CHAPTER V
[1] A good account of the meaning of art is to be found in Santayana's Reason in Art, Chapters I-III.
[2] For this whole topic of the aesthetic interest, cf. H. R. Marshall's Pleasure, Pain, and Aesthetics.
[3] For an interpretation of painting in terms of the perceptual process, cf. B. Berenson's Florentine Painters of the Renaissance, pp. 1-16; and North Italian Painters of the Renaissance, pp. 145-157.
[4] The best account of the emotions and instincts is to be found in James's Principles of Psychology, Vol. II, Chapters XXIV, XXV.
[5] Walter Pater: The Renaissance, p. 140.
[6] Taine: Op. cit., pp. 112, 114-115, and passim.
[7] Pater: Op. cit., pp. 129-130; cf. the chapter on Leonardo da Vinci, entire.
[8] Plato: Republic, Book III, p. 398, translated by Jowett. The whole of Books III and X are interesting in this connection.
[9] In connection with the general topic of the moral criticism of art, cf. Santayana's Reason in Art, Chapters IX-XI; also Ruskin's Lectures on Art, Lectures II-IV.
[10] Aristotle: Nicomachean Ethics, Book X.
[11] Cf. the Republic, Book X.
[12] Arthur Benson: Beside Still Waters, pp. 138-139. Cf. also pp. 143-144.
[13] Pater: Op. cit., pp. 249, 250; cf. the Conclusion, passim.
[14] James: Op. cit., Vol. I, pp. 125-126.
[15] Republic; Book X, p. 606, translated by Jowett.
[16] Ibid., Book III, p. 399.
[17] Aristotle: Politics, Book VIII, Chapter V, translated by Jowett, p. 252.
[18] Taine: The Ideal in Art, translated by J. Durand, pp. 42 sq.
[19] Tolstóy: What is Art? X, translated by Leo Wiener, p. 227.
[20] Arnold: Culture and Anarchy, pp. 37, 38. Cf. Chapter I, passim.
[21] Republic, Book III, p. 401, translation by Jowett.
{262}