CHAPTER IV. RISE OF THE BURGHER CLASS: SOCIETY IN THE ERA OF THE CRUSADES.

RISE OF THE CITIES.—Under feudalism, only two classes present themselves to view,—the nobility and the clergy on the one hand, and the serfs on the other. This was the character of society in the ninth century. In the tenth century we see the beginnings of an intermediate class, the germ of "the third estate." This change appears in the cities, where the burghers begin to increase in intelligence, and to manifest a spirit of independence. From this time, for several centuries, their power and privileges continued to grow.

GROWTH OF THE CITIES.—The same need of defense that led to the building of towers and castles in the country drove men within the walls of towns. Industry and trade developed intelligence, and produced wealth. But burghers under the feudal rule were obliged to pay heavy tolls and taxes. For example, for protection on a journey through any patch of territory, they were required to make a payment. Besides the regular exactions, they were exposed to most vexatious depredations of a lawless kind. As they advanced in thrift and wealth, communities that were made up largely of artisans and tradesmen armed themselves for their own defense. From self-defense they proceeded farther, and extorted exemptions and privileges from the suzerain, the effect of which was to give them a high though limited degree of self-government.

ORIGIN OF MUNICIPAL FREEDOM.—It has been supposed that municipal government in the Middle Ages was a revival of old Roman rights and customs, and thus an heirloom from antiquity. The cities—those on the Rhine and in Gaul, for example—were of Roman origin. But the view of scholars at present is, that municipal liberty, such as existed in the Middle Ages, was a native product of the Germanic peoples. The cities were incorporated into the feudal system. They were subject to a lay lord or to a bishop. In Italy, however, they struggled after a more complete republican system.

CITIES AND SUZERAINS.—In the conflicts which were waged by the cities, they were sometimes helped by the suzerain against the king, and sometimes by the king against the nearer suzerain. In England the cities were apt to ally themselves with the nobility against the king: in Germany and France the reverse was the fact. But in Germany the cities which came into an immediate relation to the sovereign were less closely dependent on him than were the cities in France on the French king.

TWO CLASSES OF CITIES.—Not only did the cities wrest from the lords a large measure of freedom: it was often freely conceded to them. Nobles, in order to bring together artisans, and to build up a community in their own neighborhood, granted extraordinary privileges. Charters were given to cities by the king. Communities thus formed differed from the other class of cities in not having the same privilege of administering justice within their limits.

GERMAN CITIES.—The cities in Germany increased in number on the fall of the Hohenstaufen family. They made the inclosure of their walls a place of refuge, as the nobles did the vicinity of their castles. They eventually gained admittance to the Diets of the empire. They formed leagues among themselves, which, however, did not become political bodies, any more than the Italian leagues.

THE ROMAN LAW.—The revised study of the Roman law brought in a code at variance with feudal principles. The middle class, that was growing up in the great commercial cities, availed themselves, as far as they could, of its principles in regard to the inheritance of property. The legists helped in a thousand ways to emancipate them from the yoke of feudal traditions.

MUNICIPAL GOVERNMENT.—The cities themselves often had vassals, and became suzerains. Government rested in the hands of the magistrates. They were chosen by the general assembly of the inhabitants, who were called together by the tolling of the bell. The magistrates governed without much restraint until another election, unless there were popular outbreaks, "which were at this time," as Guizot remarks, "the great guarantee for good government." Where the courage and spirit of burghers were displayed was in the maintenance of their own privileges, or purely in self-defense. In all other relations they showed the utmost humility; and in the twelfth century, when their emancipation is commonly dated, they did not pretend to interfere in the government of the country.

TRAVELERS AND TRADE.—The East, especially India, was conceived of as a region of boundless riches; but commerce with the East was hindered by a thousand difficulties and dangers. Curiosity led travelers to penetrate into the countries of Asia. Among them the Polo family of Venice, of whom Marco was the most famous, were specially distinguished. Marco Polo lived in China, with his father and his uncle, twenty-six years. After his return, and during his captivity at Genoa, he wrote the celebrated accounts of his travels. He died about 1324. Sir John Mandeville also wrote of his travels, but most of his descriptions were taken from the work of Friar Odoric, of Pordenone, who had visited the Far East. Merchants did not venture so far as did bold explorers of a scientific turn. Commerce in the Middle Ages was mainly in two districts,—the borders of the North Sea and of the Baltic, and the countries upon the Mediterranean. Trade in the cities on the African coast, in the tenth and eleventh centuries, was flourishing; and the Arabs of Spain were industrious and rich. Arles, Marseilles, Nice, Genoa, Florence, Amalfi, Venice, vied with one another in traffic with the East. Intermediate between Venice and Genoa, and the north of Europe, were flourishing marts, among which Strasburg and other cities on the Rhine—Augsburg, Ulm, Ratisbon, Vienna, and Nuremberg—were among the most prominent. Through these cities flowed the currents of trade from the North to the South, and from the South to the North.

THE HANSEATIC LEAGUE.—To protect themselves against the feudal lords and against pirates, the cities of Northern Germany formed (about 1241) the Hanseatic League, which, at the height of its power, included eighty-five cities, besides many other cities more or less closely affiliated with it. This league was dominant, as regards trade and commerce, in the north of Europe, and united under it the cities on the Baltic and the Rhine, as well as the large cities of Flanders. Its merchants had control of the fisheries, the mines, the agriculture, and manufactures of Germany. Lübeck, Cologne, Brunswick, and Dantzic were its principal places. Lübeck was its chief center. In all the principal towns on the highways of commerce, the flag of the Hansa floated over its counting-houses. Wherever the influence of the league reached, its regulations were in force. It almost succeeded in monopolizing the trade of Europe north of Italy.

FLANDERS: ENGLAND: FRANCE.—The numerous cities of Flanders—of which Ghent, Ypres, and Bruges were best known—became hives of industry and of thrift. Ghent, at the end of the thirteenth century, surpassed Paris in riches and power. In the latter part of the fourteenth century, the number of its fighting men was estimated at eighty thousand. The development of Holland was more slow. Amsterdam was constituted a town in the middle of the thirteenth century. England began to exchange products with Spain. It sent its sheep, and brought back the horses of the Arabians. The cities of France—Rouen, Orleans, Rheims, Lyons, Marseilles, etc.—were alive with manufactures and trade. In the twelfth century the yearly fairs at Troyes, St. Denis, and Beaucaire were famous all over Europe.

NEW INDUSTRIES.—It has been already stated that the crusaders brought back to Europe the knowledge as well as the products of various branches of industry. Such were the cloths of Damascus, the glass of Tyre, the use of windmills, of linen, and of silk, the plum-trees of Damascus, the sugar-cane, the mulberry-tree. Cotton stuffs came into use at this time. Paper made from cotton was used by the Saracens in Spain in the eighth century. Paper was made from linen at a somewhat later date. In France and Germany it was first manufactured early in the fourteenth century.

THE JEWS.—The Jews in the Middle Ages were often treated with extreme harshness. An outburst of the crusading spirit was frequently attended with cruel assaults upon them. As Christians would not take interest, money-lending was a business mainly left to the Hebrews. By them, bills of exchange were first employed.

OBSTACLES TO TRADE.—The great obstacle to commerce was the insecurity of travel. Whenever a shipwreck took place, whatever was cast upon the shore was seized by the neighboring lord. A noble at Leon, in Brittany, pointing out a rock on which many vessels had been wrecked, said, "I have a rock there more precious than the diamonds on the crown of a king." It was long before property on the sea was respected, even in the same degree as property on the land. Not even at the present day has this point been reached. The infinite diversity of coins was another embarrassment to trade. In every fief, one had to exchange his money, always at a loss. Louis IX. ordained that the money of eighty lords, who had the right to coin, should be current only in their own territories, while the coinage of the king should be received everywhere.

GUILDS.—A very important feature of mediæval society was the guilds. Societies more or less resembling these existed among the Romans, and were called collegia,—some being for good fellowship or for religious rites, and others being trade-corporations. There were, also, similar fraternities among the Greeks in the second and third centuries B.C. In the Middle Ages, there were two general classes of guilds: First, there were the peace-guilds, for mutual protection against thieves, etc., and for mutual aid in sickness, old age, or impoverishment from other causes. They were numerous in England, and spread over the Continent. Secondly, there were the trade-guilds, which embraced the guilds-merchant, and the craft-guilds. The latter were associations of workmen, for maintaining the customs of their craft, each with a master, or alderman, and other officers. They had their provisions for mutual help for themselves and for their widows and orphans, and they had their religious observances. Each had its patron saint, its festivals, its treasury. They kept in their hands the monopoly of the branch of industry which belonged to them. They had their rules in respect to apprenticeship, etc. Almost all professions and occupations were fenced in by guilds.

MONASTICISM.—Society in the Middle Ages presented striking and picturesque contrasts. This was nowhere more apparent than in the sphere of religion. Along with the passion for war and the consequent reign of violence, there was a parallel self-consecration to a life of peace and devotion. With the strongest relish for pageantry and for a brilliant ceremonial in social life and in worship, there was associated a yearning for an ascetic course under the monastic vows. As existing orders grew rich, and gave up the rigid discipline of earlier days, new orders were formed by men of deeper religious earnestness. In the eleventh century, there arose, among other orders, the Carthusian and Cistercian; in the twelfth century, the Premonstrants and the Carmelites, and the order of Trinitarians for the liberation of Christian captives taken by the Moslems. The older orders, especially that of the Benedictines in its different branches, became very wealthy and powerful. The Cistercian Order, under its second founder, St. Bernard (who died in 1153), spread with wonderful rapidity.

THE MENDICANT ORDERS.—In the thirteenth century, when the papal authority was at its height, the mendicant orders arose. The order of St. Francis was fully established in 1223, and the order of St. Dominic in 1216. They combined with monastic vows the utmost activity in preaching and in other clerical work. These orders attracted young men of talents and of a devout spirit in large numbers. The mendicant friars were frequently in conflict with the secular clergy,—the ordinary priesthood,—and with the other orders. But they gained a vast influence, and were devotedly loyal to the popes. It must not be supposed that the monastic orders generally were made up of the weak or the disappointed who sought in cloisters a quiet asylum. Disgust with the world, from whatever cause, led many to become members of them; but they were largely composed of vigorous minds, which, of their own free choice, took on them the monastic vows.

THE RISE OF THE UNIVERSITIES.—The Crusades were accompanied by a signal revival of intellectual activity. One of the most important events of the thirteenth century was the rise of the universities. The schools connected with the abbeys and the cathedrals in France began to improve in the eleventh century, partly from an impulse caught by individuals from the Arabic schools in Spain. After the scholastic theology was introduced, teachers in this branch began to give instruction near those schools in Paris. Numerous pupils gathered around noted lecturers. An organization followed which was called a university,—a sort of guild,—made up of four faculties,—theology, canon law, medicine, and the arts. The arts included the three studies (trivium) of grammar, rhetoric, and philosophy, with four additional branches (the quadrivium),—arithmetic, geometry, music, astronomy. Paris became the mother of many other universities. Next to Paris, Oxford was famous as a seat of education. Of all the universities, Bologna in Italy was most renowned as a school for the study of the civil law.

SCHOLASTIC THEOLOGY.—The scholastic theology dates from the middle of the eleventh century. It was the work of numerous teachers, many of them of unsurpassed acuteness, who, at a time when learning and scholarship were at a low ebb, made it their aim to systemize, elucidate, and prove on philosophical grounds, the doctrines of the Church. Aristotle was the author whose philosophical writings were most authoritative with the schoolmen. In theology, Augustine was the most revered master.

The main question in philosophy which the schoolmen debated was that of Nominalism and Realism. The question was, whether a general term, as man, stands for a real being designated by it (as man, in the example given, for humanity), or is simply the name of divers distinct individuals.

THE LEADING SCHOOLMEN.—In the eleventh century Anselm of Canterbury was a noble example of the scholastic spirit. In the thirteenth century Abelard was a bold and brilliant teacher, but with less depth and discretion. He, like other eminent schoolmen, attracted multitudes of pupils. The thirteenth century was the golden age of scholasticism. Then flourished Albert the Great, Thomas Aquinas, St. Bonaventura, and others very influential in their day. There were two schools of opinion,—that of the Thomists, the adherents of Aquinas, the great theologian of the Dominican order; and that of the Scotists, the adherents of Duns Scotus, a great light of the Franciscans. They differed on various theological points not involved in the common faith.

The discussions of the schoolmen were often carried into distinctions bewildering from their subtlety. There were individuals who were more disposed to the inductive method of investigation, and who gave attention to natural as well as metaphysical science. Perhaps the most eminent of these is Roger Bacon. He was an Englishman, was born in 1219, and died about 1294. He was imprisoned for a time on account of the jealousy with which studies in natural science and new discoveries in that branch were regarded by reason of their imagined conflict with religion. Astrology was cultivated by the Moors in Spain in connection with astronomy. It spread among the Christian nations. Alchemy, the search for the transmutation of metals, had its curious votaries. But such pursuits were popularly identified with diabolic agency.

THE VERNACULAR LITERATURES: THE TROUBADOURS.—Intellectual activity was for a long time exclusively confined to theology. The earliest literature of a secular cast in France belongs to the tenth and eleventh centuries, and to the dialect of Provence. The study of this language, and the poetry composed in it, became the recreation of knights and noble ladies. Thousands of poets, who were called Troubadours (from trobar, to find or invent), appeared almost simultaneously, and became well known in Spain and in Italy as well as in France. At the same time the period of chivalry began. The theme of their tender and passionate poems was love. They indulged in a license which was not offensive, owing to the laxity of manners and morals in Southern France at that day, but would be intolerable in a different state of society. Kings, as well as barons and knights, adopted the Provençal language, and figured as troubadours. In connection with jousts and tournaments, there would be a contest for poetical honors. The "Court of Love," made up of gentle ladies, with the lady of the castle at their head, gave the verdict. Besides the songs of love, another class of Provençal poems treated of war or politics, or were of a satirical cast. From the Moors of Spain, rhyme, which belonged to Arabian poetry, was introduced, and spread thence over Europe. After the thirteenth century the troubadours were heard of no more, and the Provençal tongue became a mere dialect.

THE NORMAN WRITERS.—The first writers and poets in the French language proper appeared in Normandy. They called themselves Trouvères. They were the troubadours of the North. They composed romances of chivalry, and Fabliaux, or amusing tales. They sang in a more warlike and virile strain than the poets of the South. Their first romances were written late in the twelfth century. About that time Villehardouin wrote in French a history of the conquest of Constantinople. From the poem entitled "Alexander," the name of Alexandrine verse came to be applied to the measure in which it was written. A favorite theme of the romances of chivalry was the mythical exploits of Arthur, the last Celtic king of Britain, and of the knights of the Round Table. Another class of romances of chivalry related to the court of Charlemagne. The Fabliaux in the twelfth and thirteenth centuries were largely composed of tales of ludicrous adventures.

GERMAN, ENGLISH, AND SPANISH WRITERS.—In Germany, in the age of the Hohenstaufens, the poets called Minnesingers abounded. They were conspicuous at the splendid tournaments and festivals. In the thirteenth century numerous lays of love, satirical fables, and metrical romances were composed or translated. Of the Round Table legends, that of the San Graal (the holy vessel) was the most popular. It treated of the search for the precious blood of Christ, which was said to have been brought in a cup or charger into Northern Europe by Joseph of Arimathea. During this period the old ballads were thrown into an epic form; among them, the Nibelungenlied, the Iliad of Germany. The religious faith and loyalty of the Spanish character, the fruit of their long contest with the Moors, are reflected in the poem of the Cid, which was composed about the year 1200. It is one of the oldest epics in the Romance languages. In England during this period, we have the chronicles kept in the monasteries. Among their authors are William of Malmesbury, Geoffrey of Monmouth, and Matthew Paris, a Benedictine monk of St. Albans.

DANTE.—Dante, the chief poet of Italy, and the father of its vernacular literature, was born in Florence in 1265. The Divine Comedy is universally regarded as one of the greatest products of poetical genius.

The family of Alighieri, to which Dante belonged, was noble, but not of the highest rank. He was placed under the best masters, and became not only an accomplished student of Virgil and other Latin poets, but also an adept in theology and in various other branches of knowledge. His training was the best that the time afforded. His family belonged to the anti-imperial party of Guelfs. The spirit of faction raged at Florence. Dante was attached to the party of "Whites" (Bianchi), and, having held the high office of prior in Florence, was banished, with many others, when the "Blacks" (Neri) got the upper hand (1302). Until his death, nineteen years later, he wandered from place to place in Italy as an exile. Circumstances, especially the distracted condition of the country, led him to ally himself with the Ghibellines, and to favor the imperial cause. All that he saw and suffered until he breathed his last, away from his native city, at Ravenna, combined to stir within him the thoughts and passions which find expression in his verse.

No poet before Dante ever equaled him in depth of thought and feeling. His principal work is divided into three parts. It is an allegorical vision of hell, purgatory, and heaven. Through the first two of these regions, the poet is conducted by Virgil. In the third, Beatrice is his guide. When he was a boy of nine years of age, he had met, at a May-day festival, Beatrice, who was of the same age; and thenceforward he cherished towards her a pure and romantic affection. Before his twenty-fifth year she died; but, after her death, his thoughts dwelt upon her with a refined but not less passionate regard. She is his imaginary guide through the abodes of the blest. His Young Life (Vita Nuova) gives the history of his love. The "Divine Comedy"—so called because the author would modestly place it below the rank of tragedy,—besides the lofty genius which it exhibits, besides the matchless force and beauty of its diction, sums up, so to speak, what is best and most characteristic in the whole intellectual and religious life of the Middle Ages. Thomas Aquinas was Dante's authority in theology· The scholastic system taught by the Church is brought to view in his pictures of the supernatural world, and in the comments connected with them.

PAINTING.—After the Lombard conquest of Italy, art branched off into two schools. The one was the Byzantine, and the other the Late Roman. In the Byzantine paintings, the human figures are stiff, and conventional forms prevail. The Byzantine school conceived of Jesus as without beauty of person,—literally "without form or comeliness." The Romans had a directly opposite conception. Byzantine taste had a strong influence in Italy, especially at Venice. This is seen in the mosaics of St. Mark's Cathedral. The first painter to break loose from Byzantine influence, and to introduce a more free style which flourished under the patronage of the Church, was Cimabue (1240-1302), who is generally considered the founder of modern Italian painting. The first steps were now taken towards a direct observation and imitation of nature. The artist is no longer a slavish copyist of others. "Cimabue" says M. Taine, "already belongs to the new order of things; for he invents and expresses." But Cimabue was far outdone by Giotto (1276-1337), who cast off wholly the Byzantine fetters, studied nature earnestly, and abjured that which is false and artificial. Notwithstanding his technical defects, his force, and "his feeling for grace of action and harmony of color," were such as to make him, even more than Cimabue, "the founder of the true ideal style of Christian art, and the restorer of portraiture." "His, above all, was a varied, fertile, facile, and richly creative nature." The contemporary of Dante, his portrait of the poet has been discovered in recent times on a wall in the Podesta at Florence. "He stands at the head of the school of allegorical painting, as the latter of that of poetry." The most famous pupil of Giotto was Taddeo Gaddi (about 1300-1367).

SCULPTURE.—In the thirteenth century, the era of the revival of art in Italy, a new school of sculpture arose under the auspices especially of two artists, Niccolo of Pisa and his son Giovanni. They brought to their art the same spirit which belonged to Giotto in painting and to Dante in poetry. The same courage that moved the great poet to write in his own vernacular tongue, instead of in Latin, emboldened the artists to look away from the received standards, and to follow nature. In the same period a new and improved style of sculpture appears in other countries, especially in the Gothic cathedrals of Germany and France.

ARCHITECTURE.—The earliest Christian churches were copies of the Roman basilica,—a civil building oblong in shape, sometimes with and sometimes without rows of columns dividing the nave from the aisles: at one end, there was usually a semicircular apse. Most of the churches of the eleventh and twelfth centuries were built after this style. Then changes were introduced, which in some measure paved the way for the Gothic, the peculiar type of mediæval architecture. The essential characteristic of this style is the pointed arch. This may have been introduced by the returning crusaders from buildings which they had observed in the East. Its use and development in the churches and other edifices of Europe in the twelfth and thirteenth centuries were without previous example. The Gothic style was carried to its perfection in France, and spread over England and Germany. The cathedrals erected in this form are still the noblest and most attractive buildings to be seen in the old European towns.

The cathedral in Rheimes was commenced in 1211: the choir was dedicated in 1241, and the edifice was completed in 1430. The cathedral of Amiens was begun in 1220; that of Chartres was begun about 1020, and was dedicated in 1260; that of Salisbury was begun in 1220; that of Cologne, in 1248; the cathedral of Strasburg was only half finished in 1318, when the architect, Erwin of Steinbach, died; that of Notre Dame in Paris was begun in 1163; that of Toledo, in 1258. These noble buildings were built gradually: centuries passed before the completion of them. Several of them to this day remain unfinished.