T
Tāḍakā, a demoness, [227].
Ṭakkas, use of Apabhraṅça by, [287].
Tales, close connexion of, with the drama, [76], [258], and see Kathāsaritsāgara.
Tamasā, river, goddess, as a dramatic character, [191], [202].
Tantras, [42].
Tantumatī, mother of Murāri, [225].
Tārā, wife of Vālin, [105].
Tarala, an ancestor of Rājaçekhara, [231].
Tārkṣya, [267].
Tears, of the auditor, [321], [368].
Technique, of Açvaghoṣa, [82]–5;
Bhāsa, [110]–14;
Kālidāsa, [126], [160];
Yaçovarman, [222], [223];
Rājaçekhara, [239];
Prahlādanadeva, [265];
certain irregular dramas, [270]–5;
according to the writers on theory, [296]–305.
Tejaḥpāla, brother of Vastupāla, [248], [249], [250].
Ten qualities of style, [331], [332].
Ten stages of love, [323].
Ten types of drama, [345]–9.
Terror (bhaya), as the basis of the sentiment of terror, [323].
Terror, sentiment of, [192], [278], [324], [325], [332].
Thārāpadra, [254].
Theatre, buildings, [67], [358]–60.
Theft, as an allegorical character, [255].
Theories of the Secular Origin of the Drama, [49]–57.
Theory of the drama, [290]–351;
influence of, on dramatic practice, [352]–4;
possible influence of Aristotle on, [355], [356].
Tibet, drama in, [44].
Tiger, escape of, as dramatic motif, [188], [193].
Time, of performance of plays, [369];
unity of, [64], [65], [301], [355].
Tīrthakaras, invocation of the, [254].
Ṭodar Mall, Akbar’s minister, [247].
Tradition, as the fifth Veda, [12], [13].
Traditional account of the origin of Sanskrit drama, [12], [13];
of dramatic theory, [290].
Tragedy, [38], n. [2], [278], [280], [345], [354].
Trailokyavarmadeva, of Kālañjara, [266].
Transitory (vyabhicārin), feelings, [315].
Transmigration, as explaining sensibility to poetry, [322].
Transverse, curtain, [113], n. [1], [359].
Travaṇas, speech of people of, [287].
Triads, Bhāsa’s fondness for, [111].
Tribhuvanapāla, of Aṇahilapāṭaka, [269].
Triple explanation (trigata), [328].
Tukkojī, [257].
Tumultuous action or disturbance (avapāta), [328], [346].
Tun̄gabhadrā, river, as a dramatic character, [245].
Tuñjina, of Kashmir, patron of Candraka, [168].
Turfan, fragments of Buddhist dramas, [80].
Twelve stages of love, [323], n. [2].
Types of drama, [345]–51. [[391]]
Typical, not individual, characters, found in Sanskrit drama, [282], [353].