L. I. GUINEY
J. R. TUTIN
HULL
1907
[!-- [v] --][!-- [iv] --]
CONTENTS[!-- [vii] --]
| PAGE | ||
| Prefatory Note | [xi] | |
| I. | Lyrics printed only in the Edition of 1647: | |
The Dream | [1] | |
Despair | [1] | |
The Picture | [2] | |
Opinion | [2] | |
| II. | Lyrics printed only in the Edition of 1651: | |
The Cure | [4] | |
To the Countess of S[underland?] with The Holy Court | [6] | |
Drawn for Valentine by the L[ady] D[orothy] S[pencer?] | [7] | |
| III. | Lyrics printed only in Edition of 1657 [John Gamble’s Ayres and Dialogues] having no Titles: | |
‘On this swelling bank’ | [9] | |
‘Dear, fold me once more’ | [10] | |
‘The lazy hours’ | [10] | |
| IV. | Lyrics printed only in Editions of 1647 and 1651: | |
Love’s Innocence | [12] | |
The Dedication to Love | [13] | |
The Glow-Worm | [13] | |
To Chariessa, desiring her to Burn his Verses | [14] | |
On Mr. Fletcher’s Works | [15] | |
To the Lady D[ormer] | [16] | |
To Mr. W[illiam] Hammond | [17] | |
On Mr. Shirley’s Poems | [18] | |
On Mr. Sherburne’s Translation of Seneca’s Medea, and Vindication of the Author | [20] | |
On Mr. Hall’s Essays | [21] | |
On Sir J[ohn] S[uckling] his Picture and Poems | [22] | |
Answer [to ‘The Union’] | [22] | |
| V. | Lyrics printed only in Editions of 1647 and 1657 [Gamble]: | |
The Blush | [24] | |
The Cold Kiss | [25] | |
The Idolater | [25] | |
The Magnet | [26] | |
On a Violet in her Breast | [27] | |
Song: ‘Foolish Lover, go and seek’ | [28] | |
The Parting | [29] | |
Counsel | [29] | |
Expostulation with Love, in Despair | [30] | |
Song: ‘Faith, ’tis not worth thy pains and care’ | [31] | |
Expectation | [32] | |
| VI. | Lyrics printed in all Original Editions Of Stanley: | |
The Breath | [33] | |
The Night: a Dialogue | [34] | |
Unalter’d by Sickness | [35] | |
To Celia, Excuse for Wishing her less Fair | [36] | |
Celia, Sleeping or Singing | [37] | |
Palinode | [37] | |
The Return | [38] | |
Chang’d, yet Constant | [39] | |
To Chariessa, Beholding Herself in a Glass | [41] | |
Song: ‘When I lie burning in thine eye’ | [42] | |
Song: ‘Fool! take up thy shaft again’ | [43] | |
Delay | [43] | |
The Repulse | [44] | |
Song: ‘Celinda, by what potent art’ | [45] | |
The Tomb | [46] | |
To Celia, Pleading Want of Merit | [48] | |
The Kiss | [49] | |
The Snowball | [50] | |
Speaking and Kissing | [50] | |
The Deposition | [51] | |
Love’s Heretic | [52] | |
La Belle Confidante | [54] | |
La Belle Ennemie | [55] | |
Love Deposed | [56] | |
The Divorce | [57] | |
The Bracelet | [58] | |
The Farewell | [59] | |
The Exchange: Dialogue | [60] | |
The Exequies | [61] | |
The Silkworm | [62] | |
Ambition | [62] | |
Song: ‘When, dearest Beauty, thou shalt pay’ | [63] | |
Song: ‘I will not trust thy tempting graces’ | [64] | |
Song: ‘No, I will sooner trust the wind’ | [65] | |
Song: ‘I prithee let my heart alone!’ | [65] | |
The Loss | [66] | |
The Self-Cruel | [67] | |
An Answer to a Song, ‘Wert thou much [?] fairer than thou art,’ by Mr. W. M. | [68] | |
The Relapse | [69] |