| PART I |
|---|
| LUDOVICO ARIOSTO |
|---|
| I | A CRITICAL PROBLEM | [3] |
| II | THE LIFE OF THE AFFECTIONS IN ARIOSTO, AND THE HEART OF HIS HEART | [18] |
| III | THE HIGHEST LOVE: HARMONY | [34] |
| IV | THE MATERIAL FOR THE HARMONY | [48] |
| V | THE REALISATION OF HARMONY | [69] |
| VI | HISTORICAL DISASSOCIATIONS | [95] |
| PART II |
|---|
| WILLIAM SHAKESPEARE |
|---|
| VII | THE PRACTICAL PERSONALITY AND THE POETICAL PERSONALITY | [117] |
| VIII | SHAKESPEAREAN SENTIMENT | [138] |
| IX | MOTIVES AND DEVELOPMENT OF SHAKESPEARE'S POETRY | [163] |
| X | THE ART OF SHAKESPEARE | [274] |
| XI | SHAKESPEAREAN CRITICISM | [300] |
| XII | SHAKESPEARE AND OURSELVES | [328] |
| PART III |
|---|
| PIERRE CORNEILLE |
|---|
| XIII | CRITICISM OF THE CRITICISM | [337] |
| XIV | THE IDEAL OF CORNEILLE | [362] |
| XV | THE MECHANISM OF THE CORNELIAN TRAGEDY | [390] |
| XVI | THE POETRY OF CORNEILLE | [408] |
| INDEX | [431] |