3. PRODUCTION OF "ESTHER."
In the year 1687, Mme. de Maintenon had founded at St. Cyr, in the vicinity of the royal residence of Versailles, an establishment for the education of two hundred and fifty girls, belonging to noble families in reduced circumstances. To this institution she devoted much of her time and care.
It was usual, in the latter part of the seventeenth century, to consider the acting of plays a valuable aid to liberal education, suitable pieces being often written by the heads of the institutions in which they were to be performed. Dissatisfied with the compositions of Mme. de Brinon, the first superior of St. Cyr, and objecting to the love-making that held such a large place in the works written for the public stage, Mme. de Maintenon applied to Racine, requesting him to write a play that should be entirely suitable for performance by very young ladies. The courtier poet could not refuse, and the result was the play of Esther, performed in January, 1689, by pupils of St. Cyr, not one of whom was over seventeen years of age.
The success of the play was startling. The king witnessed it repeatedly, and insisted that all his court and guests should do likewise. The performances of Esther, at St. Cyr, became great events for the fashionable society of the day. This unlooked-for result was not slow to alarm Mme. de Maintenon: their very success became a danger for the youthful actresses. Accordingly, Mme. de Maintenon discountenanced the resumption of Esther after the first series of performances was concluded, and she entirely withheld from public representation the second play, Athalie, written by Racine in the following year for the same purpose. Subsequently Mme. de Maintenon banished dramatic performances altogether from St. Cyr; she concluded it was better to train the reason[1] by the solid[1] truths of philosophy than the imagination by the unrealities of dramatic literature.