P
Pañcarātra (ed., with trans. by W. G. Urdhwareshe, Indore, 1920), by Bhāsa, [94], [110], [112], [119], [122], [123], [335], [344], n. [2], [346].
Patākā, episode, [297];
subjunctures of, [290].
Patākāsthānaka, pro-episode, [303], [304].
Padas, number of, in prologue, [344].
Padhānasutta, alleged dramatic character of, [43], n. [1].
Pabbajjāsutta, alleged dramatic character of, [43], n. [1].
Parivartaka, change of action, [327].
Paruṣā, style, [333].
Palinata, in Açvaghoṣa for pariṇata, [87].
Pāñcālī, (puppet) from Pañcāla, [53].
Pāṭhakas, repeaters of epic passages, [29].
Pāṇḍavānanda, [224].
Pāṇḍavābhyudaya, by Vyāsa Çrīrāmadeva, [270].
Pātra, character, [310].
Pādavākyapramāṇajña, sense of, [186].
Pāripārçvika, attendant, [85], [340].
Pārthaparākrama, by Prahlādana, [83], n. [1], [247], [264], [265], [341], n. [1].
Pārvatīpariṇaya, by Vāmana Bhaṭṭa Bāṇa, [221], [239], [247], [300].
Pīṭhamarda, companion of the hero, [308], [334], [351].
Pīṭhamardikā, confidante of the heroine, [308].
Puttalī, Puttalikā, puppet, [53].
Putraka, puppet, [269].
Putrikā, puppet, [53].
Pupphā, in Açvaghoṣa, [87].
Puruva, in Bhāsa for pūrva, [122].
Purusa, in Bhāsa, [122].
Puṣpagaṇḍikā, a kind of song, [338].
Puṣpadūṣitaka, a Prakaraṇa, [225], [346].
Puṣpabhūṣita, a Prakaraṇa, [225], [346].
Puṣpitāgrā, [123], [142], [166], [203], [212], [219].
Pusta, stage properties, [365].
Pūrvaran̄ga, preliminaries of drama, [292], [341], [342].
Pṛthivī, in the Uttararāmacarita, [192].
Pṛthvī, metre, [123], [167], [181], [203], [238].
Pekkhā, spectacle, [43].
Paiçācī, a Prākrit, [102], [287], [335], [336].
Prakaraṇa, a type of drama, [82], [102], [187], [225], [248], [257]–61, [264], [280], [296], [306], [345], [346], [353].
Prakaraṇikā, a type of drama, [349], n. [4], [350].
Prakarī, incident, [297].
Prakhyāta, traditional (plot), [296].
Pragalbhā, bold (heroine), [308].
Pracaṇḍapāṇḍava, see Bālabhārata.
Pracchedaka, a kind of song, [338].
Pratāpa, valour, as a character, [254].
Pratāparudrakalyāṇa, by Vidyānātha, [248].
Pratāparudrīya, by Vidyānātha, [293].
Pratijñāyaugandharāyaṇa, by Bhāsa, [93], [94], [95], [108], [110], [113], [114], [118], [119], [122], [130], [185], n. [2], [335], n. [3], [371], n. [2].
Pratināyaka, the enemy of the hero, [307], [308].
Pratimānāṭaka, by Bhāsa, [94], [100], [101], [105], [117], [124], [125].
Pratimukha, second juncture, [298], [299].
Pratisīrā, curtain, [359].
Pratīgṛhīta, irregular form in Açvaghoṣa, [86].
Pratīti, apprehension of sentiment, [317].
Pratīhārī, door-keeper, [313].
Pratyāyati, irregular form in Bhāsa, [121].
Prathamakalpa, misunderstood term, [112], n. [2].
Pratyāhāra, beat of drum to begin performance, [339].
Pradyumnābhyudaya, by Ravivarman, [247], [344].
Pradveṣam, Buddhist irregularity for pradoṣam, [86].
Prapañca, comic dialogue, [328].
Prabuddharauhiṇeya, by Rāmabhadra Muni, [259], [260].
Prabodha, knowledge, as a character, [251].
Prabodhacandrodaya, by Kṛṣṇamiçra, [55], [84], [112], [243], [251]–3, [286], [325], n. [1], [344].
Prayatna, second stage of development of drama, [297].
Prayogātiçaya, form of prologue, [340].
Prarocanā, part of preliminaries, [328], [340], [341], [343];
pronounced behind the scenes, [351].
Pravṛttaka, form of prologue, [340].
Praveçaka, introductory scene, [110], [301], [302].
Prasannarāghava, by Jayadeva, [109], [151], [226], [244]–6, [271].
Prasāda, clearness, [331].
Prastāvanā, prologue, [111], [328], [340].
Prasthāna, a form of drama, [351].
Praharṣiṇī, metre, [167], [181], [203], [212], [219]. [[400]]
Prahasana, farce, [182]–5, [260]–3, [280], [296], [309], [348].
Prācyā, a Prākrit, [88], [141], [336].
Prāḍvivāka, judge, [312].
Prāptyāçā, third stage of development of drama, [297].
Prāçnika, critic, [370].
Prāsan̄gika, incidental (action), [297].
Priyadarçikā, by Harṣa, [170], [171], [173], [174], [175], [303], [325], [328], [340], [350], [362], [364], [369].
Prekṣaka, spectator, [369], [370].
Prekṣaṇa, a form of drama, [351].
Prekṣaṇaka, a form of drama, [268].
Pren̄khaṇa, a form of drama, [351].
Proṣitapriyā, type of heroine, [309].
Prauḍhatva, of style, claimed by Bhavabhūti, [196].