7094.
Silk Damask; ground, straw-colour; pattern, net-work of lozenges and quatrefoils, filled in each with a cross pommée, amid which are large circles containing a pair of parrots, all in raised satin. Oriental, 13th century. 8¾ inches by 7¾ inches.
This fine textile was, in all likelihood, woven by Christian hands somewhere upon the Syrian coast, and while a religious character was given it both by the crosses and the emblematic parrots, a Persian influence by the use of the olden traditionary tree between the parrots, or the Persians’ sacred “hom,” was allowed to remain upon the designer’s mind without his own knowledge of its being there, or of its symbolic meaning in reference to Persia’s ancient heathen worship.