(1777-1843)
he romantic school had many false and erratic tendencies, but it produced some of the most fanciful and poetic creations of literature. Fouqué was called the Don Quixote of the Romanticists, and his early romances of chivalry were devoured by the public as quickly as they appeared. But his fame proved to be a passing fancy; and his later works scarcely found a publisher. This was owing partly to a change in public taste, and partly to his mannerisms. His descriptions often deteriorate into tediousness, and the narrative is broken by far-fetched digressions. He was so imbued with the spirit of chivalry that he became one-sided, and his scenes were always laid in "the chapel or the tilt-yard." Critics of his time speak of his mediæval romances as "full of sweet strength and lovely virtue." Others say "the heroes are almost absurd, and do not arouse enthusiasm." Heine asserts that Fouqué's laurel is genuine; Coleridge places him above Walter Scott; Thomas Carlyle compares him to Southey, and describes him as a man of genius, with little more than an ordinary share of talent. Fouqué was introduced to romanticism by Wilhelm von Schlegel, and drew his first inspiration from Cervantes. Whatever his shortcomings, it cannot be denied that he succeeded in catching the spirit of chivalry. His knights may be unreal and quixotic, but he delineates his characters with the irresistible touch of a poet, and his work displays noble thoughts and depth of feeling.
Fouqué
Friedrich, Baron de la Motte Fouqué, was descended from a French family that had emigrated to Prussia, and his grandfather was a general under Frederick the Great. Fouqué was born at Brandenburg, February 12th, 1777, and was a thorough German at heart. He received a military education, and at the age of nineteen proved himself a brave soldier in the campaign of the Rhine. He served under the Duke of Weimar, and his friend, and comrade in arms was the wonderfully gifted but unfortunate Heinrich von Kleist. He was obliged to resign on account of ill health, and withdrawing to his estates he devoted himself to literary pursuits. Once again, however, in the exciting times of the war against Napoleon, his sword defended his country. He enlisted as a volunteer, and was afterwards honorably retired with the rank of major and decorated with the Order of St. John. One of his patriotic poems, 'Frisch auf zum Fröhlichen Jagen' (Come, rouse ye for the merry hunt), with reference to the rising against Napoleon, is still a popular song. In Halle, Fouqué delivered lectures on history and poetry which attracted much attention and admiration. In 1842 he was called to Berlin by Frederick William IV., but his literary efforts were at an end. He died in Berlin, January 23d, 1843.
At the beginning of this century, Fouqué was one of the most celebrated authors. At the present day, with a few brilliant exceptions, all of his plays, romances, and poems have been relegated to oblivion. There is one work, however, a gem in German literature, that has won for its author an enduring place in the memory of readers; and that is the charming and graceful narrative of 'Undine.' It affords an example of the writer's best style of production; it breathes the fresh fragrance of the woods, and is animated by the beautiful thought that peoples the sea and air with nymphs and spirits. With exquisite tenderness Fouqué portrays the beautiful character of Undine. At first her nature reflects all the capriciousness of the elements, then, gradually growing more human through her love, her soul expands and she becomes an ideal of womanly love, devotion, and unselfishness.
The real and unreal are so perfectly blended in this story, that the suffering of Undine excites deep sympathy. Undine, the foster-daughter of a good old fisherman and his wife, is a water nymph, and as such is born without a soul. The knight Huldbrand von Ringstetten is sent by Bertalda in quest of adventure, and riding through an enchanted forest he reaches the fisherman's hut, where he is detained by a storm. He falls in love with the laughing, wayward Undine, and marries her. At once the bewitching maiden gives up her wild pranks, grows gentle, and is devoted to the knight with all her heart; for through her marriage to a human being she receives a soul. Her uncle Kühleborn, a forest brook, tries to entice her back to her native element the sea.
The bridal couple go to their castle, where Bertalda joins them, doing much to disturb their happiness. Huldbrand, though he still loves his beautiful wife, cannot at times suppress an instinctive shudder, and he is attracted to Bertalda, whose nature is more akin to his own.
One day, while they are sailing on the Danube, Kühleborn manages to steal away a necklace with which Bertalda is playing in the water. Undine richly compensates Bertalda for her loss by a much rarer gift, but Huldbrand angrily upbraids her for continuing to hold intercourse with her uncanny relatives. In tears she parts from him, and vanishes in the waves. The knight marries Bertalda, but on the wedding-day, Undine, deeply veiled, rises from the sea to claim her husband, and with a kiss she takes away his life.
Heine says of 'Undine':—
"A wondrous lovely poem. The genius of Poetry kissed slumbering Spring, and smiling he opened his eyes, and all the roses and the nightingales sang; and what the fragrant roses said and what the nightingales sang, our worthy Fouqué put into words and called it 'Undine.'"
THE MARRIAGE OF UNDINE
From 'Undine'
Before the nuptial ceremony, and during its performance, Undine had shown a modest gentleness and maidenly reserve; but it now seemed as if all the wayward freaks that effervesced within her burst forth with an extravagance only the more bold and unrestrained. She teased her bridegroom, her foster-parents, and even the priest, whom she had just now revered so highly, with all sorts of childish tricks; but when the ancient dame was about to reprove her too frolicsome spirit, the knight in a few words imposed silence upon her by speaking of Undine as his wife.
The knight was himself indeed just as little pleased with Undine's childish behavior as the rest; but all his looks and half-reproachful words were to no purpose. It is true, whenever the bride observed the dissatisfaction of her husband—and this occasionally happened—she became more quiet, and placed herself beside him, stroked his face with caressing fondness, whispered something smilingly in his ear, and in this manner smoothed the wrinkles that were gathering on his brow. But the moment after, some wild whim would make her resume her antic movements; and all went worse than before.
The priest then spoke in a kind although serious tone:—
"My fair young maiden, surely no one can look on you without pleasure; but remember betimes so to attune your soul, that it may produce a harmony ever in accordance with the soul of your wedded bridegroom."
"Soul!" cried Undine, with a laugh. "What you say has a remarkably pretty sound; and for most people, too, it may be a very instructive and profitable caution. But when a person has no soul at all, how, I pray you, can such attuning be then possible? And this in truth is just my condition."
The priest was much hurt, but continued silent in holy displeasure, and turned away his face from the maiden in sorrow. She went up to him, however, with the most winning sweetness, and said:—
"Nay, I entreat you, first listen to me, before you are angry with me; for your anger is painful to me, and you ought not to give pain to a creature that has not hurt you. Only have patience with me, and I will explain to you every word of what I meant."
It was evident that she had come to say something important; when she suddenly faltered as if seized with inward shuddering, and burst into a passion of tears. They were none of them able to understand the intenseness of her feelings; and with mingled emotions of fear and anxiety, they gazed on her in silence. Then wiping away her tears and looking earnestly at the priest, she at last said:—
"There must be something lovely, but at the same time something most awful, about a soul. In the name of God, holy man, were it not better that we never shared a gift so mysterious?"
Again she paused, and restrained her tears, as if waiting for an answer. All in the cottage had risen from their seats, and stepped back from her with horror. She, however, seemed to have eyes for no one but the holy man; an awful curiosity was painted on her features, which appeared terrible to the others.
"Heavily must the soul weigh down its possessor," she pursued, when no one returned her any answer—"very heavily! for already its approaching image overshadows me with anguish and mourning. And alas, I have till now been so merry and light-hearted!" and she burst into another flood of tears and covered her face with her veil.
The priest, going up to her with a solemn look, now addressed himself to her, and conjured her, by the name of God most holy, if any spirit of evil possessed her, to remove the light covering from her face. But she sank before him on her knees, and repeated after him every sacred expression he uttered, giving praise to God, and protesting that she "wished well to the whole world."
The priest then spoke to the knight: "Sir bridegroom, I leave you alone with her whom I have united to you in marriage. So far as I can discover there is nothing of evil in her, but assuredly much that is wonderful. What I recommend to you is prudence, love, and fidelity."
Thus speaking, he left the apartment; and the fisherman with his wife followed him, crossing themselves.
Undine had sunk upon her knees. She uncovered her face, and exclaimed, while she looked fearfully round upon Huldbrand, "Alas, you will now refuse to look upon me as your own; and I still have done nothing evil, poor unhappy child that I am!" She spoke these words with a look so infinitely sweet and touching, that her bridegroom forgot both the confession that had shocked and the mystery that had perplexed him; and hastening to her, he raised her in his arms. She smiled through her tears; and that smile was like the morning light playing upon a small stream. "You cannot desert me!" she whispered confidingly, and stroked the knight's cheeks with her little soft hands. He turned away from the frightful thoughts that still lurked in the recesses of his soul, and were persuading him that he had been married to a fairy, or some spiteful and mischievous being of the spirit world. Only the single question, and that almost unawares, escaped from his lips:—
"Dearest Undine, tell me this one thing: what was it you meant by 'spirits of earth' and 'Kühleborn,' when the priest stood knocking at the door?"
"Tales! mere tales of children!" answered Undine laughing, now quite restored to her wonted gayety. "I first frightened you with them, and you frightened me. This is the end of my story, and of our nuptial evening."
"Nay, not so," replied the enamored knight, extinguishing the tapers, and a thousand times kissing his beautiful and beloved bride; while, lighted by the moon that shone brightly through the windows, he bore her into their bridal apartment.
The fresh light of morning woke the young married pair: but Huldbrand lay lost in silent reflection. Whenever, during the night, he had fallen asleep, strange and horrible dreams of spectres had disturbed him; and these shapes, grinning at him by stealth, strove to disguise themselves as beautiful females; and from beautiful females they all at once assumed the appearance of dragons. And when he started up, aroused by the intrusion of these hideous forms, the moonlight shone pale and cold before the windows without. He looked affrighted at Undine, in whose arms he had fallen asleep: and she was reposing in unaltered beauty and sweetness beside him. Then pressing her rosy lips with a light kiss, he again fell into a slumber, only to be awakened by new terrors.
When fully awake he had thought over this connection. He reproached himself for any doubt that could lead him into error in regard to his lovely wife. He also confessed to her his injustice; but she only gave him her fair hand, sighed deeply, and remained silent. Yet a glance of fervent tenderness, an expression of the soul beaming in her eyes, such as he had never witnessed there before, left him in undoubted assurance that Undine bore him no ill-will.
He then rose joyfully, and leaving her, went to the common apartment, where the inmates of the house had already met. The three were sitting round the hearth with an air of anxiety about them, as if they feared trusting themselves to raise their voice above a low, apprehensive undertone. The priest appeared to be praying in his inmost spirit, with a view to avert some fatal calamity. But when they observed the young husband come forth so cheerful, they dispelled the cloud that remained upon their brows: the old fisherman even began to laugh with the knight, till his aged wife herself could not help smiling with great good-humor.
Undine had in the mean time got ready, and now entered the room: all rose to meet her, but remained fixed in perfect admiration—she was so changed, and yet the same. The priest, with paternal affection beaming from his countenance, first went up to her; and as he raised his hand to pronounce a blessing, the beautiful bride sank on her knees before him with religious awe; she begged his pardon in terms both respectful and submissive for any foolish things she might have uttered the evening before, and entreated him with emotion to pray for the welfare of her soul. She then rose, kissed her foster-parents, and after thanking them for all the kindness they had shown her, said:
"Oh, I now feel in my inmost heart how much, how infinitely much, you have done for me, you dear, dear friends of my childhood!"
At first she was wholly unable to tear herself away from their affectionate caresses; but the moment she saw the good old mother busy in getting breakfast, she went to the hearth, applied herself to cooking the food and putting it on the table, and would not suffer her to take the least share in the work.
She continued in this frame of spirit the whole day: calm, kind, attentive—half matronly and half girlish. The three who had been longest acquainted with her expected every instant to see her capricious spirit break out in some whimsical change or sportive vagary. But their fears were quite unnecessary. Undine continued as mild and gentle as an angel. The priest found it all but impossible to remove his eyes from her; and he often said to the bridegroom:—
"The bounty of Heaven, sir, through me its unworthy instrument, intrusted to you yesterday an invaluable treasure: cherish it as you ought, and it will promote your temporal and eternal welfare."
Toward evening Undine was hanging upon the knight's arm with lowly tenderness, while she drew him gently out before the door, where the setting sun shone richly over the fresh grass and upon the high slender boles of the trees. Her emotion was visible; the dew of sadness and love swam in her eyes, while a tender and fearful secret seemed to hover upon her lips, but was only made known by hardly breathed sighs. She led her husband farther and farther onward without speaking. When he asked her questions, she replied only with looks, in which, it is true, there appeared to be no immediate answer to his inquiries, but a whole heaven of love and timid devotion. Thus they reached the margin of the swollen forest stream, and the knight was astonished to see it gliding away with so gentle a murmuring of its waves, that no vestige of its former swell and wildness was now discernible.
"By morning it will be wholly drained off," said the beautiful wife, almost weeping, "and you will then be able to travel, without anything to hinder you, whithersoever you will."
"Not without you, dear Undine," replied the knight, laughing: "think only, were I disposed to leave you, both the Church and the spiritual powers, the emperor and the laws of the realm, would require the fugitive to be seized and restored to you."
"All this depends on you—all depends on you," whispered his little companion, half weeping and half smiling. "But I still feel sure that you will not leave me; I love you too deeply to fear that misery. Now bear me over to that little island which lies before us. There shall the decision be made. I could easily, indeed, glide through that mere rippling of the water without your aid, but it is so sweet to lie in your arms; and should you determine to put me away, I shall have rested in them once more, ... for the last time."
Huldbrand was so full of strange anxiety and emotion, that he knew not what answer to make her. He took her in his arms and carried her over, now first realizing the fact that this was the same little island from which he had borne her back to the old fisherman, the first night of his arrival. On the farther side he placed her upon the soft grass, and was throwing himself lovingly near his beautiful burden; but she said to him:—"Not here, but opposite me. I shall read my doom in your eyes, even before your lips pronounce it; now listen attentively to what I shall relate to you." And she began:—
"You must know, my own love, that there are beings in the elements which bear the strongest resemblance to the human race, and which at the same time but seldom become visible to you. The wonderful salamanders sparkle and sport amid the flames; deep in the earth the meagre and malicious gnomes pursue their revels; the forest spirits belong to the air, and wander in the woods; while in the seas, rivers, and streams live the widespread race of water spirits. These last, beneath resounding domes of crystal, through which the sky can shine with its sun and stars, inhabit a region of light and beauty; lofty coral-trees glow with blue and crimson fruits in their gardens; they walk over the pure sand of the sea, among exquisitely variegated shells, and amid whatever of beauty the old world possessed, such as the present is no more worthy to enjoy,—creations which the floods covered with their secret veils of silver; and now these noble monuments sparkle below, stately and solemn, and bedewed by the water, which loves them, and calls forth from their crevices delicate moss-flowers and enwreathing tufts of sedge.
"Now, the nation that dwell there are very fair and lovely to behold, for the most part more beautiful than human beings. Many a fisherman has been so fortunate as to catch a view of a delicate maiden of the waters, while she was floating and singing upon the deep. He would then spread far the fame of her beauty; and to such wonderful females men are wont to give the name of Undines.—But what need of saying more? You, my dear husband, now actually behold an Undine before you."
The knight would have persuaded himself that his lovely wife was under the influence of one of her odd whims, and that she was only amusing herself and him with her extravagant inventions. He wished it might be so. But with whatever emphasis he said this to himself, he still could not credit the hope for a moment: a strange shivering shot through his soul; unable to utter a word, he gazed upon the sweet speaker with a fixed eye. She shook her head in distress, sighed from her full heart, and then proceeded in the following manner:—
"We should be far superior to you, who are another race of the human family,—for we also call ourselves human beings, as we resemble them in form and features,—had we not one evil peculiar to ourselves. Both we and the beings I have mentioned as inhabiting the other elements vanish into air at death and go out of existence, spirit and body, so that no vestige of us remains; and when you hereafter awake to a purer state of being, we shall remain where sand and sparks and wind and waves remain. Thus, we have no souls; the element moves us, and again is obedient to our will while we live, though it scatters us like dust when we die; and as we have nothing to trouble us, we are as merry as nightingales, little gold-fishes, and other pretty children of nature.
"But all beings aspire to rise in the scale of existence higher than they are. It was therefore the wish of my father, who is a powerful water prince in the Mediterranean Sea, that his only daughter should become possessed of a soul, although she should have to endure many of the sufferings of those who share that gift.
"Now, the race to which I belong have no other means of obtaining a soul than by forming with an individual of your own the most intimate union of love. I am now possessed of a soul, and my soul thanks you, my best beloved, and never shall cease to thank you, if you do not render my whole future life miserable. For what will become of me, if you avoid and reject me? Still, I would not keep you as my own by artifice. And should you decide to cast me off, then do it now, and return alone to the shore. I will plunge into this brook, where my uncle will receive me; my uncle, who here in the forest, far removed from his other friends, passes his strange and solitary existence. But he is powerful, as well as revered and beloved by many great rivers; and as he brought me hither to the fisherman a light-hearted and laughing child, he will take me home to my parents a woman, gifted with a soul, with power to love and to suffer."
She was about to add something more, when Huldbrand with the most heartfelt tenderness and love clasped her in his arms, and again bore her back to the shore. There amid tears and kisses he first swore never to forsake his affectionate wife, and esteemed himself even more happy than Pygmalion, for whom Venus gave life to this beautiful statue, and thus changed it into a beloved wife. Supported by his arm, and in the confidence of affection, Undine returned to the cottage; and now she first realized with her whole heart how little cause she had for regretting what she had left—the crystal palaces of her mysterious father.
THE LAST APPEARANCE OF UNDINE
From 'Undine'
Should I relate to you how passed the marriage feast at Castle Ringstetten, it would be as if you saw a heap of bright and pleasant things, but all overspread with a black mourning crape, through whose darkening veil their brilliancy would appear but a mockery of the nothingness of all earthly joys.
It was not that any spectral delusion disturbed the scene of festivity; for the castle, as we well know, had been secured against the mischief of the water spirits. But the knight, the fisherman, and all the guests were unable to banish the feeling that the chief personage of the feast was still wanting, and that this chief personage could be no other than the gentle and beloved Undine.
Whenever a door was heard to open, all eyes were involuntarily turned in that direction; and if it was nothing but the steward with new dishes, or the cup-bearer with a supply of wine of higher flavor than the last, they again looked down in sadness and disappointment, while the flashes of wit and merriment which had been passing at times from one to another were extinguished by tears of mournful remembrance.
The bride was the least thoughtful of the company, and therefore the most happy; but even to her it sometimes seemed strange that she should be sitting at the head of the table, wearing a green wreath and gold-embroidered robe, while Undine was lying a corpse, stiff and cold, at the bottom of the Danube, or carried out by the current into the ocean. For ever since her father had suggested something of this sort, his words were continually sounding in her ear; and this day in particular, they would neither fade from her memory nor yield to other thoughts.
Evening had scarcely arrived when the company returned to their homes; not dismissed by the impatience of the bridegroom, as wedding parties are sometimes broken up, but constrained solely by heavy sadness and forebodings of evil. Bertalda retired with her maidens, and the knight with his attendants, to undress; but there was no gay laughing company of bridesmaids and bridesmen at this mournful festival.
Bertalda wished to awake more cheerful thoughts: she ordered her maidens to spread before her a brilliant set of jewels, a present from Huldbrand, together with rich apparel and veils, that she might select from among them the brightest and most beautiful for her dress in the morning. The attendants rejoiced at this opportunity of pouring forth good wishes and promises of happiness to their young mistress, and failed not to extol the beauty of the bride with the most glowing eloquence. This went on for a long time, until Bertalda at last, looking in a mirror, said with a sigh:—
"Ah, but do you not see plainly how freckled I am growing? Look here on the side of my neck."
They looked at the place and found the freckles indeed, as their fair mistress had said; but they called them mere beauty-spots, the faintest touches of the sun, such as would only heighten the whiteness of her delicate complexion. Bertalda shook her head, and still viewed them as a blemish.
"And I could remove them," she said at last, sighing. "But the castle fountain is covered, from which I formerly used to have that precious water, so purifying to the skin. Oh, had I this evening only a single flask of it!"
"Is that all?" cried an alert waiting-maid, laughing as she glided out of the apartment.
"She will not be so foolish," said Bertalda, well pleased and surprised, "as to cause the stone cover of the fountain to be taken off this very evening?" That instant they heard the tread of men already passing along the court-yard, and could see from the window where the officious maiden was leading them directly up to the fountain, and that they carried levers and other instruments on their shoulders.
"It is certainly my will," said Bertalda with a smile, "if it does not take them too long." And pleased with the thought that a word from her was now sufficient to accomplish what had formerly been refused with a painful reproof, she looked down upon their operations in the bright moonlit castle court.
The men raised the enormous stone with an effort; some one of the number indeed would occasionally sigh, when he recollected that they were destroying the work of their former beloved mistress. Their labor, however, was much lighter than they had expected. It seemed as if some power from within the fountain itself aided them in raising the stone.
"It appears," said the workmen to one another in astonishment, "as if the confined water had become a springing fountain." And the stone rose more and more, and almost without the assistance of the workpeople, rolled slowly down upon the pavement with a hollow sound. But an appearance from the opening of the fountain filled them with awe, as it rose like a white column of water; at first they imagined it really to be a fountain, until they perceived the rising form to be a pale female, veiled in white. She wept bitterly, raised her hands above her head, wringing them sadly as with slow and solemn step she moved toward the castle. The servants shrank back, and fled from the spring, while the bride, pale and motionless with horror, stood with her maidens at the window. When the figure had now come close beneath their room, it looked up to them sobbing, and Bertalda thought she recognized through the veil the pale features of Undine. But the mourning form passed on, sad, reluctant, and lingering, as if going to the place of execution. Bertalda screamed to her maids to call the knight; not one of them dared to stir from her place; and even the bride herself became again mute, as if trembling at the sound of her own voice.
While they continued standing at the window, motionless as statues, the mysterious wanderer had entered the castle, ascended the well-known stairs, and traversed the well-known halls, in silent tears. Alas, how differently had she once passed through these rooms!
The knight had in the mean time dismissed his attendants. Half undressed and in deep dejection, he was standing before a large mirror; a wax taper burned dimly beside him. At this moment some one tapped at his door very, very softly. Undine had formerly tapped in this way, when she was playing some of her endearing wiles.
"It is all an illusion!" said he to himself. "I must to my nuptial bed."
"You must indeed, but to a cold one!" he heard a voice, choked with sobs, repeat from without; and then he saw in the mirror that the door of his room was slowly, slowly opened, and the white figure entered, and gently closed it behind her.
"They have opened the spring," said she in a low tone; "and now I am here, and you must die."
He felt in his failing breath that this must indeed be; but covering his eyes with his hands, he cried:—"Do not in my death-hour, do not make me mad with terror. If that veil conceals hideous features, do not lift it! Take my life, but let me not see you."
"Alas!" replied the pale figure, "will you not then look upon me once more? I am as fair now as when you wooed me on the island!"
"Oh, if it indeed were so," sighed Huldbrand, "and that I might die by a kiss from you!"
"Most willingly, my own love," said she. She threw back her veil; heavenly fair shone forth her pure countenance. Trembling with love and the awe of approaching death, the knight leant towards her. She kissed him with a holy kiss; but she relaxed not her hold, pressing him more closely in her arms, and weeping as if she would weep away her soul. Tears rushed into the knight's eyes, while a thrill both of bliss and agony shot through his heart, until he at last expired, sinking softly back from her fair arms upon the pillow of his couch a corpse.
"I have wept him to death!" said she to some domestics who met her in the ante-chamber; and passing through the terrified group, she went slowly out, and disappeared in the fountain.
SONG FROM 'MINSTREL LOVE'
Oh welcome, Sir Bolt, to me!
And a welcome, Sir Arrow, to thee!
But wherefore such pride
In your swift airy ride?
You're but splints of the ashen tree.
When once on earth lying,
There's an end of your flying!
Lullaby! lullaby! lullaby!
But we freshly will wing you
And back again swing you,
And teach you to wend
To your Moorish friend.
Sir Bolt, you have oft been here;
And Sir Arrow, you've often flown near;
But still from pure haste
All your courage would waste
On the earth and the streamlet clear.
What! over all leaping,
In shame are you sleeping?
Lullaby! lullaby! lullaby!
Or if you smote one,
'Twas but darklingly done,
As the grain that winds fling
To the bird on the wing.