V
Vaaṁ, vayaṁ, ‘we’, in Açvaghoṣa’s and Bhāsa’s Prākrits, [89], [122].
Vaṅçasthā, metre, [123], [142], [166], [185], [203], [212].
Vajrasūcī, by Açvaghoṣa, [80].
Vat, nominative of stems in, [87].
Vatsa, as style of address, [314].
Vannīkāhi, in Açvaghoṣa, [87].
Vayasya, as style of address, [314].
Vara, frequent use of, in Bhāsa, [120].
Varṇānyatva, change of colour or difference of colour, [35].
Varṣadhara, eunuch, [313].
Vasantatilaka, metre, [123], [142], [166], [181], [185], [203], [212], [219], [236], [240], [246], [253], [258], [272].
Vasantatilaka, by Varadācārya, [263].
Vastu, plot, [296]–305.
Vastūtthāpana, creation of an object, [327].
Vācika (sentiment), produced by words, [315], n. [1].
Vācikābhinaya, expression by words, [367].
Vāsakasajjā (heroine), in full dress, [309].
Vāsantikasvapna, by R. Kṛṣṇamachari, [251].
Vāsavadattā, by Subandhu, [76].
Vikāsa, expansion of the mind, [320].
Vikramorvaçī, by Kālidāsa, [62], [66], [124], [126], [146], [147], [149]–52, [156], [157], [159], [160], [167], [193], [233], [268], [275], [278], [328], [329], [339], n. [1], [342], [343], [350].
Vikrāntaçūdraka, a drama, [129], n. [4].
Vikṣepa, movement to and fro of the mind as connected with sentiment, [320].
Vijayaçrī, by Madana Bālasarasvatī, [256].
Viṭa, parasite, [65], [132], [135], [136], [177], [193], [263], [311], [326], [334], [346], [356].
Vidagdhamādhava, by Rūpa Gosvāmin, [247].
Vidūṣaka, jester, [28], [39], [40], [50], [51], [52], [53], [56], [62], [65], [66], [67], [73], [81], [82], [84], [107], [108], [133], [141], [156], [158], [159], [160], [176], [177], [234], [235], [237], [254], [263], [264], [270], [299], [310], [311], [313], [314], [326], [328], [334], [340], [351], [361].
Vidyā, as a character, [251], [252].
Vidyāpariṇayana, by Vedakavi, [253].
Vidyunmālā, metre, [142].
Viddhaçālabhañjikā, by Rājaçekhara, [232], [234], [235], [300].
Viprayoga, sundering, as form of the erotic sentiment, [323].
Vipralabdhā, deceived (heroine), [309].
Vipralambha, sundering, as form of erotic sentiment, [323].
Vibhāva, determinants of sentiment, [315].
Vibhāṣās, conventional dialects used in drama, [337].
Vimadda, in Açvaghoṣa for vimarda, [89].
Vimarça, fourth juncture of the plot, [299].
Vimoktukāma, irregular form in Bhāsa, [121].
Viya, in Açvaghoṣa, [88].
Virahotkaṇṭhitā, type of heroine, [309].
Vilāsa, vivacity as quality of the hero, [307].
Vilāsikā, a form of drama, [351].
Viveka, discrimination, [251], [252].
Vivekacandra, as allegorical character, [254].
Viṣkambha or Viṣkambhaka, introductory scene, [110], [301], [302]. [[403]]
Viṣṇu Purāṇa, [100].
Visūkadassana, spectacle, [43].
Vistara, expansion of the mind, [320].
Vismaya, astonishment, as basis of sentiment, [323].
Vījanti, irregular form in Bhāsa, [120].
Vītarāgastuti, by Hemacandra, [255].
Vīthī, ‘garland’, [295], [296], [328], [329], [348], [349], [353].
Vīra, heroism as a sentiment, [323].
Vīrabhadravijṛmbhaṇa, [328], n. [3].
Vīravijaya, by Kṛṣṇamiçra, [267].
Vṛttis, dramatic styles, [326]–9.
Vṛddhi, sense of, [36], n. [1].
Vṛṣabhānujā, by Mathurādāsa, [257].
Veṇīsaṁhāra, by Bhaṭṭa Nārāyaṇa, [83], [212]–9, [300], [304], [326], [328], [340], [344], n. [1], [353], [361].
Vetālapañcaviṅçati, [129], [174].
Vedāntasāra, by Sadānanda, [318], n. [2].
Veṣṭita, stage costumes, [365].
Vaitālīya, metre, [123], [167].
Vaiçika, connoisseur of hetaerae, [307], n. [1].
Vaiçvadevī, metre, [123], [142].
Vyaktiviveka, by Mahiman Bhaṭṭa, [294].
Vyañjanā, the doctrine of suggestion, [318].
Vyabhicārin, transitory (feelings), [315].
Vyājima, kind of stage properties, [365].
Vyāmiçraka, possible reference to plays, [29].
Vyāyoga, a type of drama, [95], [96], [247], [264]–6, [296], [344], [347], [353].
Vyutpatti, aesthetic equipment, [318].
Vyūḍhoras, irregular compound in Bhāsa, [121].