Florisel of Niquea
The composition which chiefly seems to have excited the wrath of Cervantes’ unromantic churchman and even more unpoetic barber is the Tenth Book of Amadis, which is entitled as above, and is feigned to be written by no less a person than Cirfea, Queen of the Argives, who doubtless composed it in the intervals of repose stolen from the more important duties of royalty. Her Majesty does not degrade her exalted position by revealing to us the fee which she received from the Valladolid publishers who produced the work in 1532, but if one may place a value on her compositions without breaking the dread law of lèse-majesté, it might be suggested that a penny a line would amply remunerate the literary output of this most imaginative sovereign. In a word, Cirfea, or the scribbler who sought to shelter himself behind her royal robes, is tiresome to a degree, and her pastoral absurdities can scarcely be described otherwise than in a vein of humorous tolerance. The one thing that renders her work of any importance is that she was probably the first to import the sylvan element into romance, and is thus the creator of that long line of artificial and over-amorous shepherds and shepherdesses whose tears and sighs fall upon or are wafted over the poetic pages of the seventeenth and eighteenth centuries, and the insistence of whose plaints makes one dread to open a volume which seems in any way reminiscent of l’esprit de bergères.
The romance introduces us to Sylvia, the daughter of Lisuarte and Onoloria, who was, in the course of nature, removed from her parents in infancy, and was brought up to a pastoral life in the neighbourhood of Alexandria, which, if it enjoyed a reputation in her day as a sheep-rearing district, must have owed it to the well-known properties of sand as a medium for the fattening of those animals for the market. As Sylvia grew up she became conscious of her beauty, and, relying upon her good looks, and no doubt also upon her pretty name, she enslaved to her will the handsome swain Darinel, whose appellation, like that of his lady-love, is racy of the land of the Pharaohs. Sylvia conceived it as being correct in a shepherdess to be ‘cruel’ to her lover, who, thus setting the fashion for many a future sonneteer, complained bitterly of her indifference, and signified his intention of ending his days by exposing himself to the fury of the elements on a mountain-top—rather a prolonged operation, one would think, in a region especially suited to pulmonary patients. Probably finding that the climate of Egypt scarcely lent itself to the consummation of such a fate, he betook himself to the region of Babylonia, where, in the intervals of searching for mountains in a land where they are tantalizingly absent, he found time to make a friendship with Florisel, whose good nature must have been sorely tried by his plaintive apostrophes to his mistress’s eyebrow. So glowing, indeed, were Darinel’s descriptions of Sylvia’s charms that Florisel became infected with his unhappy comrade’s emotion, so that at last, unable to combat the passion which was consuming him, he disguised himself as a shepherd and prevailed upon the luckless Darinel to conduct him to Sylvia’s abode. But although Florisel had paid her the great compliment of walking all the way from Babylon for a glance from her bright eyes, she showed herself every whit as cold to him as she had been to Darinel.
One evening, when Florisel deigns to grant the reader a blessed intermission from his pleadings to the fair shepherdess, he described to her how the prince Anastarax, brother of Niquea, had been enclosed in a fiery palace by the enchantments of the potent magician Zirfea. On hearing the story, the petulant Sylvia fell headlong in love with Anastarax, and persuaded Florisel and Darinel, who no longer hankered after Alpine rigours, to attempt the deliverance of the fire-encircled prince. But when they arrived in the vicinity of the tower in which he was detained they learned that the adventure was reserved for Alastraxare, a fair Amazon, daughter of Amadis of Greece and the Queen of Caucasus. The reader is now compelled to follow the fortunes of this female Hercules, whose tongue-encircling name has proved a stumbling-block to generations of printers. These are spread over many pages. The little party from Alexandria went in search of this heroine, and encountered many adventures, as per arrangement with the booksellers. Chief among these was the amorous dalliance with Arlanda, princess of Thrace, who had fallen in love with Florisel by report, as ladies had a disconcerting habit of doing in the days of high romance. She donned the clothes of the immaculate Sylvia, and thus beguiled him to a moonlight rendezvous, where she succeeded in gaining his favour while he was under the impression that she was the shepherdess whom he had vainly pursued so long.
In the course of their wanderings Sylvia became separated from the rest of the party during a great storm, and, retracing her steps, made her way back to the flaming prison of Anastarax. Meanwhile Florisel and Darinel arrived on the coast of Apollonia, where the former happily forgot the charms of the capricious little shepherdess, who by this time had been duly discovered as the daughter of Lisuarte, and had been united to her beloved Anastarax. But it was not because he suffered from a failing memory that Florisel became oblivious of Sylvia, but rather on account of the bright eyes of the Princess Helena of Apollonia.
The sequence of the tale is now broken up in a manner calculated to aggravate the most hardened of readers. Florisel was not left much leisure to enjoy the society of the fascinating Apollonian princess, as the deliverance of his kindred from the enchanted tower had all along been reserved for him. When at last he had satisfied the promptings of duty, he set his face once more toward Apollonia, but was not, of course, destined to arrive on the shores of that delectable kingdom without undergoing still further adventures. Landing at Colchos, he met with Alastraxare, who had found happiness with Falanges, a brilliant warrior of Florisel’s train. Arriving at last in Apollonia, he found the Princess Helena on the eve of a marriage with the Prince of Gaul, a match ordained by the lady’s politic father. But Florisel would have belied the adventurous blood which he drew from a long line of heroes who had never yet remained inactive in such a contingency if he had failed to defeat the tyrannical father’s intentions, so, as our royal authoress remarks, he repeated the exploit of Paris in the tale of Troy by carrying off this second Helen.
Like its prototype of Homeric story, this action very naturally precipitated the kingdoms of the East and West, real and apocryphal, into a condition of chaotic warfare. Assisted by the Russians, who even at that distant epoch appear to have had a predilection for the task of social demolition, the countries of the West poured their myriads upon the plains of Constantinople, and inflicted a serious reverse upon the Hellenic arms. But the erratic Slavs, true to type, turned later upon their allies of the Occident, drove them from the shores of the Golden Horn, and finally secured Florisel in the possession of the capital of the East and the Princess Helena.
Here the august Cirfea might with all judiciousness have written “Finis” with her golden pen to this amazing history. But at this stage of events, if a phrase so familiarly colloquial may be employed regarding one so exalted, she ‘gets her second wind,’ probably in view of the circumstance that her bargain with the booksellers of Valladolid stipulated that their patrons were to be regaled with so many thousand lines of her glowing periods, an arrangement in which she was probably loath to disappoint them, for reasons to which, as a crowned head, she should have been superior. But her domain of Argolis is proverbially a poor country, whose populace possesses a rooted and hereditary bias against taxation. Be that as it may, she was not the last Balkan sovereign to supply herself with pin-money by literary labours. Equipping herself, therefore, with a fresh ream of parchment from the Department of Archives (for Government paper has proverbially been everybody’s property, even from the times of Khammurabi), she cast about for fresh situations and addressed herself to the task of ‘spinning out.’
When the treacherous Russians had accounted for the armies of the West, they embarked for their own country, there to hatch fresh schemes for the further disturbance of a harassed Europe. But Amadis of Greece was in no mind that a people who owed so many debts to civilization (to say nothing of vast pecuniary obligations) should escape unpunished for their original adherence to the enemy. Pursuing them, but losing track of their vessels, he came to the inevitable desert island, where he resolved to stay and do penance for his infidelity to the Princess of Sicily. Quite naturally, that lady herself landed on its shores, and, after upbraiding her unfaithful lover, very sensibly advised him to return to his sorrowing wife Niquea, which he at last consented to do.
When, after a reasonable interval, Amadis did not return to Constantinople, the imperial city was in an uproar, and Florisel and Falanges elected to go in quest of him. They arrived in time at the island, where, under the assumed name of Moraizel, the former fell in love with and espoused its queen, Sidonia, who, however, did not scruple to show her preference for his companion. But Florisel soon tired of his island bride, who bore him a beautiful little daughter, Diana, destined to prove the heroine of the eleventh and twelfth books of this interminable history.