XVI.—THE HULA ÍLI-ÍLI
The hula íli-íli, pebble-dance, was a performance of the classical times, in which, according to one who has witnessed it, the olapa alone took part. The dancers held in each hand a couple of pebbles, ili-ili—hence the name of the dance—which they managed to clash against each other, after the fashion of castanets, thus producing a rude music of much the same quality as that elicited from the “bones” in our minstrel performances. According to another witness, the drum also was sometimes used in connection with the pebbles as an accompaniment to this hula.
The ili-ili was at times a hula of intensity—that is to say, was acted with that stress of voice and manner which the Hawaiians termed ai-ha’a; but it seems to have been more often performed in that quiet natural tone of voice and of manner termed ko’i-honua, which may be likened to utterance in low relief.
The author can present only the fragment of a song to illustrate this hula:
Mele
A lalo maua o Wai-pi’o,
Ike i ka nani o Hi’i-lawe.
E lawe mai a oki
I na hala o Naue i ke kai,
I na lehua lu-lu’u pali;
Noho ana lohe i ke kani o ka o-ó,
Hoolono aku i ka leo o ke kahuli.