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THE BEST SHORT STORIES OF 1921

AND THE

YEARBOOK OF THE AMERICAN SHORT STORY

EDITED BY

EDWARD J. O'BRIEN

EDITOR OF "THE BEST SHORT STORIES OF 1915"
"THE BEST SHORT STORIES OF 1916"
"THE BEST SHORT STORIES OF 1917"
"THE BEST SHORT STORIES OF 1918"
"THE BEST SHORT STORIES OF 1919"
"THE BEST SHORT STORIES OF 1920"
"THE GREAT MODERN ENGLISH STORIES," ETC

BOSTON
SMALL, MAYNARD & COMPANY
PUBLISHERS

Copyright, 1920, by John T. Frederick, Charles J. Finger, The Dial Publishing Company, Inc., Charles Scribner's Sons, The International Magazine Company, Harper & Brothers, and Smart Set Company, Inc.

Copyright, 1921, by The Boston Transcript Company.

Copyright, 1921, by B.W. Huebsch, The Century Company, John T. Frederick, George H. Doran Company, The Dial Publishing Company, Inc., The Pictorial Review Company, The Curtis Publishing Company, The Crowell Publishing Company, Harper & Brothers, Charles Scribner's Sons, The International Magazine Company, and Smart Set Company, Inc.

Copyright, 1921, by Boni & Liveright, Inc.

Copyright, 1922, by Maxwell Struthers Burt, George H. Doran Co., Lincoln Colcord, Waldo Frank, Katharine Fullerton Gerould, Doubleday, Page & Co., Glasgow, Susan Glaspell Cook, Richard Matthews Hallet, Frances Noyes Hart, Fannie Hurst, Manuel Komroff, Frank Luther Mott, Vincent O'Sullivan, Wilbur Daniel Steele, Harriet Maxon Thayer, Charles Hanson Towne, and Mary Heaton Minor.

Copyright, 1922, by Small, Maynard & Company, Inc.

PRINTED IN THE UNITED STATES OF AMERICA

PRESS OF THE MURRAY PRINTING COMPANY
KENDALL SQUARE, CAMBRIDGE

TO A.E. COPPARD

BY WAY OF ACKNOWLEDGMENT

Grateful acknowledgment for permission to include the stories and other material in this volume is made to the following authors, editors and publishers:

To the Editor of The Century Magazine, the Editor of The Bookman, the Editor of The Dial, the Editor of The Pictorial Review, the Editor of The Saturday Evening Post, the Editor of The American Magazine, the Editor of Scribner's Magazine, the Editor of Good Housekeeping, the Editor of Harper's Magazine, the Editor of The Cosmopolitan, the Editors of The Smart Set, The Editor of The Midland, Boni & Liveright, Inc., George H. Doran Co., B.W. Huebsch, Doubleday, Page & Co., Sherwood Anderson, Konrad Bercovici, Maxwell Struthers Burt, Irvin S. Cobb, Lincoln Colcord, Charles J. Finger, Waldo Frank, Katharine Fullerton Gerould, Ellen Glasgow, Susan Glaspell, Richard Matthews Hallet, Frances Noyes Hart, Fannie Hurst, Manuel Komroff, Frank Luther Mott, Vincent O'Sullivan, Wilbur Daniel Steele, Harriet Maxon Thayer, Charles Hanson Towne, and Mary Heaton Vorse.

Acknowledgments are specially due to The Boston Evening Transcript for permission to reprint the large body of material previously published in its pages.

I shall be grateful to my readers for corrections, and particularly for suggestions leading to the wider usefulness of this annual volume. In particular, I shall welcome the receipt, from authors, editors, and publishers, of stories printed during the period between October, 1921 and September, 1922 inclusive, which have qualities of distinction and yet are not printed in periodicals falling under my regular notice. Such communications may be addressed to me at Forest Hill, Oxfordshire, England.

E.J.O.

CONTENTS[1]

INTRODUCTION

I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English writers during the past three years. He asked me a remarkable question, and the answer which I gave him suggested certain contrasts which seemed to me of basic importance for us all. He said: "I have been reading books by Sherwood Anderson, Waldo Frank and Ben Hecht and Konrad Bercovici and Joseph Hergesheimer, and I can see that they are important books, but I feel that the essential point to which all this newly awakened literary consciousness is tending has somehow subtly eluded me. American and English writers both use the same language, and so do Scotch and Irish writers, but I am not puzzled when I read Scotch and Irish books as I am when I read these new American books. Why is it?"

I had to think for a moment, and then the obvious answer occurred to me. I told him that I thought the reason for his moderate bewilderment was due to the fact that the Englishman or the Scotchman or the Irishman living at home was writing out of a background of racial memory and established tradition which was very much all of one piece, and that all such an artist's unspoken implications and subtleties could be easily taken for granted by his readers, and more or less thoroughly understood, because they were elements in harmony with a tolerably fixed and ordered world.

I added that this was more or less true of the American writer up to a date roughly coinciding with that of the Chicago World's Fair in 1892. During the thirty years more or less which have elapsed since that date, there has been an ever widening seething maelstrom of cross currents thrusting into more and more powerful conflict from year to year the contributory elements brought to a new potential American culture by the dynamic creative energies, physical and spiritual, of many races.

My suggestion to Mr. Coppard was that gradually the Anglo-Saxon, to take the most readily understandable instance, was beginning to absorb large tracts of many other racial fields of memory, and to share the experience of Scandinavian and Russian and German and Italian, of Polish and Irish and African and Asian members of the body politic, and that all these widening tracts of remembered racial experience interacting upon one another under the tremendous pressure of our nervous, keen, and eager industrial civilization had set up a new chaos in many creative minds. I said that Mr. Anderson and the others, half consciously and half unconsciously, were trying to create worlds out of each separate chaos, living dangerously, as Nietzsche advised, and fusing their conceptions at a certain calculated temperature in artistic crucibles of their own devising.

Mr. Coppard said that he quite saw that, but added that the particular meaning in each case more or less escaped him. And then I ventured to suggest that these meanings were more important for Americans at the present stage than for Europeans, because American minds would grasp readily at suggestions that harmonized with their own spiritual pasts, and seize instinctive relations and congruities which had previously escaped them in their experience, and so begin to formulate from these books new intuitive laws. I suggested, moreover, that from the point of view of the great artist these books were all more or less magnificent failures which were creating, little by little, out of the shock of conflict an ultimate harmony, out of which the great book for which we are all waiting in America might come ten years from now, or five years, or even tomorrow.

To this he replied that he felt I had supplied the clue which had baffled him, and asked me if I did not discover a chaos of a different sort in English life and literature since the armistice. I agreed that I did discover such a chaos, but that it seemed to me a chaos which was an end rather than a beginning, a chaos in which the Tower of Babel had fallen, and men had come to babble with more and more complete dissociation of ideas, or else, on the other hand, were clinging desperately to such literary and social traditions as had been left, while their work froze into a new Augustanism comparable to that of the early years of the eighteenth century.

Next year, in conjunction with John Cournos, I shall begin in a parallel series of volumes with the present series, to present my annual study of the English case. Meanwhile, for the present, I deal once more with that American chaos in which I have unbounded and ultimate faith. From now on I should like to take as my motto almost the last paragraph written by Walt Whitman before he died: "The Highest said: Don't let us begin so low—isn't our range too coarse—too gross?—The Soul answer'd: No, not when we consider what it is all for—the end involved in Time and Space." Or, as the old Dutch flour-miller put it more briefly: "I never bother myself what road the folks come—I only want good wheat and rye."

To repeat what I have said in these pages in previous years, for the benefit of the reader as yet unacquainted with my standards and principles of selection, I shall point out that I have set myself the task of disengaging the essential human qualities in our contemporary fiction which, when chronicled conscientiously by our literary artists, may fairly be called a criticism of life. I am not at all interested in formulæ, and organized criticism at its best would be nothing more than dead criticism, as all dogmatic interpretation of life is always dead. What has interested me, to the exclusion of other things, is the fresh, living current which flows through the best American work, and the psychological and imaginative reality which American writers have conferred upon it.

No substance is of importance in fiction, unless it is organic substance, that is to say, substance in which the pulse of life is beating. Inorganic fiction has been our curse in the past, and bids fair to remain so, unless we exercise much greater artistic discrimination than we display at present.

The present record covers the period from October 1920, to September 1921, inclusive. During this period, I have sought to select from the stories published in American magazines those which have rendered life imaginatively in organic substance and artistic form. Substance is something achieved by the artist in every act of creation, rather than something already present, and accordingly a fact or group of facts in a story only attain substantial embodiment when the artist's power of compelling imaginative persuasion transforms them into a living truth. The first test of a short story, therefore, in any qualitative analysis is to report upon how vitally compelling the writer makes his selected facts or incidents. This test may be conveniently called the test of substance.

But a second test is necessary if the story is to take rank above other stories. The true artist will seek to shape this living substance into the most beautiful and satisfying form, by skilful selection and arrangement of his materials, and by the most direct and appealing presentation of it in portrayal and characterization.

The short stories which I have examined in this study, as in previous years, have fallen naturally into four groups. The first consists of those stories which fail, in my opinion, to survive either the test of substance or the test of form. These stories are listed in the year book without comment or a qualifying asterisk. The second group consists of those stories which may fairly claim that they survive either the test of substance or the test of form. Each of these stories may claim to possess either distinction of technique alone, or more frequently, I am glad to say, a persuasive sense of life in them to which a reader responds with some part of his own experience. Stories included in this group are indicated in the yearbook index by a single asterisk prefixed to the title.

The third group, which is composed of stories of still greater distinction, includes such narratives as may lay convincing claim to a second reading, because each of them has survived both tests, the test of substance and the test of form. Stories included in this group are indicated in the yearbook index by two asterisks prefixed to the title.

Finally, I have recorded the names of a small group of stories which possess, I believe, the even finer distinction of uniting genuine substance and artistic form in a closely woven pattern with such sincerity that these stories may fairly claim a position in American literature. If all of these stories by American authors were republished, they would not occupy more space than five novels of average length. My selection of them does not imply the critical belief that they are great stories. A year which produced one great story would be an exceptional one. It is simply to be taken as meaning that I have found the equivalent of five volumes worthy of republication among all the stories published during the period under consideration. These stories are indicated in the yearbook index by three asterisks prefixed to the title, and are listed in the special "Roll of Honor." In compiling these lists I have permitted no personal preference or prejudice to consciously influence my judgment. To the titles of certain stories, however, in the "Rolls of Honor," an asterisk is prefixed, and this asterisk, I must confess, reveals in some measure a personal preference, for which, perhaps, I may be indulged. It is from this final short list that the stories reprinted in this volume have been selected.

It has been a point of honor with me not to republish a story by an English author or by any foreign author. I have also made it a rule not to include more than one story by an individual author in the volume. The general and particular results of my study will be found explained and carefully detailed in the supplementary part of the volume.

In past years it has been my pleasure and honor to dedicate the best that I have found in the American magazines as the fruit of my labors to the American artist who, in my opinion, has made the finest imaginative contribution to the short story during the period considered. I take pleasure in recalling the names of Benjamin Rosenblatt, Richard Matthews Hallet, Wilbur Daniel Steele, Arthur Johnson, Anzia Yezierska, and Sherwood Anderson. In my opinion Sherwood Anderson has made this year once more the most permanent contribution to the American short story, but as last year's book is associated with his name, I am happy to dedicate this year's offering to a new and distinguished English artist, A.E. Coppard, to whom the future offers in my opinion a rich harvest of achievement.

EDWARD J. O'BRIEN.

Forest Hill, Oxon, England,
November 23, 1921

THE BEST SHORT STORIES OF 1921

Note.—The order in which the stories in this volume are printed is not intended as an indication of their comparative excellence; the arrangement is alphabetical by authors.

BROTHERS[2]

By SHERWOOD ANDERSON

(From The Bookman)

I am at my house in the country and it is late October. It rains. Back of my house is a forest and in front there is a road and beyond that open fields. The country is one of low hills, flattening suddenly into plains. Some twenty miles away, across the flat country, lies the huge city, Chicago.

On this rainy day the leaves of the trees that line the road before my window are falling like rain, the yellow, red, and golden leaves fall straight down heavily. The rain beats them brutally down. They are denied a last golden flash across the sky. In October leaves should be carried away, out over the plains, in a wind. They should go dancing away.

Yesterday morning I arose at daybreak and went for a walk. There was a heavy fog and I lost myself in it. I went down into the plains and returned to the hills and everywhere the fog was as a wall before me. Out of it trees sprang suddenly, grotesquely, as in a city street late at night people come suddenly out of the darkness into the circle of light under a street lamp. Above there was the light of day forcing itself slowly into the fog. The fog moved slowly. The tops of trees moved slowly. Under the trees the fog was dense, purple. It was like smoke lying in the streets of a factory town.

An old man came up to me in the fog. I know him well. The people here call him insane. "He is a little cracked," they say. He lives alone in a little house buried deep in the forest and has a small dog he carries always in his arms. On many mornings I have met him walking on the road and he has told me of men and women who were his brothers and sisters, his cousins, aunts, uncles, brothers-in-law. The notion has possession of him. He cannot draw close to people near at hand so he gets hold of a name out of a newspaper and his mind plays with it. One morning he told me he was a cousin to the man named Cox who at the time when I write is a candidate for the presidency. On another morning he told me that Caruso the singer had married a woman who was his sister-in-law. "She is my wife's sister," he said, holding the little dog closely. His gray watery eyes looked appealingly up to me. He wanted me to believe. "My wife was a sweet slim girl," he declared. "We lived together in a big house and in the morning walked about arm in arm. Now her sister has married Caruso the singer. He is of my family now." As some one had told me the old man had never been married I went away wondering.

One morning in early September I came upon him sitting under a tree beside a path near his house. The dog barked at me and then ran and crept into his arms. At that time the Chicago newspapers were filled with the story of a millionaire who had got into trouble with his wife because of an intimacy with an actress. The old man told me the actress was his sister. He is sixty years old and the actress whose story appeared in the newspapers is twenty, but he spoke of their childhood together. "You would not realize it to see us now but we were poor then," he said. "It's true. We lived in a little house on the side of a hill. Once when there was a storm the wind nearly swept our house away. How the wind blew. Our father was a carpenter and he built strong houses for other people but our own house he did not build very strongly." He shook his head sorrowfully. "My sister the actress has got into trouble. Our house is not built very strongly," he said as I went away along the path.

For a month, two months, the Chicago newspapers, that are delivered every morning in our village, have been filled with the story of a murder. A man there has murdered his wife and there seems no reason for the deed. The tale runs something like this—

The man, who is now on trial in the courts and will no doubt be hanged, worked in a bicycle factory where he was a foreman, and lived with his wife and his wife's mother in an apartment in Thirty-Second Street. He loved a girl who worked in the office of the factory where he was employed. She came from a town in Iowa and when she first came to the city lived with her aunt who has since died. To the foreman, a heavy stolid-looking man with gray eyes, she seemed the most beautiful woman in the world. Her desk was by a window at an angle of the factory, a sort of wing of the building, and the foreman, down in the shop, had a desk by another window. He sat at his desk making out sheets containing the record of the work done by each man in his department. When he looked up he could see the girl sitting at work at her desk. The notion got into his head that she was peculiarly lovely. He did not think of trying to draw close to her or of winning her love. He looked at her as one might look at a star or across a country of low hills in October when the leaves of the trees are all red and yellow gold. "She is a pure, virginal thing," he thought vaguely. "What can she be thinking about as she sits there by the window at work?"

In fancy the foreman took the girl from Iowa home with him to his apartment in Thirty-Second Street and into the presence of his wife and his mother-in-law. All day in the shop and during the evening at home he carried her figure about with him in his mind. As he stood by a window in his apartment and looked out toward the Illinois Central railroad tracks and beyond the tracks to the lake, the girl was there beside him. Down below women walked in the street and in every woman he saw there was something of the Iowa girl. One woman walked as she did, another made a gesture with her hand that reminded of her. All the women he saw except only his wife and his mother-in-law were like the girl he had taken inside himself.

The two women in his own house puzzled and confused him. They became suddenly unlovely and commonplace. His wife in particular was like some strange unlovely growth that had attached itself to his body.

In the evening after the day at the factory he went home to his own place and had dinner. He had always been a silent man and when he did not talk no one minded. After dinner he, with his wife, went to a picture show. When they came home his wife's mother sat under an electric light reading. There were two children and his wife expected another. They came into the apartment and sat down. The climb up two flights of stairs had wearied his wife. She sat in a chair beside her mother groaning with weariness.

The mother-in-law was the soul of goodness. She took the place of a servant in the home and got no pay. When her daughter wanted to go to a picture show she waved her hand and smiled. "Go on," she said. "I don't want to go. I'd rather sit here." She got a book and sat reading. The little boy of nine awoke and cried. He wanted to sit on the po-po. The mother-in-law attended to that.

After the man and his wife came home the three people sat in silence for an hour or two before bedtime. The man pretended to read a newspaper. He looked at his hands. Although he had washed them carefully grease from the bicycle frames left dark stains under the nails. He thought of the Iowa girl and of her white quick hands playing over the keys of a typewriter. He felt dirty and uncomfortable.

The girl at the factory knew the foreman had fallen in love with her and the thought excited her a little. Since her aunt's death she had gone to live in a rooming house and had nothing to do in the evening. Although the foreman meant nothing to her she could in a way use him. To her he became a symbol. Sometimes he came into the office and stood for a moment by the door. His large hands were covered with black grease. She looked at him without seeing. In his place in her imagination stood a tall slender young man. Of the foreman she saw only the gray eyes that began to burn with a strange fire. The eyes expressed eagerness, a humble and devout eagerness. In the presence of a man with such eyes she felt she need not be afraid.

She wanted a lover who would come to her with such a look in his eyes. Occasionally, perhaps once in two weeks, she stayed a little late at the office, pretending to have work that must be finished. Through the window she could see the foreman, waiting. When every one had gone she closed her desk and went into the street. At the same moment the foreman came out at the factory door.

They walked together along the street, a half-dozen blocks, to where she got aboard her car. The factory was in a place called South Chicago and as they went along evening was coming on. The streets were lined with small unpainted frame houses and dirty-faced children ran screaming in the dusty roadway. They crossed over a bridge. Two abandoned coal barges lay rotting in the stream.

He went along by her side walking heavily, striving to conceal his hands. He had scrubbed them carefully before leaving the factory but they seemed to him like heavy dirty pieces of waste matter hanging at his side. Their walking together happened but a few times and during one summer. "It's hot," he said. He never spoke to her of anything but the weather. "It's hot," he said; "I think it may rain."

She dreamed of the lover who would some time come, a tall fair young man, a rich man owning houses and lands. The workingman who walked beside her had nothing to do with her conception of love. She walked with him, stayed at the office until the others had gone to walk unobserved with him, because of his eyes, because of the eager thing in his eyes that was at the same time humble, that bowed down to her. In his presence there was no danger, could be no danger. He would never attempt to approach too closely, to touch her with his hands. She was safe with him.

In his apartment in the evening the man sat under the electric light with his wife and his mother-in-law. In the next room his two children were asleep. In a short time his wife would have another child. He had been with her to a picture show and presently they would get into bed together.

He would lie awake thinking, would hear the creaking of the springs of a bed from where, in another room, his mother-in-law was crawling under the sheets. Life was too intimate. He would lie awake eager, expectant—expecting what?

Nothing. Presently one of the children would cry. It wanted to get out of bed and sit on the po-po. Nothing strange or unusual or lovely would or could happen. Life was too close, intimate. Nothing that could happen in the apartment could in any way stir him. The things his wife might say, her occasional half-hearted outbursts of passion, the goodness of his stout mother-in-law who did the work of a servant without pay—

He sat in the apartment under the electric light pretending to read a newspaper—thinking. He looked at his hands. They were large, shapeless, a workingman's hands.

The figure of the girl from Iowa walked about the room. With her he went out of the apartment and walked in silence through miles of streets. It was not necessary to say words. He walked with her by a sea, along the crest of a mountain. The night was clear and silent and the stars shone. She also was a star. It was not necessary to say words.

Her eyes were like stars and her lips were like soft hills rising out of dim, star-lit plains. "She is unattainable, she is far off like the stars," he thought. "She is unattainable like the stars but unlike the stars she breathes, she lives, like myself she has being."

One evening, some six weeks ago, the man who worked as foreman in the bicycle factory killed his wife and he is now in the courts being tried for murder. Every day the newspapers are filled with the story. On the evening of the murder he had taken his wife as usual to a picture show and they started home at nine. In Thirty-Second Street, at a corner near their apartment building, the figure of a man darted suddenly out of an alleyway and then darted back again. That incident may have put the idea of killing his wife into the man's head.

They got to the entrance to the apartment building and stepped into a dark hallway. Then quite suddenly and apparently without thought the man took a knife out of his pocket. "Suppose that man who darted into the alleyway had intended to kill us," he thought. Opening the knife he whirled about and struck his wife. He struck twice, a dozen times—madly. There was a scream and his wife's body fell.

The janitor had neglected to light the gas in the lower hallway. Afterward, the foreman decided that was the reason he did it, that and the fact that the dark slinking figure of a man darted out of an alleyway and then darted back again. "Surely," he told himself, "I could never have done it had the gas been lighted."

He stood in the hallway thinking. His wife was dead and with her had died her unborn child. There was a sound of doors opening in the apartments above. For several minutes nothing happened. His wife and her unborn child were dead—that was all.

He ran upstairs thinking quickly. In the darkness on the lower stairway he had put the knife back into his pocket and, as it turned out later, there was no blood on his hands or on his clothes. The knife he later washed carefully in the bathroom, when the excitement had died down a little. He told everyone the same story. "There has been a holdup," he explained. "A man came slinking out of an alleyway and followed me and my wife home. He followed us into the hallway of the building and there was no light." The janitor had neglected to light the gas. Well there had been a struggle and in the darkness his wife had been killed. He could not tell how it had happened. "There was no light. The janitor had neglected to light the gas," he kept saying.

For a day or two they did not question him specially and he had time to get rid of the knife. He took a long walk and threw it away into the river in South Chicago where the two abandoned coal barges lay rotting under the bridge, the bridge he had crossed when on the summer evenings he walked to the street car with the girl who was virginal and pure, who was far off and unattainable, like a star and yet not like a star.

And then he was arrested and right away he confessed—told everything. He said he did not know why he had killed his wife and was careful to say nothing of the girl at the office. The newspapers tried to discover the motive for the crime. They are still trying. Some one had seen him on the few evenings when he walked with the girl and she was dragged into the affair and had her picture printed in the paper. That has been annoying for her, as of course she has been able to prove she had nothing to do with the man.

Yesterday morning a heavy fog lay over our village here at the edge of the city and I went for a long walk in the early morning. As I returned out of the lowlands into our hill country I met the old man whose family has so many and such strange ramifications. For a time he walked beside me holding the little dog in his arms. It was cold and the dog whined and shivered. In the fog the old man's face was indistinct. It moved slowly back and forth with the fog banks of the upper air and with the tops of trees. He spoke of the man who has killed his wife and whose name is being shouted in the pages of the city newspapers that come to our village each morning. As he walked beside me he launched into a long tale concerning a life he and his brother, who had now become a murderer, had once lived together. "He is my brother," he said over and over, shaking his head. He seemed afraid I would not believe. There was a fact that must be established. "We were boys together, that man and I," he began again. "You see we played together in a barn back of our father's house. Our father went away to sea in a ship. That is the way our names became confused. You understand that. We have different names but we are brothers. We had the same father. We played together in a barn back of our father's house. All day we lay together in the hay in the barn and it was warm there."

In the fog the slender body of the old man became like a little gnarled tree. Then it became a thing suspended in air. It swung back and forth like a body hanging on the gallows. The face beseeched me to believe the story the lips were trying to tell. In my mind everything concerning the relationship of men and women became confused, a muddle. The spirit of the man who had killed his wife came into the body of the little old man there by the roadside. It was striving to tell me the story it would never be able to tell in the courtroom in the city, in the presence of the judge. The whole story of mankind's loneliness, of the effort to reach out to unattainable beauty tried to get itself expressed from the lips of a mumbling old man, crazed with loneliness, who stood by the side of a country road on a foggy morning holding a little dog in his arms.

The arms of the old man held the dog so closely that it began to whine with pain. A sort of convulsion shook his body. The soul seemed striving to wrench itself out of the body, to fly away through the fog down across the plain to the city, to the singer, the politician, the millionaire, the murderer, to its brothers, cousins, sisters, down in the city. The intensity of the old man's desire was terrible and in sympathy my body began to tremble. His arms tightened about the body of the little dog so that it screamed with pain. I stepped forward and tore the arms away and the dog fell to the ground and lay whining. No doubt it had been injured. Perhaps ribs had been crushed. The old man stared at the dog lying at his feet as in the hallway of the apartment building the worker from the bicycle factory had stared at his dead wife. "We are brothers," he said again. "We have different names but we are brothers. Our father you understand went off to sea."

I am sitting in my house in the country and it rains. Before my eyes the hills fall suddenly away and there are the flat plains and beyond the plains the city. An hour ago the old man of the house in the forest went past my door and the little dog was not with him. It may be that as we talked in the fog he crushed the life out of his companion. It may be that the dog like the workman's wife and her unborn child is now dead. The leaves of the trees that line the road before my window are falling like rain—the yellow, red, and golden leaves fall straight down, heavily. The rain beats them brutally down. They are denied a last golden flash across the sky. In October leaves should be carried away, out over the plains, in a wind. They should go dancing away.

FANUTZA[3]

By KONRAD BERCOVICI

(From The Dial)

Light and soft, as though the wind were blowing the dust off the silver clouds that floated overhead, the first snow was falling over the barren lands stretching between the Danube and the Black Sea. A lowland wind, which had already hardened and tightened the marshes, was blowing the snow skywards. The fine silvery dust, caught between the two air currents, danced lustily, blown hither and thither until it took hold of folds and rifts in the frozen land and began to form rugged white ridges that stretched in soft silvery curves to meet other growing mountains of snow. The lowland wind, at first a mere breeze playfully teasing the north wind, like a child that kicks the bed-sheets before falling asleep, increased its force and swiftness, and scattered huge mountains of snow, but the steadily rising drone of the north wind soon mastered the situation. Like silver grain strewn by an unseen hand the snow fell obliquely in steady streams over the land. A great calm followed. The long Dobrudgean winter had started. In the dim steady light, in the wake of the great calm, travelling towards the Danube from the Black Sea, the "marea Neagra," four gipsy wagons, each drawn by four small horses, appeared on the frozen plains. The caravan was brought to a standstill within sight of the slowly moving river. The canvas-covered wagons ranged themselves, broadwise, in a straight line with the wind. Between the wagons enough space was allowed to stable the horses. Then, when that part of the business had been done, a dozen men, in furs from head to toe, quickly threw a canvas that roofed the temporary quarters of the animals and gave an additional overhead protection from the snow and wind to the dwellers of the wheeled homes.

While the unharnessing and quartering of the horses and the stretching of the canvas roof proceeded, a number of youngsters jumped down from the wagons, yelling and screaming with all the power of their lusty lungs. They threw snowballs at one another as they ran, some in search of firewood and others, with wooden pails dangling from ends of curved sticks over the left shoulder, in search of water for the horses and for the cooking pots of their mothers.

Soon afterwards, from little crooked black chimneys that pointed downwards over the roofs of the wagons, thick black smoke told that the fires were already started. The youngsters came back; those with the full water pails marching erectly with legs well apart; the ones with bundles of firewood strapped to their shoulders leaning forward on knotted sticks so as not to fall under the heavy burden.

When everything had been done, Marcu, the tall gray-bearded chief, inspected the work. A few of the ropes needed tightening. He did it himself, shaking his head in disapproval of the way in which it had been done. Then he listened carefully to the blowing of the wind and measured its velocity and intensity. He called to his men. When they had surrounded him, he spoke a few words. With shovels and axes they set energetically to work at his direction, packing a wall of snow and wood from the ground up over the axles of the wheels all around the wagons so as to give greater solidity to the whole and to prevent the cold wind from blowing underneath.

By the time the early night settled over the marshes, the camp was quiet and dark. Even the dogs had curled up near the tired horses and had gone to sleep.

Early the following morning the whole thing could not be distinguished from one of the hundreds of mountains of snow that had formed over night. After the horses had been fed and watered, Marcu, accompanied by his daughter, Fanutza, left the camp and went riverward, in search of the hut of the Tartar whose flat-bottomed boat was moored on the shore. Marcu knew every inch of the ground. He had camped there with his tribe twenty winters in succession. He sometimes arrived before, and at other times after, the first snow of the year. But every time he had gone to Mehmet Ali's hut and asked the Tartar to row him across the Danube, on the old Roumanian side, to buy there fodder for the horses and the men; enough to last until after the river was frozen tight and could be crossed securely with horses and wagon. He had always come alone to Mehmet's hut, therefore, the Tartar, after greeting Marcu and offering to do what his friend desired, inquired why the girl was beside the old chief.

"But this is my daughter, Fanutza, Mehmet Ali," Marcu informed.

"Who, Fanutza? She who was born here fourteen winters ago on the plains here?"

"The same, the same, my friend," Marcu answered as he smilingly appraised his daughter.

Mehmet Ali looked at the girl in frank astonishment at her size and full development; then he said as he took the oars from the corner of the hut: "And I, who thought that my friend had taken a new wife to himself! Allah, Allah! How fast these youngsters grow! And why do you take her along to the Giaour side, to the heathen side, of the river, friend?" he continued talking as he put heavy boots on his feet and measured Fanutza with his eyes as he spoke.

"For everything there is only one right time, say I, Marcu," the chief explained, in measured solemn voice. "And so now is the time for my daughter to get married. I have chosen her a husband from amongst the sons of my men, a husband who will become the chief when I am no longer here to come to your hut at the beginning of every winter. She shall marry him in the spring. I now go with her to the bazaars to buy silks and linens which the women of my tribe will fashion into new clothes for both. And may Allah be good to them."

"Allah il Allah," Mehmet assured Marcu. "And who is he whom you have chosen from amongst your men?"

"I am old, Mehmet, I would otherwise have chosen a younger man for my daughter; but because I fear that this or the following winter will be the last one, I have chosen Stan, whose orphaned daughter is Fanutza's own age. He is good and true and strong. Young men never make careful chiefs."

"That be right and wise," remarked Mehmet, who was by that time ready for the trip. During the whole conversation the young gipsy girl had been looking to her father when he spoke and sidewise when Mehmet answered.

At fourteen Fanutza was a full-grown woman. Her hair, braided in tresses, was hanging from underneath a black fur cap she wore well over her forehead. Her eyes were large and brown, the long eyebrows were coal black. Her nose was straight and thin and the mouth full and red. Withal she was of a somewhat lighter hue than her father or the rest of the gipsy tribe. Yet there was something of a darker grain than the grain in her people that lurked beneath her skin. And she was light on her feet. Even trudging in the deep snow, she seemed more to float, to skim on top, than to walk.

Unconcerned she had listened to the conversation that had gone on between her father and the Tartar in the hut of the boatman. She had hardly been interested in the whole affair, yet, when Mehmet Ali mentioned casually as soon as he was outdoors that he knew a man who would pay twenty pieces of gold for such a wife as Fanutza was, she became interested in the conversation.

"I sell horses only," Marcu answered quietly.

"Yet my friend and others from his tribe have bought wives. Remember that beautiful Circassian girl?" the Tartar continued without raising or lowering his voice.

"Yes, Mehmet, we buy wives but we don't sell them."

"Which is not fair," Mehmet reflected aloud still in the same voice.

By that time they had reached the river shore. Mehmet, after rolling together the oil cloth that had covered the boat, helped the gipsy chief and his daughter to the stern. With one strong push of the oar on the shore rock, the Tartar slid his boat a hundred feet towards the middle of the stream. Then he seated himself, face towards his passengers, and rowed steadily without saying a single word. The gipsy chief lit his short pipe and looked over his friend's head, trying to distinguish the other shore from behind the curtain of falling snow. The boat glided slowly over the thickening waters of the Danube. A heavy snowstorm, the heaviest of the year, lashed the river. When Mehmet had finally moored his boat to the Roumanian side of the Danube, he turned around to the gipsy chief and said:

"Be back before sundown. It shall be my last crossing of the year. For when the sun rises the waters will be frozen still. The gale blows from the land of the Russians."

"As you tell me, friend," answered Marcu while helping his daughter out of the boat.

When the two had gone a short distance Fanutza turned her head. Mehmet Ali was leaning on an oar and looking after them. A little later, a hundred paces further, she caught fragments of a Tartar song that reached her ears in spite of the shrill noises of the wind.

Marcu and his daughter entered the inn that stood a few hundred feet from the shore. The innkeeper, an old fat greasy Greek, Chiria Anastasidis, welcomed the gipsy chief. Not knowing the relationship between the old man and the girl, he feared to antagonize his customer by talking to the young woman. He pushed a white pine table near the big stove in the middle of the room and after putting two empty glasses on the table he inquired "White or red?"

"Red wine, Chiria. It warms quicker. I am getting old."

"Old!" exclaimed the Greek as he brought a small pitcher of wine. "Old! Why, Marcu, you are as young as you were twenty years ago."

"This is my daughter, Fanutza, Chiria, and not my wife."

"A fine daughter you have. Your daughter, eh?"

"Yes, and she is about to marry, too."

After they had clinked glasses and wished one another health and long years the innkeeper inquired:

"All your men healthy?"

"All. Only one-eyed Jancu died. You remember him. He was well along in years."

"Bogdaproste. Let not a younger man than he was die," answered Anastasidis as he crossed himself.

After Marcu had declared himself warmed back to life by the fine wine he inquired of Anastasidis the price of oats and straw and hay. The innkeeper's store and his warehouse contained everything from a needle to an oxcart. The shelves were full of dry goods, socks, shirts, silks, belts, fur caps, coats, and trousers. Overhead, hanging from the ceiling, were heavy leather boots, shoes, saddles, harness of all kinds, fishers' nets, and even a red painted sleigh that swung on heavy chains. In one corner of the store blankets were piled high, while all over the floor were bags of dry beans and peas and corn and oats. At the door were bales of straw and hay, and outside, already half covered with snow, iron ploughs hobnobbed with small anchors, harrows, and bundles of scythes that leaned on the wall.

"Oats you wanted? Oats are very high this year, Marcu."

And the bargaining began. Fanutza sat listlessly on her chair and looked through the window. A few minutes later, the two men called one another thief and swindler and a hundred other names. Yet each time the bargain was concluded on a certain article they shook hands and repeated that they were the best friends on earth.

"Now that we have finished with the oats, Chiria, let's hear your price for corn? What? Three francs a hundred kilo? No. I call off the bargain on the oats. You are the biggest thief this side of the Danube."

"And you, you lowborn Tzigane, are the cheapest swindler on earth."

Quarrelling and shaking hands alternately and drinking wine Marcu and the Greek went on for hours. The gipsy chief had already bought all the food for his men and horses and a few extra blankets and had ordered it all carted to the moored boat where Mehmet Ali was waiting, when Fanutza reminded her father of the silks and linen he wanted to buy.

"I have not forgotten, daughter, I have not forgotten." Fanutza approached the counter behind which the Greek stood ready to serve his customers.

"Show us some silks," she asked.

He emptied a whole shelf on the counter.

The old gipsy stood aside watching his daughter as she fingered the different pieces of coloured silk, which the shopkeeper praised as he himself touched the goods with thumb and forefinger in keen appreciation of the quality he offered. After she had selected all the colours she wanted and picked out the linen and neckerchiefs and ear-rings and tried on a pair of beautiful patent leather boots that reached over the knees and had stripes of red leather sewed on with yellow silk on the soft vamps, Fanutza declared that she had chosen everything she wanted. The bargaining between the Greek and the gipsy was about to start anew when Marcu looked outdoors thoughtfully, stroked his beard and said to the innkeeper:

"Put away the things my daughter has selected. I shall come again, alone, to bargain for them."

"If my friend fears he has not enough money—" suavely intervened Anastasidis, as he placed a friendly hand on the gipsy's arm.

"When Marcu has no money he does not ask his women to select silk," haughtily interrupted the gipsy. "It will be as I said it will be. I come alone in a day if the river has frozen. In a day or a week. I come alone."

"Shall I, then, not take all these beautiful things along with me, now?" asked Fanutza in a plaintive yet reproachful tone. "There is Marcia who waits to see them. I have selected the same silk basma for her. Have you not promised me, even this morning—?"

"A woman must learn to keep her mouth shut," shouted Marcu as he angrily stamped his right foot on the floor. He looked at his daughter as he had never looked at her before. Only a few hours ago she was his little girl, a child! He was marrying her off so soon to Stan, although it was the customary age for gipsies, against his desire, but because of his will to see her in good hands and to give to Stan the succession to the leadership of his tribe.

Only a few hours ago! What had brought about the change? Was it in him or in her? That cursed Tartar, Mehmet Ali, with his silly offer of twenty gold pieces! He, he had done it. Marcu looked again at his daughter. Her eyelids trembled nervously and there was a little repressed twitch about her mouth. She returned his glance at first, but lowered her eyes under her father's steady gaze. "Already a shameless creature," thought the old gipsy. But he could not bear to think that way about his little daughter, about his Fanutza. He also feared that she could feel his thoughts. He was ashamed of what passed through his mind. Rapidly enough in self-defense he turned against her the sharp edge of the argument. Why had she given him all those ugly thoughts?

"It will be as I said, Anastasidis. In a day or a week. When the river has frozen, I come alone. And now, Fanutza, we go. Night is coming close behind us. Come, you shall have all your silks."

The Greek accompanied them to the door. The cart that had brought the merchandise to the boat of the waiting Mehmet was returning.

"The water is thickening," the driver greeted the gipsy and his daughter.

They found Mehmet Ali seated in the boat expecting his passengers.

"Have you bought everything you intended?" the Tartar inquired as he slid the oars into the hoops.

"Everything," Marcu answered as he watched his daughter from the corner of an eye.

Vigorously Mehmet Ali rowed till well out into the wide river without saying another word. His manner was so detached that the gipsy chief thought the Tartar had already forgotten what had passed between them in the morning. Sure enough. Why! He was an old man, Mehmet Ali. It was possible he had been commissioned by some Dobrudgean Tartar chief to buy him a wife. He had been refused and now he was no longer thinking about her. He will look somewhere else, where his offer might not be scorned. That offer of Mehmet had upset him. He had never thought of Fanutza other than as a child. Of course he was marrying her to Stan—but it was more like giving her a second father!

Suddenly the old gipsy looked at the Tartar who had lifted his oars from the water and brought the boat to an abrupt standstill. Mehmet Ali laid the paddles across the width of the boat and looking steadily into the eyes of Marcu, he said:

"As I said this morning, Marcu, it is not fair that you should buy wives from us when you like our women and not sell us yours when we like them."

"It is as it is," countered the gipsy savagely.

"But it is not fair," argued Mehmet, slyly watching every movement of his old friend.

"If Mehmet is tired my arms are strong enough to help if he wishes," remarked Marcu.

"No, I am not tired, but I should like my friend to know that I think it is not fair."

There was a long silence during which the boat was carried downstream although it was kept in the middle of the river by skilful little movements of the boatman.

Fanutza looked at the Tartar. He was about the same age as Stan was. Only he was stronger, taller, broader, swifter. When he chanced to look at her his small bead-like eyes bored through her like gimlets. No man had ever looked at her that way. Stan's eyes were much like her own father's eyes. The Tartar's face was much darker than her own. His nose was flat and his upper lip curled too much noseward and the lower one chinward, and his bulletlike head rose from between the shoulders. There was no neck. No, he was not beautiful to look at. But he was so different from Stan! So different from any of the other men she had seen every day since she was born. Why! Stan—Stan was like her father. They were all like him in her tribe!

"And, as I said," Mehmet continued after a while, "as I said, it is not fair. My friend must see that. It is not fair. So I offer you twenty gold pieces for the girl. Is it a bargain?"

"She is not for sale," yelled Marcu, understanding too well the meaning of the oars out of the water.

"No?" wondered Mehmet, "not for twenty pieces of gold? Well, then I shall offer five more. Sure twenty-five is more than any of your people ever paid to us for a wife. It would shame my ancestors were I to offer more for a gipsy girl than they ever received for one of our women."

"She is not for sale," roared the gipsy at the top of his voice.

By that time the Tartar knew that Marcu was not armed. He knew the chief too well not to know that a knife or a pistol would have been the answer to his second offer and the implied insult to the race of gipsies.

Twenty-five gold pieces! thought Fanutza. Twenty-five gold pieces offered for her by a Tartar at a second bid. She knew what that meant. She had been raised in the noise of continual bargaining between Tartars and gipsies and Greeks. It meant much less than a quarter of the ultimate sum the Tartar was willing to pay. Would Stan ever have offered that for her? No, surely not. She looked at the Tartar and felt the passion that radiated from him. How lukewarm Stan was! And here was a man. Stopped the boat midstream and bargained for her, fought to possess her. Endangered his life for her. For it was a dangerous thing to do what he did and facing her father. Yet—she will have to marry Stan because her father bids it.

"I don't mean to offend you," the boatman spoke again, "but you are very slow in deciding whether you accept my bargain or not. Night is closing upon us."

Marcu did not answer immediately. The boat was carried downstream very rapidly. They were at least two miles too far down by now. Mehmet looked at Fanutza and found such lively interest in her eyes that he was encouraged to offer another five gold pieces for her.

It was a proud moment for the girl. So men were willing to pay so much for her! But her heart almost sank when her father pulled out his purse from his pocket and said:

"Mehmet Ali, who is my best friend, has been so good to me these twenty years that I have thought to give him twenty gold pieces that he might buy himself a wife to keep his hut warm during the long winter. What say he to my friendship?"

"That is wonderful! Only now, he is not concerned about that, but about the fairness of his friend who does not want to sell wives to the men whose women he buys. I offer five more gold pieces which makes thirty-five in all. And I do that not for Marcu but for his daughter that she may know that I will not harm her and will for ever keep her well fed and buy her silks and jewels."

"Silks!" It occurred to the gipsy chief to look at his daughter at that moment. She turned her head away from his and looked at the Tartar, from under her brows. How had he known?

"A bargain is a bargain only when two men agree on something, says the Koran," the gipsy chief reminded the Tartar boatman. "I don't want to sell her."

"So we will travel downstream for a while," answered Mehmet Ali and crossed his arms.

After a while the gipsy chief who had reckoned that they must be fully five miles away from his home across the water made a new offer.

"A woman, Mehmet Ali, is a woman. They are all alike after you have known them. So I offer you thirty-five pieces of gold with which you can buy for yourself any other woman you please whenever you want."

Fanutza looked at the Tartar. Though it was getting dark she could see the play of every muscle of his face. Hardly had her father finished making his offer, when Mehmet, after one look at the girl, said:

"I offer fifty gold pieces for the girl. Is it a bargain?"

Fanutza's eyes met the eyes of her father. She looked at him entreatingly, "Don't give in to the Tartar," her eyes spoke clearly, and Marcu refused the offer.

"I offer you fifty instead that you buy yourself another woman than my daughter."

"No," answered the Tartar, "but I offer sixty for this one, here."

Quick as a flash Fanutza changed the encouraging glance she had thrown to the passionate man to a pleading look towards her father. "Poor, poor girl!" thought Marcu. "How she fears to lose me! How she fears I might accept the money and sell her to the Tartar!"

"A hundred gold pieces to row us across," he yelled, for the night was closing in upon them and the boat was being carried swiftly downstream. There was danger ahead of them. Marcu knew it.

"A hundred gold pieces is a great sum," mused Mehmet, "a great sum! It has taken twenty years of my life to save such a sum—yet, instead of accepting your offer, I will give you the same sum for the woman I want."

"Fool, a woman is only a woman. They are all alike," roared the gipsy.

"Not to me!" answered Mehmet Ali quietly. "I shall not say another word."

"Fool, fool, fool," roared the gipsy as he still tried to catch Fanutza's eye. It was already too dark.

"Not to me." The Tartar's words echoed in the girl's heart. "Not to me." Twenty years he had worked to save such a great sum. And now he refused an equal amount and was willing to pay it all for her. Would Stan have done that? Would anybody else have done that? Why should she be compelled to marry whom her father chose when men were willing to pay a hundred gold pieces for her? The old women of the camp had taught her to cook and to mend and to wash and to weave. She must know all that to be worthy of Stan, they had told her. And here was a man who did not know whether she knew any of these things who staked his life for her and offered a hundred gold pieces in the bargain! Twenty years of savings. Twenty years of work. It was not every day one met such a man. Surely, with one strong push of his arms he could throw her father overboard. He did not do it because he did not want to hurt her feelings. And as the silence continued Fanutza thought her father, too, was a fine man. It was fine of him to offer a hundred gold pieces for her liberty. That was in itself a great thing. But did he do it only for her sake or wasn't it because of Stan, because of himself? And as she thought again of Mehmet's "Not to me," she remembered the fierce bitterness in her father's voice when he had yelled, "All women are alike." That was not true. If it were true why would Mehmet Ali want her and her only after having seen her only once? Then, too, all men must be alike! It was not so at all! Why! Mehmet Ali was not at all like Stan. And he offered a hundred pieces of gold. No. Stan was of the kind who think all women are alike. That was it. All her people were thinking all women were alike. That was it. Surely all the men in the tribe were alike in that. All her father had ever been to her, his kindness, his love was wiped away when he said those few words. The last few words of Mehmet Ali, "Not to me," were the sweetest music she had ever heard.

Marcu waited until it was dark enough for the Tartar not to see, when pressing significantly his daughter's foot, he said:

"So be it as you said. Row us across."

"It is not one minute too soon," Mehmet answered. "Only a short distance from here, where the river splits in three forks, is a great rock. Shake hands. Here. Now here is one oar. Pull as I count, Bir, icki, outch, dort. Again, Bir, icki, outch, dort. Lift your oar. Pull again. Two counts only. Bir, icki. So, now we row nearer to the shore. See that light there? Row towards it. Good. Marcu, your arm is still strong and steady and you can drive a good bargain."

Again and again the gipsy pressed the foot of his daughter as he bent over the oar. She should know of course that he never intended to keep his end of the bargain. He gave in only when he saw that the Tartar meant to wreck them all on the rocks ahead of them. Why had he, old and experienced as he was, having dealt with those devils of Tartars for so many years, not known better than to return to the boat after he had heard Mehmet say, "It is not fair!" And after he had reflected on the Tartar's words, why, after he had refused to buy all the silks and linen on that reflection, not a very clear one at first, why had he not told Mehmet to row across alone and deliver the fodder and food. He could have passed the night in Anastasidis' inn and hired another boat the following morning if the river had not frozen meanwhile! He should have known, he who knew these passionate beasts so well. It was all the same with them; whether they set their eyes on a horse that captured their fancy or a woman. They were willing to kill or be killed in the fight for what they wanted. A hundred gold pieces for a woman! Twenty years' work for a woman!

The two men rowed in silence, each one planning how to outwit the other and each one knowing that the other was planning likewise. According to Tartar ethics the bargain was a bargain. When the boat had been pulled out of danger Mehmet hastened to fulfil his end. With one jerk he loosened a heavy belt underneath his coat and pulled out a leather purse which he threw to Marcu. As he did so he met Fanutza's proud eye.

"Here. Count it. Just one hundred."

"That's good enough," the gipsy chief answered as he put the purse in his pocket without even looking at it. "Row, I am cold. I am anxious to be home."

"It will not be before daylight, chief," remarked Mehmet Ali as he bent again over his oars and counted aloud, "Bir, icki, Bir, icki." An hour later, Fanutza had fallen asleep on the bags of fodder and was covered by the heavy fur coat of the Tartar. The two men rowed the whole night upstream against the current in the slushy heavy waters of the Danube. A hundred times floating pieces of ice had bent back the flat of the oar Marcu was handling, and every time Mehmet had saved it from breaking by a deft stroke of his own oar or by some other similar movement. He was a waterman and knew the ways of the water as well as Marcu himself knew the murky roads of the marshes. The gipsy could not help but admire the powerful quick movements of the Tartar—yet—to be forced into selling his daughter—that was another thing.

At daylight they were within sight of Mehmet's hut on the shore. The storm had abated. Standing up on the bags of fodder Marcu saw the black smoke that rose from his camp. His people must be waiting on the shore. They were a dozen men. Mehmet was one alone. He will unload the goods first; then, when his men will be near enough, he will tell Fanutza to run towards them. Let Mehmet come to take her if he dare!

A violent jerk woke the gipsy girl from her sleep. She looked at the two men but said nothing. When the boat was moored, the whole tribe of gipsies, who had already mourned their chief yet hoped against hope and watched the length of the shore, surrounded the two men and the woman. There was a noisy welcome. While some of the men helped unload the boat a boy came running with a sleigh cart.

When all the bags were loaded on the sleigh Marcu threw the heavy purse Mehmet had given him to the Tartar's feet and grabbed the arm of his Fanutza.

"Here is your money, Mehmet. I take my daughter."

But before he knew what had happened, Fanutza shook off his grip and picking up the purse she threw it at her father, saying:

"Take it. Give it to Stan that he should buy with the gold another woman. To him all women are alike. But not to Mehmet Ali. So I shall stay with him. A bargain is a bargain. He staked his life for me."

Marcu knew it was the end. "All women are alike," he whined to Stan as he handed him the purse. "Take it. All women are alike," he repeated with bitterness as he made a savage movement towards his daughter.

"All, save the ones with blood of Chans in their veins," said Mehmet Ali who had put himself between the girl and the whole of her tribe. And the Tartar's words served as a reminder to Marcu that Fanutza's own mother had been the daughter of a Tartar chief and a white woman.

EXPERIMENT[4]

By MAXWELL STRUTHERS BURT

(From The Pictorial Review)

When she had reached that point of detachment where she could regard the matter more or less objectively, Mrs. Ennis, recalling memories of an interrupted but lifelong friendship, realized that Burnaby's behavior, outrageous or justifiable or whatever you choose to call it, at all events aberrational, was exactly what might have been expected of him, given an occasion when his instincts for liking or disliking had been sufficiently aroused. Moreover, there was about him always, she remembered, this additional exceptional quality: the rare and fortunate knowledge that socially he was independent; was not, that is, subject to retaliation. He led too roving a life to be moved by the threat of unpopularity; a grandfather had bequeathed him a small but unshakable inheritance.

As much, therefore, as any one can be in this world he was a free agent; and the assurance of this makes a man very brave for either kindness or unkindness, and, of course, extremely dangerous for either good or evil. You will see, after a while, what I am driving at. Meanwhile, without further comment, we can come directly to Mrs. Ennis, where she sat in her drawing room, and to the night on which the incident occurred.

Mrs. Ennis, small and blond, and in a white evening gown of satin and silver sequins that made her look like a lovely and fashionable mermaid, sat in her drawing room and stretched her feet out to the flames of a gentle woodfire. It was seven o'clock of a late April night, and through an open window to her left came, from the little park beyond the house, a faint breeze that stirred lazily the curtains and brought to the jonquils, scattered about in numerous metal and crystal bowls, word of their brothers in the dusk without. The room was quiet, save for the hissing of the logs; remote, delicately lighted, filled with the subtle odor of books and flowers; reminiscent of the suave personalities of those who frequented it. On the diminutive piano in one corner, a large silver frame, holding the photograph of a man in French uniform, caught here and there on its surface high lights from the shaded wall-lamp above. In the shelter of white bookcases, the backs of volumes in red and tawny and brown gave the effect of tapestry cunningly woven. Mrs. Ennis stared at the logs and smiled.

It was an odd smile, reflective, yet anticipatory; amused, absent-minded, barely disturbing the lines of her beautifully modeled red lips. Had any of Mrs. Ennis's enemies, and they were not few in number, seen it, they would have surmised mischief afoot; had any of her friends, and there were even more of these than enemies, been present, they would have been on the alert for events of interest. It all depended, you see, upon whether you considered a taste for amateur psychology, indulged in, a wickedness or not. Mrs. Ennis herself would not have given her favorite amusement so stately a name; she was aware merely that she found herself possessed of a great curiosity concerning people, particularly those of forcible and widely different characteristics, and that she liked, whenever possible, to gather them together, and then see what would happen. Usually something did—happen, that is.

With the innocence of a child playing with fire-crackers (and it wasn't altogether innocent, either), in her rôle of the god in the machine she had been responsible for many things; several comedies, perhaps a tragedy or two. Ordinarily her parties were dull enough; complacent Washington parties; diplomats, long-haired Senators from the West, short-bearded Senators from the East, sleek young men and women, all of whom sat about discussing grave nonsense concerning a country with which they had utterly lost touch, if ever they had had any; but every now and then, out of the incalculable shufflings of fate, appeared a combination that seemed to offer more excitement. Tonight such a combination was at hand. Mrs. Ennis was contented, in the manner of a blithe and beautiful spider.

Burnaby, undoubtedly, was the principal source of this contentment, for he was a young man—he wasn't really young, but you always thought of him as young—of infinite potentialities; Burnaby, just back from some esoteric work in Roumania, whither he had gone after the War, and in Washington for the night and greatly pleased to accept an invitation for dinner; but essential as he was, Burnaby was only part of the tableau arranged. To meet him, Mrs. Ennis had asked her best, for the time being, friend, Mimi de Rochefort—Mary was her right name—and Mimi de Rochefort's best, for the time being, friend, Robert Pollen. Nowadays Pollen came when Madame de Rochefort came; one expected his presence. He had been a habit in this respect for over six months; in fact, almost from the time Madame de Rochefort (she was so young that to call her Madame seemed absurdly quaint), married these five years to a Frenchman, had set foot once more upon her native land.

In the meeting of Pollen and Burnaby and Mary Rochefort, Mrs. Ennis foresaw contingencies; just what these contingencies were likely to be she did not know, but that an excellent chance for them existed she had no doubt, even if in the end they proved to be no more than the humor to be extracted from the reflection that a supposedly rational divinity had spent his time creating three people so utterly unalike.

The gilt clock on the mantelpiece chimed half-past seven. The jonquils on the piano shone in the polished mahogany like yellow water-lilies in a pool. Into the silence of the room penetrated, on noiseless feet, a fresh-colored man servant. Despite such days as the present, Mrs. Ennis had a way, irritating to her acquaintances, of obtaining faithful attendance. Even servants seemed to be glad to wait upon her. Her husband, dead these six years, had been unfailingly precise in all matters save the one of drink.

"Mr. Burnaby!" announced the man servant.

Burnaby strode close on his heels. Mrs. Ennis had arisen and was standing with her back to the fireplace. She had the impression that a current of air followed the entrance of the two men. She remembered now that she had always felt that way with Burnaby; she had always felt as if he were bringing news of pine forests and big empty countries she had never seen but could dimly imagine. It was very exciting.

Burnaby paused and looked about the room doubtfully, then he chuckled and came forward. "I haven't seen anything like this for three years," he said. "Roumanian palaces are furnished in the very latest bad taste."

He took Mrs. Ennis's outstretched hand and peered down at her with narrowed eyelids. She received the further impression, an impression she had almost forgotten in the intervening years, of height and leanness, of dark eyes, and dark, crisp hair; a vibrant impression; something like a chord of music struck sharply. Unconsciously she let her hand rest in his for a moment, then she drew it away hastily. He was smiling and talking to her.

"Rhoda! You ought to begin to look a bit older! You're thirty-six, if you're a day! How do you do it? You look like a wise and rather naughty little girl."

"Hush!" said Mrs. Ennis. "I wear my hair parted on one side like a debutante to give me a head-start on all the knowing and subtle and wicked people I have to put up with. While they are trying to break the ice with an ingenue, I'm sizing them up."

Burnaby laughed. "Well, I'm not subtle," he said. He sank down into a big chair across the fireplace from her. "I'm only awfully glad to be back; and I'm good and simple and amenable, and willing to do nearly anything any good American tells me to do. I love Americans."

"You won't for very long," Mrs. Ennis assured him dryly. "Particularly if you stay in Washington more than a day." She was wondering how even for a moment she had been able to forget Burnaby's vividness.

"No," laughed Burnaby, "I suppose not. But while the mood is on me, don't disillusion me."

Mrs. Ennis looked across at him with a smile. "You'll meet two very attractive people tonight, anyway," she said.

"Oh, yes!" He leaned forward. "I had forgotten—who are they?"

Mrs. Ennis spread her arms out along the chair. "There's Mary Rochefort," she answered, "and there's Robert Pollen, who's supposed to be the most alluring man alive."

"Is it doing him any good?"

"Well—" Mrs. Ennis looked up with a laugh.

"You don't like him? Or perhaps you do?"

Mrs. Ennis knit her brows in thought, her blue eyes dark with conjecture. "I don't know," she said at length. "Sometimes I think I do, and sometimes I think I don't. He's very good-looking in a tall, blond, pliable way, and he can be very amusing when he wants to be. I don't know."

"Why not?"

Mrs. Ennis wrinkled her nose in the manner of one who is being pushed to explanation.

"I am not so sure," she confided, "that I admire professional philanderers as much as I did. Although, so long as they leave me alone—"

"Oh, he's that, is he?"

Mrs. Ennis corrected herself hastily. "Oh, no," she protested. "I shouldn't talk that way, should I? Now you'll have an initial prejudice, and that isn't fair—only—" she hesitated "I rather wish he would confine his talents to his own equals and not conjure young married women at their most vulnerable period."

"Which is?"

"Just when," said Mrs. Ennis, "they're not sure whether they want to fall in love again with their own husbands or not." Then she stopped abruptly. She was surprised that she had told Burnaby these things; even more surprised at the growing incisiveness of her voice. She was not accustomed to taking the amatory excursions of her friends too much to heart; she had a theory that it was none of her business, that perhaps some day she might want charity herself. But now she found herself perceptibly indignant. She wondered if it wasn't Burnaby's presence that was making her so. Sitting across from her, he made her think of directness and dependability and other traits she was accustomed to refer to as "primitive virtues." She liked his black, heavily ribbed evening stockings. Somehow they were like him. It made her angry with herself and with Burnaby that she should feel this way; be so moved by "primitive virtues." She detested puritanism greatly, and righteously, but so much so that she frequently mistook the most innocent fastidiousness for an unforgivable rigidity. "If they once do," she concluded, "once do fall in love with their husbands again, they're safe, you know, for all time."

She looked up and drew in her breath sharply. Burnaby was sitting forward in his chair, staring at her with the curious, far-sighted stare she remembered was characteristic of him when his interest was suddenly and thoroughly aroused. It was as if he were looking through the person to whom he was talking to some horizon beyond. It was a trifle uncanny, unless you were accustomed to the trick.

"What's the matter?" she asked. She had the feeling that back of her some one she could not see was standing.

Burnaby smiled. "Nothing," he said. He sank back into his chair. "That's an odd name—the name of this alluring fellow of yours, isn't it? What did you say it was—Pollen?"

"Yes. Robert Pollen. Why, do you know him?"

"No." Burnaby shook his head. He leaned over and lit a cigarette. "You don't mind, do you?" he asked. He raised his eyes. "So he's conjuring this Madame de Rochefort, is he?" he concluded.

Mrs. Ennis flushed. "I never said anything of the kind!" she protested. "It's none of our business, anyway."

Burnaby smiled calmly. "I quite agree with you," he said. "I imagine that a Frenchwoman, married for a while, is much better able to conduct her life in this respect than even the most experienced of us."

"She isn't French," said Mrs. Ennis; "she's American. And she's only been married five years. She's just a child—twenty-six."

"Oh!" ejaculated Burnaby. "One of those hard-faced children! I understand—Newport, Palm Beach, cocktails—"

His voice was cut across by Mrs. Ennis's indignant retort. "You don't in the least!" she said. "She's not one of those hard-faced children; she's lovely—and I've come to the conclusion that she's pathetic. I'm beginning to rather hate this man Pollen. Back of it all are subtleties of personality difficult to fathom. You should know Blais Rochefort. I imagine a woman going about things the wrong way could break her heart on him like waves on a crystal rock. I think it has been a question of fire meeting crystal, and, when it finds that the crystal is difficult to warm, turning back upon itself. I said waves, didn't I? Well, I don't care if my metaphors are mixed. It's tragic, anyhow. And the principal tragedy is that Blais Rochefort isn't really cold—at least, I don't think he would be if properly approached—he is merely beautifully lucid and intelligent and exacting in a way no American understands, least of all a petted girl who has no family and who is very rich. He expects, you see, an equal lucidity from his wife. He's not to be won over by the fumbling and rather selfish and pretty little tricks that are all most of us know. But Mary, I think, would have learned if she had only held on. Now, I'm afraid, she's losing heart. Hard-faced child!" Mrs. Ennis grew indignant again. "Be careful my friend; even you might find her dangerously pathetic."

Burnaby's eyes were placidly amused. "Thanks," he observed. "You've told me all I wanted to know."

Mrs. Ennis waved toward the piano. "There's Blais Rochefort's photograph," she retorted in tones of good-humored exasperation. "Go over and look at it."

"I will."

Burnaby's black shoulders, bent above the photograph, were for a moment the object of a pensive regard. Mrs. Ennis sighed. "Your presence makes me puritanical," she observed. "I have always felt that the best way for any one to get over Pollens was to go through with them and forget them."

Burnaby spoke without turning his head.

"He's good-looking."

"Very."

"A real man."

"Decidedly! Very brave and very cultivated."

"He waxes his mustache."

"Yes, even brave men do that occasionally."

"I should think," said Burnaby thoughtfully, putting the photograph down, "that he might be worth a woman's hanging on to."

Mrs. Ennis got up, crossed over to the piano, and leaned an elbow upon it, resting her cheek in the palm of her upturned hand and smiling at Burnaby.

"Don't let's be so serious," she said. "What business is it of ours?" She turned her head away and began to play with the petals of a near-by jonquil. "Spring is a restless time, isn't it?"

It seemed to her that the most curious little silence followed this speech of hers, and yet she knew that in actual time it was nothing, and felt that it existed probably only in her own heart. She heard the clock on the mantelpiece across the room ticking; far off, the rattle of a taxicab. The air coming through the open window bore the damp, stirring smell of early grass.

"Madame De Rochefort and Mr. Pollen!" announced a voice.

Mrs. Ennis had once said that her young friend, Mimi de Rochefort, responded to night more brilliantly than almost any other woman she knew. The description was apt. Possibly by day there was a pallor too lifeless, a nose a trifle too short and arrogant, lips, possibly, too full; but by night these discrepancies blended into something very near perfection, and back of them as well was a delicate illumination as of lanterns hung in trees beneath stars; an illumination due to youth, and to very large dark eyes, and to dark, soft hair and red lips. Nor with this beauty went any of the coolness or abrupt languor with which the modern young hide their eagerness.

Mary Rochefort was quite simple beneath her habitual reserve; frank and appealing and even humorous at times, as if startled out of her usual mood of reflective quiet by some bit of wit, slowly apprehended, too good to be overlooked. Mrs. Ennis watched with a sidelong glance the effect of her entrance upon Burnaby. Madame de Rochefort! How absurd! To call this white, tall, slim child madame! She admired rather enviously the gown of shimmering dark blue, the impeccability of adolescence. Over the girl's white shoulder, too much displayed, Pollen peered at Burnaby with the vague, hostile smile of the guest not yet introduced to a guest of similar sex.

"Late as usual!" he announced. "Mimi kept me!" His manner was subtly domestic.

"You're really on the stroke of the clock," said Mrs. Ennis. "Madame de Rochefort—Mr. Burnaby—Mr. Pollen." She laughed abruptly, as if a thought had just occurred to her. "Mr. Burnaby," she explained to the girl, "is the last surviving specimen of the American male—he has all the ancient national virtues. Preserved, I suppose, because he spends most of his time in Alaska, or wherever it is. I particularly wanted you to meet him."

Burnaby flushed and laughed uncertainly. "I object—" he began.

The fresh-colored man servant entered with a tray of cocktails. Madame de Rochefort exclaimed delightedly. "I'm so glad," she said. "Nowadays one fatigues oneself before dinner by wondering whether there will be anything to drink or not. How absurd!" The careful choice of words, the precision of the young, worldly voice were in amusing contrast to the youthfulness of appearance. Standing before the fireplace in her blue gown, she resembled a tapering lily growing from the indigo shadows of a noon orchard.

"Rhoda'll have cocktails when there aren't any more left in the country," said Pollen. "Trust Rhoda!"

Mary Rochefort laughed. "I always do," she said, "with reservations." She turned to Burnaby. "Where are you just back from?" she asked. "I understand you are always just back from some place, or on the verge of going."

"Usually on the verge," answered Burnaby. He looked at her deliberately, a smile in his dark eyes; then he looked at Pollen.

"Where were you—the War?"

"Yes—by way of Roumania in the end."

"The War!" Mary Rochefort's lips became petulant. One noticed for the first time the possibility of considerable petulance back of the shining self-control. "How sick of it I grew—all of us living over there! I'd like to sleep for a thousand years in a field filled with daffodils."

"They've plenty scattered about this room," observed Pollen. "Why don't you start now?"

The fresh-colored man servant announced dinner. "Shall we go down?" said Mrs. Ennis.

They left the little drawing-room, with its jonquils and warm shadows, and went along a short hall, and then down three steps and across a landing to the dining-room beyond. It, like the drawing-room, was small, white-paneled to the ceiling, with a few rich prints of Constable landscapes on the walls, and velvet-dark sideboards and tables that caught the light of the candles. In the center was a table of snowy drapery and silver and red roses.

Mrs. Ennis sank into her chair and looked about her with content. She loved small dinners beautifully thought out, and even more she loved them when, as on this night, they were composed of people who interested her. She stole a glance at Burnaby. How clean and brown and alert he was! The white table-cloth accentuated his look of fitness and muscular control. What an amusing contrast he presented to the rather languid, gesturing Pollen, who sat opposite him! And yet Pollen was considerable of a man in his own way; very conquering in the affairs of life; immensely clever in his profession of architecture. Famous, Mrs. Ennis had heard.

But Mrs. Ennis, despite her feminine approval of success, couldn't imagine herself being as much interested in him—dangerously interested—as she knew her friend Mary Rochefort to be. How odd! From all the world to pick out a tall, blond, willowy man like Pollen! On the verge of middle age, too! Perhaps it was this very willowiness, this apparent placidity that made him attractive. This child, Mary Rochefort, quite alone in the world, largely untrained, adrift, imperiously demanding from an imperious husband something to which she had not as yet found the key, might very naturally gravitate toward any one presenting Pollen's appearance of security; his attitude of complacence in the face of feminine authority. But was he complacent? Mrs. Ennis had her doubts. He was very vain; underneath his urbanity there might be an elastic hardness.

There were, moreover, at times indications of a rather contemptuous attitude toward a world less highly trained than himself. She turned to Pollen, trying to recollect what for the last few moments he had been saying to her. He perceived her more scrutinizing attention and faced toward her. From under lowered eyelids he had been watching, with a moody furtiveness, Mary Rochefort and Burnaby, who were oblivious to the other two in the manner of people who are glad they have met.

Mrs. Ennis found herself annoyed, her sense of good manners shocked. She had not suspected that Pollen could be guilty of such clumsiness; she questioned if matters had reached a point where such an attitude on his part would be justifiable under any circumstances. At all events, her doubts concerning his complacency had been answered. It occurred to Mrs. Ennis that her dinner-party was composed of more inflammable material, presented more dramatic possibilities, than even she had divined. She embraced Pollen with her smile.

"What have you been doing with yourself?" she asked.

He lifted long eyebrows and smiled faintly.

"Working very hard," he said.

"Building behemoths for billionaires?"

"Yes."

"And the rest of the time?"

"Rather drearily going about."

She surveyed him with wicked innocence.

"Why don't you fall in love?" she suggested.

His expression remained unmoved. "It is so difficult," he retorted, "to find the proper subject. A man of my experience frightens the inexperienced: the experienced frighten me."

"You mean—?"

"That I have reached the age where the innocence no longer possible to me seems the only thing worth while."

Mrs. Ennis wrinkled her nose daintily. "Nonsense!" she observed, and helped herself to the dish the servant was holding out to her. "What you have said," she resumed, "is the last word of the sentimentalist. If I thought you really meant it, I would know at once that you were very cold and very cruel and rather silly."

"Thanks!"

"Oh, I'm talking more or less abstractly."

"Well, possibly I am all of those things."

"But you want me to be personal?"

Pollen laughed. "Of course! Doesn't everybody want you to be personal?"

For an instant Mrs. Ennis looked again at Burnaby and Mary Rochefort, and a slightly rueful smile stirred in her eyes. It was amusing that she, who detested large dinners and adored general conversation, should at the moment be so engrossed in preventing the very type of conversation she preferred. She returned to Pollen. What a horrid man he really was! Unangled and amorphous, and underneath, cold! He had a way of framing the woman to whom he was talking and then stepping back out of the picture. One felt like a model in all manner of dress and undress. She laughed softly. "Don't," she begged, "be so mysterious about yourself! Tell me—" she held him with eyes of ingratiating sapphire—"I've always been interested in finding out just what you are, anyway."

Far back in Pollen's own eyes of golden brown a little spark slowly burst into flame. It was exactly as if a gnome had lighted a lantern at the back of an unknown cave. Mrs. Ennis inwardly shuddered, but outwardly was gay.

How interminably men talked when once they were launched upon that favorite topic, themselves! Pollen showed every indication of reaching a point of intellectual intoxication where his voice would become antiphonal. His objective self was taking turns in standing off and admiring his subjective self. Mrs. Ennis wondered at her own kindness of heart. Why did she permit herself to suffer so for her friends; in the present instance, a friend who would probably—rather the contrary—by no means thank her for her pains? She wanted to talk to Burnaby. She was missing most of his visit. She wanted to talk to Burnaby so greatly that the thought made her cheeks burn faintly. She began to hate Pollen. Mary Rochefort's cool, young voice broke the spell.

"You told me," she said accusingly, "that this man—this Mr. Burnaby, has all the primitive virtues; he is the wickedest man I have ever met."

"Good gracious!" said Mrs. Ennis.

"The very wickedest!"

Pollen's mouth twisted under his mustache. "I wouldn't have suspected it," he observed, surveying Burnaby with ironic amusement. There was just a hint of hidden condescension in his voice.

Burnaby's eyes drifted past him with a look of quiet speculation in their depths, before he smiled at Mrs. Ennis.

"Roumania has changed you," she exclaimed.

He chuckled. "Not in the least! I was simply trying to prove to Madame de Rochefort that hot-bloodedness, coolly conceived, is the only possible road to success. Like most innately moral people, she believes just the opposite—in cool-bloodedness, hotly conceived."

"I moral?" said Mary Rochefort, as if the thought had not occurred to her before.

"Why, of course," said Burnaby. "It's a question of attitude, not of actual performance. The most moral man I ever knew was a habitual drunkard. His life was spent between debauch and disgust. Not, of course, that I am implying that with you—"

"Tell us what you meant in the first place," commanded Mrs. Ennis.

"Something," said Burnaby slowly, "totally un-American—in short, whole-heartedness." He clasped his sinewy, brown hands on the table-cloth. "I mean," he continued, "if, after due thought—never forget the due thought—you believe it to be the best thing to do to elope with another man's wife, elope; only don't look back. In the same way, if you decide to become, after much question, an ironmonger, be an ironmonger. Love passionately what you've chosen. In other words, life's like fox-hunting; choose your line, choose it slowly and carefully, then follow it 'hell-for-leather.'

"You see, the trouble with Americans is that they are the greatest wanters of cake after they've eaten it the world has ever seen. Our blood isn't half as mixed as our point of view. We want to be good and we want to be bad; we want to be a dozen utterly incompatible things all at the same time. Of course, all human beings are that way, but other human beings make their choices and then try to eradicate the incompatibilities. The only whole-hearted people we possess are our business men, and even they, once they succeed, usually spoil the picture by astounding open scandals with chorus-girls."

Mrs. Ennis shook her head with amused bewilderment. "Do you mean," she asked, "that a man or woman can have only one thing in his or her life?"

"Only one very outwardly important thing—publicly," retorted Burnaby. "You may be a very great banker with a very great background as a husband, but you can't be a very great banker and at the same time what is known as a 'very great lover.' In Europe, where they arrange their lives better, one chooses either banking or 'loving'." He smiled with frank good humor at Pollen; the first time, Mrs. Ennis reflected, he had done so that night. A suspicion that Burnaby was not altogether ingenuous crossed her mind. But why wasn't he?

"You're a man, Pollen," he said; "tell them it's true."

Pollen, absorbed apparently in thoughts of his own stammered slightly. "Why—why, yes," he agreed hastily.

Mrs. Ennis sighed ruefully and looked at Burnaby with large, humorously reproachful eyes. "You have changed," she observed, "or else you're not saying but half of what you really think—and part of it you don't think at all."

"Oh, yes," laughed Burnaby, "you misunderstand me." He picked up a fork and tapped the table-cloth with it thoughtfully; then he raised his head. "I was thinking of a story I might tell you," he said, "but on second thoughts I don't think I will."

"Don't be foolish!" admonished Mrs. Ennis. "Your stories are always interesting. First finish your dessert."

Pollen smiled languidly. "Yes," he commented, "go on. It's interesting, decidedly. I thought people had given up this sort of conversation long ago."

For the third time Burnaby turned slowly toward him, only now his eyes, instead of resting upon the bland countenance for a fraction of a second, surveyed it lingeringly with the detached, absent-minded stare Mrs. Ennis remembered so well. "Perhaps I will tell it, after all," he said, in the manner of a man who has definitely changed his mind. "Would you like to hear it?" he asked, turning to Mary Rochefort.

"Certainly!" she laughed. "Is it very immoral?"

"Extremely," vouchsafed Burnaby, "from the accepted point of view."

"Tell it in the other room," suggested Mrs. Ennis. "We'll sit before the fire and tell ghost stories."

There was a trace of grimness in Burnaby's answering smile. "Curiously enough, it is a ghost story," he said.

They had arisen to their feet; above the candles their heads and shoulders were indistinct. For a moment Mrs. Ennis hesitated and looked at Burnaby with a new bewilderment in her eyes.

"If it's very immoral," interposed Pollen, "I'm certain to like it."

Burnaby bowed to him with a curious old-fashioned courtesy. "I am sure," he observed, "it will interest you immensely."

Mrs. Ennis suddenly stared through the soft obscurity. "Good gracious," she said to herself, "what is he up to?"

In the little drawing room to which they returned, the jonquils seemed to have received fresh vigor from their hour of loneliness; their shining gold possessed the shadows. Mary Rochefort paused by the open window and peered into the perfumed night. "How ridiculously young the world gets every spring!" she said.

Mrs. Ennis arranged herself before the fire. "Now," she said to Burnaby, "you sit directly opposite. And you"—she indicated Pollen—"sit here. And Mimi, you there. So!" She nodded to Burnaby. "Begin!"

He laughed deprecatingly. "You make it portentous," he objected. "It isn't much of a story; it's—it's really only a parable."

"It's going to be a moral story, after all," interjected Mrs. Ennis triumphantly.

Burnaby chuckled and puffed at his cigarette. "Well," he said finally, "it's about a fellow named Mackintosh."

Pollen, drowsily smoking a cigar, suddenly stirred uneasily.

"Who?" he asked, leaning forward.

"Mackintosh—James Mackintosh! What are you looking for? An ash-tray? Here's one." Burnaby passed it over.

"Thanks!" said Pollen, relaxing. "Yes—go on!"

Burnaby resumed his narrative calmly. "I knew him—Mackintosh, that is—fifteen, no, it was fourteen years ago in Arizona, when I was ranching there, and for the next three years I saw him constantly. He had a place ten miles down the river from me. He was about four years older than I was—a tall, slim, sandy-haired, freckled fellow, preternaturally quiet; a trusty, if there ever was one. Unlike most preternaturally quiet people, however, it wasn't dulness that made him that way; he wasn't dull a bit. Stir him up on anything and you found that he had thought about it a lot. But he never told me anything about himself until I had known him almost two years, and then it came out quite accidentally one night—we were on a spring round-up—when the two of us were sitting up by the fire, smoking and staring at the desert stars. All the rest were asleep." Burnaby paused. "Is this boring you?" he asked.

"Oh, no!" said Mrs. Ennis; she was watching intently Pollen's half-averted face.

Burnaby threw away his cigarette. "At first," he said, "it seemed to me like the most ordinary of stories—the usual fixed idea that the rejected lover carries around with him for a year or so until he forgets it; the idea that the girl will regret her choice and one day kick over the traces and hunt him up.

"But it wasn't the ordinary story—not by a long shot. You'll see. It seems he had fallen in love with a girl—had been in love with her for years—before he had left the East; a very young girl, nineteen, and of an aspiring family. The family, naturally, didn't look upon him with any favor whatsoever; he was poor and he didn't show the slightest inclination to engage in any of the pursuits they considered proper to the ambitions of a worthy young man. Rather a dreamer, I imagine, until he had found the thing he wanted to do. Not a very impressive figure in the eyes of whitespatted fatherhood. Moreover, he himself was shy about trying to marry a rich girl while she was still so young.

"'She was brought up all wrong,' he said. 'What could you expect? Life will have to teach her. She will have to get over her idea, as one gets over the measles, that money and houses and possessions are the main things.' But he knew she would get over it; he was sure that at the bottom of her heart was a well of honesty and directness. 'Some day,' he said, 'she'll be out here.'

"Apparently the upshot of the matter was that he went to the girl and told her—all these ideas of his; quit, came West; left the road open to the other man. Oh, yes, there was another man, of course; one thoroughly approved of by the family. Quaint, wasn't it? Perhaps a little overly judicial. But then that was his way. Slow-moving and sure. He saw the girl at dusk in the garden of her family's country place; near a sun-dial, or some other appropriately romantic spot. She kissed him nobly on the forehead, I suppose—the young girl gesture; and told him she wasn't worthy of him and to forget her.

"'Oh, no, I won't,' he said. 'Not for a minute! And in five years—or ten—you'll come to me. You'll find out.' And then he added something else: 'Whenever things have reached their limit,' he said, 'think of me with all your might. Think hard! There's something in that sort of stuff, you know, where two people love each other. Think hard!' Then he went away."

A log snapped and fell with a soft thud to the ashes beneath. Burnaby was silent for a moment, staring at the fire.

When he spoke again, it was with a slow precision as if he were trying with extreme care to find the right words.

"You see," he said, "he had as an added foundation for his faith—perhaps as the main foundation for it—his knowledge of the other man's character; the character of the man the girl married. It was"—he spoke more hastily and, suddenly raising his head, looked at Mary Rochefort, who, sunk back in her chair, was gazing straight ahead of her—"an especial kind of character. I must dwell on it for a moment, and you must mark well what I say, for on it my parable largely depends. It was a character of the sort that to any but an odalisk means eventual shame; to any woman of pride, you understand, eventually of necessity a broken heart. It was a queer character, but not uncommon. Outwardly very attractive. Mackintosh described it succinctly, shortly, as we sat there by the fire. He spoke between his teeth—the faint wind stirring the desert sand sounded rather like his voice." Burnaby paused again and reached over for a cigarette and lit it deliberately.

"He was a man," he continued, "who apparently had the faculty of making most women love him and, in the end, the faculty of making all women hate him. I imagine to have known him very well would have been to leave one with a mental shudder such as follows the touching of anguilliform material; snake-like texture. It would leave one ashamed and broken, for fundamentally he was contemptuous of the dignity of personality, particularly of the personalities of women. He was a collector, you understand, a collector of beauty, and women, and incidents—amorous incidents. He carried into his personal relationships the cold objectiveness of the artist. But he wasn't a very great artist, or he wouldn't have done so; he would have had the discrimination to control the artist's greatest peril. It's a flame, this cold objectiveness, but a flame so powerful that it must be properly shaded for intimate use. Otherwise it kills like violet rays. Women wore out their hearts on him, not like waves breaking on a crystal rock, but like rain breaking into a gutter."

"Good Lord!" murmured Mrs. Ennis involuntarily.

Burnaby caught her exclamation. "Bad, wasn't it?" he smiled. "But remember I am only repeating what Mackintosh told me. Well, there he was then—Mackintosh—hard at work all day trying to build himself up a ranch, and he was succeeding, too, and, at night, sitting on his porch, smoking and listening to the river, and apparently expecting every moment the girl to appear. It was rather eerie. He had such a convincing way; he was himself so convinced. You half expected yourself to see her come around the corner of the log house in the moonlight. There was about it all the impression that here was something that had a touch of the inevitability of the Greek idea of fate; something more arranged than the usual course of human events. Meanwhile, back in the East, was the girl, learning something about life."

He interrupted himself. "Want a cigarette?" he said to Pollen. "Here they are." He handed over the box. "What is it? A match? Wait a moment; I'll strike it for you. Keep the end of the thing steady, will you? All right." He resumed the thread of his narrative.

"In four years she had learned a lot," he said; "she had become apparently almost a woman. On a certain hot evening in July—about seven o'clock, I imagine—she became one entirely; at least, for the moment, and, at least, her sort of woman. I am not defending what she did, remember; I am simply saying that she did it.

"It was very hot; even now when dusk was approaching. The girl had been feeling rather ill all day; feverish. She had not been able to get away to her country place as yet. Into the semidarkness of the room where she was came her husband. That night she had determined, as women will, upon a final test. She knew where he expected to dine; she asked him if he would dine with her.

"'I can't,' he said. 'I'm sorry—'

"Possibly nothing immediate would have happened had he not added an unspeakable flourish to his portrait. He reached out his arms and drew the girl to him and tried to kiss her condescendingly; but I suppose his hands found her, in her clinging gown, soft to their touch. At all events, they tightened upon her in an unmistakable way. She pulled herself away. 'Let me pass!' she said. 'You—you—!'—she could think of no words to suit him. You see, she understood him completely, now. He was a collector, but a collector so despicable that he was even unwilling to trade one article for another. He wanted to keep on his shelves, as it were, all the accumulation of his life, and take down from time to time whatever part of it suited his sudden fancy.

"The girl went up to her own room, and very carefully, not knowing precisely what she did, changed into a black street dress and removed all marks of identification. Her eyes swam with feverishness. While she was dressing, she bathed in hot water her arms where her husband's hands had been. She concluded that it was not what he had done—had constantly done—but what he was that made life unbearable. When she was through she went downstairs, and out of the front door, and walked slowly toward the center of the town and the railway station."

"And is that all?" asked Mary Rochefort, after a while.

"Oh, no," said Burnaby; "it's only the beginning. Mackintosh was in the hills beyond his ranch, hunting horses. He was camped in a little valley by himself. On this particular day he had been out since sun-up and did not get back until just about dusk. He picketed the horse he had been riding, and built a small fire, and began to cook his supper. All around him, brooding and unreal, was the light you get in high mountain places. The fire shone like a tiny ruby set in topaz. Mackintosh raised his head and saw a woman coming out of the spur of aspen trees across the creek from him. He wasn't surprised; he knew right away who it was; he knew it was the girl. He watched her for a moment, and then he went over to her, and took her hand, and led her to the fire. They didn't speak at all."

"And you mean," asked Mrs. Ennis, "that she did that? That she came all the way out to him, like that?"

"No," retorted Burnaby, "of course not. How could she? She wasn't even sure where he was living. At the moment she was in a hospital out of her head. You see, I didn't know whether to believe Mackintosh or not when he said he saw her that night, although I am sure he believed he did—such things are beyond human proof—but what I do know is that he came straight down from the hills, and boarded a train, and went East, and found the girl, and, after a while, came back with her." He looked at the fire. "They were the most completely happy people I have ever seen," he continued. "They were so calm and determined about themselves. Everything immaterial had been burned away. They knew they were playing on the side of fate. And so," he concluded, "that's the end of my parable. What do you make of it?"

The curtains, stirred by the breeze, tip-tapped softly; in the silence the fire hissed gently. Pollen spoke first, but with some difficulty, as if in the long period of listening on his part his throat had become dry. "It's very interesting," he said; "very! But what's it all about? And you certainly don't believe it, do you?"

"Of course I do," answered Burnaby calmly. "You should, too; it's true."

Mary Rochefort looked up with an exclamation. "Gracious!" she said. "I had no idea it was so late! My motor must be waiting." She got to her feet. She looked very white and her eyes were tired; the translucent quality of the earlier hours was gone. "I'm worn out," she explained. "I've been going about too much. I must rest." She held her hand out to Mrs. Ennis; over her shoulder she spoke to Pollen. "No," she said. "Don't bother. I'll take myself home, thanks."

"I'll see you to your car," he stammered.

She turned to Burnaby. "Good night!" she said. Her voice was lifeless, disinterested; her eyes met his for an instant and were withdrawn.

"Good night," he said.

Mrs. Ennis stood by the door for a moment before she walked slowly back to the fireplace. From the street outside came the whirring of a motor and the sound of Mary Rochefort's voice saying good-by to Pollen.

Mrs. Ennis rested an arm on the mantelpiece and kicked a log thoughtfully with a white-slippered foot; then she faced about on Burnaby.

"I suppose," she said, "you realize that you have spoiled my party?"

"I?" said Burnaby.

"Yes, you!" Her small, charming face was a study in ruefulness, and indecision whether to be angry or not, and, one might almost have imagined, a certain amused tenderness as well. "Don't you suppose those people knew of whom you were talking?"

Burnaby, peering down at her, narrowed his eyes and then opened them very wide. "They couldn't very well have helped it," he said, "could they? For, you see"—he paused—"the girl who came West was Mrs. Pollen."

Mrs. Ennis gasped in the manner of a person who is hearing too much. "Mrs. Pollen?"

"Yes. You knew he had been divorced, didn't you? Years ago."

"I'd heard it, but forgotten." Mrs. Ennis clasped her jeweled hand. "And you dared," she demanded, "to tell his story before him in that way?"

"Why not? It was rather a complete revenge upon him of fate, wasn't it? You see, he couldn't very well give himself away, could he? His one chance was to keep quiet." Burnaby paused and smiled doubtfully at Mrs. Ennis. "I hope I made his character clear enough," he said. "That, after all, was the point of the story."

"How did you know it was this Pollen?" she asked, "and how, anyway, would Mary Rochefort know of whom you were talking?"

Burnaby grinned. "I took a chance," he said. "And as to the second, I told Madame de Rochefort at dinner—merely as a coincidence; at least, I let her think so—that I had once known in the West a Mrs. Pollen with a curious history. Perhaps I wouldn't have told it if Pollen hadn't been so witty." He picked up a silver dish from the mantelpiece and examined it carefully.

"One oughtn't to have such a curious name if one is going to lead a curious life, ought one?" he asked. He sighed. "You're right," he concluded; "your friend Mary Rochefort is a child."

Mrs. Ennis looked up at him with searching eyes.

"Why don't you stay longer in Washington?" she asked softly. "Just now, of course, Mary Rochefort hates you; but she won't for long—I think she was beginning to have doubts about Pollen, anyway."

Burnaby suddenly looked grave and disconcerted. "Oh, no!" he said, hastily. "Oh, no! I must be off tomorrow." He laughed. "My dear Rhoda," he said, "you have the quaintest ideas. I don't like philandering; I'm afraid I have a crude habit of really falling in love."

Mrs. Ennis's own eyes were veiled. "If you're going away so soon, sit down," she said, "and stay. You needn't go—oh, for hours!"

"I must," he answered. "I'm off so early."

She sighed. "For years?"

"One—perhaps two." His voice became gay and bantering again. "My dear Rhoda," he said, "I'm extremely sorry if I really spoiled your party, but I don't believe I did—not altogether, anyhow. Underneath, I think you enjoyed it." He took her small hand in his; he wondered why it was so cold and listless.

At the door leading into the hall he paused and looked back "Oh," he said, "there was one thing I forgot to tell you! You see, part of my story wasn't altogether true. Mrs. Pollen—or rather, Mrs. Mackintosh—left Mackintosh after five years or so. She's in the movies—doing very well, I understand. She would; wouldn't she? Of course, she was no good to begin with. But that didn't spoil the point of my story, did it? Good-by, Rhoda, my dear." He was gone.

Mrs. Ennis did not move until she heard the street door close; she waited even a little longer, following the sound of Burnaby's footsteps as they died away into the night; finally she walked over to the piano, and, sitting down, raised her hands as if to strike the keys. Instead, she suddenly put both her arms on the little shelf before the music-rack and buried her head in them. The curtains tip-tapped on the window-sill; the room was entirely quiet.

DARKNESS[5]

By IRVIN S. COBB

(From The Saturday Evening Post)

There was a house in this town where always by night lights burned. In one of its rooms many lights burned; in each of the other rooms at least one light. It stood on Clay Street, on a treeless plot among flower beds, a small dull-looking house; and when late on dark nights all the other houses on Clay Street were black blockings lifting from the lesser blackness of their background, the lights in this house patterned its windows with squares of brilliancy so that it suggested a grid set on edge before hot flames. Once a newcomer to the town, a transient guest at Mrs. Otterbuck's boarding house, spoke about it to old Squire Jonas, who lived next door to where the lights blazed of nights, and the answer he got makes a fitting enough beginning for this account.

This stranger came along Clay Street one morning and Squire Jonas, who was leaning over his gate contemplating the world as it passed in review, nodded to him and remarked that it was a fine morning; and the stranger was emboldened to stop and pass the time of day, as the saying goes.

"I'm here going over the books of the Bernheimer Distilling Company," he said when they had spoken of this and that, "and you know, when a chartered accountant gets on a job he's supposed to keep right at it until he's done. Well, my work keeps me busy till pretty late. And the last three nights, passing that place yonder adjoining yours, I've noticed she was all lit up like as if for a wedding or a christening or a party or something. But I didn't see anybody going in or coming out, or hear anybody stirring in there, and it struck me as blamed curious. Last night—or this morning, rather, I should say—it must have been close on to half-past two o'clock when I passed by, and there she was, all as quiet as the tomb and still the lights going from top to bottom. So I got to wondering to myself. Tell me, sir, is there somebody sick over there next door?"

"Yes, suh," stated the squire, "I figure you might say there is somebody sick there. He's been sick a powerful long time too. But it's not his body that's sick; it's his soul."

"I don't know as I get you, sir," said the other man in a puzzled sort of way.

"Son," stated the squire, "I reckin you've been hearin' 'em, haven't you, singin' this here new song that's goin' 'round about, 'I'm Afraid to Go Home in the Dark'? Well, probably the man who wrote that there song never was down here in these parts in his life; probably he just made the idea of it up out of his own head. But he might 'a' had the case of my neighbor in his mind when he done so. Only his song is kind of comical and this case here is about the most uncomic one you'd be likely to run acrost. The man who lives here alongside of me is not only afraid to go home in the dark but he's actually feared to stay in the dark after he gets home. Once he killed a man and he come clear of the killin' all right enough, but seems like he ain't never got over it; and the sayin' in this town is that he's studied it out that ef ever he gets in the dark, either by himself or in company, he'll see the face of that there man he killed. So that's why, son, you've been seein' them lights a-blazin'. I've been seein' 'em myself fur goin' on twenty year or more, I reckin 'tis by now, and I've got used to 'em. But I ain't never got over wonderin' whut kind of thoughts he must have over there all alone by himself at night with everything lit up bright as day around him, when by rights things should be dark. But I ain't ever asted him, and whut's more, I never will. He ain't the kind you could go to him astin' him personal questions about his own private affairs. We-all here in town just accept him fur whut he is and sort of let him be. He's whut you might call a town character. His name is Mr. Dudley Stackpole."

In all respects save one, Squire Jonas, telling the inquiring stranger the tale, had the rights of it. There were town characters aplenty he might have described. A long-settled community with traditions behind it and a reasonable antiquity seems to breed curious types of men and women as a musty closet breeds mice and moths. This town of ours had its town mysteries and its town eccentrics—its freaks, if one wished to put the matter bluntly; and it had its champion story-teller and its champion liar and its champion guesser of the weight of livestock on the hoof.

There was crazy Saul Vance, the butt of cruel small boys, who deported himself as any rational creature might so long as he walked a straight course; but so surely as he came to where the road forked or two streets crossed he could not decide which turning to take and for hours angled back and forth and to and fro, now taking the short cut to regain the path he just had quitted, now retracing his way over the long one, for all the world like a geometric spider spinning its web. There was old Daddy Hannah, the black root-and-yarb doctor, who could throw spells and weave charms and invoke conjures. He wore a pair of shoes which had been worn by a man who was hanged, and these shoes, as is well known, leave no tracks which a dog will nose after or a witch follow, or a ha'nt. Small boys did not gibe at Daddy Hannah, you bet you! There was Major Burnley, who lived for years and years in the same house with the wife with whom he had quarreled and never spoke a word to her or she to him. But the list is overlong for calling. With us, in that day and time, town characters abounded freely. But Mr. Dudley Stackpole was more than a town character. He was that, it is true, but he was something else besides; something which tabbed him a mortal set apart from his fellow mortals. He was the town's chief figure of tragedy.

If you had ever seen him once you could shut your eyes and see him over again. Yet about him there was nothing impressive, nothing in his port or his manner to catch and to hold a stranger's gaze. With him, physically, it was quite the other way about. He was a short spare man, very gentle in his movements, a toneless sort of man of a palish gray cast, who always wore sad-colored clothing. He would make you think of a man molded out of a fog; almost he was like a man made of smoke. His mode of living might testify that a gnawing remorse abode ever with him, but his hair had not turned white in a single night, as the heads of those suddenly stricken by a great shock or a great grief or any greatly upsetting and disordering emotion sometimes are reputed to turn. Neither in his youth nor when age came to him was his hair white. But for so far back as any now remembered it had been a dullish gray, suggesting at a distance dead lichens.

The color of his skin was a color to match in with the rest of him. It was not pale, nor was it pasty. People with a taste for comparisons were hard put to it to describe just what it was the hue of his face did remind them of, until one day a man brought in from the woods the abandoned nest of a brood of black hornets, still clinging to the pendent twig from which the insect artificers had swung it. Darkies used to collect these nests in the fall of the year when the vicious swarms had deserted them. Their shredded parchments made ideal wadding for muzzle-loading scatter-guns, and sufferers from asthma tore them down, too, and burned them slowly and stood over the smoldering mass and inhaled the fumes and the smoke which arose, because the country wiseacres preached that no boughten stuff out of a drug store gave such relief from asthma as this hornet's-nest treatment. But it remained for this man to find a third use for such a thing. He brought it into the office of Gafford's wagon yard, where some other men were sitting about the fire, and he held it up before them and he said:

"Who does this here hornet's nest put you fellers in mind of—this gray color all over it, and all these here fine lines runnin' back and forth and every which-a-way like wrinkles? Think, now—it's somebody you all know."

And when they had given it up as a puzzle too hard for them to guess he said:

"Why, ain't it got percisely the same color and the same look about it as Mr. Dudley Stackpole's face? Why, it's a perfect imitation of him! That's whut I said to myself all in a flash when I first seen it bouncin' on the end of this here black birch limb out yonder in the flats."

"By gum, if you ain't right!" exclaimed one of the audience. "Say, come to think about it, I wonder if spendin' all his nights with bright lights burnin' round him is whut's give that old man that gray color he's got, the same as this wasp's nest has got it, and all them puckery lines round his eyes. Pore old devil, with the hags furever ridin' him! Well, they tell me he's toler'ble well fixed in this world's goods, but poor as I am, and him well off, I wouldn't trade places with him fur any amount of money. I've got my peace of mind if I ain't got anything else to speak of. Say, you'd 'a' thought in all these years a man would get over broodin' over havin' killed another feller, and specially havin' killed him in fair fight. Let's see, now, whut was the name of the feller he killed that time out there at Cache Creek Crossin's? I actually disremember. I've heard it a thousand times, too, I reckin, if I've heard it oncet."

For a fact, the memory of the man slain so long before only endured because the slayer walked abroad as a living reminder of the taking off of one who by all accounts had been of small value to mankind in his day and generation. Save for the daily presence of the one, the very identity even of the other might before now have been forgotten. For this very reason, seeking to enlarge the merits of the controversy which had led to the death of one Jesse Tatum at the hands of Dudley Stackpole, people sometimes referred to it as the Tatum-Stackpole feud and sought to liken it to the Faxon-Fleming feud. But that was a real feud with fence-corner ambuscades and a sizable mortality list and night-time assassinations and all; whereas this lesser thing, which now briefly is to be dealt with on its merits, had been no more than a neighborhood falling out, having but a solitary homicide for its climatic upshot. So far as that went, it really was not so much the death of the victim as the survival of his destroyer—and his fashion of living afterwards—which made warp and woof for the fabric of the tragedy.

With the passage of time the actuating causes were somewhat blurred in perspective. The main facts stood forth clear enough, but the underlying details were misty and uncertain, like some half-obliterated scribble on a badly rubbed slate upon which a more important sum has been overlaid. One rendition had it that the firm of Stackpole Brothers sued the two Tatums—Harve and Jess—for an account long overdue, and won judgment in the courts, but won with it the murderous enmity of the defendant pair. Another account would have it that a dispute over a boundary fence marching between the Tatum homestead on Cache Creek and one of the Stackpole farm holdings ripened into a prime quarrel by reasons of Stackpole stubbornness on the one hand and Tatum malignity on the other. By yet a third account the lawsuit and the line-fence matter were confusingly twisted together to form a cause for disputation.

Never mind that part though. The incontrovertible part was that things came to a decisive pass on a July day in the late '80's when the two Tatums sent word to the two Stackpoles that at or about six o'clock of that evening they would come down the side road from their place a mile away to Stackpole Brothers' gristmill above the big riffle in Cache Creek prepared to fight it out man to man. The warning was explicit enough—the Tatums would shoot on sight. The message was meant for two, but only one brother heard it; for Jeffrey Stackpole, the senior member of the firm, was sick abed with heart disease at the Stackpole house on Clay Street in town, and Dudley, the junior, was running the business and keeping bachelor's hall, as the phrase runs, in the living room of the mill; and it was Dudley who received notice.

Now the younger Stackpole was known for a law-abiding and a well-disposed man, which reputation stood him in stead subsequently; but also he was no coward. He might crave peace, but he would not flee from trouble moving toward him. He would not advance a step to meet it, neither would he give back a step to avoid it. If it occurred to him to hurry in to the county seat and have his enemies put under bonds to keep the peace he pushed the thought from him. This, in those days, was not the popular course for one threatened with violence by another; nor, generally speaking, was it regarded exactly as the manly one to follow. So he bided that day where he was. Moreover, it was not of record that he told any one at all of what impended. He knew little of the use of firearms, but there was a loaded pistol in the cash drawer of the mill office. He put it in a pocket of his coat and through the afternoon he waited, outwardly quiet and composed, for the appointed hour when single-handed he would defend his honor and his brother's against the unequal odds of a brace of bullies, both of them quick on the trigger, both smart and clever in the handling of weapons.

But if Stackpole told no one, some one else told some one. Probably the messenger of the Tatums talked. He currently was reputed to have a leaky tongue to go with his jimberjaws; a born trouble maker, doubtless, else he would not have loaned his service to such employment in the first place. Up and down the road ran the report that before night there would be a clash at the Stackpole mill. Peg-Leg Foster, who ran the general store below the bridge and within sight of the big riffle, saw fit to shut up shop early and go to town for the evening. Perhaps he did not want to be a witness, or possibly he desired to be out of the way of stray lead flying about. So the only known witness to what happened, other than the parties engaged in it, was a negro woman. She, at least, was one who had not heard the rumor which since early forenoon had been spreading through the sparsely settled neighborhood. When six o'clock came she was grubbing out a sorghum patch in front of her cabin just north of where the creek cut under the Blandsville gravel pike.

One gets a picture of the scene: The thin and deficient shadows stretching themselves across the parched bottom lands as the sun slid down behind the trees of Eden's swamp lot; the heat waves of a blistering hot day still dancing their devil's dance down the road like wriggling circumflexes to accent a false promise of coolness off there in the distance; the ominous emptiness of the landscape; the brooding quiet, cut through only by the frogs and the dry flies tuning up for their evening concert; the bandannaed negress wrangling at the weeds with her hoe blade inside the rail fence; and, half sheltered within the lintels of the office doorway of his mill, Dudley Stackpole, a slim, still figure, watching up the crossroad for the coming of his adversaries.

But the adversaries did not come from up the road as they had advertised they would. That declaration on their part had been a trick and device, cockered up in the hope of taking the foe by surprise and from the rear. In a canvas-covered wagon—moving wagons, we used to call them in Red Gravel County—they left their house half an hour or so before the time set by them for the meeting, and they cut through by a wood lane which met the pike south of Foster's store; and then very slowly they rode up the pike toward the mill, being minded to attack from behind, with the added advantage of unexpectedness on their side.

Chance, though, spoiled their strategy and made these terms of primitive dueling more equal. Mark how: The woman in the sorghum patch saw it happen. She saw the wagon pass her and saw it brought to standstill just beyond where she was; saw Jess Tatum slide stealthily down from under the overhanging hood of the wagon and, sheltered behind it, draw a revolver and cock it, all the while peeping out, searching the front and the nearer side of the gristmill with his eager eyes. She saw Harve Tatum, the elder brother, set the wheel chock and wrap the lines about the sheathed whipstock, and then as he swung off the seat catch a boot heel on the rim of the wagon box and fall to the road with a jar which knocked him cold, for he was a gross and heavy man and struck squarely on his head. With popped eyes she saw Jess throw up his pistol and fire once from his ambush behind the wagon, and then—the startled team having snatched the wagon from before him—saw him advance into the open toward the mill, shooting again as he advanced.

All now in the same breath and in a jumble of shock and terror she saw Dudley Stackpole emerge into full sight, and standing clear a pace from his doorway return the fire; saw the thudding frantic hoofs of the nigh horse spurn Harve Tatum's body aside—the kick broke his right leg, it turned out—saw Jess Tatum suddenly halt and stagger back as though jerked by an unseen hand; saw him drop his weapon and straighten again, and with both hands clutched to his throat run forward, head thrown back and feet drumming; heard him give one strange bubbling, strangled scream—it was the blood in his throat made this outcry sound thus—and saw him fall on his face, twitching and wriggling, not thirty feet from where Dudley Stackpole stood, his pistol upraised and ready for more firing.

As to how many shots, all told, were fired the woman never could say with certainty. There might have been four or five or six, or even seven, she thought. After the opening shot they rang together in almost a continuous volley, she said. Three empty chambers in Tatum's gun and two in Stackpole's seemed conclusive evidence to the sheriff and the coroner that night and to the coroner's jurors next day that five shots had been fired.

On one point, though, for all her fright, the woman was positive, and to this she stuck in the face of questions and cross-questions. After Tatum stopped as though jolted to a standstill, and dropped his weapon, Stackpole flung the barrel of his revolver upward and did not again offer to fire, either as his disarmed and stricken enemy advanced upon him or after he had fallen. As she put it, he stood there like a man frozen stiff.

Having seen and heard this much, the witness, now all possible peril for her was passed, suddenly became mad with fear. She ran into her cabin and scrouged behind the headboard of a bed. When at length she timorously withdrew from hiding and came trembling forth, already persons out of the neighborhood, drawn by the sounds of the fusillade, were hurrying up. They seemed to spring, as it were, out of the ground. Into the mill these newcomers carried the two Tatums, Jess being stone-dead and Harve still senseless, with a leg dangling where the bones were snapped below the knee, and a great cut in his scalp; and they laid the two of them side by side on the floor in the gritty dust of the meal tailings and the flour grindings. This done, some ran to harness and hitch and to go to fetch doctors and law officers, spreading the news as they went; and some stayed on to work over Harve Tatum and to give such comfort as they might to Dudley Stackpole, he sitting dumb in his little, cluttered office awaiting the coming of constable or sheriff or deputy so that he might surrender himself into custody.

While they waited and while they worked to bring Harve Tatum back to his senses, the men marveled at two amazing things. The first wonder was that Jess Tatum, finished marksman as he was, and the main instigator and central figure of sundry violent encounters in the past, should have failed to hit the mark at which he fired with his first shot or with his second or with his third; and the second, a still greater wonder, was that Dudley Stackpole, who perhaps never in his life had had for a target a living thing, should have sped a bullet so squarely into the heart of his victim at twenty yards or more. The first phenomenon might perhaps be explained, they agreed, on the hypothesis that the mishap to his brother, coming at the very moment of the fight's beginning, unnerved Jess and threw him out of stride, so to speak. But the second was not in anywise to be explained excepting on the theory of sheer chance. The fact remained that it was so, and the fact remained that it was strange.

By form of law Dudley Stackpole spent two days under arrest; but this was a form, a legal fiction only. Actually he was at liberty from the time he reached the courthouse that night, riding in the sheriff's buggy with the sheriff and carrying poised on his knees a lighted lantern. Afterwards it was to be recalled that when, alongside the sheriff, he came out of his mill technically a prisoner he carried in his hand this lantern, all trimmed of wick and burning, and that he held fast to it through the six-mile ride to town. Afterwards, too, the circumstance was to be coupled with multiplying circumstances to establish a state of facts; but at the moment, in the excited state of mind of those present, it passed unremarked and almost unnoticed. And he still held it in his hand when, having been released under nominal bond and attended by certain sympathizing friends, he walked across town from the county building to his home in Clay Street. That fact, too, was subsequently remembered and added to other details to make a finished sum of deductive reasoning.

Already it was a foregone conclusion that the finding at the coroner's inquest, to be held the next day, would absolve him; foregone, also, that no prosecutor would press for his arraignment on charges and that no grand jury would indict. So, soon all the evidence in hand was conclusively on his side. He had been forced into a fight not of his own choosing; an effort, which had failed, had been made to take him unfairly from behind; he had fired in self-defense after having first been fired upon; save for a quirk of fate operating in his favor, he should have faced odds of two deadly antagonists instead of facing one. What else then than his prompt and honorable discharge? And to top all, the popular verdict was that the killing off of Jess Tatum was so much good riddance of so much sorry rubbish; a pity, though, Harve had escaped his just deserts.

Helpless for the time being, and in the estimation of his fellows even more thoroughly discredited than he had been before, Harve Tatum here vanishes out of our recital. So, too, does Jeffrey Stackpole, heretofore mentioned once by name, for within a week he was dead of the same heart attack which had kept him out of the affair at Cache Creek. The rest of the narrative largely appertains to the one conspicuous survivor, this Dudley Stackpole already described.

Tradition ever afterwards had it that on the night of the killing he slept—if he slept at all—in the full-lighted room of a house which was all aglare with lights from cellar to roof line. From its every opening the house blazed as for a celebration. At the first, so the tale of it ran, people were of two different minds to account for this. This one rather thought Stackpole feared punitive reprisals under cover of night by vengeful kinsmen of the Tatums, they being, root and branch, sprout and limb, a belligerent and an ill-conditioned breed. That one suggested that maybe he took this method of letting all and sundry know he felt no regret for having gunned the life out of a dangerous brawler; that perhaps thereby he sought to advertise his satisfaction at the outcome of that day's affair. But this latter theory was not to be credited. For so sensitive and so well-disposed a man as Dudley Stackpole to joy in his own deadly act, however justifiable in the sight of law and man that act might have been—why, the bare notion of it was preposterous! The repute and the prior conduct of the man robbed the suggestion of all plausibility. And then soon, when night after night the lights still flared in his house, and when on top of this evidence accumulated to confirm a belief already crystallizing in the public mind, the town came to sense the truth, which was that Mr. Dudley Stackpole now feared the dark as a timid child might fear it. It was not authentically chronicled that he confessed his fears to any living creature. But his fellow townsmen knew the state of his mind as though he had shouted of it from the housetops. They had heard, most of them, of such cases before. They agreed among themselves that he shunned darkness because he feared that out of that darkness might return the vision of his deed, bloodied and shocking and hideous. And they were right. He did so fear, and he feared mightily, constantly and unendingly.

That fear, along with the behavior which became from that night thenceforward part and parcel of him, made Dudley Stackpole as one set over and put apart from his fellows. Neither by daytime nor by night-time was he thereafter to know darkness. Never again was he to see the twilight fall or face the blackness which comes before the dawning or take his rest in the cloaking, kindly void and nothingness of the midnight. Before the dusk of evening came, in midafternoon sometimes, of stormy and briefened winter days, or in the full radiance of the sun's sinking in the summertime, he was within doors lighting the lights which would keep the darkness beyond his portals and hold at bay a gathering gloom into which from window or door he would not look and dared not look.

There were trees about his house, cottonwoods and sycamores and one noble elm branching like a lyre. He chopped them all down and had the roots grubbed out. The vines which covered his porch were shorn away. To these things many were witnesses. What transformations he worked within the walls were largely known by hearsay through the medium of Aunt Kassie, the old negress who served him as cook and chambermaid and was his only house servant. To half-fearsome, half-fascinated audiences of her own color, whose members in time communicated what she told to their white employers, she related how with his own hands, bringing a crude carpentry into play, her master ripped out certain dark closets and abolished a secluded and gloomy recess beneath a hall staircase, and how privily he called in men who strung his ceilings with electric lights, although already the building was piped for gas; and how, for final touches, he placed in various parts of his bedroom tallow dips and oil lamps to be lit before twilight and to burn all night, so that though the gas sometime should fail and the electric bulbs blink out there still would be abundant lighting about him. His became the house which harbored no single shadow save only the shadow of morbid dread which lived within its owner's bosom. An orthodox haunted house should by rights be deserted and dark. This house, haunted if ever one was, differed from the orthodox conception. It was tenanted and it shone with lights.

The man's abiding obsession—if we may call his besetment thus—changed in practically all essential regards the manners and the practices of his daily life. After the shooting he never returned to his mill. He could not bring himself to endure the ordeal of revisiting the scene of the killing. So the mill stood empty and silent, just as he left it that night when he rode to town with the sheriff, until after his brother's death; and then with all possible dispatch he sold it, its fixtures, contents and goodwill, for what the property would fetch at quick sale, and he gave up business. He had sufficient to stay him in his needs. The Stackpoles had the name of being a canny and a provident family, living quietly and saving of their substance. The homestead where he lived, which his father before him had built, was free of debt. He had funds in the bank and money out at interest. He had not been one to make close friends. Now those who had counted themselves his friends became rather his distant acquaintances, among whom he neither received nor bestowed confidences.

In the broader hours of daylight his ways were such as any man of reserved and diffident ways, having no fixed employment, might follow in a smallish community. He sat upon his porch and read in books. He worked in his flower beds. With flowers he had a cunning touch, almost like a woman's. He loved them, and they responded to his love and bloomed and bore for him. He walked downtown to the business district, always alone, a shy and unimpressive figure, and sat brooding and aloof in one of the tilted-back cane chairs under the portico of the old Richland House, facing the river. He took long solitary walks on side streets and byways; but it was noted that, reaching the outer outskirts, he invariably turned back. In all those dragging years it is doubtful if once he set foot past the corporate limits into the open country. Dun hued, unobtrusive, withdrawn, he aged slowly, almost imperceptibly. Men and women of his own generation used to say that save for the wrinkles ever multiplying in close cross-hatchings about his puckered eyes, and save for the enhancing of that dead gray pallor—the wasp's-nest overcasting of his skin—he still looked to them exactly as he had looked when he was a much younger man.

It was not so much the appearance or the customary demeanor of the recluse that made strangers turn about to stare at him as he passed, and that made them remember how he looked when he was gone from their sight. The one was commonplace enough—I mean his appearance—and his conduct, unless one knew the underlying motives, was merely that of an unobtrusive, rather melancholy seeming gentleman of quiet tastes and habits. It was the feeling and the sense of a dismal exhalation from him, an unhealthy and unnatural mental effluvium that served so indelibly to fix the bodily image of him in the brainpans of casual and uninformed passers-by. The brand of Cain was not on his brow. By every local standard of human morality it did not belong there. But built up of morbid elements within his own conscience, it looked out from his eyes and breathed out from his person.

So year by year, until the tally of the years rolled up to more than thirty, he went his lone unhappy way. He was in the life of the town, to an extent, but not of it. Always, though it was the daylit life of the town which knew him. Excepting once only. Of this exceptional instance a story was so often repeated that in time it became permanently embalmed in the unwritten history of the place.

On a summer's afternoon, sultry and close, the heavens suddenly went all black, and quick gusts smote the earth with threats of a great windstorm. The sun vanished magically; a close thick gloaming fell out of the clouds. It was as though nightfall had descended hours before its ordained time. At the city power house the city electrician turned on the street lights. As the first great fat drops of rain fell, splashing in the dust like veritable clots, citizens scurrying indoors and citizens seeing to flapping awnings and slamming window blinds halted where they were to peer through the murk at the sight of Mr. Dudley Stackpole fleeing to the shelter of home like a man hunted by a terrible pursuer. But with all his desperate need for haste he ran no straightaway course. The manner of his flight was what gave added strangeness to the spectacle of him. He would dart headlong, on a sharp oblique from the right-hand corner of a street intersection to a point midway of the block—or square, to give it its local name—then go slanting back again to the right-hand corner of the next street crossing, so that his path was in the pattern of one acutely slanted zigzag after another. He was keeping, as well as he could within the circles of radiance thrown out by the municipal arc lights as he made for his house, there in his bedchamber to fortify himself about, like one beset and besieged, with the ample and protecting rays of all the methods of artificial illumination at his command—with incandescent bulbs thrown on by switches, with the flare of lighted gas jets, with the tallow dip's slim digit of flame, and with the kerosene wick's three-finger breadth of greasy brilliance. As he fumbled, in a very panic and spasm of fear, with the latchets of his front gate Squire Jonas' wife heard him screaming to Aunt Kassie, his servant, to turn on the lights—all of them.

That once was all, though—the only time he found the dark taking him unawares and threatening to envelop him in thirty years and more than thirty. Then a time came when in a hospital in Oklahoma an elderly man named A. Hamilton Bledsoe lay on his deathbed and on the day before he died told the physician who attended him and the clergyman who had called to pray for him that he had a confession to make. He desired that it be taken down by a stenographer just as he uttered it, and transcribed; then he would sign it as his solemn dying declaration, and when he had died they were to send the signed copy back to the town from whence he had in the year 1889 moved West, and there it was to be published broadcast. All of which, in due course of time and in accordance with the signatory's wishes, was done.

With the beginning of the statement as it appeared in the Daily Evening News, as with Editor Tompkins' introductory paragraphs preceding it, we need have no interest. That which really matters began two-thirds of the way down the first column and ran as follows:

"How I came to know there was likely to be trouble that evening at the big-riffle crossing was this way"—it is the dying Bledsoe, of course, who is being quoted. "The man they sent to the mill with the message did a lot of loose talking on his way back after he gave in the message, and in this roundabout way the word got to me at my house on the Eden's Swamp road soon after dinnertime. Now I had always got along fine with both of the Stackpoles, and had only friendly feelings toward them; but maybe there's some people still alive back there in that county who can remember what the reason was why I should naturally hate and despise both the Tatums, and especially this Jess Tatum, him being if anything the more low-down one of the two, although the youngest. At this late day I don't aim to drag the name of any one else into this, especially a woman's name, and her now dead and gone and in her grave; but I will just say that if ever a man had a just cause for craving to see Jess Tatum stretched out in his blood it was me. At the same time I will state that it was not good judgment for a man who expected to go on living to start out after one of the Tatums without he kept on till he had cleaned up the both of them, and maybe some of their cousins as well. I will not admit that I acted cowardly, but will state that I used my best judgment.

"Therefore and accordingly, no sooner did I hear the news about the dare which the Tatums had sent to the Stackpoles than I said to myself that it looked like here was my fitting chance to even up my grudge with Jess Tatum and yet at the same time not run the prospect of being known to be mixed up in the matter and maybe getting arrested, or waylaid afterwards by members of the Tatum family or things of such a nature. Likewise I figured that with a general amount of shooting going on, as seemed likely to be the case, one shot more or less would not be noticed, especially as I aimed to keep out of sight at all times and do my work from under safe cover, which it all of it turned out practically exactly as I had expected. So I took a rifle which I owned and which I was a good shot with and I privately went down through the bottoms and came out on the creek bank in the deep cut right behind Stackpole Brothers' gristmill. I should say offhand this was then about three o'clock in the evening. I was ahead of time, but I wished to be there and get everything fixed up the way I had mapped it out in my mind, without being hurried or rushed.

"The back door of the mill was not locked, and I got in without being seen, and I went upstairs to the loft over the mill and I went to a window just above the front door, which was where they hoisted up grain when brought in wagons, and I propped the wooden shutter of the window open a little ways. But I only propped it open about two or three inches; just enough for me to see out of it up the road good. And I made me a kind of pallet out of meal sacks and I laid down there and I waited. I knew the mill had shut down for the week, and I didn't figure on any of the hands being round the mill or anybody finding out I was up there. So I waited, not hearing anybody stirring about downstairs at all, until just about three minutes past six, when all of a sudden came the first shot.

"What threw me off was expecting the Tatums to come afoot from up the road, but when they did come it was in a wagon from down the main Blandsville pike clear round in the other direction. So at this first shot I swung and peeped out and I seen Harve Tatum down in the dust seemingly right under the wheels of his wagon, and I seen Jess Tatum jump out from behind the wagon and shoot, and I seen Dudley Stackpole come out of the mill door right directly under me and start shooting back at him. There was no sign of his brother Jeffrey. I did not know then that Jeffrey was home sick in bed.

"Being thrown off the way I had been, it took me maybe one or two seconds to draw myself around and get the barrel of my rifle swung round to where I wanted it, and while I was doing this the shooting was going on. All in a flash it had come to me that it would be fairer than ever for me to take part in this thing, because in the first place the Tatums would be two against one if Harve should get back upon his feet and get into the fight; and in the second place Dudley Stackpole didn't know the first thing about shooting a pistol. Why, all in that same second, while I was righting myself and getting the bead onto Jess Tatum's breast, I seen his first shot—Stackpole's I mean—kick up the dust not twenty feet in front of him and less than halfway to where Tatum was. I was as cool as I am now, and I seen this quite plain.

"So with that, just as Stackpole fired wild again, I let Jess Tatum have it right through the chest, and as I did so I knew from the way he acted that he was done and through. He let loose of his pistol and acted like he was going to fall, and then he sort of rallied up and did a strange thing. He ran straight on ahead toward the mill, with his neck craned back and him running on tiptoe; and he ran this way quite a little ways before he dropped flat, face down. Somebody else, seeing him do that, might have thought he had the idea to tear into Dudley Stackpole with his bare hands, but I had done enough shooting at wild game in my time to know that he was acting like a partridge sometimes does, or a wild duck when it is shot through the heart or in the head; only in such a case a bird flies straight up in the air. Towering is what you call it when done by a partridge. I do not know what you would call it when done by a man.

"So then I closed the window shutter and I waited for quite a little while to make sure everything was all right for me, and then I hid my rifle under the meal sacks, where it stayed until I got it privately two days later; and then I slipped downstairs and went out by the back door and came round in front, running and breathing hard as though I had just heard the shooting whilst up in the swamp. By that time there were several others had arrived, and there was also a negro woman crying round and carrying on and saying she seen Jess Tatum fire the first shot and seen Dudley Stackpole shoot back and seen Tatum fall. But she could not say for sure how many shots there were fired in all. So I saw that everything was all right so far as I was concerned, and that nobody, not even Stackpole, suspicioned but that he himself had killed Jess Tatum; and as I knew he would have no trouble with the law to amount to anything on account of it, I felt that there was no need for me to worry, and I did not—not worry then nor later. But for some time past I had been figuring on moving out here on account of this new country opening up. So I hurried up things, and inside of a week I had sold out my place and had shipped my household plunder on ahead; and I moved out here with my family, which they have all died off since, leaving only me. And now I am about to die, and so I wish to make this statement before I do so.

"But if they had thought to cut into Jess Tatum's body after he was dead, or to probe for the bullet in him, they would have known that it was not Dudley Stackpole who really shot him, but somebody else; and then I suppose suspicion might have fell upon me, although I doubt it. Because they would have found that the bullet which killed him was fired out of a forty-five-seventy shell, and Dudley Stackpole had done all of the shooting he done with a thirty-eight caliber pistol, which would throw a different-size bullet. But they never thought to do so."

Question by the physician, Doctor Davis: "You mean to say that no autopsy was performed upon the body of the deceased?"

Answer by Bledsoe: "If you mean by performing an autopsy that they probed into him or cut in to find the bullet I will answer no, sir, they did not. They did not seem to think to do so, because it seemed to everybody such a plain open-and-shut case that Dudley Stackpole had killed him."

Question by the Reverend Mr. Hewlitt: "I take it that you are making this confession of your own free will and in order to clear the name of an innocent party from blame and to purge your own soul?"

Answer: "In reply to that I will say yes and no. If Dudley Stackpole is still alive, which I doubt, he is by now getting to be an old man; but if alive yet I would like for him to know that he did not fire the shot which killed Jess Tatum on that occasion. He was not a bloodthirsty man, and doubtless the matter may have preyed upon his mind. So on the bare chance of him being still alive is why I make this dying statement to you gentlemen in the presence of witnesses. But I am not ashamed, and never was, at having done what I did do. I killed Jess Tatum with my own hands, and I have never regretted it. I would not regard killing him as a crime any more than you gentlemen here would regard it as a crime killing a rattlesnake or a moccasin snake. Only, until now, I did not think it advisable for me to admit it; which, on Dudley Stackpole's account solely, is the only reason why I am now making this statement."

And so on and so forth for the better part of a second column, with a brief summary in Editor Tompkins' best style—which was a very dramatic and moving style indeed—of the circumstances, as recalled by old residents, of the ancient tragedy, and a short sketch of the deceased Bledsoe, the facts regarding him being drawn from the same veracious sources; and at the end of the article was a somewhat guarded but altogether sympathetic reference to the distressful recollections borne for so long and so patiently by an esteemed townsman, with a concluding paragraph to the effect that though the gentleman in question had declined to make a public statement touching on the remarkable disclosures now added thus strangely as a final chapter to the annals of an event long since occurred, the writer felt no hesitancy in saying that appreciating, as they must, the motives which prompted him to silence, his fellow citizens would one and all join the editor of the Daily Evening News in congratulating him upon the lifting of this cloud from his life.

"I only wish I had the language to express the way that old man looked when I showed him the galley proofs of Bledsoe's confession," said Editor Tompkins to a little interested group gathered in his sanctum after the paper was on the streets that evening. "If I had such a power I'd have this Frenchman Balzac clear off the boards when it came to describing things. Gentlemen, let me tell you—I've been in this business all my life, and I've seen lots of things, but I never saw anything that was the beat of this thing.

"Just as soon as this statement came to me in the mails this morning from that place out in Oklahoma I rushed it into type, and I had a set of galley proofs pulled and I stuck 'em in my pocket and I put out for the Stackpole place out on Clay Street. I didn't want to trust either of the reporters with this job. They're both good, smart, likely boys; but, at that, they're only boys, and I didn't know how they'd go at this thing; and, anyway, it looked like it was my job.

"He was sitting on his porch reading, just a little old gray shell of a man, all hunched up, and I walked up to him and I says: 'You'll pardon me, Mr. Stackpole, but I've come to ask you a question and then to show you something. Did you,' I says, 'ever know a man named A. Hamilton Bledsoe?'

"He sort of winced. He got up and made as if to go into the house without answering me. I suppose it'd been so long since he had anybody calling on him he hardly knew how to act. And then that question coming out of a clear sky, as you might say, and rousing up bitter memories—not probably that his bitter memories needed any rousing, being always with him, anyway—may have jolted him pretty hard. But if he aimed to go inside he changed his mind when he got to the door. He turned round and came back.

"'Yes,' he says, as though the words were being dragged out of him against his will, 'I did once know a man of that name. He was commonly called Ham Bledsoe. He lived near where'—he checked himself up, here—'he lived,' he says, 'in this county at one time. I knew him then.'

"'That being so,' I says, 'I judge the proper thing to do is to ask you to read these galley proofs,' and I handed them over and he read them through without a word. Without a word, mind you, and yet if he'd spoken a volume he couldn't have told me any clearer what was passing through his mind when he came to the main facts than the way he did tell me just by the look that came into his face. Gentlemen, when you sit and watch a man sixty-odd years old being born again; when you see hope and life come back to him all in a minute; when you see his soul being remade in a flash, you'll find you can't describe it afterwards, but you're never going to forget it. And another thing you'll find is that there is nothing for you to say to him, nothing that you can say, nor nothing that you want to say.

"I did manage, when he was through, to ask him whether or not he wished to make a statement. That was all from me, mind you, and yet I'd gone out there with the idea in my head of getting material for a long newsy piece out of him—what we call in this business heart-interest stuff. All he said, though, as he handed me back the slips was, 'No, sir; but I thank you—from the bottom of my heart I thank you.' And then he shook hands with me—shook hands with me like a man who's forgotten almost how 'twas done—and he walked in his house and shut the door behind him, and I came on away feeling exactly as though I had seen a funeral turned into a resurrection."

Editor Tompkins thought he had that day written the final chapter, but he hadn't. The final chapter he was to write the next day, following hard upon a denouement, which to Mr. Tompkins, he with his own eyes having seen what he had seen, was so profound a puzzle that ever thereafter he mentally catalogued it under one of his favorite headlining phrases: "Deplorable Affair Shrouded in Mystery."

Let us go back a few hours. For a fact, Mr. Tompkins had been witness to a spirit's resurrection. It was as he had borne testimony—a life had been reborn before his eyes. Even so, he, the sole spectator to and chronicler of the glory of it, could not know the depth and the sweep and the swing of the great heartening swell of joyous relief which uplifted Dudley Stackpole at the reading of the dead Bledsoe's words. None save Dudley Stackpole himself was ever to have a true appreciation of the utter sweetness of that cleansing flood, nor he for long.

As he closed his door upon the editor, plans, aspirations, ambitions already were flowing to his brain, borne there upon that ground swell of sudden happiness. Into the back spaces of his mind long-buried desires went riding like chips upon a torrent. The substance of his patiently endured self-martyrdom was lifted all in a second, and with it the shadow of it. He would be thenceforth as other men, living as they lived, taking, as they did, an active share and hand in communal life. He was getting old. The good news had come late but not too late. That day would mark the total disappearance of the morbid lonely recluse and the rejuvenation of the normal-thinking, normal-habited citizen. That very day he would make a beginning of the new order of things.

And that very day he did; at least he tried. He put on his hat and he took his cane in his hand and as he started down the street he sought to put smartness and springiness into his gait. If the attempt was a sorry failure, he, for one, did not appreciate the completeness of the failure. He meant, anyhow, that his step no longer should be purposeless and mechanical; that his walk should hereafter have intent in it. And as he came down the porch steps he looked about him, but dully, with sick and uninforming eyes, but with a livened interest in all familiar homely things.

Coming to his gate he saw, near at hand, Squire Jonas, now a gnarled but still sprightly octogenarian, leaning upon a fence post surveying the universe at large, as was the squire's daily custom. He called out a good morning and waved his stick in greeting toward the squire with a gesture which he endeavored to make natural. His aging muscles, staled by thirty-odd years of lack of practice at such tricks, merely made it jerky and forced. Still, the friendly design was there, plainly to be divined; and the neighborly tone of his voice. But the squire, ordinarily the most courteous of persons, and certainly one of the most talkative, did not return the salutation. Astonishment congealed his faculties, tied his tongue and paralyzed his biceps. He stared dumbly a moment, and then, having regained coherent powers, he jammed his brown-varnished straw hat firmly upon his ancient poll and went scrambling up his gravel walk as fast as two rheumatic underpinnings would take him, and on into his house like a man bearing incredible and unbelievable tidings.

Mr. Stackpole opened his gate and passed out and started down the sidewalk. Midway of the next square he overtook a man he knew—an elderly watchmaker, a Swiss by birth, who worked at Nagel's jewelry store. Hundreds, perhaps thousands of times he had passed this man upon the street. Always before he had passed him with averted eyes and a stiff nod of recognition. Now, coming up behind the other, Mr. Stackpole bade him a cheerful good day. At the sound of the words the Swiss spun on his heel, then gulped audibly and backed away, flinching almost as though a blow had been aimed at him. He muttered some meaningless something, confusedly; he stared at Mr. Stackpole with widened eyes like one who beholds an apparition in the broad of the day; he stepped on his own feet and got in his own way as he shrank to the outer edge of the narrow pavement. Mr. Stackpole was minded to fall into step alongside the Swiss, but the latter would not have it so. He stumbled along for a few yards, mute and plainly terribly embarrassed at finding himself in this unexpected company, and then with a muttered sound which might be interpreted as an apology or an explanation, or as a token of profound surprise on his part, or as combination of them all, he turned abruptly off into a grassed side lane which ran up into the old Enders orchard and ended nowhere at all in particular. Once his back was turned to Mr. Stackpole, he blessed himself fervently. On his face was the look of one who would fend off what is evil and supernatural.

Mr. Stackpole continued on his way. On a vacant lot at Franklin and Clay Streets four small boys were playing one-eyed-cat. Switching his cane at the weed tops with strokes which he strove to make casual, he stopped to watch them, a half smile of approbation on his face. Pose and expression showed that he desired their approval for his approval of their skill. They stopped, too, when they saw him—stopped short. With one accord they ceased their play, staring at him. Nervously the batsman withdrew to the farther side of the common, dragging his bat behind him. The three others followed, casting furtive looks backward over their shoulders. Under a tree at the back of the lot they conferred together, all the while shooting quick diffident glances toward where he stood. It was plain something had put a blight upon their spirits; also, even at this distance, they radiated a sort of inarticulate suspicion—a suspicion of which plainly he was the object.

For long years Mr. Stackpole's faculties for observation of the motives and actions of his fellows had been sheathed. Still, disuse had not altogether dulled them. Constant introspection had not destroyed his gift for speculation. It was rusted, but still workable. He had read aright Squire Jonas' stupefaction, the watchmaker's ludicrous alarm. He now read aright the chill which the very sight of his altered mien—cheerful and sprightly where they had expected grim aloofness—had thrown upon the spirits of the ball players. Well, he could understand it all. The alteration in him, coming without prior warning, had startled them, frightened them, really. Well, that might have been expected. The way had not been paved properly for the transformation. It would be different when the Daily Evening News came out. He would go back home—he would wait. When they had read what was in the paper people would not avoid him or flee from him. They would be coming into his house to wish him well, to reëstablish old relations with him. Why, it would be almost like holding a reception. He would be to those of his own age as a friend of their youth, returning after a long absence to his people, with the dour stranger who had lived in his house while he was away now driven out and gone forever.

He turned about and he went back home and he waited. But for a while nothing happened, except that in the middle of the afternoon Aunt Kassie unaccountably disappeared. She was gone when he left his seat on the front porch and went back to the kitchen to give her some instruction touching on supper. At dinnertime, entering his dining room, he had without conscious intent whistled the bars of an old air, and at that she had dropped a plate of hot egg bread and vanished into the pantry, leaving the spilt fragments upon the floor. Nor had she returned. He had made his meal unattended. Now, while he looked for her, she was hurrying down the alley, bound for the home of her preacher. She felt the need of his holy counsels and the reading of scriptural passages. She was used to queerness in her master, but if he were going crazy all of a sudden, why that would be a different matter altogether. So presently she was confiding to her spiritual adviser.

Mr. Stackpole returned to the porch and sat down again and waited for what was to be. Through the heat of the waning afternoon Clay Street was almost deserted; but toward sunset the thickening tides of pedestrian travel began flowing by his house as men returned homeward from work. He had a bowing acquaintance with most of those who passed.

Two or three elderly men and women among them he had known fairly well in years past. But no single one of those who came along turned in at his gate to offer him the congratulation he so eagerly desired; no single one, at sight of him, all poised and expectant, paused to call out kindly words across the palings of his fence. Yet they must have heard the news. He knew that they had heard it—all of them—knew it by the stares they cast toward the house front as they went by. There was more, though, in the staring than a quickened interest or a sharpened curiosity.

Was he wrong, or was there also a sort of subtle resentment in it? Was there a sense vaguely conveyed that even these old acquaintances of his felt almost personally aggrieved that a town character should have ceased thus abruptly to be a town character—that they somehow felt a subtle injustice had been done to public opinion, an affront offered to civic tradition, through this unexpected sloughing off by him of the rôle he for so long had worn?

He was not wrong. There was an essence of a floating, formless resentment there. Over the invisible tendons of mental telepathy it came to him, registering emphatically.

As he shrank back in his chair he summoned his philosophy to give him balm and consolation for his disappointment. It would take time, of course, for people to grow accustomed to the change in him—that was only natural. In a few days, now, when the shock of the sensation had worn off, things would be different. They would forgive him for breaking a sort of unuttered communal law, but one hallowed, as it were, by rote and custom. He vaguely comprehended that there might be such a law for his case—a canon of procedure which, unnatural in itself, had come with the passage of the passing years to be quite naturally accepted.

Well, perhaps the man who broke such a law, even though it were originally of his own fashioning, must abide the consequences. Even so, though, things must be different when the minds of people had readjusted. This he told himself over and over again, seeking in its steady repetition salve for his hurt, overwrought feelings.

And his nights—surely they would be different! Therein, after all, lay the roots of the peace and the surcease which henceforth would be his portion. At thought of this prospect, now imminent, he uplifted his soul in a silent pæan of thanksgiving.

Having no one in whom he ever had confided, it followed naturally that no one else knew what torture he had suffered through all the nights of all those years stretching behind him in so terribly long a perspective. No one else knew how he had craved for the darkness which all the time he had both feared and shunned. No one else knew how miserable a travesty on sleep his sleep had been, first reading until a heavy physical weariness came, then lying in his bed through the latter hours of the night, fitfully dozing, often rousing, while from either side of his bed, from the ceiling above, from the headboard behind him, and from the footboard, strong lights played full and flary upon his twitching, aching eyelids; and finally, towards dawn, with every nerve behind his eyes taut with pain and strain, awakening unrefreshed to consciousness of that nimbus of unrelieved false glare which encircled him, and the stench of melted tallow and the stale reek of burned kerosene foul in his nose. That, now, had been the hardest of all to endure. Endured unceasingly, it had been because of his dread of a thing infinitely worse—the agonized, twisted, dying face of Jess Tatum leaping at him out of shadows. But now, thank God, that ghost of his own conjuring, that wraith never seen but always feared, was laid to rest forever. Never again would conscience put him, soul and body, upon the rack. This night he would sleep—sleep as little children do in the all-enveloping, friendly, comforting dark.

Scarcely could he wait till a proper bedtime hour came. He forgot that he had had no supper; forgot in that delectable anticipation the disillusionizing experiences of the day. Mechanically he had, as dusk came on, turned on the lights throughout the house, and force of habit still operating, he left them all on when at eleven o'clock he quitted the brilliantly illuminated porch and went to his bedroom on the second floor. He undressed and he put on him his night wear, becoming a grotesque shrunken figure, what with his meager naked legs and his ashen eager face and thin dust-colored throat rising above the collarless neckband of the garment. He blew out the flame of the oil lamp which burned on a reading stand at the left side of his bed and extinguished the two candles which stood on a table at the right side.

Then he got in the bed and stretched out his arms, one aloft, the other behind him, finding with the fingers of this hand the turncock of the gas burner which swung low from the ceiling at the end of a goose-necked iron pipe, finding with the fingers of that hand the wall switch which controlled the battery of electric lights round about, and with a long-drawn sigh of happy deliverance he turned off both gas and electricity simultaneously and sank his head toward the pillow.

The pæaned sigh turned to a shriek of mortal terror. Quaking in every limb, crying out in a continuous frenzy of fright, he was up again on his knees seeking with quivering hands for the switch; pawing about then for matches with which to relight the gas. For the blackness—that blackness to which he had been stranger for more than half his life—had come upon him as an enemy smothering him, muffling his head in its terrible black folds, stopping his nostrils with its black fingers, gripping his windpipe with black cords, so that his breathing stopped.

That blackness for which he had craved with an unappeasable hopeless craving through thirty years and more was become a horror and a devil. He had driven it from him. When he bade it return it returned not as a friend and a comforter but as a mocking fiend.

For months and years past he had realized that his optic nerves, punished and preyed upon by constant and unwholesome brilliancy, were nearing the point of collapse, and that all the other nerves in his body, frayed and fretted, too, were all askew and jangled. Cognizant of this he still could see no hope of relief, since his fears were greater than his reasoning powers or his strength of will. With the fear lifted and eternally dissipated in a breath, he had thought to find solace and soothing and restoration in the darkness. But now the darkness, for which his soul in its longing and his body in its stress had cried out unceasingly and vainly, was denied him too. He could face neither the one thing nor the other.

Squatted there in the huddle of the bed coverings, he reasoned it all out, and presently he found the answer. And the answer was this: Nature for a while forgets and forgives offenses against her, but there comes a time when Nature ceases to forgive the mistreatment of the body and the mind, and sends then her law of atonement, to be visited upon the transgressor with interest compounded a hundredfold. The user of narcotics knows it; the drunkard knows it; and this poor self-crucified victim of his own imagination—he knew it too. The hint of it had that day been reflected in the attitude of his neighbors, for they merely had obeyed, without conscious realization or analysis on their part, a law of the natural scheme of things. The direct proof of it was, by this night-time thing, revealed and made yet plainer. He stood convicted, a chronic violator of the immutable rule. And he knew, likewise, there was but one way out of the coil—and took it, there in his bedroom, vividly ringed about by the obscene and indecent circle of his lights which kept away the blessed, cursed darkness while the suicide's soul was passing.

AN INSTRUMENT OF THE GODS[6]

By LINCOLN COLCORD

(From The American Magazine)

"You think the Chinese are prosaic," said Nichols from the darkness of his corner. "I've listened to you closely. You fellows have been discussing only superficialities. At heart, you and the Oriental are the same. The Chinese are romantic, I tell you; they are heroic. Yes, really. Let me tell you a tale."

Suddenly he laughed. "You won't be convinced. But strip my friend Lee Fu Chang naked, forget about that long silken coat of his; dress him in a cowboy's suit and locate him on the Western plains, and the game he played with Captain Wilbur won't seem so inappropriate. You merely won't expect a mandarin Chinaman to play it. You'll feel that China is too civilized for what he did.

"Some of you fellows must remember the notorious case of Captain Wilbur and the 'Speedwell;' but I'll briefly refresh your memories: He was a well-known shipmaster of the palmy days, and his vessel was one of the finest clippers ever launched on the shores of New England. But she was growing old; and Wilbur had suffered serious financial reverses, though the fact wasn't generally known.

"To make a long story short, he put the 'Speedwell' ashore in Ombay Pass, on a voyage from Singapore to New York, and abandoned her as she lay. Within a month after sailing, he was back again in Singapore with his ship's company in three long boats and a tale of a lost vessel. No hint of scandal was raised against the affair. The insurance companies stood the gaff, the business was closed up without a hitch, and the name of the 'Speedwell' passed simultaneously from the 'Maritime Register' and from the books of her owners in America.

"Wilbur went immediately to Batavia, and there hired a schooner and crew with the proceeds of his personal holdings in the vessel. He sailed for Ombay Pass; after a period of magnificent sailorizing and superhuman effort he floated the ship and patched her so that she would stay afloat. When he appeared off Batavia roadstead with the 'Speedwell' under topgallant-sails, it was the sensation of the port; and when it transpired what he intended to do with her, the news flew like wildfire about the China Sea. For he proposed to hold the ship as salvage; and nothing, apparently, could be done about it. He found men willing to advance him credit, bought off his Lascar crew, took the 'Speedwell' to Hong Kong and put her in dry dock, and soon was ready for business with a fine ship of his own.

"I was off on a trading voyage while these events were taking place. I heard them first from Lee Fu Chang.

"'An extraordinary incident!' exclaimed Lee Fu in conclusion. 'I am deeply interested. It is a crowning stroke that he has not seen fit to change the name of the vessel. All is as it was before, when the well-known and reputable Captain Wilbur commanded his fine ship, the "Speedwell," on voyages to the East.'

"'Does the crowd have anything to do with him?' I asked.

"'None of his old associates speak in passing. He goes about like a man afflicted with a pestilence. Apparently, he is not disturbed by this treatment. He makes no protest, offers no excuse, takes no notice; in the face of outrageous insult he maintains an air of dignity and reserve, like a man conscious of inner rectitude.'

"'Did you talk with him, Lee Fu?'

"'Oh, yes. In fact, I cultivated his acquaintance. It relieved, as it were, the daily monotony of virtue. Do not think that he is a simple man. His heart in this matter is unfathomable, and well worth sounding.'

"'By Jove, I believe you liked him!'

"'No, not that.' Lee Fu folded his hands within the long sleeves of his embroidered coat and laid them across his stomach in a characteristic attitude of meditation. 'No, quite the opposite. I abhorred him. He feels no remorse; he goes his way in peace from the betrayal of a sacred trust. He is an arch-criminal.'

"'Aren't you laying it on a little thick?' I laughed.

"Lee Fu smiled quietly, giving me a glance that was a mere flicker of the eyelids. 'Captain, let me tell you, murder is brave and honorable compared to this. Consider what he did: Trained to the sea and ships, after a lifetime of service to his traditions, he suddenly forsakes them utterly. It is blasphemy which he has committed; blasphemy against the gods who guide and sustain us, and without whose aid we cannot live. So I abhor him—and am fascinated. If you will believe me, Captain, I have not in all my talk with him received a single flash of illumination; no, not one! There is no clue to his design. He speaks of his ship as others do; he is a big, red-faced man with frank glances and open speech. I swear to you, his heart is untroubled. And that is horrible.'

"I was a little amused at my friend's moral fervor. 'Perhaps he's innocent,' I said.

"'You forget that he holds the vessel,' Lee Fu reminded me. 'To one of your race, if no blood flows, then it is not so bad. But bear in mind that a strong man within your circle has murdered the spirit—and wait until the actual blood flows.'

"'What do you mean. Lee Fu?'

"'I mean that Captain Wilbur will bear watching. In the meantime, do not fail to study him when opportunity offers. Thus we learn of heaven and hell.'

"A few years went by, while the case of Captain Wilbur and the 'Speedwell' was in its initial stages of being forgotten. Nothing succeeds like success; the man was growing rich, and there were many to whom the possession of a fine vessel covered a multitude of sins. Some of his old friends were willing after a while to let bygones be bygones. Little by little, one began to see him again on the quarter-deck of an evening, among the fleet captains. When, in time, it became unwise to start the story against him for fear of misconstruction of the motive, it was evident that he'd won his nefarious match against society.

"I'd met him a number of times during this interval. Indeed, he compelled attention. That perfect urbanity, that air of unfailing dignity and confidence, that aura of a commanding personality, of an able shipmaster among his brethren, of a man whose position in the world was secure beyond peradventure; these could spring only from a quiet conscience or from a heart perfectly attuned to villainy. So unconscious was his poise that one often doubted the evidence of memory, and found one's self going back over the record, only to fetch up point-blank against the incontestable fact that he had stolen his ship and had betrayed his profession.

"'It is a triumph, a feat of character!' Lee Fu used to say, as we compared notes on the case from time to time. 'I think that he has not been guilty of a single minor error. His correctness is diabolical. It presages disaster, like too much fair weather in the typhoon season. Mark my word, Captain, when the major error comes it will be a great tragedy.'

"'Must there be an error?' I asked, falling into the mood of Lee Fu's exaggerated concern. 'He has carried it off so far with the greatest ease.'

"'Yes, with the greatest ease,' Lee Fu repeated thoughtfully. 'Yet I wonder if he has been properly put to the test. See how the world protects him! But he is not invulnerable. Life will yet challenge him—it must be. Can a man escape the gods? I wonder. That is why I concern myself with him—to know his destiny.'

"'You admit, then, that he may be merely a stupid fool?' I chaffed.

"'Not stupid,' said Lee Fu. 'Yet, on the other hand, not superior to life. Such faultless power of will is in itself no mean share of ability. He is, as you might say, self-centered—most accurately self-centered. But the challenge of the gods displaces the center of all. He will be like a top that is done spinning. A little breath may topple him. Wait and see.'

"Voyage followed voyage; and one time, when I had come in from Bangkok and was on my way to Lee Fu's office I passed Captain Wilbur on the opposite side of Queen's Road. It flashed across my mind that I hadn't observed the 'Speedwell' in harbor.

"'The fact is, the successful Captain Wilbur has retired from active service on the sea,' Lee Fu explained with a quizzical smile, when I put the question. 'He is now a ship owner alone, and has favored Hong Kong above all other ports as the seat of his retirement. He resides in a fine house on Graham Terrace, and has chairmen in white livery edged with crimson. Captain Nichols, you should steal a ship.'

"'Who goes in the "Speedwell"?'

"'An old friend of ours, one Captain Turner,' said Lee Fu slowly, without looking in my direction.

"'Not Will Turner?'

"'The same.'

"I pursed up my mouth in a silent whistle. Will Turner in the 'Speedwell!' Poor old chap, he must have lost another ship. Hard luck seemed to pursue him, gave him no rest on land or sea. A capable sailor and an honest man, yet life had afforded him nothing but a succession of black eyes and heavy falls. Death and sorrow, too; he had buried a wife and child, swept off by cholera, in the Bay of Bengal. Turner and I had landed together in the China Sea; I knew his heart, his history, some of his secrets, and liked him tremendously for the man he was.

"Watching Lee Fu in silence, I thought of the relationship between Will Turner and this extraordinary Chinaman. I won't go into the story, but there were overwhelming reasons why they should think well of each other; why Lee Fu should respect and honor Turner, and why Turner should hold Lee Fu as his best friend.

"'I did not know of the plan until he had accepted,' Lee Fu was saying. 'I did everything in my power to dissuade him.'

"'Didn't Wilbur do the right thing?'

"'Oh, yes. But it is unthinkable, Captain, that he should command the "Speedwell." The jealous gods have not yet shown their hand.'

"'Nonsense, Lee Fu!' I exclaimed, a little irritated. 'Since the thing is done, hadn't we better try to be practical?'

"'Exactly,' said Lee Fu. 'Let us be practical. Captain, is it impossible for the Caucasian to reason from cause to effect? There seems to be no logic in your design; which explains many curious facts of history. I have merely insisted that a man who would do one thing would do another, and that, sooner or later, life would present to him another thing to do.'

"'But I've known too many men to escape what you call destiny,' I argued peevishly.

"'Have you?' inquired Lee Fu.

"That year I went into the Malay Archipelago for an extended cruise, was gone seven months among the islands, and reached Hong Kong just ahead of a bad blow. Typhoon signals were flying from the Peak as I came in; the sky to the eastward had lowered and darkened like a shutter, and the breeze had begun to whip in vicious gusts across the harbor. I carried important communications for Lee Fu, so went ashore at once. The outer office was full of gathering gloom, although it was still early afternoon. Sing Toy immediately took in my name; and soon I was ushered into the familiar room, where my friend sat beside a shaded lamp, facing a teakwood desk inlaid with ivory, and invariably bare, save for a priceless Ming vase and an ornament of old green bronze.

"'I am glad to see you, Captain,' he said dispassionately. 'Sit down. I have bad news.'

"'Yes?' I queried, more than a little alarmed.

"Folding his hands across his stomach and slightly bowing his head, he gazed at me with a level upturned glance that, without betraying expression, carried by its very immobility a hint of deep emotion. 'It is as I told you,' he said at last. 'Now, perhaps, you will believe.'

"'For heaven's sake, what are you talking about?' I demanded.

"'We had another typhoon this season, a very early one. It was this typhoon into whose face our late friend Captain Turner took his ship, the "Speedwell," sailing from Hong Kong for New York some four months ago. Three days after sailing, he met the typhoon and was blown upon a lee shore two hundred miles along the China coast. In this predicament, he cut away his masts and came to anchor. But his ship would not float, and accordingly sunk at the anchors.'

"'Sunk at her anchors!' I exclaimed. 'How could that be? A tight ship never did such a thing.'

"'Nevertheless, she sunk in the midst of the gale, and all on board perished. Afterwards the news was reported from shore, and the hull was discovered in ten fathoms of water. There has been talk of trying to save the ship; and Captain Wilbur himself, in a diver's suit, has inspected the wreck. Surely, he should know if it is possible to salve her! He says no, and it is reported that the insurance companies are in agreement with him.' Lee Fu's voice dropped to a rasping tone. 'The lives, of course, he cannot save.'

"I sat for some moments gazing at the green bronze dragon on the desk, stunned by what I had heard. Turner gone? Even between us, who had seen each other seldom in late years, there had been a bond. Weren't we known as the two Eastern wanderers?

"'That is not all,' said Lee Fu suddenly. 'What more?' I asked.

"'Listen, Captain, and pay close attention. Some weeks after the loss of the "Speedwell," it came to my ears that a man had a tale worth hearing. He was brought; he proved to be a common coolie who had been employed in the loading of the "Speedwell." This coolie had been gambling during the dinner hour, and had lost the small sum that he should have taken home as the result of several days' labor. Likewise, he feared his wife, and particularly her mother, who was a shrew. In a moment of desperation, as the lighter was preparing to leave for the night, he escaped and secreted himself in the hold of the vessel.

"'He had long been asleep that night when he was suddenly awakened by a sound on the ladder leading from the upper deck. It was a sound of careful steps, mingled with a faint metallic rattling. A moment later a foot descended on the floor of the between-decks, and lantern was cautiously lighted. The coolie retreated quickly into the lower hold, and from his post among the bales of merchandise was able to see all that went on.'

"Again Lee Fu paused, as if lingering over the scene. 'It seems that this late and secret comer into the hold of the "Speedwell" was none other than her owner, Captain Wilbur,' he slowly resumed. 'The coolie knew him by face, and had seen him come on board that afternoon. Afterwards, through my inquiries, I learned that Captain Turner had spent that night on shore. It was Captain Wilbur's custom, it seems, frequently to sleep on board his ship when she lay in port. Have you ever been in the lower hold of the "Speedwell," Captain Nichols?'

"'No, I haven't.'

"'But you recall her famous ports?'

"'Yes, indeed.' The incident at once came back to me in detail. The 'Speedwell' once had carried a cargo of ironwood from Singapore for a temple up the Yangtse-kiang. In order to load the immense timbers, she had been obliged to cut bow ports of extraordinary size, fifty inches in depth, they were, and nearly seven feet in width, according to my recollection.

"'It has been my privilege,' said Lee Fu, 'to examine carefully the forepeak of this vessel. I had chartered her one time, and felt alarmed for her safety until I had seen the interior fastenings of these great windows that looked out into the deep sea. But my alarm was groundless. There was a most ingenious device for strengthening the bows where they had been weakened by the cutting of the ports. Four or five timbers had, of course, been severed; but these were reproduced on the port itself, and the whole was fashioned like a massive door. It lifted upward on immense wrought-iron hinges; when it was lowered in place gigantic bars of iron, fitted into brackets on the adjoining timbers, stretched across its face to hold it against the impact of the waves. Thus the port, when tightly caulked from without, became again an integral part of the hull; I was told that there had never keen a trace of leakage from her bows. And, most remarkable of all, I was told, when it became necessary to open these ports for use, the task could easily be accomplished by two or three men and a stout watch-tackle. This I am now prepared to believe.

"'But, to resume the account of the coolie,' Lee Fu went on with exasperating deliberation. 'This is what he saw: Our friend Captain Wilbur descended into the lower hold and forward to the forepeak, where there was little cargo. There he worked with great effort for several hours. He had equipped himself with a short crowbar, and carried a light tackle wrapped beneath his coat. The tackle he loosened and hung to a hook above the middle of the port; it was merely for the purpose of lowering the iron crossbars so that they would make no noise. Had one fallen—'

"'Good God, Lee Fu, what are you trying to tell me?'

"'Merely an incident of the night. So, with the crowbar, Captain Wilbur pried loose the iron braces, slinging them in his tackle and dropping them softly one by one into the ship's bottom. It was a heavy task; the coolie said that sweat poured from the big man like rain. Last of all he covered the bars with dunnage, and rolled against the bow several bulky bales of matting to conceal the work. Captain, when the "Speedwell" sailed from Hong Kong in command of our honored friend, one of her great bow ports below the water hung on its hinges without internal fastenings, and held in place only by the tightness of the caulking. The first heavy weather—'

"'Can this be possible?' I said through clenched teeth.

"'Oh, yes, so easily possible that it happened,' answered Lee Fu.

"'But why should he do such a thing? Had he anything against Turner?'

"'Captain, you do not understand. He merely was tired of the vessel; and freights are becoming very poor. He wanted his insurance. He had no thought of disaster so he now assures himself; what he had in mind was for the ship to sink discreetly in pleasant weather. Yet he was willing enough to run the chance of wholesale murder.'

"I got up and began pacing the floor; the damnable affair had made me sick at heart, and a little sick at the stomach.

"'Thus the gods have struck,' said Lee Fu behind me, in that changeless voice that for a moment seemed to concentrate the echo of the ages. 'There is blood at last, Captain—twenty-seven lives, and among them one dear to us—enough even to convince one of your race that a crime has been committed. But I was mistaken in much that I foresaw. The criminal, it seems, is destined not to suffer. He has escaped the gods.'

"Can't you bring him to a reckoning? Isn't there some way—'

"Lee Fu shook his head. 'No, Captain, he is amply protected. What could I accomplish in your courts with this fantastic tale, and for witnesses a coolie and a sampan man?'

"I continued to pace the floor, thinking dark thoughts. There was a way, of course, between man and man; but such things are no longer done in the heart of civilization, except in sudden passion or jealousy.

"Pacing rapidly, and oblivious to everything but the four walls of the room, I nearly ran into Sing Toy coming in with a message from the outer office. He whispered a word in Lee Fu's ear.

"'Ah!' exclaimed Lee Fu sharply. I started, whirled around. His voice had lost the level, passive tone; it had taken on the timbre of action.

"'Send him in,' he said in Chinese to Sing Toy.

"'Who is it?' I asked breathlessly.

"'The man we have been speaking of.'

"'Wilbur? What the devil does he want?'

"'Nothing,' answered Lee Fu, speaking swiftly. 'He merely came to make a call. So he thinks; but I think otherwise. Beware of word or glance. This chanced by arrangement. We are on the threshold of the gods.'

"Lee Fu remained standing as Captain Wilbur entered the room. His hurried admonition still rang in my ears: 'Keep silence—beware of word or glance!' But I couldn't have spoken intelligibly just then. To beware of glances was a different matter. I stood as if rooted to the floor, gazing point-blank at Wilbur with a stare that must have made him wonder as to my sanity.

"'Good afternoon, Captain Wilbur,' said Lee Fu blandly. 'I think you are acquainted with Captain Nichols, of the bark "Omega"?'

"'Oh, how-do, Nichols,' said Wilbur, advancing down the room. 'I've missed you around town for a good while. Glad you're back. I suppose you had the usual assortment of adventures?'

"I drew back to escape shaking his hand.

"'No,' I answered, 'nothing like the adventure that awaited me here.'

"He settled himself in a chair, directly in range of the light, smiled, and lifted his eyebrows. 'So? Well, I can believe you. This office, you know, is the heart of all adventure.' He bowed toward Lee Fu, who had resumed his seat.

"'You honor me, Captain,' replied the Chinaman. 'Yet it is only life which may be called the heart of adventure—life, with its amazing secrets that one by one transpire into the day, and with its enormous burden of evil that weighs us down like slaves.'

"Wilbur laughed. 'Yes, that's it, no doubt. Good, too, Lee Fu, plenty of good. Don't be pessimistic. But I suppose you're right, in a way; the evil always does manage to be more romantic.'

"'Much more romantic,' said Lee Fu. 'And the secrets are more romantic still. Consider, for instance, the case of a dark secret, which by chance has already become known. How infinitely romantic! Though the man feels secure, yet inevitably it will be disclosed. When, and how? Such a case would be well worth watching—as the great writer had in mind when he wrote, "Murder will out."'

"The winged words made no impression on their mark. Wilbur met Lee Fu's glance frankly, innocently, with interest. By Jove, he was wonderful! The damned rascal hadn't a nerve in his body.

"I examined him closely. Above a trimmed brown beard his cheeks showed the ruddy color of health and energy; his eyes were steady; his mouth was strong and clean; a head of fine gray hair surmounted a high forehead; the whole aspect of his countenance was pleasing and dignified. Sitting at ease, dressed neatly in blue serge, with an arm thrown over the chair back and one ankle resting on the other knee, he presented a fine figure.

"He gave a hearty laugh. 'For the Lord's sake, come out of the gloom!' he cried. 'I drop in for a chat, and find a couple of blue devils up to their ears in the sins of humanity. Nichols over there has hardly opened his mouth.'

"'It is the mood of the approaching storm,' interposed Lee Fu quietly.

"A fiercer squall than the last shook the building; it passed in a moment as if dropping us in mid-air. Wilbur was the first to speak. 'Yes, it's going to be a hummer, isn't it? A bad night to be on the water, gentlemen. I wouldn't care to be threshing around outside, now, as poor old Turner was such a short while ago.'

"I could have struck him across the mouth for his callousness.

"Lee Fu's voice fell like oil on a breaking sea. 'All signs point to another severe typhoon. It happened, Captain, that we were discussing the loss of the "Speedwell" when you came in.'

"'Too bad—too bad,' said Wilbur slowly, with a shake of the head. 'You were away, Nichols, weren't you? It was a bad week here, I can tell you, after the news came in. I shall never forget it. Well, we take our chances.'

"'Some of us do, and some of us don't,' I snapped.

"'That's just the way I feel about it,' he said simply. 'It came home hard to me.' My jaw fairly dropped as I listened. Was it possible that he liked to talk about the affair?

"'We were wondering,' observed Lee Fu, 'why it was that the "Speedwell" did not remain afloat. What is your opinion, Captain Wilbur?'

"'It isn't a matter of opinion,' Wilbur answered. 'Haven't I seen you since the inspection? Why, the starboard bow port is stove in. I've always been afraid of those big bow ports. When I heard the peculiar circumstances, I knew in my heart what had happened.'

"'Did you?' inquired Lee Fu, with a slight hardening of the voice. 'Captain, have you collected your insurance?'

"Wilbur frowned and glanced up sharply, very properly offended. The next moment he had decided to pass it off as an instance of alien manners. 'I've just cleaned up today,' he replied brusquely. 'Had my last settlement with Lloyd's this morning—and did a silly thing, if you'll believe me. They had a package of large denomination bank notes, crisp, wonderful looking fellows; I took a sudden fancy and asked for my money in this form. To tell the truth, I've got it on me now; must get to the bank, too, before it closes.'

"'What is the amount of the bank notes which you have in your possession?' asked Lee Fu in a level tone that carried its own insult.

"Wilbur showed his astonishment. 'Amount? Well, if you want all the details, I've got about forty thousand dollars in my pocket.'

"Lee Fu turned and shot at me a blank stare full of meaning; it might have been a look of caution, or a glance of triumph. I knew that I was expected to understand something, to glimpse some pregnant purpose; but for the life of me I couldn't catch on.

"'I, also, knew in my heart what had happened,' said Lee Fu slowly, staring at Wilbur with a steady gaze. As he looked, he reached out with his right hand and opened the top drawer of the desk. Suddenly he stood up. The hand held a revolver, pointed at Wilbur's breast.

"'If you move from your chair, Captain, I will shoot you dead, and your end will never be known,' he said rapidly. 'It is time we came to an understanding for the day wanes.'

"Wilbur uncrossed his legs, leaned forward, and looked at Lee Fu narrowly. 'What's the joke?' he asked.

"'A joke that will be clear as time goes on—like one you played with bow ports on my friend. Captain, we are going on a journey. Will you join us, Captain Nichols, or will you remain on shore?'

"The question was perfunctory; Lee Fu knew well enough that my decision was in his hands. I stood up—for until now I had been chained to my chair by the amazing turn of the moment.

"'Bow ports?' Wilbur was saying. 'Put that gun down! What in hell do you mean?' He started to rise.

"'Sit down!' commanded Lee Fu. 'I mean that I will shoot. This is not play.' Wilbur sank back, angry and confused.

"'Are you crazy, Lee Fu?' he demanded. 'What's the meaning of this, Nichols? Do you intend to rob me? Have both of you gone mad?'

"'Is it possible that you do not comprehend that I share your secret?' asked Lee Fu sternly. 'You were observed, Captain, that night in the forepeak of the "Speedwell;" and those details, also, are known to me. It is needless to dissemble.'

"'That night in the forepeak?—Lee Fu, for God's sake, what are you talking about?'

"'Ah!' exclaimed Lee Fu with evident satisfaction. 'You are worthy of the occasion, Captain. That is well. It will be most interesting.'

"He slapped his left palm sharply on the desk; Sing Toy appeared at the door as if by a mechanical arrangement. 'Bring oilskin coats and hats for three,' Lee Fu commanded. 'Also, send in haste to my cruising sampan, with orders to prepare for an immediate trip. Have water and food provided for a week. We come within the half hour and sail without delay.'

"'Master!' protested Sing Toy. 'Master, the typhoon!'

"'I know, fool,' answered Lee Fu. 'I am neither deaf nor blind. Have I not ordered oilskin coats? Do as I have said.'

"He sat down, resting the gun on the corner of the desk, and resumed the bland tone of conversation. 'I am sorry, gentlemen, that the rain has already come; but there is water also below, as Captain Wilbur should be aware. Yes, it was destined from the first to be a wet journey. Yet it will still be possible to breathe; and not so bad as solid water on all sides, where, after a grim struggle, one lies at rest, neither caring nor remembering—Captain Wilbur, listen to me. We go from this office to my sampan, which lies moored at the bulkhead not far away. During the walk, you will precede us. I will hold my revolver in my hand—and I am an excellent shot. If you attempt to escape, or to communicate with any passer-by, you will immediately be dead. Do not think that I would fear the consequences; we will pass through Chinese streets, where action of mine would not be questioned.'

"'Damn you!' Wilbur burst out. 'What silly nonsense are you up to? Nichols, will you permit this? Where are you going to take me?'

"'Never mind,' replied Lee Fu. 'As for Captain Nichols, he, also, is at my mercy. Ah, here are the raincoats. Put one on, Captain Wilbur; you will need it sorely before your return. Now we must hurry. I would be clear of the harbor before darkness entirely falls.'

"Issuing from the doorway, the gale caught us with a swirl that carried us around the corner and down a side street. 'To the right!' Lee Fu shouted. Wilbur, lurching ahead, obeyed sullenly. We came about and made for the water front through the fringe of the Chinese quarter, the most remarkable trio, perhaps, that had ever threaded those familiar thoroughfares.

"Overhead, the sky had settled low on the slope of the Peak. We floundered on, enveloped in a gray gloom like that of an eclipse. When we reached the water front the face of the bay had undergone a sinister change, its yellow-green waters lashed into sickly foam and shrouded by an unnatural gleaming darkness. A distant moaning sound ran through the upper air, vague yet distinctly audible. The center of the typhoon was headed in our direction.

"As we staggered along the quay, my thoughts worked rapidly. I saw the plan now, and recognized the dangerous nature of the undertaking on which we'd embarked. It was to be a game of bluff, in which we would have to risk our lives if the other held his ground.

"I edged toward Lee Fu. 'Will you go on the water?' I asked in his ear.

"He nodded, keeping his eyes fixed on Wilbur ahead.

"'But it can't be done,' I told him. 'A boat won't live.'

"'There is always a definite alternative,' he replied abruptly.

"'Yes—that we sink.'

"'Exactly.'

"All at once, in a flash of enlightenment, the greatness of the occasion came to me. By Jove! He had taken the matter in his own hands; he had stepped in when the gods had failed. But he had observed the divine proprieties; had seen that if he presumed to act for the gods he must throw his own life, as well, into the balance. He must run every risk. It was for them, after all, to make the final choice. He was only forcing action on the gods.

"I gazed at him in wonder. He advanced stiffly against the storm, walking like an automaton. Beneath the close pulled rim of a black sou'wester his smooth oval countenance looked ridiculously vacant, like the face of a placid moon. He was the only calm object on earth, sea or sky; against the lashing rain, the dancing boats, the scudding clouds, the hurried shadows of appearing and vanishing men, he stood out plainly, a different essence, a higher spirit, the embodiment of mind and will.

"And how was it with Wilbur, off there in the lead? He, too, walked stiffly, wrapped in thought. Once he turned, as if to come back and speak to us; then whirled with a violent movement of decision and plunged on into the rain. He knew, now, what it was all about, if not what to expect. He knew that his crime had been discovered. Yet he had made no break; in no particular had he given himself away. What had he decided? What had he been about to say? Would he confess, when he faced death on the water; or would he be confident enough to believe that he could beat the game?

"Observing his broad back, his commanding figure, that looked thoroughly at home in its oilskin coat and leaning against the storm, it came to me that he would put up a desperate defense before he succumbed. He, too, was a strong man, and no part of a coward; he, too, in a different way, was a superior being, the embodiment of mind and will.

"Then, for a moment, my own spirit went slump with the realization of what lay before us, and a great weakness overcame me. I edged again toward Lee Fu.

"'My God, what if the man really is innocent?' I cried. 'He hasn't turned a hair.'

"Lee Fu gave me a flash of the moon face beneath the sou'wester, 'Have no fear, my friend,' he reassured me. 'I am completely satisfied, in regions where the soul dwells.'

"When we reached the sampan, lying under a weather shore beneath the bulkhead, we found a scene of consternation. Lee Fu's orders had arrived, and had been executed; yet the men couldn't believe that he actually meant to sail. Gathered in a panic-stricken group on the fore deck of the sampan, they chattered like a flock of magpies; as they caught sight of us, they swarmed across the bulkhead and fell at Lee Fu's feet, begging for mercy.

"'Up, dogs!' he cried. 'There is no danger. I shall steer, and it is necessary that we go. If any would remain, let them depart now, with no tale to tell. Let those who stay prepare at once for sea.'

"I found Wilbur beside me. 'What's this madness, Nichols?' he demanded for the third and last time.

"'I know no more about it than you do,' I answered shortly. 'He has told his crew to prepare for sea. If he goes, we all go.'

"A moment later we stood on the quarter-deck of the cruising sampan. Lee Fu took his station at the great tiller. The wind lulled, as the trough of a squall passed over; he gave a few sharp orders. Moorings were cast off, a pinch of sail was lifted forward. The big craft found her freedom with a lurch and a stagger; then pulled herself together and left the land with a steady rush, skimming dead before the wind across the smooth upper reach of the harbor and quickly losing herself in the murk and spray that hung off Kowloon Point. Lee Fu somehow managed to avoid the fleet at anchor off Wanchi; straight down the length of the bay he struck, and in an incredibly short time we had left the harbor behind and were whirling through the narrow gut of Lymoon Pass before a terrific squall, bound for the open sea.

"I watched Captain Wilbur. He stood carelessly at the rail during our race down the harbor, scanning the boat and the water with an air of confidence and unconcern. A sneer curled his lip; he had made up his mind to see the nonsense through. The sailor in him had quickly recognized that the craft would stand the weather in smooth water; he probably expected any minute that Lee Fu would call it quits and put into some sheltered cove.

"But when we shot through Lymoon Pass, I saw him turn and scrutinize the Chinaman closely. Darkness was falling behind the murk, the real night now; and ahead of us lay a widening reach among the islands that opened abruptly on the main body of the China Sea. We were rapidly leaving the protection of Victoria Island. Soon we would be unable to see our way. Ten miles outside a high sea was running. And with every blast of wind that held in the same quarter, the center of the typhoon was bearing down on us with unerring aim.

"These things were as patent to Wilbur as to any of us. In fact, his knowledge was his undoing; had he been less of a sailor, or had he been entirely ignorant of sea matters, he could have resigned himself to the situation on the assumption that Lee Fu never would put himself in actual danger. Perhaps Lee Fu had foreseen this when he chose the sea as the medium of justice; perhaps he had glimpsed the profound and subtle truth that Wilbur couldn't properly be broken save in his native environment. He knew the sea, had trifled with it; then let him face the sea.

"The time came, just before we lost the loom of the land, when Wilbur could stand it no longer; as a sailor, used to responsibility and command, he had to speak his mind.

"He dropped aft beside Lee Fu, and put his hand to his mouth. 'You're running to your death!' he shouted. 'You've already lost Pootoy. If you can't haul up and make the lee of the Lema Islands—'

"'I intend to pass nowhere near them,' answered Lee Fu, keeping his eyes on the yawning bow of the sampan.

"'There's nothing to the eastward—no shelter.'

"'Of that I am aware.'

"'Do you know what that means?' Wilbur pointed above the stern rail into the face of the storm.

"'I think we will get the center, Captain, by tomorrow noon.'

"Wilbur made a move as if to grasp the tiller. 'Haul up, you fool!'

"A stray gleam in the gathering darkness caught the barrel of the revolver, as Lee Fu steered for a moment with one hand.

"'Beware, Captain! You are the fool; would you broach us to, and end it now? One thing alone will send me to seek the last shelter; and for that thing I think you are not ready.'

"'What?'

"'To say that you sunk the "Speedwell."'

"Wilbur gathered his strength as if to strike; his face was distorted with passion.

"'You lie, you yellow hound!'

"'Exactly—Captain, be careful—come no nearer! Also, leave me alone. If you value your life, you will keep silence and stay a little forward. Go, quickly! Here I could shoot you with the greatest impunity.'"

Nichols paused. "Maybe some of you fellows haven't seen Lee Fu's cruising sampan," he remarked. "In reality, she's more of a junk than a sampan, a sizable craft of over a hundred tons, and the best product of the Chinese shipyard. Lee Fu had her built for trips along the coast, and many of his own ideas, born of an expert knowledge of ships of every nationality entered into her construction. The result is distinctly a Chinese creation, a craft that seems to reflect his personality, that responds to his touch and works with him. She's higher in the bows than an ordinary junk, and lower in the stern; a broad, shallow hull that needs a centerboard on the wind. Of course she's completely decked over for heavy weather. In charge of any of us, perhaps, she would be unmanageable; but in his hands, I can assure you, she's a sea boat of remarkable attainments.

"I had seen him handle her under difficult conditions, but never in such a pass as this. How he did it was inconceivable to me. The last I saw of him that night he had called two men to help him at the tiller; and, so far, he had kept the craft before the wind.

"For many hours I was surrounded by pitch blackness and the storm. I clung to a single stanchion, hardly changing my position during the night, drenched by rain and spray, seeing nothing, hearing no word. The gale roared above us with that peculiar tearing sound that accompanies the body of a typhoon; a sound suggestive of unearthly anger and violence, as if elemental forces were ripping up the envelope of the universe. The wind gained steadily in volume; it picked up the sea in steep ridges of solid water that flung us like a chip from crest to crest, or caught us, burst above us and swallowed us whole, as if we had suddenly sunk in a deep well. Every moment I expected would be our last. Yet, as time wore on, I felt through the sampan's frantic floundering a hand of guidance, a touch of mastery. Lee Fu steered, and she was still in his control. A night to turn the hair gray, to shatter the mind.

"But we came through, and saw the dawn. A pale watery light little by little crept into the east, disclosing a scene of terror beyond description. The face of the sea was livid with flying yellow foam; the torn sky hung closely over it like the fringe of a mighty waterfall. In the midst of this churning cauldron our little craft seemed momently on the point of disappearing, engulfed by the wrath of the elements.

"In the lull of the storm my glance encountered Wilbur; for a long while I'd forgotten him entirely. He hung to the rail a little farther forward, gazing across the maelstrom with a fixed, exhausted expression. His face was haggard; the strain of the night had marked him with a ruthless hand. As I watched him, his eye turned slowly in my direction; he gave me an anxious look, then crawled along the rail to a place by my side.

"'Nichols, we're lost!' I heard him cry in my ear. The voice was almost plaintive; it suddenly made me angry, revived a few sparks of my own courage.

"'What of it?' I cried harshly. 'Turner was lost.'

"'You believe that, too?'

"I looked at him point-blank; his eyes shifted; he couldn't face me now. 'Yes, I do,' I told him. 'Why don't you own up, before—?'

"He moved away hastily, as if offended to the heart. But the strong man had gone, the air of perfect confidence had disappeared; he was shattered and spent—but not yet broken. Pride is more tenacious than courage; and men with hearts of water will continue to function through self-esteem.

"Looking above his head, where the sky and the sea met in a blanket of flying spume, I caught sight for an instant of something that resembled the vague form of a headland. Watching closely, I soon saw it again—unmistakably the shadow of land to port, well forward, of the beam. Land! That meant that the wind had shifted to the southward, that we were being blown against the shore.

"I worked my way cautiously aft, where Lee Fu stood like a man of iron at the tiller, lashed to the heavy cross-rail that must have been constructed for such occasions. He saw me coming, leaned toward me.

"'Land!' I shouted, pointing on the port bow.

"He nodded vigorously, to show me that he'd already seen it. 'Recognize—' The rest of the answer was blown away by the wind.

"By pantomime, I called his attention to the shift of the storm. Again he nodded—then ducked his head in Wilbur's direction, and shouted something that I couldn't quite follow. 'Change our tactics—we must change our tactics—' was what I understood him to say.

"He beckoned me to come closer; grasping the cross-rail, I swung down beside him.

"'I know our position,' he cried in my ear. 'Have no alarm, my friend. There are two large islands, and a third, small like a button. Watch closely the button, while I steer. When it touches the high headland, give me the news instantly.'

"He had hauled the junk a trifle to port, and with every opportunity was edging toward the land. The tall headland that I'd first sighted grew plainer with every moment; soon I made out the island like a button and saw it closing rapidly on the land behind.

"'Now!' I shouted to Lee Fu, when the two had touched.

"He swung the sampan a couple of points to starboard, discovering close beneath our bows the tip of another reef that stretched toward the land diagonally across the path of the wind. In a moment we were almost abreast this point of reef; a hundred yards away, its spray lashed our decks as the low-lying black rocks caught the broken wash of the storm. Another swing of the great tiller, and we had hauled up in the lee of the reef—in quiet water at last, but with the gale still screaming overhead like a defeated demon.

"It was like nothing but a return from hell. The wind held us in a solid blast; but to feel the deck grow quiet, to be able to speak, to hear—and then, to see the land close aboard. By Jove, we were saved!

"A voice spoke gruffly beside us. 'By God, I hope you're satisfied!' We turned to see Wilbur at the head of the cross-rail. A twitching face belied the nonchalance that he'd attempted to throw into the words.

"'I don't know how we lived!' he snarled. 'What in the name of God made you try it? Nothing but luck—and now the typhoon's leaving us. We can wait here till the blow dies down.'

"'Is that all, Captain, that you have to say?' inquired Lee Fu, his attention riveted on the course.

"Wilbur clutched the rail as if he would tear it from its fastenings. 'A damned sight more, you blackguard; but I'll save it for the authorities!'

"'You feel no thanks for your escape—and there is nothing on your mind?'

"'Nothing but sleep—why should there be? Let's wind up this farce and get to anchor somewhere; I'm fagged out.'

"'No, we are going on,' said Lee Fu calmly, making no move to come into the wind. 'No time for rest, Captain; the journey is not done.'

"'Going on?' He turned fiercely, and for a moment he and Lee Fu gazed deep into each other's eyes in a grapple that gave no quarter.

"'Yes, Captain!' cried Lee Fu sharply. 'We have not yet reached the spot where the "Speedwell" met her doom. Now go! I cannot waste time in talk.'

"Since this experience, I've many times examined the charts of the region," Nichols went on. "But they don't begin to show it all. Beyond the middle island stretched a larger island, distant some five miles from the other; and between them lay the most intricate, extraordinary and terrible nest of reefs ever devised by the mind of the Maker and the hand of geologic change.

"The outlying fringe of reefs that had broken first approach ended at the middle island; beyond that to windward lay clear water, and the nest of reefs that I've mentioned received the full force of the wind and sea. Five miles of water stretched in mad confusion, a solid whiteness of spouting foam that seemed to hold a hideous illumination. Beyond the point of the middle island the long wind-swept rollers burst in tall columns of spray that shut off the view like a curtain as we drew near, where the rocks began in an unbroken wall.

"It was directly against this wall that Lee Fu was driving the sampan. The first lift of the outside swell had already caught us. I held my breath, as moment by moment we cut down the margin of safety. No use to interfere; perhaps he knew what he was doing; perhaps he actually had gone mad under the terrific strain. As he steered, he seemed to be watching intently for landmarks. Was it possible that he still knew his bearings, that there was a way through?

"Wilbur, at Lee Fu's command, had left us without a word. He stood at the rail, supporting himself by main strength, facing the frightful line of the approaching reefs; and on his back was written the desperate struggle he was having. It bent and twisted, sagging with sudden irresolution, writhing with stubborn obduracy, straightening and shaking itself at times in a wave of firmness and confidence, only to quail once more before the sight that met his eyes. He couldn't believe that Lee Fu would hold the course. 'Only another moment!' he kept crying to himself. 'Hold on a little longer!' Yet his will had been sapped by the long hours of the night and the terror of the dawn; and courage, which with him had rested only on the sands of ostentation, had crumbled long ago.

"I turned away, overcome by a sickening sensation; I couldn't look longer. Lee Fu waited tensely, peering ahead and to windward with lightning glances. A wave caught us, flung us forward. Suddenly I heard him cry out at my side in exultation as he bore down on the tiller. The cry was echoed from forward by a loud scream that shot like an arrow through the thunder. Wilbur had sunk beside the rail. The sampan fell off, carried high on the wave.

"Then, in a moment like the coming of death, we plunged into the reef. I have no knowledge of what took place—and there are no words to tell the story. Solid water swamped us; the thunder of the surf stopped the mind. But we didn't touch, there was a way through, we had crossed the outer margin of the reef. We ran the terrible gauntlet of the reef, surrounded on every hand by towering breakers, lost in the appalling roar of the elements. Without warning, we were flung between a pair of jagged ledges and launched bodily on the surface of a concealed lagoon.

"A low rocky island lay in the center of the nest of reefs, with a stretch of open water to leeward of it, all completely hidden from view until that moment. The open water ran for perhaps a couple of miles; beyond it the surf began again in another unbroken line. It would take us ten minutes to cross the lagoon.

"'Bring Captain Wilbur,' said Lee Fu.

"I crept forward, where Wilbur lay beside the rail, his arm around a stanchion. He was moaning to himself as if he'd been injured. I kicked him roughly; he lifted an ashen face.

"'Come aft—you're wanted,' I cried.

"He followed like a dog. Lee Fu, at the tiller, beckoned us to stand beside him; I pulled Wilbur up by the slack of his coat, and pinned him against the cross-rail.

"'This is the end,' said Lee Fu, speaking in loud jerks, as he steered across the lagoon. 'There is no way out, except by the way we came. That way is closed. Here we can find shelter until the storm passes, if you will speak. If not, we shall go on. By this time. Captain, you know me to be a man of my word.'

"'You yellow devil!'

"'Beyond these reefs, Captain, lies the wreck of your ship the "Speedwell." There my friend met death at your hands. You have had full time to consider. Will you join him, or return to Hong Kong? A word will save you. And remember that the moments are passing very swiftly.'

"With a last flicker of obstinate pride, Wilbur pulled himself together and whirled on us. 'It's a damnable lie!'

"'Very well, Captain. Go forward once more, and reserve your final explanation for the gods.'

"The flicker of pride persisted; Wilbur staggered off, holding by the rail. I waited beside Lee Fu. Thus we stood, watching the approach of the lagoon's leeward margin. Had Lee Fu spoken truthfully; was there no way out? I couldn't be certain; all I knew was that the wall of spouting surf was at our bows, that the jaws of death seemed opening again.

"Suddenly Wilbur's head snapped back; he flung up his arms in a gesture of finality, shaking clenched fists into the sky. He was at the point of surrender. The torture had reached his vitals. He floundered aft.

"'What is it I must say?' he cried hoarsely, in a voice that by its very abasement had taken on a certain dignity.

"'Say that you sunk the "Speedwell."'

"His face was shocking; a strong man breaking isn't a pleasant object. In a flash I realized how awful had been this struggle of the wills. He came to the decision as we watched, lost his last grip.

"'Of course I did it! You knew it all along! I had no intention—You madman! For God's sake, haul up, before you're in the breakers!'

"'Show me your insurance money.'

"Wilbur dug frantically in an inside pocket, produced a packet of bank notes, held them in a hand that trembled violently as the gale fluttered the crisp leaves.

"'Throw them overboard.'

"For the fraction of a second he hesitated; then all resolution went out in his eyes like a dying flame. He extended his arm and loosed the notes; they were gone down the wind before our eyes could follow them.

"In the same instant Lee Fu flung down the great tiller. The sampan came into the wind with a shock that threw us to the deck. Close under our lee quarter lay the breakers, less than a couple of hundred yards away. Lee Fu made frantic signals forward, where the crew were watching us in utter terror. I felt the centerboard drop; a patch of sail rose on the main. The boat answered, gathered headway, drove forward—

"Wilbur lay as he had fallen and made no move.

"Two nights later, under a clear starry sky, we slipped through Lymoon Pass on the tail of the land breeze. It fell flat calm before we reached Wanchi; the long sweeps were shipped, and the chattering crew, who'd never expected to see Hong Kong again, fell to work willingly. At length we rounded to against the bulkhead and settled into our berth, as if back from a late pleasure trip down the bay.

"A little forward, Wilbur rose to his feet. He hadn't spoken or touched food since that tragic hour under the reefs two nights before. Without a glance in our direction, he made for the side and stepped ashore. There was a bright light behind him; his form stood out plainly. It had lost the lines of vigor and alertness; it was the figure of a different and older man.

"A moment later he had lurched away, vanishing in the darkness of a side street. Three days later, we heard that he had taken the boat for Singapore. He hasn't been seen or heard of since that day.

"When he had gone, that night at the bulkhead, Lee Fu reached out a hand to help me to my feet. 'Thank you, Captain,' he said. 'For my part, it has been supremely interesting. For your part, I hope that you have been repaid?'

"'It's enough to be alive, just now,' I answered. 'I want a chart, Lee Fu. I want to see what you did. How you did it is quite beyond my comprehension.'

"'Oh, that? It was not much. The gods were always with us, as you must have observed. And I know that place pretty well.'

"'Evidently. Did the "Speedwell" fetch up among those reefs, or to leeward of them?'

"'The "Speedwell?" Captain, you did not believe my little pleasantry! We were nowhere near the wreck of the "Speedwell," as Captain Wilbur should have known had he retained his mind.'

"I smiled feebly. 'I didn't know it. Tell me another thing, Lee Fu. Were you bluffing, there at the last, or wasn't there really a hole through the reef?'

"'So far as I am aware, Captain, there was no passage,' answered my imperturbable friend. 'I believe we were heading for the rocks when we came into the wind.'

"'Would you have piled us up?'

"'That is merely a hypothetical question. I knew that I would not be forced to do it. I was only afraid that, in the final anguish, Captain Wilbur would lose his sense of seamanship, and so would wait too long. That, I confess, would have been unfortunate. Otherwise, there was no doubt or especial danger.'

"'I'm glad to know it!' I exclaimed, with a shudder of recollection. 'It wasn't apparent at the time.'

"'No, perhaps not; time was very swift. In fact, he did wait too long. He was more willful than I had anticipated.'

"I gazed across the harbor, reviewing the experience. 'What did you have in mind,' I asked, 'before the typhoon shifted? Did you expect to catch the center?'

"'I had no plan; it is dangerous to plan. There was a task to be begun; the determination of its direction and result lay with the gods. It was plain that I had been called upon to act; but beyond that I neither saw nor cared to see.'

"I could believe him only because I'd witnessed his incredible calm. He waved a hand toward the city. 'Come, my friend, let us sleep,' he said. 'We have earned our rest. Learn from this never to plan, and always to beware of overconfidence. It is by straining to look into the future that men exhaust themselves for present duty; and it is by making their little plans that men bring down the wrath of the gods. We are their instruments, molding in faith and humility our various destinies. Perhaps you thought me unfeeling, but I was only happy. There constantly were too many propitious signs.'"

THE LIZARD GOD[7]

By CHARLES J. FINGER

(From All's Well)

It is not pleasant to have one's convictions disturbed, and that is why I wish I had never seen that man Rounds. He seems to have crossed my path only to shake my self-confidence. The little conversation we had has left me dissatisfied. I look upon my collection with less interest than I did. I am not as pleased with the result of my investigations as they appear in my monograph on "The Saurian Family of Equatorial America." Doubtless the mood that now possesses me will pass away, and I shall recover my equanimity. His story would have upset most men. Worse still was his unpleasant habit of interjecting strange opinions. Judge for yourself.

It was when passing through the Reptile room on my way to the study that I first saw him. I took him to be a mere common working man passing away an idle hour; one of the ordinary Museum visitors. Two hours later, I noticed that he was closely examining the lizard cases. Then later, he seemed interested in my collection of prints illustrating the living world of the ante-diluvian period. It was then that I approached him, and, finding him apparently intelligent, with, as it seemed, a bent towards lizards, and further, discovering that he had traveled in Peru and Colombia, took him to the study.

The man had some unusual habits. He was absolutely lacking in that sense of respect, as I may term it, usually accorded to one in my position. One who is a professor and curator becomes accustomed to a certain amount of, well, diffidence in laymen. The attitude is entirely natural. It is a tribute. But Rounds was not that way. He was perfectly at ease. He had an air of quiet self-possession. He refused the chair I indicated, the chair set for visitors and students, and instead, walked to the window and threw up the lower sash, taking a seat on the sill, with one foot resting on the floor and the other swinging. Thus, he looked as though he were prepared to leap, or to jump or run. He gave me the impression of being on the alert. Without asking permission, he filled and lit his pipe, taking his tobacco from a queerly made pouch, and using but one hand in the process.

"What I was looking for," he said, "is a kind of lizard. Yet it is not a lizard. It is too hard and thin in the body to be that. It runs on its hind legs. It is white. Its bite is poisonous. It lives in the equatorial districts of Colombia."

"Have you seen one?" I asked.

"No," was the reply. Then after a moment he asked, "Why?"

"Because there is no such living creature," I said.

"How do you know?" he said abruptly.

"The lizard group is thoroughly classified," I said. "There is nothing answering to that description. In the first place—"

"Does that make it non-existent? Your classification of what you know?" he interrupted.

"I have made a study of the Saurians," I said.

"No you haven't," he said. "You have read what other men have written and that is not the same thing."

"Really," I began, but he broke in.

"I mean to say that you have never been in any new equatorial country," he said. "Your manner shows that. You are too quiet. Too easy. Too sedentary. You would have been killed because of your lack of vigilance."

That is, as nearly as I can repeat and remember, the opening of the conversation. There was an air of challenge about the man that I found unpleasant. Of course I admitted the fact that I was not an explorer myself, and that mine was the humbler if more tedious task of collecting and arranging data. At that he said that in his opinion, organized expeditions were little more than pleasure jaunts taken at the public expense. His viewpoint was most extraordinary.

"Such an expedition," he said, "must fail in its main purpose because its very unwieldiness destroys or disperses the very things it was organized to study. It cannot penetrate the wilds; it cannot get into the dry lands. The very needs of the men and horses and dogs prevent that. It must keep to beaten tracks and in touch with the edge of civilization. The members of such an expedition are mere killers on a large scale, and to kill or to hunt a thing is to not know it at all. Further, the men in such expeditions are not hunters even. They are destroyers who destroy while keeping themselves in safety. They have their beaters. Their paid natives. Humbug! That's the only word to describe that kind of thing. Staged effects they have. Then they come back here to pose as heroes before a crowd of gaping city clerks."

I mentioned the remarkable results obtained by the Peary and Roosevelt expeditions and pointed to the fact that the specimens brought back and properly set up by efficient taxidermists, did, in fact, give the common people some notion of the wonders of animal life.

"Nothing of the kind," he said. "Look at that boa-constrictor you have out there. It is stuffed and in a glass case. Don't you know that in its natural surroundings you yourself would come mighty near stepping on one without seeing it? You would. If you had that thing set up as it should be, these museum visitors of yours would pass the case believing it was a mere collection of foliage. They wouldn't see the snake itself. See what I mean? Set up as they are in real life they'd come near being invisible."

The man walked up and down the study floor for half a minute or so, then paused at the desk and said:

"Don't let us get to entertaining one another though. But remember this, you only get knowledge at a cost. I mean to say that the man that would know something, can only get the knowledge at first hand. The people who wander around this junk shop that you call a museum, go out as empty headed as they came in. Consider. Say a Fiji islander came here and took back with him from the United States an electric light bulb, a stuffed possum, an old hat, a stalactite from the Mammoth cave, a sackful of pecan nuts, a pair of handcuffs, half a dozen photographs and a dozen packing cases full of things gathered from here and there, and then set the whole junk pile up under a roof in the Fiji Islands, what would his fellow Fijians know from that of the social life of this country. Eh? Tell me that?"

"You exaggerate," I protested. "You take an extreme point of view."

"I don't," he said.

His contradictions would have made me angry, perhaps, were they not made in such a quiet tone of voice.

"Take anything from its natural surroundings," he went on, "and it is meaningless. The dull-eyed men and women that wander through this Museum of yours are just killing time. There's no education in that kind of thing. Besides, what they see are dead things, anyway, and you can't study human nature in a morgue."

He resumed his seat on the window sill, then took from an inner pocket a leather wallet, and drew from that a photograph which he tossed across so that it fell on the desk before me. I examined it carefully. It had been badly developed and badly printed, and what was worse, roughly handled. But still, one could distinguish certain features.

It pictured the interior of a building. It was roofless, and above the rear wall was what I recognized as tropical vegetation, mainly by its wild luxuriance. In the center of the rear wall was what seemed to be a giant stone lizard, standing on its hind legs. The one foreleg that showed was disproportionately short. The body, too, was more attenuated than that of any lizard. The thing was headless and the statue, idol or whatever it was, stood on a pedestal, and before that again, seemed to be a slab of stone. Then my attention was caught by the head of the thing, which was to be seen in a corner. It was shaped roughly triangular. The jaws were broad at the base and the thing had, even in the photograph, something of the same repulsive appearance as the head of a vampire bat.

"It is the result of the imagination of some Indian," I said. "No post-diluvian Saurian ever existed of that size."

"Good God, man, you jump to conclusions," he said. "This is only a representation of the thing itself. Made in heroic size, so to say. But see here!"

He leaned over my shoulder and pointed to a kind of border that ran along the base of the pedestal. Examining closely, I made out a series of lizards running on their hind legs.

"They," he explained, "are cut into the stone. It is a sort of red sandstone. They are a little bigger than the thing itself as it is living. But look at this."

The particular spot to which he pointed was blurred and dirty, as though many fingers had pointed to it and I took the magnifying glass for closer inspection. Even then I only saw dimly as something that bore a resemblance to the carved figures.

"That," he said, "is as near as ever I came to seeing one of the little devils. I think it was one of them though I am not sure. I caught sight of it flashing across like a swiftly blown leaf. We took the picture by flashlight you see, so I'm not sure. Somerfield, of course, was too busy attending to his camera. He saw nothing."

"We might have another picture made," I said. "It would be interesting."

"D'ye think I'd be able to carry plunder around traveling as I was then?" he asked. "You see, I went down there for the Company I'm working for. I was looking out for rubber and hard woods. I'd worked from Buenaventura. From Buenaventura down to the Rio Caqueta and then followed that stream up to the water head, and then down the Codajaz. If you look at the map, you'll see it's no easy trip. No chance to pack much. All I wanted to carry was information. And there was only Somerfield along."

"But Somerfield—he, as I take it, was the photographer, was he not? Did he not take care of the negatives? It would not have been much for him to take care of."

"Well you see, he did take care of his negatives. But circumstances were different at the time. He had laid them away somewhere. After I killed him, I just brought away the camera and that was all."

Positively, I gasped at the audacity of the man. He said the words "I killed him," so quietly, in so matter of fact a way, that for the moment I was breathless. Like most other men, I had never sat face to face with one who had taken the life of another. Even soldiers, though they, we suppose, kill men, do it in a machine-like way. The killing is impersonal. The soldier handles the machine and it is the machine that kills. The individual soldier does not know whether he kills or not. That is why we are able to make much of the soldier, perhaps, I have thought since, though it never appeared to me in that light before I met Rounds. Actually, we are repelled at the thought of a man who kills another deliberately. If it were not so, as Rounds pointed out, we would make a hero of the public executioner. He should be as heroic a figure as a general. But as I tell you, at the moment, when Rounds said, "when I killed him," I was shocked. I had never before realized how violence was a thing apart from my life. I had looked at the representation of murder on the stage. I had read novels with murder as the mainspring. I had seen shootings and stabbings in moving pictures. Yet, not until that moment had I any suspicion that violence was so rare a thing and that most of our lives are far, far removed from it. Actually, I have never struck a man, nor has any man ever lifted his hand against me in anger.

It was, therefore, a startling thing to hear Rounds confess to having killed a fellow man. It was awesome. And yet, let me say, that at once I was possessed of a great desire to learn all about it, and down in my heart I feared that he would decide he had said something that he should not have said, and would either deny his statement or modify it in some way. I wanted to hear all the details. I was hugely interested. Was it morbidity? Then I came to myself after what was a shock, and awoke to the fact that he was talking in his quiet, even way.

"But those Tlingas held the belief, and that was all there was to it," he was saying.

I came to attention and said, "Of course. It is natural," for I feared to have him know that I was inattentive even for that short space, and waited for elucidations.

"It seems," he went on, "that the tribe was dying out. Helm, who first told me something of it at Buenaventura, was one of those scientists who have to invent a new theory for every new thing they were told of. He said it was either because of eating too much meat, or not enough. I forget which. There had been a falling off in the birth rate. The Tocalinian who had lived with them, and who joined us at the headwaters of the Codajaz, maintained that there had been too much inbreeding. So there was some arrangement by means of which they invited immigrants, as it were. Men from other neighboring tribes were encouraged to join the Tlingas. And they did. The Tlingas had a fat land and welcomed the immigrants. The immigrants on their part expected to have an easy time."

"That would make for racial improvement," I hazarded.

"Why?" he asked.

"The best from other lands would tend to improve their race. That was my idea when I spoke," I said.

He laughed quietly. "Something of the same idea that you foster here," he said. "I've laughed at that many's the time. America is this, that and the other; its people are inventive, intelligent, original, free, independent and all the rest of it because it is a result of the best blood of other lands. Eh? Lord, man, how you fool yourself! Can't you see that you would have a far better case if you deplored the fact that we are a result of the worse? All the fugitives, the poor, the ill-educated, the unfortunate, the ne'er-do-wells have been swarming here from Europe for two centuries. Can't you see that no man who could fight successfully against odds in his own country would emigrate? Can't you see that? If you said that we are a people that will allow any active minority to put anything over on us, because we are the result of generations of poor-spirited fugitives who couldn't fight for their personal freedom, you would be nearer the mark."

His argument of course was absurd, and at the moment I had no answer ready, though since I have thought of the thing I should have said. As Rounds talked, he grew quieter in his tone. He moved from his place on the window sill and sat on the corner of my desk. I had forgotten my uneasiness at being in the presence of one who had taken his fellow's life. He went on:

"When there's a falling birth rate, things change. There are manners and customs evolved that would seem strange to you. There come laws and religions, all made to match current requirements. Celibacy and sterility become a crime. Virginity becomes a disgrace, a something to be ridiculed."

"It seems impossible," I said.

"No," he said. "You have that in part. You ridicule what you call old maids, don't you?"

Again I was too slow with my reply. If I ever meet him again, I shall show him the fallacy of many of his arguments.

"Men with most children had the most to say. The childless were penalized, were punished. The sterile were put to death. There grew up a religion and a priesthood, ceremonials, sacrifices and rituals. And they had their god, in the shape of this lizard thing. Of course, like most other gods, it was more of a malevolent creature than anything else. Gods generally are if you will consider a little. I don't care what creed or religion gets the upper hand, it's Fear that becomes the power. Look around and see if I'm not right.

"Well, Somerfield and I walked into that kind of thing. Now like me, he had worked for the Exploration Company a good few years and had been to all kinds of places prospecting. Torres Straits, the Gold Coast, Madagascar, Patagonia. We prospectors have to get around in queer corners and the life's a dull one. All monotony. But Somerfield had queer notions. He worked at the job because he could make more money than at anything else and that gave him a chance to keep his family in Ohio in comfort. He was mighty fond of his family. Besides, the job gave him more time with the wife and kids than the average man gets. When he was at home, he was at home three months on end at times. That's better than the ordinary man. A man in a city, for example, leaves home early and gets home late, and then he's too grouchy what with the close air and one thing and another to find the children anything but an infernal nuisance. Now a man away from his home for a long spell on end really enjoys the company when he does get home, and they enjoy his company, too. Then, too, he does not get to messing into the affairs of the family. He's not the Lord Almighty and Supreme Court Judge all the time. Besides that, the wife and children get a kind of independence.

"Now this being so, Somerfield was what he was. He had ideas about religion. He was full of the notion that things are arranged so that if you live up to a certain code, you'll get a reward. 'Do right, and you'll come out right,' was one of his sayings. 'The wages of sin is death,' was another. Point out to him that virtue got paid in the same coin, and he'd argue. No use. In a way he was like a man who wouldn't walk under a ladder or spill salt. You know.

"Naturally, for him things were awkward at the Tlinga village. We stayed there quite a while, I should say. He lived in his own shack, cooking for himself and all that. He was full of ideas of duty to his wife and so on. I fell in with the local customs and took up with a sweetheart, and handled things so well that there was one of their ceremonials pretty soon in which I was central figure. Ista, it seems, made a public announcement. That would be natural enough with a tribe so concerned about the family birth rate. But it made me sorter mad to hear the natives everlastingly accusing Somerfield of being an undesirable. But they never let up trying to educate him and make him a Tlinga citizen. They were patient and persistent enough. On the other hand, I was looked on as a model young man, and received into the best society.

"About the time we were ready to strike west, Ista, that was my girl, told me that there would have to be a new ceremonial. She took my going in good part, for there was nothing more I could do. They were sensible enough to know that man was only an instrument in the great game as they understood it. Ista had led me out to a quiet place to put me next. I remember that vividly because of a little thing that happened that doesn't mean anything. I often wonder why resultless things sometimes stick in the mind. We were sitting at the base of a tall tree and there was a certain bush close by with bright red berries when they were unripe. They look good to eat. But when they ripened, they grew fat and juicy, the size of a grape, and of a liverish color. I thought that one of them had fallen on my left forearm and went to flick it off. Instead of being that, the thing burst into a blood splotch as soon as I hit it. That was the first time I had been bitten by one of those bugs. They are about the size of a sheep tick when empty, but they get on you and suck and suck, till they are full of your blood and size of a grape. Queer things, but ugly. Ista laughed as you would laugh if you saw a nigger afraid of a harmless snake. It's queer that it should be considered a joke when one fears something that another does not.

"But that has nothing to do with the story. What has, is that Ista wanted to tell me about the ceremonial. She did not believe in it at all. Privately, she was a kind of atheist among her people, but kept her opinions to herself. You must not think that because you see, hear or read of savage rites, that all the savages believe in those things. No sir. There is as much disbelief amongst them as with us. Perhaps more. They think things out. I might say that in a way they think more than the average civilized man. You see, a civilized child thinks for itself up until it is six or seven or so, and then the schools get hold of it, and from then on, it's tradition and believing what it's told to believe. That goes on through school life. Then at work, the man who would dare to vary on his own account is not wanted. So independent thought is not possible there. Work finished, it's the evening paper and editorial opinions. So really, man does not get much of a chance to think straight at any time. I guess if he did, the whole scheme would fall to pieces. That's why I say civilized man does not only not think, but perhaps can't think. His brains are not trained to it. Give the average man something with real, straight, original, first-hand thought in it, and he's simply unable to tackle it. His brain has not been cultivated. He wilts mentally. It's like putting the work of a man on a boy. Catch what I mean? Now a savage gets more of a chance. It was that way with Ista. She had thought out things for herself and had her own beliefs, but they were not the beliefs the Tlingas were supposed to hold. But after all she did not tell me much besides her own disbeliefs. When you think of it, no one can tell another much. What you know you have to discover alone. All she told me was what was going to be done, and that was about as disappointing as the information you might get about what would take place in initiation in a secret society. Some was lost in transmission.

"Well, at last the ceremonial started up with a great banging of drums and all that. It was a great scene, let me tell you, with the tumbled vegetation, glaringly colored as if a scene painter had gone crazy. There were the flashing birds—blood-colored and orange scarlet and yellow, gold and green. Butterflies, too,—great gaudy things that looked like moving flowers. And the noise and chatterings and whistlings in the trees of birds and insects. There were flowers and fruits, and eatings and speech-makings. As far as I could gather, the chief speakers were congratulating the hearers upon their luck in belonging to the Tlingas, which was the greatest tribe on earth and the favorite of Naol, the lizard god. We capered round the tribal pole, I capering with the rest of them of course. Somerfield took a picture of it. Then there was a procession of prospective mothers with Ista among them. Rotten, I thought it. Don't imagine female beauty, by the way, as some of the writers on savage life would have you imagine it. Nothing of the kind. White, black or yellow, I never saw a stark woman that looked beautiful yet. That's all bunk. Muscular and strong, yes. That's a kind of beauty in its way. True as God, I believe that one of the causes of unhappy marriages among white folk is that the lads are fed upon false notions about womanly beauty, and when they get the reality they think that they've captured a lemon.

"Presently the crowd quieted down and the men were set around in a semicircle with me and Somerfield at the end. Then a red-eyed old hag tottered out and began cursing Somerfield. She spat in his face and called him all outrageous names that came to her vindictive tongue. Luckily it was that he had been put next, and so, forewarned, was able to grin and bear it. But Lord, how she did tongue-lash him. Then she took a flat piece of wood, shaped like a laurel leaf, which was fastened to a thin strip of hide, and showed him that. It was a kind of charm, and on it was cut one of the running lizards. She wanted him to rub it on his forehead. Of course with his notions of religion he wouldn't do it. That's natural. When she passed it to me, I did what she wanted done. I never was particular that way. Symbols mean nothing anyway and if fools are in the majority, it's no use stirring up trouble. It's playing a lie of course, but then that's the part of wisdom it seems to me, sometimes. It's in a line with protective coloring. You remember what I said about the proper mounting of your specimens don't you? Well, it's like that. That's why persecutions have never stamped out opinions nor prohibitions appetites. The wisest keep their counsel and go on as usual. The martyrs are the weak fools. But let's see. Where was I? Oh, yes. The old woman and the piece of wood.

"She began running from this one to that, kind of working herself up into a frenzy. Then she started to chant some old nonsense. There was a rhythm to it. She sang:

'Nao calls for the useless.'

"Then the rest of them would shout

'Nao calls. Nao calls.'

"There was a terrible lot of it. The main purport was that this Nao was the ruling devil or god of the place. It called for the sacrifice of the useless. Many men were needed so that the one should be born who would lead the Tlingas to victory. That was the tone of it, and at the end of every line she sang, the crowd joined in with the refrain.

'Nao calls. Nao calls.'

"Of course they became worked up. She handled them pretty much the same as a skillful speaker does things at a political meeting or an evangelist at a revival. The same spirit was there. Instead of a flag, there was the tribal pole. There was the old gag of their nation or tribe being the chosen one. I don't care where you go, there is always the same thing. Every tribe and nation is cock-sure that theirs is the best. They have the bravest and the wisest men and the best women. But I kept nudging Somerfield. It was hard on him. He was the Judas and the traitor and all that. 'Damn-fool superstition,' he muttered to me time and again. But of course he was a bit nervous, and so was I. Being in the minority is awkward. The human brain simply isn't strong enough to encounter organized opposition. It wears. You spend too much energy being on the defensive.

"After a time, when the song was done, the old hag seemed pretty well played out. Then she passed the piece of wood I told you of to a big buck, and he started to whirling it round and round. He was a skillful chap at the trick, and in a little had it whirling and screaming. Then presently some of the birds fell to noise making just as you will hear canaries sing when some one whistles, or women talk when a piano commences to play. I saw something of the same down in Torres Straits. They call it the Twanyirika there. In the Malay Peninsula they use something of the kind to scare the elephants out of the plantations. They've got it on the Gold Coast as well. It's called the Oro there. Really it's all over the world. I've seen Scotch herd boys use something like it to scare the cattle, and Mexican sheep herders in Texas to make the sheep run together when they scatter too far. Of course there's really nothing to be scared of, but when it comes near you, you feel inclined to duck. To me, it was the feeling that the flat piece of wood would fly off and hit me. You always duck when you hear a whizzing. Still, the priests or medicine men trade on the head-ducking tendency. So, somehow, in the course of time, it gets so that those that listen have to bow down. Oh, yes! You say it's ridiculous and fanciful and all that sort of thing. I know. I have heard others say the same. It's only a noise and nothing to be scared of. But then, when you come to think of it, most men are scared of noise. They're like animals in that respect. What is a curse but a noise? Yet most men are secretly afraid of curses. They're uneasy under them. Yet they know it's only noise. Then look at thunderings from the pulpit. Look at excommunications. Look at denunciations. All noises to be sure. But there's the threat of force behind some of them. The blow may come and again it may not.

"As I said, every one bowed down and of course so did I, on general principles. Somerfield didn't and the old buck whirled that bull-roarer over him ever so long, and the red-eyed hag cursed and spat at him, but he never budged. That sort of conduct is damned foolishness according to my notion. But then, you see, in a kind of a way he was backing his prejudices against theirs and prejudices are pretty solid things when you consider. Still, he took a hell of a chance.

"On the trail next day, for we left the following morning, I argued with him about that, but he couldn't be budged. He said he stood for truth and all that kind of thing. I put it to him that he would expect any foreigner to conform to his national customs. He'd expect a Turk to give up his polygamy, I said, no matter what heart-breakings it cost some of the family. But he had a kink in his thinking, holding that his people had the whole, solid, unchanging truth. Of course, the argument came down with a crash then, for it worked around to a question of what is truth. There you are. There was the limit. So we quit. As I tell you, the human brain is not constituted to do much thinking. It's been crippled by lack of use. We are mentally stunted in growth. I remember that I began to say something about the possibility of there being several gods, meaning that some time or other men with imagination had defied some natural thing, but it came to me that I was talking nonsense, so I quit. Yet I know right well that many tribes have made gods of things of which they were afraid. But it's small profit to theorize.

"It was near sundown when we came to that building shown in that photograph. The vegetation was so thick thereabouts that the temple, for I suppose it was that, appeared before us suddenly. One moment we were crawling like insects between the trunks of great jungle trees that shot upwards seventy feet or more without a branch, as if they were racing for dear life skyward, and then everything fell away and there was the old building. It startled the both of us. We got the sensation that you get when you see a really good play. You forget your bodily presence and you are only a bundle of nerves. You walk or sit or stand, but without any effort or knowledge that you are doing it. We had been talking, and the sight of that building, so unexpected, startled us into silence. It would any one. Believe me, your imperturbable man with perfect, cool, self-possession does not exist. Man's a jumpy thing, given to nerves. You may deny it and talk about the unexcitability of the American citizen and all that bunk, but let me tell you that your journalists and moving picture producers and preachers and politicians have caught on to the fact that man is jumpy, and they trade on their discovery, believe me. They've got man on the hop every which way and keep him going.

"There had been a gateway there once, but for some reason or other it had become blocked with a rank vegetation. The old gap was chocked full with a thorny, flower-bearing bush so thick that a cat could not have passed through. Somerfield switched on one of his theories as soon as he got over his first surprise. Worshipers, he held, had brought flowers there and the seeds that had dropped had sprouted. It looked reasonable.

"Above the lintel was carved one of those running lizards. That you noticed early. You can't see that in the picture because we took that from the edge of a broken wall. You see, all the walls stood except that to the left of this doorway and that had partly fallen and what was left was chin high. We saw at a glance that the people who had built that temple were handy with tools. The stones of the wall were quite big—two feet or more square, and fitted closely. There was no mortar to hold them but the ends had been made with alternate grooves and projections that fitted well. The stone was a kind of red sandstone. But I told you that before.

"When we looked over the broken wall and saw that stone lizard, we had another shock. I don't care how you school yourself, there's a scare in every man. That's what annoys me, to see men posing and letting themselves be written up and speechified over as fearless. Fearless General this and Admiral that. Our fearless boys in the trenches. It sickens me. Why the whole race has been fed up on fear for ages. Fearlessness is impossible. Hell-fire, boogermen, devils, witches, the wrath of God—it's all been fear. Things that we know nothing of and have no proof of have been added to things that we do know of that will hurt, and, on top of that there has been the everlasting 'cuidado' lest you say a word that will run foul of current opinion—so what wonder that man is scary? It's a wonder that he's sane.

"After we took that picture we debated for the first time where we should camp that night. A new scare possessed us. In the end, we decided to camp inside the temple because of the greater security afforded by the walls. The truth is that some half fear of a giant lizard had gotten hold of us. So, as it was the lizard that scared us, we decided to stay in the lizard temple. Man's built that way. He likes to keep close to the thing that he fears. I heard a man who was a banker once say that he always mistrusted the man who would not take a vacation. As I take it, his idea was that the man who knew some danger was nigh, wanted to be around where he could catch the first intimation of a crash. But then, too, besides that, there is a sense of comfort in being within walls, especially with a floor paved as this one was. Besides, it was a change from the trees with their wild-tangled vines and their snake-like lianas. So we decided on the temple.

"That night I was a long time getting to sleep. The memory of the old hag and the bull-roarer was in my mind. I kept thinking of Ista, too. It was a warmer night than usual, and, after the moon dropped, pitchy dark. I slept stripped as I generally do, with a light blanket across my legs so that I could find it if needed without waking up.

"I awoke presently, feeling something run lightly and swiftly across my face. I thought it was a spider. It seemed to run in a zig-zag. Then feeling nothing more I set it down to fancy and dropped off to sleep again, face turned towards that idol. Later, I felt the same kind of thing run across my neck. I knew it was no fancy then, and my scare vanished because here was something to do. So I waited with my right hand poised to grab. I waited a long time, too, but I have lots of patience. Presently it ran down my body starting at my left shoulder and I brought down my hand at a venture, claw fashion, and caught the thing on the blanket. I felt the blanket raise and then fall again, just a little, of course, as I lifted my hand with the thing in it, and by that knew that it had claws. Yet bet I held tight. It seemed to be hard and smooth. It was a wiry, wriggling thing, somewhat like a lizard. But it was much more vigorous than any lizard. I tried to crush it, but could not. As to thickness, it seemed to be about the diameter of one of those lead pencils. It was like this I had it."

Rounds picked up a couple of lead pencils from the desk and took my hand in his. He told me to close my fist and then placed one pencil lengthwise so that an end of it was between my first and second finger and the rubber-tipped end lay across my wrist. The other pencil he thrust crosswise so that the pointed end stuck out between the second and third finger and the blunt end between the index finger and thumb.

"There you have it," he said. "That's how I held the little devil. Now grip hard and try to crush the pencils and you'll have something of the same sensation as I had. Holding it thus, I could feel its head jerking this way and that, violently, and its tail, long and lithe, lashing at my wrist. The little claws were trying to tear, but they were evidently softish. I could hear, or thought I could, the snap of its little jaws. It was about the nastiest sensation that I ever experienced. I don't know why I thought that it was venomous, but I did. I tried to smash the thing in my hand—tried again and again, and I have a good grip—but might just as well have tried to crush a piece of wire. There was no give to it. It tried to wriggle backwards but I had it under its jaws. So there we were: it wriggling, writhing and lashing and me laying there holding it at arms length. I felt the sweat start on me and the hair at the nap of my neck raise up, and I did some quick and complicated thinking. Of course, I dared not throw it away, but I got to my feet and as I did so, tried to bend its head backwards against the stone floor. But the head slipped sideways. I called on Somerfield for a light then, and he struck one hurriedly and it went out immediately. All that I saw was that the thing was white and had a triangular shaped head.

"Somehow I ran against Somerfield before he got another match struck and he swore at me, saying that I had cut him. I knew that I had touched him with my outstretched hand that held the beast. I drew back my hand a little and remembered afterwards that I then felt a slight, elastic resistance as if the thing that I held had caught on to something, as it had before to my blanket. Afterwards I found that the thing had gotten Somerfield's neck. As he struck another match, I saw the low place in the wall and flung the thing away with a quick jerk. You know the kind of a motion you'd make getting rid of some unseen noxious thing like that. That's how I never really saw the beast and can only conjecture what it was like from the feel of it.

"On Somerfield's neck, just below the angle of the jaw, was a clean-cut little oval place about half an inch in length. It did not bleed much, but it seemed to pain him a lot. He maintained that the thing was some kind of rodent. Anyway we put a little chewed tobacco on the place and, after awhile, tried to sleep again. We didn't do much good at it, neither of us. He was tossing and grumbling like a man with the toothache.

"Next morning the bitten place had swollen up to the size of an apple and was a greenish yellow color. He was feeling sick and a bit feverish, so I made him comfortable after looking around to see whether there was anything to harm him in the courtyard, and went to hunt water. I remember that I gave the head of the idol a kick with the flat of my foot for spite, as I passed it. Like a kid, that was, wasn't it? Now I was running back and forth all the morning with the canteen, for he drank a terrible quantity. His eyes grew bright, too, and his skin flushed. Towards noon, he began to talk wild, imagining that he was at home. Then I judged it best to let him stay there in the temple where he was, so to speak, corraled. Coming back shortly after from one water-hunting trip, I heard singing, and, looking over the wall, saw him sitting on the slab in front of the idol. He must have fancied that he had his kids before him for he was beating time with his hands and snapping his fingers and thumbs and singing:

'London bridge is fallen down,
Fallen down, fallen down.'

"It was rotten to hear that out there, but I was halfway glad to see him that way, knowing that he wasn't miserable. After a little, he quit babbling and took more water; emptied the canteen, in fact, so back I had to start for more.

"Returning, I found things changed. He was going around, crouched like a hunting Indian, peering here and there, behind the idol then across to the head as if seeking some one. He had the facon in his hand. 'Rounds stabbed me,' he was saying. 'It was Rounds, damn him, that killed me.' Over and over again he said that. He was talking to invisible people, creatures of his mad brain. One would have thought, if one had not seen, that the temple court was crowded with spectators. Then he rose to his feet and, with the knife held close to his breast, began walking round and round as if seeking an outlet. He passed me once, he on one side of the wall and I on the other, and he looked me square in the eye, but never saw me. So round and round he went with long strides, knees bent and heels never touching the ground. He eyes were fixed and staring and his teeth clenched. Now and then he made long, slashing stabs in the air with the facon.

"Suddenly he saw me, and there was a change. The blood lust was in his eyes. He was standing on the slab in front of the idol, then made a great leap and started for the broken wall where I was. I saw then that the lump on his neck had swollen to the size of a big goitre. His whole body was a-quiver. There was an animal-like celerity in his movements that made me shudder. Then I knew that I dared not let him get on the same side of the wall as me. But he leaped at the gap from a distance that I would have thought no human could compass, and hung on to the wall with one arm over. He snarled like an animal. Then I smashed him over the head with the canteen, gripping the strap with my right hand. He fell back with the force of the blow, but immediately came at the gap again, then changed his mind and went to tearing around the chamber with great leaps. He was a panther newly caged. He sprang on to the head of the idol and from that to the pedestal, and then to the slab in front of it. Then he went across and across the floor, sometimes screaming and yelling, and then again moaning and groaning. One side of his face was all bloody where I had smashed it with the canteen. Seeing him so, a thing not human, but with all the furtive quickness of an animal and its strength, too, I felt sorry no more. I hated him with a wild hate. He was dangerous to me and I had to conquer him. That's fundamental. So I stood, gripping the strap of the canteen, watching, waiting. He came at me again, striding and leaping. That time he got one leg over with both hands gripping the top stones. The facon he dropped on my side of the wall, but I had no time to stoop for it just then. There were other things to do. He was getting over. It took some frantic beating with the canteen and he seemed to recover from the blows quicker than I could get the swing to strike again. But I beat him down at last, though I saw that he had lots more life in him than I, with that devil of madness filling him. So, when I saw him stumble, then recover and begin that running again, I picked up the knife and leaped over the wall to settle the matter once and for all. It was an ugly thing to do, but it had to be done and done quickly. At the root of things it's life against life."

Rounds ceased and fell to filling his pipe. I waited for him to recommence, but he made as if to leave, but paused a moment at my desk to pick up and examine a piece of malachite. I felt it incumbent upon me to say something to relieve the tension that I felt.

"I understand," said I. "It was a horrible necessity. It is a terrible thing to have to kill a fellow creature."

"That wasn't a fellow creature," he said. "What I killed was not the partner I knew. Don't you understand?"

"Yes, I understand," I replied. Then I asked, "Did you bury him?"

"Bury him? What for? How?" Rounds seemed indignant. "How could I bury him in a stone-paved court? How could I lift a dead man over a wall chin high?"

"Of course. Of course," I said. "I had forgotten that. But to us who lead quiet lives, it seems terrible to leave a dead man unburied."

"Do you feel that way about that mummy you have out there?" he asked, indicating the museum with his thumb. "If not, why not? But if you want the story to the bitter end, I dragged him to the only clean spot in the place, which was that slab in front of the idol. There I left him, or it. But things take odd turns. By the time I got back to the Tlinga village, they knew all about it and the priests used the affair to their own advantage. Mine was incidental. Yet I did reap some benefit. According to the priests, I had accepted the whole blessed lizard theory, or religion or whatever it was, and had sacrificed the unbeliever to the lizard god. Ista helped things along, I suspect, for with me as a former mate, there was some fame for her. Anyway, they met and hailed me as a hero and brought tribute to me. Gold dust. I wanted them to quit their damned foolishness and tried to explain, but it was no use. You can't teach a mob to have sense. Well, adios. But remember this: Don't be too cocksure."

UNDER THE DOME[8]

By WALDO FRANK

(From the Dial)

They were two figures under the grey of the Dome—two straight faint figures of black; they were a man and woman with heads bowed, straight—under the surge of the Dome.

I

Friday night, when always he broke away in order to pray in the Schul, and when she sat in the shop and had to speak with the customers who came, these praying hours of Friday night. Shabbas morning at least he did not go also.—My heart tells me it is wrong. Lord, forgive me for Esther and for my little girl. Lord, you know it is for them I do not go to Schul on Shabbas morning.—But by God, you will keep the store those two hours Friday! Do you hear? By God, what else have I ever asked you for? Don't you sit around, do nothing all the day, and aren't Flora's clothes a filth? and hardly if you'll cook our meals. But this you will do: this you will do! Friday nights. Lord, why is there no light in Esther? What have I done, Lord? what have I not done?

She sat in a chair, always, near the side wall: her eyes lay burning against the cold glare of the gas.

Above her shoulder on the wall was a large sheet of fashions: women with wasp waists, smirking, rolling: stiff men, all clothes, with little heads. Under the table—where Meyer sits with his big feet so much to look at—Flora played, a soiled bundle, with a ball of yarn and a huge gleaming scizzors.—No one perhaps comes, and then I do not mind sitting and keeping the store. I saw a dead horse in the street.—A dead horse, two days dead, rotting and stiff. Against the grey of the living street, a livid dead horse: a hot stink was his cold death against the street's clean-ness. There are two little boys, wrapped in blue coat, blue muffler, leather caps. They stand above the gaunt head of the horse and sneer at him. His flank rises red and huge. His legs are four strokes away from life. He is dead. The naughty boys pick up bricks. They stand, very close, above the head of the horse. They hurl down a brick. It strikes the horse's skull, falls sharp away. They hurl down a brick. It cuts the swollen nostril, falls soft away. The horse does not mind, the horse does not hurt. He is dead.

—Go away, you two! Throwing stones at a dead horse! Go away, I say! How would you like—When one is dead, stones strike one's skull and fall sharp away, one is moveless. When one is dead, stones strike the soft of one's throat and fall soft away, one is hurtless. When one is dead one does not hurt.

She sat and turned her eyes away from her child. Flora had smear on her face; her hands were grimed with the floor. One of her stockings was down: her little white knee was going to scrape on the floor, be black before it was bloody. So—A long shining table under a cold gas spurt. A store with clothes and a stove: no place for herself. A row of suits, all pressed and stiff with Meyer's diligence. A pile of suits, writhed with the wear of men, soiled, crumpled with traffic of streets, with bending of bodies in toil, in eating, in loving perhaps. Grimed living suits. Meyer takes an iron and it steams and it presses hard, it sucks up the grime. It sucks out the life from the suit. The suit is stiff and dead, now, ready to go once more over the body of a man and suck to itself his life.

The automatic bell clangs. There in the open door was a dark tall woman—customer.

Esther stood, too. She felt she was shorter and less tidy: more beautiful though.

Two women across the tailor-shop, seeing each other.

"I came for my husband's—for Mr. Breddan's dress suit. Mr. Lanich told him it would be ready at seven?"

Esther Lanich moved, Sophie Breddan stood. Between slow dark curve, swift dark stroke of these two women, under a tailor's table the burn of a dirty child, mumbling intent with scizzors between her soiled frail legs, at play with loose hair.

"Is this the one?"

The curve and the stroke came near across the table.

"Yes."

Eyes met.—She is tidy and fresh, less beautiful, though, than I. She has no child. She has a flat with Sun and a swell husband who wears a swallow-tail and takes her out to parties. She has a diamond ring, her corsets are sweet. She has things to put into her time like candies into her mouth, like loved kisses into my mouth. She is all new with her smooth skin going below the collar of her suit.

—She has a child, and she lets her play dirty with scizzors under a tailor table. "How much is it?"—After a decent bedtime.

—Does she think I care about this? "Oh, no hurry. Better come in and pay my—Mr. Lanich. Any time."

The clang of the bell.

Esther is seated. Her grey tilted eyes seem sudden to stand upon the farther wall of her husband's shop, and to look upon her. Her eyes speak soft warm words that touch her hair, touch her lips, lie like caressing fingers upon the soft cloth that lies upon her breast.

—Less beautiful than I, though. My flesh is soft and sweat, it is the colour of cream. What for? My hair is like an autumn tree gleaming with sun. I can let it fall through the high channel of my breast against my stomach that does not bulge but lies soft and low like a cushion of silk. What for? My eyes see beauty. What for? O there is no God. If there is God, what for?—He will come back and work. He will eat and work. He is kind and good. What for? When he is excited with love, doesn't he make an ugly noise with his nose? What else does he make with his love?—Another like Flora? God forbid. What for?

She did not pull down the wide yellow shade, though it was night. The street was a ribbon of velvet blackness laid beside the hurting and sharp brightness of the store. The yellow light was hard like grains of sand under the quick of her nails. She was afraid of the street. She was hurt in the store. But the brightness clamped her. She did not move.—O let no more customers come! "Keep quiet, Flora." I can not move.—She was clamped.

But the store moved, moved.

There was a black wheel with a gleaming axle—the Sun—that sent light dimming down its spokes as it spun. From the rim of the wheel where it was black, bright dust flung away as it spun. The store was a speck of bright dust. It flung straight. It moved along the velvet path of the street, touching, not merging with its night. It moved, it moved, she sat still in its moving. The store caught up with Meyer. He entered the store. He was there. He was there, scooped up from the path of the street by the store. Now her work was over. He was there. The store was a still store, fixed in a dirty house. Its brightness the spurt of two jets of gas. He was back from Schul.—That is all.

A man with blond hair, flat feet that shuffled, small tender hands. A man with a mouth gentle, slow; with eyes timid to see. "Come dear: that is no place."—Why she lets the child play with my shears!

Tender hands pull Flora from beneath the table. Flora comes blinking, unprotesting. Where her father's hands leave off from her, she stays. She sinks back to the floor. She looks at her little fists from which the scizzors are gone. She misses hard gleaming steel. She opens and shuts her fists and looks at them: she cries. But she does not move.—Her mother does not move.—Her father does not move. He squats on the table. His head sways with his thoughts. He knows that Flora will stop—what can he do?—in perhaps half an hour. It is a weak cry. Grows weaker. He is used to it. There is work.

He sews. 'A woman of valour who can find? For her price is far above rubies'—She will stay here, stay here silent. Flora should be in bed. Who to put his child in bed? Hard gas-light on her beloved hair? A wither, a wilt—'She is like the merchant ships; she bringeth her food from afar'—He sews and rips.—What, Lord, have I left undone? I love my Esther.—He sews.—I love my little girl. Lord, I fear the Lord—'She looketh well to the ways of the household, and eateth not the bread of idleness.'—Lighten me, Lord, give me light. There is my daughter crying, who should sleep: and my wife sitting, who will not, who will never without me go home. She is afraid. She says she is afraid. She is sullen and silent. She is so fair and sweet against my heart. Lord! why did her hands that held my head speak a lie? and her silent lips that she let press upon my mouth, why were they lies? Lord, I cannot understand. Lord, I pray. I must sew bread for Esther and for my child. I go to Schul at least once each Shabbas, Lord—Do I not fill the deep ten Penitential Days from Rosh Ha Shonoh to Yom Ha Kippurim with seeking out of heart?—He sews, he rips. The weeping of his child is done. Long stitches, here. She has found a chair's leg to play with. Her moist fingers clasp at the shrill wood. The wooden chair and her soft flesh wrestle. Esther sits still. He sews.

'Her children arise, and call her blessed;
Her husband also, and he praiseth her;
—Many daughters have done valiantly,
But thou excellest them all.—
Grace is deceitful and beauty is vain;
But a woman that feareth the Lord, she shall be praised.
Give her of the fruit of her hands;
And let her works praise her in the gates.'

II

In the door and the clang again of the bell, a boy with them. A boy they knew—son of their neighbours—big for his years and heavy, with fat lips, eyes clouded, hair black and low over his clouded eyes. Esther alone saw, as he lurched in, one foot dragging always slightly.

He went for little Flora with no greeting for them: familiarly as he knew he would find her, had come so, often.—He loves her. The man who squats on the table and sews smiles on the boy who loves and plays with his child.

"Hello, kid," voice of a thick throat, "look—what I got for you here."

Flora lets the chair of her late love lurch against her back, strike her forward. She does not care. She watches two hands—grey-caked over red—unwrap from paper a dazzle of colours, place it to her eyes on the floor, pull with a string: it has little wheels, it moves!

"Quackle-duck," he announces.

Flora spreads out her hands, sinks on her rump, feels its green head that bobs with purple bill, feels its yellow tail.

"Quackle-duck—yours," says the boy.

She takes the string from his hand. With shoulder and stomach she swings her arm backward and pulls. The duck spurts, bobbing its green long head against her leg.

She plays. The boy on his knees with soiled thick drawers showing between his stockings and his pants plays with her.—

Meyer Lanich did not cease from work, nor his woman from silence. His face was warm in pleasure, watching his child who had a toy and a playmate.—I am all warm and full of love for Herbert Rabinowich: perhaps some day I can show him, or do something for his father. Now there was no way but to go on working, and smile so the pins in his mouth did not prick.

The eyes of Esther drew a line from these two children back to the birth of the one that was hers. She dwelt in a world about the bright small room like the night: in a world that roared and wailed, that reeled with despair of her hope.

She had borne this dirty child all clean beneath her heart. Her belly was sweet and white, it had borne her: her breasts were high and proud, they had emptied, they had come to sag for this dirty child on the floor—face and red lips on a floor that any shoes might step.

Had she not borne a Glory through the world, bearing this stir of perfect flesh? Had she not borne a song through the harsh city? Had she not borne another mite of pain, another fleck of dirt upon the city's shame-heaps?

She lies in her bed burned in sweet pain. Pain wrings her body, wrings her soul like the word of the Lord within lips of Deborah. Her bed with white sheets, her bed with its pool of blood is an altar where she lays forth her Glory which she has walking carried like a song through the harsh city.—What have I mothered but dirt?—

A transfigured world she knows she will soon see. Yes: it is a flat of little light—and the bugs seep in from the other flats no matter how one cleans—it is a man of small grace, it is a world of few windows. But her child will be borne to smite life open wide. Her child shall leap above its father and its mother as the sun above forlorn fields.—She arose from her bed. She held her child in her arms. She walked through the reeling block with feet aflame. She entered the shop.—There—squatting with feet so wide to see—her man: his needle pressed by the selfsame finger. The world was not changed for her child. Behold her child changing—let her sit for ever upon her seat of tears—let her lay like fire to her breast this endless vision of her child changing unto the world.—

—I have no voice, I have no eyes. I am a woman who has lain with the world.
The world's voice upon my lips gave my mouth gladness.
The world's arms about my flanks gave my flesh glory.
I was big with gladness and glory.
Joyful I lost in love of my vision my eyes, in love of my song my voice.
I have borne another misery into the world.—

Meyer Lanich moves, putting away the trousers he has patched.—O Lord, why must I sew so many hours in order to reap my pain? Why must I work so long, heap the hard wither of so many hours upon my child who can not sleep till I do, in order that all of us may be unhappy?

The clang and the door open. The mother of the boy.

"Oh, here you are! Excuse me, friends. I was worrying over Herbert.—Well, how goes it?"

She smiled and stepped into the room: saw them all.

"All well, Mrs. Rabinowich," said Meyer. "We are so glad when your Herbert comes to play with Florchen."

Mrs. Rabinowich turns the love of her face upon the children who do not attend her. A grey long face, bitterly pock-marked, in a glow of love.

"Look what your Herbert brought her," Meyer sews and smiles. "A toy. He shouldn't, now. Such a thing costs money."

Mrs. Rabinowich puts an anxious finger to her lips.

"Don't," she whispers. "If he wants to, he should. It is lovely that he wants to. There's money enough for such lovely wants.—Well, darling. Won't you come home to bed?"

Herbert does not attend.

His mother sighed—a sigh of great appeasement and of content.—This is my son! She turned to where Esther sat with brooding eyes. Her face was serious now, grey ever, warm with a grey sorrow. Her lips moved: they knew not what to say.

"How are you, Esther?"

"Oh, I am well, Mrs. Rabinowich. Thank you." A voice resonant and deep, a voice mellowed by long keeping in the breast of a woman.

"Why don't you come round, some time, Esther? You know, I should always be so glad to see you."

"Thank you, Mrs. Rabinowich."

"You know—we're just next door," the older woman smiled. "You got time, I think. More time than I."

"Oh, she got time all right!" The sharp words flash from the soft mouth of Meyer, who sews and seems in no way one with the sharp words of his mouth. Esther does not look. She takes the words as if like stones they had fallen in her lap. She smiles away. She is still. And Lotte Rabinowich is still, looking at her with a deep wonder, shaking her head, unappeased in her search.

She turns at last to her boy: relieved.

"Come Herbert, now. Now we really got to go."

She takes his hand that he lets limply rise. She pulls him gently.

"Good night, dear ones.—Do come, some time, Esther—yes?"

"Thank you, Mrs. Rabinowich."

Meyer says: "Let the boy come when he wants. We love to have him."

His mother smiles.—Of course: who would not love to have him? Good heart, fine boy, dear child. "It's long past bedtime. Naughty!" She kisses him.

Herbert, a little like a horse, swings away his heavy head.

They are gone in the bell's jangle.

"What a good boy: what a big-hearted boy!" Meyer said aloud. "I like the boy. He will be strong and a success, you see."

Her words, "I saw him lift the skirt of Flora and peep up," she could not utter. She was silent, seeing the dull boy with the dirty mind, and his mother and Meyer through love thinking him good. What she saw in her silence hurt her.

Her hurt flowed out in fear. She saw her child: a great fear came on Esther.—Flora is small and white, the world is full of men with thick lips, hairy hands, of men who will lift her skirt and kiss her, of men who will press their hairiness against her whiteness.

—There is a Magic, Love, whereby this shame is sweet. Where is it? A world of men with hair and lips against her whiteness. Where is the magic against them? Esther was very afraid. She hated her daughter.

III

Meyer Lanich came down from his table and drew down the wide yellow shade and shut out the night. No more stray customers to enter. He turned the key of the door. He had his back to the door, seeing his work and his child who now sat vacant upon the floor and grimed her eyes with her fists too sleepy to hunt play—seeing his wife. He sought to see this woman who was his wife. To this end came his words, old words, old words he had tried often, often failed with, words that would come again since they were the words of his seeking to find the woman his wife.

"Esther," he said, "it is nine o'clock and I have much work to do—a couple of hours of work.—"—I could work faster alone, it will be midnight so with this pain for ever in my eyes. "Esther won't you go home and put Florchen to bed?"

She looked at him with her full lovely eyes. Why since he saw them lovely could he not see them loving? He had said these words before, so often before. She looked at him.

"Esther," he said, "it is bad for a baby of four to be up so late. It is bad for her to sit around on the floor under the gas—smelling the gas and the gasoline and the steam of the clothes. Can't you consider Flora?"

"I am afraid."

"What is there to be afraid of? Can't you see? Why aren't you afraid of what will happen to Flora? Eh—that don't frighten you, does it? She's a baby. If my Mother could see—"

"Meyer, I can't. Meyer, I can't. You know that I can't."

He waved his hands. She was stiff. They came no nearer one to the other. About them each, two poles, swirled thoughts and feeling—a world that did not touch the other.

He clambered back to his work. The room was hot. The gaslight burned. Against his temples it beat harsh air, harsh light, the acrid smells of his work—against her temples.

Esther sat. The words of her man seeking the woman she was had not found for him but had stirred her. Her breast moved fast, but all else of her was stiff. Stiff, all she moved like a thick river drawn against its flow, drawn mounting to its head.—I cannot go home alone, to the empty hall alone, into the black rooms alone. Against their black the flicker of a match that may go out, the dare of a gas-light that is all white and shrieking with its fear of the black world it is in. She could not go home alone.—For, Esther, in your loneliness you will find your life. I am afraid of my life.

She was caught, she was trapped.—I am miserable. Let me only not move.—Since to move was to break against walls of a trap. Here in the heart of movelessness a little space. Let her not stir where the walls and the roof of the black small trap will smite her!

IV

The room moves up the dimension of time. Hour and hour and hour. Bearing its freight toward sleep. Thick hot room, torn by the burr of two lights, choked by the strain of two bound souls, moving along the night. Writhing in dream. Singing.—

—My flesh sings for silk and rich jewels;
My flesh cries for the mouth of a king.
My hair, why is it not a canopy of love,
Why does it not cover sweet secrets of love?
My hair cries to be laid upon white linen.
I have brought misery into the world.—
I have lived with a small man and my dreams have shrunk him,
Who in my dreams enlarged the glory of princes.
He looks upon me with soft eyes, and my flesh is hard against them.
He beats upon me with warm heart, and my breasts do not rise up for him.
They are soft and forgetful of his beating heart.
My breasts dream far when he is near to them—
They droop, they die.
His hands are a tearful prayer upon my body—
I sit: there is no way between my man and my dream,
There is no way between my life and life,
There is no way between my love and my child.
I lie: and my eyes are shut. I sleep: and they open.
A world of mountains
Plunges against my sleep.—

—Lord, Lord: this is my daughter before me, her cheeks that have not bloomed are wilting. Preserve her, Lord. This is my wife before me, her love that has not lived is dead.—Time is a barren field that has no end. I see no horizon. My feet walk endlessly, I see no horizon.—I am faithful, Lord.—

The tailor-shop is black. It has moved up three hours into midnight. It is black.

Esther and Meyer walk the grey street. In the arms of the man sleeps Flora. His arm aches. He dares not change her to his other arm. Lest she wake.

He has undressed her. Gentle hands of a man. He holds her little body, naked, near his eyes. Her face and her hands, her feet and her knees are soiled. The rest of her body is white—very white—no bloom upon her body. He kisses her black hair.

He lays her away beneath her coverlet.

There is his wife before him. She is straight. Her naked body rises, column of white flame, from her dun skirt. Esther—his love—she is in a case of fire. Within her breasts as within hard jewels move the liquids of love. Within her body, as within a case, lies her soul, pent, which should pour forth its warmth upon them.

He embraces her.

"Esther.—Esther—" He can say no more.

His lips are at her throat. Can he not break her open?

She sways back, yielding. Her eyes swerve up. They catch the cradle of her child.

—Another child—another agony of glory—another misery to the world?

She is stiff in the unbroken case of a vast wound all about her.

So they lie down in bed. So they sleep.

She has cooked their breakfast.

They walk, a man and a woman, down the steep street to work. A child between them, holding the hand of a man.

They are grey, they are sullen. They are caught up in the sullen strife of their relentless life. There is no let to them. Time is a barren field with no horizon.

FRENCH EVA[9]

By KATHARINE FULLERTON GEROULD

(From Scribner's Magazine)

The real dramatis personæ are three (for Schneider was only a sign-post pointing): Follet, the remittance-man, Stires, and French Eva. Perhaps I should include Ching Po—but I hate to. I was the man with his hands in his pockets who saw the thing steadily and saw it whole—to filch a windy phrase. I liked Stires, who had no social standing, even on Naapu, and disliked Follet, who had all the standing there was. Follet dined with magnates; and, believe me, the magnates of Naapu were a multicolored lot. A man might have been made by copra or by pearls—or by blackbirding. We were a plutocracy; which means that so long as a man had the house and the drinks, you asked no questions. The same rule holds—allowing for their dizzier sense of figures—in New York and Chicago. On the whole, I think we were more sensible. There is certainly more difference between good food and bad than between five millions and fifty (which, I take it, is a figure that buys immunity over here). I don't think any man's hospitality would have ranked him permanently on Naapu if his dinners had been uneatable. Though perhaps—to be frank—drinks counted more than food as a measuring-rod of aristocracy.

Well, Follet trained with the people who received consignments of champagne and good whiskey. And Stires did not. Anyhow, Stires was a temperance man: he took only one or two drinks a day, and seldom went beyond a modest gin-fizz. With the remarkable native punch, compounded secretly and by unknown ways, but purchasable, and much esteemed by the knowing, he never would have anything to do. Stires looked like a cowboy and was, in truth, a melancholy New Englander with a corner-grocery outlook on life, and a nasal utterance that made you think of a barrel of apples and a corn-cob pipe. He was a ship-chandler in a small—a very small—way. Follet lived at the ramshackle hotel, owned by the ancient Dubois and managed, from roof to kitchen-midden, by Ching Po. French Eva dwelt alone in a thatched cottage built upon poles, and sold eggs and chickens and fish. The poultry she raised herself; for the fish, she was a middleman between fishermen and householders. As she owned a gramophone and one silk dress, it was clear that her business prospered. Even Ching Po bought eggs of her, though there was a nameless, uninterpreted hostility between them.

Let me give you, at once, the few facts I could gather about French Eva. There were rumors a-plenty, but most of them sifted down to a little residual malice. I confined my questionings to the respectable inhabitants of Naapu; they were a very small circle. At last, I got some sort of "line" on French Eva.

None within our ken fathered or mothered her. Old Dubois knew most about her, but old Dubois, a semi-paralyzed colossus, "doped" most of the time, kept his thick lips closed. "An excellent girl" was all that any one could wring from him. As she had begun life on Naapu by being dame de comptoir for him, he had some right to his judgment. She had eventually preferred independence, and had forsaken him; and if he still had no quarrel with her, that speaks loudly for her many virtues. Whether Dubois had sent for her originally, no one knew. His memory was clouded by opium, and you could get little out of him. Besides, by the time I arrived on Naapu, French Eva belonged to the landscape and to history. She was generally supposed to be pure French, and her accent supported the theory, though she was in a small way a linguist. Her English was as good as any one's—on Naapu, where we were by no means academic. She could speak the native tongue after a fashion, and her bêche-de-mer was at least fluent.

I had heard of the lady before I ever saw her, and had wondered why Naapu chose to distinguish a female fish-vender—even if she had begun with old Dubois. As soon as I clapped eyes on her, I perceived her distinction, her "difference"—the reason for the frequent "Mam'selle." She was, at first glimpse, unusual. To begin with, never was so white a face matched with hair and brows and eyes so black. In the ordinary pursuit of her business she wore her hair half loose, half braided, down her back; and it fell to her knees like a heavy crape veil. A bad simile, you will say; but there are no words to express the unrelieved blackness of her hair. There were no lights in it; no "reflets," to use the French phrase. It might have been "treated" with ink. When, on rare occasions—not often, for the weight of it, as she freely explained, made her head ache—she put it up in coils, it was like a great mourning bonnet under which her white face seemed to shrink away. Her eyes were nearly as black as her hair. Her figure was very lovely, whether in forming the loose native garment or laced into her silk dress.

You will say that I have painted for you a person who could not, by any possibility, be beautiful; and yet French Eva was beautiful. You got used to that dull curtain of her hair; it made Madame Maür's lustrous raven locks look oily. It came to seem, after a time, all that hair should be. Her features were nearly perfect from our finicking European point of view, and she grew in grace even while I, a newcomer, watched; for the effect of the tropic sun upon her skin was curious and lovely: it neither blotched nor reddened nor tanned her, but rather gilded her pallor, touching it with the faintest brown in the world. I must, in the interests of truth, mention one more fact. Mam'selle Eva was the sort of woman who has a direct effect on the opposite sex. Charm hardly expresses it; magnetism, rather, though that is a poor word. A man simply wanted to be near her. She intrigued you, she drew you on, she assailed your consciousness in indefinable ways—all without the sweep of an eyelash or the pout of a lip. French Eva was a good girl, and went her devious ways with reticent feet. But she was not in "society," for she lived alone in a thatched hut, and attended native festivals, and swore—when necessary—at the crews of trading barques. I am not sure that she did not, of all tongues possible to her, prefer bêche-de-mer; which is not, at its most innocent, an elegant language. She had no enemies except Ching Po—for reasons unknown; and she paid her occasional respects to any and all religions that Naapu boasted. When there was a row, she was always, of course, on the European side; though she would stretch a point now and then in favor of the native constabulary.

So much for French Eva—who was by no means so important in the Naapu scheme of things as my long description may imply. She had her eminently respectable, her perfectly recognized niche, and we all bought eggs and fish of her when we could. She was a curious figure, to be sure; but you must remember that on Naapu every one, nearly, was unaverage, if not abnormal. Even the agents and officials were apt to be the least promising of their kind—or they would have been somewhere else. It was a beautiful refuge for utter bounders and men who, though not bounders, had a very low limit of achievement. The jetsam of officialdom was washed up on that lonely, lovely shore. The magnates of Naapu were not to be trusted. Naapu was a rich island, the richest of its group; and, being off the main lines of traffic, was an excellent field for the unscrupulous. Tourists did not bother us, for tourists do not like eighty-ton schooners; maps did not particularly insist upon us; we were well known in places where it was profitable to know us, and not much talked about anywhere. Our copra was of the best; there were pearls to be had in certain waters if you could bribe or fight your way to them; and large groups of natives occasionally disappeared over night from one of the surrounding islands. Naapu was, you might say, the clasp of a necklace. How could we be expected to know what went on in the rest of the string—with one leaky patrol-boat to ride those seas? Sometimes there were fights down by the docks; strangers got arrested and were mysteriously pardoned out; there were always a good many people in the landscape who had had too much square-face. We were very far away from everything, and in spite of all these drawbacks we were happy, because the climate was, most of the year, unexceptionable. When you recall what most civilized climates are like, "unexceptionable," that cold and formal word, may well take your breath away. Lest any one should suspect me of blackbirding or gin-selling, I will say at once that I had come to Naapu by accident and that I stayed because, for reasons that I will not go into here, I liked it. I lived in a tiny bungalow with an ex-ship's cook whom I called Joe, and several thousand cockroaches. I had hired Joe to cook for me, but his chief duty soon became to keep the cockroaches out of my bedroom. As a matter of fact, I usually dined at Dubois's hotel or at some private house.

Why so idle a person as I should have looked down—as I did, from the first—on Follet, I cannot explain. The money I lived on was certainly not of my own making. But, strictly speaking, I could have gone home if I had chosen, and I more than suspected that Follet could not have. Follet was not enamoured of Naapu, and talked grandiloquently of Melbourne and Batavia and Hong-Kong. He continued, however, to be a resident of the island, and none of his projects of removal to a better place ever went beyond mere frothy talk. He lived at Dubois's, but spent much of his time with the aforesaid magnates. He had an incorruptible manner; some grace that had been bred in him early never forsook him, and the ladies of Naapu liked him. Even good Madame Maür, who squinted, squinted more painfully at Follet than at any one else. But his idleness was beginning to tell on him; occasionally he had moody fits, and there were times when he broke out and ran amuck among beach-combers and tipsy natives along the water-front. More than once, Ching Po sought him out and fetched him home.

My first intimation of trouble came from Stires. I had nothing to do with this particular Yankee in the way of business, but I lingered occasionally by his door in the cool of the afternoon, just to feed my eyes on his brawn and my ears on his homely and pleasant nasality. Stires's eyes were that disconcerting gray-blue which seems to prevail among men who have lived much in the desert or on the open sea. You find it in Arizona; and in the navies of all the northern countries. It added to his cowboy look. I knew nothing about Stires—remember that on Naapu we never asked a man questions about himself—but I liked him. He sat about on heaps of indescribable junk—things that go into the bowels of ships—and talked freely. And because Follet and I were both in what Naapu would have called its best circles, I never talked about Follet, though I liked him no better than Stires did. I say it began with Stires; but it began really with Schneider, introduced by Stires into our leisurely conversation. This is Schneider's only importance: namely, that, mixing himself up in French Eva's context, he made other men speak of her.

The less said about Schneider, the better; which means always that there is a great deal to say. In this case, there was perhaps less to say than to surmise. He did not give himself away—to us. Schneider had turned up on a trading schooner from Melbourne, was stopping at the hotel in one of the best rooms, and had a general interest in the potentialities of Naapu. I say potentialities advisedly, for he was not directly concerned, so far as I know, with any existing business there. He frequented everybody, and asked questions in the meticulous German way. He wandered all over the island—islands, I should say, for once or twice I saw him banging off in a creaky motor-boat to the other jewels of the necklace. Guesses as to his real business were free and frequent. He was a pearl-smuggler; the agent of a Queensland planter; a fugitive from justice; a mad scientist; a servant of the Imperial German Government. No one presumed to certitude—which was in itself a tribute to German efficiency. Schneider was blond and brush-haired and thick-lipped; he was unpleasant from the crown of his ill-shaped head to the soles of his ill-shaped shoes; but, though lacking in every charm, he was not sinister. He had seen curious places and amusing things, and could cap most adventures with something relevant; but his type and temperament prevented him from being a "good mixer," and he was not popular.

Stires, however, had his own grievance, and his judgment of Schneider went deep. He did not mind the shape of Schneider's skull, or the hint of goose-step in Schneider's gait; but he minded, very much, the kind of interest that Schneider took in French Eva. He told me that, straight, emphasizing his statements with a rusty spanner, which he wielded in a curious, classical way, like a trident. According to him, Schneider was bothering the life out of the girl. "Always asking her to dress up and come over to chow with him at the hotel." And the spanner went down as if Neptune were rebuking the seas.

"Does she go?"

"No."

"Well, then—can't you leave the lady to discourage him in her own way?"

"She won't go to the ho-tel, because she hates Ching Po. But she walks out with him Sunday afternoons. He gives her gimcracks."

"Then she likes him?"

"There's no telling. She's a real lady." And the discouraged Stires beat, with his spanner, a refrain to his involuntary epigram.

"She can take care of herself, can't she?" I had watched her deal with a drunken Solomon Islander, and did not see how Schneider could be a match for her.

"I don't know." Stires's lazy drawl challenged the sunset.

"Anything I can do?" I asked as I rose.

"Unless you go in and cut him out," he meditated with a grin.

"But I'm not in love with her," I protested.

"You might take her to church."

But I refused. Philandering was not my forte, and church, in any case, was the last thing I should venture to propose.

"Why don't you go in yourself?"

Stires scratched his head. The trident trailed upon the ground. "It's serious or nothing with me, I guess. And she's got something against me. I don't know what. Thinks I don't blarney the Kanakas enough, perhaps. Then there's Follet."

"Oh, is he in it?" I forgot to go.

"He's more in it than I am, and I'm darned if I know what she's up to with the three of us. I'm playing 'possum, till I find out."

"If you can stand Follet butting in, why can't you stand Schneider? Safety in numbers, you know."

"Well, Mr. Follet belongs here. I can have it out with him any time. He'll have to play the game. But if I know Schneider, there's no wedding bells in his. And Mam'selle Eva hasn't, as you might say, got a chaperon."

The spectacle of "Mam'selle Eva," as I had last seen her, perspiring, loosely girdled, buying a catch of fish at a fair price from three mercenary natives adorned with shark's-tooth necklaces, rose before me.

"Man alive, you don't have to chaperon her," I cried. "She's on to everything."

The sun-and-wind-whipt eyes flashed at me. The spanner trembled a little.

"Don't misunderstand me," I insisted. "But it stands to reason that, here on Naapu, she's learned a good many things they don't teach in little red schoolhouses. I have a great respect for her, and, between you and me, I shouldn't wonder if she had sized Schneider up already."

The eyes were appeased. "Maybe, maybe," he grunted. "But lies come easy to him, I guess. Miss Eva wouldn't be the first he'd fooled."

"Do you know anything about him?"

"Not a thing, except what sticks out all over him. For a man's eyes, that is. You never can tell what a woman will see."

I left him poking in the dust with his spanner.

I dined that night at Lockerbie's. There was no Mrs. Lockerbie, and it was a man's party. Follet was there, of course, and Schneider, too, his teeth and his clothes whiter than the rest of ours. I was surprised to see Schneider, for Lockerbie had suspected the Teuton of designs on his very privately and not too authentically owned lagoon. Lockerbie did a fair business in pearls; no great beauties or values among them, but a good marketable cheap product. But no one held out very long against any one on Naapu.

Schneider was drunk before he ever got to Lockerbie's that night. It was part of the Naapu ritual not to drink just before you reached your host's house, and that ritual, it soon became evident, Schneider had not observed. I saw Lockerbie scowl, and Follet wince, and some of the others stare. I could not help being amused, for I knew that no one would object to his being in that condition an hour later. The only point was that he should not have arrived like that. If Schneider had had anything resembling a skin, he would have felt about as comfortable as Mother Eve at a woman's club. Lockerbie's scowl was no joke; and Follet had a way of wriggling his backbone gracefully.—It was up to me to save Schneider, and I did. The honor of Naapu was nothing to me; and by dint of almost embracing him, I made myself a kind of absorbent for his worst breaks. It was not a pleasant hour for me before the rest began to loosen up.

In my eagerness to prevent Lockerbie from insulting his guest, I drank nothing, myself, after the first cocktail. So it came to pass that by the time I could safely leave Schneider to the others, I found myself unwontedly incarnating the spirit of criticism.

They were a motley crowd, coalesced for the moment into a vinous solidarity. Follet spat his words out very sweetly; his poisonous grace grew on him in his cups. Lockerbie, warmed by wine, was as simple—and charming—as a wart-hog. Old Maskell, who had seen wind-jammer days and ways and come very close, I suspected, to piracy, always prayed at least once. Pasquier, the successful merchant who imported finery for the ladies of Naapu, rolled out socialistic platitudes—he was always flanked, at the end of the feast, by two empty chairs. Little Morlot began the endless tale of his conquests in more civilized lands: all patchouli and hair-oil. Anything served as a cue for all of them to dive into the welter of their own preoccupations. Just because they knew each other and Naapu so well, they seemed free to wander at will in the secret recesses of their predilections and their memories. I felt like Circe—or perhaps Ulysses; save that I had none of that wise man's wisdom.

The reward of my abstinence, I found, was to be the seeing home of Schneider. It would have come more naturally to Follet, who also lived at Dubois's, but Follet was fairly snarling at Schneider. French Eva's name had been mentioned. On my word, as I saw Follet curving his spinal column, and Schneider lighting up his face with his perfect teeth, I thought with an immense admiration of the unpolished and loose-hung Stires amid the eternal smell of tar and dust. It was a mere discussion of her hair, incoherent and pointless enough. No scandal, even from Schneider. There had been some sense, of a dirty sort, in his talk to me; but more wine had scattered his wits.

I took Schneider home, protesting to myself that I would never be so caught again. He lurched rather stiffly along, needing my help only when we crossed the unpaved roads in the darkness. Follet went ahead, and I gave him a good start. When we reached the hotel, Ching Po surged up out of the black veranda and crooked his arm for Schneider to lean upon. They passed into the building, silently, like old friends.

A stupid indisposition housed me for a little after Lockerbie's feast. I resented the discomfort of temporary illness, but rather liked being alone, and told Joe to refuse me to callers—even the Maürs, who were more like friends and neighbors than any one else in the place. My own affairs should not obtrude on this tale at all; and I will not go into them more than to say that I came to the end of my dosing and emerged upon the world after three days. The foolish thought came to me that I would have a look at French Eva's hair, of which little Morlot had spoken in such gallant hiccoughs.

The lady was not upon her veranda, nor yet in her poultry-yard, as I paced past her dwelling. I had got nearly by, when I heard myself addressed from the unglazed window.

"Monsieur!"

I strolled back, wondering if at last I should be invited to hear the gramophone—her chiefest treasure. The mass of hair spread out of the crude opening in the bamboo wall, for all the world like Rapunzel's. I faced a great curtain of black. Then hands appeared and made a rift in it, and a face showed in the loose black frame.

"Monsieur, what is the German for 'cochon'?"

My German is scanty, and I reflected. "'Schweinhund' will do, I think," I answered after consideration.

"A thousand thanks." The face disappeared, and the hair was pulled after it.

I waited. I could hear nothing distinctly, but in a moment Schneider came running quickly and stiffly down the creaky ladder from the door. He saw me—of that I am sure—but I did not blame him for not greeting one who had doubtless been giving aid and comfort to the enemy. I squatted on the low railing of French Eva's compound, but she herself was not forthcoming. After ten minutes I heard a commotion in the poultry yard, and found her at the back among her chickens. Her hair was piled up into an amazing structure: it looked as if some one had placed the great pyramid on top of the sphinx.

"Do you need my further services?"