FOOTNOTES:
[23] Need I say that this list is not intended to be exhaustive? It is merely representative.
[24] Let us hope that it will. There certainly are ominous signs of academization amongst the minor men of the movement. There is the beginning of a tendency to regard certain simplifications and distortions as ends in themselves and party badges. There is some danger of an attempt to impose a formula on the artist's individuality. At present the infection has not spread far, and the disease has taken a mild form.
[25] Of course there are some good artists alive who owe nothing to Cézanne. Fortunately two of Cézanne's contemporaries, Degas and Renoir, are still at work. Also there are a few who belong to the older movement, e.g. Mr. Walter Sickert, M. Simon Bussy, M. Vuillard, Mr. J.W. Morrice. I should be as unwilling to omit these names from a history of twentieth century art as to include them in a chapter devoted to the contemporary movement.
[26] June 1913. Ariadne in Naxos. Is Strauss, our one musician of genius, himself the pivot on which the wheel is beginning to swing? Having drained the cup of Wagnerism and turned it upside down, is he now going to school with Mozart?