S
S, alone preserved in certain Prākrits, [87], [88], [122].
Saṁlāpa, dialogue, [327].
Saṁlāpaka, a form of drama, [351].
Saṁkalpasūryodaya, by Ven̄kaṭanātha, [253]. [[404]]
Saṁkīrṇa, mixed form of Viṣkambhaka, [302].
Saṁkṛti, metre, appropriate to lively dialogue, [331].
Saṁkṣipti, construction of object, [327].
Saṁgamamaṇi, stone of reunion, [62].
Saṁgītadāmodara, unites ornaments and beauties, [330], n. [1].
Saṁghātya, breach of alliance, [327].
Saciva, as style of a minister, [314].
Saṭṭaka, a type of drama, [233], [350].
Sattva, element of goodness or truth, [318].
Saddharmapuṇḍarīka, dramatic form of the, [43].
Sandhi, junctures of the plot, [298]–300.
Sandhima, kind of stage properties, [365].
Sandhyantara, divisions of junctures, [303].
Sabhāpati, patron of the drama, [370].
Samajja or Samāja, form of entertainment, [43], [85].
Samatā, homogeneity of style, [331].
Samavakāra, a type of drama, [97], [225], [266], [267], [268], [291], [346], [353].
Samāja, [85], and see Samajja.
Samādhi, metaphorical language, [331].
Samāçvāsitum, irregular form in Bhāsa, [121].
Samudramathana, by Vatsarāja, [267], [268].
Samudramanthana, a Samavakāra, [225].
Sampheṭa, fighting, [328].
Sambhoga, union, as part of erotic sentiment, [323].
Sarvacarita, by Bāṇa, [182], n. [3].
Sarvarājñaḥ, irregular compound in Bhāsa, [121].
Sarvavinodanāṭaka, by Kṛṣṇa Avadhūta Ghaṭikāçata Mahākavi, [267].
Sassirīkaṁ, for saçrīkam, in Açvaghoṣa, [88].
Sahṛdaya, man of taste, [318].
Sāttvatī, correctly Sātvatī, grand (manner), [326], [327].
Sāttvika, of excellencies of hero, [307].
Sāttvika, class of consequents, [315].
Sāttvikābhinaya, nature of, [367], [368].
Sātvatī (‘of the Satvants’, cf. Lévi, TI. i. 332), grand (manner), [326], [327].
Sādhāraṇī, courtesan, [309].
Sādhāraṇī kṛti, generic power of poetry, [321].
Sādhu, style of address, [314].
Sāmaveda, [12], [15], [20], [26].
Sāvitrīcarita, by Çan̄karalāla, [270].
Sāhityadarpaṇa, by Viçvanātha, [71], [225], [268], [294], [295], [336], [342].
Siddhāntakaumudī, cites Rājaçekhara for grammar, [230].
Sukumāratā, softness of style, [331].
Sukṛtasaṁkīrtana, by Arisiṅha, [248], n. [a]7].
Sugṛhītanāman, as title in dramas, [69], [71].
Sugṛhītābhidha, as style of address, [71], [314].
Sudhanāvadāna, [150], n. [1], [156], n. [1].
Suparṇādhyāya, character of the, [17], [21].
Subuddhi, a female character, [267].
Subhadrādhanaṁjaya, by Kulaçekharavarman, [247], [342], n. [2].
Subhadrāpariṇayana, by Vyāsa Çrīrāmadeva, [270].
Subhadrāharaṇa, by Mādhava, [268], [342], [351].
Surada, for surata, an isolated form, in Açvaghoṣa, [89].
Surā, origin of, [183].
Suvadanā, metre, [123], [212].
Sūcaka, part undertaken by the, [273], [274].
Sūtradhāra, [51], [52], [56], [65], [66], [91], [92], [126], [232], [248], [254], [265], [266], [267], [273], [339], [340], [341], [342], [343], [344], [360], [361], [362], [363], [365].
Sūtrālaṁkāra, by Açvaghoṣa, [80], [81].
Senāpati, general, [306], [312].
Saindhava, a kind of song, [338].
Sobhiya, Prākrit for Çaubhika, [55].
Somatā, gentleness, as a character, [254].
Saugandhikāharaṇa, by Viçvanātha, [266].
Saundarananda, by Açvaghoṣa, [80], [81].
Saubhya, misreading for Saumya, [272], n. [1].
Saumya, as style of address, [314].
Skanda Purāṇa, [129].
Sthāpaka, [36], n. [1], [52], [56], [126], [239], [265], [266], [267], [340], [341], [342], [343], [344], [361].
Sthāpanā, prologue, [111], [112], [182], [340], [342], n. [1].
Sthāyinī, concubine, [312].
Sthāyibhāva, dominant emotion, [315], [320].
Sthitapāṭhya, standing recitation, [338].
Sthairya, steadfastness as a quality of the hero, [307].
Snātaka, as a character, [313].
Sragdharā, metre, [123], [142], [167], [181], [185], [203], [212], [219], [232], [236], [246], [272].
Sravati, irregular form in Bhāsa, [120].
Svagatam, aside, [304].
Svapnadoçānana, by Bhīmaṭa, [239].
Svapnavāsavadattā, by Bhāsa, [91], [92], [94], [95], [103], [107], [113], [117], [118], [119], [123], [125], [187], n. [2].
Svabhāvokti, vivid description, [161].
Svā, sviyā, heroine as wife, [308].
Svādhīnapatikā, absolute mistress, [309].
Svābhāvika, natural (sentiment), [315], n. [1].
Svāmin, as style of the Crown Prince, [69], [71], [314].
Svāminī, style of the queen, [314].