1288.
Damask, silk and cotton; ground, deep bluish green; design, pairs of monsters, half griffin, half elephant, in gold, a conventional flower in light green, enclosing a pair of wings in gold, and pairs of birds amid foliation, with short sentences of imitated Arabic here and there. Sicilian, early 14th century. 14 inches by 11 inches.
This is a fine and noteworthy production of the Palermitan loom, and shows in its pattern much fancy and great freedom of drawing; for whether we look at those very singular griffin elephants, sitting in pairs—and gazing at one another, or the two birds of the hoopoe family, with a long feather on the head, or the two gold wings conjoined and erect, so heraldically tricked, with that well-devised flower ending in a honeysuckle scroll, an ornament sprinkled all about, we cannot but be pleased with the whole arrangement. The combination of elephant and griffin in ornamentation is almost, perhaps quite, unique. The pretended Arabic points to a locality where once Saracenic workmen laboured, and left behind them their traditions of excellency of handicraft. In Dr. Bock’s “Geschichte der Liturgischen Gewänder des Mittelalters,” 4 Lieferung, pl. ix. may be seen this curious stuff figured.