IV.—“BOGWAH.”
We have been paddling for more than an hour, through dark and slowly moving water. Two or three hundred yards has been the limit of the view ahead, as the stream swerves gracefully from the slightest rise of land, and flows now east, now north, now east, now south again. So long a stretch of navigable water is not common on the Delectable River, and we make the most of it, moving leisurely, and prisoning the everchanging picture with the imperfect camera of the eyes. Presently a too-familiar sound is heard above the dipping of the paddles, and the Indian at the stern announces, “Bogwah!”—which word in the tongue of the Chippewa signifies a shallow. And as we round the next bend we see the swifter water, the rocks in midstream, and the gently slanting line of treetops.
“Bogwah” spells work—dragging canoes over sandy and pebbly river-bottom, or unloading and carrying around the foam of perilous rapids. For compensation there is the pleasure of splashing ankle-deep and deeper in the cool current, and [p 74] />]casting for trout in the “laughing shallow,” which I much prefer to the “dreaming pool.” They who choose it may fish from boat or ledge: for me, to wade and cast is the poetry of angling.
Assured that the “bogwah” before us extends for half a mile or more, we decide for luncheon, and the canoes are beached on an island, submerged in springtime, but at low water a heap of yellow sands. And I wish I might reconstruct for you the picture which memory too faintly outlines. Mere words will not do it, and yet one is impelled to try. “All literature,” says Mr. Arnold Bennett, in one of his stimulating essays, “is the expression of feeling, of passion, of emotion, caused by a sensation of the interestingness of life. What drives a historian to write history? Nothing but the overwhelming impression forced upon him by the survey of past times. He is forced into an attempt to reconstitute the picture for others.”
And so you are to imagine a marshy, brushy open, circular in shape, from which the hills and forest recede for a considerable distance, and into which a lazy brook comes to merge with the Delectable River; a place to which the moose travel in great numbers, as hoofmarks and cropped vegetation bear witness; a wild place, that must be wonderful in mist and moonlight. Now it is drenched with sunrays from a vaporless sky, and [p 75] />]the white-throat is singing all around us—not the usual three sets of three notes, but seven triplets. Elsewhere on the River, days apart, I heard that prolonged melody, and although I have looked in the bird books for record of so sustained a song, I have not found it.