HERCULES AND THE GOLDEN APPLES

HALF A HUNDRED
HERO TALES
OF ULYSSES AND THE MEN OF OLD

EDITED BY
FRANCIS STORR
EDITOR OF "THE JOURNAL OF EDUCATION," LONDON

WITH ILLUSTRATIONS BY
FRANK C. PAPÉ

NEW YORK
HENRY HOLT AND COMPANY
1913

Copyright, 1911,
by
HENRY HOLT AND COMPANY
Published January, 1911

THE QUINN & BODEN CO. PRESS
RAHWAY, N. J.

PREFACE

The apology offered for adding yet another book of Classical Stories to the endless existing versions, ancient and modern, in verse and in prose, is the plea that Vivien offers to Merlin for her "tender rhyme":

"It lives dispersedly in many hands,
And every minstrel sings it differently."

"You Greeks," said the Egyptian priest to Herodotus, "are always children," and Greece will never lose the secret of eternal youth. The tale of Troy divine, of Thebes and Pelops' line, the song of sweet Colonus, the most cruel death of Pyramus and Thisby, Dido with a willow in her hand—these old stories of Homer and Sophocles, of Virgil and Ovid, have not lost their gloss and freshness. "The innocent brightness of a new-born day is lovely yet." They have been sung or said by Wace and Caxton, by Chaucer and Wordsworth, by Keats and William Morris; they have been adapted for young readers by Fénelon, by Niebuhr, by Kingsley, by Hawthorne, and yet the last word has not been said. Each new editor makes his own selection, chooses some new facet, or displays the jewel in a new light. As Sainte-Beuve remarks of "Don Quixote" and other world classics, "One can discover there something more than the author first of all tried to see there, and certainly more than he dreamed of putting there."

The present collection of Fifty Stories (there might well have been five hundred) makes no pretense either of completeness or of uniformity. Some of the contributors have followed closely the texts, others have given free play to their fancy, but in every case the myths have been treated simply as stories and no attempt has been made either to trace their origin or to indicate their religious or ethical significance. Most of the stories point their own moral, and need no more commentary than Jack the Giant-killer or the Sleeping Beauty. Young readers of to-day resent the sermons even of a Kingsley. From "Tanglewood Tales," a book that was the joy of our childhood, we have borrowed ten stories, and have taken the liberty of dividing into chapters and slightly abridging the longest of Hawthorne's Tales. All but one of the remaining forty are original versions.

CONTENTS

ILLUSTRATIONS

HALF A HUNDRED HERO TALES

PLUTO AND PROSERPINE

BY H. P. MASKELL

In the very heart of Sicily are the groves of Enna—a land of flowers and rippling streams, where the spring-tide lasts all through the year. Thither Proserpine, daughter of Ceres, betook herself with her maidens to gather nosegays of violets and lilies. Eager to secure the choicest posy, she had wandered far from her companions, when Pluto, issuing, as was his wont, from his realm of shadows to visit the earth, beheld her, and was smitten by her childlike beauty. Dropping her flowers in alarm, the maiden screamed for her mother and attendants. 'Twas in vain; the lover seized her and bore her away in his chariot of coal-black steeds. Faster and faster sped the team as their swart master called to each by name and shook the reins on their necks. Through deep lakes they sped, by dark pools steaming with volcanic heat, and on past the twin harbors of Syracuse.

When they came to the abode of Cyane, the nymph rose up from her crystal pool and perceived Pluto. "No farther shalt thou go!" she cried. "A maiden must be asked of her parents, not stolen away against her mother's will!" For answer the wrathful son of Saturn lashed his foam-flecked steeds. He hurled his royal scepter into the very bed of the stream. Forthwith the earth opened, making a way down into Tartarus; and the chariot vanished through the yawning cave, leaving Cyane dissolved in tears of grief for the ravished maiden and her own slighted domain.

Meanwhile Ceres, anxious mother, had heard her daughter's cry for help. Through every clime and every sea she sought and sought in vain. From dawn to dewy eve she sought, and by night she pursued the quest with torches kindled by the flames of Ætna. Then, by Enna's lake, she found the scattered flowers and shreds of the torn robe, but further traces there were none.

Weary and overcome with thirst, she chanced on a humble cottage and begged at the door for a cup of water. The goodwife brought out a pitcher of home-made barley wine, which she drained at a draught. An impudent boy jeered at the goddess, and called her "toss-pot." Dire and swift was the punishment that overtook him. Ceres sprinkled over him the few drops that remained; and, changed into a speckled newt, he crept away into a cranny.

Too long would be the tale of all the lands and seas where the goddess sought for her child. When she had visited every quarter of the world she returned once more to Sicily. Cyane, had she not melted away in her grief, might have told all. Still, however, on Cyane's pool the girdle of Proserpine was found floating, and thus the mother knew that her daughter had been carried off by force. When this was brought home to her, she tore her hair and beat her breast. Not as yet did she know the whole truth, but she vowed vengeance against all the earth, and on Sicily most of all, the land of her bereavement. No longer, she complained, was ungrateful man worthy of her gifts of golden grain.

A famine spread through all the land. Plowshares broke while they were turning the clods, the oxen died of pestilence, and blight befell the green corn. An army of birds picked up the seed as fast as it was sown; thistles, charlock, and tares sprang up in myriads and choked the fields before the ear could show itself.

Then Arethusa, the river nymph, who had traveled far beneath the ocean to meet in Sicily her lover Alpheus, raised her head in pity for the starving land, and cried to Ceres: "O mourning mother, cease thy useless quest, and be not angered with a land which is faithful to thee. While I was wandering by the river Styx I beheld thy Proserpine. Her looks were grave, yet not as of one forlorn. Take comfort! She is a queen, and chiefest of those who dwell in the world of darkness. She is the bride of the infernal king."

Ceres was but half consoled, and her wrath was turned from Sicily to the bold ravisher of her daughter. She hastened to Olympus, and laid her plaint before Jupiter. She urged that her daughter must be restored to her. If only Pluto would resign possession of Proserpine, she would forgive the ravisher.

Jupiter answered mildly: "This rape of the god lover can scarce be called an injury. Pluto is my brother, and like me a king, except that he reigns below, whereas I reign above. Give your consent, and he will be no disgrace as a son-in-law."

Still Ceres was resolved to fetch her daughter back, and Jupiter at length agreed that it should be so on condition that Proserpine, during her sojourn in the shades, had allowed no food to pass her lips.

In joy the mother hurried down to Tartarus and demanded her daughter. But the fates were against her. The damsel had broken her fast. As she wandered in the fair gardens of Elysium she had picked a pomegranate from the bending tree, and had eaten seven of the sweet purple seeds. Only one witness had seen her in the fatal act. This was Ascalaphus, a courtier of Pluto, who some say had first put it into the mind of the king to carry off Proserpine. In revenge for this betrayal, Ceres changed him into an owl, and doomed him ever after to be a bird of ill-omen who cannot bear the light of day, and whose nightly hooting portends ill tidings to mortals.

But Ceres was not doomed to lose Proserpine utterly. Jupiter decreed that for six months of each year her daughter was to reign in dark Tartarus by Pluto's side; for the other six months she was to return to earth and dwell with her mother. Joy returned to the mother's saddened heart; the barren earth at her bidding once more brought forth its increase. Soon the fields were smiling with golden corn, and the mellow grapes hung heavy on the vines, and once again that favored land became the garden of the world.

PAN AND SYRINX

BY MRS. GUY E. LLOYD

Long ages ago in the pleasant land of Arcadia, where the kindly shepherds fed their flocks on the green hills, there lived a fair maiden named Syrinx. Even as a tiny child she loved to toddle forth from her father's house and lose herself in the quiet woods. Often were they forced to seek long and far before they found her, when the dew was falling and the stars coming out in the dark blue sky; but however late it was, they never found her afraid nor eager to be safe at home. Sometimes she was curled up on the soft moss under the shelter of a spreading tree, fast asleep; sometimes she was lying by the side of a stream listening to the merry laughter of the water; sometimes, sitting over the stones upon the hillside, she would be watching with wonder and delight the lady moon, with her bright train of clouds, racing across the sky as if in hot chase.

Years passed on, and Syrinx grew into a tall and slender maiden, with long fair hair and great gray eyes, with a look in them that made her seem to be always listening. Out in the woods there are so many sounds for any one who has ears to hear—the different notes of the birds, the hum of the insects, the swift, light rustle as some furry four-legged hunter creeps through the underwood. Then there is the pleasant, happy murmur of the breeze among the leaves, with a different sound in it for every different tree, or the wild shriek of the gale that rends the straining branches, or the bubbling of the spring, or the prattle of the running stream, or the plash of the waterfall. Many are the sounds of the woods, and Syrinx knew and loved them all until

"Beauty born of murmuring sound,
Had passed into her face."

"Have a care, Syrinx," her playfellows would say sometimes. "If you wander alone in the woods, some day you will see the terrible god Pan."

"I should like well to see him," the maiden made answer one day to an old crone who thus warned her. "The great god Pan loves the woods and everything that lives in them, and so do I. We must needs be friends if we meet."

The old woman looked at her in horror and amaze. "You know not what you say, child," she made answer. "Some aver that none can look upon Pan and live, but of that I am none so sure, for I have heard of shepherds to whom he has spoken graciously, and they never the worse for it. But of this there is no doubt—whoever hears the shout of Pan runs mad with the sound of it. So be not too venturesome, or evil will come of it."

Now Syrinx might have taken warning from these wise and kindly words. As it was, she treasured them, and only wondered what this god could be like, the sound of whose shout made men run mad. She feared to see him, and would have run swiftly away if she had caught a glimpse of him, and yet she went continually to the far and silent groves whither, so the shepherds said, Pan was most wont to resort.

It chanced one day that Syrinx had wandered farther than was her wont; she had been in the woods since daybreak, and now it was high noon. She was tired and hot, and lay down to rest on a bank beneath a tall ash tree that was all covered with ivy, and resting there she soon fell fast asleep. While she slept the wild things of the woods came to look upon her with wonder. A doe that was passing with her fawn stood for a moment gazing mildly upon the maiden, and the fawn stooped and licked her fingers, but at the touch Syrinx stirred in her sleep and both doe and fawn bounded away among the bushes. A little squirrel dropped lightly from a tree and sat up close beside her, his tail curled jauntily over his back, his bright eyes fixed upon her face. The little furry rabbits first peeped at her out of their holes, and then growing bolder came quite close and sat with their soft paws tucked down and their ears cocked very stiffly, listening to her quiet breathing. And last of all, stepping noiselessly over the grass, came the lord of all the wild things, the great god Pan himself.

His legs and feet were like those of a goat, so that he could move more quickly and lightly than the wild gazelle, and his ears were long and pointed—ears like those of a squirrel, so that he could hear the stirring of a nestling not yet out of its egg. Softly he drew nigh to the maiden, and there was a wicked smile in his bright dark eyes. But as he bent to look into her face she stirred, and he leapt lightly back and sat himself down a little space from her, leaning on his arm among the brushwood till he was half hidden from her. Beside him lay a great bough torn from the tree by some winter storm; Pan drew this to him and began to cut from it a piece of wood whereof to fashion a dainty little drinking-cup. And lying there, cutting at the wood, Pan began to whistle low and sweetly to himself, just as though he had been some shepherd or huntsman resting in the shade.

At first the soft notes made for the half-awakened maiden a dream of singing birds and rippling water; then her drowsy eyes unclosed and she became aware of a bearded face turned half away from her and bent over some sort of work. For a time she lay still, and Pan forebore to glance at her, but cut away at the piece of wood he was fashioning, and whistled to himself as though he had not marked the maiden.

Presently, broad awake, Syrinx raised herself upon her elbow and gazed full upon the stranger, who glanced round at her in a careless, friendly way, and nodded to her with a kindly smile.

"Thou hast slept well, fair maiden," said Pan, in a low, gentle voice, that sounded like the far-off murmur of a winter torrent.

And Syrinx, reassured by the gleam of the merry dark eyes, made answer: "Yea, fair sir, for I had wandered far, and was aweary."

"How hast thou dared to wander so far from the haunts of men?" asked the sylvan god, "Art thou not afeard of all that might meet thee here in the deep forest?"

"I fear none of the wild things of the wood," answered Syrinx simply, "for none has ever done me hurt. If thou art, as I judge thee, a hunter, thou knowest that it is through fear alone that the beasts of the forest do harm to man. But I move ever quietly among them, and do not startle them, and they go on their ways and leave me in peace."

"Thou art passing wise," said Pan; "there are few indeed of thy years who have attained to thy knowledge. When a man perceives a rustling in the brushwood he flings his spear at the place; while women, for the most part, scream and flee. But the fearless may walk quiet and unharmed through the depths of the forest."

"There is one fear in my heart, kind stranger," said Syrinx earnestly. "There be shepherds who say that in these forest paths they have seen and spoken with the great god Pan himself. But some say that it is death to see him, and all say that men run mad at the sound of his shout. How thinkest thou? Hast thou ever caught a glimpse of him?"

There was a merry twinkle in those dancing eyes as the stranger made answer: "Nay, maiden, I have never seen him of whom thou speakest; but cast away thy last fear, for sure I am that the sight of him is not death to any living thing. He loves and cares for all that hath life; and as for his shout, that is only heard in battle, for he never cries aloud save in wrath, and then indeed it brings confusion to his enemies or to those who withstand him, but to his friends it brings courage and triumph."

Syrinx heaved a sigh of relief, and lay back again, one arm under her head, her long fair hair rippling over her shoulder, and her beautiful gray eyes fixed upon the face of the stranger.

Pan gazed upon her, and crept a little nearer through the brushwood.

"Sure I am that thou art as wise as thou art kind, fair stranger," said the innocent maiden. "There has ever been within me a secret thought that Pan, the lord of all the wild things of the wood, could not be fierce and cruel as men said, and ever have I been assured that could I meet and speak with him I should love him well."

"Love, love, love, love," said the deep soft voice of the great god Pan. "Every tree, every flower, every bird, every beast lives for nothing else. Dost thou indeed understand what thou sayest, fair maiden?"

And the girl nodded her pretty head wisely, for she quite thought she did. "Yea, kind stranger," she answered, "for when I look into the eyes of one to whom I have never yet spoken a word, I know at once whether his speech and company are like to be pleasant to me, or whether I would have him pass on and speak no word. When I lay half asleep but now, and listened to your merry whistling, I could feel within me that it was a sweet and a friendly sound, and good to hear. It was like the speech of the forest, which I have loved since I was a baby."

Pan laughed gently to himself as he fashioned his wooden cup; but there was a new gleam in his downcast eyes, and when next he glanced at her Syrinx saw the change, and a vague uneasiness awoke in her. She looked at the sky, already beginning to glow with the radiance of the setting sun.

"It grows late," she said; "I must away, for I have far to go ere night-fall. Farewell, gentle stranger."

"Nay, but stay a little longer," said Pan gently. "I know every path of the forest, and if the darkness falls upon thee I can guide thee safely, never fear."

But the maiden feared the more, as she sprang to her feet.

"Nay, I must tarry no longer," she said hastily; "it is already over-late." Tossing her hair back from her flushed face she sprang away down the slope like a frightened fawn.

Forgetting all but his wish to stay her Pan leapt up to follow her, and glancing back over her shoulder Syrinx saw his goat feet, and knew with whom she had been speaking. With a sudden start she plunged into the brushwood, and as she disappeared from his sight Pan, anxious only to bring her back, uttered a mighty cry.

The sound smote upon the ear of the terrified maiden, and her brain reeled. With one wild shriek of terror she turned and fled, and before even those swift goat's feet could overtake her she had plunged into the river, and was gone—a reed lost among the river-reeds.

And the great god Pan sat down upon the river bank sorrowful and baffled; and as he gazed upon the water, flushed with the light of the setting sun, he saw the very bank of water-reeds where Syrinx had disappeared. Slender and graceful they were, as the maiden who was gone, and they trembled as she had done when she looked behind and saw who was her pursuer, and their tufted heads, golden in the evening light, reminded Pan of the golden hair of Syrinx. He stepped forward to the edge of the water, and stooping, plucked a handful of the reeds. They snapped with a sharp crack in his strong fingers, and as he looked down at them he sighed deeply. His sigh came back to him with a low musical note, and Pan went back to the bank, and sitting himself down he scanned and fingered tenderly the hollow stalks. Long did he sit there with his newly found treasure; the sun went down, the crimson clouds turned to dark lines across the pale saffron sky, the full moon rose slowly from behind the hill, and still Pan bent over his handful of water-reeds, and breathed upon them this way and that, and cut and fashioned them with care.

Next day the shepherds were all abroad in the woods searching for Syrinx, but of her they found no trace; only, as they moved hither and thither, they heard sweet and strange and far-off music. It was as if all the sounds of the forest had been modulated and harmonized; now it swelled and grew loud and joyous, and now it died away in pitiful lamenting. It was Pan, playing upon the sevenfold pipe that he had made, and when at length he gave it to the sons of men, and taught them to play upon it too, he gave it the name of Syrinx, the beautiful and hapless maiden whom he had loved and lost.

THE STORY OF PHAETON

BY M. M. BIRD

A fiery and high-spirited youth, Phaeton could not brook the taunts of his playmate Epaphus, who claimed divine descent from Isis. When Phaeton boasted that his father was Ph[oe]bus the Sun-god, Epaphus only laughed and called him a base-born pretender. So one day Phaeton, stung to madness by these taunts, went boldly to his mother Clymené and demanded that she should give him some clear proof that he was indeed, as she averred, the very son of Phœbus. Clymené lifted her beautiful hands to the Sun, who rode gorgeous in the Heavens, and swore by him that none other than Phœbus was the father of the boy. "Nevertheless," said she, "if this doth suffice you not, and you seek other proof, travel yourself to his Eastern Mansion, which lies not so far remote from here, and ask him whether you are not his son."

The ambitious youth hastened to follow her counsel; he longed to see his father, and to visit the Eastern Mansion where he abode. Through India he traveled in haste, never resting till afar off he saw the wondrous light that shimmered perpetually over the Palace of the Sun.

High it stood on columns of burnished gold ablaze with jewels. The folding doors were of silver, the walls of ivory, and Vulcan had wrought the precious metals in designs of wonderful beauty. The seas, the earth, the fair forms of the immortal gods, all graced the carven portals.

Phaeton, toiling up the steep ascent, saw at a great distance the dazzling god, seated high on an imperial throne, all sparkling with gems. The Hours, Days, Months, and Years, were ranged on either hand. He saw Spring decked in flowers, Summer with her garner of grain, Autumn bowed beneath his burden of grapes and fruits, and hoary Winter shivering behind them. The all-beholding eye of the god perceived him from afar, and before he had spoken a word, a voice from the throne bade him welcome: "What wants my son? For my son thou art." Thus encouraged, the youth, though dazzled by the exceeding brightness, poured out his tale and proffered his petition.

The god was touched by his tale of wrong. Flinging aside the awful glories that surrounded him, he bade his son advance, and embraced him with tenderness.

"Make of me some request," he said, "and to convince thee that I am thy father, I swear by Styx to grant it, whate'er it be."

The youth was transported with delight, and asked at once to be permitted to guide the Sun's bright chariot for one day.

Phœbus was grieved beyond measure at the young man's rash ambition, and bitterly repented of his oath; but even a god, when he has sworn by Styx, cannot take back or annul that awful oath.

"Ask of me some other proof," he begged. "Too vast and hazardous this task for thy strength and years. Not one of all the gods—not Jupiter himself, ruler of the sky—dares mount that burning chariot, save I alone!" He told him how with pain and labor the wild steeds climb up the arc of the sky—how from the topmost pinnacles of Heaven the Earth and Ocean lie so far beneath that even he himself is sometimes seized with giddiness and his brain reels. And when down the steep descent of the western sky the horses plunge headlong, it needs a strong and steady hand to check them in their course. He told him how, through all his daily task, the brave Sun has to front the opposing forces of the Bear, the Scorpion, and the Dog Star, and guide his steeds among their influences. Through a thousand snares his progress lies, with forms of starry monsters ready to devour him if he strays by a hair's breadth from the appointed way. And the very horses themselves, when their mettle is up, are a team that only a god may control. "My son," he besought him, "do not require of me a fatal gift."

But the fond father pleaded in vain. The bold youth was unaffrighted, and the oath was binding.

The time had come: Aurora heralded the new day. The golden chariot made by Vulcan was drawn forth; the spokes of the wheels were of silver, its seat was starred with gems.

The nimble Hours brought forth from their stalls the fiery steeds.

With last words of warning and advice, the father bade his son farewell, and watched him wend forth on his perilous journey. The youth leaped into the seat, he gathered up the reins, and gave his father such praise and thanks for his indulgence as cut him to the heart.

The horses neighed and pranced, breathing fire from their distended nostrils. They sprang out through the gates of Dawn and flew over the clouds, leaving the light breezes of Morn far behind them.

The youth was light; he could not poise or weight the chariot as did its accustomed rider. The bounding car was tossed to and fro, the sport of winds and currents. Wildly they hurtled headlong up the sky. The steeds perceived the lighter weight, the weaker hands. They plunged, and plunging, left the stated course.

The youth became confused; he looked around him, but could no longer recognize the track. He did not know which way to steer, nor would the horses have obeyed his hand. Wildly they careered and brought the heat of midday into far regions of the Heavens that were unused to its untempered rays. All around him monstrous threatening shades awoke and stirred in the Heavens as he vexed them with the heat. Far, far below the affrighted youth could see Earth and Ocean spread out. But as his chariot raced madly down the heights, the clouds were dispersed by his fierce rays, the high mountains began to smoke, the forests to burn; ripened harvests were devoured by fire, whole cities were turned to ashes. Pindus and Parnassus were steaming, the fountains of Mount Ida were dried up, and Ætna raged with redoubled heat. Even the towering Apennines and Caucasus lost their snows, and the huge Alps were one range of living flame.

The horrified youth beheld the universe burn around him, and he could scarce endure the sultry vapors that rose about him as from a furnace. Lost in clouds of whirling smoke and ashes, the steeds careered madly to and fro, he knew not whither. It is said that in that day the Moor began to change his hue and turn black, and Libya and all the deserts of Africa were then first drained of their moisture and left in great tracts of parching sandy waste. The great rivers, the Ganges, Euphrates, and the Danube, rose up in clouds of hissing steam, and the frightened Nile ran off and hid his head in the sands, and there for centuries and centuries it has lain hid.

Stern Neptune, in amazement and anger, thrice reared his head above the shrinking waves where his fishes all were dying, and thrice the fierce flames drove him back.

At length Earth, wrapped in her scalding seas, uplifting her scorching brows, appealed to Jupiter.

"See how fierce vapors choke my breath; see my singed hair, my withered face, the heaps of cinders that defile my fair body.... Have pity."

Jupiter heard her prayer. He mounted his high ethereal throne, called all powers, even the god whose son drove the chariot, to witness that what he did he was compelled to do, and launched a thunderbolt at the head of the despairing Phaeton.

Thus with fire the god of gods suppressed the raging fire. Lifeless from the chariot the boy fell like a falling star, and his charred body dropped to the earth far from his own land, far in the western world, beside the river Po.

The horses broke loose from their harness, the chariot was splintered into a thousand shining fragments and scattered far over the steaming earth.

And the story goes, that for the space of one whole day, from morn till eve, the world existed without a sun, lighted only by the lurid glare of the burning ruins.

Beside the waters of the river the Latian nymphs came round and gazed with awe upon the dead youth. His charred body they inclosed in a marble urn and wrote on it an epitaph:

"Here lies a youth as beautiful as brave,
Who through the heavens his father's chariot drave."

His mother Clymené, frantic with grief, ceased not to roam the world, followed by her weeping daughters, until at last she came to the banks of Po, and found there the sculptured urn. She hung above it, bedewing the marble with her tears, crying aloud the name so dear to her. Her daughters stood around, weeping and lamenting with her. All night long they kept their watch, and returning day found them still calling on their brother's name. Four days and nights they kept their stand, till at length, when for their weariness they would have sought rest, they found they could not move. Phaethusa's arms were covered with hardening bark and branching boughs; Lampetia stood rooted to the ground; Æglé, as she tore her hair, only filled her hands with leaves. While their faces were yet untransformed, they cried to their mother for help. But, alas! she was powerless. She tore the bark from their fair bodies, she stripped the leaves from their sprouting fingers, she clung to their hardening limbs in vain. Only blood came trickling where she tore away the leaves and bark, and in faint voices the maidens cried that she only wounded her daughters when she tore their trees.

Then the bark covered their fair faces, and they stood for ever dumb, waving green boughs in the sun, while tears of amber rolled slowly down the encrusting bark.

ARETHUSA

BY V. C. TURNBULL

Lord of all waters was Oceanus, the ancient Titan god, whose beard, like a foaming cataract, swept to his girdle. Many fair daughters had he, of whom poets sing, yet the fairest of all was the nymph Arethusa. She had not lacked for wooers, but she shunned the haunts of men and abode on the Acroceraunian heights whence she had sprung, or when she descended to the plain hid herself in tangled bushes and overhanging alders. She loved the quiet woodland ways, and had vowed herself to the chaste huntress Diana, and in her train loved to fleet through the woods and over the plains of Achaia, chasing the flying deer.

Now it happened one day that Arethusa, wearied with hunting and with the great heat, wandered alone among the woods and meadows, seeking a place of rest. Presently she heard the ripple of waters, and soon she came to a river flowing between straight poplars and hoary willows. Swiftly and quietly it ran, making no eddies, and so pure were its waters that she could count the pebbles lying in its deep bed like jewels in an open casket.

Joyfully then the tired maiden unbound her sandals, and, sitting down upon the bank, dipped her white feet in the cool water. For a while she sat there undisturbed, and idly watched the growing ripples as she dabbled in the stream. But while she thus rested and played, a strange commotion drew her eyes to the middle of the stream, and a fear fell upon her, for she knew that it could be none other than Alpheus, the god of that river. Quickly she sprang to her feet, and while yet she stood trembling and irresolute, a hollow voice cried to her from mid-stream. And (oh marvel!) the voice was not terrible like that of a god, but tender and full of pleading love.

"Whither dost thou hasten, Arethusa?" it said. And again: "Whither dost thou hasten?"

But Arethusa, a maiden who cared nothing for love, would be wooed by neither god nor man.

Swiftly she fled from the enchanted spot, even before the young river-god had sprung from the stream with love and longing in his eyes. And now began that long chase of which the end was even stranger than the beginning. Arethusa, weary no longer, darted like a fawn from the river, and Alpheus, more ardent still as the maid was coy, swiftly followed her flying steps. Through woods and meadows, over hills and across valleys—yes, and past more than one city, fled pursuer and pursued. But now, as the day drew towards sunsetting, Arethusa's strong limbs wearied, her strength flagged, and her pace slackened, and in her sick heart she knew how vain a thing it is for a mortal to strive against a god. For no weariness weighed down the feet of Alpheus; straight and swift he ran as his own river. Now so near was he to the maiden that his long shadow fell across her feet; but no faster could she go, for the sun smote fiercely upon her, and her strength was failing. Louder and louder sounded the footsteps of the god. Now she could feel his hard breathing in her long hair; was there no escape? With her last strength she cried to her sovereign mistress: "Help, O Huntress, thy huntress maiden! Aid her who so often carried thy bow and thine arrows in the chase!"

And the goddess answered her votary.

For at once Arethusa was wrapped in a dense cloud, so dense indeed that even the burning eyes of her pursuer could not pierce it. There, then, she crouched, like a hare on its form, while outside she heard the footsteps of Alpheus pacing round her hiding-place, searching and baffled. But he, having come so near his prize, would not now give it up, and she knew that he would watch the cloud till she came forth. At the thought, beads of sweat gathered on her forehead and ran down to her feet. Faster and faster it poured; she was as ice that melts in the sun; and she realized with joy that the goddess was opening for her another way of escape. All her weariness and terror slid from her straightway; her tired limbs melted into a liquid ease, and it was no maiden but a laughing stream that shot from under the cloud and fled singing towards the western sea.

But Alpheus, noting the guile of the goddess, laughed aloud, for could he not at will become even as his own river? He changed even as he conceived the thought; and now the chase began once more, only this time river pursued stream, leaping from crag to crag, and rushing across wide wastes of marshy country.

And again Arethusa, finding herself in straits, cried aloud to her sovereign mistress Diana. And, behold, in answer to her prayer, the earth was suddenly rent asunder and a vast black chasm yawned in her path. Into it she plunged, and down, down, down she fell. And into it in pursuit plunged also Alpheus, who loved her so well that he was ready to follow her to the depths of the earth.

The darkness passed, and overhead was a beautiful green light, and on all sides a profound and solemn silence. Arethusa had left the land behind, and was pushing across the floor of the ocean. And behind her came the waters of Alpheus. Then into the maiden heart, which as yet had known not love, came something better than fear. From the lover who could follow her even hither why should she fly? On he came, undeterred and unpolluted by the brackish sea, his waters as fresh and pure as when they had first run laughing through the sunlit meadows of Arcadia.... Arethusa sought no more to fly. Love had conquered—Love, the lord of gods and men, who mocks at maidens' vows and melts the coldest breast. So there, amid the alien waters of the sea, the two met in loving embrace, never again to part. And after this the gods brought them once again to the light of the sun. For, finding at length a way of escape through a fissure of the rocks, they rushed forth as that Arethusan Fount which springs up in the Sicilian island of Ortygia.

"And now from their fountains
In Enna's mountains,
Down one dale where the morning basks
Like friends once parted
Grown single-hearted,
They ply their watery tasks.
At sunrise they leap
From their cradles steep
In the cave of the shelving hill;
At noontide they flow
Through the woods below
And the meadows of Asphodel;
And at night they sleep
In the rocking deep
Beneath the Ortygian shore;—
Like spirits that lie
In the azure sky
When they love but live no more."

Shelley

THE STORY OF DAPHNE

BY M. M. BIRD

Phœbus Apollo, the Sun-god, a hunter unmatched in the chase, had slain the awful Python with his shafts. To commemorate such a doughty deed, he instituted the Pythian Games wherein noble youths should strive for mastery. The prize was a simple green wreath, the symbol of victory. The laurel was not yet the leaf dedicated to the wreaths the gods bestowed upon the happy victors, but every kind of green was worn with promiscuous grace upon the flowing locks of Phœbus.

Flushed with pride in his new success against the Python, Phœbus saw Cupid, Venus' immortal son, bending his bow and aiming his feathered shafts at unwary mortals. A heart once pricked by one of those tiny darts felt all the bitter-sweet of love, and never recovered from the wound. Him Phœbus taunted. "Are such as these fit weapons for chits?" he cried. "Know that such archery is my proper business. My shafts fly resistless. See how the Python has met his just doom at my hands. Take up thy torch, and, with that only, singe the feeble souls of lovers."

Cupid returned him answer that though on all beside Apollo's shafts might be resistless, to Cupid would justly be the fame when he himself was conquered. The mischievous boy flew away to the heights of Parnassus, and thence winged one of his sharpest arrows against the breast of the bold deity. Another and different shaft he took, blunt and tipped with lead, and this he aimed at the heart of a certain nymph of surpassing fairness, a shaft designed to provoke disdain of love in her chaste bosom. Her name was Daphne, the young daughter of Peneus. She was a follower of Diana, the divine huntress. All her days she spent in the woods among the wild creatures, or scoured the open plains with swift feet. All her love was given to the free life of the forest: she roamed in fearless pursuit of beasts of prey, her quiver at her side, her bow in hand, her lovely hair bound in many a fillet about her head. Her father often blamed her. "Thou owest it," he said, "to thyself and me to take a husband."

But she, casting her young arms about his neck, begged him to leave her free to pursue the life she loved, and not set the yoke of marriage on her unwilling shoulders. "No more I beg of thee," she said, "than Diana's fond parent granted her."

Her soft-hearted father consented to respect her whim, but warned her that she would soon rue her unnatural wish.

As Daphne was one day hunting in the forest, Apollo perceived her. The arrow winged by Cupid had not failed of its effect, and the poison of love ran like fever through his veins. He saw the polished argent of her bared shoulder; he saw the disheveled hair that the wind had loosened from its snood; he saw the eyes, limpid and innocent as a fawn's, the beauty and speed of her feet as she fled down the forest glade, her taper fingers as they fitted an arrow to the bow-string. He saw and burned.

Swift as the wind the startled damsel had fled as she espied him, nor when he overtook her would she stay to hearken to his flattering words.

"Stay, nymph!" he cried. "It is no foe who follows you. Why should you flee as the trembling doe from the lion, the lamb from the hungry wolf, the dove from the pursuing falcon? It is a god who loves and follows. It is a god you flee from, a god who loves, and will not be denied."

Still she fled and still he followed; he the loving, she the loath, he pleading and she deaf to his prayers. As a hare doubles to elude the greyhound that is gaining on her, the flying maid turned back and sought thus to elude her pursuer. In vain she strove against a god. Terror winged her feet, but there is no escape from Love. He gained ground upon her, and now she felt his hot breath on her hair; his arm was just outstretched to clasp her.

The nymph grew pale with mortal terror. Spent with her long, hard race for freedom, she cast a despairing look around her. No help was to be seen, but near by ran the waters of a little brook. "Oh, help!" she cried, "if water gods are deities indeed. Earth, I adjure you, gape and entomb this unhappy wretch; or change my form, the cause of all my fear!"

The kind earth heard her frenzied prayer. The frightened nymph found her feet benumbed with cold and rooted to the ground. As Apollo's arms were flung about her a filmy rind grew over her body, her outflung arms were changed to leafy boughs, her hair, her fingers, all were turned to shuddering leaves; only the smoothness of her skin remained.

"Gods and men, we are all deluded thus!" For a maiden he clasped a laurel tree, and his hot lips were pressed upon the cold and senseless bark.

THE STORY OF DAPHNE

Yet Apollo is a gracious god, and presently, when his passion had cooled, he repented him of his mad pursuit and its desperate ending. The idea of the coy maiden, roaming the forest fancy-free, crept into his imagination, more delicate and lovely than when she lived in deed. So he vowed that the laurel should be his peculiar tree. Her leaves should be bound for poet's brow, should crown the victor in the chariot race, and the conqueror as he marched in the great triumph.

Secure from thunder should she stand, unfading as the immortal gods; and as the locks of Apollo are unshorn, her boughs should be decked in perpetual green through all the changing seasons.

And the grateful tree could only bend her fair boughs above him and wave the leafy burden of her head.

DEUCALION AND PYRRHA

BY M. M. BIRD

To the golden age of innocence, when the world was young and men a race of happy children, succeeded an age of silver, and then an age of brass. Last came an age of iron, when every man's hand was against his neighbor, and Justice fled affrighted to the sky. Then the sons of earth, the giants, no longer curbed by law or fear of the gods, waxed bold and wanton. Piling mountain upon mountain they essayed to scale the heavens and hurl its monarch from his throne. These Jupiter blasted with his red lightnings and transfixed with his winged bolts. But from their blood, as from seed that the sower scatters, there arose a race of men, a feeble folk, but no less godless and lawless than their sires. Then Jupiter, beholding the ways of men that they were evil and that none was righteous in his eyes, determined to destroy this world and people it with a new race unlike the first. He was minded at first to destroy it by fire, and made ready his artillery of thunderbolts, but then he bethought him that the vast conflagration might blaze up to heaven itself and scorch the gods on their golden thrones. So he dropped the bolts from his hand.

"Water," he cried, "as my poet has sung 'is the best of all elements'; by water I will drown the world."

First he bound the North Wind that freezes floods by its icy breath, then loosed the South Wind that brings fog and darkness and horror on its wings. From his beard and eyebrows he rained showers, from his robe and mantle the unceasing floods streamed down and wreathing mists encircled his frowning brow.

He swept above the earth, wringing the waters from the high clouds, while peal on peal of thunder rolled about him.

The bearded corn bent before the driving rain, and the farmers lamented their ruined crops. But not alone in the skies was Jupiter content to open the watergates. He summoned to his aid the powers of Neptune. The ocean, the natural enemy of the fruitful earth, swelled with pride at this request, and rushed inland to meet the swollen torrents that gushed from the hills across the sodden plains. The floods gathered deep over the lowlands, the fields were drowned, the ruined grain was submerged. Sheep and cattle, peasants and their plows, trees and wild beasts, were all borne out upon the resistless waters. Even the houses, sapped by the water, fell into the angry flood, and all the household goods were swallowed up. Some climbed high cliffs to escape the general doom, other launched out in little boats and floated above the submerged chimneys of their homes or cast anchor among their vines. Hills and valleys were alike engulfed by the heaving waters; those who had sought safety on the hilltops died of starvation, and those in boats were swamped.

Jupiter, looking down from his starry heights, saw nothing but a lake of troubled waters where the blooming earth had been. The destruction was complete. Then he unloosed the North Wind, and set fierce Boreas to drive away the clouds. Neptune he commanded to lay his trident on the rough waves and smooth out their furrows. And he bade Triton, who appeared above the waves, give the signal for the waters to retire within their proper bounds. Triton blew a blast on his shell, and the note was borne from wave to wave, from marge to marge. The waters, obedient to the summons, ran off the shores. The streams shrank by slow degrees to their accustomed level, and the green shoulders of the earth rose up from out their watery shroud. The tops of the drooping trees emerged all matted with mud, the houses lay in heaps of reeking ruin, the whole world lay desolate and wore a sickly hue.

I have said that all men were evil, yet among this sinful race were two righteous found, and though they could not save others from destruction, they themselves were saved. In a far vale of Thessaly there lived an aged couple, who had fled there to escape from the wickedness of men, Deucalion and Pyrrha his wife. When the flood came they had seen a little skiff floating by their cottage door and had embarked in it. For many days the skiff had floated like a cork above the surging flood, and when the flood abated they found themselves stranded on the heights of Parnassus.

They were the sole survivors, and they blessed the gods for their deliverance, but as they looked upon the scene of desolation they were sad at heart. It was a silent world. No human voice to greet them, no sound of beast or bird. They were childless and without hope of children, and if one of them were to die, how could the other live on?

Yet in their misery they forgot not to pay their reverent vows to Jupiter, the God of Deliverance, and then together made their way down from Parnassus and sought the now ruined shrine of Themis. The roofs were green with moss and slime; no fire burned on the deserted altar.

They fell prostrate and implored the goddess: "O righteous Themis, if the gods can be moved to love or pity by our prayers; if the miseries of men can touch them; if there is forgiveness and renewed favor to be found in them, tell how we may restore mankind, and by a miracle repeople all the world!"

The gracious goddess bowed to them and said: "Depart! Veil your heads and cast each behind you the bones of your mighty mother."

The pair stood amazed and dumb with wonder.

Pyrrha could not bring herself to obey the dire and seemingly impious command.

"Forbid it, Heaven," she cried, "that I should tear those sacred relics from their sepulcher!"

But Deucalion pondered in his heart the word of the goddess, ever seeking in it some hidden meaning not at first made clear. At length his eye brightened; he called Pyrrha to him and said: "If I understand it right, there is an answer to the dark enigma that will free the goddess's word from taint of sacrilege. Our mighty mother is the earth; the stones are her bones. These we must cast behind us."

With renewed hope and gladness Pyrrha heard his words, and though doubting still resolved to try.

Descending from the mountain to the plain that was strewn with stones, reverently they veiled their heads, and, taking up one stone after another, they flung them over their shoulders.

And as the stones fell to the ground a miracle was wrought. As each stone fell it visibly changed. At first but the imperfect rudiments of a form appeared, such as is seen in marble where the chisel has begun to chip it out, and the sculptor has not yet lavished on it his finished art. Then by degrees the stones seemed to swell and soften like ripening fruit, till at last the life-blood ran through the blue veins, while the bones kept their hardness and supported the new-formed frame.

By divine power each stone thrown by Deucalion turned into a man; while each that Pyrrha threw bloomed into a fair woman. Thus was the earth repeopled.

'Tis a marvelous tale, but if you doubt its truth go question the Egyptian rustics. They will tell you that when the Nile subsides they find in the slime rude stones shaped like a man's body, with a knob like a head and bosses like the beginnings of arms and legs. These are stones that Deucalion and Pyrrha threw, but such as fell at their feet instead of behind them, and only began to turn into men and women.

EPIMETHEUS AND PANDORA

BY NATHANIEL HAWTHORNE

Long, long ago, when this old world was in its tender infancy, there was a child, named Epimetheus, who never had either father or mother; and that he might not be lonely, another child, fatherless and motherless like himself, was sent from a far country to live with him, and be his playfellow and helpmate. Her name was Pandora.

The first thing that Pandora saw, when she entered the cottage where Epimetheus dwelt, was a great box. And almost the first question which she put to him, after crossing the threshold, was this: "Epimetheus, what have you in that box?"

"My dear little Pandora," answered Epimetheus, "that is a secret, and you must be kind enough not to ask any questions about it. The box was left here to be kept safely, and I do not myself know what it contains."

"But who gave it to you?" asked Pandora. "And where did it come from?"

"That is a secret, too," replied Epimetheus.

"How provoking!" exclaimed Pandora, pouting her lip. "I wish the great ugly box were out of the way!"

"Oh, come, don't think of it any more!" cried Epimetheus. "Let us run out of doors, and have some nice play with the other children."

It is thousands of years since Epimetheus and Pandora were alive; and the world, nowadays, is a very different sort of thing from what it was in their time. Then, everybody was a child. There needed no fathers and mothers to take care of the children, because there was no danger or trouble of any kind, and no clothes to be mended, and there was always plenty to eat and drink. Whenever a child wanted his dinner, he found it growing on a tree; and if he looked at the tree in the morning, he could see the expanding blossom of that night's supper; or, at eventide, he saw the tender bud of to-morrow's breakfast. It was a very pleasant life indeed. No labor to be done, no tasks to be studied; nothing but sports and dances, and sweet voices of children talking, or caroling like birds, or gushing out in merry laughter throughout the livelong day.

It is probable that the very greatest disquietude which a child had ever experienced was Pandora's vexation at not being able to discover the secret of the mysterious box.

This was at first only the faint shadow of a Trouble; but every day it grew more and more substantial, until before a great while the cottage of Epimetheus and Pandora was less sunshiny than those of the other children.

"Whence can the box have come?" Pandora continually kept saying to herself and to Epimetheus. "And what on earth can be inside of it?"

"Always talking about this box!" said Epimetheus at last; for he had grown extremely tired of the subject. "I wish, dear Pandora, you would try to talk of something else. Come, let us go and gather some ripe figs, and eat them under the trees for our supper. And I know a vine that has the sweetest and juiciest grapes you ever tasted."

"Always talking about grapes and figs!" cried Pandora pettishly.

"Well, then," said Epimetheus, who was a good-tempered child, "let us run out and have a merry time with our playmates."

"I am tired of merry times, and don't care if I never have any more!" answered our pettish little Pandora. "And besides, I never do have any. This ugly box! I am so taken up with thinking about it all the time. I insist upon you telling me what is inside of it."

"As I have already said, fifty times over, I do not know!" replied Epimetheus, getting a little vexed. "How, then, can I tell you what is inside?"

"You might open it," said Pandora, looking sideways at Epimetheus, "and then we could see for ourselves."

"Pandora, what are you thinking of?" exclaimed Epimetheus.

And his face expressed so much horror at the idea of looking into a box which had been confided to him on the condition of his never opening it, that Pandora thought it best not to suggest it any more. Still, she could not help thinking and talking about the box.

"At least," said she, "you can tell me how it came here."

"It was left at the door," replied Epimetheus, "just before you came, by a person who looked very smiling and intelligent, and who could hardly forbear laughing as he put it down. He was dressed in an odd kind of a cloak, and had on a cap that seemed to be made partly of feathers, so that it looked almost as if it had wings."

"What sort of a staff had he?" asked Pandora.

"Oh, the most curious staff you ever saw!" cried Epimetheus. "It was like two serpents twisting around a stick, and was carved so naturally that I, at first, thought the serpents were alive."

"I know him," said Pandora thoughtfully. "Nobody else has such a staff. It was Quicksilver; and he brought me hither, as well as the box. No doubt he intended it for me; and most probably it contains pretty dresses for me to wear, or toys for you and me to play with, or something very nice for us both to eat!"

"Perhaps so," answered Epimetheus, turning away. "But until Quicksilver comes back and tells us so, we have neither of us any right to lift the lid of the box."

"What a dull boy it is!" muttered Pandora, as Epimetheus left the cottage. "I do wish he had a little more enterprise!"

For the first time since her arrival, Epimetheus had gone out without asking Pandora to accompany him. He was tired to death of hearing about the box, and heartily wished that Quicksilver, or whatever was the messenger's name, had left it at some other child's door, where Pandora would never have set eyes on it. So perseveringly as she did babble about this one thing! The box, the box, and nothing but the box! It seemed as if the box were bewitched, and as if the cottage were not big enough to hold it, without Pandora's continually stumbling over it and making Epimetheus stumble over it likewise, and bruising all four of their shins.

Well, it was really hard that poor Epimetheus should have a box in his ears from morning to night, especially as the little people of the earth were so unaccustomed to vexations, in those happy days, that they knew not how to deal with them. Thus a small vexation made as much disturbance then as a far bigger one would in our own times.

After Epimetheus was gone Pandora stood gazing at the box. She had called it ugly above a hundred times; but in spite of all that she had said against it, it was in truth a very handsome article of furniture. It was made of a beautiful kind of wood, with dark and rich veins spreading over its surface, which was so highly polished that little Pandora could see her face in it. As the child had no other looking-glass, it is odd that she did not value the box, merely on this account.

The edges and corners of the box were carved with wonderful skill. Around the margin there were figures of graceful men and women, and the prettiest children ever seen, reclining or sporting amid a profusion of flowers and foliage; and these various objects were so exquisitely represented, and were wrought together in such harmony, that flowers, foliage, and human beings seemed to combine into a wreath of mingled beauty.

But here and there, peeping forth from behind the carved foliage, Pandora once or twice fancied that she saw a face not so lovely, which stole the beauty out of all the rest. Nevertheless, on looking more closely, she could discover nothing of the kind. Some face, that was really beautiful, had been made to look ugly by her catching a sideway glimpse at it.

The most beautiful face of all was done in what is called high relief, in the center of the lid. There was nothing else save the dark, smooth richness of the polished wood, and this one face in the center, with a garland of flowers about its brow. Pandora had looked at this face a great many times, and imagined that the mouth could smile if it liked, or be grave when it chose, the same as any living mouth. The features, indeed, all wore a very lively and rather mischievous expression, which looked almost as if it needs must burst out of the carved lips and utter itself in words.

Had the mouth spoken, it would probably have been something like this: "Do not be afraid, Pandora! What harm can there be in opening the box? Never mind that poor, simple Epimetheus! You are wiser than he, and have ten times as much spirit. Open the box, and see if you do not find something very pretty!"

The box was fastened; not by a lock, nor by any other such contrivance, but by a very intricate knot of gold cord. There appeared to be no end to this knot, and no beginning. Never was a knot so cunningly twisted, nor with so many ins and outs, which roguishly defied the skilfullest fingers to disentangle them. And yet, by the very difficulty that there was in it, Pandora was the more tempted to examine the knot, and just see how it was made. Two or three times already she had stooped over the box, and taken the knot between her thumb and forefinger, but without positively trying to undo it.

"I really believe," said she to herself, "that I begin to see how it was done. Nay, perhaps I could tie it up again after undoing it. There could be no harm in that, surely. Even Epimetheus would not blame me for that. I need not open the box, and should not, of course, without the foolish boy's consent, even if the knot were untied."

First she tried to lift it. It was heavy; much too heavy for the slender strength of a child like Pandora. She raised one end of the box a few inches from the floor, and let it fall again with a pretty loud thump. A moment afterwards she almost fancied that she heard something stir inside of the box. She applied her ear as closely as possible and listened. Positively there did seem to be a kind of stifled murmur within. Or was it merely the singing in Pandora's ears? Or could it be the beating of her heart? The child could not quite satisfy herself whether she had heard anything or no. But, at all events, her curiosity was stronger than ever.

As she drew back her head her eyes fell upon the knot of gold cord.

"It must have been a very ingenious person who tied this knot," said Pandora to herself. "But I think I could untie it, nevertheless. I am resolved, at least, to find the two ends of the cord."

So she took the golden knot in her fingers, and pried into its intricacies as sharply as she could. Almost without intending it, or quite knowing what she was about, she was soon busily engaged in attempting to undo it. Meanwhile the bright sunshine came through the open window, as did likewise the merry voices of the children playing at a distance; and, perhaps, the voice of Epimetheus among them. Pandora stopped to listen. What a beautiful day it was! Would it not be wiser if she were to let the troublesome knot alone, and think no more about the box, but run and join her little playfellows and be happy?

All this time, however, her fingers were half unconsciously busy with the knot; and, happening to glance at the flower-wreathed face on the lid of the enchanted box, she seemed to perceive it slyly grinning at her.

"That face looks very mischievous," thought Pandora. "I wonder whether it smiles because I am doing wrong! I have the greatest mind in the world to run away!"

But just then, by the merest accident, she gave the knot a kind of a twist, which produced a wonderful result. The gold cord untwined itself as if by magic, and left the box without a fastening.

"This is the strangest thing I ever knew!" said Pandora. "What will Epimetheus say? And how can I possibly tie it up again?"

She made one or two attempts to restore the knot, but soon found it quite beyond her skill. It had disentangled itself so suddenly that she could not in the least remember how the strings had been doubled into one another; and when she tried to recollect the shape and appearance of the knot, it seemed to have gone entirely out of her mind. Nothing was to be done, therefore, but to let the box remain as it was until Epimetheus should come in.

"But," said Pandora, "when he finds the knot untied, he will know that I have done it. How shall I make him believe that I have not looked into the box?"

And then the thought came into her naughty little heart, that, since she would be suspected of having looked into the box, she might just as well do so at once. Oh, very naughty and very foolish Pandora! You should have thought only of doing what was right, and of leaving undone what was wrong, and not of what your playfellow Epimetheus would have said or believed. And so perhaps she might, if the enchanted face on the lid of the box had not looked so bewitchingly persuasive at her, and if she had not seemed to hear, more distinctly than before, the murmur of small voices within. She could not tell whether it was fancy or no; but there was quite a little tumult of whispers in her ear—or else it was her curiosity that whispered:

"Let us out, dear Pandora; pray let us out! We will be such nice pretty playfellows for you! Only let us out!"

"What can it be?" thought Pandora. "Is there something alive in the box? Well!—yes!—I am resolved to take just one peep! Only one peep; and then the lid shall be shut down as safely as ever! There cannot possibly be any harm in just one little peep!"

But it is now time for us to see what Epimetheus was doing.

This was the first time since his little playmate had come to dwell with him that he had attempted to enjoy any pleasure in which she did not partake. But nothing went right; nor was he nearly so happy as on other days. He could not find a sweet grape or a ripe fig (if Epimetheus had a fault, it was a little too much fondness for figs); or, if ripe at all, they were over-ripe, and so sweet as to be cloying. In short, he grew so uneasy and discontented, that the other children could not imagine what was the matter with Epimetheus. Neither did he himself know what ailed him any better than they did.

At length, discovering that, somehow or other, he put a stop to all the play, Epimetheus judged it best to go back to Pandora, who was in a humor better suited to his own. But, with a hope of giving her pleasure, he gathered some flowers, and made them into a wreath, which he meant to put upon her head. The flowers were very lovely—roses and lilies, and orange-blossoms, and a great many more, which left a trail of fragrance behind as Epimetheus carried them along; and the wreath was put together with as much skill as could reasonably be expected of a boy. The fingers of little girls, it has always appeared to me, are the fittest to twine flower-wreaths; but boys could do it in those days rather better than they can now.

Meanwhile a great black cloud had been gathering in the sky for some time past, although it had not yet overspread the sun. But just as Epimetheus reached the cottage door, this cloud began to intercept the sunshine, and thus to make a sudden and sad obscurity.

He entered softly; for he meant, if possible, to steal behind Pandora and fling the wreath of flowers over her head before she should be aware of his approach. But, as it happened, there was no need of his treading so very lightly. He might have trod as heavily as he pleased without much probability of Pandora's hearing his footsteps. She was too intent upon her purpose. At the moment of his entering the cottage the naughty child had put her hand to the lid, and was on the point of opening the mysterious box. Epimetheus beheld her. If he had cried out Pandora would probably have withdrawn her hand, and the fatal mystery of the box might never have been known.

But Epimetheus himself, although he said very little about it, had his own share of curiosity to know what was inside. Perceiving that Pandora was resolved to find out the secret, he determined that his playfellow should not be the only wise person in the cottage. And if there were anything pretty or valuable in the box, he meant to take half of it to himself. Thus, after all his sage speeches to Pandora about restraining her curiosity, Epimetheus turned out to be quite as foolish, and nearly as much in fault, as she. So, whenever we blame Pandora for what happened, we must not forget to shake our heads at Epimetheus likewise.

As Pandora raised the lid the cottage grew very dark and dismal, for the black cloud had now swept quite over the sun, and seemed to have buried it alive. There had, for a little while past, been a low growling and muttering, which all at once broke into a heavy peal of thunder. But Pandora, heeding nothing of all this, lifted the lid nearly upright and looked inside. It seemed as if a sudden swarm of winged creatures brushed past her, taking flight out of the box, while, at the same instant, she heard the voice of Epimetheus, with a lamentable tone, as if he were in pain.

"Oh, I am stung!" cried he. "I am stung! Naughty Pandora! why have you opened this wicked box?"

Pandora let fall the lid, and, starting up, looked about her, to see what had befallen Epimetheus. The thunder-cloud had so darkened the room that she could not very clearly discern what was in it. But she heard a disagreeable buzzing, as if a great many huge flies, or gigantic mosquitoes, were darting about. And, as her eyes grew more accustomed to the imperfect light, she saw a crowd of ugly little shapes, with bats' wings, looking abominably spiteful, and armed with terribly long stings in their tails. It was one of these that had stung Epimetheus. Nor was it a great while before Pandora herself began to scream, in no less pain and affright than her playfellow, and making a vast deal more hubbub about it. An odious little monster had settled on her forehead, and would have stung her I know not how deeply if Epimetheus had not run and brushed it away.

Now, if you wish to know what these ugly things might be which had made their escape out of the box, I must tell you that they were the whole family of earthly Troubles. There were evil Passions; there were a great many species of Cares; there were more than a hundred and fifty Sorrows; there were Diseases, in a vast number of miserable and painful shapes; there were more kinds of Naughtiness than it would be of any use to talk about. In short, everything that has since afflicted the souls and bodies of mankind had been shut up in the mysterious box, and given to Epimetheus and Pandora to be kept safely, in order that the happy children of the world might never be molested by them. Had they been faithful to their trust, all would have gone well. No grown person would ever have been sad, nor any child have had cause to shed a single tear, from that hour until this moment.

But—and you may see by this how a wrong act of any one mortal is a calamity to the whole world—by Pandora's lifting the lid of that miserable box, and by the fault of Epimetheus, too, in not preventing her, these Troubles have obtained a foothold among us, and do not seem very likely to be driven away in a hurry. For it was impossible, as you will easily guess, that the two children should keep the ugly swarm in their own little cottage. On the contrary, the first thing they did was to fling open the doors and windows in hope of getting rid of them; and, sure enough, away flew the winged Troubles all abroad, and so pestered and tormented the small people everywhere about that none of them so much as smiled for many days afterwards. And, what was very singular, all the flowers and dewy blossoms on earth, not one of which had hitherto faded, now began to droop and shed their leaves, after a day or two. The children, moreover, who before seemed immortal in their childhood, now grew older, day by day, and came soon to be youths and maidens, and men and women by and by, and aged people, before they dreamed of such a thing.

Meanwhile, the naughty Pandora, and hardly less naughty Epimetheus, remained in their cottage. Both of them had been grievously stung, and were in a good deal of pain, which seemed the more intolerable to them, because it was the very first pain that had ever been felt since the world began. Besides all this, they were in exceedingly bad humor, both with themselves and with one another. In order to indulge it to the utmost, Epimetheus sat down sullenly in a corner with his back towards Pandora; while Pandora flung herself upon the floor and rested her head on the fatal and abominable box. She was crying bitterly, and sobbing as if her heart would break.

Suddenly there was a gentle tap on the inside of the lid.

"What can that be?" cried Pandora, lifting her head.

But either Epimetheus had not heard the tap, or was too much out of humor to notice it. At any rate, he made no answer.

"You are very unkind," said Pandora, sobbing anew, "not to speak to me!"

Again the tap! It sounded like the tiny knuckles of a fairy's hand, knocking lightly and playfully on the inside of the box.

"Who are you?" asked Pandora, with a little of her former curiosity. "Who are you, inside of this naughty box?"

A sweet little voice spoke from within: "Only lift the lid, and you shall see."

"No, no," answered Pandora, again beginning to sob, "I have had enough of lifting the lid! You are inside of the box, naughty creature, and there you shall stay! There are plenty of your ugly brothers and sisters already flying about the world. You need never think that I shall be so foolish as to let you out!"

She looked towards Epimetheus as she spoke, perhaps expecting that he would commend her for her wisdom. But the sullen boy only muttered that she was wise a little too late.

"Ah," said the sweet little voice again, "you had much better let me out. I am not like those naughty creatures that have stings in their tails. They are no brothers and sisters of mine, as you would see at once, if you were only to get a glimpse of me. Come, come, my pretty Pandora! I am sure you will let me out!"

And, indeed, there was a kind of cheerful witchery in the tone, that made it almost impossible to refuse anything which this little voice asked. Pandora's heart had insensibly grown lighter at every word that came from within the box. Epimetheus, too, though still in the corner, had turned half round, and seemed to be in rather better spirits than before.

"My dear Epimetheus," cried Pandora, "have you heard this little voice?"

"Yes, to be sure I have," answered he, but in no very good humor as yet. "And what of it?"

"Shall I lift the lid again?" asked Pandora.

"Just as you please," said Epimetheus. "You have done so much mischief already, that perhaps you may as well do a little more. One other Trouble, in such a swarm as you have set adrift about the world, can make no very great difference."

"You might speak a little more kindly!" murmured Pandora, wiping her eyes.

"Ah, naughty boy!" cried the little voice within the box, in an arch and laughing tone. "He knows he is longing to see me. Come, my dear Pandora, lift up the lid. I am in a great hurry to comfort you. Only let me have some fresh air, and you shall soon see that matters are not quite so dismal as you think them!"

"Epimetheus," exclaimed Pandora, "come what may, I am resolved to open the box!"

"And, as the lid seems very heavy," cried Epimetheus, running across the room, "I will help you!"

So, with one consent, the two children again lifted the lid. Out flew a sunny and smiling little personage, and hovered about the room, throwing a light wherever she went. Have you never made the sunshine dance into dark corners by reflecting it from a bit of looking-glass? Well, so looked the winged cheerfulness of this fairy-like stranger amid the gloom of the cottage. She flew to Epimetheus, and laid the least touch of her finger on the inflamed spot where the Trouble had stung him, and immediately the anguish of it was gone. Then she kissed Pandora on the forehead, and her hurt was cured likewise.

After performing these good offices, the bright stranger fluttered sportively over the children's heads, and looked so sweetly at them that they both began to think it not so very much amiss to have opened the box, since, otherwise, their cheery guest must have been kept a prisoner among those naughty imps with stings in their tails.

"Pray, who are you, beautiful creature?" inquired Pandora.

"I am to be called Hope!" answered the sunshiny figure. "And because I am such a cheery little body, I was packed into the box to make amends to the human race for that swarm of ugly Troubles, which was destined to be let loose among them. Never fear! we shall do pretty well in spite of them all."

"Your wings are colored like the rainbow!" exclaimed Pandora. "How very beautiful!"

"Yes, they are like the rainbow," said Hope, "because, glad as my nature is, I am partly made of tears as well as smiles."

"And you will stay with us," asked Epimetheus, "for ever and ever?"

"As long as you need me," said Hope, with her pleasant smile, "and that will be as long as you live in the world—I promise never to desert you. There may be times and seasons, now and then, when you will think that I have utterly vanished. But again, and again, and again, when perhaps you least dream of it, you shall see the glimmer of my wings on the ceiling of your cottage. Yes, my dear children, and I know something very good and beautiful that is to be given you, hereafter!"

"Oh, tell us," they exclaimed; "tell us what it is!"

"Do not ask me," replied Hope, putting her finger on her rosy mouth. "But do not despair, even if it should never happen while you live on this earth. Trust in my promise, for it is true."

"We do trust you!" cried Epimetheus and Pandora, both in one breath.

And so they did; and not only they, but so has everybody trusted Hope, that has since been alive. And, to tell you the truth, I cannot help being glad (though, to be sure, it was an uncommonly naughty thing for her to do)—but I cannot help being glad that our foolish Pandora peeped into the box. No doubt—no doubt—the Troubles are still flying about the world, and have increased in multitude, rather than lessened, and are a very ugly set of imps, and carry most venomous stings in their tails. I have felt them already, and expect to feel them more as I grow older. But then that lovely and lightsome figure of Hope! What in the world could we do without her? Hope spiritualizes the earth; Hope makes it always new; and, even in the earth's best and brightest aspect, Hope shows it to be only the shadow of an infinite bliss hereafter.

EUROPA AND THE GOD-BULL

BY NATHANIEL HAWTHORNE

Cadmus, Phœnix, and Cilix, the three sons of King Agenor, and their little sister Europa (who was a very beautiful child), were at play together near the sea-shore in their father's kingdom of Phœnicia. They had rambled to some distance from the palace where their parents dwelt, and were now in a verdant meadow, on one side of which lay the sea, all sparkling and dimpling in the sunshine, and murmuring gently against the beach. The three boys were very happy gathering flowers and twining them into garlands, with which they adorned the little Europa. Seated on the grass, the child was almost hidden under an abundance of buds and blossoms, whence her rosy face peeped merrily out, and, as Cadmus said, was the prettiest of all the flowers.

Just then there came a splendid butterfly fluttering along the meadow, and Cadmus, Phœnix, and Cilix set off in pursuit of it, crying out that it was a flower with wings. Europa, who was a little wearied with playing all day long, did not chase the butterfly with her brothers, but sat still where they had left her, and closed her eyes. For a while she listened to the pleasant murmur of the sea, which was like a voice saying "Hush!" and bidding her go to sleep. But the pretty child, if she slept at all, could not have slept more than a moment, when she heard something trample on the grass not far from her, and peeping out from the heap of flowers, beheld a snow-white bull.

And whence could this bull have come? Europa and her brothers had been a long time playing in the meadow, and had seen no cattle, nor other living thing, either there or on the neighboring hills.

"Brother Cadmus!" cried Europa, starting up out of the midst of the roses and lilies. "Phœnix! Cilix! Where are you all? Help! Help! Come and drive away this bull!"

But her brothers were too far off to hear, especially as the fright took away Europa's voice and hindered her from calling very loudly. So there she stood, with her pretty mouth wide open, as pale as the white lilies that were twisted among the other flowers in her garlands.

Nevertheless, it was the suddenness with which she had perceived the bull, rather than anything frightful in its appearance, that caused Europa so much alarm. On looking at him more attentively, she began to see that he was a beautiful animal, and even fancied a particularly amiable expression in his face. As for his breath—the breath of cattle, you know, is always sweet—it was as fragrant as if he had been grazing on no other food than rosebuds, or, at least, the most delicate of clover blossoms. Never before did a bull have such bright and tender eyes, and such smooth horns of ivory, as this one. And the bull ran little races, and capered sportively around the child; so that she quite forgot how big and strong he was, and, from the gentleness and playfulness of his actions, soon came to consider him as innocent a creature as a pet lamb.

Thus, frightened as she at first was, you might by and by have seen Europa stroking the bull's forehead with her small white hand, and taking the garlands off her own head to hang them on his neck and ivory horns. Then she pulled up some blades of grass, and he ate them out of her hand, not as if he were hungry, but because he wanted to be friends with the child, and took pleasure in eating what she had touched. Well, my stars! was there ever such a gentle, sweet, pretty, and amiable creature as this bull, and ever such a nice playmate for a little girl?

When the animal saw (for the bull had so much intelligence that it is really wonderful to think of), when he saw that Europa was no longer afraid of him, he grew overjoyed, and could hardly contain himself for delight. He frisked about the meadow, now here, now there, making sprightly leaps, with as little effort as a bird expends in hopping from twig to twig. Indeed, his motion was as light as if he were flying through the air, and his hoofs seemed hardly to leave their print in the grassy soil over which he trod. With his spotless hue, he resembled a snow-drift wafted along by the wind. Once he galloped so far away that Europa feared lest she might never see him again; so, setting up her childish voice, she called him back.

"Come back, pretty creature!" she cried. "Here is a nice clover blossom."

And then it was delightful to witness the gratitude of this amiable bull, and how he was so full of joy and thankfulness that he capered higher than ever. He came running and bowed his head before Europa, as if he knew her to be a king's daughter, or else recognized the important truth that a little girl is everybody's queen. And not only did the bull bend his neck, he absolutely knelt down at her feet, and made such intelligent nods, and other inviting gestures, that Europa understood what he meant just as well as if he had put it in so many words.

"Come, dear child," was what he wanted to say, "let me give you a ride on my back."

At the first thought of such a thing Europa drew back. But then she considered in her wise little head that there could be no possible harm in taking just one gallop on the back of this docile and friendly animal, who would certainly set her down the very instant she desired it. And how it would surprise her brothers to see her riding across the green meadow! And what merry times they might have, either taking turns for a gallop, or clambering on the gentle creature, all four children together, and careering round the field with shouts of laughter that would be heard as far off as King Agenor's palace!

"I think I will do it," said the child to herself.

And, indeed, why not? She cast a glance around, and caught a glimpse of Cadmus, Phœnix, and Cilix, who were still in pursuit of the butterfly, almost at the other end of the meadow. It would be the quickest way of rejoining them, to get upon the white bull's back. She came a step nearer to him, therefore; and—sociable creature that he was—he showed so much joy at this mark of her confidence, that the child could not find it in her heart to hesitate any longer. Making one bound (for this little princess was as active as a squirrel), there sat Europa on the beautiful bull, holding an ivory horn in each hand lest she should fall off.

"Softly, pretty bull, softly!" she said, rather frightened at what she had done. "Do not gallop too fast."

Having got the child on his back, the animal gave a leap into the air, and came down so like a feather that Europa did not know when his hoofs touched the ground. He then began to race to that part of the flowery plain where her three brothers were, and where they had just caught their splendid butterfly. Europa screamed with delight; and Phœnix, Cilix, and Cadmus stood gaping at the spectacle of their sister mounted on a white bull, not knowing whether to be frightened, or to wish the same good luck for themselves. The gentle and innocent creature (for who could possibly doubt that he was so?) pranced round among the children as sportively as a kitten. Europa all the while looked down upon her brothers, nodding and laughing, but yet with a sort of stateliness in her rosy little face. As the bull wheeled about to take another gallop across the meadow, the child waved her hand and said "Good-by," playfully pretending that she was now bound on a distant journey, and might not see her brothers again for nobody could tell how long.

"Good-by," shouted Cadmus, Phœnix, and Cilix, all in one breath.

But, together with her enjoyment of the sport, there was still a little remnant of fear in the child's heart; so that her last look at the three boys was a troubled one, and made them feel as if their dear sister were really leaving them forever. And what do you think the snowy bull did next? Why, he set off, as swift as the wind, straight down to the sea-shore, scampered across the sand, took an airy leap, and plunged right in among the foaming billows. The white spray rose in a shower over him and little Europa, and fell spattering down upon the water.

Then what a scream of terror did the poor child send forth! The three brothers screamed manfully, likewise, and ran to the shore as fast as their legs would carry them, with Cadmus at their head. But it was too late. When they reached the margin of the sand, the treacherous animal was already away in the wide blue sea, with only his snowy head and tail emerging, and poor little Europa between them, stretching out one hand towards her dear brothers, while she grasped the bull's ivory horn with the other. And there stood Cadmus, Phœnix, and Cilix, gazing at this sad spectacle through their tears, until they could no longer distinguish the bull's snowy head from the white-capped billows that seemed to boil up out of the sea's depth around him. Nothing more was ever seen of the white bull—nothing more of the beautiful child.

This was a mournful story, as you may well think, for the three boys to carry home to their parents. King Agenor, their father, was the ruler of the whole country; but he loved his little daughter Europa better than his kingdom, or than all his other children, or than anything else in the world. Therefore, when Cadmus and his two brothers came crying home, and told him how that a white bull had carried off their sister, and swam with her over the sea, the king was quite beside himself with grief and rage. Although it was now twilight, and fast growing dark, he bade them set out instantly in search of her.

"Never shall you see my face again," he cried, "unless you bring me back my little Europa to gladden me with her smiles and her pretty ways. Begone, and enter my presence no more, till you come leading her by the hand."

As King Agenor said this his eyes flashed fire (for he was a very passionate king), and he looked so terribly angry that the poor boys did not even venture to ask for their suppers, but slunk away out of the palace, and only paused on the steps a moment to consult whither they should go first. While they were standing there, all in dismay, their mother, Queen Telephassa (who happened not to be by when they told the story to the king), came hurrying after them, and said that she too would go in quest of her daughter.

"Oh, no, mother!" cried the boys. "The night is dark, and there is no knowing what troubles and perils we may meet with."

"Alas! my dear children," answered poor Queen Telephassa, weeping bitterly, "that is only another reason why I should go with you. If I should lose you too, as well as my little Europa, what would become of me?"

In this manner they went down the palace steps, and began a journey which turned out to be a great deal longer than they dreamed of. The last that they saw of King Agenor, he came to the door, with a servant holding a torch beside him, and called after them into the gathering darkness: