THE ALEXANDRA READERS

FOURTH READER

BY
W. A. McINTYRE, B.A., LL.D.
PRINCIPAL, NORMAL SCHOOL, WINNIPEG
JOHN DEARNESS, M.A.
VICE-PRINCIPAL, NORMAL SCHOOL, LONDON
AND
JOHN C. SAUL, M.A.
Authorized by the Departments of Education
for Use in the Schools of Alberta
and Saskatchewan
PRICE 50 CENTS
TORONTO
MORANG EDUCATIONAL COMPANY LIMITED
1908

Copyright by
MORANG EDUCATIONAL COMPANY LIMITED
1908
———
Copyright in Great Britain

CONTENTS

FOURTH READER

DOMINION HYMN

God bless our wide Dominion,
Our fathers’ chosen land,
And bind in lasting union,
Each ocean’s distant strand,
From where Atlantic terrors
Our hardy seamen train,
To where the salt sea mirrors
The vast Pacific chain.

Our sires when times were sorest
Asked none but aid Divine,
And cleared the tangled forest,
And wrought the buried mine.
They tracked the floods and fountains,
And won, with master hand,
Far more than gold in mountains,—
The glorious prairie land.

Inheritors of glory,
Oh! countrymen! we swear
To guard the flag that o’er ye
Shall onward victory bear.
Where’er through earth’s far regions
Its triple crosses fly,
For God, for home, our legions
Shall win, or fighting, die!
—The Duke of Argyle.

THE MOONLIGHT SONATA

It happened at Bonn. One moonlight winter’s evening I called upon Beethoven, for I wanted him to take a walk, and afterwards to sup with me. In passing through some dark, narrow street, he paused suddenly. “Hush!” he said—“what sound is that? It is from my Sonata in F!” he said, eagerly. “Hark! how well it is played!”

It was a little, mean dwelling, and we paused outside and listened. The player went on; but suddenly there was a break, then the voice of sobbing: “I cannot play any more. It is so beautiful; it is utterly beyond my power to do it justice. Oh, what would I not give to go to the concert at Cologne!”

“Ah, my sister,” said her companion, “why create regrets, when there is no remedy? We can scarcely pay our rent.”

“You are right; and yet I wish for once in my life to hear some really good music. But it is of no use.”

Beethoven looked at me. “Let us go in,” he said.

“Go in!” I exclaimed. “What can we go in for?”

“I shall play to her,” he said, in an excited tone. “Here is feeling—genius—understanding. I shall play to her, and she will understand it.” And, before I could prevent him, his hand was upon the door.

A pale young man was sitting by the table, making shoes; and near him, leaning sorrowfully upon an old-fashioned harpsichord, sat a young girl, with a profusion of light hair falling over her bent face. Both were cleanly but very poorly dressed, and both started and turned towards us as we entered.

“Pardon me,” said Beethoven, “but I heard music, and was tempted to enter. I am a musician.”

The girl blushed, and the young man looked grave—somewhat annoyed.

“I—I also overheard something of what you said,” continued my friend. “You wish to hear—that is, you would like—that is— Shall I play for you?”

There was something so odd in the whole affair, and something so pleasant in the manner of the speaker, that the spell was broken, and all smiled involuntarily.

“Thank you!” said the shoemaker; “but our harpsichord is so wretched, and we have no music.”

“No music!” echoed my friend. “How, then, does the young lady—”

He paused, and colored up, for the girl looked full at him, and he saw that she was blind.

“I—I entreat your pardon!” he stammered. “But I had not perceived before. Then you play by ear?”

“Entirely.”

“And where do you hear the music, since you frequent no concerts?”

“I used to hear a lady practising near us, when we lived at Brühl two years. During the summer evenings her windows were generally open, and I walked to and fro outside to listen to her.”

She seemed shy; so Beethoven said no more, but seated himself quietly before the piano, and began to play. He had no sooner struck the first chord than I knew what would follow—how grand he would be that night. And I was not mistaken. Never, during all the years I knew him, did I hear him play as he then played to that blind girl and her brother. He was inspired; and from the instant that his fingers began to wander along the keys, the very tone of the instrument began to grow sweeter and more equal.

The brother and sister were silent with wonder and rapture. The former laid aside his work; the latter, with her head bent slightly forward, and her hands pressed tightly over her breast, crouched down near the end of the harpsichord, as if fearful lest even the beating of her heart should break the flow of those magical, sweet sounds. It was as if we were all bound in a strange dream, and feared only to wake.

Suddenly the flame of the single candle wavered, sank, flickered, and went out. Beethoven paused, and I threw open the shutters, admitting a flood of brilliant moonlight. The room was almost as light as before, and the illumination fell strongest upon the piano and player. But the chain of his ideas seemed to have been broken by the accident. His head dropped upon his breast; his hands rested upon his knees; he seemed absorbed in meditation. It was thus for some time.

At length the young shoemaker rose, and approached him eagerly, yet reverently. “Wonderful man!” he said, in a low tone; “who and what are you?”

The composer smiled as only he could smile, benevolently, indulgently, kindly. “Listen!” he said, and he played the opening bars of the Sonata in F.

A cry of delight and recognition burst from them both, and exclaiming, “Then you are Beethoven!” they covered his hands with tears and kisses.

He rose to go, but we held him back with entreaties.

“Play to us once more—only once more!”

He suffered himself to be led back to the instrument. The moon shone brightly in through the window and lit up his glorious, rugged head and massive figure. “I shall improvise a sonata to the moonlight!” looking up thoughtfully to the sky and stars. Then his hands dropped on the keys, and he began playing a sad and infinitely lovely movement, which crept gently over the instrument like the calm flow of moonlight over the dark earth.

This was followed by a wild, elfin passage in triple time—a sort of grotesque interlude, like the dance of sprites upon the sward. Then came a swift, breathless, trembling movement, descriptive of flight and uncertainty, and vague, impulsive terror, which carried us away on its rustling wings, and left us all in emotion and wonder.

“Farewell to you!” said Beethoven, pushing back his chair and turning towards the door—“farewell to you!”

“You will come again?” asked they, in one breath.

He paused and looked compassionately, almost tenderly, at the face of the blind girl. “Yes, yes,” he said, hurriedly; “I shall come again, and give the young lady some lessons. Farewell! I shall soon come again!”

They followed us in silence more eloquent than words, and stood at their door till we were out of sight and hearing.

“Let us make haste back,” said Beethoven, “that I may write out that sonata while I can yet remember it.”

We did so, and he sat over it till long past day-dawn. And this was the origin of that “Moonlight Sonata” with which we are all so fondly acquainted.—Anonymous.

Go to the ant, thou sluggard;
Consider her ways, and be wise:
Which having no chief, overseer, or ruler,
Provideth her meat in the summer,
And gathereth her food in the harvest.
—From “The Book of Proverbs.”

THE FLIGHT OF THE BIRDS

Whither away, Robin,
Whither away?
Is it through envy of the maple leaf,
Whose blushes mock the crimson of thy breast,
Thou wilt not stay?
The summer days were long, yet all too brief
The happy season thou hast been our guest:
Whither away?

Whither away, Bluebird,
Whither away?
The blast is chill, yet in the upper sky
Thou still canst find the color of thy wing,
The hue of May.
Warbler, why speed thy southern flight? ah, why,
Thou too, whose song first told us of the spring?
Whither away?

Whither away, Swallow,
Whither away?
Canst thou no longer tarry in the north,
Here, where our roof so well hath screened thy nest?
Not one short day?
Wilt thou—as if thou human wert—go forth
And wander far from them who love thee best?
Whither away?
—Edmund Clarence Stedman.

THE MINSTREL BOY

The minstrel boy to the war is gone,
In the ranks of death you’ll find him;
His father’s sword he has girded on,
And his wild harp slung behind him.
“Land of song!” said the warrior bard,
“Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!”

The minstrel fell, but the foeman’s chain
Could not bring his proud soul under;
The harp he loved ne’er spoke again,
For he tore its chords asunder;
And said, “No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the pure and free,
They shall never sound in slavery!”
—Thomas Moore.

THE GOOD SAXON KING

Alfred the Great was a young man three and twenty years of age when he became king of England. Twice in his childhood he had been taken to Rome, where the Saxon nobles were in the habit of going on pilgrimages, and once he had stayed for some time in Paris. Learning, however, was so little cared for in those days that at twelve years of age he had not been taught to read, although he was the favorite son of King Ethelwulf.

But like most men who grew up to be great and good, he had an excellent mother. One day this lady, whose name was Osburga, happened, as she sat among her sons, to read a book of Saxon poetry. The art of printing was not known until long after that period. The book, which was written, was illuminated with beautiful, bright letters, richly painted. The brothers admiring it very much, their mother said, “I shall give it to that one of you who first learns to read.” Alfred sought out a tutor that very day, applied himself to learn with great diligence, and soon won the book. He was proud of it all his life.

Charles Dickens

This great king, in the first year of his reign, fought nine battles with the Danes. He made some treaties with them, too, by which the false Danes swore that they would quit the country. They pretended that they had taken a very solemn oath; but they thought nothing of breaking oaths, and treaties, too, as soon as it suited their purpose, and of coming back again to fight, plunder, and burn.

One fatal winter, in the fourth year of King Alfred’s reign, the Danes spread themselves in great numbers over England. They so dispersed the king’s soldiers that Alfred was left alone, and was obliged to disguise himself as a common peasant, and to take refuge in the cottage of one of his cowherds, who did not know him.

Here King Alfred, while the Danes sought him far and near, was left alone one day by the cowherd’s wife, to watch some cakes which she put to bake upon the hearth. But the king was at work upon his bow and arrows, with which he hoped to punish the false Danes when a brighter time should come. He was thinking deeply, too, of his poor, unhappy subjects, whom the Danes chased through the land. And so his noble mind forgot the cakes, and they were burnt. “What!” said the cowherd’s wife, who scolded him well when she came back, and little thought she was scolding the king; “you will be ready enough to eat them by and by, and yet you cannot watch them, idle dog!”

At length the Devonshire men made head against a new host of Danes who landed on their coast. They killed the Danish chief, and captured the famous flag, on which was the likeness of a raven. The loss of this standard troubled the Danes greatly. They believed it to be enchanted, for it had been woven by the three daughters of their king in a single afternoon. And they had a story among themselves, that when they were victorious in battle, the raven would stretch his wings and seem to fly; and that when they were defeated, he would droop.

It was important to know how numerous the Danes were, and how they were fortified. And so King Alfred, being a good musician, disguised himself as a minstrel, and went with his harp to the Danish camp. He played and sang in the very tent of Guthrum, the Danish leader, and entertained the Danes as they feasted. While he seemed to think of nothing but his music, he was watchful of their tents, their arms, their discipline,—everything that he desired to know.

Right soon did this great king entertain them to a different tune. Summoning all his true followers to meet him at an appointed place, he put himself at their head, marched on the Danish camp, defeated the Danes, and besieged them fourteen days to prevent their escape. But, being as merciful as he was good and brave, he then, instead of killing them, proposed peace,—on condition that they should all depart from that western part of England, and settle in the eastern. Guthrum was an honorable chief, and forever afterwards he was loyal and faithful to the king. The Danes under him were faithful, too. They plundered and burned no more, but ploughed and sowed and reaped, and led good honest lives. And the children of those Danes played many a time with Saxon children in the sunny fields; and their elders, Danes and Saxons, sat by the red fire in winter, talking of King Alfred the Great.

All the Danes, however, were not like these under Guthrum. After some years, more of them came over in the old plundering, burning way. Among them was a fierce pirate named Hastings, who had the boldness to sail up the Thames with eighty ships. For three years there was war with these Danes; and there was a famine in the country, too, and a plague, upon both human creatures and beasts. But King Alfred, whose mighty heart never failed him, built large ships, with which to pursue the pirates on the sea. He encouraged his soldiers, by his brave example, to fight valiantly against them on the shore. At last he drove them all away; and then there was repose in England.

As great and good in peace as he was great and good in war, King Alfred never rested from his labors to improve his people. He loved to talk with clever men, and with travellers from foreign countries, and to write down what they told him for his people to read. He had studied Latin, after learning to read English. And now one of his labors was to translate Latin books into the English-Saxon tongue, that his people might be improved by reading them.

He made just laws that his people might live more happily and freely. He turned away all partial judges that no wrong might be done. He punished robbers so severely that it was a common thing to say that under the great King Alfred, garlands of golden chains and jewels might have hung across the streets and no man would have touched them. He founded schools. He patiently heard causes himself in his court of justice. The great desires of his heart were to do right to all his subjects, and to leave England better, wiser, and happier in all ways than he had found it.

His industry was astonishing. Every day he divided into portions, and in each portion devoted himself to a certain pursuit. That he might divide his time exactly, he had wax torches, or candles, made, all of the same size and notched across at regular distances. These candles were always kept burning, and as they burned down he divided the day into notches, almost as accurately as we now divide it into hours upon the clock. But it was found that the wind and draughts of air, blowing into the palace through the doors and windows, caused the candles to burn unequally. To prevent this the king had them put into cases formed of wood and white horn. And these were the first lanterns ever made in England.

King Alfred died in the year 901; but as long ago as that is, his fame, and the love and gratitude with which his subjects regarded him, are freshly remembered to the present hour.—Charles Dickens.

A SONG

There is ever a song somewhere, my dear,
There is ever a something sings alway:
There’s the song of the lark when the skies are clear,
And the song of the thrush when the skies are gray.
The sunshine showers across the grain,
And the bluebird trills in the orchard tree;
And in and out, when the eaves drip rain,
The swallows are twittering carelessly.

There is ever a song somewhere, my dear,
Be the skies above or dark or fair;
There is ever a song that our hearts may hear—
There is ever a song somewhere, my dear—
There is ever a song somewhere!

There is ever a song somewhere, my dear,
In the midnight black or the midday blue:
The robin pipes when the sun is here,
And the cricket chirrups the whole night through;
The buds may blow and the fruit may grow,
And the autumn leaves drop crisp and sere:
But whether the sun or the rain or the snow,
There is ever a song somewhere, my dear.
—James Whitcomb Riley.

By permission of the publishers, The Bobbs-Merrill Company. Copyright, 1898.

BETTER THAN GOLD

Better than grandeur, better than gold,
Than rank and title a thousand fold,
Is a healthy body, a mind at ease,
And simple pleasures that always please;
A heart that can feel for a neighbor’s woe,
And share his joys with a genial glow;
With sympathies large enough to enfold
All men as brothers, is better than gold.

Better than gold is a thinking mind,
That in the realm of books can find
A treasure surpassing Australian ore,
And live with the great and good of yore:—
The sage’s lore and the poet’s lay,
The glories of empires passed away.
The world’s great dream will thus unfold
And yield a pleasure better than gold.

Better than gold is a peaceful home,
Where all the fireside charities come,—
The shrine of love and the haven of life,
Hallowed by mother, or sister, or wife.
However humble the home may be,
Or tried with sorrow by Heaven’s decree,
The blessings that never were bought or sold
And centre there, are better than gold.
—Mrs. J. M. Winton.

THE TIGER, THE BRAHMAN, AND THE JACKAL

Once upon a time a tiger was caught in a trap. He tried in vain to get out through the bars, and rolled and bit with rage and grief when he failed.

By chance a poor Brahman came by. “Let me out of this cage, O pious one!” cried the tiger.

“Nay, nay, my friend,” replied the Brahman, mildly. “You would probably eat me up if I did.”

“Not at all!” declared the tiger, with many vows; “on the contrary, I should be forever grateful, and would serve you as a slave!”

Now, when the tiger sobbed and sighed and wept, the pious Brahman’s heart softened, and at last he consented to open the door of the cage. At once, out sprang the tiger, and seizing the poor man, cried:—

“What a fool you are! What is to prevent my eating you now? After being cooped up so long I am terribly hungry.”

In vain the Brahman pleaded for his life. All that he could gain was a promise from the tiger to abide by the decision of the first three things that he chose to question concerning the tiger’s action.

So the Brahman first asked a tree what it thought of the matter, but the tree replied coldly:—

“What have you to complain about? Don’t I give shade and shelter to all who pass by, and don’t they in return tear down my branches and pull off my leaves to feed their cattle? Don’t complain, but be a man!”

Then the Brahman, sad at heart, went further afield till he saw a buffalo turning a water-wheel. He laid his case before it, but he got no comfort, for the buffalo answered:—

“You are a fool to expect gratitude! Look at me! Do you not see how hard I work? While I was young and strong they fed me on the best of food, but now when I am old and feeble they yoke me here, and give me only the coarsest fodder to eat!”

The Brahman, still more sad, asked the road to give him its opinion of the tiger’s conduct.

“My dear sir,” said the road, “how foolish you are to expect anything else! Here am I, useful to everybody, yet all, rich and poor, great and small, trample on me as they go past, giving me nothing but the ashes of their pipes and the husks of their grain!”

On hearing this the Brahman turned back sorrowfully. On his way he met a jackal, who called out:—

“Why, what’s the matter, Mr. Brahman? You look as miserable as a fish out of water!”

Then the Brahman told him all that had occurred.

“How very confusing!” said the jackal, when the recital was ended; “will you tell it over again, for everything has got mixed up in my mind?”

The Brahman told his story all over again, but the jackal shook his head in a distracted sort of way, and still could not understand.

“It’s very odd,” said he, sadly, “but it all seems to go in at one ear and out the other! Take me to the place where it all happened, and then, perhaps, I shall be able to understand it.”

So the cunning jackal and the poor Brahman returned to the cage, and there was the tiger waiting for his victim, and sharpening his teeth and claws.

“You’ve been away a long time!” growled the savage beast, “but now let us begin our dinner.”

“Our dinner!” thought the wretched Brahman, as his knees knocked together with fright; “what a delicate way he has of putting it!”

“Give me five minutes, my lord!” he pleaded, “in order that I may explain matters to the jackal here, who is somewhat slow in his wits.”

The tiger consented, and the Brahman began the whole story over again, not missing a single detail, and spinning as long a yarn as possible.

“Oh, my poor brain! Oh, my poor brain!” cried the jackal, wringing its paws and scratching its head. “Let me see, how did it all begin? You were in the cage, and the tiger came walking by—”?

“Pooh! Not at all!” interrupted the tiger. “What a fool you are! I was in the cage.”

“Yes, of course!” cried the jackal, pretending to tremble with fright. “Yes! I was in the cage—no, I wasn’t—dear! dear! where are my wits? Let me see—the tiger was in the Brahman, and the cage came walking by. No, no, that’s not it, either! Well, don’t mind me, but begin your dinner, my lord, for I shall never understand it!”

“Yes, you shall!” returned the tiger, in a rage at the jackal’s stupidity; “I’ll make you understand! Look here. I am the tiger—”

“Yes, my lord!”

“And that is the Brahman—”

“Yes, my lord!”

“And that is the cage—”

“Yes, my lord!”

“And I was in the cage—do you understand?”

“Yes, but please, my lord, how did you get in?”

“How did I get in! Why, in the usual way, of course!” cried the tiger, impatiently.

“O dear me! my head is beginning to whirl again! Please don’t be angry, my lord, but what is the usual way?”

At this the tiger lost all patience, and, jumping into the cage, cried, “This way! Now do you understand how it was?”

“Perfectly!” grinned the jackal, as he instantly shut the door; “and if you will permit me to say so, I think matters will remain as they were!”—Joseph Jacobs.

From “Indian Fairy Tales,” by permission of the author.

A CANADIAN BOAT-SONG

Thomas Moore

Faintly as tolls the evening chime,
Our voices keep tune and our oars keep time.
Soon as the woods on shore look dim,
We’ll sing at St. Ann’s our parting hymn.
Row, brothers, row, the stream runs fast,
The Rapids are near, and the daylight’s past!

Why should we yet our sail unfurl?
There is not a breath the blue wave to curl!
But when the wind blows off the shore,
Oh! sweetly we’ll rest our weary oar.
Blow, breezes, blow, the stream runs fast,
The Rapids are near, and the daylight’s past!

Utawas’ tide! this trembling moon
Shall see us float over thy surges soon.
Saint of this green Isle! hear our prayers;
Oh! grant us cool heavens and favoring airs.
Blow, breezes, blow, the stream runs fast,
The Rapids are near, and the daylight’s past!
—Thomas Moore.

Attempt the end and never stand in doubt;
Nothing’s so hard but search will find it out.

THE SONG SPARROW

There is a bird I know so well,
It seems as if he must have sung
Beside my crib when I was young;
Before I knew the way to spell
The name of even the smallest bird,
His gentle, joyful song I heard.
Now see if you can tell, my dear,
What bird it is, that every year,
Sings “Sweet—sweet—sweet—very merry cheer.”

He comes in March, when winds are strong,
And snow returns to hide the earth;
But still he warms his head with mirth,
And waits for May. He lingers long
While flowers fade, and every day
Repeats his sweet, contented lay;
As if to say we need not fear
The seasons’ change, if love is here,
With “Sweet—sweet—sweet—very merry cheer.”

He does not wear a Joseph’s coat
Of many colors, smart and gay;
His suit is Quaker brown and gray,
With darker patches at his throat.
And yet of all the well-dressed throng,
Not one can sing so brave a song.
It makes the pride of looks appear
A vain and foolish thing to hear
His “Sweet—sweet—sweet—very merry cheer.”

A lofty place he does not love,
But sits by choice, and well at ease,
In hedges, and in little trees
That stretch their slender arms above
The meadow-brook; and there he sings
Till all the field with pleasure rings;
And so he tells in every ear,
That lowly homes to heaven are near
In “Sweet—sweet—sweet—very merry cheer.”

I like the tune, I like the words;
They seem so true, so free from art,
So friendly, and so full of heart,
That if but one of all the birds
Could be my comrade everywhere,
My little brother of the air,
This is the one I’d choose, my dear,
Because he’d bless me, every year,
With “Sweet—sweet—sweet—very merry cheer.”
—Henry van Dyke.

From “The Builders and Other Poems.”
Copyright, 1897, by Charles Scribner’s Sons.

The only way to have a friend is to be one.

THE CHILD OF URBINO

Many, many years ago, in old Urbino, in the pleasant land of Italy, a little boy stood looking out of a high window into the calm, sunshiny day. He was a pretty boy with hazel eyes and fair hair cut straight above his brows. He wore a little blue tunic with some embroidery about the neck of it, and in his hand he carried a little round cap of the same color.

Raphael

He was a very happy little boy here in this stately, yet kindly, Urbino. He had a dear old grandfather and a loving mother; and he had a father who was very tender to him, and who was full of such true love of art that the child breathed it with every breath he drew. He often said to himself, “I mean to become a painter, too.” And the child understood that to be a painter was to be the greatest thing in the world; for this child was Raphael, the seven-year-old son of Giovanni Sanzio.

At this time Urbino was growing into fame for its pottery work, and when its duke wished to send a bridal gift or a present on other festal occasions, he often chose some of his own Urbino ware. Jars and bowls and platters and vases were all made and painted at Urbino, whilst Raphael Sanzio was running about on rosy, infantine feet.

There was a master potter in that day, one Benedetto, who did things rare and fine in the Urbino ware. He lived within a stone’s throw of Giovanni Sanzio, and had a beautiful daughter, by name Pacifica. The house of Benedetto was a long, stone building with a porch at the back all overclimbed by hardy rose trees, and looking on a garden in which grew abundantly pear trees, plum trees, and strawberries. The little son of neighbor Sanzio ran in and out of this bigger house and wider garden of Benedetto at his pleasure, for the maiden Pacifica was always glad to see him, and even the master potter would show the child how to lay the color on the tremulous unbaked clay. Raphael loved Pacifica, as he loved everything that was beautiful, and every one that was kind.

Master Benedetto had four apprentices or pupils at that time, but the one that Raphael and Pacifica liked best was one Luca, a youth with a noble, dark beauty of his own. For love of Pacifica he had come down from his mountain home, and had bound himself to her father’s service. Now he spent his days trying in vain to make designs fair enough to find favor in the eyes of his master.

One day, as Raphael was standing by his favorite window in the potter’s house, his friend, the handsome Luca, who was also standing there, sighed so deeply that the child was startled from his dreams. “Good Luca, what ails you?” he queried, winding his arms about the young man’s knees.

“Oh, ‘Faello!” sighed the apprentice, wofully, “here is a chance to win the hand of Pacifica if only I had talent. If the good Lord had only gifted me with a master’s skill, instead of all the strength of this great body of mine, I might win Pacifica.”

“What chance is it?” asked Raphael.

“Dear one,” answered Luca, with a tremendous sigh, “you must know that a new order has come in this very forenoon from the Duke. He wishes a dish and a jar of the very finest majolica to be painted with the story of Esther, and made ready in three months from this date. The master has said that whoever makes a dish and a jar beautiful enough for the great Duke shall become his partner and the husband of Pacifica. Now you see, ‘Faello mine, why I am so bitterly sad of heart; for at the painting of clay I am but a tyro. Even your good father told me that, though I had a heart of gold, yet I would never be able to decorate anything more than a barber’s basin. Alas! what shall I do? They will all beat me;” and tears rolled down the poor youth’s face.

Raphael heard all this in silence, leaning his elbows on his friend’s knee, and his chin on the palms of his own hands. He knew that the other pupils were better painters by far than his Luca; though not one of them was such a good-hearted youth, and for none of them did the maiden Pacifica care.

Raphael was very pensive for a while; then he raised his head and said, “Listen! I have thought of something, Luca. But I do not know whether you will let me try it.”

“You angel child! What would your old Luca deny to you? But as for helping me, put that out of your little mind forever, for no one can help me.”

“Let me try!” said the child a hundred times.

Luca could hardly restrain his shouts of mirth at the audacious fancy. Baby Raphael, only seven years old, to paint a majolica dish and vase for the Duke! But the sight of the serious face of Raphael, looking up with serene confidence, kept the good fellow grave. So utterly in earnest was the child, and so intense was Luca’s despair, that the young man gave way to Raphael’s entreaties.

“Never can I do aught,” he said bitterly. “And sometimes by the help of cherubs the saints work miracles.”

“It shall be no miracle,” replied Raphael; “it shall be myself, and what the dear God has put into me.”

From that hour Luca let him do what he would, and through all the lovely summer days the child shut himself in the garret and studied, and thought, and worked. For three months Raphael passed the most anxious hours of all his sunny young life. He would not allow Luca even to look at what he did. The swallows came in and out of the open window and fluttered all around him; the morning sunbeams came in, too, and made a halo about his golden head. He was only seven years old, but he labored as earnestly as if he were a man grown, his little rosy fingers grasping that pencil which was to make him, in

Raphael’s Madonna of the Chair

life and death, more famous than all the kings of the earth.

One afternoon Raphael took Luca by the hand and said to him, “Come.” He led the young man up to the table beneath the window where he had passed so many days of the spring and summer. Luca gave a great cry, and then fell on his knees, clasping the little feet of the child.

“Dear Luca,” he said softly, “do not do that. If it be indeed good, let us thank God.”

What Luca saw was the great oval dish and the great jar or vase with all manner of graceful symbols and classic designs wrought upon them. Their borders were garlanded with cherubs and flowers, and the landscapes were the beautiful landscapes round about Urbino; and amidst the figures there was one white-robed, golden-crowned Esther, to whom the child painter had given the face of Pacifica.

“Oh, wondrous boy!” sighed the poor apprentice as he gazed, and his heart was so full that he burst into tears. At last he said timidly: “But, Raphael, I do not see how your marvellous creation can help me! Even if you would allow it to pass as mine, I could not accept such a thing,—not even to win Pacifica. It would be a fraud, a shame.”

“Wait just a little longer, my good friend, and trust me,” said Raphael.

The next morning was a midsummer day. Now, the pottery was all to be placed on a long table, and the Duke was then to come and make his choice from amidst them. A few privileged persons had been invited, among them the father of Raphael, who came with his little son clinging to his hand.

The young Duke and his court came riding down the street, and paused before the old stone house of the master potter. Bowing to the ground, Master Benedetto led the way, and the others followed into the workshop. In all there were ten competitors. The dishes and jars were arranged with a number attached to each—no name to any.

The Duke, doffing his plumed cap, walked down the long room and examined each production in its turn. With fair words he complimented Signor Benedetto on the brave show, and only before the work of poor Luca was he entirely silent. At last, before a vase and a dish that stood at the farthest end of the table, the Duke gave a sudden cry of wonder and delight.

“This is beyond all comparison,” said he, taking the great oval dish in his hands. “It is worth its weight in gold. I pray you, quick, name the artist.”

“It is marked number eleven, my lord,” answered the master potter, trembling with pleasure and surprise. “Ho, you who reply to that number, stand out and give your name.”

But no one moved. The young men looked at one another. Where was this nameless rival? There were but ten of themselves.

“Ho, there!” cried the master, becoming angry. “Can you not find a tongue? Who has wrought this wondrous work?”

Then the child loosened his little hand from his father’s hold and stepped forward, and stood before the master potter.

“I painted it,” he said, with a pleased smile; “I, Raphael.”

Can you not fancy the wonder, the rapture, the questions, the praise, that followed on the discovery of the child artist? The Duke felt his eyes wet, and his heart swell. He took a gold chain from his own neck and threw it over Raphael’s shoulders.

“There is your first reward,” he said. “You shall have many, O wondrous child, and you shall live when we who stand here are dust!”

Raphael, with winning grace, kissed the Duke’s hand, and then turned to his own father.

“Is it true that I have won the prize?”

“Quite true, my child,” said Sanzio, with tremulous voice.

Raphael looked up at Master Benedetto and gently said, “Then I claim the hand of Pacifica.”

“Dear and marvellous child,” murmured Benedetto, “you are only jesting, I know; but tell me in truth what you would have. I can deny you nothing; you are my master.”

“I am your pupil,” said Raphael, with sweet simplicity. “Had you not taught me the secret of your colors, I could have done nothing. Now, dear Master, and you, my lord Duke, I pray you hear me. By the terms of this contest I have won the hand of Pacifica and a partnership with Master Benedetto. I take these rights, and I give them over to my dear friend, Luca, who is the truest man in all the world, and who loves Pacifica as no other can do.”

Signor Benedetto stood mute and agitated. Luca, pale as ashes, had sprung forward and dropped on his knees.

“Listen to the voice of an angel, my good Benedetto,” said the Duke.

The master burst into tears. “I can refuse him nothing,” he said, with a sob.

“And call the fair Pacifica,” cried the sovereign, “and I shall give her myself, as a dower, as many gold pieces as we can cram into this famous vase. Young man, rise up, and be happy!”

But Luca heard not; he was still kneeling at the feet of Raphael.—Louise de la Ramée.

By permission of the publishers, Chatto & Windus, London.

There is a tide in the affairs of men,
Which, taken at the flood, leads on to fortune;
Omitted, all the voyage of their life
Is bound in shallows and in miseries.
On such a full sea are we now afloat;
And we must take the current when it serves,
Or lose our ventures.
—Shakespeare.

DESTRUCTION OF SENNACHERIB’S ARMY

Lord Byron

The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming with purple and gold,
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when summer is green,
That host with their banners at sunset were seen;
Like the leaves of the forest when autumn hath blown,
That host on the morrow lay withered and strown.

For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and forever grew still.

And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride;
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

And there lay the rider, distorted and pale,
With the dew on his brow, and the rust on his mail;
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.

And the widows of Asshur are loud in their wail;
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!
—George Gordon, Lord Byron.

THE ARROW AND THE SONG

I shot an arrow into the air,
It fell to earth, I knew not where;
For, so swiftly it flew, the sight
Could not follow in its flight.

I breathed a song into the air,
It fell to earth, I knew not where;
For who has sight so keen and strong,
That it can follow the flight of song?

Long, long afterwards, in an oak,
I found the arrow, still unbroke;
And the song, from beginning to end,
I found again in the heart of a friend.
—Henry Wadsworth Longfellow.

Fear to do base, unworthy things, is valor!
I never thought an angry person valiant;
Virtue is never aided by a vice.
—Ben Jonson.

THE BATTLE OF THE ANTS

One day when I went out to my woodpile, or rather my pile of stumps, I observed two large ants, the one red, the other much larger, nearly half an inch long, and black, fiercely contending with one another. Having once got hold, they never let go, but struggled and wrestled and rolled on the chips incessantly. Looking farther, I was surprised to find that the chips were covered with such combatants; that it was a war between two races of ants, the red always pitted against the black, and frequently two red ones to one black.

H. D. Thoreau

The legions of these warriors covered all the hills and vales in my wood-yard, and the ground was already strewn with the dead and dying, both red and black. It was the only battle which I have ever witnessed, the only battlefield I ever trod while the battle was raging; internecine war: the red republicans on the one hand, and the black imperialists on the other. On every side they were engaged in deadly combat, yet without any noise that I could hear, and human soldiers never fought so resolutely.

I watched a couple that were fast locked in each other’s embraces, in a little sunny valley amid the chips, now at noonday prepared to fight till the sun went down, or life went out. The smaller red champion had fastened himself like a vise to his adversary’s front, and through all the tumblings on that field, never for an instant ceased to gnaw at one of his feelers near the root, having already caused the other to go by the board; while the stronger black one dashed him from side to side, and, as I saw on looking nearer, had already divested him of several of his members.

In the meanwhile there came along a single red ant, evidently full of excitement, who either had despatched his foe, or had not yet taken part in the battle. He saw this unequal combat from afar,—for the blacks were nearly twice the size of the red;—he drew near with rapid pace till he stood on his guard within half an inch of the combatants; then, watching his opportunity, he sprang upon the black warrior, and commenced his operations near the root of his right fore-leg, leaving the foe to select among his own members. So there were three united for life, as if a new kind of attraction had been invented which put all other locks and cements to shame.

I took up the chip on which the three were struggling, carried it into my house, and placed it under a tumbler on my window-sill, in order to see the issue. Holding a microscope to the first-mentioned red ant, I saw that, though he was assiduously gnawing at the near fore-leg of his enemy, having severed his remaining feeler, his own breast was all torn away, exposing what vitals he had there to the jaws of the black warrior, whose breastplate was too thick for him to pierce; and the dark carbuncles of the sufferer’s eyes shone with ferocity such as only war could excite.

They struggled half an hour longer under the tumbler, and when I looked again, the black soldier had severed the heads of his foes from their bodies, and the still living heads were hanging on either side of him like ghastly trophies at his saddle-bow, still apparently as firmly fastened as ever, and he was endeavoring with feeble struggles, being without feelers and with only the remnant of a leg, and I know not how many other wounds, to divest himself of them; which at length, after an hour more, he accomplished. I raised the glass, and he went off over the window-sill in that crippled state. Whether he finally survived that combat, I do not know; but I thought that his industry would not be worth much thereafter. I never learned which party was victorious, nor the cause of the war; but I felt for the rest of that day as if I had had my feelings excited and harrowed by witnessing the struggle, the ferocity, and carnage of a human battle before my door.—Henry David Thoreau.

Oh, many a shaft at random sent,
Finds mark the archer little meant!
And many a word at random spoken,
May soothe, or wound, a heart that’s broken.

THE CURATE AND THE MULBERRY TREE

Did you hear of the curate who mounted his mare?
And merrily trotted along to the fair?
Of creature more tractable none ever heard;
In the height of her speed she would stop at a word;
But again, with a word, when the curate said “Hey!”
She put forth her mettle and galloped away.

As near to the gates of the city he rode,
While the sun of September all brilliantly glowed,
The good man discovered, with eyes of desire,
A mulberry tree in a hedge of wild-brier;
On boughs long and lofty, in many a green shoot,
Hung, large, black, and glossy, the beautiful fruit.

The curate was hungry and thirsty to boot;
He shrunk from the thorns, though he longed for the fruit;
With a word he arrested his courser’s keen speed,
And he stood up erect on the back of his steed;
On the saddle he stood while the creature stood still,
And he gathered the fruit till he took his good fill.

“Sure never,” he thought, “was a creature so rare,
So docile, so true, as my excellent mare:
Lo, here now I stand,” and he gazed all around,
“As safe and as steady as if on the ground;
Yet how had it been if some traveller this way
Had, dreaming no mischief, but chanced to cry ‘Hey’?”

He stood with his head in the mulberry tree,
And he spoke out aloud in his fond reverie;
At the sound of the word the good mare made a push,
And the curate went down in the wild-brier bush.
He remembered too late, on his thorny green bed,
Much that well may be thought cannot wisely be said.
—Thomas Love Peacock.

MIRIAM’S SONG

Sound the loud timbrel o’er Egypt’s dark sea!
Jehovah has triumphed,—His people are free!
Sing,—for the pride of the tyrant is broken,
His chariots, his horsemen, all splendid and brave,—
How vain was their boasting! the Lord hath but spoken,
And chariots and horsemen are sunk in the wave.
Sound the loud timbrel o’er Egypt’s dark sea!
Jehovah has triumphed,—His people are free!

Praise to the Conqueror, praise to the Lord!
His word was our arrow, His breath was our sword.
Who shall return to tell Egypt the story
Of those she sent forth in the hour of her pride?
For the Lord has looked out from His pillar of glory,
And all her brave thousands are dashed in the tide.
Sound the loud timbrel o’er Egypt’s dark sea!
Jehovah has triumphed,—His people are free!
—Thomas Moore.

THE MEETING OF THE WATERS

There is not in the wide world a valley so sweet,
As that vale, in whose bosom the bright waters meet;
Oh! the last rays of feeling and life must depart,
Ere the bloom of that valley shall fade from my heart.

Yet it was not that Nature had shed o’er the scene
Her purest of crystals and brightest of green;
’Twas not her soft magic of streamlet or rill,
Oh! no—it was something more exquisite still.

’Twas that friends, the beloved of my bosom, were near,
Who made every dear scene of enchantment more dear,
And who felt how the best charms of Nature improve,
When we see them reflected from looks that we love.

Sweet vale of Avoca! how calm could I rest
In thy bosom of shade, with the friends I love best,
Where the storms that we feel in this cold world should cease,
And our hearts, like thy waters, be mingled in peace.
—Thomas Moore.

But truth shall conquer at the last,
For round and round we run,
And ever the right comes uppermost
And ever is justice done.

THE BATTLE OF BALAKLAVA

The cavalry, who had been pursuing the Turks on the right, are coming up to the ridge beneath us, which conceals our cavalry from view. The heavy brigade in advance is drawn up in two lines. The first line consists of the Scots Greys and of their old companions in glory, the Enniskillens; the second, of the 4th Royal Irish, of the 5th Dragoon Guards, and of the 1st Royal Dragoons. The Light Cavalry Brigade is on their left, in two lines also. The silence is oppressive; between the cannon bursts one can hear the champing of bits and the clink of sabres in the valley below. The Russians on their left drew breath for a moment, and then in one grand line dashed at the Highlanders. The ground flies beneath their horses’ feet; gathering speed at every stride, they dash on towards that thin red streak topped with a line of steel.

As the Russians come within six hundred yards, down goes that line of steel in front and out rings a rolling volley of musketry. The distance is too great; the Russians are not checked, but still sweep onward through the smoke, with the whole force of horse and man, here and there knocked over by the shot of our batteries above.

With breathless suspense every one awaits the bursting of the wave upon the line of Gaelic rock; but ere they come within a hundred and fifty yards, another deadly volley flashes from the levelled rifles, and carries death and terror into the Russians. They wheel about, open files right and left, and fly back faster than they came. “Bravo, Highlanders! well done!” shout the excited spectators. But events thicken. The Highlanders and their splendid front are soon forgotten; men scarcely have a moment to think of this fact, that the 93d never altered their formation to receive that tide of horsemen. “No,” said Sir Colin Campbell, “I did not think it worth while to form them even four deep!” The ordinary British line, two deep, was quite sufficient to repel the attack of these Muscovite cavaliers.

Our eyes were, however, turned in a moment on our own cavalry. We saw Brigadier-General Scarlett ride along in front of his massive squadrons. The Russians, their light blue jackets embroidered with silver lace, were advancing on their left, at an easy gallop, towards the brow of the hill. A forest of lances glistened in their rear, and several squadrons of gray-coated dragoons moved up quickly to support them as they reached the summit. The instant they came in sight, the trumpets of our cavalry gave out a warning blast which told us all that in another moment we should see the shock of battle beneath our very eyes. Lord Raglan, all his staff and escort, and groups of officers, the Zouaves, French generals and officers, and bodies of French infantry on the height, were spectators of the scene, as though they were looking on the stage from the boxes of a theatre. Nearly every one dismounted and sat down, and not a word was said.

The Russians advanced down the hill at a slow canter, which they changed to a trot, and at last nearly halted. Their first line was at least double the length of ours—it was three times as deep. Behind them was a similar line, equally strong and compact. They evidently despised their insignificant-looking enemy; but their time was come. The trumpets rang out again through the valley, and the Greys and Enniskilleners went right at the centre of the Russian cavalry. The space between them was only a few hundred yards; it was scarce enough to let the horses “gather way,” nor had the men quite space sufficient for the full play of their sword-arms. The Russian line brings forward each wing as our cavalry advance, and threatens to annihilate them as they pass on. Turning a little to their left so as to meet the Russian right, the Greys rush on with a cheer that thrills to every heart—the wild shout of the Enniskilleners rises through the air at the same instant. As lightning flashes through a cloud, the Greys and Enniskilleners pierced through the dark masses of the Russians. The shock was but for a moment. There was a clash of steel and a light play of sword-blades in the air, and then the Greys and the Red-coats disappear in the midst of the shaken and quivering columns. In another moment we see them emerging and dashing on with diminished numbers and in broken order against the second line, which is advancing against them as fast as it can, to retrieve the fortune of the charge. It was a terrible moment. “God help them! they are lost!” was the exclamation of more than one man, and the thought of many.

It was a fight of heroes. The first line of Russians—which had been smashed utterly by our charge, and had fled off at one flank and towards the centre—were coming back to swallow up our handful of men. By sheer steel and sheer courage, Enniskillener and Scot were winning their desperate way right through the enemy’s squadrons, and already gray horses and red coats had appeared right at the rear of the second mass, when, with irresistible force, like a bolt from a bow, the 1st Royals, the 4th Dragoon Guards, and the 5th Dragoon Guards rushed at the remnants of the first line of the enemy, went through it as though it were made of pasteboard, and, dashing on the second body of Russians, as they were still disordered by the terrible assault of the Greys and their companions, put them to utter rout.

—William Howard Russell.

TRUE WORTH

It is not growing like a tree
In bulk doth make man better be,
Or standing long an oak, three hundred year,
To fall a log at last, dry, bald, and sear.
A lily of a day
Is fairer far in May,
Although it fall and die that night;
It was the plant and flower of light!
In small proportions we just beauties see,
And in short measures life may perfect be.
—Ben Jonson.

LOVE OF COUNTRY

Breathes there a man with soul so dead,
Who never to himself hath said,
This is my own, my native land!
Whose heart hath ne’er within him burn’d,
As home his footsteps he hath turn’d
From wand’ring on a foreign strand?
If such there breathe, go, mark him well;
For him no minstrel raptures swell;
High though his titles, proud his name,
Boundless his wealth as wish can claim:—
Despite those titles, power, and pelf,
The wretch concentred all in self,
Living, shall forfeit fair renown,
And, doubly dying, shall go down
To the vile dust, from whence he sprung,
Unwept, unhonor’d, and unsung.
—Sir Walter Scott.

HOME AND COUNTRY

There is a land, of every land the pride,
Beloved of Heaven o’er all the world beside,
Where brighter suns dispense serener light,
And milder moons imparadise the night;
A land of beauty, virtue, valor, truth,
Time-tutored age, and love-exalted youth.
The wandering mariner, whose eye explores
The wealthiest isles, the most enchanting shores,
Views not a realm so beautiful and fair,
Nor breathes the spirit of a purer air.

In every clime, the magnet of his soul,
Touched by remembrance, trembles to that pole;
For in this land of Heaven’s peculiar race,
The heritage of Nature’s noblest grace,
There is a spot of earth supremely blest,
A dearer, sweeter spot than all the rest,
Where man, creation’s tyrant, casts aside
His sword and sceptre, pageantry and pride,
While in his softened looks benignly blend
The sire, the son, the husband, brother, friend.

Here woman reigns; the mother, daughter, wife,
Strew with fresh flowers the narrow way of life;
In the clear heaven of her delightful eye
The angel-guard of love and graces lie;
Around her knees domestic duties meet,
And fireside pleasures gambol at her feet.
Where shall that land, that spot of earth be found?
Art thou a man?—a patriot?—look around;
Oh, thou shalt find, howe’er thy footsteps roam,
That land thy country, and that spot thy home.
—James Montgomery.

What’s brave, what’s noble, let’s do it.

THE FATHERLAND

J. R. Lowell

Where is the true man’s fatherland?
Is it where he by chance is born?
Doth not the yearning spirit scorn
In such scant borders to be spanned?
O yes! his fatherland must be
As the blue heaven wide and free!

Is it alone where freedom is,
Where God is God, and man is man?
Doth he not claim a broader span
For the soul’s love of home than this?
O yes! his fatherland must be
As the blue heaven wide and free!

Where’er a human heart doth wear
Joy’s myrtle-wreath or sorrow’s gyves,
Where’er a human spirit strives
After a life more true and fair—
There is the true man’s birthplace grand;
His is a world-wide fatherland!

Where’er a single slave doth pine,
Where’er one man may help another—
Thank God for such a birthright, brother—
That spot of earth is thine and mine!
There is the true man’s birthplace grand;
His is a world-wide fatherland!
—James Russell Lowell.

THE OAK TREE AND THE IVY

In the greenwood stood a mighty oak. So majestic was he that all who came that way paused to admire his strength and beauty, and all the other trees of the greenwood acknowledged him to be their monarch.

Now it came to pass that the ivy loved the oak tree, and inclining her graceful tendrils where he stood, she crept about his feet, and twined herself around his sturdy and knotted trunk. And the oak tree pitied the ivy.

Eugene Field

“Oho!” he cried, laughing boisterously but good-naturedly,—“oho! so you love me, do you, little vine? Very well then; play about my feet, and I shall keep the storms from you and shall tell you pretty stories about the clouds, the birds, and the stars.”

The ivy marvelled greatly at the strange stories the oak tree told; they were stories the oak tree heard from the wind that loitered about his lofty head and whispered to the leaves of his topmost branches. Sometimes the story was about the great ocean in the east, sometimes of the broad prairies in the west, sometimes of the ice king who lived in the north, sometimes of the flower queen who dwelt in the south. Then, too, the moon told a story to the oak tree every night,—or at least every night that she came to the greenwood, which was very often, for the greenwood is a very charming spot, as we all know. And the oak tree repeated to the ivy every story the moon told and every song the stars sang.

“Pray, what are the winds saying now?” or “What song is that I hear?” the ivy would ask; and then the oak tree would repeat the story or the song, and the ivy would listen in great wonderment.

Whenever the storms came, the oak tree cried to the little ivy: “Cling close to me, and no harm shall befall thee! See how strong I am; the tempest does not so much as stir me—I mock its fury!”

Then, seeing how strong and brave he was, the ivy hugged him closely; his brown, rugged breast protected her from every harm, and she was secure.

The years went by; how quickly they flew,—spring, summer, winter, and then again spring, summer, winter,—ah, life is short in the greenwood, as elsewhere! And now the ivy was no longer a weakly little vine to excite the pity of the passer-by. Her thousand beautiful arms had twined hither and thither about the oak tree, covering his brown and knotted trunk, shooting forth a bright, delicious foliage, and stretching far up among his lower branches.

The oak tree was always good and gentle to the ivy. “There is a storm coming over the hills,” he would say. “The east wind tells me so; the swallows fly low in the air. Cling close to me, and no harm shall befall thee.”

Then the ivy would cling more closely to the oak tree, and no harm came to her.

Although the ivy was the most luxuriant vine in all the greenwood, the oak tree regarded her still as the tender little thing he had laughingly called to his feet that spring day many years before,—the same little ivy he had told about the stars, the clouds, and the birds. And just as patiently as in those days, he now repeated other tales the winds whispered to his topmost boughs,—tales of the ocean in the east, the prairies in the west, the ice king in the north, and the flower queen in the south. And the ivy heard him tell these wondrous things, and she never wearied with the listening.

“How good the oak tree is to the ivy!” said the ash. “The lazy vine has naught to do but to twine herself about the strong oak tree and hear him tell his stories!”

The ivy heard these envious words, and they made her very sad; but she said nothing of them to the oak tree, and that night the oak tree rocked her to sleep as he repeated the lullaby a zephyr was singing to him.

“There is a storm coming over the hills,” said the oak tree one day. “The east wind tells me so; the swallows fly low in the air, and the sky is dark. Clasp me round about with thy arms, and nestle close to me, and no harm shall befall thee.”

“I have no fear,” murmured the ivy.

The storm came over the hills and swept down upon the greenwood with deafening thunder and vivid lightning. The storm king himself rode upon the blast; his horses breathed flames, and his chariot trailed through the air like a serpent of fire. The ash fell before the violence of the storm king’s fury, and the cedars, groaning, fell, and the hemlocks, and the pines; but the oak tree alone quailed not.

“Oho!” cried the storm king, angrily, “the oak tree does not bow to me; he does not tremble in my presence. Well, we shall see.”

With that the storm king hurled a mighty thunderbolt at the oak tree, and the brave, strong monarch of the greenwood was riven. Then, with a shout of triumph, the storm king rode away.

“Dear oak tree, you are riven by the storm king’s thunderbolt!” cried the ivy, in anguish.

“Ay,” said the oak tree, feebly, “my end has come; see, I am shattered and helpless.”