8. Dancing.
Of their appearance at a dance Colonel Dalton states:[5] “Forming a huge circle, or rather coil, they hooked on to each other and wildly danced. In their hands they sternly grasped their weapons, the long stiff bow and arrows with bright, broad, barbed heads and spirally-feathered reed shafts in the left hand, and the gleaming battle-axe in the right. Some of the men accompanied the singing on deep-toned drums and all sang. A few scantily-clad females formed the inner curl of the coil, but in the centre was the Choragus who played on a stringed instrument, promoting by his grotesque motions unbounded hilarity, and keeping up the spirit of the dancers by his unflagging energy. Their matted back hair was either massed into a chignon, sticking out from the back of the head like a handle, from which spare arrows depended hanging by the bands, or was divided into clusters of long matted tails, each supporting a spare arrow, which, flinging about as they sprang to the lively movements of the dance, added greatly to the dramatic effect and the wildness of their appearance. The women were very diminutive creatures, on the average a foot shorter than their lords, clothed in scanty rags, and with no ornaments except a few tufts of cotton dyed red taking the place of flowers in the hair, a common practice also with the Santāl girls. Both tribes are fond of the flower of the cockscomb for this purpose, and when that is not procurable, use the red cotton.”
They dance the karma dance in the autumn, thinking that it will procure them good crops, the dance being a kind of ritual or service and accompanied by songs in praise of the gods. If the rains fail they dance every night in the belief that the gods will be propitiated and send rain.