SIMPLICITY
In character, in manners, in style and in all things the supreme excellence is simplicity.—Longfellow.
NOTES
DICTION
The newspaper writer must beware of two pitfalls in writing: Fine writing and dialect. Stilted English, pompous and high-sounding, is in just as bad taste as garish clothing or pungent perfume. Reporters often give to their stories a wordy and turgid flavor by their refusal to repeat a word, preferring a synonym. One often sees such sentences as this: "The policeman took his pistol away as he was about to shoot at the bluecoat's partner, another officer of the law." This is a quite unnecessary avoidance of the repetition of the word policeman.
Fine writing is quite out of place at all times in a newspaper and is particularly obnoxious when a reporter quotes a person of inferior mentality in polished—or what the reporter thinks are polished—phrases. Things like this shouldn't get into the paper: "It is with poignant grief that I gaze on the torn frame of my dear spouse," said Mrs. Sowikicki, as she stood beside a slab in the morgue.
On the other hand reporters should not try to be funny at the expense of someone inexpert in the use of the language. If a person interviewed uses bad grammar, correct him when you write the story. To make a person say Hadn't ought to of or Hain't got no is not only insulting to that person and to your readers, but is poor comedy.
Dialect must be absolutely accurate if it is used. Finley Peter Dunne can write Irish dialect and not many other persons in America can write as good. Probably no reporter on The News can write it. Dialect that might hurt the feelings of others who speak the same way should not be used. In fact as a general rule: DON'T WRITE DIALECT. The greatest masters of humor, such as Moliere, Cervantes, Shakespeare, Mark Twain, have obtained their best effects by writing their language straightforwardly.