SCENES OF THE MIND

have run where festival was loud
With drum and brass among the crowd
Of panic revellers, whose cries
Affront the quiet of the skies;
Whose dancing lights contract the deep
Infinity of night and sleep
To a narrow turmoil of troubled fire.
And I have found my heart's desire
In beechen caverns that autumn fills
With the blue shadowiness of distant hills;
Whose luminous grey pillars bear
The stooping sky: calm is the air,
Nor any sound is heard to mar
That crystal silence—as from far,
Far off a man may see
The busy world all utterly
Hushed as an old memorial scene.
Long evenings I have sat and been
Strangely content, while in my hands
I held a wealth of coloured strands,
Shimmering plaits of silk and skeins
Of soft bright wool. Each colour drains
New life at the lamp's round pool of gold;
Each sinks again when I withhold
The quickening radiance, to a wan
And shadowy oblivion
Of what it was. And in my mind
Beauty or sudden love has shined
And wakened colour in what was dead
And turned to gold the sullen lead
Of mean desires and everyday's
Poor thoughts and customary ways.
Sometimes in lands where mountains throw
Their silent spell on all below,
Drawing a magic circle wide
About their feet on every side,
Robbed of all speech and thought and act,
I have seen God in the cataract.
In falling water and in flame,
Never at rest, yet still the same,
God shows himself. And I have known
The swift fire frozen into stone,
And water frozen changelessly
Into the death of gems. And I
Long sitting by the thunderous mill
Have seen the headlong wheel made still,
And in the silence that ensued
Have known the endless solitude
Of being dead and utterly nought.
Inhabitant of mine own thought,
I look abroad, and all I see
Is my creation, made for me:
Along my thread of life are pearled
The moments that make up the world.

L'APRÈS-MIDI D'UN FAUNE

(From the French of Stéphane Mallarmé.)

would immortalize these nymphs: so bright
Their sunlit colouring, so airy light,
It floats like drowsing down. Loved I a dream?
My doubts, born of oblivious darkness, seem
A subtle tracery of branches grown
The tree's true self—proving that I have known
No triumph, but the shadow of a rose.
But think. These nymphs, their loveliness ... suppose
They bodied forth your senses' fabulous thirst?
Illusion! which the blue eyes of the first,
As cold and chaste as is the weeping spring,
Beget: the other, sighing, passioning,
Is she the wind, warm in your fleece at noon?
No, through this quiet, when a weary swoon
Crushes and chokes the latest faint essay
Of morning, cool against the encroaching day,
There is no murmuring water, save the gush
Of my clear fluted notes; and in the hush
Blows never a wind, save that which through my reed
Puffs out before the rain of notes can speed
Upon the air, with that calm breath of art
That mounts the unwrinkled zenith visibly,
Where inspiration seeks its native sky.
You fringes of a calm Sicilian lake,
The sun's own mirror which I love to take,
Silent beneath your starry flowers, tell
How here I cut the hollow rushes, well
Tamed by my skill, when on the glaucous gold
Of distant lawns about their fountain cold
A living whiteness stirs like a lazy wave;
And at the first slow notes my panpipes gave
These flocking swans, these naiads, rather, fly
Or dive. Noon burns inert and tawny dry,
Nor marks how clean that Hymen slipped away
From me who seek in song the real A.
Wake, then, to the first ardour and the sight,
O lonely faun, of the old fierce white light,
With, lilies, one of you for innocence.
Other than their lips' delicate pretence,
The light caress that quiets treacherous lovers,
My breast, I know not how to tell, discovers
The bitten print of some immortal's kiss.
But hush! a mystery so great as this
I dare not tell, save to my double reed,
Which, sharer of my every joy and need,
Dreams down its cadenced monologues that we
Falsely confuse the beauties that we see
With the bright palpable shapes our song creates:
My flute, as loud as passion modulates,
Purges the common dream of flank and breast,
Seen through closed eyes and inwardly caressed,
Of every empty and monotonous line.

Bloom then, O Syrinx, in thy flight malign,
A reed once more beside our trysting-lake.
Proud of my music, let me often make
A song of goddesses and see their rape
Profanely done on many a painted shape.
So when the grape's transparent juice I drain,
I quell regret for pleasures past and feign
A new real grape. For holding towards the sky
The empty skin, I blow it tight and lie
Dream-drunk till evening, eyeing it.
Tell o'er
Remembered joys and plump the grape once more.
Between the reeds I saw their bodies gleam
Who cool no mortal fever in the stream
Crying to the woods the rage of their desire:
And their bright hair went down in jewelled fire
Where crystal broke and dazzled shudderingly.
I check my swift pursuit: for see where lie,
Bruised, being twins in love, by languor sweet,
Two sleeping girls, clasped at my very feet.
I seize and run with them, nor part the pair,
Breaking this covert of frail petals, where
Roses drink scent of the sun and our light play
'Mid tumbled flowers shall match the death of day.
I love that virginal fury—ah, the wild
Thrill when a maiden body shrinks, defiled,
Shuddering like arctic light, from lips that sear
Its nakedness ... the flesh in secret fear!
Contagiously through my linked pair it flies
Where innocence in either, struggling, dies,
Wet with fond tears or some less piteous dew.
Gay in the conquest of these fears, I grew
So rash that I must needs the sheaf divide
Of ruffled kisses heaven itself had tied.
For as I leaned to stifle in the hair
Of one my passionate laughter (taking care
With a stretched finger, that her innocence
Might stain with her companion's kindling sense
To touch the younger little one, who lay
Child-like unblushing) my ungrateful prey
Slips from me, freed by passion's sudden death,
Nor heeds the frenzy of my sobbing breath.

Let it pass! others of their hair shall twist
A rope to drag me to those joys I missed.
See how the ripe pomegranates bursting red
To quench the thirst of the mumbling bees have bled;
So too our blood, kindled by some chance fire,
Flows for the swarming legions of desire.
At evening, when the woodland green turns gold
And ashen grey, 'mid the quenched leaves, behold!
Red Etna glows, by Venus visited,
Walking the lava with her snowy tread
Whene'er the flames in thunderous slumber die.
I hold the goddess!
Ah, sure penalty!

But the unthinking soul and body swoon
At last beneath the heavy hush of noon.
Forgetful let me lie where summer's drouth
Sifts fine the sand and then with gaping mouth
Dream planet-struck by the grape's round wine-red star.

Nymphs, I shall see the shade that now you are.

THE LOUSE-HUNTERS

(From the French of Rimbaud).

hen the child's forehead, full of torments red,
Cries out for sleep and its pale host of dreams,
His two big sisters come unto his bed,
Having long fingers, tipped with silvery gleams.

They set him at a casement, open wide
On seas of flowers that stir in the blue airs,
And through his curls, all wet with dew, they slide
Those terrible searching finger-tips of theirs.

He hears them breathing, softly, fearfully,
Honey-sweet ruminations, slow respired:
Then a sharp hiss breaks time and melody—
Spittle indrawn, old kisses new-desired.

Down through the perfumed silences he hears
Their eyelids fluttering: long fingers thrill,
Probing a lassitude bedimmed with tears,
While the nails crunch at every louse they kill.

He is drunk with Languor—soft accordion-sigh,
Delirious wine of Love in Idleness;
Longings for tears come welling up and die,
As slow or swift he feels their magical caress.

THIS THIRD OF THE INITIATES SERIES OF POETRY BY PROVED HANDS, WAS PRINTED IN OXFORD AT THE VINCENT WORKS, AND FINISHED IN JUNE, MCMXVIII.

PUBLISHED BY B. H. BLACKWELL, BROAD STREET, OXFORD, AND SOLD IN AMERICA BY LONGMANS, GREEN & CO., NEW YORK.

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THE IRON AGE
BY FRANK BETTS. WITH AN INTRODUCTION BY GILBERT MURRAY.
THE TWO WORLDS
BY SHERARD VINES.
THE BURNING WHEEL
BY A. L. HUXLEY.
A VAGABOND'S WALLET
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