Transcriber's Note:

The cover image was created by the transcriber and is placed in the public domain.

THE VEIL
and other
POEMS

By

WALTER DE LA MARE

New York

HENRY HOLT AND COMPANY

1922

Copyright, 1922,

BY

HENRY HOLT AND COMPANY

PRINTED IN THE UNITED STATES OF AMERICA

NOTE

Seven of the poems included in this collection were written for Drawings by Miss Pamela Bianco, and were first published by Mr. Heinemann in a volume entitled Flora. The author's thanks are due to Mr. Sydney Pawling for permission to reprint these poems; to Mr. Cyril Beaumont for the use of 'Tidings' from a Play for Children, entitled Crossings; and, for permission to include several other poems, to the Editors of the London Mercury, the New Republic, the Spectator, the Nation, the Century Magazine, the Cambridge Magazine, the Literary Review, the Sphere, the New Statesman, the Bookman's Journal, the Broom, the Outlook, the Athenæum, and the Westminster Gazette.

CONTENTS

THE VEIL AND OTHER POEMS

THE IMP WITHIN

'ROUSE now, my dullard, and thy wits awake;

'Tis first of the morning. And I bid thee make—

No, not a vow; we have munched our fill of these

From crock of bone-dry crusts and mouse-gnawn cheese—

Nay, just one whisper in that long, long ear—

Awake; rejoice. Another Day is here:—

'A virgin wilderness, which, hour by hour,

Mere happy idleness shall bring to flower.

Barren and arid though its sands now seem,

Wherein oasis becks not, shines no stream,

Yet wake—and lo, 'tis lovelier than a dream.

'Plunge on, thy every footprint shall make fair

Its thirsty waste; and thy foregone despair

Undarken into sweet birds in the air,

Whose coursing wings and love-crazed summoning cries

Into infinity shall attract thine eyes.

'No...? Well, lest promise in performance faint,

A less inviting prospect will I paint.

I bid thee adjure thy Yesterday, and say:

"As thou wast, Enemy, so be To-day.—

Immure me in the same close narrow room;

Be hated toil the lamp to light its gloom;

Make stubborn my pen; sift dust into my ink;

Forbid mine eyes to see, my brain to think.

Scare off the words whereon the mind is set.

Make memory the power to forget.

Constrain imagination; bind its wing;

Forbid the unseen Enchantresses to sing.

Ay, do thy worst!"

'Vexed Spectre, prythee smile.

Even though that yesterday was bleak and sour,

Art thou a slave beneath its thong to cower?

Thou hast survived. And hither am I—again,

Kindling with mockery thy o'erlaboured brain.

Though scant the moments be wherein we meet,

Think, what dark months would even one make sweet.

'Thy quill? Thy paper? Ah, my dear, be true.

Come quick To-morrow. Until then, Adieu.'

THE OLD ANGLER

TWILIGHT leaned mirrored in a pool

Where willow boughs swept green and hoar,

Silk-clear the water, calm and cool,

Silent the weedy shore:

There in abstracted, brooding mood

One fishing sate. His painted float

Motionless as a planet stood;

Motionless his boat.

A melancholy soul was this,

With lantern jaw, gnarled hand, vague eye;

Huddled in pensive solitariness

He had fished existence by.

Empty his creel; stolen his bait—

Impassively he angled on,

Though mist now showed the evening late

And daylight well-nigh gone.

Suddenly, like a tongueless bell,

Downward his gaudy cork did glide;

A deep, low-gathering, gentle swell

Spread slowly far and wide.

Wheeped out his tackle from noiseless winch,

And furtive as a thief, his thumb,

With nerve intense, wound inch by inch

A line no longer numb.

What fabulous spoil could thus unplayed

Gape upward to a mortal air?—

He stoops engrossed; his tanned cheek greyed;

His heart stood still: for there,

Wondrously fairing, beneath the skin

Of secretly bubbling water seen,

Swims—not the silver of scale and fin—

But gold immixt with green.

Deeply astir in oozy bed,

The darkening mirror ripples and rocks:

And lo—a wan-pale, lovely head,

Hook tangled in its locks!

Cold from her haunt—a Naiad slim.

Shoulder and cheek gleamed ivory white;

Though now faint stars stood over him,

The hour hard on night.

Her green eyes gazed like one half-blind

In sudden radiance; her breast

Breathed the sweet air, while gently twined,

'Gainst the cold water pressed,

Her lean webbed hands. She floated there,

Light as a scentless petalled flower,

Water-drops dewing from her hair

In tinkling beadlike shower.

So circling sidelong, her tender throat

Uttered a grieving, desolate wail;

Shrill o'er the dark pool lapsed its note,

Piteous as nightingale.

Ceased Echo. And he?—a life's remorse

Welled to a tongue unapt to charm,

But never a word broke harsh and hoarse

To quiet her alarm.

With infinite stealth his twitching thumb

Tugged softly at the tautened gut,

Bubble-light, fair, her lips now dumb,

She moved, and struggled not;

But with set, wild, unearthly eyes

Pale-gleaming, fixed as if in fear,

She couched in the water, with quickening sighs,

And floated near.

In hollow heaven the stars were at play;

Wan glow-worms greened the pool-side grass;

Dipped the wide-bellied boat. His prey

Gazed on; nor breathed. Alas!—

Long sterile years had come and gone;

Youth, like a distant dream, was sped;

Heart, hope, and eyes had hungered on....

He turned a shaking head,

And clumsily groped amid the gold,

Sleek with night dews, of that tangling hair,

Till pricked his finger keen and cold

The barb imbedded there.

Teeth clenched, he drew his knife—'Snip, snip,'—

Groaned, and sate shivering back; and she,

Treading the water with birdlike dip,

Shook her sweet shoulders free:

Drew backward, smiling, infatuate fair,

His life's disasters in her eyes,

All longing and folly, grief, despair,

Daydreams and mysteries.

She stooped her brow; laid low her cheek,

And, steering on that silk-tressed craft,

Out from the listening, leaf-hung creek,

Tossed up her chin, and laughed—

A mocking, icy, inhuman note.

One instant flashed that crystal breast,

Leaned, and was gone. Dead-still the boat:

And the deep dark at rest.

Flits moth to flower. A water-rat

Noses the placid ripple. And lo!

Streams a lost meteor. Night is late,

And daybreak zephyrs flow....

And he—the cheated? Dusk till morn,

Insensate, even of hope forsook,

He muttering squats, aloof, forlorn,

Dangling a baitless hook.

THE WILLOW

LEANS now the fair willow, dreaming

Amid her locks of green.

In the driving snow she was parched and cold,

And in midnight hath been

Swept by blasts of the void night,

Lashed by the rains.

Now of that wintry dark and bleak

No memory remains.

In mute desire she sways softly;

Thrilling sap up-flows;

She praises God in her beauty and grace,

Whispers delight. And there flows

A delicate wind from the Southern seas,

Kissing her leaves. She sighs.

While the birds in her tresses make merry;

Burns the Sun in the skies.

TITMOUSE

IF you would happy company win,

Dangle a palm-nut from a tree,

Idly in green to sway and spin,

Its snow-pulped kernel for bait; and see,

A nimble titmouse enter in.

Out of earth's vast unknown of air,

Out of all summer, from wave to wave,

He'll perch, and prank his feathers fair,

Jangle a glass-clear wildering stave,

And take his commons there—

This tiny son of life; this spright,

By momentary Human sought,

Plume will his wing in the dappling light,

Clash timbrel shrill and gay—

And into time's enormous nought,

Sweet-fed, will flit away.

THE VEIL

I think and think; yet still I fail—

Why does this lady wear a veil?

Why thus elect to mask her face

Beneath that dainty web of lace?

The tip of a small nose I see,

And two red lips, set curiously

Like twin-born cherries on one stem,

And yet she has netted even them.

Her eyes, it's plain, survey with ease

Whatever to glance upon they please.

Yet, whether hazel, grey, or blue,

Or that even lovelier lilac hue,

I cannot guess: why—why deny

Such beauty to the passer-by?

Out of a bush a nightingale

May expound his song; beneath that veil

A happy mouth no doubt can make

English sound sweeter for its sake.

But then, why muffle in, like this,

What every blossomy wind would kiss?

Why in that little night disguise

A daybreak face, those starry eyes?

THE FAIRY IN WINTER

(For a drawing by Dorothy Puvis Lathrop)

THERE was a Fairy—flake of winter—

Who, when the snow came, whispering, Silence,

Sister crystal to crystal sighing,

Making of meadow argent palace,

Night a star-sown solitude,

Cried 'neath her frozen eaves, 'I burn here!'

Wings diaphanous, beating bee-like,

Wand within fingers, locks enspangled,

Icicle foot, lip sharp as scarlet,

She lifted her eyes in her pitch-black hollow—

Green as stalks of weeds in water—

Breathed: stirred.

Rilled from her heart the ichor, coursing,

Flamed and awoke her slumbering magic.

Softlier than moth's her pinions trembled;

Out into blackness, light-like, she flittered,

Leaving her hollow cold, forsaken.

In air, o'er crystal, rang twangling night-wind.

Bare, rimed pine-woods murmured lament.

THE FLOWER

HORIZON to horizon, lies outspread

The tenting firmament of day and night;

Wherein are winds at play; and planets shed

Amid the stars their gentle gliding light.

The huge world's sun flames on the snow-capped hills;

Cindrous his heat burns in the sandy plain;

With myriad spume-bows roaring ocean swills

The cold profuse abundance of the rain.

And man—a transient object in this vast,

Sighs o'er a universe transcending thought,

Afflicted by vague bodings of the past,

Driven toward a future, unforeseen, unsought.

Yet, see him, stooping low to naked weed

That meeks its blossom in his anxious eye,

Mark how he grieves, as if his heart did bleed,

And wheels his wondrous features to the sky;

As if, transfigured by so small a grace,

He sought Companion in earth's dwelling-place.

BEFORE DAWN

DIM-BERRIED is the mistletoe

With globes of sheenless grey,

The holly mid ten thousand thorns

Smoulders its fires away;

And in the manger Jesu sleeps

This Christmas Day.

Bull unto bull with hollow throat

Makes echo every hill,

Cold sheep in pastures thick with snow

The air with bleatings fill;

While of his mother's heart this Babe

Takes His sweet will.

All flowers and butterflies lie hid,

The blackbird and the thrush

Pipe but a little as they flit

Restless from bush to bush;

Even to the robin Gabriel hath

Cried softly, 'Hush!'

Now night is astir with burning stars

In darkness of the snow;

Burdened with frankincense and myrrh

And gold the Strangers go

Into a dusk where one dim lamp

Burns faintly, Lo!

No snowdrop yet its small head nods,

In winds of winter drear;

No lark at casement in the sky

Sings matins shrill and clear;

Yet in this frozen mirk the Dawn

Breathes, Spring is here!

THE SPECTRE

IN cloudy quiet of the day,

While thrush and robin perched mute on spray,

A spectre by the window sat,

Brooding thereat.

He marked the greenness of the Spring,

Daffodil blowing, bird a-wing—

Yet dark the house the years had made

Within that Shade.

Blinded the rooms wherein no foot falls.

Faded the portraits on the walls.

Reverberating, shakes the air

A river there.

Coursing in flood, its infinite roars;

From pit to pit its water pours;

And he, with countenance unmoved,

Hears cry:—'Beloved,

'Oh, ere the day be utterly spent,

Return, return, from banishment.

The night thick-gathers. Weep a prayer

For the true and fair.'

THE VOICE

'WE are not often alone, we two,'

Mused a secret voice in my ear,

As the dying hues of afternoon

Lapsed into evening drear.

A withered leaf, wafted on in the street,

Like a wayless spectre, sighed;

Aslant on the roof-tops a sickly moon

Did mutely abide.

Yet waste though the shallowing day might seem,

And fainter than hope its rose,

Strangely that speech in my thoughts welled on;

As water in-flows:

Like remembered words once heard in a room

Wherein death kept far-away tryst;

'Not often alone, we two; but thou,

How sorely missed!'

THE HOUR-GLASS

THOU who know'st all the sorrows of this earth—

I pray Thee, ponder, ere again Thou turn

Thine hour-glass over again, since one sole birth,

To poor clay-cold humanity, makes yearn

A heart at passion with life's endless coil.

Thou givest thyself too strait a room therein.

For so divine a tree too poor a soil.

For so great agony what small peace to win.

Cast from that Ark of Heaven which is Thy home

The raven of hell may wander without fear;

But sadly wings the dove o'er floods to roam,

Nought but one tender sprig his eyes to cheer.

Nay, Lord, I speak in parables. But see!

'Tis stricken Man in Men that pleads with Thee.

IN THE DOCK

PALLID, mis-shapen he stands. The world's grimed thumb,

Now hooked securely in his matted hair,

Has haled him struggling from his poisonous slum

And flung him mute as fish close-netted there.

His bloodless hands entalon that iron rail.

He gloats in beastlike trance. His settling eyes

From staring face to face rove on—and quail.

Justice for carrion pants; and these the flies.

Voice after voice in smooth impartial drone

Erects horrific in his darkening brain

A timber framework, where agape, alone

Bright life will kiss good-bye the cheek of Cain.

Sudden like wolf he cries; and sweats to see

When howls man's soul, it howls inaudibly.

THE WRECK

STORM and unconscionable winds once cast

On grinding shingle, masking gap-toothed rock,

This ancient hulk. Rent hull, and broken mast,

She sprawls sand-mounded, of sea birds the mock.

Her sailors, drowned, forgotten, rot in mould,

Or hang in stagnant quiet of the deep;

The brave, the afraid into one silence sold;

Their end a memory fainter than of sleep.

She held good merchandise. She paced in pride

The uncharted paths men trace in ocean's foam.

Now laps the ripple in her broken side,

And zephyr in tamarisk softly whispers, Home.

The dreamer scans her in the sea-blue air,

And, sipping of contrast, finds the day more fair.

THE SUICIDE

DID these night-hung houses,

Of quiet, starlit stone,

Breathe not a whisper—'Stay,

Thou unhappy one;

Whither so secret away?'

Sighed not the unfriending wind,

Chill with nocturnal dew,

'Pause, pause, in thy haste,

O thou distraught! I too

Tryst with the Atlantic waste.'

Steep fell the drowsy street;

In slumber the world was blind:

Breathed not one midnight flower

Peace in thy broken mind?—

'Brief, yet sweet, is life's hour.'

Syllabled thy last tide—

By as dark moon stirred,

And doomed to forlorn unrest—

Not one compassionate word?...

'Cold is this breast.'

DRUGGED

INERT in his chair,

In a candle's guttering glow;

His bottle empty,

His fire sunk low;

With drug-sealed lids shut fast,

Unsated mouth ajar,

This darkened phantasm walks

Where nightmares are:

In a frenzy of life and light,

Crisscross—a menacing throng—

They gibe, they squeal at the stranger,

Jostling along,

Their faces cadaverous grey.

While on high from an attic stare

Horrors, in beauty apparelled,

Down the dark air.

A stream gurgles over its stones,

The chambers within are a-fire.

Stumble his shadowy feet

Through shine, through mire;

And the flames leap higher.

In vain yelps the wainscot mouse;

In vain beats the hour;

Vacant, his body must drowse

Until daybreak flower—

Staining these walls with its rose,

And the draughts of the morning shall stir

Cold on cold brow, cold hands.

And the wanderer

Back to flesh house must return.

Lone soul—in horror to see,

Than dream more meagre and awful,

Reality.

WHO'S THAT?

WHO'S that? Who's that?...

Oh, only a leaf on the stone;

And the sigh of the air in the fire.

Yet it seemed, as I sat,

Came company—not my own;

Stood there, with ardent gaze over dark, bowed shoulder thrown

Till the dwindling flames leaped higher,

And showed fantasy flown.

Yet though the cheat is clear—

From transient illusion grown;

In the vague of my mind those eyes

Still haunt me. One stands so near

I could take his hand, and be gone:—

No more in this house of dreams to sojourn aloof, alone:

Could sigh, with full heart, and arise,

And choke, 'Lead on.'

HOSPITAL

WELCOME! Enter! This is the Inn at the Cross Roads,

Sign of the Rising Sun, of the World's End:

Ay, O Wanderer, footsore, weary, forsaken,

Knock, and we will open to thee—Friend.

Gloomy our stairs of stone, obscure the portal;

Burdened the air with a breath from the further shore;

Yet in our courtyard plays an invisible fountain,

Ever flowers unfading nod at the door.

Ours is much company, and yet none is lonely;

Some with a smile may pay and some with a sigh;

So all be healed, restored, contented—it is no matter—

So all be happy at heart to bid good-bye.

But know, our clocks are the world's; Night's wings are leaden,

Pain languidly sports with the hours; have courage, sir!

We wake but to bring thee slumber, our drowsy syrups

Sleep beyond dreams on the weary will confer.

Ghosts may be ours; but gaze thou not too closely

If haply in chill of the dark thou rouse to see

One silent of foot, hooded, and hollow of visage,

Pause, with secret eyes, to peer out at thee.

He is the Ancient Tapster of this Hostel,

To him at length even we all keys must resign;

And if he beckon, Stranger, thou too must follow—

Love and all peace be thine.

A SIGN

HOW shall I know when the end of things is coming?

The dark swifts flitting, the drone-bees humming;

The fly on the window-pane bedazedly strumming;

Ice on the waterbrooks their clear chimes dumbing—

How shall I know that the end of things is coming?

The stars in their stations will shine glamorous in the black;

Emptiness, as ever, haunt the great Star Sack;

And Venus, proud and beautiful, go down to meet the day,

Pale in phosphorescence of the green sea spray—

How shall I know that the end of things is coming?

Head asleep on pillow; the peewits at their crying;

A strange face in dreams to my rapt phantasma sighing;

Silence beyond words of anguished passion;

Or stammering an answer in the tongue's cold fashion—

How shall I know that the end of things is coming?

Haply on strange roads I shall be, the moorland's peace around me;

Or counting up a fortune to which Destiny hath bound me;

Or—Vanity of Vanities—the honey of the Fair;

Or a greybeard, lost to memory, on the cobbles in my chair—

How shall I know that the end of things is coming?

The drummers will be drumming; the fiddlers at their thrumming;

Nuns at their beads; the mummers at their mumming;

Heaven's solemn Seraph stoopt weary o'er his summing;

The palsied fingers plucking, the way-worn feet numbing—

And the end of things coming.

GOOD-BYE

THE last of last words spoken is, Good-bye—

The last dismantled flower in the weed-grown hedge,

The last thin rumour of a feeble bell far ringing,

The last blind rat to spurn the mildewed rye.

A hardening darkness glasses the haunted eye,

Shines into nothing the watcher's burnt-out candle,

Wreathes into scentless nothing the wasting incense,

Faints in the outer silence the hunting cry.

Love of its muted music breathes no sigh,

Thought in her ivory tower gropes in her spinning,

Toss on in vain the whispering trees of Eden,

Last of all last words spoken is, Good-bye.

THE MONOLOGUE

ALAS, O Lovely One,

Imprisoned here,

I tap; thou answerest not,

I doubt, and fear.

Yet transparent as glass these walls,

If thou lean near.

Last dusk, at those high bars

There came, scarce-heard,

Claws, fluttering feathers,

Of deluded bird—

With one shrill, scared, faint note

The silence stirred.

Rests in that corner,

In puff of dust, a straw—

Vision of harvest-fields

I never saw,

Of strange green streams and hills,

Forbidden by law.

These things I whisper,

For I see—in mind—

Thy caged cheek whiten

At the wail of wind,

That thin breast wasting; unto

Woe resigned.

Take comfort, listen!

Once we twain were free;

There was a Country—

Lost the memory ...

Lay thy cold brow on hand,

And dream with me.

Awaits me torture,

I have smelt their rack;

From spectral groaning wheel

Have turned me back;

Thumbscrew and boot, and then—

The yawning sack.

Lean closer, then;

Lay palm on stony wall.

Let but thy ghost beneath

Thine eyelids call:

'Courage, my brother,' Nought

Can then appal.

Yet coward, coward am I,

And drink I must

When clanks the pannikin

With the longed-for crust;

Though heart within is sour

With disgust.

Long hours there are,

When mutely tapping—well,

Is it to Vacancy

I these tidings tell?

Knock these numb fingers against

An empty cell?

Nay, answer not.

Let still mere longing make

Thy presence sure to me,

While in doubt I shake:

Be but my Faith in thee,

For sanity's sake.

AWAKE!

WHY hath the rose faded and fallen, yet these eyes have not seen?

Why hath the bird sung shrill in the tree—and this mind deaf and cold?

Why have the rains of summer veiled her flowers with their sheen

And this black heart untold?

Here is calm Autumn now, the woodlands quake,

And, where this splendour of death lies under the tread,

The spectre of frost will stalk, and a silence make,

And snow's white shroud be spread.

O Self! O self! Wake from thy common sleep!

Fling off the destroyer's net. He hath blinded and bound thee.

In nakedness sit; pierce thy stagnation, and weep;

Or corrupt in thy grave—all Heaven around thee.

FORGIVENESS

'O thy flamed cheek,

Those locks with weeping wet,

Eyes that, forlorn and meek,

On mine are set.

'Poor hands, poor feeble wings,

Folded, a-droop, O sad!

See, 'tis my heart that sings

To make thee glad.

'My mouth breathes love, thou dear.

All that I am and know

Is thine. My breast—draw near:

Be grieved not so!'

THE MOTH

ISLED in the midnight air,

Musked with the dark's faint bloom,

Out into glooming and secret haunts

The flame cries, 'Come!'

Lovely in dye and fan,

A-tremble in shimmering grace,

A moth from her winter swoon

Uplifts her face:

Stares from her glamorous eyes;

Wafts her on plumes like mist;

In ecstasy swirls and sways

To her strange tryst.

NOT THAT WAY

NO, no. Guard thee. Get thee gone.

Not that way.

See; the louring clouds glide on,

Skirting West to South; and see,

The green light under that sycamore tree—

Not that way.

There the leaden trumpets blow,

Solemn and slow.

There the everlasting walls

Frown above the waterfalls

Silver and cold;

Timelessly old:

Not that way.

Not toward Death, who, stranger, fairer,

Than any siren turns his head—

Than sea-couched siren, arched with rainbows,

Where knell the waves of her ocean bed.

Alas, that beauty hangs her flowers

For lure of his demoniac powers:

Alas, that from these eyes should dart

Such piercing summons to thy heart;

That mine in frenzy of longing beats,

Still lusting for these gross deceits.

Not that way!

CRAZED

I know a pool where nightshade preens

Her poisonous fruitage in the moon;

Where the frail aspen her shadow leans

In midnight cold a-swoon.

I know a meadow flat with gold—

A million million burning flowers

In noon-sun's thirst their buds unfold

Beneath his blazing showers.

I saw a crazèd face, did I,

Stare from the lattice of a mill,

While the lank sails clacked idly by

High on the windy hill.

FOG

STAGNANT this wintry gloom. Afar

The farm-cock bugles his 'Qui vive?'

The towering elms are lost in mist;

Birds in the thorn-trees huddle a-whist;

The mill-race waters grieve.

Our shrouded day

Dwindles away

To final black of eve.

Beyond these shades in space of air

Ride exterrestrial beings by?

Their colours burning rich and fair,

Where noon's sunned valleys lie?

With inaudible music are they sweet—

Bell, hoof, soft lapsing cry?

Turn marvellous faces, each to each?—

Lips innocent of sigh,

Or groan or fear, sorrow and grief,

Clear brow and falcon eye;

Bare foot, bare shoulder in the heat,

And hair like flax? Do their horses beat

Their way through wildernesses infinite

Of starry-crested trees, blue sward,

And gold-chasm'd mountain, steeply shored

O'er lakes of sapphire dye?

Mingled with lisping speech, faint laughter,

Echoes the Phoenix' scream of joyance

Mounting on high?—

Light-bathed vistas and divine sweet mirth,

Beyond dream of spirits penned to earth,

Condemned to pine and die?...

Hath serving Nature, bidden of the gods,

Thick-screened Man's narrow sky,

And hung these Stygian veils of fog

To hide his dingied sty?—

The gods who yet, at mortal birth,

Bequeathed him Fantasy?

SOTTO VOCE

(To Edward Thomas)

THE haze of noon wanned silver-grey

The soundless mansion of the sun;

The air made visible in his ray,

Like molten glass from furnace run,

Quivered o'er heat-baked turf and stone

And the flower of the gorse burned on—

Burned softly as gold of a child's fair hair

Along each spiky spray, and shed

Almond-like incense in the air

Whereon our senses fed.

At foot—a few sparse harebells: blue

And still as were the friend's dark eyes

That dwelt on mine, transfixèd through

With sudden ecstatic surmise.

'Hst!' he cried softly, smiling, and lo,

Stealing amidst that maze gold-green,

I heard a whispering music flow

From guileful throat of bird, unseen:—

So delicate the straining ear

Scarce carried its faint syllabling

Into a heart caught-up to hear

That inmost pondering

Of bird-like self with self. We stood,

In happy trance-like solitude,

Hearkening a lullay grieved and sweet—

As when on isle uncharted beat

'Gainst coral at the palm-tree's root,

With brine-clear, snow-white foam afloat,

The wailing, not of water or wind—

A husht, far, wild, divine lament,

When Prospero his wizardry bent

Winged Ariel to bind....

Then silence, and o'er-flooding noon.

I raised my head; smiled too. And he—

Moved his great hand, the magic gone—

Gently amused to see

My ignorant wonderment. He sighed.

'It was a nightingale,' he said,

'That sotto voce cons the song

He'll sing when dark is spread;

And Night's vague hours are sweet and long.

And we are laid abed.'

THE IMAGINATION'S PRIDE

BE not too wildly amorous of the far,

Nor lure thy fantasy to its utmost scope.

Read by a taper when the needling star

Burns red with menace in heaven's midnight cope.

Friendly thy body: guard its solitude.

Sure shelter is thy heart. It once had rest

Where founts miraculous thy lips endewed,

Yet nought loomed further than thy mother's breast.

O brave adventure! Ay, at danger slake

Thy thirst, lest life in thee should, sickening, quail;

But not toward nightmare goad a mind awake,

Nor to forbidden horizons bend thy sail—

Seductive outskirts whence in trance prolonged

Thy gaze, at stretch of what is sane-secure,

Dreams out on steeps by shapes demoniac thronged

And vales wherein alone the dead endure.

Nectarous those flowers, yet with venom sweet.

Thick-juiced with poison hang those fruits that shine

Where sick phantasmal moonbeams brood and beat,

And dark imaginations ripe the vine.

Bethink thee: every enticing league thou wend

Beyond the mark where life its bound hath set

Will lead thee at length where human pathways end

And the dark enemy spreads his maddening net.

Comfort thee, comfort thee. Thy Father knows

How wild man's ardent spirit, fainting, yearns

For mortal glimpse of death's immortal rose,

The garden where the invisible blossom burns.

Humble thy trembling knees; confess thy pride;

Be weary. O, whithersoever thy vaunting rove,

His deepest wisdom harbours in thy side,

In thine own bosom hides His utmost love.

THE WANDERERS

WITHIN my mind two spirits strayed

From out their still and purer air,

And there a moment's sojourn made;

As lovers will in woodlands bare.

Nought heeded they where now they stood,

Since theirs its alien solitude

Beyond imagination fair.

The light an earthly candle gives

When it is quenched leaves only dark;

Theirs yet in clear remembrance lives

And, still within, I whispered, 'Hark;'

As one who faintly on high has heard

The call note of a hidden bird

Even sweeter than the lark.

Yet 'twas their silence breathed only this—

'I love you.' As if flowers might say,

'Such is our natural fragrantness;'

Or dewdrop at the break of day

Cry 'Thus I beam.' Each turned a head,

And each its own clear radiance shed

With joy and peace at play.

So in a gloomy London street

Princes from Eastern realms might pause

In secret converse, then retreat.

Yet without haste passed these from sight;

As if a human mind were not

Wholly a dark and dismal spot—

At least in their own light.

THE CORNER STONE

STERILE these stones

By time in ruin laid.

Yet many a creeping thing

Its haven has made

In these least crannies, were falls

Dark's dew, and noonday shade.

The claw of the tender bird

Finds lodgment here;

Dye-winged butterflies poise;

Emmet and beetle steer

Their busy course; the bee

Drones, laden, near.

Their myriad-mirrored eyes

Great day reflect.

By their exquisite farings

Is this granite specked;

Is trodden to infinite dust;

By gnawing lichens decked.

Toward what eventual dream

Sleeps its cold on,

When into ultimate dark

These lives shall be gone,

And even of man not a shadow remain

Of all he has done?

THE SPIRIT OF AIR

CORAL and clear emerald,

And amber from the sea,

Lilac-coloured amethyst,

Chalcedony;

The lovely Spirit of Air

Floats on a cloud and doth ride,

Clad in the beauties of earth

Like a bride.

So doth she haunt me; and words

Tell but a tithe of the tale.

Sings all the sweetness of Spring

Even in the nightingale?

Nay, but with echoes she cries

Of the valley of love;

Dews on the thorns at her feet,

And darkness above.

THE UNFINISHED DREAM

RARE-SWEET the air in that unimagined country—

My spirit had wandered far

From its weary body close-enwrapt in slumber

Where its home and earth-friends are;

A milk-like air—and of light all abundance;

And there a river clear

Painting the scene like a picture on its bosom,

Green foliage drifting near.

No sign of life I saw, as I pressed onward,

Fish, nor beast, nor bird,

Till I came to a hill clothed in flowers to its summit,

Then shrill small voices I heard.

And I saw from concealment a company of elf-folk

With faces strangely fair,

Talking their unearthly scattered talk together,

A bind of green-grasses in their hair,

Marvellously gentle, feater far than children,

In gesture, mien and speech,

Hastening onward in translucent shafts of sunshine,

And gossiping each with each.

Straw-light their locks, on neck and shoulder falling,

Faint of almond the silks they wore,

Spun not of worm, but as if inwoven of moonbeams

And foam on rock-bound shore;

Like lank-legged grasshoppers in June-tide meadows,

Amalillios of the day,

Hungrily gazed upon by me—a stranger,

In unknown regions astray.

Yet, happy beyond words, I marked their sunlit faces,

Stealing soft enchantment from their eyes,

Tears in my own confusing their small image,

Harkening their bead-like cries.

They passed me, unseeing, a waft of flocking linnets;

Sadly I fared on my way;

And came in my dream to a dreamlike habitation,

Close-shut, festooned and grey.

Pausing, I gazed at the porch dust-still, vine-wreathèd,

Worn the stone steps thereto,

Mute hung its bell, whence a stony head looked downward,

Grey 'gainst the sky's pale-blue—

Strange to me: strange....

MUSIC

O restless fingers—not that music make!

Bidding old griefs from out the past awake,

And pine for memory's sake.

Those strings thou callest from quiet mute to yearn,

Of other hearts did hapless secrets learn,

And thy strange skill will turn

To uses that thy bosom dreams not of:

Ay, summon from their dark and dreadful grove

The chaunting, pale-cheeked votaries of love.

Stay now, and hearken! From that far-away

Cymbal on cymbal beats, the fierce horns bray,

Stars in their sapphire fade, 'tis break of day.

Green are those meads, foam-white the billow's crest,

And Night, withdrawing in the cavernous West,

Flings back her shadow on the salt sea's breast.

Snake-haired, snow-shouldered, pure as flame and dew,

Her strange gaze burning slumbrous eyelids through,

Rises the Goddess from the wave's dark blue.

TIDINGS

LISTEN, I who love thee well

Have travelled far, and secrets tell;

Cold the moon that gleams thine eyes,

Yet beneath her further skies

Rests for thee, a paradise.

I have plucked a flower in proof,

Frail, in earthly light forsooth:

See, invisible it lies

In this palm: now veil thine eyes:

Quaff its fragrancies.

Would indeed my throat had skill

To breathe thee music, faint and still—

Music learned in dreaming deep

In those lands, from Echo's lip ...

'Twould lull thy soul to sleep.

THE SON OF MELANCHOLY

UNTO blest Melancholy's house one happy day

I took my way:

Into a chamber was shown, whence could be seen

Her flowerless garden, dyed with sunlit green

Of myrtle, box, and bay.

Cool were its walls, shade-mottled, green and gold,

In heavy fold

Hung antique tapestries, from whose fruit and flower

Light had the bright hues stolen, hour by hour,

And time worn thin and old.

Silence, as of a virginal laid aside,

Did there abide.

But not for voice or music was I fain,

Only to see a long-loved face again—

For her sole company sighed.

And while I waited, giving memory praise,

My musing gaze

Lit on the one sole picture in the room,

Which hung, as if in hiding, in the gloom

From evening's stealing rays.

Framed in fast-fading gilt, a child gazed there,

Lovely and fair;

A face whose happiness was like sunlight spent

On some poor desolate soul in banishment,

Mutely his grief to share.

Long, long I stood in trance of that glad face,

Striving to trace

The semblance that, disquieting, it bore

To one whom memory could not restore,

Nor fix in time and space.

Sunk deep in brooding thus, a voice I heard

Whisper its word:

I turned—and, stooping in the threshold, stood

She—the dark mistress of my solitude,

Who smiled, nor stirred.

Her ghost gazed darkly from her pondering eyes

Charged with surmise;

Challenging mine, between mockery and fear,

She breathed her greeting, 'Thou, my only dear!

Wherefore such heavy sighs?'

'But this?' One instant lids her scrutiny veiled;

Her wan cheek paled.

'This child?' I asked. 'Its picture brings to mind

Remembrance faint and far, past thought to find,

And yet by time unstaled.'

Smiling, aloof, she turned her narrow head,

'Make thou my face thy glass,' she cried and said.

'What would'st thou see therein—thine own, or mine?

O foolish one, what wonder thou did'st pine?

Long thou hast loved me; yet hast absent been.

See now: Dark night hath pressed an entrance in.

Jealous! thou dear? Nay, come; by taper's beam

Share thou this pictured Joy with me, though nought but a dream.'

THE QUIET ENEMY

HEARKEN—NOW the hermit bee

Drones a quiet thren dy;

Greening on the stagnant pool

The criss-cross light slants silken-cool;

In the venomed yew tree wings

Preen and flit. The linnet sings.

Gradually the brave sun

Drops to a day's journey done;

In the marshy flats abide

Mists to muffle midnight-tide.

Puffed within the belfry tower

Hungry owls drowse out their hour....

Walk in beauty. Vaunt thy rose.

Flaunt thy transient loveliness.

Pace for pace with thee there goes

A shape that hath not come to bless.

I thine enemy?... Nay, nay.

I can only watch and wait

Patient treacherous time away,

Hold ajar the wicket gate.

THE FAMILIAR

'ARE you far away?'

'Yea, I am far—far;

Where the green wave shelves to the sand,

And the rainbows are;

And an ageless sun beats fierce

From an empty sky:

There, O thou Shadow forlorn,

Is the wraith of thee, I.'

'Are you happy, most Lone?'

'Happy, forsooth!

Who am eyes of the air; voice of the foam;

Ah, happy in truth.

My hair is astream, this cheek

Glistens like silver, and see,

As the gold to the dross, the ghost in the mirk,

I am calling to thee.'

'Nay, I am bound.

And your cry faints out in my mind.

Peace not on earth have I found,