LEON DE ARROYAL.
To give an account of all the other poets, who at the latter end of the eighteenth century contributed to restore the credit of Spanish poetry, is a task which must be consigned to other historians of literature, who may possess favourable opportunities for rendering themselves intimately acquainted with the more recent productions of Spanish genius. A considerable number of bibliographic notices which would contribute to the accomplishment of this object are extant.[619]
In taking a survey, however, of the latest period of the history of Spanish poetry, the odes of Leon de Arroyal must not be overlooked.[620] Though these odes are inferior to the older Spanish productions of the same sort, yet some of them are distinguished, not indeed for bold, but for airy flights of fancy;[621] and for harmonious versification.[622] At the time of their appearance there were likewise published anonymously some anacreontic songs by a lady, who imitated Villegas with grace as well as with decorum.[623]