THE COLUMN OF VENDOME, PARIS.
The Place de Vendome, formed upon the site of a hotel that belonged to the Duke de Vendome, was begun by Louis XIV., who, in 1685, purchased and leveled the hotel, intending to erect, round a public place, edifices for the royal library, the mint, the extraordinary embassadors, &c. This project, however, was abandoned, and the property ceded to the city of Paris, with a stipulation to erect a place upon the site. Mansard, who furnished the first plans, was charged with the second; and the buildings, as they now stand, were begun in 1699, and finished by the financier Law. The form of the place is a symmetrical octagon, the larger sides of which measure respectively, four hundred and twenty and four hundred and fifty feet. Two wide streets, forming the only entrances to it, the Rue de la Paix and the Rue de Castiglione, equisect its northern and southern sides. The buildings are uniform, consisting of a rustic basement surmounted by upper stories, ornamented with Corinthian pilasters, and high roofs pierced with lucarne windows. The middle of each side is graced with a pediment supported by Corinthian columns. This place was first called the Place des Conquêtes, then the Place Louis le Grand, and afterward the Place Vendome. In the middle formerly stood a colossal equestrian statue of Louis XIV., in bronze, erected in 1669, but demolished the tenth of August, 1792; the bronze figures that ornamented its base were saved, and are still to be seen in the Musée de la Sculpture Moderne. The mutilated pedestal remained till 1806, when it was replaced by the triumphal pillar, erected by Napoleon, to commemorate the success of his arms in the German campaign of 1805. This column is an imitation of the pillar of Trajan at Rome, of which it preserves the proportions on a scale larger by one-twelfth. Its total elevation is one hundred and thirty-five feet, and the diameter of the shaft is twelve feet. The pedestal is twenty-one feet in hight, and from seventeen to twenty in breadth. The pedestal and shaft are of stone, covered with bass-reliefs, representing victories of the French army, in bronze, made from twelve hundred pieces of brass cannon taken from the Russians and Austrians. The metal employed in this monument weighs about three hundred and sixty thousand pounds. The bass-reliefs of the pedestal represent the uniforms, armor and weapons of the conquered troops. Above the pedestal are garlands of oak, supported at the four angles by eagles, each weighing five hundred pounds. The door, of massive bronze, is decorated with crowns of oak, surmounted by an eagle of the highest finish; above is a bass-relief, representing two figures of Fame, supporting a tablet, with an inscription in honor of Napoleon, and commemorating the victories which the column was erected to celebrate. The bass-reliefs of the shaft pursue a spiral direction to the capital, and display, in chronological order, the principal actions, from the departure of the troops from Boulogne to the battle of Austerlitz. The figures are three feet high; their number is said to be two thousand, and the length of the scroll eight hundred and forty feet; a spiral thread divides the lines, and bears inscriptions of the actions they represent. The figure of Napoleon on the top of the column, is eleven feet high. The statue of Napoleon, in imperial robes, was melted down in 1814, to form a part of the equestrian statue of Henry IV., but was replaced by Louis Philippe, May first, 1832, clad in military costume, shrouded by crape. From the summit of the monument, which is reached by a spiral staircase, there is a splendid view of the capital, and admission is obtained through one of Napoleon’s veterans, who keeps the door.