Ā
Ākāçabhāṣita, a voice in the air, [303], [348].
Ākhyāna, theory of certain Vedic hymns, [21]–3. [[395]]
Ākhyāyikā, romance, [76].
Ān̄gikābhinaya, expression by gesture, [367], [368].
Āṇi, āni, and ā in neuter plural of a-stems, [87], [122].
Ātmagatam, aside, [304].
Ādhikārika, principal (action), [297].
Ānandakoça, a farce, [260], n. [3], [348], n. [1].
Ānandamañjarī, by Ghanaçyāma, [257].
Ābhīrī, speech, [337].
Āma, in assertions in Bhāsa, [120].
Āmukha, introduction, [328], [340].
Āyukta, attendants, [312].
Āyuṣmant, as style of the king, [314].
Ārabhaṭī, violent (manner), [326], [327], [328].
Ārambha, voice testing by chorus, [339].
Ārambha, first stage of development in drama, [297].
Ārttha, in Açvaghoṣa for artha, [85].
Āryaputra (ajjaüttā), style of a husband, [314].
Āryā (ajjā), style of a wife, [314].
Āryā, metre, [124], [142], [167], [181], [185], [203], [212], [258];
appropriate to the erotic sentiment, [331].
Ālambana, fundamental determinants of sentiment, [315].
Āvantī, a Prākrit, [141], [333].
Āçcaryamañjarī, by Çaktibhadra (BSOS. III. i. 116 f.), [371], n. [2].
Āçrāvaṇā, trying of instruments, [339].
Āsīna, a kind of recitation, [338].
Āhi, as instrumental in Açvaghoṣa’s Prākrit, [87].