The Fan.
Except in permanently cold countries, a Fan of some kind seems to be an absolute necessity. Sometimes, as in the greater part of Europe, it is used only by the softer sex. The harder sex would often be only too glad to use it if they dared, and the same observation is equally true with regard to the parasol.
But, in such lands as Japan and China, the Fan is an absolute necessity of existence. Men, women, and children alike carry their Fan, and almost perpetually use it. I remember, when the troupe of Japanese acrobats were in England, that one of them exhibited the national use of the Fan in an excessively ludicrous manner.
One of his comrades ascended to the roof of a lofty building, hung by his legs to one of the rafters, and held in his hands a bamboo pole which was twenty feet long. Another Japanese also ascended, climbed over his comrade, and settled on the bamboo pole, to which he clung only by the clasp of his bare feet. Suddenly he slipped down the pole, stopped himself when within a few inches of the end, squatted there with perfect unconcern, though at least forty feet from the ground, took his fan from the back of his neck, and fanned himself while gravely surveying the startled audience.
Perhaps some of my readers may remember Chang, the Chinese giant, who, by the way, in private life was a polished gentleman. He was never without his fan, always keeping it fluttering gently with an ease only to be acquired by a lifelong practice, and I really think that if he had been deprived of it he would have been seriously ill. How he slept without it is a wonder, for in his own house the fan was incessantly in motion, and was worked with apparent unconsciousness on his part.
I have often wished that in our country the ladies would manage their fans in the same quiet way when they are in a church or a concert-room, for the perpetual rattle of the joints is enough to distract any preacher or conductor, and very often does so.
As to the shape of the Fan, it varies greatly according to the country, but it may almost invariably be traced to some familiar object.
There is, for example, the common Japanese Fan or Screen, which is avowedly made on the model of the Palm-leaf, the ribs of the leaf being represented by split portions of a bamboo stem. The right-hand figure in the preceding illustration is taken from one of the common sixpenny Japanese fans that may be seen in many shop-windows.
There are exactly sixty ribs in the fan, all produced by splitting the bamboo into strips, kept in their place by a slight rod of the same material, and covered with two pieces of thin printed paper. Seeing that the original cost cannot be more than a penny, it is wonderful how such articles can be produced, and give a living to the makers.
The reader will observe that the shape of the Japanese Fan is almost exactly that of the Palm-leaf, with the exception of the jagged edges, and a better pattern could not be found. Then there are many Indian Fans framed on the same model, but which revolve on their handles, and are swung slowly round and round by the servants before the guests, and thus become miniature punkahs.
Here, again, we may find a parallel in Nature. The common hive bee ventilates its dwelling by using its wings in lieu of fans. When the hive is really in want of fresh air, the bees set to work, and wave their wings backwards and forwards for a considerable time, so that they necessarily expel the foul air from the interior of the hive, and create a partial vacuum, which can only be filled by fresh air from without.
Fans of very similar shape are in use among the South Sea Islanders and the inhabitants of the Essequibo district. They are often used as bellows when a fire has to be raised, but their primary object is to be employed as fans.
Next we come to those fans which are made of flattened sticks, which move on a pivot. This is, indeed, the ordinary form of the fan at the present day, the sticks being sometimes wide enough to constitute the entire fan, but mostly being connected with a sort of lining made with silk, paper, or feathers. Such fans as these can be moved on their pivots, so as to occupy a comparatively small space; and the same can be said of the modern fender-guards, which can be folded up when the room is unoccupied, and which form an effectual protection against the danger of ladies’ dresses coming in contact with the fire.
Examples of such a screen, and two fans, are given on the right hand of the accompanying illustration.
On the left hand is shown one of the natural objects from which the fans, &c., might well have derived their origin. It is one of the antennæ—or horns, as they are popularly called—of the common Cockchafer. The end of this antenna is composed of a number of flat plates, which work on a pivot exactly like the sticks of a fan, and, like those sticks, can be folded into a wonderfully small compass, or opened out into a fan-like shape.