhaps worn them for a thousand years. If I had known which god, I might have carried them back. But the thief wouldn't tell me."

"It would have done no good to carry them back," Ridgeley had said, "and they are nice for Anne." His big hand had patted his wife's shoulder.

"Oh," Christopher had been eager, "I want you to hear those temple bells some day, Anne. Why won't you take her, Dunbar? Next winter—drop your work, and we'll all go—"

"I've a fat chance of going."

"Haven't you made money enough?"

"It isn't money. You know that. But my patients would set up a howl—"

"Let 'em howl. You've got a life of your own to live, and so has Anne."

Dunbar had hesitated for a moment—then, "Anne's better off here."

Anne, thinking of these things as she got out of her dinner dress and into a sheer negligee of lace and faint blue, wondered why Ridgeley should think she was better off. She wanted to see the things of which Christopher had told her—to hear the temple bells in the dusk—the beat of the tom-tom on white nights.

She stood at the window looking out at the moon. She decided that she could not sleep. She would go down and get a book that she had left on the table. The men were out-of-doors, on the porch; she heard the murmur of their voices.

The voices were distinct as she stood in the library, and Christopher's words came to her, "What's the matter with Anne?"

Then her husband's technical explanation, the scientific name which meant nothing to her, then the crashing climax, "She can't get well."

She gave a quick cry, and when the men got into the room, she was crumpled up on the floor.

Her husband reached her first. "My dear," he said, "you heard?"

"Yes. Do you mean that I am—going to die, Ridgeley?"

There was, of course, no way out of it. "It means, my dear, that I've got to take awfully good care of you. Your heart is bad."

Christopher interposed. "People live for years with a heart like that."

But her eyes sought her husband's. "How long do they live?"

"Many months—perhaps years—without excitement—"

This then had been the reason for his tenderness. He had known that she was going to die, and was sorry. But for ten years she had wanted what he might have given her—what he couldn't give her now—life as she had dreamed of it.

She drew a quivering breath—"It isn't quite fair—is it?"

It didn't seem fair. The two doctors had faced much unfairness of the kind of which she complained. But it was the first time that, for either of them, it had come so close.

They had little comfort to give her, although they attempted certain platitudes, and presently Ridgeley carried her to her room.

IV

She insisted the next morning on going to the circus with Christopher. She had not slept well, and there were shadows under her eyes. The physician in Christopher warred with the man. "You ought to rest," he said at breakfast. Dunbar had gone to New York in accordance with his usual schedule. There were other lives to think of; and Anne, when he had looked in upon her that morning, had seemed almost shockingly callous.

"No, I don't want to stay in bed, Ridgeley. I am going to the circus. I shall follow your prescription—to eat and drink and be merry—"

"I don't think I have put it quite that way, Anne."

"You have. Quite. 'Death is death and life is life—so make the most of it.'"

Perhaps she was cruel. But he knew, too, that she was afraid. "My dear," he said gently, "if you can get any comfort out of your own ideas, it might be better."

"But you believe they are just my own ideas—you don't believe they are true?"

"I should like to think they were true."

"You ought to rest," said Christopher at the breakfast table.

"I ought not. There are to be no more oughts—ever—"

He nodded as if he understood, leaning elbows on the table.

"I am going to pack the days full"—she went on. "Why not? I shall have only a few months—and then—annihilation—" She flung her question across the table. "You believe that, don't you?"

He evaded. "We sleep—'perchance to dream.'"

"I don't want to dream. They might be horrid dreams—"

And then Jeanette came down, and poured their coffee, and asked about the news in the morning paper.

Dressed for her trip to the circus, Anne looked like a girl in her teens—white skirt and short green coat—stout sports shoes and white hat. She wore her silver beads, and Christopher said, "I'm not sure that I would if I were you."

"Why not?"

"In such a crowd."

But she kept them on.

They motored to the circus grounds, and came in out of the white glare to the cool dimness of the tent as if they had dived from the sun-bright surface of the sea. But there the resemblance ceased. Here was no silence, but blatant noise—roar and chatter and shriek, the beat of the tom-tom, the thin piping of a flute—the crash of a band. But it was the thin piping which Christopher followed, guiding Anne with his hand on her arm.

Following the plaintive note, they came at last to the snake-charmer—an old man in a white turban. The snakes were in a covered basket. He sat with his feet under him and piped.

Christopher spoke to him in a strange tongue. The piping broke off abruptly and the man answered with eagerness. There was a quick interchange of phrases.

"I know his village," Christopher said; "he is going to show you his snakes."

A crowd gathered, but the snake-charmer saw only the big man who had spoken to his homesick heart, and the girl with the silver beads. He knew another girl who had had a string of beads like that—and they had brought her luck—a dark-skinned girl, his daughter. Her husband had bestowed the beads on her marriage night, and her first child had been a son.

He put the thin reed to his lips, and blew upon it. The snakes lifted their heads. He drew them up and out of the basket, and put them through their fantastic paces. Then he laid aside his pipe, shut them in their basket, and spoke to Christopher.

"He says that no evil can teach you while you wear the beads," Christopher told Anne.

The old man, with his eyes on her intent face, spoke again. "What you think is evil—cannot be evil," Christopher interpreted. "The gods know best."

They moved toward the inner tent.

"Are you tired?" Christopher asked. "We don't have to stay."

"I want to stay," and so they went in, and presently with a blare of trumpets the great parade began. They looked down on men and women in Roman chariots, men on horseback, women on horseback, on elephants, on camels—painted ladies in howdahs, painted ladies in sedan chairs—Cleopatra, Pompadour—history reduced to pantomime, color imposed upon color, glitter upon glitter, the beat of the tom-tom, the crash of the band, the thin piping, as the white-turbaned snake-charmer showed in the press of the crowd.

Christopher's eyes went to Anne. She was leaning forward, one hand clasping the silver beads. He would have given much to know what was in her mind. How little she was and how young. And how he wanted to get her away from the thing which hung suspended over her like a keen-edged sword.

But to get her away—how? He could never get her away from her thoughts. Unless....

Suddenly he heard her laughing. Two clowns were performing with a lot of little dogs. One of the dogs was a poodle who played the fool. "What a darling," Anne was saying.

There was more than they could look at—each ring seemed a separate circus—one had to have more than a single pair of eyes. Christopher was blind to it all—except when Anne insisted, "Look—look!"

Six acrobats were in the ring—four men and two women. Their tights were of a clear shimmering blue, with silver trunks. One could not tell the women from the men, except by their curled heads, and their smaller stature. They were strong, wholesome, healthy. Christopher knew the quality of that health—hearts that pumped like machines—obedient muscles under satin skins. One of the women whirled in a series of handsprings, like a blue balloon—her body as fluid as quicksilver. If he could only borrow one-tenth of that endurance for Anne—he might keep her for years.

Then came Pantaloon, and Harlequin and Columbine. The old man was funny, but the youth and the girl were exquisite—he, diamond-spangled and lean as a lizard, she in tulle skirts and wreath of flowers. They did all the old tricks of masks and slapping sticks, of pursuit and retreat, but they did them so beautifully that Anne and Christopher sat spellbound—what they were seeing was not two clever actors on a sawdust stage, but love in its springtime—girl and boy—dreams, rapture, radiance.

Then, in a moment, Columbine was dead, and Harlequin wept over her—frost had killed the flower—love and life were at an end.

Christopher was drawing deep breaths. Anne was tense. But now—Columbine was on her feet, and Harlequin was blowing kisses to the audience!

"Let's get out of this," Christopher said, almost roughly, and led Anne down the steps and into the almost deserted outer tent. They looked for the snake-charmer, but he was gone. "Eating rice somewhere or saying his prayers," Christopher surmised.

"How could he know about the gods?" Anne asked, as they drove home.

"They know a great deal—these old men of the East," Christopher told her, and talked for the rest of the way about the strange people among whom he had spent so many years.

V

Ridgeley did not come home to dinner. He telephoned that he would be late. It was close and warm. Christopher, sitting with Anne and Jeanette on the porch, decided that a storm was brewing.

Anne was restless. She went down into the garden, and Christopher followed her. She wore white, and he was aware of the rose scent. He picked a rose for her as he passed through the garden. "Bend your head, and I'll put it in your hair."

"I can't wear pink."

"It is white in the dusk—" He put his hands on her shoulders, stopped her, and stuck the rose behind her ear. Then he let her go.

They came to the grove of birches, and sat down on the stone seat. It had grown dark, and the lightning flashing up from the horizon gave to the birches a spectral whiteness—Anne was a silver statue.

"It was queer," she said, "about the old man at the circus."

"About the beads?"

"Yes. I wonder what he meant, Christopher? 'What you think is evil—cannot be evil'? Do you think he meant—Death?"

He did not answer at once, then he said, abruptly, "Anne, how did it happen that you and Ridgeley drifted apart?"

"Oh, it's hard to tell."

"But tell me."

"Well, when we were first married, I expected so much ... things that girls dream about—that he would always have me in his thoughts, and that our lives would be knit together. I think we both tried hard to have it that way. I used to ride with him on his rounds, and he would tell me about his patients. And at night I'd wait up for him, and have something to eat, and it was—heavenly. Ridgeley was so ... fine. But his practice got so big, and sometimes he wouldn't say a word when I rode with him.... And he would be so late coming in at night, and he'd telephone that I'd better go to bed.... And, well, that was the beginning. I don't think it is really his fault or mine ... it's just ... life."

"It isn't life, and you know it," passionately. "Anne, if you had married me ... do you think...?" He reached out in the dark and took her hand. "Oh, my dear, we might as well talk it out."

She withdrew her hand. "Talk what out?"

"You know. I've learned to care for you an awful lot. I had planned to go away. But I can't go now ... not and leave you to face things alone."

He heard her quick breath. "But I've got to face them."

"But not alone. Anne, do you remember what you said ... this morning? That you were going to pack the days full? And you can't do that without some one to help you. And Ridgeley won't help. Anne, let me do it. Let me take you away from here ... away from Ridgeley. We will go where we can hear the temple bells. We'll ride through the desert ... we'll set our sails for strange harbors. We'll love until we forget everything, but the day, the hour,—the moment! And when the time comes for endless dreams...."

"Christopher...."

"Anne, listen."

"You mustn't say things like that to me ... you must not...!"

"I must. I want you to have happiness. We'll crowd more in to a few short months than some people have in a lifetime. And you have a right to it."

"Would it be happiness?"

"Why not? In a way we are all pushing death ahead of us. Who knows that he will be alive to-morrow? There's this arm of mine ... there's every chance that I'll have trouble with it. And an automobile accident may wreck a honeymoon. You've as much time as thousands who are counting on more."

The lightning flashed and showed the birches writhing.

"But afterward, Christopher, afterward...?"

"Well, if it is Heaven, we'll have each other. And if it is Hell ... there were Paolo and Francesca ... and if it is sleep, I'll dream eternally of you! Anne ... Anne, do you love me enough to do it?"

"Christopher, please!"

But the storm was upon them—rain and wind, and the thunder a cannonade. Christopher, brought at last to the knowledge of its menace, picked Anne up in his arms, and ran for shelter. When they reached the house, they found Ridgeley there. He was stern. "It was a bad business to keep her out. She's afraid of storms."

"Were you afraid?" Christopher asked her, as Ridgeley went to look after the awnings.

"I forgot the storm," she said, and did not meet his eyes.

VI

Lying awake in her wide bed, Anne thought it over. She was still shaken by Christopher's vehemence. She had believed him her friend, and had found him her lover—and oh, he had brought back youth to her. If he left her now, how could she stand it—the days with no one but Jeanette Ware, and the soul-shaking knowledge of what was ahead?

And Ridgeley would not care—much. In a week be swallowed up by his work....

She tried to read, but found it difficult. Across each page flamed Christopher's sentences.... "We'll ride through the desert.... We'll set our sails for strange harbors...."

Was that what the old man had meant at the circus.... "What you think is evil—cannot be evil"? Would Christopher give her all that she had hoped of Ridgeley? If she lived to be eighty, she and Ridgeley would—jog. Was Christopher right—"You'll have more happiness in a few months than some people in a lifetime?"

She heard her husband moving about in the next room, the water booming in his bath. A thin line of light showed under his door.

She shut her book and turned out her lamp. The storm had died down and the moon was up. Through the open window she could see beyond the garden to the grove of birches.

Hitherto, the thought of the little grove had been as of a sanctuary. She was aware, suddenly, that it had become a place of contending forces. Were the guardian angels driven out...?

But there weren't any guardian angels! Ridgeley had said that they were silly. And Christopher didn't believe in them. She wished that her mother might have lived to talk it over. Her mother had had no doubts.

The door of her husband's room opened, and he was silhouetted against the light. Coming up to the side of her bed, he found her wide-eyed.

"Can't you sleep, my dear?"

"No."

"I don't want to give you anything."

"I don't want anything."

He sat down by the side of the bed. He had on his blue bathrobe, and the open neck showed his strong white throat. "My dear," he said, "I've been thinking of what you said this morning—about my lack of belief and the effect it has had on yours. And—I'm sorry."

"Being sorry doesn't help any, does it, Ridgeley?"

"I should like to think that you had your old faiths to—comfort you."

She had no answer for that, and presently he said, "Are you warm enough?" and brought an extra blanket, because the air was cool after the storm, and then he bent and kissed her forehead. "Shut your eyes and sleep if you can."

But of course she couldn't sleep. She lay there for hours, weighing what he had said to her against what Christopher had said. Each man was offering her something—Christopher, life at the expense of all her scruples. Ridgeley, the resurrection of burnt-out beliefs.

She shivered a bit under the blanket. It would be heavenly to hear the temple bells—with youth beside her. To drink the wine of life from a brimming cup. But all the time she would be afraid, nothing could take away that fear.—Nothing, nothing, nothing.

She was glad that her husband was awake. The thin line of light still showed beneath his door. It would be dreadful to be alone—in the dark. At last she could stand it no longer. She got out of bed, wrapped herself in a robe that lay at the foot of it, and opened the door.

"May I leave it open?"

As her husband turned in his chair, she saw his hand go quickly, as if to cover the paper on which he was writing. "Of course, my dear. Are you afraid?"

"I am always afraid, Ridgeley. Always—"

She put her hands up to her face and began to cry. He came swiftly toward her and took her in his arms. "Hush," he said, "nothing can hurt you, Anne."

VII

When she waked in the morning, it was with, the remembrance of his tenderness. Well, of course he was sorry for her. Anybody would be. But Christopher was sorry, too. And Christopher had something to offer her—more than Ridgeley—yes, it was more—

She was half afraid to go down-stairs. Christopher would be at breakfast on the porch. Jeanette would be there, pouring coffee, and perhaps Ridgeley if he had no calls. And Christopher would talk in his gay young voice—and Ridgeley would read the newspaper, and she and Christopher would make their plans for the day—

She rose and began to dress, but found herself suddenly panic-stricken at the thought of the plans that Christopher might make. If they motored off together, he would talk to her as he had talked in the grove of birches—of the temple bells, and of the desert, and the strange harbors—and how could she be sure that she would be strong enough to resist—and what if she listened, and let him have his way?

She decided to eat her breakfast in bed, and rang for it. A note came up from Christopher. "Don't stay up-stairs. Ridgeley left hours ago, and I shan't enjoy my toast and bacon if you aren't opposite me. I have picked a white rose to put by your plate. And I have a thousand things to say to you—"

His words had a tonic effect. Oh, why not—? What earthly difference would it make? And hadn't Browning said something like that—"Who knows but the world may end to-night?"

She was not sure that was quite the way that Browning had put it, and she thought she would like to be sure—she could almost see herself saying it to Christopher.

So she went into her husband's room to get the book.

Ridgeley's books were on the shelf above his desk. They had nothing to do with his medical library—that was down-stairs in his office, and now and then he would bring up a great volume. But he had a literary side, and he had revealed some of it to Anne in the days before he had been too busy. His Browning was marked, and it was not hard to find "The Last Ride." She opened at the right page, and stood reading—an incongruous figure amid Ridgeley's masculine belongings in her sheer negligee of faint blue.

She closed the book, put it back on the shelf, and was moving away, when her eyes were caught by two words—"For Anne," at the top of a sheet of paper which lay on Ridgeley's desk. The entire page was filled with Ridgeley's neat professional script, and in a flash the gesture which he had made the night before returned to her, as if he were trying to hide something from her gaze.

She bent and read....

Oh, was this the way he had spent the hours of the night? Searching for words which might comfort her, might clear away her doubts, might bring hope to her heart?

And he had found things like this: "My little sister, Death," said good St. Francis; ... "The darkness is no darkness with thee, but the night is as clear as day; the darkness and light to thee are both alike ..." "Yea, though I Walk through the Valley of the Shadow ..." These and many others, truths which had once been a part of her.

She read, avidly. Oh, she had been thirsty—for this! Hungry for this! And Ridgeley—! The tears dripped so that she could hardly see the lines. She laid her cheek against the paper, and her tears blistered it.

She carried it into her room. Christopher's note still lay on her pillow. She read it again, but she had no ears now for its call. She rang for her maid. "I shall stay in bed and write some letters."

She wrote to Christopher, after many attempts. "We have been such good, good friends. And we mustn't spoil it. Perhaps if you could go away for a time, it would be best for both of us. I am going to believe that some day you will find great happiness. And you would never have found happiness with me, you would have found only—fear. And I know now what the old man meant about the beads—'What you think is evil—cannot be evil.' Christopher, death isn't evil, if it isn't the end of things. And I am going to believe that it is not the end ..."

Christopher went into town before lunch, and later Anne sat alone on the stone bench in her grove of birches. They were serene and still in the gold of the afternoon. Yet last night they had writhed in the storm. She, too, had been swept by a storm.... She missed her playmate—but she had a sense of relief in the absence of her tempestuous lover.

Ridgeley came home that night with news of Christopher's sudden departure. "He found telegrams. He told me to say 'good-bye' to you."

"I am sorry," Anne said, and meant it. Sorry that it had to be—but being sorry could not change it.

After dinner Ridgeley had a call to make, and Anne went up to bed. But she was awake when her husband came in, and the thin line of light showed. She waited until she heard the boom of water in his bath, and then she slipped out of bed and opened the door between. She was propped up in her pillows when he reappeared in his blue bathrobe.

"Hello," he called, "did you want me?"

"Yes, Ridgeley."

He came in. "Anything the matter?"

"No. I'm not sick. But I want to talk."

"About what?"

"This—" She showed him the paper with its caption, "For Anne."

"Ridgeley, did you write it because I was—afraid?" her hand went out to him.

His own went over it. "I think I wrote it because I was afraid."

"You?"

His grip almost hurt her. "My dear, my dear, I haven't believed in things. How could I ... with all the facts that men like me have to deal with? But when I faced ... losing you...! love's got to be eternal ..."

"Ridgeley."

"I won't ... lose you. Oh, I know. We've grown apart. I don't know how a man is going to help it ... in this darned whirlpool.... But you've always been right ... here.... I've felt I might ... have you, if I ever had time ..." his voice broke.

"And I thought you didn't care."

"I was afraid of that, and somehow I couldn't get ... back ... to where we began. I was always thinking I would.... And then this came....

"I always hated to kill the things that you believed, Anne. I thought I had to be honest ... that it would be better for you to face the truth.... But which one of us knows the Truth? Not a man among us. And I came across this ... 'Thou fool, that which thou sowest is not quickened except it die....' We are all fools—the wisest of us...."

She held out her arms to him, and he gathered her close. She felt that it had been a thousand years since she had prayed, yet she heard herself speaking.... And when he laid her back upon her pillows, she was aware that together they had approached some height from which they would never again descend.

"I'll leave the door open," he said, as he left her. "I shall be reading, and you can see the light."

It seemed as if the light from his room flooded the world. The four posts of her bed once more were tipped with shining saints! She turned on her pillow—beyond the garden, the grove of white birches was steeped in celestial radiance.

"My little sister, Death," said good St. Francis.

With her hand under her cheek, she slept at last, as peacefully as a child.

THE EMPEROR'S GHOST

I

I had not known Tom Randolph a week before I was aware that life was not real to him. All his world was a stage, with himself as chief player. He dramatized everything—actions, emotions, income. Thus he made poverty picturesque, love a thing of the stars, the day's work a tragedy, or, if the professors proved kind, a comedy. He ate and drank, as it were, to music, combed his hair and blacked his boots in the glare of footlights; made exits and entrances of a kind unknown to men like myself who lacked his sense of the histrionic.

He was Southern and chivalric. His traditions had to do with the doffed hat and the bent knee. He put woman on a pedestal and kept her there. No man, he contended, was worthy of her—what she gave was by the grace of her own sweet charity!

It will be seen that in all this he missed the modern note. As a boy he had been fed upon Scott, and his later reading had not robbed him of his sense of life as a flamboyant spectacle.

He came to us in college with a beggarly allowance from an impoverished estate owned by his grandfather, a colonel of the Confederacy, who after the war had withdrawn with his widowed daughter to his worthless acres. In due time the daughter had died, and her child had grown up in a world of shadows. On nothing a year the colonel had managed, in some miraculous fashion, to preserve certain hospitable old customs. Distinguished guests still sat at his table and ate ducks cooked to the proper state of rareness, and terrapin in a chafing-dish, with a dash of old sherry. If between these feasts there was famine the world never knew.

It was perhaps from the colonel that Randolph had learned to make poverty picturesque. His clothes were old and his shoes were shabby. But his strength lay in the fact that he did not think of himself as poor. He had so much, you see, that the rest of us lacked. He was a Randolph. He had name, position, ancestry. He was, in short, a gentleman!

I do not think he looked upon any of us as gentlemen, not in the Old Dominion sense. He had come to our small Middle-Western college because it was cheap and his finances would not compass education anywhere else.

In an older man his prejudices would have been insufferable, but his youth and charm made us lenient. We contented ourselves with calling him "Your Highness," and were always flattered when he asked us to his rooms.

His strong suit was hospitality. It was in his blood, of course. When his allowance came he spent it in giving the rest of us a good time. His room was as shabby as himself—a table, an ink-spotted desk, a couch with a disreputable cover, a picture of Washington, a half-dozen books, and a chafing-dish.

The chafing-dish was the hump and the hoof of his festivities. He made rarebits and deviled things with an air that had been handed down from generations of epicures. I can see him now with his black hair in a waving lock on his forehead, in worn slippers and faded corduroy coat, sitting on the edge of the table smoking a long pipe, visualizing himself as the lord of a castle—the rest of us as vassals of a rather agreeable and intelligent sort!

It was perfectly natural that he should stage his first love-affair, and when he was jilted that he should dramatize his despair. For days after Madge Ballou had declared her preference for Dicky Carson, Randolph walked with melancholy. He came to my rooms and sat, a very young and handsome Hamlet, on my fire-bench, with his chin in his hand.

"Why should she like Dicky best?"

"She has no imagination."

"But Dicky's a—beast—"

"With a fat bank-account."

"Money wouldn't count with Madge."

"I'm not so sure—"

"Women are not like that, MacDonald."

I saw, as he went on with his arguments, that she had become to him an Ophelia, weakly led. Women in his lexicon of romance might be weak but never mercenary. I think he finally overthrew her in his mind with "Get thee to a nunnery!" I know that he burned her picture; he showed me the ashes in a silver stamp-box.

He had, of course, his heroes—there were moments when unconsciously he aped them. It was after a debate that the boys began to call him "Bonaparte." He had defended the Little Corporal, and in defending him had personified him. With that dark lock over his forehead, his arms folded, he had flung defiance to the deputies, and for that moment he had been not Tom Randolph but the Emperor himself.

He won the debate, amid much acclaim, and when he came down to us I will confess to a feeling, which I think the others shared, of a soul within his body which did not belong there. Tom Randolph was, of course, Tom Randolph, but the voice which had spoken to us had rung with the power of that other voice which had been stilled at St. Helena!

The days that followed dispelled the illusion, but the name clung to him. I think he liked it, and emphasized the resemblance. He let his hair grow long, sunk his head between his shoulders, was quick and imperious in his speech.

Then came the war. Belgium devastated, France invaded. Randolph was fired at once.

"I'm going over."

"But, my dear fellow—"

"There's our debt to Lafayette."

With his mind made up there was no moving him. The rest of us held back. Our imaginations did not grasp at once the world's need of us.

But Randolph saw himself a Henry of Navarre—white plumes; a Richard of the Lion Heart—crusades and red crosses; a Cyrano without the nose—"These be cadets of Gascony—"

"You see, MacDonald," he said, flaming, "we Randolphs have always done it."

"Done what?"

"Fought. There's been a Randolph in every war over here, and before that in a long line of battles—"

He told me a great deal about the ancient Randolphs, and the way they had fought on caparisoned steeds with lances.

"War to-day is different," I warned him. "Not so pictorial."

But I knew even then that he would make it pictorial. He would wear his khaki like chain armor.

He gave us a farewell feast in his room. It was the season for young squirrels, and he made us a Brunswick stew. It was the best thing I had ever tasted, with red peppers in it and onions, and he served it with an old silver ladle which he had brought from home.

While we ate he talked of war, of why men should fight—"for your own honor and your country's."

There were pacifists among us and they challenged him. He flung them off; their protests died before his passion.

"We are men, not varlets!"

Nobody laughed at him. It showed his power over us that none of us laughed. We simply sat there and listened while he told us what he thought of us.

At last one who was braver than the rest cried out: "Go to it, Bonaparte!"

In a sudden flashing change Randolph hunched his shoulders, set his slouched hat sidewise low on his brows, wrapped the couch-cover like a cloak about him. His glance swept the room. There was no anger in it, just a sort of triumphant mockery as he gave the famous speech to Berthier.

"They send us a challenge in which our honor is at stake—a thing a Frenchman has never refused—and since a beautiful queen wishes to be a witness to the combat, let us be courteous, and in order not to keep her waiting, let us march without sleeping as far as Saxony—!"

I can't tell you of the effect it had on us. We were gripped by the throats, and the room was so still that we heard ourselves breathe. Four of the fellows left next day with Randolph. I think he might have taken us all if we had not been advised and held back by the protests of our professors, who spoke of war with abhorrence.

II

Three years later I saw him again, in France. Our own country had gotten into the fight by that time, and I was caught in the first draft. I had heard now and then from Randolph. He had worked for nearly three years with the Ambulance Corps, and was now fighting for democracy with his fellows.

We had been shivering in the rain for a week in one of the recaptured French towns when a group of seasoned officers were sent to lick us into shape. Among the other officers was Randolph, and when he came upon me he gave a shout of welcome.

"Good old MacDonald—at last!"

I'll confess that his "at last" carried a sting, and I remember feeling the injustice of our equal rank, as I set his years of privation and hardship against my few weeks in a training camp.

He was very glad to see me, and the very first night he made me a Brunswick stew. This time there were no squirrels, but he begged young rabbits from the old couple who had once been servants in the château where we were billeted. They had trudged back at once on the retirement of the Boches, and were making the best of the changed conditions.

There was, of course, no chafing-dish, and the stew was cooked in an iron pot which hung over an open fire in the ancient kitchen. Before they sold the rabbits the old people had made one condition:

"If we may have a bit for mademoiselle—?"

"For mademoiselle?"

"She is here with us, monsieur. She had not been well. We have been saving the rabbits for her."

Randolph made the grand gesture that I so well remembered.

"My good people—if she would dine with us—?"

The old woman shook her head. She was not sure. She would see.

Perhaps she said pleasant things of us, perhaps mademoiselle was lonely. But whatever the reason, mademoiselle consented to dine, coming out of her seclusion, very thin and dark and small, but self-possessed.

I have often wondered what she thought, in those first moments of meeting, of Randolph, as with a spoon for a sceptre, the manner of a king, he presided over the feast. She spoke very good English, but needed to have many things explained.

"Do gentlemen cook in your country?"

Randolph sketched life as he had known it on his grandfather's plantation—negroes to do it all, except when gentlemen pleased.

She drew the mantle of her distaste about her. "Black men? I shouldn't like it."

Well, I saw before the evening ended that Randolph had met his peer. For every one of his aristocratic prejudices she matched him with a dozen. And he loved her for it! At last here was a lady who would buckle on his armor, watch his shield, tie her token on his sleeve!

He sat on the edge of the table in his favorite attitude—hunched-up shoulders, folded arms. His hair was cut too short now for the dark lock, but even without it I saw her glance at him now and then in a puzzled fashion, as if she weighed some familiar memory.

But it was one of the peasants who voiced it—the old man carrying away the remains of the stew muttered among the shadows to his wife:

"C'est Napoleon."

Mademoiselle caught her breath. "Oui, Gaston." Then to me, in English: "Do you see it?"

"Yes. We called him that at school."

"Bonaparte?"

"Yes."

She was thin and dark no longer—illumined, the color staining her cheeks. "Oh, if he were here—to save France!"

I protested. "An emperor against an emperor?"

"He was a great democrat—he loved the common people. For a little while power spoiled him—but he loved the people. And the Bourbons did not love them—Louis laughed at them—and lost his head. And Napoleon never laughed. He loved France—if he had lived he would have saved us."

Out of the shadows the old woman spoke. "They say he will come again."

"Oui, Margot." Mademoiselle was standing, with her hand on her heart. Randolph's eyes devoured her. He had taken no part in the conversation. It was almost uncanny to see him sitting there, silent, arms folded, shoulders hunched, sparkling eyes missing nothing. "It is true," mademoiselle told us earnestly, "that the tra-dee-tion says he will come back—when France needs him—the soldiers talk of it."

"In almost every country," I said, "there is a story like that, of heroes who will come again."

"But Napoleon, monsieur—surely he would not fail France?"

The thing that followed was inevitable. Randolph and Mademoiselle Julie fell in love with each other. He drew her as he had drawn us at school. She was not a Madge Ballou, mundane and mercenary; she was rather a Heloise, a Nicolette, a Jeanne d'Arc, self-sacrificing, impassioned. She met Randolph on equal ground. They soared together—mixed love of country with love of lovers. They rose at dawn to worship the sun, they walked forth at twilight to adore together the crescent moon.

And all the while war was at the gates; we could hear the boom of big guns. The spring drive was on and the Germans were coming back.

I shall never forget the night that Randolph and I were ordered to the front. Mademoiselle had come in with her hands full of violets. Randolph, meeting her for the first time after a busy day, took her hands and the frail blossoms in his eager clasp. He was an almost perfect lover—Aucassin if you will—Abelard at his best.

"Violets," he said. "May I have three?"

"Why three, monsieur?"

"For love, mademoiselle, and truth and constancy."

He took his prayer-book from his pocket, and she gave him the violets. He touched them to her lips, then crushed them to his own. I saw it—sitting back in the shadows. I should never have thought of kissing a girl like that. But it was rather wonderful.

He shut the violets in the little book.

They sat very late that night by the fire. I went in and out, not disturbing them. I saw him kneel at her feet as he left her, and she bent forward and kissed his forehead.

He talked of her a great deal after that. More than I would have talked of love, but his need of an audience drove him to confidences. He felt that he must make himself worthy of her—to go back to her as anything less than a hero might seem to belittle her. I am not sure that he was braver than other men, but his feeling for effect gave him a sort of reckless courage. Applause was a part of the game—he could not do without it.

And so came that night when a small band of us were cut off from the rest. We were intrenched behind a small eminence which hid us from our enemies, with little hope of long escaping their observation. It had been wet and cold, and there had been no hot food for days. We, French and Americans, had fought long and hard; we were in no state to stand suspense, yet there was nothing to do but wait for a move on the other side, a move which could end in only one way—bayonets and bare hands, and I, for one, hated it.

I think the others hated it, too, all but Randolph. The rain had stopped and the moon flooded the world. He turned his face up to it and dreamed.

The knowledge came to us before midnight that the Huns had found us. It became only a matter of moments before they would be upon us, the thing would happen which we hated—bayonets and bare hands, with the chances in favor of the enemy!

Somewhere among our men rose a whimper of fear, and then another. You see, they were cold and hungry and some of them were wounded, and they were cut off from hope. It wasn't cowardice. I call no man a coward. They had faced death a thousand times, some of them. Yet there was danger in their fears.

Randolph was next to me. "My God, MacDonald," he said, "they've lost their nerve—"

There wasn't a second to spare. I saw him doing something to his hat.

As I have said, there was a moon. It lighted that battle-scarred world with a sort of wild beauty, and suddenly in a clear space above us on the little hill a figure showed, motionless against the still white night—a figure small yet commanding, three-cornered hat pulled low—oh, you have seen it in pictures a thousand times—Napoleon of Marengo, of Austerlitz, of Jena, of Friedland—but over and above everything, Napoleon of France!

Of course the Germans shot him. But when they came over the top they were met by Frenchmen who had seen a ghost. "C'est l'Empereur! C'est l'Empereur!" they had gasped. "He returns to lead us."

They fought like devils, and—well, the rest of us fought, too, and all the time, throughout the bloody business, I had before me that vision of Randolph alone in the moonlight. Or was it Randolph? Who knows? Do great souls find time for such small business? And was it small?

His medals were, of course, sent to the colonel. But the violets in the little book went back to mademoiselle. And the old hat, crushed into three-cornered shape, went back. And I told her what he had done.

She wrote to me in her stiff English:

"I have loved a great man. For me, monsieur, it is enough. Their souls unite in victory!"

THE RED CANDLE

It was so cold that the world seemed as stiff and stark as a poet's hell. A little moon was frozen against a pallid sky. The old dark houses with their towers and gables wore the rigid look of iron edifices. The saint over the church door at the corner had an icicle on his nose. Even the street lights shone faint and benumbed through clouded glass.

Ostrander, with his blood like ice within his veins, yearned for a Scriptural purgatory with red fire and flame. To be warm would be heaven. It was a wise old Dante who had made hell cold!

As he crossed the threshold of his filthy tenement he felt for the first time a sense of its shelter. Within its walls there was something that approached warmth, and in his room at the top there was a bed with a blanket.

Making his way toward the bed and its promise of comfort, he was stopped on the second stairway by a voice which came out of the dark.

"Mr. Tony, you didn't see our tree."

Peering down, he answered the voice: "I was going up to get warm."

"Milly said to tell you that we had a fire."

"A real fire, Pussy? I didn't know that there was one in the world."

He came down again to the first floor. Pussy was waiting—a freckled dot of a child tied up in a man's coat.

The fire was in a small round stove. On top of the stove something was boiling. The room was neat but bare, the stove, a table, and three chairs its only furnishing. In a room beyond were two beds covered with patchwork quilts.

On the table was a tree. It was a Christmas tree—just a branch of pine and some cheap spangly things. The mother of the children sewed all day and late into the night. She had worked a little longer each night for a month that the children might have the tree.

There was no light in the room but that of a small and smoky lamp.

Milly spoke of it. "We ought to have candles."

Ostrander, shrugged close to the stove, with his hands out to its heat, knew that they ought to have electric lights, colored ones, a hundred perhaps, and a tree that touched the stars!

But he said: "When I go out I'll bring you a red candle—a long one—and we'll put it on the shelf over the table."

Milly, who was resting her tired young body in a big rocker with the baby in her arms, asked: "Can we put it in a bottle or stand it in a cup? We haven't any candlestick."

"We can do better than that," he told her, "with a saucer turned upside down and covered with salt to look like snow."

Pussy, economically anxious, asked, "Can we eat the salt afterward?"

"Of course."

"Then, may we do it, Milly?"

"Darling, yes. How nice you always fix things, Mr. Tony!"

Long before he had known them he had fixed things—things which would have turned this poor room into an Aladdin's palace. There was that Christmas Eve at the Daltons'. It had been his idea to light the great hall with a thousand candles when they brought in the Yule log, and to throw perfumed fagots on the fire.

He came back to the round stove and the tiny tree. "I like to fix things," he said. "Once upon a time—"

They leaned forward eagerly to this opening.

"Of course you know it isn't true," he prefaced.

"Of course it couldn't be true"—Pussy was reassuringly sceptical—"the things that you tell us couldn't really happen—ever—"

"Well, once upon a time, there was a tree in a great house by a great river, and it was set in a great room with squares of black-and-white marble for a floor, and with a fountain with goldfish swimming in its basin, and there were red-and-blue parrots on perches, and orange-trees in porcelain pots, and the tree itself wasn't a pine-tree or a fir or a cedar; it was a queer round, clipped thing of yew, and it had red and blue and orange balls on it, and in the place of a wax angel on top there was a golden Buddha, and there were no candles—but the light shone out and out of it, like the light shines from the moon."

"Was it a Christmas tree?" Pussy asked, as he paused.

"Yes, but the people who trimmed it and the ones who came to see it didn't believe in the Wise Men, or the Babe in the Manger, or the shepherds who watched their flocks by night—they just worshiped beauty and art—and other gods—but it was a corking tree—"

"You use such funny words," Pussy crowed ecstatically. "Who ever heard of a corking tree?"

He smiled at her indulgently. He was warmer now, and as he leaned back in his chair and unbuttoned his coat he seemed to melt suddenly into something that was quite gentlemanly in pose and outline. "Well, it really was a corking tree, Pussy."

"What's a Buddha?" Milly asked, making a young Madonna of herself as she bent over the baby.

"A gentle god that half of the world worships," Ostrander said, "but the people who put him on the tree didn't worship anything—they put him there because he was of gold and ivory and was a lovely thing to look at—"

"Oh," said Pussy, with her mouth round to say it, "oh, how funny you talk, Mr. Tony!" She laughed, with her small hands beating her knees.

She was presently, however, very serious, as she set the table. There was little formality of service. Just three plates and some bread.

Milly, having carried the baby into the other room, was hesitatingly hospitable. "Won't you have supper with us, Mr. Tony?"

He wanted it. There was a savory smell as Milly lifted the pot from the stove. But he knew there would be only three potatoes—one for Pussy and one for Milly and one for the mother who was almost due, and there would be plenty of gravy. How queer it seemed that his mind should dwell on gravy!

"Onions are so high," Milly had said, as she stirred it. "I had to put in just a very little piece."

He declined hastily and got away.

In the hall he met their mother coming in. She was a busy little mother, and she did not approve of Ostrander. She did not approve of any human being who would not work.

"A merry Christmas," he said to her, standing somewhat wistfully above her on the stairs.

She smiled at that. "Oh, Mr. Tony, Mr. Tony, they want a man in the shop. It would be a good way to begin the New Year."

"Dear lady, I have never worked in a shop—and they wouldn't want me after the first minute—"

Her puzzled eyes studied him. "Why wouldn't they want you?"

"I am not—dependable—"

"How old are you?" she asked abruptly.

"Twice your age—"

"Nonsense—"

"Not in years, perhaps—but I have lived—oh, how I have lived—!"

He straightened his shoulders and ran his fingers through his hair. She had a sudden vision of what he might be if shorn of his poverty. There was something debonair—finished—an almost youthful grace—a hint of manner—

She sighed. "Oh, the waste of it!"

"Of what?"

She flamed. "Of you!"

Then she went in and shut the door.

He stood uncertainly in the hall. Then once again he faced the cold.

Around the corner was a shop where he would buy the red candle. The ten cents which he would pay was to have gone for his breakfast. He had sacrificed his supper that he might not go hungry on Christmas morning. He had planned a brace of rolls and a bottle of milk. It had seemed to him that he could face a lean night with the promise of these.

There were no red candles in the shop. There were white ones, but a red candle was a red candle—with a special look of Christmas cheer. He would have no other.

The turn of a second corner brought him to the great square. Usually he avoided it. The blaze of gold on the west side was the club.

A row of motors lined the curb. There was Baxter's limousine and Fenton's French car. He knew them all. He remembered when his own French car had overshadowed Fenton's Ford.

There were wreaths to-night in the club windows, and when Sands opened the doors there was a mass of poinsettia against the hall mirror.

How warm it looked with all that gold and red!

In the basement was the grill. It was a night when one might order something heavy and hot. A planked steak—with deviled oysters at the start and a salad at the end.

And now another motor-car was poking its nose against the curb. And Whiting climbed out, a bear in a big fur coat.

Whiting's car was a closed one. And it would stay there for an hour. Ostrander knew the habits of the man. From the office to the club, and from the club—home. Whiting was methodical to a minute. At seven sharp the doors would open and let him out.

The clock on the post-office tower showed six!

There was a policeman on the east corner, beating his arms against the cold. Ostrander did not beat his arms. He cowered frozenly in the shadow of a big building until the policeman passed on.

Then he darted across the street and into Whiting's car!

Whiting, coming out in forty minutes, found his car gone. Sands, the door man, said that he had noticed nothing. The policeman on the corner had not noticed.

"I usually stay longer," Whiting said, "but to-night I wanted to get home. I have a lot of things for the kids."

"Were the things in your car?" the policeman asked.

"Yes. Toys and all that—"

Ostrander, with his hand on the wheel, his feet on the brakes, slipped through the crowded streets unchallenged. It had been easy to unlock the car. He had learned many things in these later years.

It was several minutes before he was aware of faint fragrances—warm tropical fragrances of flowers and fruits and spices—Christmas fragrances which sent him back to the great kitchen where his grandmother's servants had baked and brewed.

He stopped the car and touched a button. The light showed booty. He had not expected this. He had wanted the car for an hour, to feel the thrill of it under his fingers, to taste again the luxury of its warmth and softness. He had meant to take it back unharmed—with nothing more than the restless ghost of his poor desires to haunt Whiting when again he entered it.

But now here were toys and things which Whiting, in a climax of generosity, had culled from bake-shop and grocer, from flower-shop, fruit-shop, and confectioner.

He snapped out the light and drove on. He had still a half-hour for his adventure.

It took just three of the thirty minutes to slide up to the curb in front of the tall tenement. He made three trips in and up to the top floor. He risked much, but Fate was with him and he met no one.

Fate was with him, too, when he left the car at a corner near the club, and slipped out of it like a shadow, and thence like a shadow back to the shop whence his steps had tended before his adventures.

When he returned to the tall tenement the small family on the first floor had finished supper, and the mother had gone back to work. The baby was asleep. Milly and Pussy, wrapped up to their ears, were hugging the waning warmth of the little stove.

"Mr. Tony, did you get the candle?" Pussy asked as he came in.

"Yes. But I've been thinking"—his manner was mysterious—"I don't want to put it on the shelf. I want it in the window—to shine out—"

"To shine out—why?"

"Well, you know, there's St. Nicholas."

"Oh—"

"He ought to come here, Pussy. Why shouldn't he come here? Why should he go up-town and up-town, and take all the things to children who have more than they want?"

Milly was philosophic. "St. Nicholas is fathers and mothers—"

But Pussy was not so sure. "Do you think he'd come—if we did? Do you really and truly think he would?"

"I think he might—"

The candle set in the window made a fine show from the street. They all went out to look at it. Coming in, they sat around the stove together.

Pussy drew her chair very close to Ostrander. She laid her hand on his knee. It was a little hand with short, fat fingers. In spite of lean living, Pussy had managed to keep fat. She was adorably dimpled.

Ostrander, looking down at the fat little hand, began: "Once upon a time—there was a doll—a Fluffy Ruffles doll, in a rosy gown—"

"Oh!" Pussy beat the small, fat hand upon his knee.

"And pink slippers—and it traveled miles to find some one to—love it. And at last it said to St. Nicholas, 'Oh, dear St. Nick, I want to find a little girl who hasn't any doll—'"

"Like me?" said Pussy.

"Like you—"

"And St. Nicholas said, 'Will you keep your pink slippers clean and your nice pink frock clean if I give you to a poor little girl?' and the Fluffy Ruffles doll said 'Yes,' so St. Nicholas looked and looked for a poor little girl, and at last he came to a window—with a red candle—"

The fat little hand was still and Pussy was breathing hard.

"With a red candle, and there was a little girl who—didn't have any doll—"

Pussy threw herself on him bodily. "Is it true? Is it true?" she shrieked.

Milly, a little flushed and excited by the story, tried to say sedately: "Of course it isn't true. It couldn't be—true—"

"Let's wish it to be true—" Ostrander said, "all three of us, with our eyes shut—"

With this ceremony completed the little girls were advised gravely to go to bed. "If Fluffy Ruffles and old St. Nick come by and find you up they won't stop—"

"Won't they?"

"Of course not. You must shut the door and creep under your quilt and cover up your head, and if you hear a noise you mustn't look."

Milly eyed him dubiously. "I think it is a shame to tell Pussy such—"

"Corking things?" He lifted her chin with a light finger and looked into her innocent eyes. "Oh, Milly, Milly, once upon a time there was a Princess, with eyes like yours, and she lived in a garden where black swans swam on a pool, and she wore pale-green gowns and there were poppies in the garden. And a Fool loved her. But she shut him out of the garden. He wasn't good enough even to kneel at her feet, so she shut him out and married a Prince with a white feather in his cap."

He had a chuckling sense of Whiting as the white-feathered Prince. But Milly's eyes were clouded. "I don't like to think that she shut the poor Fool out of the garden."

For a moment he cupped her troubled face in his two hands. "You dear kiddie." Then as he turned away he found his own eyes wet.

As he started up-stairs Pussy peeped out at him.

"Wouldn't it be—corking—to see a Fluffy Ruffles doll—a-walking up the street?"

In a beautiful box up-stairs the Fluffy Ruffles doll stared at him. She was as lovely as a dream, and as expensive as they make 'em. There was another doll in blue, also as expensive, also as lovely. Ostrander could see Milly with the blue doll matching her eyes.

There were toys, too, for the baby. And there was a bunch of violets. And boxes of candy. And books. And there were things to eat. Besides the fruits a great cake, and a basket of marmalades and jellies and gold-sealed bottles and meat pastes in china jars, and imported things in glass, and biscuits in tins.

Ostrander, after some consideration, opened the tin of biscuits and, munching, he wrote a note. Having no paper, he tore a wrapper from one of the boxes. He had the stub of a pencil, and the result was a scrawl.

"My Dear Whiting:

"It was I who borrowed your car—and who ran away with your junk. I am putting my address at the head of this, so that if you want it back you can come and get it. But perhaps you won't want it back.

"I have a feeling that to you and your wife I am as good as dead. If you have any thought of me it is, I am sure, to pity me. Yet I rather fancy that you needn't. I am down and out, and living on ten dollars a month. That's all I got when the crash came—it is all I shall ever get. I pay four dollars a month for my room and twenty cents a day for food. Sometimes I pay less than twenty cents when I find myself in need of other—luxuries. Yet there's an adventure in it, Whiting. A good little woman who lives in this house begs me to work. But I have never worked. And why begin? I've a heritage of bad habits, and one does not wish to seem superior to one's ancestors.

"The winters are the worst. I spend the summers on the open road. Ask Marion if she remembers the days when we read Stevenson together in the garden? Tell her it is like that—under the stars—Tell her that I am getting more out of it than she is—with you—

"But the winters send me back to town—and this winter Fate has brought me to an old house in a shabby street just a bit back from the Club. On the first floor there is a little family. Three kiddies and a young mother who works to keep the wolf from the door. There's a Pussy-Kiddie, and a Milly-Kiddie, and a baby, and they have adopted me as a friend.

"And this Christmas I had nothing to give them—but a red candle to light their room.

"When I got into your car it was just for the adventure. To breathe for a moment the air I once breathed—to fancy that Marion's ghost might sit beside me for one little moment, as she will sit beside you to the end of your days.

"I have played all roles but that of robber—but when I saw the things that you had bought with Marion's money for Marion's children—it went to my head—and I wanted them in the worst way for those poor kiddies—who haven't any dolls or Christmas dinners.

"I am playing Santa Claus for them to-night. I shall take the things down and leave them in their poor rooms. It will be up to you to come and take them away. It will be up to you, too, to give this note to the police and steal my freedom.

"You used to be a good sport, Whiting. I have nothing against you except that you stole Marion—perhaps this will square our accounts. And if your children are, because of me, without their dolls to-morrow, you can remember this, that the kiddies are happy below stairs—since Dick Turpin dwells aloft!

"From among the rest I have chosen for myself a squat bottle, a box of biscuits, and a tin of the little imported sausages that you taught me to like.

"Well, my dear fellow, happy days! To-morrow morning I shall breakfast at your expense, unless you shall decide that I must breakfast behind bars.

"If you should come to-night, you will find in the window a red candle shining. They have put it there to guide St. Nicholas and a certain Fluffy Ruffles doll!

"Ever yours,
"Tony."

He found an envelope, sealed, and addressed it. Then he went to work.

Four trips he made down the stairs. Four times he tiptoed into the shadowed room, where the long red candle burned. And when he turned to take a last look there on the table beside the tree stood the blue doll for Milly and the Fluffy Ruffles doll for Pussy and the rattles and rings and blocks for the baby, and on the chairs and the shelf above the tree were the other things—the great cake and the fruit and the big basket and the boxes of candy.

And for the little mother there were the violets and a note:

"The red candle winked at your window and brought me in. It is useless to search for me—for now and then a Prince passes and goes on. And he is none the less a Prince because you do not know him."

And now there was that other note to deliver. Out in the cold once more, he found the moon gone and the snow falling. As he passed the saint on the old church, it seemed to smile down at him. The towers and gables were sheeted with white. His footsteps made no sound on the padded streets.

He left the note at Whiting's door. He fancied that, as the footman held it open, he saw Marion shining on the stairs!

He was glad after that to get home and to bed, and to the warmth of his blanket. There was the warmth, too, of the wine.

In a little while he was asleep. On the table by his untidy bed was the box of biscuits and the bottle and the tin of tiny sausages.

If all went well he would feast like a lord on Christmas morning!

THEGAY COCKADEBYTEMPLE BAILEY

Contents

THE GAY COCKADE

THE GAY COCKADE

THE HIDDEN LAND

WHITE BIRCHES

I

II

III

IV

V

VI

VII

THE EMPEROR'S GHOST

I

II

THE RED CANDLE

THE
GAY COCKADE
BY
TEMPLE BAILEY