15. The Diwāli festival.
The principal festival of the Ahīrs is the Diwāli, falling about the beginning of November, which is also the time when the autumn crops ripen. All classes observe this feast by illuminating their houses with many small saucer-lamps and letting off crackers and fireworks, and they generally gamble with money to bring them good luck during the coming year. The Ahīrs make a mound of earth, which is called Govardhan, that is the mountain in Mathura which Krishna held upside down on his finger for seven days and nights, so that all the people might gather under it and be protected from the devastating storms of rain sent by Indra. After dancing round the mound they drive their cattle over it and make them trample it to pieces. At this time a festival called Marhai is held, at which much liquor is drunk and all classes disport themselves. In Damoh on this day the Ahīrs go to the standing-place for village cattle, and after worshipping the god, frighten the cattle by waving leaves of the basil-plant at them, and then put on fantastic dresses, decorating themselves with cowries, and go round the village, singing and dancing. Elsewhere at the time of the Marhai they dance round a pole with peacock feathers tied to the top, and sometimes wear peacock feathers themselves, as well as aprons sewn all over with cowries. It is said that Krishna and Balārām used to wear peacock feathers when they danced in the jungles of Mathura, but this rite has probably some connection with the worship of the peacock. This bird might be venerated by the Ahīrs as one of the prominent denizens of the jungle. In Raipur they tie a white cock to the top of the pole and dance round it. In Mandla, Khila Mutha, the god of the threshing-floor, is worshipped at this time, with offerings of a fowl and a goat. They also perform the rite of jagāna or waking him up. They tie branches of a small shrub to a stick and pour milk over the stone which is his emblem, and sing, ‘Wake up, Khila Mutha, this is the night of Amāwas’ (the new moon). Then they go to the cattle-shed and wake up the cattle, crying, ‘Poraiya, god of the door, watchman of the window, open the door, Nānd Gowāl is coming.’ Then they drive out the cattle and chase them with the branches tied to their sticks as far as their grazing-ground. Nānd Gowāl was the foster-father of Krishna, and is now said to signify a man who has a lakh (100,000) of cows. This custom of frightening the cattle and making them run is called dhor jagāna or bichkāna, that is, to wake up or terrify the cattle. Its meaning is obscure, but it is said to preserve the cattle from disease during the year. In Raipur the women make an image of a parrot in clay at the Diwāli and place it on a pole and go round to the different houses, singing and dancing round the pole, and receiving presents of rice and money. They praise the parrot as the bird who carries messages from a lover to his mistress, and as living on the mountains and among the green verdure, and sing:
“Oh, parrot, where shall we sow gondla grass and where shall we sow rice?
“We will sow gondla in a pond and rice in the field.
“With what shall we cut gondla grass, and with what shall we cut rice?
“We shall cut gondla with an axe and rice with a sickle.”
It is probable that the parrot is revered as a spirit of the forest, and also perhaps because it is destructive to the corn. The parrot is not, so far as is known, associated with any god, but the Hindus do not kill it. In Bilāspur an ear of rice is put into the parrot’s mouth, and it is said there that the object of the rite is to prevent the parrots from preying on the corn.