PASQUINADES.

At one corner of the Palazzo Braschi, the last monument of Papal nepotism, near the Piazza Navona, in Rome, stands the famous mutilated torso known as the statue of Pasquin. It is the remains of a work of art of considerable merit, found at this spot, in the sixteenth century, and supposed to represent Ajax supporting Menelaus. It derives its modern name from the tailor Pasquin, who kept a shop opposite, which was the rendezvous of all the gossips in the city, and from which their satirical witticisms on the manners and follies of the day obtained a ready circulation.

Misson says in his Travels in Italy,—The tailor had precisely the talent to head a regiment of satirical wits, and had he had time to publish, he would have been the Peter Pindar of his day; but his genius seems to have been satisfied to rest cross-legged on his shop-board. When any lampoons or amusing bon-mots were current in Rome, they were usually called, from his shop, Pasquinades. After his death, this statue of an ancient gladiator was found under the pavement of his shop. It was soon set up, and by universal consent was inscribed with his name; and they still attempt to raise him from the dead, and keep the caustic tailor alive, in the marble gladiator of wit.

The statue of Marforio, which stood near the arch of Septimus Severus, in the Forum, was made the vehicle for replying to the attacks of Pasquin; and for many years they kept up an incessant fire of wit and repartee. When Marforio was removed to the museum in the capitol, the Pope wished to remove Pasquin also; but the Duke di Braschi, to whom he belongs, would not permit it. Adrian VI. attempted to arrest his career by ordering the statue to be burnt and thrown into the Tiber; but one of the Pope’s friends, Ludovico Sussano, saved him, by suggesting that his ashes would turn into frogs, and croak more terribly than before. It is said that his owner is compelled to pay a fine whenever he is found guilty of exhibiting any scandalous placards. The modern Romans seem to regard Pasquin as part of their social system: in the absence of a free press, he has become in some measure the organ of public opinion, and there is scarcely an event upon which he does not pronounce judgment. Some of his sayings are extremely broad for the atmosphere of Rome, but many of them are very witty, and fully maintain the character of his fellow-citizens for satirical epigrams and repartee. When Mezzofanti, the great linguist, was made a cardinal, Pasquin declared that it was a very proper appointment, for there could be no doubt that the “Tower of Babel,” “Il torre di Babel” required an interpreter. At the time of the first French occupation of Italy, Pasquin gave out the following satirical dialogue:—

I Francesi son tutti ladri.

Non tutti—ma Bonaparte.

The French are all robbers.

Not all, but a good part; (or

Not all—but Bonaparte.)

Another remarkable saying is recorded in connection with the celebrated bull of Urban VIII., excommunicating all persons who took snuff in the Cathedral of Seville. On the publication of this decree, Pasquin appropriately quoted the beautiful passage in Job,—“Wilt thou break a leaf driven to and fro? and wilt thou pursue the dry stubble?”