Chapter Fourteen.
The “Death Fandango.”
“You think you’ve killed him?”
It is Don Estevan who interrogates, startled out of his slumber by the report of the gambusino’s gun, which has brought him in hurried haste to the post of guard.
“Pretty sure of it, your worship,” is the rejoinder, in calm confidence.
“We all saw him staggering—he must have gone down,” says another of the videttes, confirmingly.
“If I haven’t settled his hash,” pursues Vicente, “then a man may get a bullet through midribs, and live afterwards—a thing not likely. Or I’m much mistaken, mine went straight centreways into the white—that sweet thing I’ve such reason to remember—unluckily for him painted too conspicuously.”
“It must have been El Cascabel, if you saw that.”
“He it was, or I shouldn’t have been so quick on the trigger. Indeed, I wasn’t so confident about the carry of my piece. ’Twas a long shot.”
“The bullet may have hit without killing him—spent, and only stunned him?”
“If your worship feels inclined for a bet, I’ll lay big odds that ere this the Rattlesnake has kicked his last kick, or, to put it more appropriately, wriggled his last wriggle.”
The auditory gathered around the gambusino would laugh at his quaint words, but ere they give way to the inclination it is checked by other words quick following in exclamatory tones,
“Bet’s off, your worship—too late! I’m not the man to dishonour myself by wagering on a certainty. Oigate! you hear that?”
Don Estevan does hear, as the others, sounds ascending from below—human voices, in that melancholy cadence which tells of lamentation for the dead. They come from the direction of the camp, in a wild crooning wail, now and then a stave, as if coyotes were taking part in the lugubrious chorus. At intervals, also, there are other notes, differently intoned; loud angry ejaculations, the Apache war-cry, proclaiming vengeance only to be satisfied with blood for blood.
For nearly an hour the infernal fracas is kept up, the volume of voice continuous, and redoubled by reverberation along the cliffs. Then it is abruptly brought to a close, succeeded by a silence mysterious and ominous in itself. Can it be that in their insane anger the savages have resolved upon the ascent, coûte-qui-coûte? The darkness, dense as ever, would favour, and might tempt them.
There is enough probability in it to make the videttes more vigilant, and their numbers are now greater. After an event of such serious consequence, most of the people—women and children excepted—are up and active, moving backwards and forwards between their place of bivouac by the spring and the ravine’s head, all careful not to approach this point too near. The big muskets admonish them; though as yet no shot from one, nor from any other sort of piece, has been fired by the savages. If they mean assault, it will be by stealth, and in silence.
Hushed, and listening with all ears, the watchers hear nothing; at least, no sound of a suspicious nature. But Indians can creep, or climb, noiselessly as cats—the Coyoteros especially—in this respect equalling the animal from which they have their name. And they may be worming their way up for all, snake-like among the stems of the mesquites and cactus plants.
“Speaking for myself,” says the gambusino, after a time, “I haven’t much fear of them trying that trick. But if you think it worth while, camarados, to give them a hint—and perhaps it may be as well—we can spare a few of these pebbles.” He points to the collected stones. “Half a dozen or so will do it.”
His camarades comprehend his meaning; and as Don Estevan has returned to his tent leaving him in command of the picket, they signify their approval of his design, all desiring it.
On the instant after, a rock pushed over the edge goes crashing down, breaking off branches, loosening other stones in its way, all in loud rumbling borne together to the level below. But they elicit no response, save the echo of their own noise, no shriek or cry, as if man were caught and bruised by them.
After a time another is launched, with like result, then another and another at measured intervals—for they must husband their ammunition—the watchers all the while without fear that man, red or white, will face such an avalanche, dangerous as any that ever swept down the slope of Alps.
At the earliest dawn they desist as soon as they can trust to their eyes. And now, scanning the plain below, they see at the bottom of the gorge only the rocks they had rolled down, with the other débris. Farther out they perceive the line of dusky sentinels, just as they expected it to be; but no other human form, living or dead. The Coyotero chief is dead for all that—carried to the camp of the palefaces, inside the great tent, where he now lies face upward; the pale, crepusculous light stealing in to show that hideous device on his breast, symbol of death itself, no longer a disc of white, but flaked and mottled red, with a darker spot of ragged edging in the centre where it was pierced by the gambusino’s bullet.
Just as the sun begins to show above the horizon’s edge, again go up the crooning cries, but now in more measured strain. For the savages are collected in the corral, a choice party of them under direction of their medicine man ranged about the marquee, not standing still, but circling round and round it in a slow, saltatory step—in short, dancing the “death-dance.”
It is accompanied by chants and incantations, in the voice of the medicine chief himself, pitched louder than the rest, with a pause at intervals, to speak eulogies of the deceased, praise of his valour and virtues, ending in a passionate appeal to his followers to avenge his death. They need not the stimulus of such exhortation. In the eyes of all vengeance is already glowing, burning, and but flashes a little angrier as they respond in a vociferous and united yell.
They upon the mesa are not witnesses to this odd ceremony, only a portion of the camp being within their view. But ere long they have another under their eyes—a spectacle equally exciting, and of like grave portent to themselves.
It takes place out on the open plain by the lake’s edge, upon a portion of the grass ground, all visible from the ravine’s head. The arena is purposely chosen for the palefaces to be spectators of it, that it may strike terror to their souls, by giving them a foretaste of what is to be their fate. For it is the “Fandango de crancos,” anglicé, scalp-dance.
What they on the mountain first see is some half-score of the savages issuing forth from the corral and taking their way to the appointed spot. They bear with them a long pole painted blood-red, recognisable as one of the wagon-tongues, drawn to a sharp point at its inner end. In a trice it is stuck upright in the turf, showing at its top something very different from the chains late there. It is the skin of a human head, with the hair hanging straggled down, light-coloured hair proclaiming it that of a paleface. They could crown that pole with scores of such scalps, many having their leggings fringed with them. But for the rites of the ceremony to be performed one is deemed sufficient; and to make it more terribly impressive, the one selected shows by the silken gloss of the hair with its luxuriance and length to have been taken from the head of a woman! There are women looking at it now, and young girls of different ages. For all have left the spring and come forward to the viewing-point. It is a sight to inspire them with awe enough of itself, without their being told of a certain and terrible signification attached to the fact of a woman’s scalp being fixed to the head of that pole instead of a man’s. Pedro Vicente could make it known to them, but does not.
Ere long the ceremonial of vengeful menace commences, the Indians approaching the ensanguined stake and forming in wide cordon around it; all of them in full war-paint, a fresh coat of it in their garish devices of various colours, scarlet and blood-red predominating. But there is one common to all, a symbol in white—the same borne by him who is sleeping his last sleep in the corral. They have but assumed it for the occasion to do honour to their dead chief. And a frightful form of demonstration it is. Over two hundred men, mahogany-coloured savages, all naked to the waist, each with a death’s head and crossbones done in white gypsum on the central and prominent portion of his breast! ’Twere enough to awe the heart of any one within their reach or in their power, and many of the spectators above tremble at beholding the horrid insignia.
The dance begins, the savages in circle tramping round and round the pole “how-howing” as they go, at first in slow step and with voice barely audible. Soon, however, the one quickens, the other becoming louder, till the step is a violent bounding, the voice raised to highest pitch. Louder and angrier grow the shouts as they turn their eyes upward to the scalp, and still more violent their gesticulations, arms in air with weapons whirled above their heads, till at length several rush at the reddened stake, and hack it down with their tomahawks. Then follows a confused struggle for the scalp, in which it is torn to pieces, all who can appropriating shred or tress, but to spit upon it in vindictive scorn, while still further rending it!
The demoniac dance is now over; some it has most excited come rushing towards the ravine, as though they really meant risking an assault. All above draw back out of sight, only they appointed for the defence staying by the stone artillery. But they are not called upon to hurl any more down just yet. Warned by the event of overnight, the savages think better of it, and before getting too close, come to a stop, and content themselves with wordy threats and a brandishing of weapons.
But, empty and impotent as is their menacing attitude, it makes deep impression on those against whom it is directed. For it tells them they may never more go down that gorge, or set foot upon the plain below, to live an hour, if a minute, after.