IV

Across Oliver's young joy fell the shadow of fear. If, as his heart told him, there was nothing to be afraid of, why were his elders thus cautious and terrified? He felt himself affected by their alarms all the more potently because his understanding of them was vague. He groped his way in fog. How much ought he to be influenced by Mrs. Lannithorne's passionate protests and his father's stern warnings? He realized all at once that the admonitory attitude of age to youth is rooted deep in immortal necessity. Like most lads, he had never thought of it before save as an unpleasant parental habit. But fear changes the point of view, and Oliver had begun to be afraid.

Then again, before him loomed the prospect of his interview with Peter Lannithorne. This was a very concrete unpleasantness. Hang it all! Ruth was worth any amount of trouble, but still it was a tough thing to have to go down to the state capital and seek one's future father-in-law in his present boarding-place! One oughtn't to have to plough through that particular kind of difficulty on such an errand. Dimly he felt that the path to the Most Beautiful should be rose-lined and soft to the feet of the approaching bridegroom. But, apparently, that wasn't the way such paths were laid out. He resented this bitterly, but he set his jaws and proceeded to make his arrangements.

It was not difficult to compass the necessary interview. He knew a man who knew the warden intimately. It was quickly arranged that he was to see Peter Lannithorne in the prison library, quite by himself.

Oliver dragged himself to that conference by the sheer strength of his developing will. Every fibre of his being seemed to protest and hold back. Consequently he was not in the happiest imaginable temper for important conversation.

The prison library was a long, narrow room, with bookcases to the ceiling on one side and windows to the ceiling on the other. There were red geraniums on brackets up the sides of the windows, and a canary's cage on a hook gave the place a false air of domesticity, contradicted by the barred sash. Beneath, there was a window-seat, and here Oliver Pickersgill awaited Lannithorne's coming.

Ollie did not know what he expected the man to be like, but his irritated nerves were prepared to resent and dislike him, whatever he might prove. He held himself rigidly as he waited, and he could feel the muscles of his face setting themselves into hard lines.

When the door opened and some one approached him, he rose stiffly and held out his hand like an automaton.

'How do you do, Mr. Lannithorne? I am Oliver Pickersgill, and I have come—I have come—'

His voice trailed off into silence, for he had raised his eyes perfunctorily to Peter Lannithorne's face, and the things printed there made him forget himself and the speech he had prepared.

He saw a massive head topping an insignificant figure. A fair man was Peter Lannithorne, with heavy reddish hair, a bulging forehead, and deep-set gray eyes with a light behind them. His features were irregular and unnoticeable, but the sum-total of them gave the impression of force. It was a strong face, yet you could see that it had once been a weak one. It was a tremendously human face, a face like a battle-ground, scarred and seamed and lined with the stress of invisible conflicts. There was so much of struggle and thought set forth in it that one involuntarily averted one's gaze. It did not seem decent to inspect so much of the soul of a man as was shown in Peter Lannithorne's countenance. Not a triumphant face at all, and yet there was peace in it. Somehow, the man had achieved something, arrived somewhere, and the record of the journey was piteous and terrible. Yet it drew the eyes in awe as much as in wonder, and in pity not at all!

These things were startlingly clear to Oliver. He saw them with a vividness not to be overestimated. This was a prison. This might be a convict, but he was a man. He was a man who knew things and would share his knowledge. His wisdom was as patent as his suffering, and both stirred young Oliver's heart to its depths. His pride, his irritation, his rigidity vanished in a flash. His fears were in abeyance. Only his wonder and his will to learn were left.

Lannithorne did not take the offered hand, yet did not seem to ignore it. He came forward quietly and sat down on the window-seat, half turning so that he and Oliver faced each other.

'Oliver Pickersgill?' he said. 'Then you are Oliver Pickersgill's son.'

'Yes, Mr. Lannithorne. My father sent me here—my father, and Mrs. Lannithorne, and Ruth.'

At his daughter's name a light leaped into Peter Lannithorne's eyes that made him look even more acutely and painfully alive than before.

'And what have you to do with Ruth, or her mother?' the man asked.

Here it was! The great moment was facing him. Oliver caught his breath, then went straight to the point.

'I want to marry your daughter, Mr. Lannithorne. We love each other very much. But—I haven't quite persuaded her, and I haven't persuaded Mrs. Lannithorne and my father at all. They don't see it. They say things—all sorts of dreadful things,' said the boy. 'You would think they had never been young and—cared for anybody. They seem to have forgotten what it means. They try to make us afraid—just plain afraid. How am I to suppose that they know best about Ruth and me?'

Lannithorne looked across at the young man long and fixedly. Then a great kindliness came into his beaten face, and a great comprehension.

Oliver, meeting his eyes, had a sudden sense of shelter, and felt his haunting fears allayed. It was absurd and incredible, but this man made him feel comfortable, yes, and eager to talk things over.

'They all said you would know. They sent me to you.'

Peter Lannithorne smiled faintly to himself. He had not left his sense of humor behind him in the outside world.

'They sent you to me, did they, boy? And what did they tell you to ask me? They had different motives, I take it.'

'Rather! Ruth said you were the best man she had ever known, and if you said it was right for her to marry me, she would. Mrs. Lannithorne said I should ask you if you thought Ruth had a fighting chance for happiness with me. She doesn't want Ruth to marry anybody, you see. My father—my father'—Oliver's voice shook with his consciousness of the cruelty of what was to follow, but he forced himself to steadiness and got the words out—'said I was to ask you what a man wants in the family of the woman he marries. He said you knew what was what, and I should ask you what to do.'

Lannithorne's face was very grave, and his troubled gaze sought the floor. Oliver, convicted of brutality and conscience-smitten, hurried on, 'And now that I've seen you, I want to ask you a few things for myself, Mr. Lannithorne. I—I believe you know.'

The man looked up and held up an arresting hand. 'Let me clear the way for you a little,' he said. 'It was a hard thing for you to come and seek me out in this place. I like your coming. Most young men would have refused, or come in a different spirit. I want you to understand that if in Ruth's eyes, and my wife's, and your father's, my counsel has value, it is because they think I see things as they are. And that means, first of all, that I know myself for a man who committed a crime, and is paying the penalty. I am satisfied to be paying it. As I see justice, it is just. So, if I seem to wince at your necessary allusions to it, that is part of the price. I don't want you to feel that you are blundering or hurting me more than is necessary. You have got to lay the thing before me as it is.'

Something in the words, in the dry, patient manner, in the endurance of the man's face, touched Oliver to the quick and made him feel all manner of new things: such as a sense of the moral poise of the universe, acquiescence in its retributions, and a curious pride, akin to Ruth's own, in a man who could meet him after this fashion, in this place.

'Thank you, Mr. Lannithorne,' he said. 'You see, it's this way, sir. Mrs. Lannithorne says—

And he went on eagerly to set forth his new problems as they had been stated to him.

'Well, there you have it,' he concluded at last. 'For myself, the things they said opened chasms and abysses. Mrs. Lannithorne seemed to think I would hurt Ruth. My father seemed to think Ruth would hurt me. Is married life something to be afraid of? When I look at Ruth, I am sure everything is all right. It may be miserable for other people, but how could it be miserable for Ruth and me?'

Peter Lannithorne looked at the young man long and thoughtfully again before he answered. Oliver felt himself measured and estimated, but not found wanting. When the man spoke, it was slowly and with difficulty, as if the habit of intimate, convincing speech had been so long disused that the effort was painful. The sentences seemed wrung out of him, one by one.

'They haven't the point of view,' he said. 'It is life that is the great adventure. Not love, not marriage, not business. They are just chapters in the book. The main thing is to take the road fearlessly,—to have courage to live one's life.'

'Courage?'

Lannithorne nodded.

'That is the great word. Don't you see what ails your father's point of view, and my wife's? One wants absolute security in one way for Ruth; the other wants absolute security in another way for you. And security—why, it's just the one thing a human being can't have, the thing that's the damnation of him if he gets it! The reason it is so hard for a rich man to enter the kingdom of Heaven is that he has that false sense of security. To demand it just disintegrates a man. I don't know why. It does.'

Oliver shook his head uncertainly.

'I don't quite follow you, sir. Oughtn't one to try to be safe?'

'One ought to try, yes. That is common prudence. But the point is that, whatever you do or get, you aren't after all secure. There is no such condition, and the harder you demand it, the more risk you run. So it is up to a man to take all reasonable precautions about his money, or his happiness, or his life, and trust the rest. What every man in the world is looking for is the sense of having the mastery over life. But I tell you, boy, there is only one thing that really gives it!'

'And that is—?'

Lannithorne hesitated perceptibly. For the thing he was about to tell this undisciplined lad was his most precious possession; it was the piece of wisdom for which he had paid with the years of his life. No man parts lightly with such knowledge.

'It comes,' he said, with an effort, 'with the knowledge of our power to endure. That's it. You are safe only when you can stand everything that can happen to you. Then and then only! Endurance is the measure of a man.'

Oliver's heart swelled within him as he listened, and his face shone, for these words found his young soul where it lived. The chasms and abysses in his path suddenly vanished, and the road lay clear again, winding uphill, winding down, but always lit for Ruth and him by the light in each other's eyes. For surely neither Ruth nor he could ever fail in courage!

'Sometimes I think it is harder to endure what we deserve, like me,' said Lannithorne, 'than what we don't. I was afraid, you see, afraid for my wife and all of them. Anyhow, take my word for it. Courage is security. There is no other kind.'

'Then—Ruth and I—'

'Ruth is the core of my heart!' said Lannithorne thickly. 'I would rather die than have her suffer more than she must. But she must take her chances like the rest. It is the law of things. If you know yourself fit for her, and feel reasonably sure you can take care of her, you have a right to trust the future. Myself, I believe there is Some One to trust it to. As for the next generation, God and the mothers look after that! You may tell your father so from me. And you may tell my wife I think there is the stuff of a man in you. And Ruth—tell Ruth—'

He could not finish. Oliver reached out and found his hand and wrung it hard.

'I'll tell her, sir, that I feel about her father as she does! And that he approves of our venture. And I'll tell myself, always, what you've just told me. Why, it must be true! You needn't be afraid I'll forget—when the time comes for remembering.'

Finding his way out of the prison yard a few minutes later, Oliver looked, unseeing, at the high walls that soared against the blue spring sky. He could not realize them, there was such a sense of light, air, space, in his spirit.

Apparently, he was just where he had been an hour before, with all his battles still to fight, but really he knew they were already won, for his weapon had been forged and put in his hand. He left his boyhood behind him as he passed that stern threshold, for the last hour had made a man of him, and a prisoner had given him the master-key that opens every door.

BUTTERCUP-NIGHT
BY JOHN GALSWORTHY

WHY is it that in some places there is such a feeling of life being all one; not merely a long picture-show for human eyes, but a single breathing, glowing, growing thing, of which we are no more important a part than the swallows and magpies, the foals and sheep in the meadows, the sycamores and ash trees and flowers in the fields, the rocks and little bright streams, or even the long fleecy clouds and their soft-shouting drivers, the winds?

True, we register these parts of being, and they—so far as we know—do not register us; yet it is impossible to feel, in such places as I speak of, the busy, dry, complacent sense of being all that matters, which in general we humans have so strongly.

In these rare spots, that are always in the remote country, untouched by the advantages of civilization, one is conscious of an enwrapping web or mist of spirit, the glamorous and wistful wraith of all the vanished shapes which once dwelt there in such close comradeship.

It was Sunday of an early June when I first came on one such, far down in the West country. I had walked with my knapsack twenty miles; and, there being no room at the tiny inn of the very little village, they directed me to a wicket gate, through which by a path leading down a field I would come to a farmhouse where I might find lodging. The moment I got into that field I felt within me a peculiar contentment, and sat down on a rock to let the feeling grow. In an old holly tree rooted to the bank about fifty yards away, two magpies evidently had a nest, for they were coming and going, avoiding my view as much as possible, yet with a certain stealthy confidence which made one feel that they had long prescriptive right to that dwelling-place.

Around, as far as one could see, there was hardly a yard of level ground; all was hill and hollow, that long ago had been reclaimed from the moor; and against the distant folds of the hills the farmhouse and its thatched barns were just visible, embowered amongst beeches and some dark trees, with a soft bright crown of sunlight over the whole. A gentle wind brought a faint rustling up from those beeches, and from a large lime tree that stood by itself; on this wind some little snowy clouds, very high and fugitive in that blue heaven, were always moving over. But what struck me most were the buttercups. Never was field so lighted up by those tiny lamps, those little bright pieces of flower china out of the Great Pottery. They covered the whole ground, as if the sunlight had fallen bodily from the sky, in tens of millions of gold patines; and the fields below as well, down to what was evidently a stream, were just as thick with the extraordinary warmth and glory of them.

Leaving the rock at last, I went toward the house. It was long and low and rather sad, standing in a garden all mossy grass and buttercups, with a few rhododendrons and flowery shrubs, below a row of fine old Irish yews. On the stone verandah a gray sheep-dog and a very small golden-haired child were sitting close together, absorbed in each other. A pleasant woman came in answer to my knock, and told me, in a soft, slurring voice, that I might stay the night; and dropping my knapsack, I went out again.

Through an old gate under a stone arch I came on the farmyard, quite deserted save for a couple of ducks moving slowly down a gutter in the sunlight; and noticing the upper half of a stable-door open, I went across, in search of something living. There, in a rough loose-box, on thick straw, lay a long-tailed black mare with the skin and head of a thoroughbred. She was swathed in blankets, and her face, all cut about the cheeks and over the eyes, rested on an ordinary human's pillow, held by a bearded man in shirt-sleeves; while, leaning against the whitewashed walls, sat fully a dozen other men, perfectly silent, very gravely and intently gazing. The mare's eyes were half closed, and what could be seen of them dull and blueish, as though she had been through a long time of pain. Save for her rapid breathing, she lay quite still, but her neck and ears were streaked with sweat, and every now and then her hind-legs quivered spasmodically. Seeing me at the door, she raised her head, uttering a queer half-human noise, but the bearded man at once put his hand on her forehead, and with a 'Woa, my dear—woa, my pretty!' pressed it down again, while with the other hand he plumped up the pillow for her cheek. And, as the mare obediently let fall her head, one of the men said in a low voice, 'I never see anything so like a Christian!' and the others echoed, in chorus, 'Like a Christian—like a Christian!'

It went to one's heart to watch her, and I moved off down the farm lane into an old orchard, where the apple trees were still in bloom, with bees—very small ones—busy on the blossoms, whose petals were dropping on the dock leaves and buttercups in the long grass. Climbing over the bank at the far end, I found myself in a meadow the like of which—so wild and yet so lush—I think I have never seen. Along one hedge of its meandering length was a mass of pink mayflower; and between two little running streams grew quantities of yellow water-iris—'daggers,' as they call them; the 'print-frock' orchid, too, was everywhere in the grass, and always the buttercups. Great stones coated with yellowish moss were strewn among the ash trees and dark hollies; and through a grove of beeches on the far side, such as Corot might have painted, a girl was running, with a youth after her, who jumped down over the bank and vanished. Thrushes, blackbirds, yaffles, cuckoos, and one other very monotonous little bird were in full song; and this, with the sound of the streams and the wind, and the shapes of the rocks and trees, the colors of the flowers, and the warmth of the sun, gave one a feeling of being lost in a very wilderness of nature. Some ponies came slowly from the far end,—tangled, gypsy-headed little creatures,—stared, and went off again at speed. It was just one of those places where any day the Spirit of all Nature might start up in one of those white gaps that separate the trees and rocks. But though I sat a long time waiting—hoping—She did not come.

They were all gone from the stable when I went back up to the farm, except the bearded nurse and one tall fellow, who might have been the 'Dying Gaul' as he crouched there in the straw; and the mare was sleeping—her head between her nurse's knees.

That night I woke at two o'clock to find it almost as bright as day, with moonlight coming in through the flimsy curtains. And, smitten with the feeling that comes to us creatures of routine so rarely,—of what beauty and strangeness we let slip by without ever stretching out hand to grasp it,—I got up, dressed, stole downstairs, and out.

Never was such a night of frozen beauty, never such dream-tranquillity. The wind had dropped, and the silence was such that one hardly liked to tread even on the grass. From the lawn and fields there seemed to be a mist rising—in truth, the moonlight caught on the dewy buttercups; and across this ghostly radiance the shadows of the yew trees fell in dense black bars.

Suddenly I bethought me of the mare. How was she faring, this marvelous night? Very softly opening the door into the yard, I tiptoed across. A light was burning in her box. And I could hear her making the same half-human noise she had made in the afternoon, as if wondering at her feelings; and instantly the voice of the bearded man talking to her as one might talk to a child: 'Oover, my darlin'; yu've a-been long enough o' that side. Wa-ay, my swate—yu let old Jack turn yu, then!' Then came a scuffling in the straw, a thud, that half-human sigh, and his voice again: 'Putt your 'ead to piller, that's my dandy gel. Old Jack wouldn' 'urt yu; no more'n if yu was the Queen!' Then only her quick breathing could be heard, and his cough and mutter, as he settled down once more to his long vigil.

I crept very softly up to the window, but she heard me at once; and at the movement of her head the old fellow sat up, blinking his eyes out of the bush of his grizzled hair and beard. Opening the door, I said,—

'May I come in?'

'Oo ay! Come in, zurr, if yu'm a mind tu.'

I sat down beside him on a sack. And for some time we did not speak, taking each other in. One of his legs was lame, so that he had to keep it stretched out all the time; and awfully tired he looked, gray-tired.

'You're a great nurse!' I said at last. 'It must be tiring work, watching out here all night.'

His eyes twinkled; they were of that bright gray kind through which the soul looks out.

'Aw, no!' he said. 'Ah, don't grudge it vur a dumb animal. Poor things they can't 'elp theirzelves. Many's the naight ah've zat up with 'orses and beasts tu. 'T es en me—can't bear to zee dumb creatures zuffer.' And laying his hand on the mare's ears, 'They zay 'orses 'aven't no souls. 'T es my belief they've souls zame as us. Many's the Christian ah've seen ain't got the soul of an 'orse. Same with the beasts—an' the ship; 't es only they'm can't spake their minds.'

'And where,' I said, 'do you think they go to when they die?'

He looked at me a little queerly, fancying perhaps that I was leading him into some trap; making sure, too, that I was a real stranger, without power over his body or soul—for humble folk must be careful in the country; then, reassured, and nodding in his beard, he answered knowingly,—

'Ah don't think they goes so very far!'

'Why? Do you ever see their spirits?'

'Naw, naw; I never zeen none; but, for all they zay, ah don't think none of us goes such a brave way off. There's room for all, dead or alive. An' there's Christians ah've zeen—well, ef they'm not dead for gude, then neither aren't dumb animals, for sure.'

'And rabbits, squirrels, birds, even insects? How about them?'

He was silent, as if I had carried him a little beyond the confines of his philosophy; then shook his head.

'’T es all a bit dimsy. But you watch dumb animals, even the laste littlest one, an' yu'll zee they knows a lot more'n what we du; an' they du's things tu that putts shame on a man 's often as not. They've a got that in them as passes show.' Not noticing my stare at that unconscious plagiarism, he went on,' Ah'd zooner zet up of a naight with an 'orse than with an 'uman—they've more zense, and patience.' And stroking the mare's forehead, he added, 'Now, my dear, time for yu t' 'ave yure bottle.'

I waited to see her take her draft, and lay her head down once more on the pillow. Then, hoping he would get a sleep, I rose to go.

'Aw, 't es nothin' much,' he said, 'this time o' year; not like in winter. 'T will come day before yu know, these buttercup-nights.'

And twinkling up at me out of his kindly bearded face, he settled himself again into the straw.

I stole a look back at his rough figure propped against the sack, with the mare's head down beside his knee, at her swathed black body, and the gold of the straw, the white walls, and dusky nooks and shadows of that old stable illumined by the dimsy light of the old lantern. And with the sense of having seen something holy, I crept away up into the field where I had lingered the day before, and sat down on the same halfway rock.

Close on dawn it was, the moon still sailing wide over the moor, and the flowers of this 'buttercup-night' fast closed, not taken in at all by her cold glory! Most silent hour of all the twenty-four—when the soul slips half out of sheath, and hovers in the cool; when the spirit is most in tune with what, soon or late, happens to all spirits; hour when a man cares least whether or no he be alive, as we understand the word.

'None of us goes such a brave way off—there's room for all, dead or alive.' Though it was almost unbearably colorless, and quiet, there was warmth in thinking of those words of his; in the thought, too, of the millions of living things snugly asleep all round; warmth in realizing that unanimity of sleep. Insects and flowers, birds, men, beasts, the very leaves on the trees—away in slumberland.

Waiting for the first bird to chirrup, one had perhaps even a stronger feeling than in daytime of the unity and communion of all life, of the subtle brotherhood of living things that fall all together into oblivion, and, all together, wake. When dawn comes, while moonlight is still powdering the world's face, quite a long time passes before one realizes how the quality of the light has changed; so it was day before I knew it. Then the sun came up above the hills; dew began to sparkle, and color to stain the sky. That first praise of the sun from every bird and leaf and blade of grass, the tremulous flush and chime of dawn! One has strayed so far from the heart of things, that it comes as something strange and wonderful! Indeed, I noticed that the beasts and birds gazed at me as if I simply could not be there, at this hour that so belonged to them. And to me, too, they seemed strange and new—with that in them 'that passed show,' and as of a world where man did not exist, or existed only as just another form of life, another sort of beast. It was one of those revealing moments when we see our proper place in the scheme; go past our truly irreligious thought: 'Man, hub of the Universe!' which has founded most religions. One of those moments when our supreme importance will not wash either in the bath of purest spiritual ecstasy, or in the clear fluid of scientific knowledge; and one sees clear, with the eyes of true religion, man playing his little, not unworthy, part in the great game of Perfection.

But just then began the crowning glory of that dawn—the opening and lighting of the buttercups. Not one did I actually see unclose, yet, all of a sudden, they were awake, the fields once more a blaze of gold.

HEPATICAS
BY ANNE DOUGLAS SEDGWICK