SUGGESTIONS FOR HOME OR CLASS-ROOM STUDY

I.—The following story, adapted from a newspaper, violates practically every rule that can be laid down for the writing of news. Apart from its errors of style, it is written with prejudice and in bad taste. Rewrite the facts in half the present space, remembering (1) to be fair; (2) to leave yourself out of the story; (3) to omit revolting details; (4) to avoid “fine writing” and cheap slang.

Tom Jones, one of Smithton’s worthless citizens, tried to shuffle off this mortal coil last Friday afternoon by cutting his throat with a pocket knife.

It seems Jones had filed complaint against John Smith and Susie Williams for stealing. They were brought up in Justice Wagner’s court on Friday afternoon for trial, Jones being the prosecuting witness. When he was put upon the witness stand he flatly contradicted himself in statements made in his complaint to the Prosecuting Attorney. When he did this Mr. Brown at once dismissed the case against John Smith and Susie Williams and filed complaint against Jones for perjury, and put him under arrest. Constable Walker at once took him in charge and was preparing commitment papers, when Jones expressed a wish to go into the hall for a drink of water, which permission was given him by the constable. Soon after he had left the room an unusual noise was heard like the rushing of water and on investigation the man was found lying on the floor with his throat cut and the blood spurting like water from a fountain. He stuck the blade of an ordinary pocket knife into his throat and severed some of the arteries, and would probably have bled to death, except for the unfortunate arrival of a physician who stopped the blood, and he is now in a fair way to recover and may yet go over the road.

(“It seems” is unnecessary at the beginning of the second paragraph. Instead of “tried to shuffle off this mortal coil” say simply that he “tried to kill himself.” Cut out the grandiloquent phrases.)

II.—Note the stereotyped form of the following story, in which the feature is obscured by a mass of routine detail. The story is as lifeless as if it had been constructed by filling in blank spaces in a set form. Although it has certain unusual elements, it is totally lacking in originality of treatment:

After he had been arrested on complaint of Henry Flannigan, 56 years old, who conducts a repair shop at 1000 Center street, on a charge of stealing two revolvers from the shop Sunday afternoon, William Weaver, 18 years old, of 3445 Broadway, turned on the man and accused him of being a second Fagin, of running a fence and of having several small boys employed to steal goods for him.

The police arrested Flannigan and his sons, Henry, Jr., aged 15, and Fred, 14, at their home, 841 Division street, and Alex. Jones, 19, 1043 West avenue. Flannigan denied he was running a “fence” but admitted buying a lot of goods from the boys. They were locked up at the Fifteenth District Police Station.

(Query: Does the average reader understand what “running a fence” means? Why not make this clear? It may be noted that some newspapers insist that police stations be identified for the reader, not by their numbers, but by the names of the streets on which they are situated. Thus, in St. Louis, the Fourth District Station is called the Carr Street Station; the Ninth, the Dayton Street Station, and so on. The number, as a rule, means nothing to the reader, while the street name gives him at once an idea of the locality.)

III.—In the following short feature story the writer has got away from set forms and produced a readable story. Little stories of this type are highly esteemed by newspapers with a leaning toward human-interest news—especially if they are accompanied with pictures:

CHICAGO, Nov. 7.—Stephen Rheim hit into a double play, although he didn’t know it for several days, when his safe hit won a game for the West Chicago High School baseball team over the Wheaton nine last June. In the grand stand was Miss Catherine Smith, also of West Chicago, and a loyal fan. “If he makes a hit I’ll marry him,” she cried, according to friends, as Rheim came to bat at a critical point in the game. After Rheim’s hit had won the game friends told him of Miss Smith’s remark and introduced him to the blushing young woman, who explained that she was “just joking.” But Rheim fell in love and remained there.

CHAPTER IV
THE IMPORTANCE OF ACCURACY

The surest guarantee for right-doing in journalism is contained in the teaching that right is always right and that it must be done for its own sake. This is the great basic truth to be taught the students of schools of journalism and impressed upon the minds of all newspaper workers. No other “endowment” than this of sound principles is to be desired, either for newspapers or individuals, because both must work out their own salvation in life’s daily battle, which is won for the right only by those steadfast souls that fight for the sake of right alone.—From an editorial in the St. Louis Post-Dispatch.

The haste and hurry of which so much is made may and does prevent polished work in a newspaper office. But it does not prevent accurate, careful, painstaking work. The history of the world which lay on your doorstep this morning is amazingly accurate; the mistakes in it are few and far between ... The average high school of to-day turns out a variety of English that the best natured city editor consigns to perdition in seven tongues, and beats out of the aspiring cub without delay or remorse. And in the important matter of brevity and directness of saying what you have to say in the curtest and plainest phrase of which the language is capable, the newspaper is the greatest educator in the world.—From an article by George L. Knapp.

A first essential of good news writing is accuracy. The word should be graven in the mind of every reporter and every editor. It is spoken by the city editor to his reporters almost every hour of his working day. Placards on the walls may call attention to it, as in some offices where, with laudable brevity, the motto is urged upon the staff:

ACCURACY
TERSENESS
ACCURACY

If a story is accurate, if it is written with a nice attention to detail, it is likely to be fair. If a story is not accurate, it is not news in the best sense.

Accuracy implies more than mere grammatical correctness. It means more even than the stating of every fact with precision. A story may be taken to pieces, fact by fact, and every sentence found to be correct; yet the whole may give a false impression. Accuracy means the spirit as well as the letter of the truth.