N
Nāgas, pair of kings, [43];
destroyed by Garuḍa, [174], [175], [179].
Nāgīs, how shown on the stage, [367].
Nahapāna, a Western Kṣatrapa, [69].
Naiyāyika view of sentiment, [316].
Nakhakuṭṭa, a theorist, [341].
Nakula, a Pāṇḍava, [214].
Nala and Damayantī, [63], [240].
Nalakūbara, [49].
Nallā Kavi, author of the Çṛn̄gārasarvasva, [263], [264].
Names of the Acts of a drama, [305];
the drama, [345], [346];
the characters, [85], [313], [355].
Nanda, the cowherd, [98].
Nandana, in the Mālatīmādhava, [188], [193].
Nandas, a dynasty, [205].
Nandikeçvara, Abhinayadarpaṇa by, [338], [367], n. [1].
Nārada, a sage, [48], [98], [100], [101], [110], [126], [151].
Narasiṅha, of Vijayanagara, [261].
Narasiṅha II, of Orissa, [293].
Narasiṅha, author of the Çivanārāyaṇabhañjamahodaya, [257].
Nārāyaṇa, father of Kāñcana Paṇḍita, [266].
Nārāyaṇa, [97], [98], and see Kṛṣṇa and Viṣṇu.
Narendravardhana, father of Anan̄gaharṣa Mātrarāja, [220].
Narration, in lieu of action dialogue, [194].
Narrative verses, [270], [271], [273], [351].
Nature, described in the drama, Mṛcchakaṭikā, [138], [139];
Kālidāsa, [159];
Bhavabhūti, [195].
Navamālikā, in the Nāgānanda, [177].
Nema Bhārgava, a seer, [14].
Neuter plural of a-nouns, in Açvaghoṣa’s and Bhāsa’s Prākrit, [87], [122].
Neuter rôles, [313].
New Comedy, alleged influence on Indian drama, [60]–7.
Nicula, alleged friend of Kālidāsa, [145].
Nīlakaṇṭha, alters the last scene of the Mṛcchakaṭikā, [135], [369], n. [2].
Nīlakaṇṭha, on the shadow play, [55], [56].
Nipuṇaka, in the Mudrārākṣasa, [205], [208];
in the Hammīramadamardana, [249].
Nipuṇikā, [328].
Nirbhaya, or Nirbhara, pupil of Rājaçekhara, [232].
Noble, hero as always, [305].
Nominative singular, of a-stems, in e and o, in Açvaghoṣa, [86], [87], [88];
in Bhaṭṭa Nārāyaṇa, [219].
Northern Thrace, dramatic performance in, [38].
Number, of Acts in a drama, [305], [345]–51;
actors, [66], [87], [110], [345], [346], [347], [351].