Fifteenth Volume

LITTLE CLASSICS

EDITED BY

ROSSITER JOHNSON

Minor Poems

BOSTON AND NEW YORK
HOUGHTON, MIFFLIN AND COMPANY
The Riverside Press, Cambridge
1900

COPYRIGHT, 1875, BY JAMES R. OSGOOD & CO.
ALL RIGHTS RESERVED

CONTENTS.

A MUSICAL INSTRUMENT.

What was he doing, the great god Pan,
Down in the reeds by the river?
Spreading ruin and scattering ban,
Splashing and paddling with hoofs of a goat,
And breaking the golden lilies afloat
With the dragon-fly on the river.

He tore out a reed, the great god Pan,
From the deep cool bed of the river:
The limpid water turbidly ran,
And the broken lilies a-dying lay,
And the dragon-fly had fled away,
Ere he brought it out of the river.

High on the shore sat the great god Pan,
While turbidly flowed the river;
And hacked and hewed as a great god can,
With his hard bleak steel at the patient reed,
Till there was not a sign of a leaf indeed
To prove it fresh from the river.

He cut it short, did the great god Pan,
(How tall it stood in the river!)
Then drew the pith, like the heart of a man,
Steadily from the outside ring,
And notched the poor dry empty thing
In holes, as he sat by the river.

"This is the way," laughed the great god Pan
(Laughed while he sat by the river),
"The only way, since gods began
To make sweet music, they could succeed."
Then, dropping his mouth to a hole in the reed,
He blew in power by the river.

Sweet, sweet, sweet, O Pan!
Piercing sweet by the river!
Blinding sweet, O great god Pan!
The sun on the hill forgot to die,
And the lilies revived, and the dragon-fly
Came back to dream on the river.

Yet half a beast is the great god Pan,
To laugh as he sits by the river,
Making a poet out of a man:
The true gods sigh for the cost and pain,—
For the reed which grows nevermore again
As a reed with the reeds in the river.

Elizabeth Barrett Browning.

THE VOYAGE.

We left behind the painted buoy
That tosses at the harbor-mouth:
And madly danced our hearts with joy,
As fast we fleeted to the south:
How fresh was every sight and sound
On open main or winding shore!
We knew the merry world was round,
And we might sail forevermore.

Warm broke the breeze against the brow,
Dry sang the tackle, sang the sail:
The lady's-head upon the prow
Caught the shrill salt, and sheered the gale.
The broad seas swelled to meet the keel,
And swept behind: so quick the run,
We felt the good ship shake and reel,
We seemed to sail into the sun!

How oft we saw the sun retire,
And burn the threshold of the night,
Fall from his ocean-lane of fire,
And sleep beneath his pillared light!
How oft the purple-skirted robe
Of twilight slowly downward drawn,
As through the slumber of the globe
Again we dashed into the dawn!

New stars all night above the brim
Of waters lightened into view;
They climbed as quickly, for the rim
Changed every moment as we flew.
Far ran the naked moon across
The houseless ocean's heaving field,
Or flying shone, the silver boss
Of her own halo's dusky shield;

The peaky islet shifted shapes,
High towns on hills were dimly seen,
We passed long lines of northern capes
And dewy northern meadows green.
We came to warmer waves, and deep
Across the boundless east we drove,
Where those long swells of breaker sweep
The nutmeg rocks and isles of clove.

By peaks that flamed, or, all in shade,
Gloomed the low coast and quivering brine
With ashy rains, that spreading made
Fantastic plume or sable pine;
By sands and steaming flats, and floods
Of mighty mouth, we scudded fast,
And hills and scarlet-mingled woods
Glowed for a moment as we passed.

O hundred shores of happy climes,
How swiftly streamed ye by the bark!
At times the whole sea burned, at times
With wakes of fire we tore the dark;
At times a carven craft would shoot
From havens hid in fairy bowers,
With naked limbs and flowers and fruit,
But we nor paused for fruits nor flowers.

For one fair Vision ever fled
Down the waste waters day and night,
And still we followed where she led
In hope to gain upon her flight.
Her face was evermore unseen,
And fixed upon the far sea-line;
But each man murmured, "O my Queen,
I follow till I make thee mine."

And now we lost her, now she gleamed
Like Fancy made of golden air,
Now nearer to the prow she seemed
Like Virtue firm, like Knowledge fair,
Now high on waves that idly burst
Like Heavenly Hope she crowned the sea,
And now, the bloodless point reversed,
She bore the blade of Liberty.

And only one among us,—him
We pleased not,—he was seldom pleased:
He saw not far: his eyes were dim:
But ours he swore were all diseased.
"A ship of fools!" he shrieked in spite,
"A ship of fools!" he sneered and wept.
And overboard one stormy night
He cast his body, and on we swept.

And never sail of ours was furled
Nor anchor dropped at eve or morn;
We loved the glories of the world,
But laws of nature were our scorn;
For blasts would rise and rave and cease,
But whence were those that drove the sail
Across the whirlwind's heart of peace,
And to and through the counter-gale?

Again to colder climes we came,
For still we followed where she led:
Now mate is blind and captain lame,
And half the crew are sick or dead.
But blind or lame or sick or sound,
We follow that which flies before:
We know the merry world is round,
And we may sail forevermore.

Alfred Tennyson.

KUBLA KHAN.

In Xanadu did Kubla Khan
A stately pleasure-dome decree
Where Alph, the sacred river, ran,
Through caverns measureless to man,
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round;
And there were gardens, bright with sinuous rills,
Where blossomed many an incense-bearing tree;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic chasm, which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced,
Amid whose swift, half-intermitted burst
Huge fragments vaulted like rebounding hail,
Or chaffy grain beneath the thresher's flail;
And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles, meandering with a mazy motion
Through wood and dale, the sacred river ran,—
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean;
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war.

The shadow of the dome of pleasure
Floated midway on the waves,
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,—
A sunny pleasure-dome with caves of ice!
A damsel with a dulcimer
In a vision once I saw;
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That, with music loud and long,
I would build that dome in air,—
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! beware
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed,
And drunk the milk of Paradise.

Samuel Taylor Coleridge.

SHE WAS A PHANTOM OF DELIGHT.

She was a phantom of delight
When first she gleamed upon my sight;
A lovely apparition, sent
To be a moment's ornament;
Her eyes as stars of twilight fair;
Like Twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay.

I saw her upon nearer view,
A spirit, yet a woman too!
Her household motions light and free,
And steps of virgin-liberty;
A countenance in which did meet
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food,
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles.

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death:
The reason firm, the temperate will,
Endurance, foresight, strength, and skill;
A perfect woman, nobly planned
To warn, to comfort, and command;
And yet a spirit still, and bright
With something of an angel-light.

William Wordsworth.

THE SLANTEN LIGHT O' FALL.

(DORSET DIALECT.)

Ah! Jeane, my maid, I stood to you,
When you wer' christen'd, small an' light,
Wi' tiny earms o' red an' blue,
A-hangen in your robe o' white.
We brought ye to the hallow'd stwone,
Vor Christ to teake ye vor his own,
When harvest-work wer' all a-done,
An' time brought round October zun,—
The slanten light o' Fall.

An' I can mind the wind wer' rough,
An' gather'd clouds, but brought noo storms,
An' you wer' nessled warm enough,
'Ithin your smilen mother's earms.
The whindlen grass did quiver light,
Among the stubble, feaded white,
An' if at times the zunlight broke
Upon the groun', or on the vo'k,
'Twer' slanten light o' Fall.

An' when we brought ye droo the door
O' Knapton church, a child o' greace,
There cluster'd roun' a'most a score
O' vo'k to zee your tiny feace.
An' there we all did veel so proud,
To zee an op'nen in the cloud,
An' then a stream o' light break droo,
A-sheenen brightly down on you,—
The slanten light o' Fall.

But now your time's a-come to stan'
In church a-blushen at my zide,
The while a bridegroom vrom my han'
Ha' took ye vor his faithvul bride.
Your christen neame we gi'd ye here,
When Fall did cool the weasten year;
An' now, agean, we brought ye droo
The doorway, wi' your surneame new,
In slanten light o' Fall.

An' zoo vur, Jeane, your life is feair,
An' God ha' been your steadvast friend,
An' mid ye have mwore jay than ceare,
Vor ever, till your journey's end.
An' I've a-watch'd ye on wi' pride,
But now I soon mus' leave your zide,
Vor you ha' still life's springtide zun,
But my life, Jeane, is now a-run
To slanten light o' Fall.

William Barnes.

A HEALTH.

I fill this cup to one made up
Of loveliness alone,
A woman, of her gentle sex
The seeming paragon;
To whom the better elements
And kindly stars have given
A form so fair, that, like the air,
'Tis less of earth than heaven.

Her every tone is music's own,
Like those of morning birds,
And something more than melody
Dwells ever in her words;
The coinage of her heart are they,
And from her lips each flows
As one may see the burdened bee
Forth issue from the rose.

Affections are as thoughts to her,
The measures of her hours;
Her feelings have the fragrancy,
The freshness of young flowers;
And lovely passions, changing oft,
So fill her, she appears
The image of themselves by turns,—
The idol of past years!

Of her bright face one glance will trace
A picture on the brain,
And of her voice in echoing hearts
A sound must long remain;
But memory, such as mine of her,
So very much endears,
When death is nigh my latest sigh
Will not be life's, but hers.

I fill this cup to one made up
Of loveliness alone,
A woman, of her gentle sex
The seeming paragon,—
Her health! and would on earth there stood
Some more of such a frame,
That life might be all poetry,
And weariness a name.

Edward Coate Pinkney.

ON A GIRDLE.

That which her slender waist confined
Shall now my joyful temples bind;
No monarch but would give his crown,
His arms might do what this hath done.

It was my heaven's extremest sphere,
The pale which held that lovely deer:
My joy, my grief, my hope, my love,
Did all within this circle move.

A narrow compass! and yet there
Dwelt all that's good, and all that's fair.
Give me but what this ribbon bound,
Take all the rest the sun goes round!

Edmund Waller.

A NICE CORRESPONDENT!

The glow and the glory are plighted
To darkness, for evening is come;
The lamp in Glebe Cottage is lighted;
The birds and the sheep-bells are dumb.
I'm alone at my casement, for Pappy
Is summoned to dinner at Kew:
I'm alone, my dear Fred, but I'm happy,—
I'm thinking of you.

I wish you were here. Were I duller
Than dull, you'd be dearer than dear;
I am dressed in your favorite color,—
Dear Fred, how I wish you were here!
I am wearing my lazuli necklace,
The necklace you fastened askew!
Was there ever so rude or so reckless
A darling as you?

I want you to come and pass sentence
On two or three books with a plot;
Of course you know "Janet's Repentance"?
I'm reading Sir Waverley Scott,
The story of Edgar and Lucy,
How thrilling, romantic, and true;
The master (his bride was a goosey!)
Reminds me of you.

To-day, in my ride, I've been crowning
The beacon; its magic still lures,
For up there you discoursed about Browning,
That stupid old Browning of yours.
His vogue and his verve are alarming,
I'm anxious to give him his due;
But, Fred, he's not nearly so charming
A poet as you.

I heard how you shot at The Beeches,
I saw how you rode Chanticleer,
I have read the report of your speeches,
And echoed the echoing cheer.
There's a whisper of hearts you are breaking,—
I envy their owners, I do!
Small marvel that Fortune is making
Her idol of you.

Alas for the world, and its dearly
Bought triumph, and fugitive bliss!
Sometimes I half wish I were merely
A plain or a penniless miss;
But perhaps one is best with a measure
Of pelf, and I'm not sorry, too,
That I'm pretty, because it's a pleasure,
My dearest, to you.

Your whim is for frolic and fashion,
Your taste is for letters and art;
This rhyme is the commonplace passion
That glows in a fond woman's heart.
Lay it by in a dainty deposit
For relics,—we all have a few!—
Love, some day they'll print it, because it
Was written to you.

Frederick Locker.

THE COURTIN'.

God makes sech nights, all white an' still
Fur'z you can look or listen.
Moonshine an' snow on field an' hill,
All silence an' all glisten.

Zekle crep' up quite unbeknown
An' peeked in thru' the winder,
An' there sot Huldy all alone,
'Ith no one nigh to hender.

A fireplace filled the room's one side
With half a cord o' wood in,—
There warn't no stoves (tell comfort died)
To bake ye to a puddin'.

The wa'nut logs shot sparkles out
Towards the pootiest, bless her!
An' leetle flames danced all about
The chiny on the dresser.

Agin the chimbley crook-necks hung,
An' in amongst 'em rusted
The ole queen's arm thet Gran'ther Young
Fetched back from Concord busted.

The very room, coz she was in,
Seemed warm from floor to ceilin',
An' she looked full ez rosy agin
Ez the apples she was peelin'.

'Twas kin' o' kingdom-come to look
On sech a blesséd cretur.
A dog-rose blushin' to a brook
Ain't modester nor sweeter.

He was six foot o' man, Al,
Clean grit an' human natur';
None couldn't quicker pitch a ton
Nor dror a furrer straighter.

He'd sparked it with full twenty gals,
He'd squired 'em, danced 'em, druv 'em,
Fust this one, an' then thet, by spells,—
All is, he couldn't love 'em.

But long o' her his veins 'ould run
All crinkly like curled maple,
The side she breshed felt full o' sun
Ez a south slope in Ap'il.

She thought no v'ice hed sech a swing
Ez hisn in the choir;
My! when he made Ole Hunderd ring,
She knowed the Lord was nigher.

An' she'd blush scarlit, right in prayer,
When her new meetin'-bunnet
Felt somehow thru' its crown a pair
O' blue eyes sot upon it.

Thet night, I tell ye, she looked some!
She seemed to 've gut a new soul,
For she felt sartin-sure he'd come,
Down to her very shoe-sole.

She heered a foot, an' knowed it tu,
A-raspin' on the scraper,—
All ways to once her feelin's flew
Like sparks in burnt-up paper.

He kin' o' l'itered on the mat,
Some doubtfle o' the sekle;
His heart kep' goin' pity-pat,
But hern went pity Zekle.

An' yit she gin her cheer a jerk
Ez though she wished him furder,
An' on her apples kep' to work,
Parin' away like murder.

"You want to see my Pa, I s'pose?"
"Wal ... no ... I come dasignin'"—
"To see my Ma? She's sprinklin' clo'es
Agin to-morrer's i'nin'."

To say why gals acts so or so,
Or don't, 'ould be presumin';
Mebby to mean yes an' say no
Comes nateral to women.

He stood a spell on one foot fust,
Then stood a spell on t' other,
An' on which one he felt the wust
He couldn't ha' told ye nuther.

Says he, "I'd better call agin";
Says she, "Think likely, Mister";
Thet last word pricked him like a pin,
An' ... Wal, he up an' kist her.

When Ma bimeby upon 'em slips,
Huldy sot pale ez ashes,
All kin' o' smily roun' the lips
An' teary roun' the lashes.

For she was jes' the quiet kind
Whose naturs never vary,
Like streams that keep a summer mind
Snowhid in Jenooary.

The blood clost roun' her heart felt glued
Too tight for all expressin',
Tell mother see how metters stood,
And gin 'em both her blessin'.

Then her red come back like the tide
Down to the Bay o' Fundy,
An' all I know is they was cried
In meetin' come nex' Sunday.

James Russell Lowell.

WHEN THE KYE COME HAME.

Come, all ye jolly shepherds,
That whistle through the glen!
I'll tell ye o' a secret
That courtiers dinna ken:
What is the greatest bliss
That the tongue o' man can name?
'Tis to woo a bonnie lassie
When the kye come hame.
When the kye come hame,
When the kye come hame,—
'Tween the gloamin' an' the mirk,
When the kye come hame.

'Tis not beneath the burgonet,
Nor yet beneath the crown;
'Tis not on couch o' velvet,
Nor yet in bed o' down:
'Tis beneath the spreading birk,
In the glen without the name,
Wi' a bonnie bonnie lassie,
When the kye come hame.

There the blackbird bigs his nest
For the mate he lo'es to see,
And on the tapmost bough
O, a happy bird is he!
There he pours his melting ditty,
And love is a' the theme;
And he'll woo his bonnie lassie,
When the kye come hame.

When the blewart bears a pearl,
And the daisy turns a pea,
And the bonnie lucken gowan
Has fauldit up his ee,
Then the laverock, frae the blue lift,
Draps down and thinks nae shame
To woo his bonnie lassie,
When the kye come hame.

See yonder pawky shepherd,
That lingers on the hill:
His yowes are in the fauld,
And his lambs are lying still;
Yet he downa gang to bed,
For his heart is in a flame,
To meet his bonnie lassie
When the kye come hame.

When the little wee bit heart
Rises high in the breast,
And the little wee bit starn
Rises red in the east,
O, there's a joy sae dear
That the heart can hardly frame!
Wi' a bonnie bonnie lassie,
When the kye come hame.

Then since all nature joins
In this love without alloy,
O, wha wad prove a traitor
To nature's dearest joy?
Or wha wad choose a crown,
Wi' its perils an' its fame,
And miss his bonnie lassie,
When the kye come hame?

James Hogg.

THE SPINNING-WHEEL SONG.

Mellow the moonlight to shine is beginning;
Close by the window young Eileen is spinning;
Bent o'er the fire, her blind grandmother, sitting,
Is croaning, and moaning, and drowsily knitting,—
"Eileen, achora, I hear some one tapping."
"'Tis the ivy, dear mother, against the glass flapping."
"Eileen, I surely hear somebody sighing."
"'Tis the sound, mother dear, of the summer wind dying."
Merrily, cheerily, noisily whirring,
Swings the wheel, spins the reel, while the foot's stirring;
Sprightly, and lightly, and airily ringing,
Thrills the sweet voice of the young maiden singing.

"What's that noise that I hear at the window, I wonder?"
"'Tis the little birds chirping the holly-bush under."
"What makes you be shoving and moving your stool on,
And singing all wrong that old song of 'The Coolun'?"
There's a form at the casement,—the form of her true-love,—
And he whispers, with face bent, "I'm waiting for you, love;
Get up on the stool, through the lattice step lightly,
We'll rove in the grove while the moon's shining brightly."
Merrily, cheerily, noisily whirring,
Swings the wheel, spins the reel, while the foot's stirring;
Sprightly, and lightly, and airily ringing,
Thrills the sweet voice of the young maiden singing.

The maid shakes her head, on her lip lays her fingers,
Steals up from her seat,—longs to go, and yet lingers;
A frightened glance turns to her drowsy grandmother,
Puts one foot on the stool, spins the wheel with the other.
Lazily, easily, swings now the wheel round;
Slowly and lowly is heard now the reel's sound;
Noiseless and light to the lattice above her
The maid steps,—then leaps to the arms of her lover.
Slower—and slower—and slower the wheel swings;
Lower—and lower—and lower the reel rings;
Ere the reel and the wheel stop their ringing and moving,
Through the grove the young lovers by moonlight are roving.

John Francis Waller.

SHE WALKS IN BEAUTY.

She walks in beauty like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meets in her aspect and her eyes;
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent.

Lord Byron.

THE WELCOME.

Come in the evening, or come in the morning;
Come when you're looked for, or come without warning;
Kisses and welcome you'll find here before you,
And the oftener you come here the more I'll adore you!
Light is my heart since the day we were plighted;
Red is my cheek that they told me was blighted;
The green of the trees looks far greener than ever,
And the linnets are singing, "True lovers don't sever!"

I'll pull you sweet flowers, to wear if you choose them!
Or, after you've kissed them, they'll lie on my bosom;
I'll fetch from the mountain its breeze to inspire you;
I'll fetch from my fancy a tale that won't tire you.
O, your step's like the rain to the summer-vexed farmer,
Or sabre and shield to a knight without armor;
I'll sing you sweet songs till the stars rise above me,
Then, wandering, I'll wish you, in silence, to love me.

We'll look through the trees at the cliff and the eyry;
We'll tread round the rath on the track of the fairy;
We'll look on the stars, and we'll list to the river,
Till you ask of your darling what gift you can give her,—
O, she'll whisper you, "Love, as unchangeably beaming,
And trust, when in secret, most tunefully streaming;
Till the starlight of heaven above us shall quiver,
As our souls flow in one down eternity's river."

So come in the evening, or come in the morning:
Come when you're looked for, or come without warning;
Kisses and welcome you'll find here before you,
And the oftener you come here the more I'll adore you!
Light is my heart since the day we were plighted;
Red is my cheek that they told me was blighted;
The green of the trees looks far greener than ever,
And the linnets are singing, "True lovers don't sever!"

Thomas Davis.

THE BROOKSIDE.

I wandered by the brookside,
I wandered by the mill;
I could not hear the brook flow,—
The noisy wheel was still.
There was no burr of grasshopper,
No chirp of any bird,
But the beating of my own heart
Was all the sound I heard.

I sat beneath the elm-tree:
I watched the long, long shade,
And, as it grew still longer,
I did not feel afraid;
For I listened for a footfall,
I listened for a word,—
But the beating of my own heart
Was all the sound I heard.

He came not,—no, he came not,—
The night came on alone,—
The little stars sat one by one,
Each on his golden throne;
The evening wind passed by my cheek,
The leaves above were stirred,—
But the beating of my own heart
Was all the sound I heard.

Fast, silent tears were flowing,
When something stood behind:
A hand was on my shoulder,—
I knew its touch was kind:
It drew me nearer—nearer—
We did not speak one word,
For the beating of our own hearts
Was all the sound we heard.

Richard Monckton Milnes.

MARIANA.

"Mariana in the moated grange."—Measure for Measure.

With blackest moss the flower-pots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the peach to the garden-wall.
The broken sheds looked sad and strange:
Unlifted was the clinking latch:
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seemed to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

About a stone-cast from the wall
A sluice with blackened waters slept,
And o'er it many, round and small,
The clustered marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarléd bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low,
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creaked;
The blue-fly sung i' the pane; the mouse
Behind the mouldering wainscot shrieked,
Or from the crevice peered about.
Old faces glimmered through the doors,
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then said she, "I am very dreary,
He will not come," she said;
She wept, "I am aweary, aweary,
O God, that I were dead!"

Alfred Tennyson.

BUGLE-SONG.

The splendor falls on castle walls
And snowy summits old in story;
The long light shakes across the lakes,
And the wild cataract leaps in glory.
Blow, bugle, blow, set the wild echoes flying,
Blow, bugle; answer, echoes, dying, dying, dying.

O hark, O hear! how thin and clear,
And thinner, clearer, farther going!
O sweet and far from cliff and scar
The horns of Elfland faintly blowing!
Blow, let us hear the purple glens replying:
Blow, bugle; answer, echoes, dying, dying, dying.

O love, they die in yon rich sky,
They faint on hill or field or river:
Our echoes roll from soul to soul,
And grow forever and forever.
Blow, bugle, blow, set the wild echoes flying,
And answer, echoes, answer, dying, dying, dying.

Alfred Tennyson.

SERENADE.

Stars of the summer night!
Far in yon azure deeps,
Hide, hide your golden light!
She sleeps!
My lady sleeps!
Sleeps!

Moon of the summer night!
Far down yon western steeps,
Sink, sink in silver light!
She sleeps!
My lady sleeps!
Sleeps!

Wind of the summer night!
Where yonder woodbine creeps,
Fold, fold thy pinions light!
She sleeps!
My lady sleeps!
Sleeps!

Dreams of the summer night!
Tell her, her lover keeps
Watch, while in slumbers light
She sleeps!
My lady sleeps!
Sleeps!

Henry Wadsworth Longfellow.

LINES TO AN INDIAN AIR.

I arise from dreams of thee,
In the first sweet sleep of night,
When the winds are breathing low,
And the stars are shining bright;
I arise from dreams of thee,
And a spirit in my feet
Has led me,—who knows how?
To thy chamber-window, sweet!

The wandering airs they faint
On the dark, the silent stream,—
The champak odors fail,
Like sweet thoughts in a dream.
The nightingale's complaint
It dies upon her heart,
As I must die on thine,
O beloved as thou art!

O lift me from the grass!
I die, I faint, I fail.
Let thy love in kisses rain
On my lips and eyelids pale.
My cheek is cold and white, alas!
My heart beats loud and fast.
Oh! press it close to thine again,
Where it will break at last.

Percy Bysshe Shelley.

NOT FAR TO GO.

As upland fields were sunburnt brown,
And heat-dried brooks were running small,
And sheep were gathered, panting all,
Below the hawthorn on the down,—
The while my mare, with dipping head,
Pulled on my cart above the bridge,—
I saw come on, beside the ridge,
A maiden white in skin and thread,
And walking, with an elbow-load,
The way I drove along my road.

As there with comely steps up hill
She rose by elm-trees all in ranks,
From shade to shade, by flowery banks,
Where flew the bird with whistling bill,
I kindly said, "Now won't you ride,
This burning weather, up the knap?
I have a seat that fits the trap,
And now is swung from side to side."
"O no," she cried, "I thank you, no.
I've little farther now to go."

Then, up the timbered slope, I found
The prettiest house a good day's ride
Would bring you by, with porch and side
By rose and jessamine well bound;
And near at hand a spring and pool,
With lawn well sunned and bower cool;
And while the wicket fell behind
Her steps, I thought, "If I would find
A wife I need not blush to show,
I've little farther now to go."

William Barnes.

MAID OF ATHENS, ERE WE PART.

Maid of Athens, ere we part,
Give, O give me back my heart!
Or, since that has left my breast,
Keep it now, and take the rest!
Hear my vow before I go,
Ζώη μοϋ σάς αγαπώ.

By those tresses unconfined,
Wooed by each Ægean wind;
By those lids whose jetty fringe
Kiss thy soft cheeks' blooming tinge;
By those wild eyes like the roe,
Ζώη μοϋ σάς αγαπώ.

By that lip I long to taste;
By that zone-encircled waist;
By all the token-flowers that tell
What words can never speak so well;
By love's alternate joy and woe,
Ζώη μοϋ σάς αγαπώ.

Maid of Athens! I am gone.
Think of me, sweet! when alone.
Though I fly to Istambol,
Athens holds my heart and soul:
Can I cease to love thee? No!
Ζώη μοϋ σάς αγαπώ.

Lord Byron.

COME, REST IN THIS BOSOM.

Come, rest in this bosom, my own stricken deer:
Though the herd have fled from thee, thy home is still here;
Here still is the smile that no cloud can o'ercast,
And a heart and a hand all thy own to the last.

Oh! what was love made for, if 't is not the same
Through joy and through torment, through glory and shame?
I know not, I ask not, if guilt's in that heart,
I but know that I love thee, whatever thou art.

Thou hast called me thy Angel in moments of bliss,
And thy Angel I 'll be, 'mid the horrors of this,
Through the furnace, unshrinking, thy steps to pursue,
And shield thee, and save thee,—or perish there too!

Thomas Moore.

A WOMAN'S QUESTION.

Before I trust my fate to thee,
Or place my hand in thine,
Before I let thy future give
Color and form to mine,
Before I peril all for thee,
Question thy soul to-night for me.

I break all slighter bonds, nor feel
A shadow of regret:
Is there one link within the past
That holds thy spirit yet?
Or is thy faith as clear and free
As that which I can pledge to thee?

Does there within thy dimmest dreams
A possible future shine,
Wherein thy life could henceforth breathe,
Untouched, unshared by mine?
If so, at any pain or cost,
O, tell me before all is lost!

Look deeper still: if thou canst feel,
Within thy inmost soul,
That thou hast kept a portion back,
While I have staked the whole,
Let no false pity spare the blow,
But in true mercy tell me so.

Is there within thy heart a need
That mine cannot fulfil?
One chord that any other hand
Could better wake or still?
Speak now, lest at some future day
My whole life wither and decay.

Lives there within thy nature hid
The demon-spirit, change,
Shedding a passing glory still
On all things new and strange?
It may not be thy fault alone,—
But shield my heart against thine own.

Couldst thou withdraw thy hand one day
And answer to my claim,
That fate, and that to-day's mistake,—
Not thou,—had been to blame?
Some soothe their conscience thus; but thou
Wilt surely warn and save me now.

Nay, answer not,—I dare not hear,—
The words would come too late;
Yet I would spare thee all remorse,
So comfort thee, my fate:
Whatever on my heart may fall,
Remember, I would risk it all!

Adelaide Anne Procter.

SONNETS.

When forty winters shall besiege thy brow,
And dig deep trenches in thy beauty's field,
Thy youth's proud livery, so gazed on now,
Will be a tattered weed, of small worth held:
Then being asked where all thy beauty lies,
Where all the treasure of thy lusty days;
To say, within thine own deep-sunken eyes,
Were an all-eating shame, and thriftless praise.
How much more praise deserved thy beauty's use,
If thou couldst answer,—"This fair child of mine
Shall sum my count, and make my old excuse—"
Proving his beauty by succession thine.
This were to be new-made when thou art old,
And see thy blood warm when thou feel'st it cold.

When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls all silvered o'er with white;
When lofty trees I see barren of leaves,
Which erst from heat did canopy the herd,
And summer's green all girded up in sheaves,
Borne on the bier with white and bristly beard;
Then, of thy beauty do I question make,
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake,
And die as fast as they see others grow;
And nothing 'gainst Time's scythe can make defence,
Save breed, to brave him, when he takes thee hence.

My glass shall not persuade me I am old,
So long as youth and thou are of one date;
But when in thee Time's furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me;
How can I then be elder than thou art?
O therefore, love, be of thyself so wary,
As I not for myself but for thee will;
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
Presume not on thy heart when mine is slain;
Thou gav'st me thine, not to give back again.

As an unperfect actor on the stage,
Who with his fear is put beside his part,
Or some fierce thing replete with too much rage,
Whose strength's abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love's rite,
And in mine own love's strength seem to decay,
O'ercharged with burthen of mine own love's might.
O let my books be then the eloquence
And dumb presagers of my speaking breast;
Who plead for love, and look for recompense,
More than that tongue that more hath more expressed.
O learn to read what silent love hath writ:
To hear with eyes belongs to love's fine wit.

Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature's changing coarse, untrimmed;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest;
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.

William Shakespeare.

LOVE NOT.

Love not, love not! ye hapless sons of clay!
Hope's gayest wreaths are made of earthly flowers,—
Things that are made to fade and fall away
Ere they have blossomed for a few short hours.
Love not!

Love not! the thing ye love may change;
The rosy lip may cease to smile on you,
The kindly-beaming eye grow cold and strange,
The heart still warmly beat, yet not be true.
Love not!

Love not! the thing you love may die,—
May perish from the gay and gladsome earth;
The silent stars, the blue and smiling sky,
Beam o'er its grave, as once upon its birth.
Love not!

Love not! O warning vainly said
In present hours as in years gone by!
Love flings a halo round the dear ones' head,
Faultless, immortal, till they change or die.
Love not!

Caroline Norton.

AE FOND KISS.

Ae fond kiss, and then we sever!
Ae fareweel, alas! forever!
Deep in heart-wrung tears I'll pledge thee;
Warring sighs and groans I'll wage thee.
Who shall say that Fortune grieves him,
While the star of hope she leaves him?
Me, nae cheerfu' twinkle lights me;
Dark despair around benights me.

I'll ne'er blame my partial fancy,—
Naething could resist my Nancy:
But to see her was to love her,
Love but her, and love forever.
Had we never loved sae kindly,
Had we never loved sae blindly,
Never met,—or never parted,
We had ne'er been broken-hearted.

Fare thee weel, thou first and fairest!
Fare thee weel, thou best and dearest!
Thine be ilka joy and treasure,
Peace, enjoyment, love, and pleasure!
Ae fond kiss, and then we sever!
Ae fareweel, alas! forever!
Deep in heart-wrung tears I'll pledge thee;
Warring sighs and groans I'll wage thee.

Robert Burns.

BREAK, BREAK, BREAK.

Break, break, break,
On thy cold gray stones, O sea!
And I would that my tongue could utter
The thoughts that arise in me.

O well for the fisherman's boy
That he shouts with his sister at play!
O well for the sailor lad
That he sings in his boat on the bay!

And the stately ships go on,
To the haven under the hill;
But O for the touch of a vanished hand,
And the sound of a voice that is still!

Break, break, break,
At the foot of thy crags, O sea!
But the tender grace of a day that is dead
Will never come back to me.

Alfred Tennyson.

ASTARTE.

When the latest strife is lost, and all is done with,
Ere we slumber in the spirit and the brain,
We drowse back, in dreams, to days that life begun with,
And their tender light returns to us again.

I have cast away the tangle and the torment
Of the cords that bound my life up in a mesh;
And the pulse begins to throb that long lay dormant
'Neath their pressure; and the old wounds bleed afresh.

I am touched again with shades of early sadness,
Like the summer-cloud's light shadow in my hair;
I am thrilled again with breaths of boyish gladness,
Like the scent of some last primrose on the air.

And again she comes, with all her silent graces,
The lost woman of my youth, yet unpossessed;
And her cold face so unlike the other faces
Of the women whose dead lips I since have pressed.

The motion and the fragrance of her garments
Seem about me, all the day long, in the room;
And her face, with its bewildering old endearments,
Comes at night, between the curtains, in the gloom.

When vain dreams are stirred with sighing, near the morning,
To my own her phantom lips I feel approach;
And her smile, at eve, breaks o'er me without warning
From its speechless, pale, perpetual reproach.

When life's dawning glimmer yet had all the tint there
Of the orient, in the freshness of the grass
(Ah, what feet since then have trodden out the print there!)
Did her soft, her silent footsteps fall, and pass.

They fell lightly, as the dew falls, 'mid ungathered
Meadow-flowers, and lightly lingered with the dew.
But the dew is gone, the grass is dried and withered,
And the traces of those steps have faded too.

Other footsteps fall about me,—faint, uncertain,
In the shadow of the world, as it recedes;
Other forms peer through the half-uplifted curtain
Of that mystery which hangs behind the creeds.

What is gone, is gone forever. And new fashions
May replace old forms which nothing can restore;
But I turn from sighing back departed passions,
With that pining at the bosom as of yore.

I remember to have murmured, morn and even,
"Though the Earth dispart these Earthlies, face from face,
Yet the Heavenlies shall surely join in Heaven,
For the spirit hath no bonds in time or space.

"Where it listeth, there it bloweth; all existence
Is its region; and it houseth where it will.
I shall feel her through immeasurable distance,
And grow nearer and be gathered to her still.

"If I fail to find her out by her gold tresses,
Brows, and breast, and lips, and language of sweet strains,
I shall know her by the traces of dead kisses,
And that portion of myself which she retains."

But my being is confused with new experience,
And changed to something other than it was;
And the Future with the Past is set at variance;
And Life falters with the burthens which it has.

Earth's old sins press fast behind me, weakly wailing;
Faint before me fleets the good I have not done;
And my search for her may still be unavailing
'Mid the spirits that have passed beyond the sun.

Robert Bulwer Lytton.

MY HEID IS LIKE TO REND, WILLIE.

My heid is like to rend, Willie,
My heart is like to break;
I'm wearin' aff my feet, Willie,
I'm dyin' for your sake!
O, lay your cheek to mine, Willie,
Your hand on my briest-bane,—
O, say ye'll think on me, Willie,
When I am deid and gane!

It's vain to comfort me, Willie,
Sair grief maun ha'e its will;
But let me rest upon your briest
To sab and greet my fill.
Let me sit on your knee, Willie,
Let me shed by your hair,
And look into the face, Willie,
I never sall see mair!

I'm sittin' on your knee, Willie,
For the last time in my life,—
A puir heart-broken thing, Willie,
A mither, yet nae wife.
Ay, press your hand upon my heart,
And press it mair and mair,
Or it will burst the silken twine,
Sae strang is its despair.

O, wae's me for the hour, Willie,
When we thegither met,—
O, wae's me for the time, Willie,
That our first tryst was set!
O, wae's me for the loanin' green
Where we were wont to gae,—
And wae's me for the destinie
That gart me luve thee sae!

O, dinna mind my words, Willie,
I downa seek to blame;
But O, it's hard to live, Willie,
And dree a warld's shame!
Het tears are hailin' ower your cheek,
And hailin' ower your chin;
Why weep ye sae for worthlessness,
For sorrow, and for sin?

I'm weary o' this warld, Willie,
And sick wi' a' I see,
I canna live as I ha'e lived,
Or be as I should be.
But fauld unto your heart, Willie,
The heart that still is thine,
And kiss ance mair the white, white cheel
Ye said was red langsyne.

A stoun' gaes through my heid, Willie,
A sair stoun' through my heart;
O, haud me up and let me kiss
Thy brow ere we twa pairt.
Anither, and anither yet!—
How fast my life-strings break!—
Fareweel! fareweel! through yon kirk-yard
Step lichtly for my sake!

The laverock in the lift, Willie,
That lilts far ower our heid,
Will sing the morn as merrilie
Abune the clay-cauld deid;
And this green turf we're sittin' on,
Wi' dew-draps shimmerin' sheen,
Will hap the heart that luvit thee
As warld has seldom seen.

But O, remember me, Willie,
On land where'er ye be;
And O, think on the leal, leal heart,
That ne'er luvit ane but thee!
And O, think on the cauld, cauld mools
That file my yellow hair,
That kiss the cheek, and kiss the chin
Ye never sall kiss mair!

William Motherwell.

THE MANGO TREE.

He wiled me through the furzy croft;
He wiled me down the sandy lane;
He told his boy's love, soft and oft,
Until I told him mine again.

We married, and we sailed the main,—
A soldier, and a soldier's wife.
We marched through many a burning plain;
We sighed for many a gallant life.

But his—God keep it safe from harm.
He toiled, and dared, and earned command,
And those three stripes upon his arm
Were more to me than gold or land.

Sure he would win some great renown;
Our lives were strong, our hearts were high.
One night the fever struck him down.
I sat, and stared, and saw him die.

I had his children,—one, two, three.
One week I had them, blithe and sound.
The next—beneath this mango tree
By him in barrack burying-ground.

I sit beneath the mango shade;
I live my five years' life all o'er,—
Round yonder stems his children played;
He mounted guard at yonder door.

'Tis I, not they, am gone and dead.
They live, they know, they feel, they see.
Their spirits light the golden shade
Beneath the giant mango tree.

All things, save I, are full of life:
The minas, pluming velvet breasts;
The monkeys, in their foolish strife;
The swooping hawks, the swinging nests;

The lizards basking on the soil;
The butterflies who sun their wings;
The bees about their household toil;—
They live, they love, the blissful things!

Each tender purple mango shoot,
That folds and droops so bashful down,
It lives, it sucks some hidden root,
It rears at last a broad green crown.

It blossoms: and the children cry,
"Watch when the mango apples fall."
It lives; but rootless, fruitless, I,—
I breathe and dream,—and that is all.

Thus am I dead, yet cannot die;
But still within my foolish brain
There hangs a pale blue evening sky,
A furzy croft, a sandy lane.

Charles Kingsley.

TO MARY IN HEAVEN.

Thou lingering star, with lessening ray,
That lov'st to greet the early morn,
Again thou usherest in the day
My Mary from my soul was torn.
O Mary! dear departed shade!
Where is thy place of blissful rest?
See'st thou thy lover lowly laid?
Hear'st thou the groans that rend his breast?

That sacred hour can I forget,
Can I forget the hallowed grove,
Where by the winding Ayr we met,
To live one day of parting love?
Eternity will not efface
Those records dear of transports past;
Thy image at our last embrace;
Ah! little thought we 'twas our last!

Ayr gurgling kissed his pebbled shore,
O'erhung with wild woods, thickening green;
The fragrant birch, and hawthorn hoar,
Twined amorous round the raptured scene;
The flowers sprang wanton to be pressed,
The birds sang love on every spray,—
Till too, too soon, the glowing west
Proclaimed the speed of wingéd day.

Still o'er these scenes my memory wakes,
And fondly broods with miser care!
Time but the impression deeper makes,
As streams their channels deeper wear.
My Mary, dear departed shade!
Where is thy place of blissful rest?
See'st thou thy lover lowly laid?
Hear'st thou the groans that rend his breast?

Robert Burns.

A SONG FOR SEPTEMBER.

September strews the woodland o'er
With many a brilliant color;
The world is brighter than before,—
Why should our hearts be duller?
Sorrow and the scarlet leaf,
Sad thoughts and sunny weather!
Ah me! this glory and this grief
Agree not well together.

This is the parting season,—this
The time when friends are flying;
And lovers now, with many a kiss,
Their long farewells are sighing.
Why is Earth so gayly dressed?
This pomp, that Autumn beareth,
A funeral seems where every guest
A bridal garment weareth.

Each one of us, perchance, may here,
On some blue morn hereafter,
Return to view the gaudy year,
But not with boyish laughter.
We shall then be wrinkled men,
Our brows with silver laden,
And thou this glen may'st seek again,
But nevermore a maiden!

Nature perhaps foresees that Spring
Will touch her teeming bosom,
And that a few brief months will bring
The bird, the bee, the blossom;
Ah! these forests do not know—
Or would less brightly wither—
The virgin that adorns them so
Will nevermore come hither!

Thomas William Parsons.

OFT IN THE STILLY NIGHT.