INDEX OF AUTHORS
| Anonymous | PAGE |
Lines by an Old Fogy | [348] |
Wanted—A Governess | [346] |
| Anstey, Christopher | |
The Public Breakfast | [67] |
| Aristophanes | |
Chorus of Women | [3] |
| Armytage, Faulkner | |
Friday Afternoon at the Boston Symphony Hall | [332] |
| Aytoun, William E. | |
The Laureate | [194] |
| Barham, Richard Harris | |
Mr. Barney Maguire’s Account of the Coronation | [119] |
| Birdseye, George | |
Paradise. A Hindoo Legend | [319] |
| Blake, Rodney | |
Hoch! der Kaiser | [320] |
| Bowring, Sir John | |
The Rich and the Poor Man (From the Russian | [132] |
| Brough, Robert Barnabas | |
My Lord Tomnoddy | [227] |
| Browning, Elizabeth Barrett | |
Critics | [164] |
A Man’s Requirements | [163] |
| Browning, Robert | |
The Lost Leader | [186] |
The Pope and the Net | [188] |
Soliloquy of the Spanish Cloister | [190] |
| Bunner, H. C. | |
Atlantic City | [290] |
Wed | [289] |
| Burdette, Robert J. | |
What Will We Do? | [272] |
| Burgess, Gelett | |
Extracts from the Rubaiyat of Omar Cayenne | [328] |
| Burnand, Frank C. | |
True to Poll | [247] |
| Burns, Robert | |
Address to the Unco Guid, or the Rigidly Righteous | [86] |
Holy Willie’s Prayer | [88] |
| Butler, William Allen | |
Nothing to Wear | [213] |
| Butler, Samuel | |
Description of Holland | [30] |
The Religion of Hudibras | [31] |
Saintship versus Conscience | [29] |
| Byrom, John | |
The Three Black Crows | [63] |
| Byron, Lord | |
A Country House Party | [127] |
From “English Bards and Scotch Reviewers” | [125] |
From “The Devil’s Drive” | [123] |
To Woman | [126] |
| Calverley, Charles Stuart | |
Of Propriety | [235] |
Peace: A Study | [236] |
The Schoolmaster Abroad with His Son | [233] |
| Canning, George | |
The Friend of Humanity and the Knife-Grinder | [92] |
| Carlyle, Thomas | |
Cui Bono? | [135] |
| Carman, Bliss | |
Hem and Haw | [307] |
The Sceptics | [308] |
| Carroll, Lewis | |
Fame’s Penny Trumpet | [238] |
| Cayley, George John | |
An Epitaph | [64] |
| Churchill, Charles | |
On Smollett | [73] |
| Claudius, Matthew | |
The Hen | [77] |
| Cleiveland, John | |
Satire on the Scots | [32] |
| Clough, Arthur Hugh | |
The Latest Decalogue | [200] |
There Is No God | [199] |
| Coleridge, Samuel Taylor | |
Cologne | [96] |
Giles’ Hope | [96] |
Job | [95] |
| Collins, Mortimer | |
The Positivists | [225] |
Sky-Making | [226] |
| Cowper, William | |
A Faithful Picture of Ordinary Society | [74] |
The Uncertain Man | [74] |
| Crabbe, George | |
Reporters | [85] |
Sly Lawyers | [85] |
| Crane, Stephen | |
Lines | [337] |
War Is Kind | [336] |
| Deane, Anthony C. | |
The Beauties of Nature | [317] |
A Certain Cure | [316] |
John Jenkins | [313] |
| De Béranger, Pierre Jean | |
The King of Yvetot (Version of W. M. Thackeray) | [109] |
| Defoe, Daniel | |
Introduction to the True-Born Englishman | [41] |
| Dibdin, Charles | |
Let Us All be Unhappy Together | [78] |
| Dekker, Thomas | |
Horace Concocting an Ode | [23] |
| Dobson, Austin | |
The Love-Letter | [267] |
The Poet and the Critics | [265] |
| Dodge, Mary Mapes | |
Life in Laconics | [263] |
| Donne, John | |
The Will | [18] |
| Dowling, Bartholomew | |
Revelry in India | [210] |
| Dryden, John | |
The Duke of Buckingham | [37] |
On Shadwell | [38] |
| Fawcett, Edgar | |
Chorus of Anglomaniacs (From “The Buntling Ball”) | [275] |
| Fielding, Henry | |
An Epistle to Sir Robert Walpole | [65] |
| Fitzgerald, Edward | |
The Miser | [166] |
| Foss, Samuel Walter | |
The Fate of Pious Dan | [298] |
The Meeting of the Clabberhuses | [300] |
The Origin of Sin | [294] |
A Philosopher | [295] |
| Gay, John | |
The Quidnunckis | [54] |
The Sick Man and the Angel | [55] |
| Gilbert, W. S. | |
The Æsthete | [260] |
Anglicised Utopia | [252] |
The Ape and the Lady | [250] |
Etiquette | [254] |
Sleep On | [249] |
To the Terrestrial Globe | [240] |
| Gilder, Richard Watson | |
Give Me a Theme | [274] |
The Poem, to the Critic | [274] |
The Tool | [273] |
| Gilman, Charlotte Perkins (Stetson) | |
A Conservative | [304] |
Wedded Bliss | [303] |
| Goldsmith, Oliver | |
An Elegy on the Death of a Mad Dog | [72] |
| Greenwood, Grace | |
A Fragment | [212] |
| Halleck, Fitz-Greene | |
Woman | [132] |
| Harrington, Sir John | |
Of a Certain Man | [16] |
A Precise Tailor | [16] |
| Hay, John | |
Distiches | [264] |
| Heber, Reginald | |
Sympathy | [111] |
| Herford, Oliver | |
A Butterfly of Fashion | [322] |
Earth | [321] |
| Hervey, Thomas Kibble | |
The Devil at Home | [149] |
| Holcroft, Thomas | |
Gaffer Gray (From “Hugh Trevor”) | [139] |
| Holmes, Oliver Wendell | |
Cacoëthes Scribendi | [166] |
Contentment | [171] |
A Familiar Letter to Several Correspondents | [167] |
| Hood, Thomas | |
Cockle v. Cackle | [140] |
Our Village | [145] |
| Horace, Quintus Horatius Flaccus | |
A Would-Be Literary Bore | [4] |
| Horne, Richard Hengist | |
Pelters of Pyramids | [155] |
| Hunt, James Henry Leigh | |
From “The Feast of the Poets” | [116] |
| Johnson, Hilda | |
Ballade of Expansion | [331] |
| Jonson, Ben | |
On Don Surly | [24] |
| Juvenal | |
The Wish for Length of Life | [6] |
| Kipling, Rudyard | |
The Conundrum of the Workshops | [326] |
General Summary | [324] |
| Lang, Andrew | |
Ballade of Literary Fame | [274] |
| Lemon, Mark | |
How to Make a Man of Consequence | [173] |
| Lever, Charles | |
The Widow Malone | [173] |
| Loines, Russell Hilliard | |
On a Magazine Sonnet | [321] |
| Loomis, Charles Battell | |
The Evolution of a “Name” | [310] |
| Lover, Samuel | |
Father-Land and Mother-Tongue | [135] |
Father Molloy | [136] |
| Lovelace, Richard | |
Song | [34] |
| Lowell, James Russell | |
From “A Fable for Critics” | [201] |
The Pious Editor’s Creed | [206] |
| Ludlow, Fitz-Hugh | |
Too Late | [261] |
| Lyndsay, Sir David | |
A Carman’s Account of a Lawsuit | [12] |
| Lysaght, Edward | |
Kitty of Coleraine | [91] |
| Lytton, Robert Bulwer | |
Midges | [230] |
| Mackay, Charles | |
Cynical Ode to an Ultra-Cynical Public | [192] |
The Great Critics | [193] |
| Marston, John | |
The Scholar and His Dog | [25] |
| Marvell, Andrew | |
The Character of Holland | [35] |
| Matthews, Brander | |
An Advanced Thinker | [282] |
| Meredith, George | |
Hiding the Skeleton | [229] |
| Moore, Thomas | |
Eternal London | [105] |
Lying | [108] |
The Modern Puffing System | [106] |
| Morse, James Herbert | |
Fame | [269] |
| Munkittrick, Richard Kendall | |
To Miguel de Cervantes Saavedra | [287] |
What’s in a Name? | [288] |
| Neaves, Lord Charles | |
How to Make a Novel | [150] |
| Noel, Thomas | |
The Pauper’s Drive | [175] |
| O’Keefe, John | |
The Friar of Orders Gray | [79] |
| Osborn, Selleck | |
A Modest Wit | [112] |
| Outram, George | |
The Annuity | [156] |
| Peacock, Thomas L. | |
Rich and Poor; or, Saint and Sinner | [117] |
| Pitt, William | |
The Sailor’s Consolation | [152] |
| Pope, Alexander | |
From “The Epistle to Dr. Arbuthnot” | [60] |
Sandys’ Ghost | [57] |
| Praed, Winthrop M. | |
Verses on Seeing the Speaker Asleep in His | [154] |
| Prior, Matthew | |
An Epitaph | [43] |
The Remedy Worse Than the Disease | [45] |
| Prout, Father | |
Malbrouck | [161] |
| Punch | |
A Match | [343] |
| Raleigh, Sir Walter | |
The Soul’s Errand | [13] |
| Roche, James Jeffrey | |
A Boston Lullaby | [277] |
The V-A-S-E | [278] |
The Net of Law | [277] |
| Rückert, Friedrich | |
Greediness Punished | [130] |
| Rutebœuf | |
The Ass’s Legacy | [7] |
| Sackville, Charles, Earl of Dorset | |
Satire on Edward Howard | [39] |
| Sancta-Clara, Abraham á | |
St. Anthony’s Sermon to the Fishes | [39] |
| Saxe, John Godfrey | |
The Mourner à la Mode | [197] |
Woman’s Will | [196] |
| Scott, Sir Walter | |
Nora’s Vow | [94] |
| Seaman, Owen | |
“The Hurt that Honour Feels” | [310] |
| Shakespeare, William | |
From “As You Like It” | [22] |
From “Love’s Labour’s Lost” | [21] |
From “King Henry IV.” | [20] |
| Shelley, Percy Bysshe | |
Ozymandias | [134] |
| Sheridan, Richard Brinsley | |
The Literary Lady | [84] |
| Sheridan, Thomas | |
Dr. Delany’s Villa | [52] |
| Sill, Edward Rowland | |
Five Lives | [270] |
| Smith, Harry B. | |
Same Old Story | [306] |
| Smith, James | |
Christmas Out of Town | [103] |
The Poet of Fashion | [101] |
| Southey, Robert | |
The Battle of Blenheim | [97] |
The Well of St. Keyne | [99] |
| Stedman, Edmund Clarence | |
The Diamond Wedding | [240] |
| Stephen, J. K. | |
To R. K. | [286] |
A Sonnet | [284] |
A Thought | [283] |
| Suckling, Sir John | |
The Constant Lover | [27] |
The Remonstrance | [28] |
| Swift, Jonathan | |
The Furniture of a Woman’s Mind | [48] |
Twelve Articles | [46] |
| Taylor, Bayard | |
A Review | [221] |
| Taylor, Henry | |
Two Characters | [151] |
| Taylor, Jane | |
The Philosopher’s Scales | [114] |
| Tennyson, Alfred | |
On Lytton | [177] |
| Thackeray, William Makepeace | |
Damages, Two Hundred Pounds | [182] |
Mr. Molony’s Account of the Ball Given | [179] |
Sorrows of Werther | [178] |
| Thomas, Edith M. | |
They Said | [284] |
| Torrence, Frederic Ridgely | |
From “The House of a Hundred Lights” | [340] |
| Trollopiad, From the | |
The British Visitor | [343] |
| Vielé, Herman Knickerbocker | |
The Font in the Forest | [294] |
| Villon, François | |
A Ballade of Old-Time Ladies (Translated by John Payne) | [11] |
| Ware, Eugene Fitch | |
He and She | [272] |
| Weatherly, Frederick Edward | |
A Bird in the Hand | [281] |
Thursday | [280] |
| Wither, George | |
The Manly Heart | [26] |
| Wolcott, John (Peter Pindar) | |
On Johnson | [75] |
To Boswell | [76] |
| Yates, Edmund | |
All-Saints | [237] |
| Young, Edward | |
From “The Love of Fame” | [50] |
| Yriarte, Tomas | |
The Country Squire | [80] |
The Eggs | [83] |
A
PARODY ANTHOLOGY
BY
CAROLYN WELLS
Octavo. $1.25 net.
Full Limp Leather. In a Box, $1.50 net.
“A book which bubbles with fun from cover to cover, which is so full of humor, indeed, that the reader will be apt to forget its serious purpose.”—Brooklyn Eagle.
“Constructed on an excellent plan and with good discretion, rendering it an excellent work of reference, as well as one of entertainment.”—Boston Herald.
“Miss Wells has placed the lover of genuine humor under a debt of lasting gratitude.”—Brooklyn Life.
“The parody has been a shining mark for the pen points of novices. Some of them hit it off, and more of them didn’t. Miss Wells seems to have found those who did.”—Chicago Evening Post.
“The collection is a worthy one, deserving a place in every library of fun.”—Chicago Record-Herald.
“Probably there is no better collection of parodies than this.”—Detroit Free Press.
A
NONSENSE ANTHOLOGY
BY
CAROLYN WELLS
Octavo. $1.25 net.
Full Limp Leather. In a Box, $1.50 net.
“All lovers of good nonsense will be grateful to Miss Carolyn Wells for compiling ‘A Nonsense Anthology.’”—Boston Herald.
“A book that the shelves of no lover of the humorous should be without. . . . Miss Wells is to be congratulated on doing something that had not been done before.”—N. Y. Evening Sun.
“A book that will bring joy to both young and old. Miss Wells has an appreciation of fooling that is not a common attribute of her sex, and a sense of humor that is exemplified by many delightful productions of her own. In making the selections for the present volume she has shown excellent judgment and a wide acquaintance with the special sort of verse that is concerned.”—The Dial.
“Almost every one will find his or her favorite selections in this volume.”—The Outlook.
Transcriber’s Notes:
Obvious punctuation errors repaired.
Page xiv, “Aethete” changed to “Æsthete” (The Æsthete)
Page 186, “o” changed to “to” (you’ve a right to)
Page 190, “Wate” changed to “Water” (Water your damned)
Page 190, “Wha ’s” changed to “What’s” (What’s the Greek)
Page 210, “hat” changed to “that” (the next that dies)
Page 246, “wo ds” changed to “words” (words were the power)
Page 259, “Somer” changed to “Somers” (and Somers takes the south)
Page 351, “Aethete” changed to “Æsthete” (Æsthete, The)
Page 364, “Aethete” changed to “Æsthet” (The Æsthete)