II. THE FIRST NEWSPAPERS

What is a newspaper? Many answers have been given. It is the tribune of the people; it is the fourth estate; the Palladium of our civil liberties, etc.

On the other hand, this same newspaper has been characterized as the great sophist. What the popular teachers did for Athens in the period of Socrates and Plato the press has done in modern times for the common man.

The modern newspaper has been accused of being a business enterprise. “Yes,” say the newspaper men “and the commodity it sells is news.” It is the truth shop. (The editor is the philosopher turned merchant.) By making information about our common life accessible to every individual at less than the price of a telephone call we are to regain, it is urged—even in the complicated life of what Graham Wallas calls the “Great Society”—some sort of working democracy.

The advertising manager’s notion is again something different. For him the newspaper is a medium for creating advertising values. The business of the editor is to provide the envelope which incloses the space which the advertising man sells. Eventually the newspaper may be conceived as a sort of common carrier, like the railway or the post office.

The newspaper, according to the author of the Brass Check, is a crime. The brass check is a symbol of prostitution. “The brass check is found in your pay envelope every week—you who write and print and distribute our newspapers and magazines. The brass check is the price of your shame—you who take the fair body of truth and sell it in the market place, who betray the virgin hopes of mankind into the loathsome brothel of big business.”

This is the conception of a moralist and a socialist—Upton Sinclair.

Evidently the newspaper is an institution that is not yet fully understood. What it is, or seems to be, for any one of us at any time is determined by our differing points of view. As a matter of fact, we do not know much about the newspaper. It has never been studied.

One reason we know so little about the newspaper is that as it exists today it is a very recent manifestation. Besides, in the course of its relatively brief history, it has gone through a remarkable series of transfigurations. The press today is, however, all that it was and something more. To understand it we must see in its historic perspective.

The first newspapers were written or printed letters; news-letters they were called. In the seventeenth century English country gentlemen used to employ correspondents to write them once a week from London the gossip of the court and of the town.

The first newspaper in America, at least the first newspaper that lasted beyond its first issue, was the Boston News-Letter. It was published by the postmaster. The village post-office has always been a public forum, where all the affairs of the nation and the community were discussed. It was to be expected that there, in close proximity to the sources of intelligence, if anywhere, a newspaper would spring up. For a long time the position of postmaster and the vocation of editor were regarded as inseparable.

The first newspapers were simply devices for organizing gossip, and that, to a greater or less extent, they have remained. Horace Greeley’s advice to a friend who was about to start a country paper is as good today as it was then.

Begin with a clear conception that the subject of deepest interest to an average human being is himself; next to that, he is most concerned about his neighbors. Asia and the Tongo Islands stand a long way after these in his regard. It does seem to me that most country journals are oblivious as to these vital truths. If you will, so soon as may be, secure a wide awake, judicious correspondent in each village and township of your county, some young lawyer, doctor, clerk in a store, or assistant in a post office who will promptly send you whatever of moment occurs in his vicinity, and will make up at least half your journal of local matter thus collected, nobody in the county can long do without it. Do not let a new church be organized, or new members be added to one already existing, a farm be sold, a new house be raised, a mill be set in motion, a store be opened, nor anything of interest to a dozen families occur, without having the fact duly though briefly chronicled in your columns. If a farmer cuts a big tree, or grows a mammoth beet, or harvests a bounteous yield of wheat or corn, set forth the fact as concisely and unexceptionally as possible.

What Greeley advises friend Fletcher to do with his country paper the city editor of every newspaper, as far as it humanly is possible, is still trying to do. It is not practicable, in a city of 3,000,000 and more, to mention everybody’s name. For that reason attention is focused upon a few prominent figures. In a city where everything happens every day, it is not possible to record every petty incident, every variation from the routine of the city life. It is possible, however, to select certain particularly picturesque or romantic incidents and treat them symbolically, for their human interest rather than their individual and personal significance. In this way news ceases to be wholly personal and assumes the form of art. It ceases to be the record of the doings of individual men and women and becomes an impersonal account of manners and life.

The motive, conscious or unconscious, of the writers and of the press in all this is to reproduce, as far as possible, in the city the conditions of life in the village. In the village everyone knew everyone else. Everyone called everyone by his first name. The village was democratic. We are a nation of villagers. Our institutions are fundamentally village institutions. In the village, gossip and public opinion were the main sources of social control.

“I would rather live,” said Thomas Jefferson, “in a country with newspapers and without a government than in a country with a government and without newspapers.”

If public opinion is to continue to govern in the future as it has in the past, if we propose to maintain a democracy as Jefferson conceived it, the newspaper must continue to tell us about ourselves. We must somehow learn to know our community and its affairs in the same intimate way in which we knew them in the country villages. The newspaper must continue to be the printed diary of the home community. Marriages and divorce, crime and politics, must continue to make up the main body of our news. Local news is the very stuff that democracy is made of.

But that, according to Walter Lippmann, is just the difficulty. “As social truth is organized today”, so he says, “the press is not constituted to furnish from one edition to the next the amount of knowledge which the democratic theory of public opinion demands.... When we expect it to supply such a body of truth, we employ a misleading standard of judgment. We misunderstand the limited nature of news, the illimitable complexity of society; we overestimate our own endurance, public spirit, and all-round competence. We suppose an appetite for uninteresting truths which is not discovered by any honest analysis of our own tastes.... Unconsciously the theory sets up the single reader as theoretically incompetent, and puts upon the press the burden of accomplishing whatever representative government, industrial organization, and diplomacy have failed to accomplish. Acting upon everybody for thirty minutes in twenty-four hours, the press is asked to create a mystical force called ‘public opinion’ that will take up the slack in public institutions.”[[55]]

It is evident that a newspaper cannot do for a community of 1,000,000 inhabitants what the village did spontaneously for itself through the medium of gossip and personal contact. Nevertheless the efforts of the newspaper to achieve this impossible result are an interesting chapter in the history of politics as well as of the press.